The Works of Director Raja Gosnell
From Home Alone 3 (1997) to Yours, Mine & Ours (2005)
List activity
24 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
6 titles
- DirectorRaja GosnellStarsAlex D. LinzOlek KrupaRya KihlstedtAlex Pruitt, an 8-year-old boy living in Chicago, must fend off international spies who seek a top-secret computer chip in his toy car.Editorial Consultant: Raja Gosnell
Producer / Writer: John Hughes
Casting Dir's: Billy Hopkins CSA, Suzanne Smith, Kerry Barden, Jennifer McNamara
Composer, Original Theme: John Williams
Composer / Conductor: Nick Glennie-Smith
Costume Designer: Jodie Tillen
Film Editors: Bruce Green ACE, Malcolm Campbell, David Rennie ACE
Production Designer: Henry Bumstead
Cinematographer: Julio Macat ASC
Executive Producer: Ricardo Mestres
Producer: Hilton Green
Voice of Parrot: Darren T. Knuss
Stunt Coordinators: R.A. Rondell, Freddie Hice
Stunts: Thomas Robinson Harper, Troy Robinson
Key Unit Production Manager: Joseph P. Kane
First Assistant Director: Ben Rosenberg
Second Assistant Director: Richard Oswald
Associate Producer: Nilo Rodis-Jamero
Music Supervisors: Mary Ramos-Oden, Michele Kuznetzky
Art Director: Jack G. Taylor
Set Decorator: Richard Goddard
Set Designers: Cate Banks, Kevin Cross, David W. Krummel, Leslie Thomas, Jim Wallis
Illustrators, Art Dept.: Fred Lucky, Joseph Musso
Supervising Leadman: John A. Schacht
Leadman (Chicago): John M. Vargo
Second Second AD: Richard S. Lederer
Add'l Second Second AD: Thom Van Der Woude
A Camera Operator: Steve Campanelli SOC
A Camera Add'l Operator: David Diano SOC
A First Assistant Camera: Steve Peterson
A Second Assistant Camera: Dean Simmon
"B" Camera Operator: George Kohut
"B" Camera Assistant: Peter Kuttner
Arriflex & Panaflex Loader: Kathryn Mueller
Camera Dept. Intern: Makiko Watanabe
Sound Mixer: Jose Antonio Garcia
Boom Operator: Jonathan Lee-Ger Fuh
Audio Technician: Scott R. Thomson
Video Assist/Playback: Frank Yario Jr
Video Assist: Kevin P. Boyd
Production Prop Master: James Zemansky
Script Supervisor: Durann Carlson
Gaffer (Los Angeles): Robert E. Krattiger
Gaffer (Chicago): Mark R. Lindberg
Best Boy Electric: John P. Friday
Rigging Gaffer: Terry Dee
Best Boy Rigging Electric: Robert Swander
Generator Ops: Ron Sherman, Rob Rocco
Key Grip (Los Angeles): Gary L. Dagg
Key Grip (Chicago): Danial A. Miller
Best Boy Grip: Anthony J. Lullo
Dolly Grip, A Camera: Bradley T. Matthys
"B" Dolly Grips: Steve Matthys, Walter Piers
Rigging Key Grip: Richard A. Bond Jr
Rigging Best Boy Grip: James F. Roorda
Costume Supervisor: Gala Autumn
Key Seamstress, Costumes: Jane Blank
Seamstress, Costumes: Jacqueline Beatka
Department Head — Hair: Lucia Mace
Dept. Head — Makeup: Tania McComas
Key Hair Stylist: Linda Rizzuto
Key Makeup Artist: Linda Boykin-Williams
Location Manager (Chicago): TC Glazer
Assist Location Manager: Mark McCarville
Second Locations Assistant: Anne Berger
Production Coordinator: Lisa A. Becker
Assistant Production Coordinator: B. Ted Deiker
Production Secretary: Channing Jesse Work
Operations Manager: Seth Vamos
Production Associates: Penny Price, Jen Testa
Telecommunications Coordinator: Mike Bliss
