[About her fluidity between Korea and the US] I actually have been trying really hard for many years to make film that wasn't an international coproduction. But ironically, all of these "national" films fell through in the end - and in the meantime, I ended up producing other "transnational" films almost as a byproduct! At this point, I've finally accepted the inherent and resilient transnational nature of my films, and the status of my being.