Women and LGBTQIA creators
A list of women who are making significant contributions to the stories of women and other underrepresented people in film and television.
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- Director
- Producer
- Writer
Clio Barnard was born in Otley, Leeds, West Yorkshire, England, UK. She is known for The Selfish Giant (2013), Ali & Ava (2021) and The Arbor (2010).- Actress
- Additional Crew
- Writer
Chelsea Vanessa Peretti is a stand-up comedian, actress and writer who appeared in FOX's Brooklyn Nine-Nine (2013). The show won two Golden Globe Awards in 2014 including one for Best Television Series - Musical or Comedy.
Peretti starred alongside Andy Samberg, Terry Crews and Joe Lo Truglio as 'Gina Linetti,' the 99th precinct's administrator. Entertainment Weekly called Peretti one of the "buzziest breakouts" and the New York Post called her a "comedic gem, whose dry wit is unparalleled." Chelsea was nominated for Favorite Comedy Supporting Actress - Television for the 2014 American Comedy Awards and "Brooklyn Nine-Nine" also received a nomination for Favorite Comedy Series. "Brooklyn Nine-Nine" was nominated for a 2014 People's Choice Award for Favorite New TV Comedy and received a Satellite Award nomination for Best Television Series, Comedy or Musical. The hit series was just picked up for a eighth season.
Peretti had a recurring role as 'Farley' on the popular sketch comedy series for Comedy Central, Kroll Show (2013) and has appeared on Louie (2010) and Tosh.0 (2009) and she also plays multiple characters on Adult Swim's China, IL (2008). Peretti has been praised as one of Variety's "Top 10 Comics to Watch," Comedy Central's "Hotlist" comedians, and in Vanity Fair's 2013 "Comedy" issue. She was also recognized by TIME magazine as having one of the "140 Best Twitter Feeds" of 2013.
Peretti is also an accomplished writer, having written for Parks and Recreation (2009), Saturday Night Live (1975), The Sarah Silverman Program. (2007), Portlandia (2011) and Kroll Show (2013).
Peretti tours her stand-up at comedy clubs, theaters and festivals across the world.- Writer
- Producer
- Additional Crew
A director, producer, writer, marketer and film distributor, Ava DuVernay made her feature film debut with the documentary This is the Life (2008), a history on hip hop movement that flourished in Los Angeles in the 1990's. This was followed by series of television music documentaries which included My Mic Sounds Nice (2010) which aired on BET.
DuVernay's first narrative feature film, I Will Follow (2010), secured her the African-American Film Critics Association award for best screenplay. Her follow-up, Middle of Nowhere (2012) won the Best Director Prize at the 2012 Sundance film festival, making her the first African-American woman to receive the award.- Additional Crew
- Producer
- Location Management
- Actress
- Additional Crew
- Producer
Sally Ann Brooks is known for Baskets (2016), Someone You Know (2018) and The Middle (2009). Sally Ann has been married to Peter Spruyt since 13 February 2016.- Second Unit Director or Assistant Director
- Director
- Additional Crew
- Writer
- Producer
- Second Unit Director or Assistant Director
Judi McCrossin is known for The Surgeon (2005), The Secret Life of Us (2001) and The Time of Our Lives (2013).- Writer
- Casting Director
- Producer
- Writer
- Producer
- Script and Continuity Department
- Actress
- Writer
- Director
Lucy Velik was born on 10 August 1989 in Melbourne, Victoria, Australia. She is an actress and writer, known for Domicide (2020), Exhaust (2022) and Mr & Mrs Murder (2013).- Actress
- Director
- Writer
Michelle is an award-winning director, writer and show-runner whose films have screened globally, including Sundance Film Festival, Toronto International, Berlin International, Rotterdam, Oberhausen, Cannes, The National Art Gallery of Canada and the MoMA. Her recent documentary feature adaptation of Thomas King's book Inconvenient Indian (Bell/NFB), along with the groundbreaking supernatural drama series Trickster that she co-created and directed, both premiered in official selection of the 2020 Toronto International Film Festival. She is one of a select number of filmmakers in the history of the Toronto International Film Festival who has had multiple works shown in the same year.
Inconvenient Indian was awarded the Toronto Film Festival's People's Choice Award and the Amplify Voices Award for Best Canadian Feature and was named to Tiff's "Top Ten Films for 2020". It also received the Director's Guild of Canada "Allan King Award for Excellence in Documentary", the Festival Grand Prix at RIDM, as well as the Magnus Isaacson Award for Social Justice Filmmaking and the Vancouver International Film Festival Audience Choice Award.
Trickster, which Michelle directed and also served as Co-Creator/Showrunner and EP, premiered at TIFF to rave reviews and was named by Playback Magazine as the Best Scripted Series for 2020, was nominated for 15 Canadian Screen Awards and won Best Television Drama Writing at the Writers Guild of Canada awards. The series sold in the USA to the CW Network and streaming platforms AMC's Shudder and SundanceNOW.
Michelle was the show-runner and series director for the breakout Indigenous resistance series RISE (Viceland). RISE premiered at the 2017 Sundance Film Festival and was awarded the Canadian Screen Award for Best Documentary Series as well as the Reel Screen Diversity Award. Her episodes are widely considered to be one of the most comprehensive documentations of the Indigenous led occupation at Standing Rock to exist.
Select film works include: Choke (2011), which received a Sundance Film Festival Special Jury Mention in International Short Filmmaking, was chosen as one of TIFF Canada's Top Ten in 2012 and nominated for a Canadian Screen Award; The Underground (2014), which premiered at TIFF and won the Best Short Film Prize at the ImagineNATIVE Film & Media Arts Festival, as well as the Canadian National Screen Institute Drama Prize and was selected for Telefilm's Talent Showcase at Cannes. Nimmikaage (2016) which was acquired by the National Gallery of Canada; and the feature-length documentary ALIAS, which was nominated for a Canadian Screen Award. Her film Nuuca (Field of Vision), examines the impact the oil industry has on increased rates of violence towards Indigenous women and girls in the Bakken oil fields of South Dakota. The film premiered at the 2017 Toronto International Film Festival and screened at the 2018 Sundance Film Festival and Berlinale Film Festival before it was shortlisted for an IDA Award. She has directed episodes of the drama series Burden of Truth (CBC/CW/Hulu) and comedy series Little Dog (CBC), and has written for Frontier (Netflix/Discovery).
