- America is at this moment developing advanced systems of "weapons of mass destruction" and is prepared to use them where it sees fit. It has more of them than the rest of the world put together. It has walked away from international agreements on biological and chemical weapons, refusing to allow inspection of its own factories. The hypocrisy behind its public declarations and its own actions is almost a joke. America believes that the 3,000 deaths in New York are the only deaths that count, the only deaths that matter. They are American deaths. Other deaths are unreal, abstract, of no consequence. The 3,000 deaths in Afghanistan are never referred to. The hundreds of thousands of Iraqi children dead through American and British sanctions which have deprived them of essential medicines are never referred to. The effect of depleted uranium, used by America in the Gulf War, is never referred to. Radiation levels in Iraq are appallingly high. Babies are born with no brain, no eyes, no genitals. Where they do have ears, mouths or rectums, all that issues from these orifices is blood.
- The invasion of Iraq was a bandit act, an act of blatant state terrorism, demonstrating absolute contempt for the concept of international law. The invasion was an arbitrary military action inspired by a series of lies upon lies and gross manipulation of the media and therefore of the public; an act intended to consolidate American military and economic control of the Middle East masquerading
- as a last resort, all other justifications having failed to justify
- What concerns me most is shape and structure.
- I'll tell you something, and this is true: I've never been able to write a film which I didn't respect, I just can't do it. I'm very happy about all the films I haven't done.
- But, let's face it, the fact remains that Hollywood has always been an extraordinary bloody place. Always. Hollywood, mainly, is a kind of shithouse. But out of this shithouse, they've produced the most surprising films.
- I have written about 25 scripts over the years, three of them were never made and another three fucked up. I took my name off one and with some reluctance left my name on another. The one I took my name off was The Remains of the Day (1993), for which they took my script and rewrote it. But the truth is that the roughly 18 films that I've had made have not been touched. They've been filmed exactly as I wrote them. I'm not only talking about dialog but structure as well. I've always been very amenable, to put it mildly, to discussions about structure. It's such a delicate business, the structure of film, isn't it? What happens if a scene is not there but two minutes later? It's an eternal, never-ending search actually, which is very exciting. It really is.
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