- (May 17 to July 13, 1986) He was scenic designer for Christopher Hampton's translation of Henrik Ibsen's play, "Hedda Gabler," at the Mark Taper Forum Theatre in Los Angeles, California. Robert Egan was director. Martin Aronstein was lighting designer. Robert Blackman was costume designer. Daniel Birnbaum was sound designer and composer.
- (April 5 to May 41, 1998) He was scenic designer for Patrick Marber's play, "Dealer's Choice," in the West Coast premiere at the Mark Taper Forum Theatre in Los Angeles, California. Robert Egan was director. Michael Gilliam was lighting designer.
- (May 28 to June 16, 2000) He was scenic designer for Robert Glaudini's play, "The Poison Tree," in a world premiere at the Mark Taper Forum Theatre in Los Angeles, California. Robert Egan was director.
- (1973-1974 season) He was set designer for D.H. Lawrence's play, "The Widowing of Mr. Holroyd," in an American premiere at the Long Wharf Theatre in New Haven, Connecticut. Arvin Brown was director. Bill Walker was costume designer. Ronald Wallace was lighting designer.
- (1982-1983 season) He was set designer for Simon Gray's play, "Quartermaine's Terms," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut before transferred to New York City. Kenneth Frankel was director. Bill Walker was costume designer. Pat Collins was lighting designer.
- (1983-1984 season) He was set designer for Samson Raphaelson's play, "Accent on Youth," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. David Murin was costume designer. Pat Collins was lighting designer. Tom Fay was composer.
- (1984-1985 season) He was set designer for Simon Gray's play, "The Common Pursuit," in an American premiere at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Kenneth Frankel was director. David Murin was costume designer. Pat Collins was lighting designer.
- (1985-1986 season) He was set designer for Leonora Thuna's play, "Fugue," in a world premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. Kenneth Frankel was director. Jess Goldstein was costume designer. Judy Rasmuson was lighting designer.
- (1986-1987 season) He was set designer for Doug Lucie's play, "Progress," in an American premiere at the Long Wharf Theatre (Stage II) in New Haven, Connecticut. John Tillinger was director. Jess Goldstein was costume designer. Ronald Wallace was lighting designer.
- (1971 to 1972) He was set designer for the Trinity Repertory Company Theatre in Providence, Rhode Island.
- (1971 to 1972 season) He was set designer for Robert Marasco's play, "Child's Play," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Adrian Hall was director. John Lehmeyer was costume designer. Roger Morgan was lighting designer.
- (1998 to 1999 season) He was set designer for George Bernard Shaw's play, "Saint Joan," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. Ron Cesario was costume designer. Amy Appleyard was lighting designer.
- (1998 to 1999 season) He was set designer for Dario Fo's play, "We Won't Pay! We Won't Pay!," at the Trinity Repertory Company Theatre in Providence, Rhode Island. R.G. Davis was translator. Amanda Dehnert was director. William Lane was costume designer. Pat Collins was lighting designer.
- (1999 to 2000 season) He was set designer for William Shakespeare's play, "Othello," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. William Lane was costume designer. Pat Collins was lighting designer.
- (2003 to 2004 season) He was set designer for the musical, "West Side Story," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. Arthur Laurents wrote the book. Leonard Bernstein was composer. Stephen Sondheim was lyricist. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer. Sharon Jenkins was choreographer.
- (August 28 to September 1, 1973) He was settings designer for David Storey's play, "The Changing Room," in the Williamstown Theatre Festival, Long Wharf Theatre and original Broadway production at the Adams Memorial Theatre Man Stage at Williams College in Williamstown, Massachusetts with Emery Battis (Denny Crosby, match announcer); Louis Beachner (Harry Riley); Robert Brolli (Mackendrick); Alan Castner (Frank Moore); Peter DeMaio (Tailor); Jake Dengel (Luke); Ralph Driscell (Sanford); Steve Karp (Gordon Fenchurch); Douglas Kerr (Bryan Atkinson); John Lithgow (Kenny Kendel); Richard D. Masur (Jack Stringer); Edwin J. McDonough (Trevor); Robert Murch (Clifford Owens); Rex Robbins (Fielding); Paul Rudd (Barry Copley); Jack Schultz (Mic Morley); Charles Siebert (Walsh); Ron Siebert (John Glegg); Doug Stender (Patrick Walter Turner); James Sutorious (Billy Spencer); William Swetland (Sir Frederick Thornton) and John Tillinger (Colin Jagger) in the cast. Nikos Psacharapoulos was artistic director. Michael Rudman was original director. Anne Keely was director. Whitney Blausen was costume designer. Richard Devin was lighting designer. Franklin Keysar was production stage manager. David Butler was assistant stage manager.
- (July 24 to 28, 1973) He was settings designer for Moliere's play, "The Misanthrope," in the Williamstown Theatre Festival production at the Adams Memorial Theatre Main Stage at Williams College in Williamstown, Massachusetts with Emery Battis (Oronte); James Broaddus (Basque); David Dukes (Philinte); Glenna Fickert (Eliante); John Glover (Alceste); Elliott Levine (Clitandre); Paul McCarren (Secretary); Lynn Milgrim (Celimene); Sloane Shelton (Arsinoe) and David Snell (Acaste) in the cast. Nikos Psacharapoulos was artistic director. Austin Pendleton was director. Ruth Wells was costume designer. Richard Devin was lighting designer. David Butler was assistant stage manager.
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