MCU Directors & Their Works #07: Marc Webb
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- DirectorMarc WebbStarsBrandon BoydMichael EinzigerIncubusCinematographer: Jonathan Sela
Camera: Arriflex 435 ES (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo AL Primes, ALZ11 Zoom, C- & E-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Attribute: Filmed in Panavision® - DirectorMarc WebbStarsApl.de.ApThe Black Eyed PeasFergiemusic video for "London Bridge" by Fergie.
- DirectorMarc WebbStarsZooey DeschanelJoseph Gordon-LevittGeoffrey ArendAfter being dumped by the girl he believes to be his soulmate, hopeless romantic Tom Hansen reflects on their relationship to try and figure out where things went wrong and how he can win her back.Costume Designer: Hope Hanafin
Composers: Michael Dynna, Rob Simonsen
Music Supervisor: Andrea Von Foerster
Film Editor: Alan Edward Bell ACE
Production Designer: Laura Fox
Cinematographer: Eric Steelberg ASC
Cinematographer (Time-Lapse Photography): Zachary M. Brooks
Producer: Mark Waters
Writers: Scott Neustadter, Michael Weber
Unit Production Manager: Jenny Hinkey
1st Assistant Director: Richard Graves
2nd Assistant Director: Eric Sherman
Co-Producer: Scott G. Hyman
Associate Producer: Veronica Brooks
Stunt Coordinators: Al Goto, John Koyama
Stunts Supervisor: Marc Shaffer
Choreographer: Michael Rooney
Dancers/Ass't Choreographers: Christian Vincent, Tracy Phillips
Art Director: Charles Varga Jr
Set Decorator: Jennifer Lukehart
2nd 2nd ADs: Audrey Clark, Mike Currie, Pete Waterman
A-Cam/Steadicam Op: Matt Moriarty SOC
A-Camera 1st Assistant: Zoran Veselic
A-Camera 2nd Assistant: Craig M. Bauer
C-Camera Operator: Jesse M. Feldman
C-Cam 1st Assistant: Wally Sweeterman
C-Camera 2nd Assistant: Michelle Pizanis
Camera Loader: Simon England
Supervising Prop Master: Cynthia Nibler
1st Assistant Editor: Jennifer Vecchiarello
Sound Design Supervisor & Supervising Sound Editor: Piero Mura
Gaffer: Eric Forand
Rigging Gaffer: Newton Termeer
Key Grip: David Richardson
Supervising Location Manager: Michael Chickey
Ass't Location Manager: Trey Neely
Production Coordinator: Mark Asaro
Art Dept. Coordinator: Paula Thompson
Production SFX Coordinator: Bob Garrigus
Handmade Lead Compositor: Lee Rod Roderick
Handmade 2D Bird Animation Sup: Dave Spafford
Ass't Prod Coordinator: Barbara Casner
Dialogue & ADR Supervisor: Chris Welch MPSE
DI Colorist: Dave Hussey
DI Project Manager: Nick Monton
DI On-Line Editor: Jim Eberle
DI Executive Producer: Stefan Sonnenfeld ASC
Music Coordinator: Laura Webb
Supervising Music Editor: Jen Monnar
Temp Music Editor: Dorian Cheah
Score Recordist & Mixer: Brad Heahnal
Dolby Sound Consultant: Bryan Arenas
Filming Dates: 16 April 2008 - July 2008
Cameras: Panaflex XL & Platinum (16mm Eastman Double-X 7222, 35mm Kodak Vision2 250D 5205/500T 5218/Vision3 500T 5219)
Lenses: Panavision Primo Spherical Primes & Arri Master Primes
AR: 1.20:1 (Some Scenes), 1.50:1 (Some Scenes), 2.39:1 (3-Perf Super 35mm)(Spherical: 16mm Segments)
Budget: 7.5 Million USD
Budget AFI (2022): 9.9 Million USD
Printed on: Kodak Vision 2383
