In the culture-clash comedy “Meet the Barbarians,” actor-director Julie Delpy lays bare a number of Western hypocrisies. The film follows several townspeople in the struggling French commune of Paimpont, who vote to welcome a handful of Ukrainian refugees, but are caught by surprise when a Syrian family shows up instead. The ensuing response runs the gamut from clumsy to hostile, which Delpy captures by applying a documentary-like lens to the town’s fabric, and to their Arab guests. The result is a movie that, though it never quite achieves the dramatic highs for which it aspires, proves eye-wateringly funny.
The film flies out the gate with an energy reminiscent of “The Office,” as bumbling mayor Sébastien Lejeune (Jean-Charles Clichet) regales a TV news crew with his plans to welcome a Ukrainian family. The city council votes overwhelmingly in favor. Even potential holdout Hervé Riou (Laurent Lafitte), the sour-faced town plumber,...
The film flies out the gate with an energy reminiscent of “The Office,” as bumbling mayor Sébastien Lejeune (Jean-Charles Clichet) regales a TV news crew with his plans to welcome a Ukrainian family. The city council votes overwhelmingly in favor. Even potential holdout Hervé Riou (Laurent Lafitte), the sour-faced town plumber,...
- 9/16/2024
- by Siddhant Adlakha
- Variety Film + TV
Green BorderImage: Kino Lorber
Green Border, the latest from master Polish filmmaker Agnieszka Holland, is nothing short of a call to direct action. The film provides a nuanced, if at times frankly brutal, account of the treacherous conditions migrants face on the Polish-Belarusian border, which are either exacerbated or assuaged...
Green Border, the latest from master Polish filmmaker Agnieszka Holland, is nothing short of a call to direct action. The film provides a nuanced, if at times frankly brutal, account of the treacherous conditions migrants face on the Polish-Belarusian border, which are either exacerbated or assuaged...
- 6/21/2024
- by Natalia Keogan
- avclub.com
As the international refugee crisis was wobbling past its tipping point in late 2021, a small patch of no-man’s-land between two Eastern European nations was turning into a hot spot. Migrants who were fleeing turmoil in the Middle East and parts of Africa had been told that they could find a way into Europe via Belarus. The rumors were that the country’s president, Aleksandr G. Lukashenko, was touting easily accessible tourist visas as a safer alternative than trying to make the arduous, dangerous journey by boat. Once there, they...
- 6/19/2024
- by David Fear
- Rollingstone.com
"Helping is not illegal." Kino Lorber has revealed an official US trailer for an urgent, acclaimed Polish film titled Green Border, the latest from the masterful Polish filmmaker Agnieszka Holland. This premiered at last year's 2023 Venice Film Festival in the fall, where it won a Special Jury Prize at the end. Thirty years after Europa Europa, three-time Oscar nominee Agnieszka Holland brings a masterful eye for realism and deep compassion to this blistering critique of a humanitarian calamity that continues to unfold. The B&w film follows family of refugees from Syria, an English teacher from Afghanistan, and a border guard, who all meet on the Polish-Belarusian border during the most recent humanitarian crisis in Belarus. Green Border is a poignant and essential work of cinema that opens our eyes and speaks to the heart, challenging viewers to reflect on the moral choices that fall to ordinary people every day. Yes it's harrowing and unforgettable.
- 5/7/2024
- by Alex Billington
- firstshowing.net
It’s a strange time for Agnieszka Holland. Green Border, the new film from the acclaimed Polish director — a three-time Oscar nominee — just celebrated the best opening for a Polish movie in cinemas this year with 137,000 admissions over its first weekend, according to local distributor Kino Świat. It’s particularly impressive given that the film, a black-and-white drama depicting the real-life plight of refugees stranded on the natural border between Poland and Belarus, can be a rough watch.
In late 2021, thousands of refugees from the Middle East and Africa were lured to the Polish border by Belarusian dictator Alexander Lukashenko, who cynically engineered a geopolitical crisis, promising migrants easy passage over the Polish border into the European Union. But the Polish government refused to let them in, leaving families stranded and starving in the swampy, treacherous forests between the two countries. Holland’s film intertwines the perspectives of the stranded refugees,...
In late 2021, thousands of refugees from the Middle East and Africa were lured to the Polish border by Belarusian dictator Alexander Lukashenko, who cynically engineered a geopolitical crisis, promising migrants easy passage over the Polish border into the European Union. But the Polish government refused to let them in, leaving families stranded and starving in the swampy, treacherous forests between the two countries. Holland’s film intertwines the perspectives of the stranded refugees,...
