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- A swastika is found painted on a Jew's store; Zane fights with Beatrice's new boyfriend.
- Mike is forced to partner with a sluggish veteran officer; Zane discovers a mysterious phone call his mother made before her murder.
- 2006TV-145.0 (9)TV EpisodeProfessor Macklin makes his topic of the week abstinence. Natalie and Owen break up and she finally admits on camera that Richard is the one person for her. Sarah decides to give Sean Dixon another chance and goes to his book reading but finds out later that he hasn't changed. After unsuccessfully finding it impossible to fill the job of Sassy Sadie columnist Richard gives the job to Zoe. Meanwhile, Professor Cole tells Lee that he will be reporting him to the ethics board for this plagiarized paper.
- On his birthday, Zane learns that Beatrice torched his apartment, while Dorigan and Marinelli respond to a domestic violence call and a homicide.
- Two New York City patrolmen seek peace in their precinct by day and in their personal lives by night.
- Small town Pennsylvania girl Stacey finally meets Gavin, a guy she has been corresponding with, in New York. Their first meeting does not go as intended.
- A wedding photographer and his assistant try to find their perfect match while while working at wedding ceremonies for New York's elite.
- Ironside (Blair Underwood) and his team, including Virgil (Pablo Schreiber), Holly (Spencer Grammer) and Teddy (Neal Bledsoe) race the clock to clear the murder of a New York University honor student, before a plea bargain will set a hit man free. In the process, Ironside seeks Gary's (Brent Sexton) expertise, but being back in that mindset could prove too much for him to handle.
- After being shot in the line of duty, New York Detective Robert Ironside (Blair Underwood) swore he would never let a wheelchair slow him down. Undeterred, he drives his elite, hand-picked team, including Virgil (Pablo Schreiber), Holly (Spencer Grammer) and Teddy (Neal Bledsoe), to solve the city's most difficult and notorious crimes. Watching over them is their boss, Capt. Ed Rollins (Kenneth Choi), who shares a mutual respect with Ironside, while Gary (Brent Sexton) is Robert's scrappy ex-partner who marvels at his determination and ability to piece together his life after being shot.
- Two uniformed police officers cope with day-to-day life in New York City.
- A sports star's murder leads Shaw and Riley to suspect a mistaken target. Baxter's daughter witnesses the event, but testifying could jeopardize his re-election bid due to a family secret.
- Eileen and Agnes are working hard to place "Bombshell" in the best possible light for the entire cast and crew in the lead up to the Tony nominations. One of the projects is a tribute night for Tom and Julia. Already seen by the online community as having slept her way to her current lead position, Ivy is feeling uncomfortable in her role for the tribute night - where Tom has asked her to portray a stripper - which may further kibosh her chances of a nomination. But what may be a bigger problem is Tom and Julia's partnership. News of the partnership's dissolution could spell disaster, which is not helped by Julia being preoccupied with "Hit List"'s move to Broadway, the show which is currently in previews. "Hit List"'s creative team is aware that the transition from the small downtown theater to a large Broadway theater has not been an easy one. Derek feels that part of the problem is Ana, who may just be under-performing if only due to exhaustion. He works behind the scenes to find a replacement for Ana, that replacement who is officially an understudy to give Ana some recuperation time. But Ana herself is suspicious that Derek may be working to replace her permanently, especially when she sees who Derek is auditioning.
- The Outer Critics Circle (OCC) Award winners, which many see as a precursor to the Tonys, have just been announced. The results amp up the strategies each team uses in securing that coveted Tony nomination. Each of the individual members of the "Bombshell" and "Hit List" teams make some moves - some calculated, some unwitting - that may place them in a bad light, especially in how they deal with their main competition. Regardless of the OCCs, Tom may have problems getting a Tony nomination because of the less than friendly or ethical encounters he has with movie and Broadway star Patrick Dillon, who is on the Tony nominating committee. Thus it may not be good timing for Tom to admit or act upon the fact that he has a crush on "straight" Patrick, whose sexual orientation has been in question by the public. Jerry wants to use the OCCs that "Hit List" won for his advertising campaign for the Tonys, which does not include pushing for Kyle, who he says is getting no buzz. As such, Jimmy does whatever he can to lobby for Kyle. The "Hit List" team may have bigger problems because of the situation with Derek firing Ana and replacing her with Daisy, who only got the part in a blackmail on Derek. Although she cares about the awards, Ivy is more preoccupied by the news that she's pregnant. She has to decide whether she will choose motherhood or career at this important juncture, and if and how she will tell the father, Derek, with who she now feels disconnected. Another person preoccupied with other issues is Julia, who is dealing with a less than amiable divorce proceeding. Julia's relationship problems makes Eileen think about her own failed relationship with incarcerated Nick.
