Panel will feature Twickenham Studios’ Cara Sheppard, Afro-Mic Productions’ Emma-Rosa Dias and Little House Productions’ Uzma Hasan.
The women who are leading in their roles within the film and TV industry will be highlighted at the upcoming Restart conference (May 18-20).
Register here
Twickenham Studios managing director Cara Sheppard, Afro-Mic Productions managing director Emma-Rosa Dias and Little House Productions producer Uzma Hasan will discuss their roles, what brought them to the industry and their hopes for the future of the sector as well as their thoughts on how the world and their businesses have changed over the past year.
The live panel,...
The women who are leading in their roles within the film and TV industry will be highlighted at the upcoming Restart conference (May 18-20).
Register here
Twickenham Studios managing director Cara Sheppard, Afro-Mic Productions managing director Emma-Rosa Dias and Little House Productions producer Uzma Hasan will discuss their roles, what brought them to the industry and their hopes for the future of the sector as well as their thoughts on how the world and their businesses have changed over the past year.
The live panel,...
- 5/13/2021
- by Screen staff
- ScreenDaily
The rapid onslaught of the coronavirus pandemic caused several media events around the world to take rapid decisions to either cancel and postpone to 2021 or pivot to digital. The U.K., one of the worst hit countries in the world, was no different, and the venerable Edinburgh TV Festival, now in its 45th year, decided on the digital route.
“The question about staging a long-running event like ours moved quite quickly from ‘how can we’ to ‘how should we?’,” festival managing director Campbell Glennie tells Variety. “We are governed by The TV Foundation, an independent, not-for-profit charity, and very much designed for the industry in collaboration with it. When we decided to move to digital, we knew that serving our free-to-access schemes and audiences had to come first, and we’ve all had a challenging year. Being digital makes us more accessible and affordable, and we wanted to make sure...
“The question about staging a long-running event like ours moved quite quickly from ‘how can we’ to ‘how should we?’,” festival managing director Campbell Glennie tells Variety. “We are governed by The TV Foundation, an independent, not-for-profit charity, and very much designed for the industry in collaboration with it. When we decided to move to digital, we knew that serving our free-to-access schemes and audiences had to come first, and we’ve all had a challenging year. Being digital makes us more accessible and affordable, and we wanted to make sure...
- 8/21/2020
- by Naman Ramachandran
- Variety Film + TV
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