Digital Effects Provided by: Handmade Digital
Digital Intermediate Facility Services Provided by: Company 3
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed with Panavision Cameras and Lenses - DirectorMarc WebbStarsAndrew GarfieldEmma StoneRhys IfansAfter Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to save the city from the machinations of a mysterious reptilian foe.Screenwriters: Alvin Sargent, Steve Kloves
Co-Writer: James Vanderbilt
Executive Producer: Kevin Feige
Cinematographer: John Schwartzman ASC
Production Designer: J. Michael Riva
Film Editors: Alan Edward Bell ACE, Pietro Scalia ACE
Costume Designer: Kym Barrett
Casting: Francine Maisler CSA
Score Composer, Conductor, Orchestrator & Piano Soloist Musician: James Horner
Production VFX Supervisor: Jerome Chen
Stunt Coordinators: Andy Armstrong, James Armstrong
Fight Coordinator: Gary Ray Stevens
Unit Production Manager: JoAnn Perritano
1st Assistant Director: Richard Graves
Key 2nd Ass't Director: Christina Fong
2nd Assistant Director: Eric Sherman
Production VFX & Stereo Producer: Cari Thomas
3D VFX Supervisor: Rob Engle
Associate Producers: Tom Cohen, Kyle Kraman, Beatriz Siqueira
Supervising Art Director: David F. Klassen
Set Decorator: Leslie Ann Pope
A Camera Operator: Ian Fox
A Camera/Steadicam Op: Colin Anderson SOC
B Camera/Steadicam Op: Dave Luckenbach
C Camera Operator: Chris Schenck
Aerial Unit DoP/VFX Unit A Cam Op: Kurt E. Soderling SOC
Ultimate Arm A Cam Operator: Michael Nelson
Production SFX Supervisor: John Frazier
Production SFX Coordinator: Jim Schwalm
Production SFX Foreman: David Amborn
Character Concept Designer: Aaron Sims
Picture Vehicle Coordinator: John Armstrong
2nd Unit Director: Vic Armstrong
2nd Unit Production Supervisor: Matthew Leonetti Jr
2nd Unit Stunt Coordinator: Scott Armstrong
Plate Unit Director/Director of Photography (2nd Unit): Peter Lyons Collister ASC
2nd Unit A Camera Operator: Peter Mercurio
2nd Unit B Camera Operator: John A. Connell
2nd Unit Edge Camera Operator: Greg Baldi
2nd Unit Steadicam Operator: Henry Tirl
Unit Prod Manager (NY Unit): Richard Baratta
NY Unit Art Director: Miguel Lopez-Castillo
NY Unit Set Decorator: Regina Graves
NY Unit Camera Operator: Tom Houghton
NY Unit SFX Coordinator: Steven Kirshoff
NY Unit SFX Foreman: Mark Bero
1st AD (Add'l Photography): Jonathan Watson
Steadicam Op (Add'l Photog): Larry Karman SOC
Add'l Film Editor: Michael McCusker ACE
Score Arrangers: Simon Franglen, Simon Rhodes
Music Contractor: Sandy DeCrescent
Digital Finishing Colorists: Steven Bowen, John Persichetti
DI 3D Finishing Producer: Jay Warren
Legacy FX Design & Project Supervisors: Shane Patrick Mahan, Lindsay MacGowan
Post-Prod Consultants: Des Carey, Michael Cioni, Katie Fellion
Add'l VFX Supervisors: Jim Rygiel, Mohummed Yusef
VFX Production Supervisor: Adam LaGattuta
Lead VFX Coordinator: Marcus Taormina
VFX Ass't Coordinator: Melissa Franco
VFX Data Wrangler: Chris Moore
SPI Senior VFX Supervisor: Jerome Desvignes
SPI Animation Supervisor: Randall William Cook
SPI Add'l Animation Supervisor: David Schaub
SPI DFX Supervisor: David A. Smith