- Despite "Bombshell" not getting the ticket sales they were hoping, Eileen and Agnes are certain they are still on track for the show to sweep the Tonys. They just have to keep the show open until the awards, so they drum up whatever publicity they can featuring Ivy at whatever opportunity. One of those publicity items - Ivy moderating a Q&A session with Tom and Julia - may be bad timing. Tom has found out that he didn't get the "City of Angels" directing job. His belief that he would then work on "The Great Gatsby: The Musical" with Julia doesn't seem to be in the cards as Scott has already announced to his board that Julia is doing Gatsby as a play with him. This news, which happens just before the Q&A, may bring their private feud into the public realm. Eileen and Agnes' obstacle-less drive to the Tonys hits a snag when they learn that Derek and Scott are trying to bring "Hit List" to Broadway this season. Tonight's performance is perhaps the most important as it will be done in front of potential Broadway producers. But Jimmy's self-destructive behavior, which Derek in particular has to put up safety nets for, may threaten the show altogether.
- Personal relations between Tom and Ivy are still strained, into which Ivy brings the cast onto her side. Wanting to mend their friendship, Tom, at the last minute as he reminded of the date, asks his friend and Ivy's idol Liza Minnelli to provide a surprise to Ivy for her birthday later that evening. Beyond Ivy already having made arrangements with her cast mates to celebrate her birthday without Tom, the evening has the potential to be a disaster for all concerned, which includes Eileen and Richard, who are testing the waters of a personal relationship. Meanwhile, Jimmy and Karen have embarked on a sexual relationship, but Karen wonders if Jimmy not wanting to tell anyone about it is a red flag. And Derek contemplates being honest with Karen about his feelings for her. While these three struggle with their as of yet unknown romantic triangle - at least unknown to Karen - Scott, Julia and Kyle work on the show without them. Their close working relationship may reignite romantic feelings that had bubbled under the surface between Scott and Julia when they were friends many years ago, while the working process may give Kyle some confidence in working without Jimmy.
- Karen and Jimmy's first night together is cut short by the arrival of her father, in town for a conference. Beyond believing that Karen is in a sexual relationship with Derek, he can't get over the fact that she left "Bombshell", a Broadway show, for experimental theater. His demeanor toward Karen and the men in her life is based on this perspective. Specifically with Jimmy, he may not be able to outrun his past, which he'd rather forget, as he becomes more famous. Meanwhile, Ivy is having parent issues of her own, with her Broadway diva mother, Leigh Conroy, coming out of retirement to accept the role of Gladys, Norma Jean's mother, in "Bombshell". Ivy and Leigh's relationship during rehearsals surprises Tom, who isn't quite getting out of them what he wants. Julia tries too hard to mend her relationship with Scott, who in turn may have a condition to the reestablishment of their friendship. And Eileen and influential New York Times Arts Editor Richard Francis consider moving their relationship from the professional to the personal.
- The level of collaboration at "Bombshell" and "Hit List" are taking divergent paths. Derek has his big budget sensibility in directing "Hit List" and is able to stick to his vision within the limited budget. However, that vision doesn't sit well with Jimmy, who voices his opposition. Their relationship is further negatively affected by Derek's hands off statement concerning Karen, who doesn't know why Jimmy has not approached her romantically. On the other hand, Tom, now the director of "Bombshell", wants to please everyone, especially his new star Ivy, by listening to and incorporating their ideas. However, Tom's juggling act has its own problems, especially in trying to incorporate an idea more for his own personal rather than professional reason. Derek and Tom may have to find a common middle ground for both their productions to succeed. Meanwhile, Julia is trying to mend a fifteen year estrangement with Scott. And Eileen, who has regained production control of "Bombshell", is having problems trying to drum up any positive buzz around the production. With Tom's approval, Eileen embarks on what she believes is a newsworthy idea which will most directly affect Ivy for good or more likely bad.
- Tommy agrees to help Jenny's father keep their restaurant, which Dokey has managed to get declared 'unsanitary'. Joanie discovers that addict Jimmy stabbed Whitey to death, and helps him dispose of the body. Jimmy's creditor Jonesy, a corrupt ex building department employee, tells the boys to talk to their late father's friend Franny Kenny. However the the paper trail goes cold. Trish explains to Nikey about the Travis-Dokey-Alo real estate connection. Ma Donnely asks the boys to change their ways in order to avoid risking the same fate as their dad. Kevin has a Greek girlfriend, who inspires him to study again. Torture puts the boys on the bloody trail, with a terrible family secret.