Above: Six in Paris (Rohmer, Godard, Douchet, Chabrol, Pollet & Rouch, France, 1965).
One of France’s best-loved illustrators, Jean-Michel Folon (1934-2005) was a prodigious creator. The Folon Foundation in Belgium (his country of birth) lists among its collection “39 watercolours, 3 ink paintings in coloured and Indian ink, 5 oils on wood and collage, 1 oil on canvas and collage, 100 engravings, 50 colour tests, 20 line drawings, 50 original engraved copperplates, 11 screen prints, 15 original objects, 12 sculptures in wood, 25 sculptures in plaster, 2 sculptures in polystyrene, 70 sculptures in patinated bronze, 154 original posters, 18 reproductions of illustrated envelopes, 18 sheets of stamps, 8 Aubusson tapestries, 2 coloured stained-glass windows, 1 automaton in painted resin, 1 mosaic, 1 fountain in pink marble, 4 photos and 8 sundry objects.”
Folon is well known in the Us for his political posters (for Greenpeace and Amnesty International), his book illustrations (Kafka, Ray Bradbury), magazine covers (many for the New Yorker) and his collaboration with Milton Glaser. His style was disarmingly simple and instantly recognizable...
One of France’s best-loved illustrators, Jean-Michel Folon (1934-2005) was a prodigious creator. The Folon Foundation in Belgium (his country of birth) lists among its collection “39 watercolours, 3 ink paintings in coloured and Indian ink, 5 oils on wood and collage, 1 oil on canvas and collage, 100 engravings, 50 colour tests, 20 line drawings, 50 original engraved copperplates, 11 screen prints, 15 original objects, 12 sculptures in wood, 25 sculptures in plaster, 2 sculptures in polystyrene, 70 sculptures in patinated bronze, 154 original posters, 18 reproductions of illustrated envelopes, 18 sheets of stamps, 8 Aubusson tapestries, 2 coloured stained-glass windows, 1 automaton in painted resin, 1 mosaic, 1 fountain in pink marble, 4 photos and 8 sundry objects.”
Folon is well known in the Us for his political posters (for Greenpeace and Amnesty International), his book illustrations (Kafka, Ray Bradbury), magazine covers (many for the New Yorker) and his collaboration with Milton Glaser. His style was disarmingly simple and instantly recognizable...
- 11/15/2014
- by Adrian Curry
- MUBI
Madrid -- The 58th San Sebastian Festival will showcase contemporary non-fiction cinema in its thematic sidebar called .doc, organizers announced Monday as they unveiled this year's official poster.
Festival organizers said the retrospective will reflect "on the growing importance of the documentary genre throughout the world movie scene in recent years, the cycle will include some of the most representative examples of non-fiction cinema: auto-documentaries on individual and private subjects, essay cinema, fake documentaries, contributions from video-artists and moviemakers."
San Sebastian poster The showcase will include films like: My Winnipeg (Guy Maddin, 2007), "The Five Obstructions" (Lars von Trier and Jorgen Leth, 2003), "Le souvenir d'un avenir" (Chris Marker and Yannick Bellon, 2001), "Auge/Maschine"-Parts 1, 2, 3 (Harun Farocki, 2002), "Los Rubios" (Albertina Carri, 2003) and "The Wild Blue Yonder" (Werner Herzog, 2005).
Organizers said the Official Section will run 15 features this year.
The festival's poster was revealed at an event in the city's Science Kutxaespacio Museum.
Festival organizers said the retrospective will reflect "on the growing importance of the documentary genre throughout the world movie scene in recent years, the cycle will include some of the most representative examples of non-fiction cinema: auto-documentaries on individual and private subjects, essay cinema, fake documentaries, contributions from video-artists and moviemakers."
San Sebastian poster The showcase will include films like: My Winnipeg (Guy Maddin, 2007), "The Five Obstructions" (Lars von Trier and Jorgen Leth, 2003), "Le souvenir d'un avenir" (Chris Marker and Yannick Bellon, 2001), "Auge/Maschine"-Parts 1, 2, 3 (Harun Farocki, 2002), "Los Rubios" (Albertina Carri, 2003) and "The Wild Blue Yonder" (Werner Herzog, 2005).
Organizers said the Official Section will run 15 features this year.
The festival's poster was revealed at an event in the city's Science Kutxaespacio Museum.
- 5/10/2010
- by By Pamela Rolfe
- The Hollywood Reporter - Movie News
On January 17, 1938, the Exposition Internationale du Surréalisme opened at the Galerie des Beaux Arts in Paris, France. The event, organized by André Breton and Paul Eluard, was a major moment in the 20th century art as key works by Salvador Dali (pictured to the left), Marcel Duchamp, and Man Ray were presented to the public for the first time. The evidence of these works as well as this unique moment was captured by photographer Denise Bellon, whose beautiful black and white photography has become synonymous with these works. ...
- 9/2/2008
- by Rodney Perkins
- Screen Anarchy
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