“Cargo” begins with a lovely sequence shot of a woman, Kiki, in Eritrea, turning off the lights at her family home, tucking up her little daughter, Liah, getting into bed with husband Aman, Liah clambering in after her, and falling asleep breathing in her family, smiling slightly, happy.
It’s the last time that Kiki may have any piece of mind in Finnish director Matti Kinnunen’s “Cargo,” the first high-end series from Fremantle Finland, made for enterprising Finnish public broadcaster Yle , which competes for the Nordisk Film & TV Fond Prize for best screenplay of a Nordic drama series, to be announced Feb. 3 at the Göteborg Festival’s TV Drama Vision.
Aman’s sister appears, having deserted from the army, soldiers hot on her heels. Soon Kiki, Aman and Liah are fleeing, desperate to leave Eritrea, dodging guards on the Sudan border.
Cut to Kiki’s father, at Helsinki’s...
It’s the last time that Kiki may have any piece of mind in Finnish director Matti Kinnunen’s “Cargo,” the first high-end series from Fremantle Finland, made for enterprising Finnish public broadcaster Yle , which competes for the Nordisk Film & TV Fond Prize for best screenplay of a Nordic drama series, to be announced Feb. 3 at the Göteborg Festival’s TV Drama Vision.
Aman’s sister appears, having deserted from the army, soldiers hot on her heels. Soon Kiki, Aman and Liah are fleeing, desperate to leave Eritrea, dodging guards on the Sudan border.
Cut to Kiki’s father, at Helsinki’s...
- 1/27/2021
- by John Hopewell
- Variety Film + TV
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