By Spencer Nafekh-Blanchette
Six years after “Cure” solidified Kiyoshi Kurosawa as a maestro of slow-burn horror, the director does a victory lap with “Retribution.” It might not amount to his J-horror masterpiece, but feels equally dreadful and haunting.
Noboru Yoshioka is a detective who finds himself wrapped up in a mysterious murder case after the corpse of an unknown woman in a red dress is discovered at a Tokyo waterfront. Not much later, Yoshioka visits the scene of the crime and hears screaming but cannot pinpoint where it is coming from. As more evidence begins to turn up within the course of a few days, Yoshioka is terrified to discover that the only viable suspect is himself, even though he has no recollection of doing anything.
As is characteristic of Kurosawa’s directorial style, the mystery in “Retribution” does not solve itself, but merely becomes more surreal and psychologically complex as it progresses.
Six years after “Cure” solidified Kiyoshi Kurosawa as a maestro of slow-burn horror, the director does a victory lap with “Retribution.” It might not amount to his J-horror masterpiece, but feels equally dreadful and haunting.
Noboru Yoshioka is a detective who finds himself wrapped up in a mysterious murder case after the corpse of an unknown woman in a red dress is discovered at a Tokyo waterfront. Not much later, Yoshioka visits the scene of the crime and hears screaming but cannot pinpoint where it is coming from. As more evidence begins to turn up within the course of a few days, Yoshioka is terrified to discover that the only viable suspect is himself, even though he has no recollection of doing anything.
As is characteristic of Kurosawa’s directorial style, the mystery in “Retribution” does not solve itself, but merely becomes more surreal and psychologically complex as it progresses.
- 11/18/2020
- by Guest Writer
- AsianMoviePulse
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