Sophisticated chatter about the purpose of artistic expression ushers in Salvador Simó’s “Buñuel in the Labyrinth of the Turtles,” a genius and layered animated drama that functions as both a revelatory making-of for a seminal 1933 non-fiction film, and a surrealist biopic about the director behind it, who’s tormented by a yearning for his stern father’s approval.
Simó and co-writer Eligio R. Montero find Luis Buñuel (voiced by Jorge Usón), the expat Spanish auteur whose best-known films were made in France and Mexico, fresh off the success and controversy of the groundbreaking “Un Chien Andalou” and “L’Age d’Or,” both of which he co-wrote with the equally iconoclastic Salvador Dalí. Already regarded as a provocateur critical of the Catholic Church, Buñuel was branded persona non grata at home, which hindered his efforts to get another movie financed.
Asymmetrical in its facial features, the 2D animated rendering of...
Simó and co-writer Eligio R. Montero find Luis Buñuel (voiced by Jorge Usón), the expat Spanish auteur whose best-known films were made in France and Mexico, fresh off the success and controversy of the groundbreaking “Un Chien Andalou” and “L’Age d’Or,” both of which he co-wrote with the equally iconoclastic Salvador Dalí. Already regarded as a provocateur critical of the Catholic Church, Buñuel was branded persona non grata at home, which hindered his efforts to get another movie financed.
Asymmetrical in its facial features, the 2D animated rendering of...
- 8/16/2019
- by Carlos Aguilar
- The Wrap
Before surrealist legend Luis Buñuel found himself directing multiple films a year during the 1950s on the way to creating French classics like Belle de Jour and The Discreet Charm of the Bourgeoisie in the 60s and 70s respectively, he became a persona non grata when it came to European benefactors thanks to his feature debut L’Age d’Or labeling him a heretic and almost getting his producer excommunicated by the Pope. With Salvador Dali at his side, the Un Chien Andalou filmmaker was dismissed as a provocateur nobody was willing to risk ruining their reputation over if he continued driving his own into the ground. Buñuel’s only chance of getting something new off the ground was his avant-garde artist friend Ramón Acín serendipitously winning the lottery.
It doesn’t get more surreal than a drunken night on the town lamenting his poor luck with someone who’d...
It doesn’t get more surreal than a drunken night on the town lamenting his poor luck with someone who’d...
- 8/12/2019
- by Jared Mobarak
- The Film Stage
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