[crew] Directors of B-movies.

Albert Pyun was an award-winning US filmmaker best known for his contributions to the science-fiction and action genres. He is credited with pioneering the cyborg sub-genre and is considered to be a maverick and renegade in independent genre cinema. With over 50 titles to his name, he has enjoyed a prolific career spanning 30+ years and has earned himself a fevered cult following.

His first film, The Sword and the Sorcerer (1982), was the highest-grossing independent film of 1982, earning $36,714,025 in the US. The film's success led to Pyun being attached to various large sci-fi projects, including Total Recall (1990) (eventually directed by Paul Verhoeven) and he became a much sought-after director by several studios. His follow-up film was the post-apocalyptic sci-fi Radioactive Dreams (1984), which helped launch the careers of Michael Dudikoff and John Stockwell, and cemented Pyun's reputation for being an edgy and creative filmmaker. The 1980s was a highly productive decade for him, with the release of Dangerously Close (1986), Vicious Lips (1986), Down Twisted (1987), Alien from L.A. (1988), Journey to the Center of the Earth (1988), Cyborg (1989) and Deceit (1990).

Pyun's work with Cannon Pictures saw him direct more films for the company than any other filmmaker and his involvement with "Spider-Man" and "Masters of the Universe 2" became legendary. When both films were canceled mid-way into their productions, Pyun devised a breakneck strategy to combine the sets and costume designs from both to salvage the lost money and deliver a single stand-alone film. The result was Cyborg (1989), which opened in 1989 as the fourth highest grossing film in the United States. It grossed $10,166,459 and gave Jean-Claude Van Damme his Hollywood superstar status.

The 1990s proved to be an even more prolific decade, with Pyun directing a further 24 films. Notable throughout those years include Captain America (1990), Nemesis (1992), Nemesis 2: Nebula (1995), Nemesis 3: Time Lapse (1996), Nemesis 4: Death Angel (1996), Kickboxer 2: The Road Back (1991), Knightriders (1981), Omega Doom (1996), Adrenalin: Fear the Rush (1996), Hong Kong 97 (1994), Postmortem (1998) and Mean Guns (1997). His work with Charles Band's Full Moon Pictures saw him direct Dollman (1991) and Arcade (1993), both of which continue to hold a strong cult following.

The 2000s marked a new era for Pyun, as he moved away from the independent studio system and began making films much more independently by way of self-funding and outsourcing money personally. This allowed for greater creative freedoms as a filmmaker, despite his budgets being drastically reduced. His new approach to filmmaking has divided audiences, however; those who have followed his career closely agree that his films since 2000 have been far more audacious and personal, none more so than his 2013 film Road to Hell (2008) (shot in 2008). Inspired by Walter Hill's classic Streets of Fire (1984), the film acts as a spiritual sequel and presents the two protagonists in an alternative future. Michael Paré and Deborah Van Valkenburgh reprised their roles of Tom and Reva Cody and their characters are pitted against a vibrant and surreal purgatory landscape. The film has enjoyed a steady run on the festival circuit and is slated for a home-entertainment release. Other notable films from this decade include the stunning one-shot horror film Invasion (2004) (aka "Infection"), the brutal drug trade thriller Bulletface (2010) and the long-awaited Abelar: Tales of an Ancient Empire (2010), a follow up to "The Sword and the Sorcerer". Investor and distributor interference on this film jeopardized the final theatrical cut and the film is slated, along with several of his other films, for an upcoming director's cut release.

The 2010s have proven to be a difficult time in Pyun's career due to declining health and difficulties getting a major project released. His film Cyborg Nemesis: The Dark Rift was shot, but remains unfinished due to pending post-production issues. An incomplete version of the film was screened for an audience at the Yellow Fever Independent Film Festival. His health took a turn for the worst in 2012 when he was diagnosed with multiple sclerosis. The effect of the illness took an emotional and physical toll on him and in early 2013 he announced his retirement. Following a brief hiatus he concluded that the best remedy was filmmaking and he made a triumphant return with The Interrogation of Cheryl Cooper (2014). While he endured medical tests and treatments, the film had an incredibly fast turnaround and was written, shot and completed within a matter of weeks. The story line was a direct follow-up to "Invasion" and continued the one-shot concept. It was entirely filmed over the course of a single day and showcased Pyun's ability to think outside the box, both practically and creatively.

