Ana Rosa Diego(I)
- Script and Continuity Department
- Director
- Writer
Ana Rosa Diego in Seville in 1969. Belongs to the denomination "CinExin Generation", reason why it has been more than 25 years being direct witness of cinema that has been made in Andalusia and of significant titles of Spanish cinema. It is part of the first promotion of graduates in Audiovisual Communication from the Faculty of Information Sciences (now Faculty of Communication) of the University of Seville. Beyond its academic training, always of cinematographic investigation that has been emphasizing in much of the cinematographic trades: director, scriptwriter, assistant of direction or production, organizer of casting, etc.
Active participant of the collective M, has intervened as a production manager in the short films or medium-length films El Millón, by Alberto Rodríguez, Marisma, by Modesto González, Los Díaz Felices y Bailongas, both by Chiqui Carabante, Los Almendros-Plaza Nueva by Álvaro Alonso , Por dónde rayos sale el sol, Paco R. Baños, and others. In the role of director, he has participated in the feature films Saca la plata, by Kits Hilaire, Carlos contra el mundo, by Ch. Carabante,Una pasión singular by Antonio Gonzalo and Acosada by Pedro Costa.
In production tasks he has taken part in Yerma, Pilar Távora, Solas y Padre Coraje, by Benito Zambrano, Celos, by Vicente Aranda, Km. 0, by Juan Luis Iborra and Yolanda García Serrano, and Menos es más by Pascal Jongen. As a script he participated in films by Antonio Gonzalo, Chema Rodríguez, Paco R. Baños, Antonio Cuadri, Ángeles González-Sinde, Jesús Ponce and Dácil Pérez de Guzmán.
His personal filmography groups the tasks of direction and scriptwriter. So it is in the short films Las flores del Argelino, T,El cine andaluz, Puzzle, Aminetu Haidar and Mayte y las nubes.
His debut feature, the feature film Siempre hay tiempo (Héctor and Bruno), was exhibited at the 35th edition of the Iberoamerican Festival of Huelva (2009) and received, among other awards, the public.
With her long experience, Ana Rosa Diego could write (or film) an exciting document of memories where the Andalusian cinema and, by extension, Spanish would be portrayed.
Active participant of the collective M, has intervened as a production manager in the short films or medium-length films El Millón, by Alberto Rodríguez, Marisma, by Modesto González, Los Díaz Felices y Bailongas, both by Chiqui Carabante, Los Almendros-Plaza Nueva by Álvaro Alonso , Por dónde rayos sale el sol, Paco R. Baños, and others. In the role of director, he has participated in the feature films Saca la plata, by Kits Hilaire, Carlos contra el mundo, by Ch. Carabante,Una pasión singular by Antonio Gonzalo and Acosada by Pedro Costa.
In production tasks he has taken part in Yerma, Pilar Távora, Solas y Padre Coraje, by Benito Zambrano, Celos, by Vicente Aranda, Km. 0, by Juan Luis Iborra and Yolanda García Serrano, and Menos es más by Pascal Jongen. As a script he participated in films by Antonio Gonzalo, Chema Rodríguez, Paco R. Baños, Antonio Cuadri, Ángeles González-Sinde, Jesús Ponce and Dácil Pérez de Guzmán.
His personal filmography groups the tasks of direction and scriptwriter. So it is in the short films Las flores del Argelino, T,El cine andaluz, Puzzle, Aminetu Haidar and Mayte y las nubes.
His debut feature, the feature film Siempre hay tiempo (Héctor and Bruno), was exhibited at the 35th edition of the Iberoamerican Festival of Huelva (2009) and received, among other awards, the public.
With her long experience, Ana Rosa Diego could write (or film) an exciting document of memories where the Andalusian cinema and, by extension, Spanish would be portrayed.