Kim Gordon, founding member of Sonic Youth and Body/Head on Catherine Breillat and the music with Anne-Katrin Titze and 99 Records founder Ed Bahlman: “It was a real honour of my life to be in one of her films.”
In the first instalment with Kim Gordon on Catherine Breillat, we discuss the songs in Last Summer (L'Été Dernier) - Body/Head’s Tripping (Bill Nace and Kim Gordon), Sonic Youth’s Dirty Boots, and Léo Ferré’s Vingt Ans, and we are joined by music producer and 99 Records founder Ed Bahlman. Kim’s initial encounters with Breillat films are A Real Young Girl (Une Vraie Jeune Fille) and then 36 Fillette. We also touch on Kim’s latest work with French choreographer Dimitri Chamblas, Ed’s copy of the mastered cassette of their second album Bad Moon Rising Sonic Youth dropped off at 99, and a word on Brooks Headley’s Superiority Burger.
In the first instalment with Kim Gordon on Catherine Breillat, we discuss the songs in Last Summer (L'Été Dernier) - Body/Head’s Tripping (Bill Nace and Kim Gordon), Sonic Youth’s Dirty Boots, and Léo Ferré’s Vingt Ans, and we are joined by music producer and 99 Records founder Ed Bahlman. Kim’s initial encounters with Breillat films are A Real Young Girl (Une Vraie Jeune Fille) and then 36 Fillette. We also touch on Kim’s latest work with French choreographer Dimitri Chamblas, Ed’s copy of the mastered cassette of their second album Bad Moon Rising Sonic Youth dropped off at 99, and a word on Brooks Headley’s Superiority Burger.
- 1/19/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
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In a downtown parking lot on Oct. 27, a couple of grey cars pulled up from which dancers emerged. They proceeded to enact a rave party scene mostly in slow motion.
A work by Franco-Austrian choreographer Gisèle Vienne, the 90-minute dance performance, titled Crowd, was a vivid tableau, the slow motion effectively amplifying the urges on display: to feel a sense of abandon and freedom while never quite being able to escape the ennui of one’s circumstance. It felt a bit as if the characters of Euphoria had been asked to choreograph a Super Bowl halftime show with intriguing results.
The dance work was one of three presented in Los Angeles as part of Van Cleef & Arpels’ arts initiative Dance Reflections, which supports dance companies and institutions around the world. Earlier in the evening, the L.A. Dance Project, founded by choreographer Benjamin Millepied,...
In a downtown parking lot on Oct. 27, a couple of grey cars pulled up from which dancers emerged. They proceeded to enact a rave party scene mostly in slow motion.
A work by Franco-Austrian choreographer Gisèle Vienne, the 90-minute dance performance, titled Crowd, was a vivid tableau, the slow motion effectively amplifying the urges on display: to feel a sense of abandon and freedom while never quite being able to escape the ennui of one’s circumstance. It felt a bit as if the characters of Euphoria had been asked to choreograph a Super Bowl halftime show with intriguing results.
The dance work was one of three presented in Los Angeles as part of Van Cleef & Arpels’ arts initiative Dance Reflections, which supports dance companies and institutions around the world. Earlier in the evening, the L.A. Dance Project, founded by choreographer Benjamin Millepied,...
- 11/1/2022
- by Degen Pener
- The Hollywood Reporter - Movie News
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