In 2020, Michelle was named the inaugural artist-in-residence at the Sundance Institute Screenwriting Labs and was awarded the Chicken & Egg Breakthrough Award, a prize given to five international filmmakers for their work in social-justice filmmaking. She is a previous Field of Vision Fellow and holds a BFA in Theatre Performance and Film Studies from Concordia University, Montreal.- Writer
- Producer
- Director
- Writer
- Director
- Producer
- Actress
- Writer
- Producer
Clea DuVall was born in Los Angeles on September 25, 1977, to Rosemary (Hatch) and actor Steph DuVall. DuVall's teenage years presented her with many challenges. Her parents divorced when she was twelve, and, when her mother remarried, DuVall moved out because she did not feel at home in the newly-reconstituted family, dropping out of high school and getting her own apartment. An only child, she sought entertainment in movies and television programs, which she consumed voraciously, memorizing entire scenes from movies. Though a rather shy person, DuVall decided she wanted to be an actress, and returned to high school, this time the Los Angeles High School of the Arts. However, the rigors of independent living (she had to work to support herself) meant that she could spend little time in class, and, as a result, she fared poorly in the school.
Nonetheless, DuVall had intensity, commitment and strong natural talent, and soon after graduating, the roles began to come, at first guest spots in television programs and small roles in small films. Soon her first major role came, in Robert Rodriguez's successful 1998 take on the alien-body-snatcher genre, The Faculty (1998), which featured many other up-and-coming young actors such as Elijah Wood and Josh Hartnett, as well as a strong cast of established adult performers. DuVall played Stokely, a bizarre, tough Goth Girl. This role was typical of DuVall's casting - the outsider, attractive though in an edgy and sometimes slightly disturbing way. (DuVall is pretty and can be glamorous, or can appear rough-around-the-edges, for a role.) Similar roles came in But I'm a Cheerleader (1999) as a tattooed lesbian and Girl, Interrupted (1999) as a mental patient.
DuVall is a complex person - soft-spoken and friendly, yet tough and independent - and she ably lends this complexity to her characters, making her a popular casting choice. She continues to turn in strong performances in such productions as the ensemble thriller Identity (2003), the HBO supernatural series Carnivàle (2003) and the critically-praised 21 Grams (2003). DuVall is a chain smoker and a close friend of director Jamie Babbit. She is no relation to veteran actors Robert Duvall or Shelley Duvall.- Writer
- Director
Phyllis Nagy was born on 7 November 1962 in New York City, New York, USA. She is a writer and director, known for Call Jane (2022), Carol (2015) and Mrs. Harris (2005).- Director
- Writer
- Producer
Kacie Anning is a writer and director. She has a Bachelor of Fine Arts in Film & Television from the Queensland University of Technology and is a directing graduate of the Australian Film Television Radio School, where she was awarded the Foxtel Scholarship for Exceptional New Talent in 2011. In 2016, she won the Australian Directors Guild Award for Best Direction in an Original Online Project for Series 2 of Fragments of Friday.
Kacie recently directed two episodes of the new Amazon comedy series Upload for showrunner Greg Daniels (The Office, Parks & Recreation), to be released in early 2020.
In 2017, Kacie directed all six episodes of Matt Okine's break-up comedy The Other Guy for Stan in Australia, produced by Aquarius Films & eOne and distributed by Hulu in the US. Kacie also wrote three episodes of the upcoming second series of The Other Guy. Her other television directing credits include Hardball for ABC Me, the sketch comedy series Wham Bam Thank-you Ma'am for ABC and NBC's Seeso platform and the kids comedy series You're Skitting Me for ABC Me.
Kacie's calling card was the online comedy series Fragments of Friday which she wrote, directed and starred in, with news.com.au heralding Kacie as 'Australia's answer to Amy Schumer' and The Huffington Post celebrating the show's 'unashamedly bold superstar female talent.' Fragments of Friday has been selected for various international festivals, including Raindance Film Festival where it won Best Ensemble Cast.- Camera and Electrical Department
- Director
- Writer
- Writer
- Music Department
- Composer
Kristen Anderson-Lopez was born on 21 March 1972 in New York City, New York, USA. She is a writer and composer, known for WandaVision (2021), Winnie the Pooh (2011) and Frozen II (2019). She has been married to Robert Lopez since 12 October 2003. They have two children.- Director
- Writer
- Actress
- Writer
- Director
Molly Gordon is an American actress, known for her roles in Ithaca (2015), Sin City Saints (2015), Life of the Party (2018) as Maddie, Booksmart, as Triple A, and Good Boys (both 2019). She also stars on the drama TV series Animal Kingdom (2016-present), as Nicky.
She was raised in Los Angeles. Her parents are television and film director Bryan Gordon and film producer and screenwriter Jessie Nelson. Her family is Jewish. She performed on the LA stage from a young age, and grew up with actor Ben Platt, with whom she starred in productions of Fiddler on the Roof at age four and How to Succeed in Business Without Really Trying at age five. She regularly watched the sketch-comedy series Saturday Night Live and attended performances by comedy troupe The Groundlings, leading her to an interest pursuing comedic acting. She portrayed Dot in her high school's performance of Sunday in the Park with George when she was 17. She failed her SAT and briefly attended New York University, leaving after two weeks due to dissatisfaction with her program. Gordon's first film appearance was in Nelson's 2001 drama film I Am Sam as Callie, followed by her portrayal of a trick-or-treater in Nora Ephron's 2005 film Bewitched. In 2015, she also had a role in Love the Coopers, opposite Timothée Chalamet. Gordon moved to New York City in 2014 to pursue acting as a profession. In August 2015, she was cast as Nicky in the TNT pilot Animal Kingdom, based on the 2010 Australian film of the same name. The pilot was picked up with a 10-episode order in December 2015, and the series debuted on June 14, 2016, with Gordon as a series regular. She played Maddie, the daughter of Melissa McCarthy's character, in the 2018 comedy film Life of the Party. Gordon began rehearsals to portray Alice Spencer in the Off-Broadway production of Alice by Heart in December 2018. The musical, directed by Nelson who also co-wrote with Steven Sater, opened at the MCC Theater on February 26, 2019. The show's run concluded in May 2019. Gordon portrayed Triple A in the 2019 comedy film Booksmart. The film attracted Gordon due to its "kooky" characters that she found to "have such a grounded realism in them."- Writer
- Producer
- Actress
- Writer
- Producer
Sarah was born in Croydon, South London. She is best known for writing the multi-award wining Ellen (2016), Amazon Prime's The Power (2023), His Dark Materials (BBC - Season 2) and The Trial: A Murder in the family (C4 - 2017). In 2017, Sarah was named a BAFTA Breakthrough Brit. Sarah began her career as an actor, appearing in shows such as Rillington Place, Doctor Who, Call the Midwife and Lewis. Her first TV role was in the BBC sitcom Carrie and Barry where she played teenager Sinead, alongside Claire Rushbrooke, Michelle Gomez, Mark Williams and Neil Morrissey. Sarah had an extensive career on stage and was the original Bobbie in Mike Kenny's The Railway Children York Theatre Royal. She transferred with the production to London where it won the Olivier Award for Best Entertainment. Other theatre includes Eliza Doolittle in Pygmalion (York Theatre Royal), Celia in As You Like It (Derby Playhouse), Forty Years On (York Theatre Royal) and an assortment of new writing. She played Natalie in James Phillips's City Stories during its residency at The Other Palace, London and transferred with the play to 59East59 New York as part of the Brits Off Broadway season. She trained as an actor at The Manchester School of Theatre.- Writer
- Producer
- Additional Crew
Raelle Tucker is a playwright and television writer/producer. The daughter of a playwright and a costume designer, Tucker grew up in Ibiza, Spain. She moved to Los Angeles at seventeen where she became a founding member and artistic director of the CAG Theatre Company. Tucker attended the American Film Institute's prestigious Directing Workshop For Women where she wrote and directed the short film The Clay Man. A screenplay Tucker co-wrote, Cheeks was a top three finalist in Matt Damon and Ben Affleck's Project Greenlight, and she was featured on the HBO series, which helped launch her television career. Tucker's work in television includes Eyes, Supernatural and HBO'S True Blood, where she served as writer/ producer for six seasons. Tucker has been nominated for Emmy, Golden Globe, GLAAD, Writer's Guild and Producer's Guild awards. And she won a Constellation Award for best Science Fiction Teleplay, and a Women's Image Network Award for Outstanding Film/Show Writer.- Writer
- Producer
- Additional Crew
Alice Birch is an award winning British writer known for Lady Macbeth.
