“I kind of just accepted that no one would really care about my work because I was such a weirdo,” says New York’s Kelly Moran, an avant-garde composer and pianist who drones, plucks and buzzes on the lines between modern classical, ambient, electroacoustic and jazz. “I had so many rejections [from record labels], and so many that were based around the fact that what I was doing was too niche. Part of me was like, ‘No one’s ever going to hear this, but I need to do it for myself anyway,...
- 11/2/2018
- by Christopher R. Weingarten
- Rollingstone.com
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