Bina48, the central figure of the documentary “Love Machina,” is among the most terrifying film characters of the year. A disembodied head resembling a middle-aged Black woman and powered by artificial intelligence, Bina48 combines a realistic face, dead emotionless eyes, jerky and mechanical head movements, and speech that resembles a voicemail chatbot more than a living being to create an uncanny valley nightmare. But to basically everyone on screen, Bina48 is a dream, a sign of a world where — to quote the motto of her makers at the Terasem Movement — “Life is purposeful. Death is optional. God is technological. Love is essential.”
Whether “Love Machina” agrees with its subjects’ views about Bina48, and the larger ongoing debates about the ethics of artificial intelligence, is a bit of a mystery even by the time its credits roll. In taking us into the story of the AI, director Peter Sillen opts for...
Whether “Love Machina” agrees with its subjects’ views about Bina48, and the larger ongoing debates about the ethics of artificial intelligence, is a bit of a mystery even by the time its credits roll. In taking us into the story of the AI, director Peter Sillen opts for...
- 1/25/2024
- by Wilson Chapman
- Indiewire
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