SPI Senior VFX Producer: John Clinton
SPI VFX Executive Producer: Debbie Denise
SPI Digital VFX Producer: David Kalbeitzar
SPI Senior CG Supervisor: John Haley
SPI CG Supervisor: Chris Waegner, Theo Bialek, Robert Winter
SPI Stereo Supervisor: Benjamin Hendricks
SPI VFX Senior Editor: Allan Cappuccilli
SPI Stereo Coordinator: Judith Fernando
SPI VFX Photographer: Chris Hebert
SPI India CG Supervisor: Gomathi Ramalingam
Pixomondo VFX Supervisor: Boris Schmidt
Pixomondo VFX Producer: Natasha Ozouk
Pixomondo CG Supervisor: Adam Watkins
Pixomondo Comp Supervisor: Robin Graham
Pixomondo Sequence Comp Supervisor: Mihaela Orzea
Pixomondo Exec VFX Producer: Christian Vogt
Method Studios VFX Producer: Julia Neighly
Method VFX Coordinator: Chelsea Kammeyer
Scanline VFX Supervisor: Joe Farrell
Scanline VFX CG Supervisor: Andy Lesniak
Rodeo FX VFX Supervisor: Sébastien Moreau
Rodeo FX VFX Producer: Jordan Soles
Blur Studio VFX Supervisor: David Stinnett
Blur Studio VFX Producer: Lindsey Zamplas
Blur Studio VFX Executive Producer: Al Shier
Arc VFX Supervisor: Terry Bradley
WATS VFX Supervisor: David Burton
WATS VFX Producer: Pam Hammarlund
Pixel VFX Supervisor: Don Lee
Pixel VFX Producer: Kim Lee
Pixel Magic VFX Producer: Dane Allan Smith
Genre8 Stereographer: Ben Breckenridge
Genre8 VFX Supervisor: Mark Lasoff
Genre8 Stereoscopic Producer: Paul Becker
Genre8 Stereo Supervisor: Warren Lysechko
Genre8 Stereo Prod Supervisor: Lindsey Christy
Legend3D Supervising VFX Editor: Nancy Wang
3D Producer: Steve Schklair
3D Camera Engineers: Jeff Amaral, Terry Devine, Markus Lanxinger, Don Presley
3D Scanning Consultant: Tom Cardenas
3D Mistika Consultant: Juan Ignacio Cabrera
Stereo Conversion VFX Producer: Hetal Jain
Prod Sup (IMAX Version): Jason Pomerantz
Filming Dates: 6 December 2010 - 9 May 2011, November 2011 - December 2011 (Reshoots)
Camera: Red Epic 3D (5K Redcode RAW)
Lenses: Panavision Primo Spherical Primes & Zeiss Ultra Primes
AR: 1.43:1 (70mm IMAX 3D Version: Final Battle Scene), 1.78:1 (Digital IMAX 3D Version: Final Battle Scene), 2.39:1 (Dual-Strip 3D)
Budget: 200-230 Million USD
Budget AFI (2022): 242.1-278.4 Million USD
Franchise: Amazing Spider-Man
Printed on: Kodak Vision 2383
Lizard SFX Makeup Designed by: Stan Winston Studio/Legacy Effects
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks
Visual Effects Provided by: Pixomondo
Additional Visual Effects Provided by: Method Studios, Scanline VFX, Rodeo FX & Blur Studio
Additional 3D Conversion Provided by: Genre8 & Legend3D
Attribute: Filmed in Panavision - DirectorMarc WebbStarsAndrew GarfieldEmma StoneJamie FoxxWhen New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.Executive Producers/Co-Writers: Alex Kurtzman, Roberto Orci
Co-Writer: Jeff Pinkner
Screen Story Writer: James Vanderbilt
Executive Producer/Unit Production Manager: E. Bennett Walsh
Cinematographer: Dan Mindel ASC BSC SASC
Cinematographer/A-Camera Operator (Promo Shoot): Grant Babbitt
Production Designer: Mark Friedberg
Film Editor: Pietro Scalia ACE
Production VFX Supervisor: Jerome Chen
Casting: Francine Maisler CSA, Kathleen Chopin CSA
Lead Composer: Hans Zimmer