Animal Coordinator: Dave E. Souza
Sr Special Effects Coordinator: Ron Bolanowski
Special Effects Key Technic: Don "Rio" McNichols
Special Effects Shop Foreman: William Kennedy
Special Effects Labor Foreman: Thomas Gagnon
Special Effects Liaison: Kate A. Steinberg
Remote Control Op, SFX: Robert Bolanowski
Prod. Special Effects Technician: John D. Milinac
Overall Special Effects Assistant: Glenda Sathre
BS/VIFX Digital VFX Supervisor: John C. Wash
BS/VIFX Photography Unit Visual FX Supervisor: Gregory L. McMurry ASC
BS/VIFX Visual Effects Producer: Matthew Ferro
BS/VIFX 3D / Digital Compositor: Andy Gauvreau
Blue Sky/VIFX Art Director: Alison Yerxa
Blue Sky/VIFX Chief Technologist: Mark Brown
BS/VIFX Digital Dept. Manager: Craig Newman
Radcam Camera Car Operator: Randall Rausch
Radcam Assistant Operator: Steve Dunn
Construction Coordinator (LA): John Rutchland
Construction Coord (Chicago): John Crisman
Art Department Coordinator: Laura O'Brien
Art Department Assistant: Dana Armonda
Key Set Production Assistant: Eric A. Pot
Still Photographer: Sam Young Emerson
Unit Publicist: Ernie Malik
First AEs: John Axelrad ACE, Mark Phillips
Supervising Sound Editor: Mike Wilhoit
Supervising FX Editor: Tony Lamberti
Production ADR Supervisor: Kelly Oxford
Production ADR Mixer: Ann Hadsell
Supervising Music Editor: Laura Perlman
Score Orchestrator: Bruce Fowler
Scoring Mixer: Malcolm Luker
Orchestra Contractor: Sandy De Crescent
Production Color Timer: Matt V. Shatz
Main & End Titles Designer: Nina Saxon
Second Unit Director / Director of Photog: Phillip C. Pfeiffer
Second Unit First Asst Director: John M. Colwell
Second Unit Second Assistant Director: Aiman Ahmed Humaideh
Second Unit Production Supervisor: Pat Chapman
Second Unit Script Supervisor: Alicia Accardo
Second Unit Production Coord: Dave Conley
Second Unit Art Dept. Coord: Christine Moravec
Second Unit A Camera Operator: Pete Gulla
Second Unit A First AC: Robert C. Carlson
Second Unit A Second AC: Richard Sobin
Second Unit Loader: Steven Silverstein
Second Unit Sound Mixer: Joseph P. Yario
Second Unit Boom Operator: Robert Lucas
Second Unit Video Assist: Fred Ciba III
Second Unit Gaffer: Alphonse Blumenthal
Second Unit Best Boy Electric: Robert Krzeminski
Second Unit Key Grip: Morgan Michael Lewis
Second Unit Best Boy Grip: Chris Freres
Second Unit A Camera Dolly Grip: John Hudacek
Second Unit A Camera Grip: Tom Lewis
Second Unit Key Hair Stylist: Elaine Cascio
Second Unit Key Makeup: Denise Wynbrandt
Second Unit Prop Master: William Dambra
Second Unit SFX Foreman: Mike Gianneschi
Second Unit Laser Operator: Kev Czarnote
Second Unit Key Set Prod. Assist: Dawn Patch
Filming Dates: 2 December 1996 - 22 March 1997
Cameras: Arriflex 535 & Panavision Panaflex Gold (35mm Eastman EXR 100T 5248, Kodak Vision 320T 5277 & 500T 5279)
AR: 1.85:1 (4-Perf 35mm Spherical)
Budget: 32 Million USD
Budget AFI (2022): 59.4 Million USD
Special Visual Effects, Titles & Opticals by: Blue Sky/VIFX & Pacific Title
Radcam Miniature Camera Car by: Innovision Optics
Main & End Titles by: Nina Saxon Film Design
Color Provided by: Deluxe®
Shot on: Kodak Film Stock