As of 2015 Pyun had attempted to develop various other projects, while maintaining ongoing treatment for his multiple sclerosis. These projects include "Napoleon", "The Kickboxer": "City of Blood" and "Algiers". In maintaining a strong relationship with his fan base Pyun has shared the production details of these projects on his Facebook page and maintains that he is still actively pursuing them. Their further development will depend on his ongoing health. He attributes his relationship with his fans as a driving force in fighting his illness and he has shared his medical journey with them almost every step of the way.

November of 2015 saw the release of a conceptual teaser trailer for a brand-new film titled "Star Warfare Rangers" and the "Cyborg Witch of Endor" (later retitled Interstellar Civil War: Shadows of the Empire (2017)). Having evolved from various attempts to revive his "Cyborg" saga, the film is an original story detailing the search for a missing Cyborg child. The film marked Albert's 33rd collaboration with his long-standing composer Tony Riparetti and boasts an impressive cast including Brad Thornton, Glenn Maynard, Ellie Church, Tommie Vegas, Shane Ryan and Morgan Weisser, among others.

Pyun's career has seen him work with some of the biggest stars in Hollywood, many of whom got their first break with him. He has worked with the likes of Jean-Claude Van Damme, Sasha Mitchell, Christopher Lambert, Natasha Henstridge, Brion James, Tim Thomerson, Jackie Earle Haley, Teri Hatcher, Rutger Hauer, Olivier Gruner, Charlie Sheen, Burt Reynolds, Steven Seagal, Rob Lowe, Ice-T, Snoop Dogg, Kevin Sorbo, Tom Sizemore, Andrew Dice Clay, Dennis Hopper, Kevin Gage, Robert Patrick, Seth Green, Dennis Chan, Ned Beatty, Darren McGavin, Ronny Cox, Kris Kristofferson, George Kennedy, Richard Lynch, Lee Horsley, Richard Moll, Courteney Cox, Tom Matthews, Nicholas Guest, Kathy Ireland, Deep Roy, Michel Qissi, Andrew Divoff, David Carradine, Vincent Klyn, Mitch Pileggi, Yuji Okumoto, Cary-Hiroyuki Tagawa, Michael Pare and Deborah Van Vulkenburgh. His most frequent actor collaborations have been with Norbert Weisser and Scott Paulin, who have worked alongside Albert in dozens of films spanning several decades.

Albert passed away on November 22, 2022 in Las Vegas, NV, where he lived with his wife and producer, Cynthia Curnan.

Born in Portland Oregon, Roth was the son of Judge Phillip Roth a renowned jurist with over 35 years on the bench. He started writing short stories when he was 10 and at age 14, he got his first taste at filmmaking working at the Wilson High School cable channel. He graduated from Lewis and Clark College in 1982. After a brief attempt to go to Law school and a stint working for an international manufacturing company. In 1984 Roth went back to his childhood love of filmmaking, Directing and writing a number of action features in his home town of Portland (Honor Betrayed, Bad Trip and Fatal Revenge). During this period, he even loaned his office to then struggling filmmaker Gus Van Zant making his critically acclaimed opus, "Mala Noche." Moving to Los Angeles in 1989 he founded UFO, a production and distribution company. Since its foundation, Roth with his partner Jeffery Beach has produced written and directed over 120 feature films and series to date that have been distributed by Universal, 20th Century Fox, Warner Brothers, Sony, Paramount, Columbia-Tristar, Blockbuster and various other US and International distributors such as RTL, Gaga, M-6, Telecinco, BskyB and Canal Plus to name a few.