Awards for Lady Macbeth include: Nominated Outstanding Debut & Best British Feature BAFTA 2018, Nominated Best International Film Spirit Awards 2018, Winner 5 British Independent Film Awards 2017 including Best Screenplay, Winner Discovery Award European Film Awards 2017, Winner International Critic's Prize (FIPRESCI Prize) at San Sebastian International Film Festival 2016, Winner Critic's Choice Award for Best First Feature at Zurich Film Festival 2016, Winner Best Screenplay at Turin Film Festival).- Writer
- Producer
- Writer
- Director
Lileana Blain-Cruz is known for Live from Lincoln Center (1976) and Dead Ringers (2023).- Writer
- Producer
- Actress
Rachel De-Lahay is known for The Last Hours of Laura K (2015), National Treasure: Kiri (2018) and Dead Ringers (2023).- Writer
- Producer
- Actress
- Producer
- Writer
- Script and Continuity Department
Susan Soon He Stanton is known for Succession (2018), Dead Ringers (2023) and Brooklyn Love Stories (2019).- Director
- Producer
- Editor
Lauren Wolkstein is an American film director, writer, and editor. She is known for directing the 2017 drama-thriller The Strange Ones with Christopher Radcliff and serving on the directorial team for the third season of Ava DuVernay's Queen Sugar, which she followed with a Producing Director role in the fifth season. A 2017-2018 Women at Sundance fellow, Wolkstein has been named a "New Face of Independent Film" by Filmmaker Magazine. Her films have screened at several festivals, including Cannes, Outfest, Sundance, and SXSW.- Producer
- Writer
- Director
- Producer
- Writer
- Additional Crew
Liz Tigelaar was born on 4 October 1975 in the USA. She is a producer and writer, known for Little Fires Everywhere (2020), Tiny Beautiful Things (2023) and Nashville (2012). She is married to Alison Rou. They have one child.- Writer
- Producer
- Director
Naomi Iwamoto is a writer, director, producer. She is best known for her work in television as a writer and producer on Hulu's Tiny Beautiful Things, Lena Waithe's Twenties, NBC's Connecting and the CBS show Happy Together. As a director she is known for her short films Lost & Found and Best Buds.- Writer
- Producer
Ellen Fairey is known for Tiny Beautiful Things (2023), The Sinner (2017) and Masters of Sex (2013).- Director
- Actress
- Writer
Desiree Akhavan was born on 27 December 1984 in New York City, New York, USA. She is a director and actress, known for Appropriate Behavior (2014), The Miseducation of Cameron Post (2018) and The Bisexual (2018).- Producer
- Writer
- Additional Crew
Deirdre Shaw is TV writer and producer known for Tiny Beautiful Things (2023), Jane the Virgin (2019), American Gothic (2016), and Jane by Design (2012). Deirdre is also the author of a novel, Love or Something Like It, published by Random House in 2009. Deirdre lives in LA with her husband, Jay Gibson, and their two children.- Additional Crew
- Producer
- Writer
Kaitlyn Fahey is known for Tiny Beautiful Things (2023), Little Fires Everywhere (2020) and House of Lies (2012).- Director
- Producer
- Writer
- Director
- Writer
- Second Unit Director or Assistant Director
Binka Zhelyazkova was born on July 15, 1923 in the town of Svilengrad, Bulgaria. She studied theater at the National Theater Institute in Sofia. Her career as a film director began in 1957 when she co-directed her first feature film Life Goes Quietly By... with her husband Hristo Ganev.
At the end of the 1950s Binka Zhelyazkova was one of the few women in the world making feature films. Her style was influenced by Italian Neo-Realism and the French New Wave, as well as Russian Cinema.
