While the specific sociopolitical moment (the re-emergence of censorship in China affecting the line-up of this year’s Berlinale with eliminating Zhang Yimou’s “One Second” from the official competition due to “post-production issues” being only the most prominent example) surrounding the world premiere of “So Long, My Son”, the newest film by the Chinese 6th generation director Wang Xiaoshui, might be forgotten in the next couple of months, the film itself, the skill it was filmed with and its social relevance are here to stay with us for quite a period of time.
“So Long, My Son” is screening at Vesoul International Film Festival of Asian Cinema
The world premiere at Berlinale was crowned with the double Silver Bear for both of the leading actors and more of the festival exposure is likely to occur for Wang’s three-hour epic, examining the social and humane cost of the decades...
“So Long, My Son” is screening at Vesoul International Film Festival of Asian Cinema
The world premiere at Berlinale was crowned with the double Silver Bear for both of the leading actors and more of the festival exposure is likely to occur for Wang’s three-hour epic, examining the social and humane cost of the decades...
- 2/7/2022
- by Marko Stojiljković
- AsianMoviePulse
While the specific sociopolitical moment (the re-emergence of censorship in China affecting the line-up of this year’s Berlinale with eliminating Zhang Yimou’s “One Second” from the official competition due to “post-production issues” being only the most prominent example) surrounding the world premiere of “So Long, My Son”, the newest film by the Chinese 6th generation director Wang Xiaoshui, might be forgotten in the next couple of months, the film itself, the skill it was filmed with and its social relevance are here to stay with us for quite a period of time.
The world premiere at Berlinale was crowned with the double Silver Bear for both of the leading actors and more of the festival exposure is likely to occur for Wang’s three-hour epic, examining the social and humane cost of the decades of the “one child” policy in China.
So Long, My Son was screened at...
The world premiere at Berlinale was crowned with the double Silver Bear for both of the leading actors and more of the festival exposure is likely to occur for Wang’s three-hour epic, examining the social and humane cost of the decades of the “one child” policy in China.
So Long, My Son was screened at...
- 2/20/2019
- by Marko Stojiljković
- AsianMoviePulse
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