![Image](https://m.media-amazon.com/images/M/MV5BM2Y1ZmYwNTktYjU5ZC00YzMyLWI3OTgtMmU2Mzc2N2I3NGVjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR80,0,500,281_.jpg)
Action director Lawrence Ribeiro has appeared in Filmmaker‘s pages before, writing about pre-viz’ing a fight scene and stunt training. Recently he has been directing a series of car chase short films, with the latest, Part Deux: The Chase, racking up 1.5 million views on YouTube. As he writes, these days he’s “working to expand Action Realism with upcoming projects that marry speed and movement with legendary talents in music and sound.” Here, in a conversation submitted by production company Art & Action Productions, he answers questions about the film, which can also be watched below. What was the purpose behind […]
The post Behind the Scenes of a Car Chase first appeared on Filmmaker Magazine.
The post Behind the Scenes of a Car Chase first appeared on Filmmaker Magazine.
- 8/18/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
![Image](https://m.media-amazon.com/images/M/MV5BM2Y1ZmYwNTktYjU5ZC00YzMyLWI3OTgtMmU2Mzc2N2I3NGVjXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR80,0,500,281_.jpg)
Action director Lawrence Ribeiro has appeared in Filmmaker‘s pages before, writing about pre-viz’ing a fight scene and stunt training. Recently he has been directing a series of car chase short films, with the latest, Part Deux: The Chase, racking up 1.5 million views on YouTube. As he writes, these days he’s “working to expand Action Realism with upcoming projects that marry speed and movement with legendary talents in music and sound.” Here, in a conversation submitted by production company Art & Action Productions, he answers questions about the film, which can also be watched below. What was the purpose behind […]
The post Behind the Scenes of a Car Chase first appeared on Filmmaker Magazine.
The post Behind the Scenes of a Car Chase first appeared on Filmmaker Magazine.
- 8/18/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
The following is an excerpt from action director Lawrence Ribeiro’s new book Action Realism. Due to the speed and the nature of stunts and my overall point of view (shooting with the intent of making the images visceral or dynamic), I have come up with some exercises. Scenarios, locales, speeds and context of the story will dictate how I train. Sometimes you need a supply of guts, sometimes you need to overcome your fears, but the truth of the matter is that my feet rarely touch the ground when shooting. It’s more mental than physical, as a few close calls can […]...
- 1/17/2019
- by Lawrence Ribeiro
- Filmmaker Magazine - Blog
The following is an excerpt from action director Lawrence Ribeiro’s new book Action Realism. Due to the speed and the nature of stunts and my overall point of view (shooting with the intent of making the images visceral or dynamic), I have come up with some exercises. Scenarios, locales, speeds and context of the story will dictate how I train. Sometimes you need a supply of guts, sometimes you need to overcome your fears, but the truth of the matter is that my feet rarely touch the ground when shooting. It’s more mental than physical, as a few close calls can […]...
- 1/17/2019
- by Lawrence Ribeiro
- Filmmaker Magazine-Director Interviews
Action cinematographer Lawrence Ribeiro forwards this short video of an afternoon’s work — literally. Below, he explains how, with a camera and two top stuntmen, he can mock-up a dynamic fight scene. From Ribeiro: Here’s a chase and fight sequence we shot, in five hours, using two top stunt professionals and one camera. In 2nd unit, we’d consider this type of shooting a level above pre-visualization (previs). Previs is a critical tool for designing action sequences. Sometimes all a script will say is, “…and they fight.” So videos like this allow us to experiment with choreography, and save time and […]...
- 10/19/2014
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Action cinematographer Lawrence Ribeiro forwards this short video of an afternoon’s work — literally. Below, he explains how, with a camera and two top stuntmen, he can mock-up a dynamic fight scene. From Ribeiro: Here’s a chase and fight sequence we shot, in five hours, using two top stunt professionals and one camera. In 2nd unit, we’d consider this type of shooting a level above pre-visualization (previs). Previs is a critical tool for designing action sequences. Sometimes all a script will say is, “…and they fight.” So videos like this allow us to experiment with choreography, and save time and […]...
- 10/19/2014
- by Scott Macaulay
- Filmmaker Magazine - Blog
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