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorRaja GosnellStarsDrew BarrymoreDavid ArquetteMichael VartanA newspaper reporter enrolls in high school as part of research for a story.Writers: Abby Kohn, Marc Silverstein
Producers: Sandy Isaac, Nancy Juvonen
Executive Producer: Drew Barrymore
Cinematographer: Alex Nepomniaschy ASC
Cinematographers, Second Unit: Don McQuaig ASC CSC, Anette Haellmigk
Production Designer: Steve Jordan
Film Editors: Debra Chiate, Marcelo Sansevieri
Co-Producer / Crew UPM: Jeffrey Downer
Co-Producer: Nancy Fallon
Composer / Conductor: David Newman
Music Super's: Mary Ramos-Oden, Michele Kuznetzky
Costume Designer: Mona May
Casting Dir's: Justine Baddeley, Kim Davis
"Carny" / Super. Prop Master: Russell Bobbitt
Stunt Coordinator: Joni Avery
Crew First Assistant Director: Richard Graves
Crew Second Asst Director: Susan J. Hellmann
Crew Production Supervisor: Jack L. Murray
Art Director, Production Crew: Will Hiney
Set Decorator, Production Crew: Suzanne Sheets
A Camera Operator: Michael Stone
A First Assistant Camera: Richard A. Mention III
A Second Assistant Camera: Loren S. Yaconelli
B Camera Operator: Arnie Sirlin
First Assistant B Camera: Kirill Davidoff
Panaflex Film Loader: Dave Egerstrom
Still Photographer: Suzie Hanover SMPSP
Sound Mixer: Keith A. Wester CAS
Boom Person: Timothy P. Salmon
Video Assist: Aaron Katz
Set Designer: Susan E. Lomino
Assistant Prop Master: Giovanni Bianchini
Second Prop Assistant: Tracy M. Bobbitt
Gaffer: Mike G. Moyer
Rigging Gaffer: Edward R. Nedin
Senior Special Effects Coordinator: John Hartigan
Lead Special Effects Technician: Chris Walkowiak
Costume Supervisor: Perri Kimono
Key LM's: Brian O. Haynes, Betsy Bottando
Assistant Location Manager: John Strahm
Second Second Asst Director: Brad Morris
Production Coordinator: Mitchell Bell
Asst Production Coordinator: Sissy Grover
Storyboard Artist: Darryl Henley
Art Dept. Coordinator: Miki Yoshimoto
Art Dept. Production Assist.: Lee Jordan
Post Prod. Accountant: Karen Wheeler
Casting Assistant: Linda K. Hird
Supervising Sign Writer: Tim Gomez
Sign Writer / Painter: Michael Vasquez
Sign Writer: Lee J. Jashinsky
Unit Publicist: Alex L. Worman
First Assistant Editor: Laura Steiger
Second Assistant Editor: Blake Danforth
Post Production Assistant: Todd Resnick
Supervising Sound Editor: Michael Wilholt
Supervising ADR Editor: Kelly L. Oxford
Production ADR Editor: Donald Sylvester
First Assistant Sound Editor: Blake Cornett
Digital Assist. Sound Editor: Steve F. Price
Production Foley Mixer: Dave Betancourt
Overall Foley Recordist: Carrie Cashman
Production ADR Mixer: Charleen Richards
Production ADR Recordist: Dave Lucarelli
Production Visual Effects Supervisor: Rich Thorne
Production Visual Effects Producer: Sharon Holly
BS/VIFX Visual Effects Supervisor: John C. Wash
BS/VIFX Visual Effects Producer: Josh R. Jaggers
BS/VIFX VFX Coordinator: Carey Smith
BS/VIFX 2D Supervisor: Hoiyue 'Harry' Lam
BS/VIFX Digital Painting Lead: Meg Freeman
BS/VIFX 3D Animator: Matt Hausman
E = mc ² Video Supervisor: Bob Morgenroth
E = mc ² Video Coordinator: Brett Cody
Lead Choreographer: Marguerite Derricks
Supervising Music Editor: Tom Villano
