Marking his tenth film, “Naked Nations – Tribe Hong Kong” is also Scud's swan song in filmmaking, with the fact actually being a central element of the narrative of this 161-minute mix of drama, making-of, documentary and self-hommage. At the same time, it can also be perceived as an act of defiance, while one of the central elements of the majority of Scud's films, male nudity is also quite prevalent here, although this time, his own too.
Naked Nations – Tribe Hong Kong is screening at International Film Festival Rotterdam
Scud invites his collaborators from previous films including Adonis He and Osman Hung, along with Stanley Kwan (one of the few men that doesn't get naked in the movie) and embarks in a multileveled “trip” that seems to unfold in a number of thematic axes. The first one is the whole Covid situation, with Scud recording how the government handled the...
Naked Nations – Tribe Hong Kong is screening at International Film Festival Rotterdam
Scud invites his collaborators from previous films including Adonis He and Osman Hung, along with Stanley Kwan (one of the few men that doesn't get naked in the movie) and embarks in a multileveled “trip” that seems to unfold in a number of thematic axes. The first one is the whole Covid situation, with Scud recording how the government handled the...
- 1/27/2024
- by Panos Kotzathanasis
- AsianMoviePulse
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