During her career she directed seven feature and two documentary films. Four of her nine films were banned from distribution and reached audiences only after the end of communism. She was the director of the Bulgarian section of Women in Film, an organization created in 1989 after the international women in film conference, KIWI, in Tbilisi, Georgia. She stopped making films after 1989, which coincided with the fall of the communist regime in Bulgaria. For some time after that she remained active in the women in film organization but soon completely withdrew from public life.- Director
- Writer
- Actress
Larisa Shepitko was born on 6 January 1938 in Bakhmut, Ukrainian SSR, USSR [now Bakhmut, Donetsk Oblast, Ukraine]. She was a director and writer, known for The Ascent (1977), Heat (1963) and You and Me (1971). She was married to Elem Klimov. She died on 2 July 1979 in near Redkino, Kalinin Oblast, Russian SFSR, USSR.- Additional Crew
- Director
- Actress
Wendy Toye was born on 1 May 1917 in London, England, UK. She was a director and actress, known for The Stranger Left No Card (1952), On the Twelfth Day... (1955) and Follow the Star (1979). She was married to Edward Selwyn Sharp. She died on 27 February 2010 in Hillingdon, Middlesex, England, UK.- Director
- Writer
- Actress
Kira Muratova was born on 5 November 1934 in Soroca, Romania [now Moldova]. She was a director and writer, known for Nastroyshchik (2004), Vtorostepennye lyudi (2001) and The Asthenic Syndrome (1989). She was married to Aleksandr Muratov and Yevgeni Golubenko. She died on 6 June 2018 in Odessa, Ukraine.- Director
- Writer
- Editor
Dorothy Arzner, the only woman director during the "Golden Age" of Hollywood's studio system--from the 1920s to the early 1940s and the woman director with the largest oeuvre in Hollywood to this day--was born January 3, 1897 (some sources put the year as 1900), in San Francisco, California, to a German-American father and a Scottish mother. Raised in Los Angeles, her parents ran a café which featured German cuisine and which was frequented by silent film stars including: Charles Chaplin and William S. Hart, and director Erich von Stroheim. She worked as a waitress at the restaurant, and no one could have foreseen at the time that Arzner would be one of the few women to break the glass ceiling of directing and would be the only woman to work during the early sound era.
In her 15-year career as a director (1928-43), Arzner made three silent movies and 14 "talkies". Her path to the director's chair was different than that of women directors in the future (indeed, different than most male directors too). Directors nowadays are typically graduates of film schools or were working actors prior to directing. Like most of the directors of her generation, Arzner gained wide training in most aspects of filmmaking by working her way up from the bottom. It was the best way to become a filmmaker, she later said.
After graduating from high school in 1915, she entered the University of Southern California, where she was in the pre-med program for two years. When the US entered World War I in 1917, Arzner was unable to realize her ambition of serving her country in a military capacity, as there were no women's units in the armed forces at the time, so she served as an ambulance driver during the war.
After the cessation of hostilities, Azner got a job on a newspaper. The director of her ambulance unit introduced her to film director William C. de Mille (the brother of Cecil B. DeMille, one of the co-founders of Famous Players-Lasky, which eventually became known by the title of its distribution unit--Paramount Pictures). She decided to pursue a film career after visiting a movie set and being intrigued by the editing facilities. Arzner decided that she would like to become a director (there was no strict delineation between directors and editors in the immediate postwar period as the movie studios matured into a "factory" industrial production paradigm).
Though she was the sole member of her gender to direct Hollywood pictures during the first generation of sound film, in the silent era a woman behind the camera was not unknown. The first movie in history was directed by a Frenchwoman, and many women were employed in Hollywood during the silent era, most frequently as scenario writers (some research indicates that as many as three-quarters of the scenario writers during the silent era--when there was no requirement for a screenplay as such as there was no dialogue--were women). Indeed, there were women directors in the silent era, such as Frances Marion (though she was more famous as a screenwriter) and Lois Weber, but Arzner was fated to be the only female director to have made a successful transition to "talkies". It wasn't until the 1930s and the verticalization of the industry, as it matured and consolidated, that women were squeezed out of production jobs in Hollywood.
The introduction to William deMille paid off when he hired her for the sum of $20 a week to be a stenographer. Her first job for DeMille was typing up scripts at Famous Players-Lasky. She was reportedly a poor typist. Ambitious and possessed of a strong will, Arzner offered to write synopses of various literary properties, and eventually was hired as a writer. Impressing DeMille and other Paramount powers-that-be, Arzner was assigned to Paramount's subsidiary Realart Films, as a film cutter. She was promoted to script girl after one year, which required her presence on the set to ensure the continuity of the script as shot by the director. She then was given a job editing films. She excelled at cutting: as an editor (she was the first Hollywood editor professionally credited as such on-screen), she labored on 52 films, working her way up from cutting Bebe Daniels comedies to assignments on "A" pictures within a couple of years. She came into her own as a filmmaker editing the Rudolph Valentino headliner Blood and Sand (1922), about a toreador. Her editing of the bullfighting scenes was highly praised, and she later said that she actually helmed the second-unit crew shooting some of the bullfight sequences. Director James Cruze was so impressed by her work on the Valentino picture that he brought her on to his team to edit The Covered Wagon (1923). Arzner eventually edited three other Cruze films: Ruggles of Red Gap (1923), Merton of the Movies (1924) and Old Ironsides (1926). Her work was of such quality that she received official screen credit as an editor, a first for a cutter of either gender.
While collaborating with Cruze she also wrote scenarios, scripting her ideas both solo and in collaboration. She was credited as a screenwriter (as well as an editor) on "Old Ironsides", one of the more spectacular films of the late silent era, being partially shot in Magnascope, one of the earliest widescreen processes. She would always credit Cruze as her mentor and role model. "Old Ironsides" proved to be the last film on which she was credited as an editor, as her ambitions to become a director would finally come to fruition. To indulge her, Paramount gave her a job as an assistant director, for which she was happy--until she realized it was not a stepping stone to the director's chair, and she was determined to sit in that chair.
Arzner pressured Paramount to let her direct, threatening to leave the studio to work for Columbia Pictures on Poverty Row, which had offered her a job as a director. Unwilling to lose such a talented filmmaker, the Paramount brass relented, and she made her debut with Fashions for Women (1927). It was a hit. In the process of directing Paramount's first talkie, Manhattan Cocktail (1928), she made history by becoming the first woman to direct a sound picture. The success of her next sound picture, The Wild Party (1929), starring Paramount's top star, Clara Bow, helped establish Fredric March as a movie star.
Arzner proved adept at handling actresses. As Budd Schulberg related in his autobiography "Moving Pictures", Clara Bow--a favorite of his father, studio boss B.P. Schulberg--had a thick Brooklyn accent that the silence of the pre-talkie era hid nicely from the audience. She was terrified of the transition to sound, and developed a fear of the microphone. Working with her sound crew, Arzner devised and used the first boom mike, attaching the microphone to a fish pole to follow Bow as she moved around the set. Arzner even used Bow's less-than-dulcet speaking tones to underscore the vivaciousness of her character.
Though Arzner made several successful films for Paramount, the studio teetered on the edge of bankruptcy due to the Depression, eventually going into receivership (before being saved by the advent of another iconic woman, Mae West). When the studio mandated a pay cut for all employees, Arzner decided to go freelance. RKO Radio Pictures hired her to direct its new star, headstrong young Katharine Hepburn, in her second starring film, Christopher Strong (1933). It was not a happy collaboration, as both women were strong and unyielding, but Arzner eventually prevailed. She was, after all, the boss on the set: The director. The fiercely independent Hepburn complained to RKO, but the studio backed its director against its star. Eventually the two settled into a working relationship, respecting each other but remaining cold and distant from one another. Ironically, Arzner would display her directorial flair in elucidating the kind of competitive rivalries between women she experienced with Hepburn.
