Kenjirô Hirose
- Composer
- Music Department
- Soundtrack
A songwriter at Columbia Records in the 1950s, where one of his friends
and collaborators was the moonlighting Toho screenwriter Shinichi
Sekizawa, Hirose was one of many who made the jump to scoring films.
Although pigeonholed in low-budget crime and comedy movies, Hirose
shortly made a name for himself as the composer-songwriter-hitmaker for
the first movies in the Young Guy (Wakadaisho) series. His reputation
as a hitmaker also promoted Daiei to hire him to score Gamera vs. Viras
(Gamera tai Uchu kaiju Bairasu, 1968), which required a theme song.
Hirose's peppy tune was retained in the American version of the film,
and heard in all the subsequent pictures through 1971. Unlike many pop
musicians who made a career in film scoring, Hirose was equally at home
in any genre he tackled, and made the most of budgets more minuscule
than were given to bigger "name" composers like Akira Ifukube or Masaru
Sato. Although largely known for the Wakadaisho films and the Gamera
song (parodied on US TV's Mystery Science Theater 3000), Hirose also
provided spare and intriguing scores for crime films like Sadao
Nakajima's Bodo shimane keimusho, Jun Fukuda's The Weed of Crime, and
Ishiro Honda's Shinko no otoko. As well, he acted as Japanese music
advisor to John Williams on Frank Sinatra's 1965 film None But the
Brave, and orchestrated and conducted Maury Laws' scores to The Last
Dinosaur (1977) and The Bermuda Depths (1978).