Note: Do not read on if you have not yet seen the Season 6 finale of AMC's "Mad Men," titled "In Care Of."
In a "Mad Men" finale that was filled with unexpected twists and turns, the lasting image might turn out to be one of the more subtle moments: Peggy Olson (Elisabeth Moss) sitting behind Don Draper's (Jon Hamm) desk.
After Don was put on a leave of absence from the agency, Peggy was promoted to de-facto creative director. And she got Don's office. One triumphant shot of Peggy sitting behind Don's desk later, it became instantly clear how far Peggy had come.
It was reminiscent of this classic image from the "Mad Men" opening credits, as this Reddit thread pointed out:
"Mad Men" creator Matthew Weiner discussed the shot, and Peggy's journey this season, in an interview with Huffington Post TV critic Maureen Ryan. "It was a deliberate choice...
In a "Mad Men" finale that was filled with unexpected twists and turns, the lasting image might turn out to be one of the more subtle moments: Peggy Olson (Elisabeth Moss) sitting behind Don Draper's (Jon Hamm) desk.
After Don was put on a leave of absence from the agency, Peggy was promoted to de-facto creative director. And she got Don's office. One triumphant shot of Peggy sitting behind Don's desk later, it became instantly clear how far Peggy had come.
It was reminiscent of this classic image from the "Mad Men" opening credits, as this Reddit thread pointed out:
"Mad Men" creator Matthew Weiner discussed the shot, and Peggy's journey this season, in an interview with Huffington Post TV critic Maureen Ryan. "It was a deliberate choice...
- 6/24/2013
- by The Huffington Post
- Huffington Post
This is why "Mad Men" is still TV's best drama.
My confidence may have been shaken by last week's uneven installment -- one of three average, momentum-stunting, episodes this season along with "The Flood" and "Man with a Plan" -- but as we've seen repeatedly in the past, be patient with "Mad Men" and you will be rewarded.
"Favors" was downright masterful in its confluence of storylines, major reveals and welcome callbacks. This was "Mad Men" craftsmanship at its finest, and while it provided several miserable developments in the characters' lives, it made us incredibly happy as viewers.
[Note: In the spirit of showrunner Matthew Weiner declaring that this season is about Dr. Arnold Rosen telling Don, "People will do anything to alleviate their anxiety," we're tracking the happiness of key characters week by week.]
The "Mad Men" happiness index, week ten:
1) Roger (last week, #1): This hasn't been a sterling season for Roger, who is reduced to juggling oranges and apologizing for courting possible conflicting business (Sunkist versus Ted's play for Ocean Spray). John Slattery must have needed a break after directing last week's episode.
2) Megan (last week,...
My confidence may have been shaken by last week's uneven installment -- one of three average, momentum-stunting, episodes this season along with "The Flood" and "Man with a Plan" -- but as we've seen repeatedly in the past, be patient with "Mad Men" and you will be rewarded.
"Favors" was downright masterful in its confluence of storylines, major reveals and welcome callbacks. This was "Mad Men" craftsmanship at its finest, and while it provided several miserable developments in the characters' lives, it made us incredibly happy as viewers.
[Note: In the spirit of showrunner Matthew Weiner declaring that this season is about Dr. Arnold Rosen telling Don, "People will do anything to alleviate their anxiety," we're tracking the happiness of key characters week by week.]
The "Mad Men" happiness index, week ten:
1) Roger (last week, #1): This hasn't been a sterling season for Roger, who is reduced to juggling oranges and apologizing for courting possible conflicting business (Sunkist versus Ted's play for Ocean Spray). John Slattery must have needed a break after directing last week's episode.
2) Megan (last week,...
- 6/10/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
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