The end of the world doesn't look that different from the rest of the world. This is the first impression that four members of a school photo club “Shine” get once they reach a destination they proclaimed as the end of everything.
on Amazon by clicking on the image below
Equipped with plastic analogue cameras given to them by a school professor who tasked them with taking pictures of what they believe is impossible to capture, four girls start their day trip completely unmotivated, clueless how to approach the topic. Ditching the project is more exciting, but being awarded demerits less so, which becomes their only motivation to continue with the homework.
Short moments before leaving the train in Shinchang – the final station of Seoul's subway line 1, their hope of experiencing something different already ebbed away. The landscape outside is “underwhelming” and “rural”, according to Song-hee , Si-yeon,...
on Amazon by clicking on the image below
Equipped with plastic analogue cameras given to them by a school professor who tasked them with taking pictures of what they believe is impossible to capture, four girls start their day trip completely unmotivated, clueless how to approach the topic. Ditching the project is more exciting, but being awarded demerits less so, which becomes their only motivation to continue with the homework.
Short moments before leaving the train in Shinchang – the final station of Seoul's subway line 1, their hope of experiencing something different already ebbed away. The landscape outside is “underwhelming” and “rural”, according to Song-hee , Si-yeon,...
- 1/13/2024
- by Marina D. Richter
- AsianMoviePulse
Four middle school students are asked by their photography club adviser to document the “end of the world” with disposable cameras, which might as well be alien relics to the smart-phone obsessed tweens. But in Kwon Min-pyo and Seo Han-sol’s lovely Short Vacation, these talkative girls embrace the ambiguity of their assignment, embarking on a long day trip down the Seoul Metropolitan Railway line. Before long, the familiar city skyscrapers have disappeared and been replaced by the open fields and empty streets of rural Korea.
Soon realizing that time unfolds differently out here, the girls begin to see this trip as an opportunity to putter around talking about whatever subject pops into their head. Eventually, the challenge of photographing spaces (or things) with a finite conclusion morphs into a more curious gaze that puts a value on each mundane snapshot (captured by the film’s sporadic cutaways to the pictures themselves). Unlike their cellphones,...
Soon realizing that time unfolds differently out here, the girls begin to see this trip as an opportunity to putter around talking about whatever subject pops into their head. Eventually, the challenge of photographing spaces (or things) with a finite conclusion morphs into a more curious gaze that puts a value on each mundane snapshot (captured by the film’s sporadic cutaways to the pictures themselves). Unlike their cellphones,...
- 4/29/2021
- by Glenn Heath Jr.
- The Film Stage
The Museum of Modern Art and Film at Lincoln Center Thursday announces the complete lineup for the 50th anniversary edition of New Directors/New Films rolling out April 28 – May 8. The films will screen both virtually and at the Flc theater through May 13, making it the first NYC fest to return to the big screen.
Opening night will feature Amalia Ulman’s El Planeta, a portrait of a mother and daughter barely scraping by in Spain’s northwestern seaside town of Gijón. The event will close with All Light, Everywhere, director Theo Anthony’s winner of a Sundance Jury Prize for Experimentation in Nonfiction. Anthony’s follow-up to Rat Film, All Light, Everywhere uses U.S. law enforcement bodycam footage as a treatise on perception, power, and policing.
The fest will showcase 27 films and 11 shorts.
A free virtual retrospective celebrating 50 years of Nd/Nf will be available from April 16-28.
“From intimate,...
Opening night will feature Amalia Ulman’s El Planeta, a portrait of a mother and daughter barely scraping by in Spain’s northwestern seaside town of Gijón. The event will close with All Light, Everywhere, director Theo Anthony’s winner of a Sundance Jury Prize for Experimentation in Nonfiction. Anthony’s follow-up to Rat Film, All Light, Everywhere uses U.S. law enforcement bodycam footage as a treatise on perception, power, and policing.
The fest will showcase 27 films and 11 shorts.
A free virtual retrospective celebrating 50 years of Nd/Nf will be available from April 16-28.
“From intimate,...
- 4/1/2021
- by Jill Goldsmith
- Deadline Film + TV
The Museum of Modern Art and Film at Lincoln Center have today announced the 50th anniversary edition of New Directors/New Films (Nd/Nf), this year available in both virtual and in-theater settings, marking it as the first New York City festival to return to live screenings since the pandemic began. This year’s festival will introduce 27 features and 11 shorts to audiences nationwide in the MoMA and Flc virtual cinemas, and to New Yorkers at Film at Lincoln Center. The festival will open with Amalia Ulman’s “El Planeta” and close with Theo Anthony’s “All Light, Everywhere,” both of which premiered at Sundance in January.