Roth was also one of the earliest innovators in digital special effects. In 1990 Roth began using PC hardware and software solutions to create digital special effects for feature films. Up to his point almost all digital special effects had been based on far more expensive main frame technology coded for SGI and Cray computer systems. Two Sci-fi features in the early nineties, Prototype X29 and APEX written and directed by Roth opened up the use of PC work stations in features. APEX, an alternate future- science fiction was released theatrically in over 100 theatres by Republic Pictures in 1994. This was almost unheard of for an independent film, with an under one-million-dollar budget to receive a theatrical release, let alone a science fiction relying on digital special effects. Roth's innovation with PC digital applications such as with Lightwave 3-D software was quickly adapted by James Cameron's Lightstorm Entertainment to allow him the digital horse power to create the massive special effects required in Titanic. Up to this point movies such as this had relied on the use of far more expensive main frame softwares with limited numbers of qualified animators. This breakthrough in this digital glass ceiling is what has ushered in the massive use of digital special effects we see today.

During nineties Roth with his partner continued to write, produce and direct many films out of their Los Angeles based company. In 1999 UFO partnered with a German publicly traded company Advanced Media and set up operations in Sofia Bulgaria to take advantage of a highly skilled work force at reduced budgets. This move became a key factor to Roth and his partner further growing the company and founding their own Studio.

In Roth's nearly 20 years working in Bulgaria, he has become an expert in feature, series and commercial in the Bulgarian market making it his business model to attract producers and directors from all over the world. To further establish his foothold in the Bulgarian film community, Roth has built one of the largest studios and back lots in Bulgaria, only 2nd to NuBoyana Studios. While NuBoyana was a product of privatization, Roth's studio in Dolna Malina known as UFO Film and Television Studios was built on derelict farm land, entirely financed by international equity funding. In addition to the studio, Roth has also established one of the most prolific special effects houses from the catalyst of his first studio started in 1989 in Los Angeles. This makes his VFX companies some the longest continuous running in the world. Since opening his VFX operations in Sofia in 2002 it has been re-branded CinedigitalFX.com.

Roth lives full time in Sofia with his wife, Ekaterina and his four children; Natasha 30, Aaron 22, Elayah 13 and Roxanne 8. Natasha and Aaron having immigrated from the United States and Elayah and Roxanne born in Bulgaria. In addition to his vibrant schedule of work, Roth still actively ski races at an International level, training and racing with members of the Bulgarian National Ski Team and in addition is currently recognized as the number 1 ranked Master Wake Surfer in Bulgaria.

J. Lee Thompson was born on 1 August 1914 in Bristol, England, UK. He was a director and writer, known for The Guns of Navarone (1961), Woman in a Dressing Gown (1957) and Conquest of the Planet of the Apes (1972). He was married to Penny Thompson, Joan Henry, Florence Ellen ("Bill") Bailey and Lucille Kelly. He died on 30 August 2002 in Sooke, British Columbia, Canada.

Charles Band is a writer, producer, director and publisher. He was born on December 27, 1951 in Los Angeles, California, as Charles Robert Band. His father was producer and director Albert Band and his brother is composer Richard Band.

Band has been writing, producing and directing films in the horror, science fiction, fantasy and comedy genres since the 1970s both for other company's and with his own studios, Empire Pictures and Full Moon Features. He was instrumental in ushering in the home video boom of the early 1980s with his companies Meda (later renamed Media Home Entertainment) and Wizard Video, the latter imprint which was responsible for being among the first entities to distribute European horror movies from such now celebrated filmmakers as Jess Franco and Lucio Fulci.

Band is perhaps best known for his work with Empire Pictures, making such pictures as Ghoulies, The Dungeonmaster, Terrorvision, Re-Animator and From Beyond and later, with Full Moon Features making films like Puppetmaster, Doctor Mordrid, Subspecies, Pit and the Pendulum, Castle Freak and many more.