Assistant Music Editor: Rich Harrison
Score Recordist & Mixer: John Kurlander
Score Orchestrator: Xandy Janko
Synthesizer Programmer: Marty Frasu
Scoring Consultant: Krystyna Newman
Scoring Stage Recordist: John Rodd
Scoring Stage Engineer: Denis Sager
Scoring Contractor: Sandy DeCrescent
Marching Band Consultant: Terry Sakow
Production Color Timer: Matvey Shatz
Main & End Title Seq. Designer: Robert Dawson
TPG Digital Colorist: Kathy Thomson
Filming Dates: 1 July 1998 - 15 September 1998
Camera: Panaflex Platinum (35mm Kodak Eastman EXR 50D 5245, 100T 5248 & Vision 500T 5279)
Lenses: Panavision® Primo SL Primes & SLZ11 24-275mm Zoom
AR: 2.39:1 (4-Perf Super 35mm)
Budget: 25 Million USD
Budget AFI (2022): 44.7 Million USD
Digital Visual Effects & Scanning by: Blue Sky/VIFX & Digital Filmworks
Video Displays by: E = mc ²
Digital Main & End Titles by: Digiscope
Opticals by: Pacific Title/Mirage
Color Provided by: DeLuxe®
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Home Video Color Provided by: The Post Group
Attribute: Filmed in Panavision® (Cameras & Lenses) - DirectorRaja GosnellStarsMartin LawrenceNia LongPaul GiamattiFBI agent Malcolm Turner goes undercover as a large, elderly woman to catch an escaped convict, but complications arise when he bonds with Sherry, the convict's ex-girlfriend and the woman's granddaughter.
- DirectorRaja GosnellStarsMatthew LillardFreddie Prinze Jr.Sarah Michelle GellarAfter an acrimonious break up, the Mystery Inc. gang are individually brought to an island resort to investigate strange goings on.
- DirectorRaja GosnellStarsFreddie Prinze Jr.Sarah Michelle GellarMatthew LillardThe Mystery Inc. gang must save Coolsville from an attack of their past monsters brought to life by an evil masked figure trying to take down the gang.
- DirectorRaja GosnellStarsDennis QuaidRene RussoJerry O'ConnellA widowed Coast Guard Admiral and a widowed handbag designer fall in love and marry, much to the dismay of his 8 and her 10 children.Screenwriters: Ron Burch, David Kidd
Producers: Rob Simonds, Michael Nathanson
Exec Producer/Second Unit Director: Ira Shuman
Exec Producers: Richard Suckle, Tracey Trench
Cinematographer: Theo Van De Sande ASC
Production Designer: Linda DeScenna
Film Editors: Stephen A. Rotter, Bruce Green ACE
Costume Designer: Marie-Sylvie Deveau
Casting: Mary Vernieu CSA, Shalimar Redioca CSA
Music Supervisor: Spring Aspers
Composer: Christophe Beck
Co-Producer: Kim Zubick
Unit Production Manager: Dustin Bernard
First Assistant Director: Richard Graves
Second Assistant Director: Eric Sherman
Stunt Coordinator: Ernie Orsatti
Aerial Unit Helicopter Pilot: Kevin LaRosa
Sup. Sound Editor: George Anderson MPSE
Supervising Art Director: Jim Nedza
Set Decorators: Kelly Berry, Ric McElvin
“A”/Steadicam Operator: P. Scott Sakamoto SOC
First Assistant “A” Camera: Baird B. Steptoe Sr
Second Assistant “A” Camera: John Young
“B” Camera Operator: Daniel C. Gold SOC
First Assistant “B” Camera: Matthew Alper
Second Assistant “B” Camera: Naomi Brunner
Panaflex Millennium Loader: Markus Mentzer
Still Photographer: Sam Young Emerson
Video Assist: Jay Huntoon
Script Supervisor: Diane Durant