The Directors Guild of America was established in 1933, and Arzner became the first woman member. Indeed, she was the only female member of the DGA for many years.
Arzner's films featured well-developed female characters, and she was known at the time of her work, quite naturally, as a director of "women's pictures". Not only did her movies portray the lives of strong, interesting women, but her pictures are noted for showcasing the ambiguities of life. Since the rise of feminist scholarship in the 1960s, Arzner's movies have been seen as challenging the dominant, phallocentric mores of the times.
Arzner was a lesbian, who cultivated a masculine look in her clothes and appearance (some feel as camouflage to hide the boy's club that was Hollywood). Many gay critics discern a hidden gay subtext in her films, such as "Christopher Strong". Whereas feminist critics see a critique of gender inequality in "Christopher Strong", lesbian critics see a critique of heterosexuality itself as the source of a woman's troubles. The very private Azner, the woman who broke the glass ceiling and had to survive, and indeed thrived, in the all-male world of studio filmmaking, refused to be categorized as a woman or gay director, insisting she was simply a "director." She was right.
Arzner did have less troubled and more productive collaborations with other actresses after her experience with Hepburn. She developed a close friendship with one of her female stars, Joan Crawford, whom she directed in two 1937 MGM vehicles, The Last of Mrs. Cheyney (1937) and The Bride Wore Red (1937). Arzner later directed Pepsi commercials as a favor to Crawford's husband, Pepsi-Cola Company's Chairman of the Board Alfred Steele.
In 1943 Arzner joined other top Hollywood directors such as John Ford and George Stevens in going to work for the war effort during World War Two. She made training films for the US Army's Women's Army Corps (WACs). That same year her health was compromised after she contracted pneumonia. After the war she did not return to feature film directing, but made documentaries and commercials for the new television industry. She also became a filmmaking teacher, first at the Pasadena Playhouse during the 1950s and 1960s and then at the University of California-Los Angeles campus during the 1960s and 1970s. At UCLA she taught directing and screenwriting, and one of her students was Francis Ford Coppola, the first film school grad to achieve major success as a director. She taught at UCLA until her death in 1979.
She was honored in her own lifetime, becoming a symbol and role model for women filmmakers who desired entry into mainstream cinema. The feminist movement in the 1960s championed her. In 1972 the First International Festival of Women's Films honored her by screening "The Wild Party", and her oeuvre was given a full retrospective at the Second Festival in 1976. In 1975 the DGA honored her with "A Tribute to Dorothy Arzner." During the tribute, a telegram from Katharine Hepburn was read: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"- Editor
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Was raised in Tunisia in a tradition-oriented family. It was in high school, thanks to her philosophy teacher, who ran a film club, that she developed a taste for the cinema. After graduating from the IDHEC film school in 1968, in the editing department, she went back to live in Tunisia in 1972. Her name appears on the credits of some of the most important Arab film from 1970 to 1990.- Producer
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- Sound Department
Barbara Kopple was born on 30 July 1946 in New York City, New York, USA. She is a producer and director, known for Harlan County U.S.A. (1976), American Dream (1990) and Shut Up & Sing (2006).- Writer
- Director
- Editor
Lucile Emina Hadzihalilovic was born on May 7, 1961 in Lyon, Rhône, France, to Bosnian parents and grew up in Morocco. She studied Art History and Film Directing at the IDHEC. She has been working in film industry since 1980's, as director, editor, writer and actress in both short and feature films. Hadzihalilovic is best known for Innocence (2004), Evolution (2015), her third feature as a director, and La bouche de Jean-Pierre (1996). She also collaborated with her husband, Gaspar Noé, whom she assisted in writing Enter The Void (2009).- Director
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Cinema came into Mia Hansen-Løve's life when she was seventeen, as Olivier Assayas made her start as an actress in Late August, Early September (1998). Two years later, he gave her the part of "Aline" in his Les Destinées (2000). Their artistic collaboration was coupled by a union in real life, Mia and Olivier becoming life companions. In 2001, Mia Hansen-Løve began studying at the municipal Conservatory of Dramatic Arts in Paris' 10th district but she dropped our after two years to contribute instead to the famous film magazine "Les Cahiers du Cinéma", where Olivier Assayas also wrote. In 2001, she tried her hand at directing and, as of the first day of shooting, discovered that this WAS what she wanted to do. The result was Après mûre réflexion (2004). Since then, although aged only twenty-eight, she has already made two more films, All Is Forgiven (2007) and Father of My Children (2009), both acclaimed by the critics, both showing consistent thematic and stylistic unity.- Director
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Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), I, You, He, She (1974) and A Couch in New York (1996). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.- Director
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Lotte Reiniger was born on 2 June 1899 in Berlin, Germany. She was a director and writer, known for Silhouetten (1936), Der Graf von Carabas (1935) and Lotte Reiniger - The Fairy Tale Films (1961). She was married to Carl Koch. She died on 19 June 1981 in Dettenhausen, Baden-Württemberg, Germany.- Director
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Agnès Varda was born on 30 May 1928 in Ixelles, Belgium. She was a director and writer, known for Cléo from 5 to 7 (1962), Vagabond (1985) and Faces Places (2017). She was married to Jacques Demy. She died on 29 March 2019 in Paris, France.- Director
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Vera Chytilová was born on February 2, 1929, in Ostrava, Czechoslovakia (now Czech Republic). She studied philosophy and architecture in Brno for two years, then worked as a technical draftsman, a designer, a fashion model, a photo re-toucher, then worked as a clapper girl for Barrandov Film Studios in Prague. There she continued as a writer, actress, and assistant director.
She was denied a scholarship, or even a recommendation from Barrandov, but she took the admissions tests at FAMU and was accepted. From 1957-1962 she studied film directing under Otakar Vávra, who also taught Jirí Menzel, Milos Forman, Jan Nemec, and Ivan Passer. In 1962 she graduated as director from Film Academy (FAMU) in Prague. Her graduation film 'Strop' (Ceiling 1962) and the following film 'Pytel blech' (A Bagful of Fleas 1963) were "staged" improvisations with non-actors. In 1966 Chytilova and her husband, 'Jaroslav Kucera', made a witty surrealist comedy Daisies (1966), which was immediately banned, but then was released in 1967, and won the Grand Prix at the Bergamo Film Festival. She remained in Czechoslovakia after the events of 1968, when her colleagues Milos Forman, Jan Nemec, and Ivan Passer emigrated. Her films were often "shelved" for reasons of political censorship. For six years Chytilova was banned from making films. In 1976 she wrote a letter of complaint to President Gustav Husak, describing her artistic position. After some behind-the-scenes influence by her supporters, Chytilova was allowed to make a low-budget Hra o jablko (1977), which won a Silver Hugo at Chicago Film Festival.
