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College can be a time of great change in one's life: going it alone for the first time in training for the real world. The inclusion of the year in the title of Liu Jian's third feature “Art College 1994” is necessary in that it sets the scene for a changing time in China in terms of pop culture and, of course, art.
Back Home is screening at New York Asian Film Festival
Two roommates, Xiaojun (Dong Zijian) and Zhifei (Chizi) are art students who spend their days procrastinating, discussing the philosophy of art and the changing scene from classic to Western-influenced modern. Similarly, vocal student Hong (Papi) and piano student Lili (Zhou Dongyu) discuss their futures and possible marriages.
The two pairs mingle, with potential romantic liaisons hinted at, though their hypothetical, philosophical conversations play out in reality, as they come to terms with their relationship to art and each other.
Back Home is screening at New York Asian Film Festival
Two roommates, Xiaojun (Dong Zijian) and Zhifei (Chizi) are art students who spend their days procrastinating, discussing the philosophy of art and the changing scene from classic to Western-influenced modern. Similarly, vocal student Hong (Papi) and piano student Lili (Zhou Dongyu) discuss their futures and possible marriages.
The two pairs mingle, with potential romantic liaisons hinted at, though their hypothetical, philosophical conversations play out in reality, as they come to terms with their relationship to art and each other.
- 8/3/2023
- by Andrew Thayne
- AsianMoviePulse
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The quote that opens Chinese director Liu Jian’s shaggy but amiable new animated feature is instructive. “To live, to err, to fall, to triumph, to recreate life out of life” is a passage from James Joyce’s “A Portrait of the Artist as a Young Man,” and indeed, Liu was himself at art college as a young man in the early ’90s, when and where “Art College 1994” is, unsurprisingly, set. The quasi-memoir feel to the movie does have its charm — it’s always a kick to see animation techniques applied not to extravagant flights of fancy but to slices of real, ordinary life — but it’s also its chief flaw. In re-creating life out of life, Liu is quite successful; whether he makes it into drama is another question. Like its characters, “Art College 1994” gives the impression of having just too much time on its hands.
Liu...
Liu...
- 2/25/2023
- by Jessica Kiang
- Variety Film + TV
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Art College 1994, a deadpan slice of comic-sad social realism from Chinese animator Liu Jian (Have a Nice Day), offers reassuring evidence that although cultural specificities can shape artistic traditions — and fashion and tastes fluctuate — art students are basically all the same and always have been: slovenly, idealistic, and prone to pretentious waffle, especially when lubricated with alcohol. But also, at least based on the evidence of the characters here, reasonably endearing with their guileless dreams of making meaningful work in a world where it sometimes feels like everything has been done. Mind you, others just want to meet romantic partners, make money somehow and maybe go abroad someday.
There’s a sense that this gently meandering, sketchbook-like work is aware of its own cinematic precedents. It certainly seems to suffer from an anxiety of influence as it tries to carve out a space for itself somewhere in the region of Eric Rohmer wistful romances,...
There’s a sense that this gently meandering, sketchbook-like work is aware of its own cinematic precedents. It certainly seems to suffer from an anxiety of influence as it tries to carve out a space for itself somewhere in the region of Eric Rohmer wistful romances,...
- 2/24/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
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