Isabelle Huppert Drama, Peter Sarsgaard Spanish Flu Satire, Celine Sciamma Short Set for Venice Days
The Giornate Degli Autori — the independently run event that takes place alongside the Venice Film Festival and is often referred to simply as Venice Days — has unveiled the lineup for its 2023 edition (also it’s 20th).
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
Among the 10 titles world premiering in competition is Elise Girard’s drama Sidonie in Japan, starring Isabelle Huppert as a French writer mourning her husband’s death while on a book tour. Out of competition, Coup! — a satire set during the 1918 Spanish Flu epidemic and starring Peter Sarsgaard and Billy Magnussen — will bow, while special events include the world premiere of This Is How a Child Becomes a Poet, a short from Portrait of a Lady on Fire director Céline Sciamma (who was previously president of the Venice Days jury). There will also be a special daylong event in honor of late Canadian director Jean-Marc Vallée, including a screening of his 2005 drama C.R.A.Z.Y.
Venice...
- 7/27/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Venice parallel section Giornate degli Autori (GdA) has unveiled the selection for its 20th edition running from August 30 to September 9, featuring a surprise short by Céline Sciamma, a new feature by Teona Strugar Mitevska as well as a tribute to late Canadian director Jean-Marc Vallée.
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
The line-up spans 10 films in competition, seven special events, eight titles in Venetian Nights as well as a special day-long event devoted Vallée and the cinema of Québec, featuring a screening of his 2005 coming of age drama C.R.A.Z.Y.
Highlights of the competition include Canadian filmmaker Ariane Louis-Seize’s quirky vampire tale Humanist Vampire Seeking Consenting Suicidal Person; Atlas Mountains-set ensemble theatre group road movie Backstage by directorial debut Afef Ben Mahmoud and Khalil Benkirane; Through The Night, in which Belgian director Delphine Girard expands her Oscar-nominated short A Sister, and Sidonie In Paris, starring Isabelle Huppert as a writer mourning the...
- 7/27/2023
- by Melanie Goodfellow
- Deadline Film + TV
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for a 2022 foreign language film distributed in the U.S. by Chicago’s Music Box Films … and featuring Penélope Cruz … entitled “L’Immensitá.” In select theaters beginning May 19th, see local listings.
Rating: 4.0/5.0
Clara (Penélope Cruz) and her husband Felice (Vincenzo Amato) relocate to Rome, while raising three children. Their oldest child, nicknamed Andri (Luana Giuliani), was born female but desires a male’s life, and since this is the early 1970s the only explanation he can come up with is that he’s an alien from outer space. As Felice grows most distant from the family, Clara turns inward, and allows an acute depression to affect her profoundly, and the family starts to crumble as a result.
”L’Immensitá” is in select theaters beginning May 19th, see local listings, including Chicago’s (click link) Music Box Theatre. Featuring Penélope Cruz, Vincenzo Amato,...
Rating: 4.0/5.0
Clara (Penélope Cruz) and her husband Felice (Vincenzo Amato) relocate to Rome, while raising three children. Their oldest child, nicknamed Andri (Luana Giuliani), was born female but desires a male’s life, and since this is the early 1970s the only explanation he can come up with is that he’s an alien from outer space. As Felice grows most distant from the family, Clara turns inward, and allows an acute depression to affect her profoundly, and the family starts to crumble as a result.
”L’Immensitá” is in select theaters beginning May 19th, see local listings, including Chicago’s (click link) Music Box Theatre. Featuring Penélope Cruz, Vincenzo Amato,...
- 5/20/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Well-intentioned films about marginalized people face the pitfall of reducing characters’ lives to their experience of persecution. Black characters in Hollywood’s anti-racist parables tend to stand in for a monolithic Black experience, while gay characters have often been defined solely by their sexuality. Emanuele Crialese’s autobiographical L’Immensita, a drama about a transgender preteen, Adri (Luana Giuliani), in early-’70s Italy, skirts this trap by capturing the textures and tensions of a life that’s not defined solely by anti-trans oppression.
As the film depicts with a certain resigned whimsy, Adri not only copes with routine teenage angst, but is also caught within a web of intersecting inequities, including domestic abuse, sexual harassment, and class prejudice. By turns wry and tragic, but never glib or mawkish, this is a visually rich and evocative drama about navigating the often treacherous path to adulthood.
