Julia De Simone's slow-burning exploration of heritage and resilience opens with a striking image of a 19th-century black woman staring at modern Rio de Janeiro from an archaeological site. This beautiful shot signals that Formosa Beach aims to study the interplay between past and present and revisit history through the eyes of those wronged by it. The result is a visually rich experience that boldly breaks down stylistic conventions, resulting in a dream-like atmosphere that vividly conjures the spectres of a troubled past.
The experimental narrative leaps between past and present and is tied together by Muanza (Lucília Raimundo), an African woman brought to colonial Brazil as an enslaved woman. Her connection to Kieza (Samira Carvalho), another woman forced into servitude constitutes the story's emotional core. They rely on their bond, taking turns reading and caring for each other's hair. We see them planning to run away, tracing the escape route.
The experimental narrative leaps between past and present and is tied together by Muanza (Lucília Raimundo), an African woman brought to colonial Brazil as an enslaved woman. Her connection to Kieza (Samira Carvalho), another woman forced into servitude constitutes the story's emotional core. They rely on their bond, taking turns reading and caring for each other's hair. We see them planning to run away, tracing the escape route.
- 2/6/2024
- by Sergiu Inizian
- eyeforfilm.co.uk
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