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Twenty-seven of Australia’s top cinematographers last night launched a social media campaign aimed at boosting the number of women employed in camera teams and, more broadly, encouraging greater diversity across the screen industry.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
Using the hashtag #whoisinyourcrew, the six-week campaign is designed to reach all heads of department as well as directors and producers.
The initiative was conceived by Dop Bonnie Elliott on behalf of the Australian Cinematographers Society’s Diversity Committee, the reconfigured Acs Women’s Advisory Panel.
Appointed to Screen Australia’s Gender Matters task force this year, Elliott has led the way by maintaining gender equity across her own camera teams for the last four years.
“I am keen to empower my fellow cinematographers to help make change in the industry through their hiring practices,” says Elliott, whose recent credits include Stateless, The Furnace, Palm Beach, The Hunting, H is for Happiness and Daina Reid’s upcoming Run Rabbit Run.
- 7/27/2020
- by The IF Team
- IF.com.au
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(L-r) Rhys-Muldoon, Hugh Parker, William McInnes and Colin Smith in the Qtc play (Photo credit: Jeff Busby).
In their third collaboration following Don’s Party and The Club, David Williamson and Bruce Beresford are developing Nearer the Gods, a biopic about Sir Isaac Newton, the eccentric 17th Century English scientist and mathematician.
Adapted from Williamson’s play which was staged by the Queensland Theatre Co. in 2018, the drama laced with humour will trace Newton’s struggles to persuade the sceptical Royal Society to publish his revolutionary discoveries including formulating the laws of motion and universal gravitation.
The comedy revolves the latter part of his life, much of which he dedicated to theology and predicting the end of the world and the second coming of Christ in the year 2060.
“It’s an amazing story; I’m surprised it hasn’t been filmed before,” says Beresford, who is working with producers Al Clark,...
In their third collaboration following Don’s Party and The Club, David Williamson and Bruce Beresford are developing Nearer the Gods, a biopic about Sir Isaac Newton, the eccentric 17th Century English scientist and mathematician.
Adapted from Williamson’s play which was staged by the Queensland Theatre Co. in 2018, the drama laced with humour will trace Newton’s struggles to persuade the sceptical Royal Society to publish his revolutionary discoveries including formulating the laws of motion and universal gravitation.
The comedy revolves the latter part of his life, much of which he dedicated to theology and predicting the end of the world and the second coming of Christ in the year 2060.
“It’s an amazing story; I’m surprised it hasn’t been filmed before,” says Beresford, who is working with producers Al Clark,...
- 6/11/2020
- by The IF Team
- IF.com.au
Tania Lambert shoots a Toyota Tvc.
If speaks to cinematographers Anna Howard, Tania Lambert, Katie Milwright, Mandy Walker, Bonnie Elliott, Emma Paine, Velinda Wardell, Sky Davies and Ashley Barron about rising up the ranks, the gender gap and the DPs that inspire them.
No woman has ever won the Oscar for best cinematography. In fact, no woman has ever been nominated. In Australia, Abs statistics to 2011 put the percentage of female directors of photography at around 6 percent. Were you aware of the gender divide at the beginning of your career?
Lambert: I was keenly aware of the gender imbalance in the camera department when I first started as a camera assistant. It didn.t bother me a huge deal, but I felt I had to work extra hard to be respected in that role. There were only a few female camera assistants I knew of and one female Dop, Anna Howard,...
If speaks to cinematographers Anna Howard, Tania Lambert, Katie Milwright, Mandy Walker, Bonnie Elliott, Emma Paine, Velinda Wardell, Sky Davies and Ashley Barron about rising up the ranks, the gender gap and the DPs that inspire them.
No woman has ever won the Oscar for best cinematography. In fact, no woman has ever been nominated. In Australia, Abs statistics to 2011 put the percentage of female directors of photography at around 6 percent. Were you aware of the gender divide at the beginning of your career?
Lambert: I was keenly aware of the gender imbalance in the camera department when I first started as a camera assistant. It didn.t bother me a huge deal, but I felt I had to work extra hard to be respected in that role. There were only a few female camera assistants I knew of and one female Dop, Anna Howard,...
- 9/15/2016
- by Harry Windsor
- IF.com.au
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