Usually in features I'm the lead. I consider the director the captain,
but I consider myself the first mate and it's up to me to keep in
contact with the heart of the crew. They're crucial to me. If I don't
feel that they're relaxed, I'm not relaxed. All the little things they
do -- "Hello, how are you?" -- things they may not feel. And when they
go out of their way to be nice to you, it means a lot. It's the glue
that binds this industry together.