Composers (The Magnificent Six): Pharrell Williams, Johnny Marr, Tom Holkenborg (Junkie XL), Mike Einziger, Steve Mazzaro, Andrew Kawczynski
Costume Designer: Deborah Lynn Scott
Stunt Coordinators: Andy Armstrong, James Armstrong
Fight Coordinator: Gary Stearns
Unit Production Manager: Denise Pinchley
1st Assistant Director: Michael Lerman
2nd Assistant Director: Peter Thorell
Associate Producers: Tom Cohan, Beatriz Sequeira
Add'l Film Editor: Elliot Graham ACE
Production VFX & Stereo Producer: Rhonda C. Gunner
3D VFX Supervisor: Ed W. Marsh
2nd Unit Director: John Mahaffie NZCS
A-Camera/Steadicam Operator: Colin Anderson SOC
B-Camera Operator: Philippe Carr-Forster
Add'l Camera Operator: Charlie Beyer
1st Assistant A-Camera: Sergius Nafa Nofield
Aerial Unit DoP: Phil Pastuhov
Ultimate Arm Operator: Michael Nelson
Electro Makeup Effects Designers: Howard Berger, Greg Nicotero
2nd Add'l Film Editor: Robert Mead
1st Assistant Editor: Brett M. Reed
VFX Editors: Joseph Jett Sally ACE, Linda Drake
Stereo VFX Editors: Linda Sundlin, Claudia Huerta Jolly
Production SFX Supervisor: John Frazier
Production SFX Coordinator: James Schwalm
Set Designer: Noelle King
Picture Car Coordinator: Robert Griffon
Weta Workshop Effects & Design Supervisor: Richard Taylor
Weta Workshop SFX Supervisor: Alex Falkner
Unit Production Manager (2nd Unit): Holly Rymon
2nd Unit 1st Ass't Directors: Bruce Moriarty, Steve Love
2nd Unit 2nd Ass't Director: Matthew D. Power
2nd Unit Art Director: Malchus Janocko
2nd Unit DoP: Bruce McCleery ASC
2nd Unit A-Camera Operator: Thomas Lappin
2nd Unit B-Camera Operator: Ted Chu
2nd Unit C-Camera Operator: Petr Hilnomaz
2nd Unit D-Camera Operator: George Peters
2nd Unit Steadicam Operator: David Chameides
2nd Unit 1st Ass't A-Camera: Nino Neuboeck
2nd Unit Edge DoPs: Greg Baldi, Hans Bjerno
2nd Unit SFX Coordinator: Joe Digaetano
Spydercam/VFX Unit 1st Ass't A-Camera: Christopher B. Green
B-Camera Operator (Promo Shoot): JL Mobus
C-Camera Operator (Promo Shoot): Kurtis Myers
D-Camera Operator (Promo Shoot): Tristan Noelle
E-Camera Operator (Promo Shoot): Luke Schlink
Camera Operator (Add'l Photography): William Klayer
Music Consultant: Randall Poster
Score Wrangler: Bob Badami
Technical Score Consultant: Chuck Choi
Colorworks VFX Producer: Jay Warren
Senior DI Producer: Morning Star Schott
DI Producer: Erin Davis
CO3 Supervising Color Consultant: Stefan Sonnenfeld ASC
HDR Mastering Colorist: David Bernstein
Add'l VFX Supervisor: Craig A. Mumma
2nd Unit/Plate VFX Supervisor: Gregory L. McMurry ASC
VFX Digital Production Manager: Marcus Taormina
Senior VFX Coordinator: Taylor W. Rockwell
Senior Stereo Coordinator: Jean Huang
Production Stereo Coordinators: Matthew Sakata, Judith Fernando
Stereo Supervisor: Jimmy Philip
Stereo Conversion Producer: Valeria Andino
Stereo Element Co-Supervisor: Andrew Emmerson
Stereoscopic Producer: Chad Cortvriendt
Lead Stereoscopic Compositor: Vinod Gundre
SPI Senior VFX Supervisor: Jerome Desvignes
SPI Animation Supervisor: David Schaub
SPI Senior VFX Producer: John Clinton
SPI DFX Supervisor: David A. Smith
SPI VFX Executive Producer: Debbie Denise