Despite the changes in the home video and theatrical film marketplaces, Band has never stopped making and distributing movies. Many of his classic Full Moon pictures can be found on his Full Moon Streaming channel and now on the Full Moon Amazon channel. Band also distributes hundreds of his own and other filmmakers movies on DVD and Blu-ray via Full Moon Direct, along with a myriad toys and related Full Moon universe merchandise.

Recent Full Moon Features productions include Evil Bong High 5, Trophy Heads, Killjoy's Psycho Circus, Ravenwolf Towers and Puppetmaster: Axis Termination.

Since 1980 Sam Firstenberg has been in the independent filmmaking field. Directing 22 theatrical feature films since completing his graduate studies in film at Loyola Marymount University. One More Chance (1981), starring Kirstie Alley, won prizes in major film festivals and sparked the beginning of his career as a director. Subsequent films have become commercial hits and cult classics, especially the "American Ninja" series starring Michael Dudikoff and the break-dance phenomenon Breakin' 2: Electric Boogaloo (1984).

Born in Poland, he grew up in Jerusalem, Israel. In 1972 he moved to the US where "Shmulik" became "Sam", and he completed his graduate studies in film at Loyola Marymount University in Los Angeles, California, where he resides with his wife and three daughters.

Born in 1931, Bruno Mattei grew up in Rome, Italy, where his father owned a small film editing studio. At age 20 Bruno started working odd jobs at his father's company as his assistant, then went on to other small spots. He wanted to follow in his father's footsteps as a film editor, and soon found himself working as an editor for a number of directors, including Roberto Bianchi Montero and Nick Nostro. Mattei claimed to have edited over 100 films in the 1960s and early 1970s. After working with famed Spanish director Jess Franco, Mattei made his debut as a director with the drama Armida, il dramma di una sposa (1970) under the alias "Jordon B. Matthews". He eventually had more pseudonyms than any working director in the world. He returned to editing before making another comeback in 1976 with two low-budget Nazi exploitation films, Women's Camp 119 (1977) (aka "Women's Camp 119") and Casa privata per le SS (1977) (aka "SS Girls"). Mattei followed these taboo-breaking films with excursions into porno films and mondo "shockumentaries", all directed under his many pseudonyms, concentrating on "shock value" with films such as Mondo erotico (1973), "Libiodomania" and "Libidomania 2". Always on the lookout for new exploitation avenues, Mattei followed with "nunsploitation", with the softcore sex film The True Story of the Nun of Monza (1980) and the violent sex thriller The Other Hell (1981). Both films involved a partnership with writer/director Claudio Fragasso, who helped him write and direct the back-to-back productions. Using yet another alias, "Vincent Dawn", Mattei directed Hell of the Living Dead (1980) (aka "Night of the Zombies"), a low-budged zombie picture inspired by other zombie cannibal movies such as Dawn of the Dead (1978) and Lucio Fulci's Zombie (1979). "Virus" was filmed in Spain and used jungle footage from New Guinea and a patch soundtrack from Goblins "Dawn of the Dead" soundtrack, which was a minor hit in Italy and abroad. After directing two women's prison films starring Laura Gemser, Mattei moved to directing sword-and-sorcery flicks, starting with The Seven Magnificent Gladiators (1983). Both Mattei and Fragasso collaborated on the sci-fi/horror flick Rats: Night of Terror (1984), inspired by the futuristic movies of the early 1980s. Mattei considers this his best work, despite his still having to work with a very low budget. He worked relentlessly through the 1980s, directing a pair of "spaghetti westerns", some action flicks and about half of Zombie 3 (1988) after Lucio Fulci was taken off the production, though Mattei was not credited with it. In the early 1990s Mattei directed a series of erotic thrillers and a made-for-TV movie, Cruel Jaws (1995), which was inspired by Steven Spielberg's Jaws (1975). Mattei continued making films, with more than 50 to his credit by the 200s. In early 2007 his health began to decline rapidly after he was diagnosed with a brain tumor. Despite his doctor's warnings, he went through with a surgical operation to have the tumor removed in May of that year. After the surgery he fell into a coma from complications, and died a few days later on May 21, 2007 at age 75. Though some people consider his films to be cheap, insipid and technically inept due in large part to their low budgets and poor production values, Bruno Mattei remains an influential cult film director around the world for his radical film making and willingness to direct pretty much anything with a taboo-breaking topic.