This year’s edition will mark the second time the festival has offered a virtual arm: the festival’s original March 2020 dates were postponed when pandemic shutdowns took hold, with the series eventually opting to go virtual for its 49th edition, rolling out last December.
This year’s edition will mark the second time the festival has offered a virtual arm: the festival’s original March 2020 dates were postponed when pandemic shutdowns took hold, with the series eventually opting to go virtual for its 49th edition, rolling out last December.
- 4/1/2021
- by Kate Erbland
- Indiewire
The Museum of Modern Art and Film at Lincoln Center have announced the 50th anniversary edition of New Directors/ New Films.
The annual program will be held virtually on April 28 through May 8, with in-person screening extending through May 14 at Film at Lincoln Center.
This year’s festival is introducing 27 features and 11 short films. Unique to the 2021 edition, there will be a free virtual retrospective to celebrate the past 50 years of New Directors/ New Films running from April 16 through April 28.
“From intimate, personal tales to political, metaphysical, and spiritual inquiries, the films in the 50th edition of New Directors/New Films embody an inexhaustible curiosity and a fearless desire for adventure,” said La Frances Hui, curator of Film at The Museum of Modern Art and 2021 New Directors/New Films co-chair. “They prove that cinema will continue to illuminate and inspire the way we live, and make art.”
Writer and director Amalia Ulman...
The annual program will be held virtually on April 28 through May 8, with in-person screening extending through May 14 at Film at Lincoln Center.
This year’s festival is introducing 27 features and 11 short films. Unique to the 2021 edition, there will be a free virtual retrospective to celebrate the past 50 years of New Directors/ New Films running from April 16 through April 28.
“From intimate, personal tales to political, metaphysical, and spiritual inquiries, the films in the 50th edition of New Directors/New Films embody an inexhaustible curiosity and a fearless desire for adventure,” said La Frances Hui, curator of Film at The Museum of Modern Art and 2021 New Directors/New Films co-chair. “They prove that cinema will continue to illuminate and inspire the way we live, and make art.”
Writer and director Amalia Ulman...
- 4/1/2021
- by Rebecca Rubin
- Variety Film + TV
With a two-part structure featuring an online press and industry component that’s just concluded, followed by physical screenings this summer, the Berlin International Film Festival is unveiling a selection of the year’s finest films. Along with our extensive coverage of the festival (with a few reviews still to come), we’ve asked our Berlinale contributors to share their personal favorites. Check out their lists below, with links to coverage where available.
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
Ed Frankl
Memory Box
1. Petite Maman (Céline Sciamma)
2. Memory Box (Joana Hadjithomas & Khalil Joreige)
3. Brother’s Keeper (Ferit Karahan)
4. Ballad of a White Cow (Behtash Sanaeeha & Maryam Moghaddam)
5. Ninjababy (Yngvild Sve Flikke)
Honorable Mentions: The Fam, Language Lessons, Natural Light, Taste, and Wheel of Fortune and Fantasy.
Leonardo Goi
Taste
1. Taste (Lê Bảo)
2. Petite Maman (Céline Sciamma)
3. The Scary of Sixty-First (Dasha Nekrasova)
4. Wheel of Fortune and Fantasy (Ryûsuke Hamaguchi)
5. Bad Luck Banging or Loony Porn (Radu Jude...
- 3/10/2021
- by The Film Stage
- The Film Stage
The end of the world doesn’t look that different from the rest of the world. This is the first impression that four members of a school photo club “Shine” get once they reach a destination they proclaimed as the end of everything.
A Short Vacation is screening on Berlinale
Equipped with plastic analogue cameras given to them by a school professor who tasked them with taking pictures of what they believe is impossible to capture, four girls start their day trip completely unmotivated, clueless how to approach the topic. Ditching the project is more exciting, but being awarded demerits less so, which becomes their only motivation to continue with the homework.
Short moments before leaving the train in Shinchang – the final station of Seoul’s subway line 1, their hope of experiencing something different already ebbed away. The landscape outside is “underwhelming” and “rural”, according to Song-hee , Si-yeon, So-jung and Yeon-woo,...
A Short Vacation is screening on Berlinale
Equipped with plastic analogue cameras given to them by a school professor who tasked them with taking pictures of what they believe is impossible to capture, four girls start their day trip completely unmotivated, clueless how to approach the topic. Ditching the project is more exciting, but being awarded demerits less so, which becomes their only motivation to continue with the homework.
Short moments before leaving the train in Shinchang – the final station of Seoul’s subway line 1, their hope of experiencing something different already ebbed away. The landscape outside is “underwhelming” and “rural”, according to Song-hee , Si-yeon, So-jung and Yeon-woo,...