SPI Digital VFX Producers: John Kriedman, Mickey Levy
SPI Senior CG Supervisors: John Haley, Theo Bialek
SPI CG Supervisors: Chris Waegner, Jason Greenblum, Robert Winter, Nigel Denton-Howes
SPI Stereoscopic Supervisor: Benjamin Hendricks
SPI Effects Animation Supervisor: Joseph Pepper
SPI Stereo Coordinator: Robin Garcia
SPI VFX Photographer: Chris Hebert
MPC VFX Supervisor: Erik Nordby
MPC VFX Producer: Doug Oddy
MPC DFX Supervisor: Pete Dionne
MPC CG Supervisor: Stephane Paris
MPC Compositing Supervisor: Rich Grande
MPC Animation Supervisor: Daryl Sawchuk
MPC VFX Production Manager: Andrew Poole
MPC Stereo Consultant: Gábor Hoványi
Blur Studio Creative Supervisor: Tim Miller
Blur Studio VFX/CG Supervisor: David Stinnett
Blur Studio VFX Producer: Keith Luczywo
Blur Studio VFX Executive Producer: Al Shier
Blur Studio VFX Coordinator: Chris Youngless
Blur Studio Lead Animator: Bryan Hillestad
Blur Studio Effects Supervisor: Kirby Miller
Blur Studio Concept Designers: Sean McNally, Tom Zhao
Pixel VFX Supervisor: Don Lee
Pixel VFX Producer: Kim Lee
Pixel Lead Compositor: Cory Lee
Shade VFX Supervisor: Bryan Godwin
Shade VFX Executive Producer: David Van Dyke
Nerve VFX Supervisor: Ashley Beck
Legend3D Stereo VFX Supervisor: Matt De John
Legend3D Stereo Executive Producer: Matt Akey
Legend3D Stereo Producer: Tyler Bennink
Legend3D Conversion Stereographer: James Prola
Legend3D Compositing Supervisor: Adam Ghering
Legend3D Stereo Production Supervisor: Lloyd Gilyard
Legend3D Stereo VFX Coordinator: Zack Melton
Filming Dates: 4 February 2013 - 25 June 2013
Cameras: Arriflex 235, 435 ES & Panaflex XL2 (35mm Kodak Vision3 50D 5203/250D 5207/200T 5213/500T 5219)
Lenses: Panavision Primo Anamorphic Primes, Primo ALZ11 Zoom, Primo ALZ3 Hubble Zoom, C-, E-, G-Series Anamorphic Primes, Anamorphic Telephoto Zoom & Anamorphic Wide-Angle 2:1 Zoom
AR: 2.39:1 (Anamorphic)
Budget: 200-293 Million USD
Franchise: Amazing Spider-Man
Printed on: Fuji Eterna-CP 3514DI
Electro Makeup Effects Provided by: KNB EFX Group
Additional Character Design Provided by: Weta Workshop
Color Management Provided by: Company 3
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks & Moving Picture Company
Additional Visual Effects Provided by: Blur Studio & Pixel Playground
Stereo Conversion Provided by: Legend3D
Attribute: Filmed in Panavision - DirectorMarc WebbStarsChris EvansMckenna GraceLindsay DuncanFrank, a single man raising his child prodigy niece Mary, is drawn into a custody battle with his mother.Music Supervisors: Randall Poster, Meghan Currier
Composer: Rob Simonsen
Costume Designer: Abby O'Sullivan
Film Editor: Bill Pankow ACE
Production Designer: Laura Fox
Cinematographer: Stuart Dryburgh ASC NZCS
Writer: Tom Flynn
Unit Production Manager: Molly Allen
1st Assistant Director: Jon Mallard
2nd Assistant Director: Marc C. Stevens
Stunt Coordinator: Keith Adams
Motion Graphics Artist: Bill King
Set Decorator: Vera Mills
Prod Sup/2nd Unit 2nd Ass't Dir: Peggy Robinson
2nd 2nd Ass't Director: Scott Bowers
B-Camera Operator: Michael Paul Jones
Steadicam Operator: John Buzz Moyer SOC
