This [
A Rede Social (2010)] was not the sort of script you improvise on. With
Aaron Sorkin, it's immediately clear what the rhythm of the scene is. It's similar to reading Shakespeare. In fact, it's a lot like great theater. I looked at some of the lengthier scenes as if I was doing a play. You find the story arc of the scene, discover different moments, build upon them to make it as rich as possible.
reconciled his intense control with his disengagement. He might appear detached and bored, but he's always working to control the entire room.