Prod Coordinator: M. Michelle Nishikawa
Overall Accountant: Paul Belenardo
Chief Lighting Technician: John Kouzouyan
Assistant Lighting Tech: Michael Arvantis
Chief Rigging Electrician: James Cornick
Assistant Rigging Electric: Lamarr Gray
First Company Grip: Robert Gray
Second Company Grip: Quinn Grove
First Company Rigging Grip: Alfie Smithey
Second Company Rig Grip: Jimmy Culligan
“A” Dolly Grip: Alan K. Shultz
“B” Dolly Grip: Ralphie Del Castillo
LM's: Michael Neale, Michael Burmeister
Second Second Asst Director: Katie Carroll
Production Sound Mixer: David Wyman
Boom Operator: Earl Sampson
First Assistant Editor: Rolf Fleischmann
Second Assistant Editor: Robert Berman
Post Production Assistant: Brian Spirnak
Co-Supervising S.E.: Michael O'Farrell
First Assistant Sound Editor: Cherie Tamai
Assistant Sound Editor: Ann Ducommun
Sound Recordist: Tom Burns
ADR Supervisor: Tammy Fearing
Production ADR Editor: Larry Kemp
Production ADR Assistant: Bill Burns
Dialogue Editor: James Matheny
Production Foley Editor: Roy Seeger
Foley Recording Assistant: Lan Tran
Score Conductor: Mike Nowak
Orchestra Contractor: Sandy DeCrescent
Head of Music Preparation: Mark Graham
Score Recordist & Mixer: Casey Stone
Score Recordist: Vincent Cirilli
Costume Supervisor: Lisa Nora Lovaas
Supervising Prop Master: Brad Einhorn
Assistant Prop Master: James L. Kroning
Art Department Coordinator: Mitch Sutton
Lead Person, Art Dept.: Charles Nixon
On-Set Dresser. Hector Gonzalez
Set Decoration Coordinator: Mike Beatrice
Lead Set Designer: Richard Romig
Set Designs: Evelyne Barbier, Nancy Deren
Storyboard Artists: Steve Curcuru, Robin Richesson
Lead Special Effects Coordinator: Thomas Bellissimo
Picture Car Coordinator / Co-Captain: Ken Youngblood
Unit Publicist: Cid Swank
Asst Production Coordinator: KB Puguese
Key Set Production Assistant: Michael Judd
Second Unit DoPs: Lawrence Blanford ASC, Paul Hughen ASC
Second Unit First Assistant Director: Jon Starch
Second Unit First Company Grip: James Pollard
Second Unit Transportation Coordinator: Joe Johnson
Title Designers: Robert Dawson, Justin Blampied
Production Color Timer: Harry Muller
PTAS Senior Digital Colorist: Doug Delaney
PTAS Digital Intermediate Producer: Kacie Haggerty
PTAS Digital Intermediate Editor: Amy Tomkins
PTAS Digital Intermediate Coordinator: Lisa Markou
PTAS Visual Effects Supervisor: Mark Freund
PTAS Visual Effects Producer: Ladd Lanford
PTAS Visual Effects Coordinator: Phillip Hoffman
PTAS 3D Coordinator: Tom Clary
PTAS Assistant Visual Effects Producer: Emily Fenster
PTAS On-Set Supervisor: Joseph Grossberg
PTAS Lead Compositor: Bob Wiatr
Camera: Panaflex Millennium (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo SL Primes & SLZ11 24-275mm Zoom
AR: 1.33:1 (Naoko's Vlogs: Windowboxed), 2.39:1 (4-Perf Super 35mm)
Budget: 45 Million USD
Budget AFI (2022): 68.666 Million USD
Printed on: Kodak Vision 2383
On-Set Color Correction by: Gamma & Density Co.'s 3cP System
Title Design Provided by: Asylum
Digital Intermediate Color & Visual Effects by: Pacific Title & Art Studio + Deluxe
Shot on: Kodak Motion Picture Film
Attribute: Filmed in Panavision® (Cameras & Lenses)