1st Assistant Camera (A): EJ Misisco Jr
1st Assistant Camera (B): Matthew Heath
2nd Assistant Camera (A): Larron Julian
2nd Assistant Camera (B): Kane Pearson
Film Loader: Sean Lunski
Camera Production Assistant: Alex Talley
Post-Production Supervisor: Paul A. Levin
Post-Production Coordinator: Ann M. Gray
1st Assistant Editor: Misako Shimizu
1st Apprentice Editor: Jacob Waxler
Post-Production Assistant: Max Pankow
Supervising Sound Editor & Re-Recording Mixer: Ron Bochar CAS
Gaffer: Zoot Byrne
Supervising Location Manager: Bass Hampton
Location Manager (Atlanta): Miguel Tapia
Ass't Location Manager: Brandon Goertz
Location Coordinator: Kate Gibbs
Location Scout: Ryan Watterson
Supervising Prop Master: Gillian Albinski
Ass't Prop Master: Douglas Young
Prop Assistant: Sarah Myers
Production SFX Coordinator: Trey Gordon
Production Coordinator: Heather Neeld
Ass't Prod Coordinator: KC Allison
Legal Technical Advisor: Scott Vaughan
Brainstorm VFX Supervisor: Eran Dinur
Brainstorm VFX Producers: Glenn Allen, Richard Friedlander
Brainstorm Matte Painting Sup: Matthew Conner
Brainstorm Comp Supervisor: Mani Trump
Brainstorm Lead Compositor: Yunsik Noh
Brainstorm Matte Painter: Nic Constandy
CO3 Exec Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 DI Finishing Producer: Phil Majdalani
CO3 Digital Conform Editor & Finishing Artist: Chad Schermerhorn
CO3 Finishing Color Assistants: Josh Spector, Dustin Wadsworth
CO3 Head of Finishing Production: Nick Monton
CO3 Finishing Account Executive: David Feldman
Score Orchestrator & Conductor: Mark Graham
Score Mixer: Nick Wollage
Filming Dates: 7 October 2015 - 20 November 2015
Cameras: Arricam LT, ST & Arriflex 235 (35mm Kodak Vision3 50D 5203/250D 5207/500T 5219)[3-Perf]
Lenses: Hawk V-Lite 1.3x Anamorphic Primes & Angenieux Optimo Anamorphic Zooms
AR: 2.39:1 (Anamorphic)
Budget: 7 Million USD
Visual Effects Provided by: Brainstorm Digital
Digital Intermediate Finishing Provided by: Company 3 NY
Score Recorded & Mixed at: Air Studios London
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Cameras and Lenses Provided by Arri Atlanta - DirectorMarc WebbStarsCallum TurnerKate BeckinsalePierce BrosnanAdrift in New York City, a recent college graduate's life is upended by his father's mistress.Writer: Allan Loeb
Executive Producer: Jeff Bridges
Exec Producer/Unit Prod Manager: Mari-Jo Winkler
Cinematographer/A-Cam Operator: Stuart Dryburgh ASC NZCS
Production Designer: David Gropman
Film Editor: Tim Streeto ACE
Costume Designers: Michelle Matland, Ann Roth
Composer: Rob Simonsen
Music Supervisors: Randall Poster, Meghan Currier
Co-Producer/1st Ass't Dir: Joseph P. Reidy
2nd Assistant Director: John Silvestri
Stunt Coordinator: Blaise Corrigan
Jeff Bridges Stand-In/Stunt Double: Loud Catlett
Production Supervisor: Samantha Dyer
Sup Location Manager & Ass't UPM: Kip Myers
Prod Coordinator: Cameron Amstater
Ass't Prod Coordinator: Olivia Del Campo
2nd 2nd Ass't Director: Rachel Jaros
B-Camera/Steadicam Operator: Tom Wills
A-Camera 1st Assistant: Stan Fernandez
B-Camera 1st Assistant: Malcolm Purnell
A-Camera 2nd Assistant: Christopher Eng