Chytilova belongs among the foremost directors of the 1960's Czech New Wave, which was influenced by both the French New Wave and Italian Neo-Realism. Her films were acclaimed for visual experimentation and for bold unmasking of the moral problems of contemporary society. Her art belongs to what Sergei Eisenstein described as "intellectual cinema", that embraces the mix of "avant-garde", "cinema verite", "formalism", "feminism", or "happening" and, with a good deal of humor, it spreads beyond definitions. Chytilova's films often present a multi-layered plethora of visual associations that encourages the viewer to make active interpretations. She survived through the political turbulences in Czechoslovakia and has been a highly original and uncompromising filmmaker.- Animation Department
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Alison De Vere was born on 16 September 1927 in Peshawar, North-West Frontier Province, British India. She was a director and writer, known for Mr. Pascal (1979), The Black Dog (1987) and Yellow Submarine (1968). She was married to Karl Weschke. She died on 2 January 2001 in Cornwall, England, UK.- Writer
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Marziyeh Meshkini Born in 1969 in Tehran. She is the wife of celebrated Iranian director Mohsen Makhmalbaf. She studied Cinema in Makhmalbaf Film school for 8 years. Her first film 'The Day I Became a Woman", (a 3-episode story) attended the Critics Week category in Venice International Film Festival in 2000 and won 3 awards from that festival. Marziyeh Meshkini's second film 'Stray Dogs' competed in the best film category at Venice Film Festival in 2003 and received two awards from the festival. Her film has received many international awards across the world. She has worked as assistant director in "The Apple", "The Blackboards", " At Five In The Afternoon" and "Two-Legged Horse" by Samira Makhmalbaf as well as collaborating in several recent films by Mohsen Makhmalbaf. Marziyeh Meshkini is also the scriptwriter of the award winning film "Buddha Collapsed Out Of Shame" by Hana Makhmalbaf , which has won the Chrystal Bear from Berlin Film Festival, Grand Jury Award from San Sebastian.... and has been nominated for the Best Asian Film Award from Hong Kong Film Festival.- Director
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Samira Makhmalbaf Filmmaker
Born on February 15,1980 in Tehran. At the age of eight, she played in "The Cyclist" directed by her father, Mohsen Makhmalbaf the celebrated Iranian filmmaker.
At the age of 17, she directed her first feature titled "The Apple" and She went on to become the youngest director in the world participating in the official section of the 1998 Cannes Film Festival. She was praised on different occasions by the legendary Jean-Luc Godard for her film. The Apple was invited to more than 100 international film festivals in a period of two years, while going to the screen in more than 30 countries.
In 1999, Samira made her second feature film titled "Blackboards" in Kurdistan of Iran, and for the second time was selected by the Cannes Film Festival to compete in the official section in 2000. She was granted the Special Jury Award. The Blackboards received many international awards including the "Federico Fellini Honor Award" from UNESCO and "Francois Truffaut Award" from Italy. The film was widely released across the world and more than two hundred thousand people watched the film in France alone.
Samira alongside other prominent director like Ken Loach, Shohei Imamura, Youssef Chahine, Sean Penn.... made one of the eleven episodes of the film "September 11". The film was premiered at Venice International Film Festival in 2002.
The third feature by Samira Makhmalbaf titled "At Five in the Afternoon", the first feature film shot in Afghanistan post Taliban. The film was selected for the competition section of Cannes Film Festival in 2003, receiving the Jury's Special Award for the second time. In 2004, she was selected as one of forty best directors of the world by Guardian newspaper.
Samira Makhmalbaf shot her fourth feature film in Afghanistan titled Two-Legged Horse in 2007, receiving the Grand Jury Awardof San Sebastian Film Festival in Spain.
Samira Makhmalbaf has also participated as jury member in reputable film festivals such as Cannes, Venice, Berlin, Locarno, Moscow, Montreal...- Producer
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Athina Rachel Tsangari was born on 2 April 1966 in Aspra Spitia, Greece. She is a producer and director, known for Attenberg (2010), Chevalier (2015) and The Slow Business of Going (2000).- Director
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Lola Randl was born in 1980 in Munich, Bavaria, Germany. She is a director and writer, known for The Invention of Love (2013), Lonely U (2012) and Nachmittagsprogramm (2004).- Director
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Dorota Kedzierzawska was born on 1 June 1957 in Lódz, Lódzkie, Poland. She is a director and writer, known for Nothing (1998), Time to Die (2007) and Crows (1994).- Production Designer
Wanda Jackowska is known for Television Theater (1953).- Director
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Wanda Jakubowska was born on 10 October 1907 in Warsaw, Poland, Russian Empire [now Warsaw, Mazowieckie, Poland]. She was a director and writer, known for The Last Stage (1948), Król Macius I (1958) and Pozegnanie z diablem (1957). She died on 24 February 1998 in Warsaw, Mazowieckie, Poland.- Producer
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Lita Stantic was born in Argentina. She is known for Un muro de silencio (1993), Red Bear (2002) and Suddenly (2002).- Gerda Schneider is known for The Last Stage (1948) and Rabot (2017).