Giuliani’s character was born Adriana. He tells his adoring mother,...
As the film depicts with a certain resigned whimsy, Adri not only copes with routine teenage angst, but is also caught within a web of intersecting inequities, including domestic abuse, sexual harassment, and class prejudice. By turns wry and tragic, but never glib or mawkish, this is a visually rich and evocative drama about navigating the often treacherous path to adulthood.
Giuliani’s character was born Adriana. He tells his adoring mother,...
- 5/13/2023
- by Pat Brown
- Slant Magazine
Starring a mother to a transgender boy living in 1970s Rome, Penélope Cruz appears as good as ever in the first trailer for Emanuele Crialese’s “L’Immensità.” The film will open in New York and Los Angeles on May 12 prior to a nationwide theatrical roll-out.
The preview slowly lays out its premise and openly presents the issue of dealing with a young child dealing with gender dysphoria well before a vocabulary or much of an understanding of such a thing existed. And it is refreshing to see a trailer for a non-English language film that actually has a fair amount of subtitle dialogue, as quite a few previews for “foreign” films tend to sell straight-up imagery and vibes over plot and conversational dialogue. That said, if you’re going to make a film set in the 1970s about a seemingly traditional family living realizing one of their children is trans,...
The preview slowly lays out its premise and openly presents the issue of dealing with a young child dealing with gender dysphoria well before a vocabulary or much of an understanding of such a thing existed. And it is refreshing to see a trailer for a non-English language film that actually has a fair amount of subtitle dialogue, as quite a few previews for “foreign” films tend to sell straight-up imagery and vibes over plot and conversational dialogue. That said, if you’re going to make a film set in the 1970s about a seemingly traditional family living realizing one of their children is trans,...
- 4/19/2023
- by Scott Mendelson
- The Wrap
“L’Immensità,” the 1967 hit made famous by Don Backy and Johnny Dorelli, has the kind of lyrics that can make you cry just by reading them: “I am sure that in this great immensity/ someone thinks a little of me/ will not forget me./ Yes, I know it,/ all my life I won’t always be alone.”
It’s no wonder that the Italian filmmaker Emanuele Crialese (“Terraferma”) named his latest film after the song. “L’Immensità,” which Crialese co-wrote with Francesca Ranieri and Vittorio Moroni, is an aching and sumptuous ode to growing up and chafing against expectations. Making its North American premiere at Sundance after debuting in Venice, this is a film about adolescence and regression, defiance and surrender. By showing the tangled relationship between a mother and her dysphoric child, “L’Immensità” writes a love letter to the lonely.
The 13-year-old protagonist of “L’Immensità,” played by a stunning Luana Giuliani,...
It’s no wonder that the Italian filmmaker Emanuele Crialese (“Terraferma”) named his latest film after the song. “L’Immensità,” which Crialese co-wrote with Francesca Ranieri and Vittorio Moroni, is an aching and sumptuous ode to growing up and chafing against expectations. Making its North American premiere at Sundance after debuting in Venice, this is a film about adolescence and regression, defiance and surrender. By showing the tangled relationship between a mother and her dysphoric child, “L’Immensità” writes a love letter to the lonely.
The 13-year-old protagonist of “L’Immensità,” played by a stunning Luana Giuliani,...
- 1/20/2023
- by Lena Wilson
- The Wrap
After premiering at the 2022 Venice Film Festival, Italian director Emanuele Crialese’s latest feature L’Immensità makes its way Sundance in the festival’s “Spotlight” section. Co-written by Crialese alongside Francesca Manieri and Vittorio Moroni, the film is a semi-autobiographical account of the director’s coming of age in Rome during the ’70s. Editor Clelio Benevento discusses how he came to work on the film, the differences between his and the director’s work styles and the gratitude he has for his film school professors. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the […]
The post “Emanuele Asked Me to ‘Undertake the Journey’ With Him”: Editor Clelio Benevento on L’Immensità first appeared on Filmmaker Magazine.
The post “Emanuele Asked Me to ‘Undertake the Journey’ With Him”: Editor Clelio Benevento on L’Immensità first appeared on Filmmaker Magazine.