- 3/2/2021
- by Marina D. Richter
- AsianMoviePulse
Due to the Covid-19 pandemic, the Berlinale has developed a new festival format for its 71st edition.
In 2021, the Competition, Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation and Perspektive Deutsches Kino have been reduced in size due to the pandemic.
The majority of the Film Selection will be available for viewing online by industry representatives and accredited members of the press during the Industry Event from March 1–5, 2021.
During the Summer Special from June 9–20, 2021, Berlinale audiences will be able to see the majority of the films selected by all the sections in numerous cinema screenings in the presence of the filmmakers.
Limbo by by Cheang Soi
Let’s have a look at the Asian Films in the different sections of the Festival:
Competition:
Ghasideyeh gave sefid (Ballad of a White Cow)
Iran / France
by Behtash Sanaeeha, Maryam Moghaddam *World premiere
Guzen to sozo (Wheel of Fortune...
In 2021, the Competition, Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation and Perspektive Deutsches Kino have been reduced in size due to the pandemic.
The majority of the Film Selection will be available for viewing online by industry representatives and accredited members of the press during the Industry Event from March 1–5, 2021.
During the Summer Special from June 9–20, 2021, Berlinale audiences will be able to see the majority of the films selected by all the sections in numerous cinema screenings in the presence of the filmmakers.
Limbo by by Cheang Soi
Let’s have a look at the Asian Films in the different sections of the Festival:
Competition:
Ghasideyeh gave sefid (Ballad of a White Cow)
Iran / France
by Behtash Sanaeeha, Maryam Moghaddam *World premiere
Guzen to sozo (Wheel of Fortune...
- 2/11/2021
- by Adriana Rosati
- AsianMoviePulse
The Berlin International Film Festival has set its full slate for the upcoming 2021 edition. Berlinale usually follows Sundance with a February festival, but the pandemic has forced organizers to develop a new festival format for 2021. The 71st Berlin International Film Festival is set to take place with the “Industry Event” from March 1 to 5, which will include the European Film Market (EFM), the Berlinale Co-Production Market, the Berlinale Talents, and the World Cinema Fund in online forms. From June 9 to 20, 2021 the Berlinale will launch a “Summer Special” with numerous film presentations in Berlin, both at indoor and outdoor cinemas.
Included in the March event is the traditional film festival slate, which includes the main Berlinale Competition lineup as well as sidebar sections such as Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation, Perspektive Deutsches Kino, and Retrospective. With the exception of the Retrospective, the films will be shown at the March event.
Included in the March event is the traditional film festival slate, which includes the main Berlinale Competition lineup as well as sidebar sections such as Berlinale Special & Berlinale Series, Encounters, Berlinale Shorts, Panorama, Forum & Forum Expanded, Generation, Perspektive Deutsches Kino, and Retrospective. With the exception of the Retrospective, the films will be shown at the March event.
- 2/11/2021
- by Zack Sharf
- Indiewire
Generation, the Berlin Film Festival’s section for youth-centric movies, has unveiled its lineup, with a majority of its films directed by women.
Sixty per cent of the films are directed by women, and many of them feature “strong willed” female protagonists, the festival said, such as “Ninjababy,” in which Rakel is six months pregnant, but doesn’t want to become a mother. Other such films include “Short Vacation,” “Mission Ulja Funk” and “Nelly Rapp – Monster Agent.”
Many of the films immerse themselves in the worlds of young people, such as “The White Fortress,” “Stop-Zemlia,” “The Fam” and “Fighter.”
Generation features eight world premieres across its two competition programs, Generation Kplus and Generation 14plus, with the films coming from 17 countries. With four contributions each, productions from the Asian and Scandinavian countries are particularly well represented.
“The 15 films in this year’s Generation selection are an open invitation to go beyond the obvious,...
Sixty per cent of the films are directed by women, and many of them feature “strong willed” female protagonists, the festival said, such as “Ninjababy,” in which Rakel is six months pregnant, but doesn’t want to become a mother. Other such films include “Short Vacation,” “Mission Ulja Funk” and “Nelly Rapp – Monster Agent.”
Many of the films immerse themselves in the worlds of young people, such as “The White Fortress,” “Stop-Zemlia,” “The Fam” and “Fighter.”
Generation features eight world premieres across its two competition programs, Generation Kplus and Generation 14plus, with the films coming from 17 countries. With four contributions each, productions from the Asian and Scandinavian countries are particularly well represented.
“The 15 films in this year’s Generation selection are an open invitation to go beyond the obvious,...
- 2/8/2021
- by Leo Barraclough
- Variety Film + TV
The 2021 festival will take place in two parts.