B-Camera Key 2nd Ass't: Haffe Acosta
B-Camera 2nd Assistant: Kris Enos
A-Camera Loader: Dave J. Ross
Add'l A-Camera Loader: Daniel Cardenas
Add'l B-Camera Loader: Tommy Scoggins
Casting (NY): Kathleen Chopin CSA
Location Coordinator: Raquel Tresvant
Location Unit Prod Ass't: Liam Baldwin
Art Director: Karen Gropman
Ass't Art Director: Tobin Ost
Art Coordinator: Kho Wong
Set Decorator: Ellen Christiansen
Ass't Set Decorator: Mary Fellows
Camera Scenic Supervisor: Ryan Nace
Production SFX Coordinator: Fred Buchholz
Supervising Prop Master: Jill Alexander
Ass't Prop Master: Tess Peltzer-Rollo
Gaffer: John Cardoni
Key Rigging Gaffer: Don Muchow
Rigging Gaffer: Eric Bujnowski
Splinter Unit DoP: Lukasz Jogalla
Splinter Unit A-Camera 1st AC: Basil Smith
Splinter Unit A-Camera 2nd AC: Matthew Montalto
Splinter Unit 2nd Ass't Dir: Jason Fesel
Post-Production Supervisor: Brad Rohrer
1st Assistant Editor: Perri B. Frank
Add'l 1st Ass't Editor: Erin Sullivan
Post-Production Coord: Jonathan Cheng
Post-Production Assistant: Kyle Williams
HMP VFX Supervisor: Jeremy Newmark
Music Coordinator: Ian Herbert
Phosphene Designer: John Bair
FotoKem Dailies Colorist: Dan Garsha
CO3 Exec Producer/Supervising Finishing Colorist: Stefan Sonnenfeld ASC
CO3 Feature Finishing Producer: Margaret Lewis
CO3 Digital Conform Finishing Artist: Chad Schermerhorn
CO3 Finishing Colorist: Andrew Geary
CO3 Color Finishing Assistant: Brett Price
CO3 DI Technical Finishing Lead: Dustin Wadsworth
CO3 Finishing Account Exec: Jim Gardner
CO3 Head of Finishing Production: Nick Monton
CO3 Negative Scanning Producer: Wayne Adams
CO3 Negative Scanning Tech: Thomas Kuo
C5 Supervising Sound Editor/Re-Recording Mixer: Ron Bochar CAS
Score Orchestrator & Conductor: Mark Graham
Score Coordinator: Celeste Chada
Special Thanks: Jonathan Krauss
Cameras: Arricam LT ST (35mm Kodak Vision3 200T 5213/500T 5219)
AR: 1.85:1 (3-Perf Super 35mm)
Budget: 2.1 Million USD
Clearance Visual Effects Provided by: Hudsucker Moving Pictures
Animation & Main Title Design Provided by: Phosphene
Dailies Provided by: FotoKem
Digital Intermediate Finishing Services Provided by: Company 3 NY
Post-Production Sound Services Provided by: C5 Inc. NYC
Score Recorded at: Air Lyndhurst, London
Attribute: Camera Equipment Provided by Arri CSC NY - DirectorMarc WebbStarsRachel ZeglerGal GadotAndrew BurnapLive-action adaptation of the 1937 Disney animated film 'Snow White and the Seven Dwarfs'.Screenwriters: Greta Gerwig, E. Cressida Wilson
Producer: Marc Platt
EP/Unit Production Manager: Callum McDougall
Cinematographer: Mandy Walker ASC ACS
Production Designer: Kave Quinn
Film Editor: Mark Sanger ACE
Costume Designer: Sandy Powell
Co-Producer / Unit PM: Russell Allen
Composers, New Songs: Benj Pasek, Justin Paul
Second Unit Director / Director of Photography: Carlos De Carvalho
Supervising Art Director: Niall Moroney
Senior Art Director: Elaine Kusmishko
Art Directors: Sandra Phillips, Kiera Tudway
Set Decorator: Stella Fox
Filming Dates: 14 March 2014 - 13 July 2022
Visual Effects by: Moving Picture Company
Distributed by: Walt Disney Studios Motion Pictures