- 1/19/2023
- by Filmmaker Staff
- Filmmaker Magazine - Blog
After premiering at the 2022 Venice Film Festival, Italian director Emanuele Crialese’s latest feature L’Immensità makes its way Sundance in the festival’s “Spotlight” section. Co-written by Crialese alongside Francesca Manieri and Vittorio Moroni, the film is a semi-autobiographical account of the director’s coming of age in Rome during the ’70s. Editor Clelio Benevento discusses how he came to work on the film, the differences between his and the director’s work styles and the gratitude he has for his film school professors. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the […]
The post “Emanuele Asked Me to ‘Undertake the Journey’ With Him”: Editor Clelio Benevento on L’Immensità first appeared on Filmmaker Magazine.
The post “Emanuele Asked Me to ‘Undertake the Journey’ With Him”: Editor Clelio Benevento on L’Immensità first appeared on Filmmaker Magazine.
- 1/19/2023
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
L’immensità Trailer — Emanuele Crialese‘s L’immensità (2022) movie trailer has been released by Pathe. The L’immensità trailer stars Penélope Cruz, Vincenzo Amato, Luana Giuliani, Patrizio Francioni, and Maria Chiara Goretti. Crew Emanuele Crialese, Francesca Manieri, and Vittorio Moroni wrote the screenplay for L’immensità. Plot Synopsis L’immensità‘s plot synopsis: “Clara & Felice (Penélope Cruz & Vincenzo Amato) have just [...]
Continue reading: L’Immensita (2022) Movie Trailer: Penélope Cruz Struggles to Hold Her Family Together in a Loveless Marriage...
Continue reading: L’Immensita (2022) Movie Trailer: Penélope Cruz Struggles to Hold Her Family Together in a Loveless Marriage...
- 12/19/2022
- by Rollo Tomasi
- Film-Book
Emanuele Crialese put in a buoyant performance at the Venice Film Festival Sunday, during which he discussed how his identity informed his Golden Lion contender L’immensità.
“The inspiration was my childhood and my story that is being transposed and reinterpreted,” Crialese said of the flick. “I tried to find the good interpretation in it. I didn’t want it to be self-referential. I didn’t want to talk about just me. As I try to do with every film I make, I’ve tried to somehow represent in a broader way the topics I really care for like migration. The migration of a soul. That means a transition from one state to another one.”
Crialese added that he cares deeply about the topics in the film, which he said he “interpreted in an autobiographical way.”
Set in 1970s Rome, the film follows the Borghetti family that has just moved into...
“The inspiration was my childhood and my story that is being transposed and reinterpreted,” Crialese said of the flick. “I tried to find the good interpretation in it. I didn’t want it to be self-referential. I didn’t want to talk about just me. As I try to do with every film I make, I’ve tried to somehow represent in a broader way the topics I really care for like migration. The migration of a soul. That means a transition from one state to another one.”
Crialese added that he cares deeply about the topics in the film, which he said he “interpreted in an autobiographical way.”
Set in 1970s Rome, the film follows the Borghetti family that has just moved into...
- 9/4/2022
- by Zac Ntim
- Deadline Film + TV
Exclusive: Here’s your first look at Oscar winner Penelope Cruz in Italian drama L’immensita, which is in post-production.
Emanuele Crialese’s film is set in 1970’s Rome. The Borghetti family has just moved into one of the many freshly-built apartment blocks in the city. Despite the beautiful, sweeping views of the city from their top floor apartment, the family is not as close as they once were. Clara and Felice (Vincenzo Amato) are no longer in love, but are unable to leave each other. Clara finds refuge from her loneliness in the shelter of her special relationships with her three children. The oldest, Adriana, an unknown child in their new neighborhood, deliberately presents as a boy to the neighborhood children, pushing the family’s bond towards breaking point.
Pathé is continuing sales on the Italian-language film at this week’s virtual EFM.
Pic is produced...
Emanuele Crialese’s film is set in 1970’s Rome. The Borghetti family has just moved into one of the many freshly-built apartment blocks in the city. Despite the beautiful, sweeping views of the city from their top floor apartment, the family is not as close as they once were. Clara and Felice (Vincenzo Amato) are no longer in love, but are unable to leave each other. Clara finds refuge from her loneliness in the shelter of her special relationships with her three children. The oldest, Adriana, an unknown child in their new neighborhood, deliberately presents as a boy to the neighborhood children, pushing the family’s bond towards breaking point.
Pathé is continuing sales on the Italian-language film at this week’s virtual EFM.
Pic is produced...
- 2/14/2022
- by Andreas Wiseman
- Deadline Film + TV
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