“The Queen’s Gambit” and “The Mandalorian” were among the big winners Saturday as the Creative Arts Emmy Awards were handed out in downtown Los Angeles, kicking off the last lap of Emmy season.
This year’s Creative Arts ceremonies, held in a tent on the L.A. Live events deck in downtown Los Angeles, will be split into three events over two days, on Sept. 11 and Sept. 12.
The creative and technical achievement awards kicked off with a Saturday evening event centered around artisans categories including cinematography, costumes, hairstyling, production design, editing and sound mixing. The Sunday afternoon ceremony will feature categories like animated programming, reality/competition host, narrator, documentary filmmaking, and structured and unstructured reality program, while the Sunday evening ceremony will focus on the major categories, such as guest actor and actress, music and lyrics, short form series, TV movie, variety sketch series, variety special (live) and writing for a variety special.
This year’s Creative Arts ceremonies, held in a tent on the L.A. Live events deck in downtown Los Angeles, will be split into three events over two days, on Sept. 11 and Sept. 12.
The creative and technical achievement awards kicked off with a Saturday evening event centered around artisans categories including cinematography, costumes, hairstyling, production design, editing and sound mixing. The Sunday afternoon ceremony will feature categories like animated programming, reality/competition host, narrator, documentary filmmaking, and structured and unstructured reality program, while the Sunday evening ceremony will focus on the major categories, such as guest actor and actress, music and lyrics, short form series, TV movie, variety sketch series, variety special (live) and writing for a variety special.
- 9/12/2021
- by Cynthia Littleton and Ethan Shanfeld
- Variety Film + TV
‘Oklahoma City’ Review: This Bombing Doc Is a Terrifying Warning for Trump’s America — Sundance 2017
From the opening titles that traces photos of white supremacist leaders to Timothy McVeigh’s mugshot, Barak Goodman’s “Oklahoma City” documentary links America’s rising white supremacist movement to McVeigh’s 1995 act of terrorism. It’s a compelling argument, and builds a case that the worst of what’s inside American borders is just as frightening as the evil men outside them. While Goodman’s feature doesn’t focus our recently inaugurated president, it serves as a blunt reminder of what has happened, and could happen again, when misinformation is spread to dangerous, angry, homegrown radicals.
The 1995 Oklahoma City bombing was the deadliest terrorist attack on American soil pre-9/11, and Goodman’s interpretation of its lessons examines how America’s security priorities have shifted since. Domestic terrorism concerns, even in an age when school shootings regularly prompt second amendment debates, are often overridden in national security conversations by fear of foreign threats.
The 1995 Oklahoma City bombing was the deadliest terrorist attack on American soil pre-9/11, and Goodman’s interpretation of its lessons examines how America’s security priorities have shifted since. Domestic terrorism concerns, even in an age when school shootings regularly prompt second amendment debates, are often overridden in national security conversations by fear of foreign threats.
- 1/21/2017
- by Ben Travers
- Indiewire
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