Fred Olen Ray spent most of his childhood in Florida, where he was always a fan of horror movies on TV. He collected autographs of many of the actors in those films where he met Christopher Lee and Peter Cushing. His early career was filled with low-budget horror and science-fiction films, but the market eventually dried up and he switched to producing softcore "T&A" videos of the type shown late at night on Showtime and Cinemax. His films rarely cost more than $500,000, and he has written under at least 30 different pen names; he was one of the first to fill time at the end of his films with outtakes, now a common practice in other comedy films. The outdoor sets are often CGI backdrops and many sets are in his own home or near it. Ray often can share credit for his softcore film success with the late cinematographer/director Gary Graver, big shoes for him to fill while working with an excess of tattooed and body-beaded new performers in this genre.

Boaz Davidson is the Head of Development and Creative Affairs for Millennium Films. He has been with the firm and its parent company, Nu Image, Inc., since 1992. However, he is equally well known as the writer-director of the critically acclaimed worldwide hit film Lemon Popsicle, which debuted at the Berlin Film Festival, receiving its Panorama Audience Award and spawning more than a dozen sequels.

Davidson was born in Tel Aviv, Israel, graduated from London Film School, and moved to the United States in 1979. He joined Cannon Films, where he oversaw production on such films as: Going Bananas, Delta Force, American Cyborg, Salsa; and most notably an American version of Lemon Popsicle titled The Last American Virgin. Today both Israeli and American versions are considered cult classics.

In 1992, Davidson joined Nu Image, Inc. co-founders and played an integral role forming the new independent studio. He continued to write, direct, and produce such films as Looking for Lola, Shadrach, and The Big Brass Ring. In 1996, Nu Image formed Millennium Films, where Davidson has overseen the development and production of such films as The Expendables, Rambo IV, Righteous Kill, 16 Blocks, The Mechanic and Brooklyn's Finest and such forthcoming pictures as The Expendables 2, The Iceman, The Big Wedding, Playing the Field, and The Paperboy, an official selection of the 2012 Cannes Film Festival.

Menahem Golan was born Menahem Globus to parents of Polish decent in Tiberias, Israel, in May 1929. In his early years, he was a pilot for the fledgling Israeli Air Force, changing his surname to Golan for patriotic reasons in 1948. A few years later, he took the first step towards his future career by attending the Old Vic Theatre School in London. After returning to Israel, he produced for theater, until joining producer Roger Corman as an assistant on The Young Racers (1963). Golan's debut film in partnership with his younger cousin Yoram Globus was El Dorado (1963). The two cousins set up Noah Films to produce for the Israeli market. Golan's role was as producer and the creative partner, with Globus as the financial expert. The company was first recognized overseas when its production Sallah Shabati (1964) won an Oscar nomination for Best Foreign Language Film and then won the Golden Globe in the same category in 1965. However, the cousins were desperate to break into the international market. Some of their films had been picked up for distribution in America, such as Kazablan (1973) by MGM, but this was not enough.

