Studiocanal has boarded the epic action drama “Agoodjie,” an English language series based on the extraordinary true story of a fearsome female army in 19th-century Africa.
The eight-part series, commissioned by Canal+ International and co-developed with Studiocanal, is created by Didier Lacoste and Joy Fleury (“Tristesse et beauté”), along with Nigerian screenwriters Ukamaka Olisakwe, Jude Idada and Adachioma Ezeano.
The story is based on the sprawling true story of a fearsome female army in 19th century Africa called the Agoodjies of Dahomey. An elite corps of 4,000 fearsome female warriors, the Agoodjes confronted the most powerful French army of the time in a four-year war.
The show will weave the points of view of a young female villager destined for greater things, and an enlightened monarch leading a once wealthy kingdom. Opening in 1889, the series will follow the journey of the female protagonist, Tiwa, a teenager on the verge of adulthood from the Yoruba Kingdom.
The eight-part series, commissioned by Canal+ International and co-developed with Studiocanal, is created by Didier Lacoste and Joy Fleury (“Tristesse et beauté”), along with Nigerian screenwriters Ukamaka Olisakwe, Jude Idada and Adachioma Ezeano.
The story is based on the sprawling true story of a fearsome female army in 19th century Africa called the Agoodjies of Dahomey. An elite corps of 4,000 fearsome female warriors, the Agoodjes confronted the most powerful French army of the time in a four-year war.
The show will weave the points of view of a young female villager destined for greater things, and an enlightened monarch leading a once wealthy kingdom. Opening in 1889, the series will follow the journey of the female protagonist, Tiwa, a teenager on the verge of adulthood from the Yoruba Kingdom.
- 12/1/2022
- by Elsa Keslassy
- Variety Film + TV
Her chilly sensuality has hooked directors from Woody Allen to Lars von Trier. Charlotte Rampling talks to Catherine Shoard about her no-go areas, Hollywood 'crap' – and why we might not like her new documentary
If you were to create an installation that captured the essence of Charlotte Rampling, it would almost certainly involve a stuffed lion and a king-sized bed. And you'd probably place them not in a room, but by a bar, on a beach, at the French Riviera. In this way you'd convey the imperious gloss, the fearsome sensuality, the hint of the ridiculous in Rampling's eat-you-for-breakfast pose.
As luck would have it, this is exactly the scene when we sit down to talk in Cannes. There is a stuffed lion, there is a king-sized bed. Impervious to the taxidermical horror behind her, Rampling perches on a pouffe and fixes me with her laser gaze. The lion peeps over her shoulder; by comparison,...
If you were to create an installation that captured the essence of Charlotte Rampling, it would almost certainly involve a stuffed lion and a king-sized bed. And you'd probably place them not in a room, but by a bar, on a beach, at the French Riviera. In this way you'd convey the imperious gloss, the fearsome sensuality, the hint of the ridiculous in Rampling's eat-you-for-breakfast pose.
As luck would have it, this is exactly the scene when we sit down to talk in Cannes. There is a stuffed lion, there is a king-sized bed. Impervious to the taxidermical horror behind her, Rampling perches on a pouffe and fixes me with her laser gaze. The lion peeps over her shoulder; by comparison,...
- 5/19/2011
- by Catherine Shoard
- The Guardian - Film News
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