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Born in 1966 in Salta in the North of Argentina,Lucrecia Martel settled down in Buenos Aires where she attended the ENERC (National Film School). She started by directing a few shorts among which Historias Breves I: Rey muerto (1995), which garnered several awards in the international film festival circuit. From 1995 to 1998, she made a series of documentaries for TV as well as a children's TV programme, hailed by the Argentinian press for its unusual dark humor. From 2001 until today, Lucrecia Martel has managed to make three very personal feature films, The Swamp (2001), The Holy Girl (2004) and The Headless Woman (2008), in which she explores her favorite theme, troubled minds.- Actress
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A one-time pin-up beauty and magazine story model, Barbara Loden studied acting in New York in the early 50s and was on the Broadway boards within the decade. She was discovered for films by legendary producer/director Elia Kazan who was impressed with what she did in a small role as Montgomery Clift's secretary in Wild River (1960). He moved her up to feature status with her next role as Warren Beatty's wanton sister in his classic Splendor in the Grass (1961). As Kazan's protégé, she appeared as part of Kazan's stage company in the Lincoln Center Repertory Theater's production of After the Fall, winning the Tony and Outer Critic's Circle awards for that dazzling performance. An oddly entrancing, delicate blonde beauty possessed with a Marilyn Monroe-like vulnerability, she impressed in two of his other stage productions as well - But For Whom Charlie and The Changeling . After appearing in the failed movie Fade In (1973) with Burt Reynolds, she married Kazan and went into semi-retirement. Barbara wrote, directed and starred, however, in a bold independent film entitled Wanda (1970) and became an unexpected art house darling, distinguishing herself as one of the few woman directors whose work was theatrically-released during the period. She won praise in all three departments, nabbing the Venice Film Festival's International Critics Prize. Supposedly discouraged by a doubting, perhaps even resentful Kazan, Barbara never followed up on this success. She expressed interest and was in the midst of putting together another film, based on the novella The Awakening by Kate Chopin, when she learned in 1978 she had breast cancer. Barbara died two and a half years later, at age 48, after the cancer spread to her liver - before the project ever came to fruition. The Hollywood industry lost a burgeoning talent who just might have opened doors for other women directors had she been given the time.- Director
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Mary Lambert was born in 1951 in Helena, Arkansas, USA. She is a director and writer, known for Pet Sematary (1989), Madonna: Like a Prayer (1989) and The in Crowd (2000). She has been married to Jerome Gary since 28 September 1991. They have one child.- Director
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Rachel Talalay was born in Chicago, Illinois. Her parents, Paul and Pamela, moved to Baltimore to work/teach at Johns Hopkins when she was 6 years old. After graduation from Yale University with a bachelor's degree in mathematics, she met Director John Waters and entered the movie business as a production assistant on his 'Polyester', starring Divine. She worked on the "Nightmare on Elm Street" films as assistant, production manager, producer and culminated with directing "Freddy's Dead: The Final Nightmare". From there she continued her directing career, moving into television, and working on a wide variety of projects from family entertainment "Wind in the Willows" to Horror "Supernatural" to Comedy "Ally McBeal". In 2014 she became the first American and seventh woman to direct "Doctor Who".- Director
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The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as I Can't Sleep (1994) and Nénette and Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (1999), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.- Director
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At the time when women directors make more and more their presence felt on the French scene, the importance of Jacqueline Audry cannot be overstated. All today's daring Metteuses En Scene are certainly her psychic daughters as they are Agnès Varda's. Audry, born in 1908, began to direct long before Varda, as contemporary of Ida Lupino in America. Audry's movies mostly dealt with female psychology from every angle. Her first effort was a subversive adaptation of La Comtesse De Ségur's "Les Malheurs De Sophie" (1946), the young heroine refused the aristocratic happiness and eventually took a rebel stand. "Gigi" (1948) (remade by Vincente Minnelli as a musical) and "Minne" (1950), both from Colette's novels, featured Danielle Delorme. But it was the overlooked "Olivia" (1951) which revealed Audry's remarkable talent: in a boarding-school for girls, two female teachers vied with each other for their students love; using literary works to enhance her story, helped by Edwige Feuillère's masterful performance, this Audry's tour De force about lesbianism was far ahead of its time. "Huis clos" (1954) from Sartre was her second great achievement: the beginning (the elevator) might have inspired Alan Parker for "Angel Heart", using flashbacks to avoid filmed stage production style, Audry's directing is dazzling, with an excellent cast featuring glorious Arletty as lesbian Inès. 'La Garçonne", a remake of a thirties movie which surpassed its model, introduced a woman who would want to live like a man, it contained scenes which, at the time, were more scandalous than what Roger Vadim was doing with Brigitte Bardot. Sadly, another remake, "L'Ecole Des Cocottes" (1958) ,could not hold a candle to the thirties version featuring Raimu. Her last worthwhile effort was "Le Secret Du Chevalier D'Eon" (1960), the fictionalized story of Louis The Fifteenth's spy who used to dress up as a woman: this film and "La Garçonne" featured Andrée Debar, whose androgynous looks worked wonders. A road movie ("Les Petits Matins",1961) and other indifferent movies in the sixties and Audry's career closed in 1971. She died in 1977, and she had unfairly sunk into oblivion. She was married to screenwriter Pierre Laroche who would work with her.- Director
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Leontine Sagan was born on 13 February 1889 in Vienna, Austria-Hungary [now Austria]. She was a director and actress, known for Mädchen in Uniform (1931), Men of Tomorrow (1932) and Showtime (1946). She was married to Dr. Victor Fleischer (dramatist). She died on 20 May 1974 in Pretoria, South Africa.- Director
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Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter. She gained recognition for her role in writing and directing several independent films, including I Shot Andy Warhol (1996), American Psycho (2000), and The Notorious Bettie Page (2005). She co-wrote American Psycho and The Notorious Bettie Page with Guinevere Turner. Although Harron has denied this title, she has been thought to be feminist filmmaker due to her film on lesbian feminist Valerie Solanas, in I Shot Andy Warhol (1996), and a queer story-line within her teenage Gothic horror, The Moth Diaries (2011).- Actress
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Elaine May (born under the name Elaine Iva Berlin) is an American actress, comedian, film director, playwright, and screenwriter from Philadelphia. Her professional career started in the 1950s and is still ongoing. She has twice been nominated for the Academy Award for Best Adapted Screenplay. She is best remembered for directing the Cold War-themed action comedy "Ishtar" (1987). She won the Golden Raspberry Award for Worst Director, but the film has had a vocal minority of critics who defend its quality.
In 1932, May was born to a Jewish-American family. Both her parents were theatrical actors. Her father Jack Berlin was also a theater director and led his own traveling Yiddish theater company. Her mother was actress Ida Aaron. May made her stage debut c. 1935, at the age of 3. Her father had decided to include her in his performances. As a a child actress, she was reportedly cast in the roles of boys.
The theater company toured extensively, and May was part of their tours. She kept changing schools, enrolling for a few weeks and then moving to another city. May reputedly hated school, but loved reading books on her own. Her favorite topics were fairy tales and mythology.
Jack Berlin died c. 1942, and May's career as a child actress consequently ended. She was left in the custody of her mother. The duo settled in Los Angeles, and May eventually enrolled in Hollywood High School. In 1946, May dropped out of school. In 1948, she married her her first husband, the toy inventor Marvin May. She was only 16-years-old at the time of her marriage. She would later keep her husband's surname as her professional name.
In 1949, May had her only child, Jeannie Brette May. Jeannie would later become a professional actress in her own right, under the name Jeannie Berlin. May and her husband separated c. 1950, and she received a divorce in 1960. She started supporting herself through a series of odd jobs.