In 1979 the pair bought control of a failing production company, The Cannon Group Inc., from Dennis Friedland and Christopher C. Dewey, and it was this company that gave them international renown. Under their control, the Cannon Group grew from a small company making a few obscure pictures a year to a studio that produced 35 pictures in 1987 alone. They developed a large, independent, and international empire, with production, distribution, and exhibition interests across Europe. Golan and Globus hit their peak with Cannon in the mid-1980s, signing Sylvester Stallone for a record US$13 million in 1983 for Over the Top (1987) and purchasing the UK's Thorn-EMI Screen Entertainment in 1986. This last deal led to their ownership of the ABC cinema circuit and Elstree Studios in Britain. However, by 1987, the money was starting to run out. Many of their movies were not making enough at the box office despite the cousins' wide cinema ownership, and they had taken on a lot of debt during their rapid growth, making more expensive pictures in the process. They were initially rescued by Warner Bros., which took distribution rights to Cannon's better films--for example, Superman IV: The Quest for Peace (1987), based on a character that Warner already owned--and also took an interest in some of its assets. The end of Cannon came in 1989 when, virtually bankrupt, the company was bought by the now-disgraced financier Giancarlo Parretti and renamed Pathé Communications (after the new MGM-Pathé collapsed in 1992, Globus produced pictures with Christopher Pearce, which were released under a resurrected Cannon Pictures label. The last of these was American Cyborg: Steel Warrior (1993) before the company folded for good).

Golan fell out with Parretti and Globus, leaving Pathé, and starting 21st Century Pictures. He produced a number of films that received widespread distribution, such as Death Wish: The Face of Death (1994) and Captain America (1990), but by the mid-1990s this company had folded, too. Golan's name was later linked with other new companies, such as International Dynamic Pictures and Magic Entertainment, and he rejoined cousin Yoram for both. However, the two soon fell out again and went their separate ways, with Golan writing and directing for other producers in the interim. Golan's latest company is New Cannon Inc., and his recent works include Crime and Punishment (2002) and Return from India (2002). Unfortunately for his fans, it now seems unlikely that Golan will recreate the success of his heyday. Menahem Golan has long been criticized (sometimes unfairly) for an emphasis on quantity rather than quality. It's true that some of the movies he has produced have been laughable or unwatchable. However, now out of the limelight of a critical industry, some of his company's once-derided films have achieved cult status, such as Mona Lisa (1986), Godfrey Reggio's Powaqqatsi (1988), and the "Lemon Popsicle" series. Golan's ongoing drive, energy, and past contribution to the world of cinema will undoubtedly and belatedly be recognized for the achievement this represents.

Enzo G. Castellari was born on 29 July 1938 in Rome, Lazio, Italy. He is a director and actor, known for Light Blast (1985), Warriors of the Wasteland (1983) and The Big Racket (1976). He has been married to Mirella since 17 December 1961. They have two children.

William Lustig was born on February 1, 1955 in Bronx, New York. During his teenage years, Lustig avidly watched a huge volume of lowdown trashy exploitation fare at numerous 42nd Street grind house theaters in Manhattan and also worked as a movie theater usher in Fort Lee, New Jersey. After graduating from high school, he took a few film classes at New York University.

Lustig began his film career in his mid to late teens, working behind-the-scenes in various minor production capacities on a handful of hardcore X-rated porno pictures as well as a production assistant on both "The Seven Ups" and "Death Wish." He made his debut as a director, producer and editor with the hardcore porn features "Hot Honey" and "The Violation of Claudia." Lustig directed both of these movies under the alias Billy Bagg.

In 1980, Lustig found himself at the center of a storm of controversy when he made the grim, gory and disturbing slasher sleaze splatter landmark "Maniac," which boasts an incredibly intense performance by the legendary character actor Joe Spinell as a vicious depraved psychopath and plenty of hideously graphic and gruesome make-up effects by horror genre icon Tom Savini. In 1982, Lustig followed up "Maniac" with the tough, gritty and exciting New York urban revenge opus "Vigilante." In 1988, he delivered another winner with the terrific "Maniac Cop," a violent horror action flick about an undead New York police officer on a killing spree which was the first of several cinematic collaborations with fellow maverick independent filmmaker Larry Cohen.

Lustig followed up with the 1989 stirring action item "Hit List" and the suspenseful serial killer thriller "Relentless" were likewise on the money excellent and entertaining offerings. However, the two "Maniac Cop" sequels were strictly hit-or-miss affairs: the second one was a worthy successor to the superior original and the third one was a regrettably mediocre entry in the series. Lustig's last film as a director to date was the nifty and enjoyable fright flick "Uncle Sam."