The Berlin International Film Festival has unveiled the first films selected for its 2021 edition which will take place in two parts, starting with the industry-focused, online-only event from March 1-5.
They are the titles that will comprise the Generation and Retrospective strands, and come nearly two months later than last year’s equivalent announcement as organisers prepare to host the first virtual edition of the festival.
A second event, titled Summer Special, is scheduled to run June 9-20 and set to include physical screenings of the selection and their filmmakers, at 10 venues in Berlin.
The Berlin International Film Festival has unveiled the first films selected for its 2021 edition which will take place in two parts, starting with the industry-focused, online-only event from March 1-5.
They are the titles that will comprise the Generation and Retrospective strands, and come nearly two months later than last year’s equivalent announcement as organisers prepare to host the first virtual edition of the festival.
A second event, titled Summer Special, is scheduled to run June 9-20 and set to include physical screenings of the selection and their filmmakers, at 10 venues in Berlin.
- 2/8/2021
- by Michael Rosser
- ScreenDaily
The 71st Berlin International Film Festival unveils its program this week, with the Generation and Retrospective sections kicking off proceedings today.
A total of 15 films are selected across the two youth-focused Generation competitions – Kplus and 14plus. Of the titles chosen, 60% are directed by female directors. Scroll down for the full list.
The movies come from the likes of Canada, China, and Korea. There are eight world premieres and six debuts. Films arriving from other festivals include the animation Cryptozoo, which was at Sundance and features Lake Bell and Michael Cera in its voice cast.
The 2021 Retrospective program will focus on the comedic work of three actresses – Mae West, Rosalind Russell, and Carole Lombard during the era when the Motion Picture Production Code (“Hays Code”) was coming into effect. There are 27 films in total, released between 1932 and 1943. They are also listed below.
Buyers will get the chance to view these movies during the virtual EFM,...
A total of 15 films are selected across the two youth-focused Generation competitions – Kplus and 14plus. Of the titles chosen, 60% are directed by female directors. Scroll down for the full list.
The movies come from the likes of Canada, China, and Korea. There are eight world premieres and six debuts. Films arriving from other festivals include the animation Cryptozoo, which was at Sundance and features Lake Bell and Michael Cera in its voice cast.
The 2021 Retrospective program will focus on the comedic work of three actresses – Mae West, Rosalind Russell, and Carole Lombard during the era when the Motion Picture Production Code (“Hays Code”) was coming into effect. There are 27 films in total, released between 1932 and 1943. They are also listed below.
Buyers will get the chance to view these movies during the virtual EFM,...
- 2/8/2021
- by Tom Grater
- Deadline Film + TV
The Berlin Film Festival has announced the first group of films for its 71st edition, unveiling the official lineups for its Retrospective and Generation sections on Monday.
Berlin’s Generation section of films targeting children and youth audiences, features eight world premieres and six debut features, with first-time entries including Summer Blur from Chinese director Han Shuai, the Korean drama Short Vacation from directors Kwon Min-pyo and Seo Hansol, and the Danish documentary From the Wild Sea by Robin Petré.
Among the highlights this year are Dash Shaw’s animated Sundance hit Cryptozoo, and the world premieres of such titles as Ninjababy from Norway’s ...
Berlin’s Generation section of films targeting children and youth audiences, features eight world premieres and six debut features, with first-time entries including Summer Blur from Chinese director Han Shuai, the Korean drama Short Vacation from directors Kwon Min-pyo and Seo Hansol, and the Danish documentary From the Wild Sea by Robin Petré.
Among the highlights this year are Dash Shaw’s animated Sundance hit Cryptozoo, and the world premieres of such titles as Ninjababy from Norway’s ...
The Berlin Film Festival has announced the first group of films for its 71st edition, unveiling the official lineups for its Retrospective and Generation sections on Monday.
Berlin’s Generation section of films targeting children and youth audiences, features eight world premieres and six debut features, with first-time entries including Summer Blur from Chinese director Han Shuai, the Korean drama Short Vacation from directors Kwon Min-pyo and Seo Hansol, and the Danish documentary From the Wild Sea by Robin Petré.
Among the highlights this year are Dash Shaw’s animated Sundance hit Cryptozoo, and the world premieres of such titles as Ninjababy from Norway’s ...
Berlin’s Generation section of films targeting children and youth audiences, features eight world premieres and six debut features, with first-time entries including Summer Blur from Chinese director Han Shuai, the Korean drama Short Vacation from directors Kwon Min-pyo and Seo Hansol, and the Danish documentary From the Wild Sea by Robin Petré.
Among the highlights this year are Dash Shaw’s animated Sundance hit Cryptozoo, and the world premieres of such titles as Ninjababy from Norway’s ...
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