. . . the question of "Who is cutting so-and-so's picture?" is the vernacular for "Who is the film editor on such and such a production?" Thus, the feeling has become prevalent that "all these fellows do is to cut the bad parts out of the film and stick them together again". This is, of course, a rank injustice and has minimized the great value of a group of men who are equally as important to motion picture production as is either the writer, the star, or the director.