- 9/26/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
If cinema is an empathy machine, to paraphrase the late Roger Ebert, then Agnieszka Holland’s new film is one precision-tooled specimen.
This profoundly moving, flawlessly executed multi-strand drama, shot in stark black and white, tracks refugees from various nations in 2021 trying to cross the border from Belarus into Poland. With inevitably tragic consequences, they become pawns in a gruesome game of “pass the parcel” between guards on both sides of the title’s green border, the dividing line between European Union member Poland and Russia ally Belarus.
Although the violence shown isn’t gratuitous, the suffering in Green Border (Zielona granica) is painfully palpable. There is a moment where a Pole, a minor character in the story, refuses to look at a video on a friend’s phone showing a border guard beating a migrant; Holland’s film implicitly confronts everyone — and that would be most of us — who...
This profoundly moving, flawlessly executed multi-strand drama, shot in stark black and white, tracks refugees from various nations in 2021 trying to cross the border from Belarus into Poland. With inevitably tragic consequences, they become pawns in a gruesome game of “pass the parcel” between guards on both sides of the title’s green border, the dividing line between European Union member Poland and Russia ally Belarus.
Although the violence shown isn’t gratuitous, the suffering in Green Border (Zielona granica) is painfully palpable. There is a moment where a Pole, a minor character in the story, refuses to look at a video on a friend’s phone showing a border guard beating a migrant; Holland’s film implicitly confronts everyone — and that would be most of us — who...
- 9/6/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
While you’re still in the vice-like grip of its multilevel narrative it may not feel like it, but a film like Agnieszka Holland’s bruisingly powerful new refugee drama ultimately comes from a place of optimism. It is optimistic to expect and to nurture a reaction of potentially motivating outrage, when you portray the brutality of which human individuals, at the behest of human institutions, are capable. It is optimistic to believe that, faced with extraordinary cruelty, a viewer’s ordinary decency will be compelled to rise and rebel. “Green Border” is a heart-in-mouth thriller set on the Polish-Belarusian border that wraps its social critique in the razor wire of punchy, intelligent cinematic craft in order to elicit precisely such emotions. If we can feel the horror, perhaps there is hope.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
It is 2021 and a Syrian family are fleeing Isis and their ravaged hometown of Harasta on an airplane bound for Belarus.
- 9/5/2023
- by Jessica Kiang
- Variety Film + TV
Berlin-based sales agency Films Boutique has closed multiple territory deals on Agnieszka Holland’s “The Green Border,” which just completed principal photography in Poland.
The film has been sold to Condor (France), September Films (Benelux), Movies Inspired (Italy), Leopardo Filmes (Portugal), McF Megacom (former Yugoslavia), Kino Swiat (Poland) and Aqs (Czech Rep./Slovakia).
“The Green Border” tells the story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by Belarus’ president Alexander Lukashenko, who opened the country’s doors to migrants as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland,...
The film has been sold to Condor (France), September Films (Benelux), Movies Inspired (Italy), Leopardo Filmes (Portugal), McF Megacom (former Yugoslavia), Kino Swiat (Poland) and Aqs (Czech Rep./Slovakia).
“The Green Border” tells the story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by Belarus’ president Alexander Lukashenko, who opened the country’s doors to migrants as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland,...
- 5/18/2023
- by Leo Barraclough and Elsa Keslassy
- Variety Film + TV
Rolling off a successful collaboration on “Charlatan,” Films Boutique has boarded Agnieszka Holland’s next film “The Green Border,” which just completed principal photography in Poland.
Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland, France, Belgium and the Czech Republic, “The Green Border” is produced by Marcin Wierzchosławski (Metro Films), Fred Bernstein (Astute Films) and Holland. Co-producers are Maria Blicharska,...
Now in post production, “The Green Border” tells the fateful story of a family of Syrian refugees, a solitary English teacher from Afghanistan and a young border guard, all of whom meet on the Polish-Belarusian border during the most recent humanitarian crisis triggered by President Lukaschenko opening doors to migrants in Belarus as a back door to enter the EU.
The screenplay, penned by Holland, Gabriela Łazarkiewicz-Sieczko and Maciej Pisuk, is inspired by real events. Research for the film included hundreds of hours of document analysis, interviews with refugees, border guards, borderland residents, activists and experts.
A co-production between Poland, France, Belgium and the Czech Republic, “The Green Border” is produced by Marcin Wierzchosławski (Metro Films), Fred Bernstein (Astute Films) and Holland. Co-producers are Maria Blicharska,...
- 5/10/2023
- by Elsa Keslassy
- Variety Film + TV
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