Since 1997, William Lustig went on to initially produce retrospective DVD documentaries for Anchor Bay and now currently runs the outstanding DVD label Blue Underground which restores and re-releases popular and little seen cult movies and other grind house action, drama, and horror films.

A 25-year veteran in the Hollywood exploitation field, writer/producer/director Jim Wynorski is responsible for over 150 varied motion pictures in a myriad of genres. Leaving behind a successful commercial business in New York, Wynorski relocated to California in 1980 and soon found himself on the doorstep of his childhood idol, B-film king Roger Corman. "The rest was destiny," recounts Wynorski, who soon found himself hired by the renowned movie mogul to cut "coming attractions" for all of the company's new action and horror films. "It was like grasshopper learning from the kung-fu master," says Wynorski, who claims his six-months internship with Corman taught him more than four years at film school.

"It wasn't long after that Corman offered me the first of many writing/directing assignments. Some distributor wanted a flick about a killer in a shopping mall," recalls Wynorski, "and Roger trusted me enough to say 'come up with something good, and you can direct it." Well, a couple days later, the director walked in with the first treatment to a film called Chopping Mall (1986), and the rest was history. From then on, Jim Wynorski turned out an average of three to five films a year as a director, and even more as a producer/writer. Throughout the 1980s came a steady stream of wild exploitation titles like Big Bad Mama II (1987) with Angie Dickinson, Not of This Earth (1988) with Traci Lords and The Return of Swamp Thing (1989) with Heather Locklear. On into the 1990s, Wynorski continued to climb to the top of the B-Film mountain with flicks like Hard Bounty (1995) starring Kelly LeBrock, Point of Seduction: Body Chemistry III (1994) & Body Chemistry 4: Full Exposure (1995) with Shannon Tweed and Morgan Fairchild and Munchie (1992), which featured the first film appearance of the then-unknown 12-year-old child actress Jennifer Love Hewitt.

As the years peeled by and tastes changed, Jim Wynorski kept hip by innovating new special effects techniques that landed the director no less than seven world premieres on the Sci-Fi Channel. His credits there include films like Gargoyle (2004), The Curse of the Komodo (2004), Project Viper and Cry of the Winged Serpent (2007).

As for the future, the 59-year-old Wynorski feels the audience for alternative cinema made away from the studio system will continue to grow thanks to new advances in Internet and Cable technologies. In fact, he is in post-production on another thriller, Vampire in Vegas (2009). "And you can bet I'll be there," he offers with a big smile, "with some really fun stuff." Jim has a huge following in the MidWest and is beloved in Franklin, Indiana, Home of The B Movie Celebration.

Tibor Takács was born in Budapest, Hungary. Tibor is a director and writer, known for Black Warrant (2022), The Secret Ingredient (2020), and Sabrina the Teenage Witch (1996) He has had the privilege of working with many notable actors in various genres and has extensive experience with stunts, practical effects and complex CGI. He is also one of the creators of the successful Sabrina the Teenage Witch television franchise, and directed the acclaimed film The Gate.

Craig Baxley is a third-generation filmmaker. After starting his career in front of the camera, working his way up as a successful stunt coordinator and second unit director on films like Predator (1987), Reds (1981), The Long Riders (1980) and The Warriors (1979) (with such talented directors as Don Siegel, Alan J. Pakula, Warren Beatty, Norman Jewison, Walter Hill and Steven Spielberg), he transitioned making his directorial debut on the acclaimed hit series The A-Team (1983). His first feature film as a director was Action Jackson (1988) for Joel Silver and was the beginning of a very diverse career working in many genres. He later went on to direct Dark Angel (1990) (a.k.a. "I Come In Peace") starring Dolph Lundgren, Stone Cold and a number of mini-series, including Stephen King's Storm of the Century (1999), Rose Red (2002), The Triangle (2005), The Lost Room (2006) and King's television series Kingdom Hospital (2004), on which he directed every episode of the series.