In 1950, May was interested in attending college, but most colleges in California required applicants to have high school diplomas. As a high school dropout, she did not have the necessary diploma. Learning that the University of Chicago did not use this requirement, she hitch-hiked her way to Chicago, At the time her personal fortune consisted of 7 dollars.
Once she arrived in Chicago, May started informally taking classes at the university by auditing, sitting in without enrolling. She habitually engaged in discussions with her instructors. She once had a fight with a philosophy instructor because of their different interpretations of the motives behind Socrates' apology. May was introduced to aspiring actor Mike Nichols (1931-2014),who was also attending the University. They bonded over their shared passion for the theater.
In 1955, May became one of the charter members of the Compass Players, a Chicago-based improvisational theater group. Nichols joined the group shortly after. The two of them formed a working partnership, jointly developing improvised comedy sketches. May helped the Compass Players to become a highly popular comedy troupe, due to her talent for satire. She helped in the training of novice members of the group.
In 1957, Nichols was asked to leave the Compass Players. His popularity had outshone most members of the group, and had caused internal conflicts. May left the group with him. They then decided to form their own stand-up comedy team, "Nichols and May". Their improvisational skills, and ability to come up with fresh material allowed them to impress their audience.
In 1960, the comedy duo made their Broadway debut, with the show "An Evening with Mike Nichols and Elaine May". A recording of the show won the 1962 "Grammy Award for Best Comedy Album". "Nichols and May" became very popular in New York City, performing in sold-out shows. They also started making appearances in radio and television, and even recorded commercials.
May was reportedly surprised with her own success. She had spend much of her adult life in near-poverty, but she was now earning a regular income from show business. She joked in an interview that she was practically barefoot when she arrived in New York, and now had to get used to wearing high heels.
In 1961, the duo was at the height of their fame. But they decided to dissolve their partnership in order to pursue solo careers. Nichols started working as a Broadway stage director, while May started her new career as a playwright. Her most successful play was "Adaptation" (1969), which she also directed. For her work as a theatrical director, she won the 1969 "Outer Critics Circle Award, Best Director".
May made her debut as a film director with the black comedy "A New Leaf" (1971). It was an adaptation of a short story by Jack Ritchie (1922-1983), depicting the story of an impoverished patrician who marries a wealthy heiress for her money. The main character initially considers murdering his wife to inherit her wealth, but first he has to protect her from other predators who were after her money.
Her first film found little success at the box office, but was praised by critics and was nominated for the "Golden Globe Award for Best Motion Picture - Musical or Comedy". It later earned a reputation as a cult classic, and in 2019 it was selected for preservation by the National Film Registry.
Her second film was the romantic comedy "The Heartbreak Kid" (1972). It concerns a newlywed man who falls madly in love with a younger woman while on his honeymoon. He pursues his romantic interest obsessively despite all signs that his love is unrequited, and despite the disapproval of the woman's protective father. The film was critically acclaimed, and has at times been listed in retrospectives concerning the funniest American films.
In an unusual career move, her third film was not a comedy. It was the rather bleak gangster film "Mikey and Nicky" (1976). It depicts a small-time mobster whose life is in danger, resorting to asking for help from his childhood friend. While creating this film, May got involved in a legal dispute with the film studio Paramount Pictures. The studio eventually decided to only allow a limited release for the film. The film found a niche audience in the home video market, but May's career as a director suffered from this dispute. She was effectively blacklisted.
May decided to focus on her screenwriting career. She found success with the script to the fantasy-comedy "Heaven Can Wait" (1978), about the afterlife of a man who died prematurely. The film was based on a 1938 play by Harry Segall (1892-1975), and also served as a remake to the classic film "Here Comes Mr. Jordan" (1941) which was based on the same play. The film earned about 99 million dollars at the worldwide box office, and was a critical hit. May was nominated for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Oliver Stone (1946-).
During the early 1980s, May mainly worked as an uncredited script doctor. She "polished" scripts by other screenwriters. Her greatest success in this role was the romantic comedy "Tootsie" (1982), for which she wrote several additional scenes. She attempted her comeback as a director with the action comedy "Ishtar" (1987), which became a box office flop for the film studio Columbia Pictures. The film's failure reportedly convinced Columbia's parent company Coca-Cola to sell the under-performing studio to Sony.
"Ishtar" was derided at the time as the worst film of its era by many critics, but was also defended by a vocal minority of critics. It has since attracted a cult audience, who consider this to be a great film. However the film's failure ended May's career as a film director and damaged her reputation. She also ceased working as a screenwriter for several years, reduced to working as an actress again.
May made her comeback as a screenwriter with the comedy film "The Birdcage" (1996), a remake of the European comedy "La Cage aux Folles" (The Cage of Madwomen, 1978). In the film, the openly gay parents to a young man have to pretend to be straight in an attempt to impress their son's prospective in-laws. The film earned about 185 million dollars at the worldwide box office, the greatest hit in May's career up to that point. She was nominated for the "Writers Guild of America Award for Best Adapted Screenplay", but the award was instead won by rival screenwriter Billy Bob Thornton (1955-).
May found more critical success with her next screenplay, for the political film "Primary Colors" (1998). It was an adaptation of the roman à clef novel "Primary Colors: A Novel of Politics" (1996) by Joe Klein (1946-). The novel itself was a fictionalized version of Bill Clinton's 1992 presidential campaign, and depicts an idealistic campaign worker's disillusionment with the politician. The film's cast were nominated for several awards. May herself received her second nomination for the Academy Award for Best Adapted Screenplay, but the award was instead won by rival screenwriter Bill Condon (1955-).
May largely retired from screenwriting since the end of the 1990s. As an actress, she had a supporting role in the crime-comedy "Small Time Crooks" (2000). The film concerned nouveau riche criminals, who attempt to socialize with the American upper class. For this role, she won the "Best Supporting Actress Award" at the National Society of Film Critics Awards.
May lived in retirement until joining the cast of the television mini-series "Crisis in Six Scenes" (2016), her first television role in several decades. The series was created by Woody Allen (1935-), who happened to be an old friend of May.
In 2018, May made a theatrical comeback in Broadway. She played the elderly gallery owner Gladys Green in a revival of the play "The Waverly Gallery" (2000) by Kenneth Lonergan (1962-). In the play, Gladys shows early signs of Alzheimer's disease, and her family has to deal with her mental decline. May received critical acclaim for this role. For this role, she won the 2019 Tony Award for Best Actress in a Play. At age 87, she was the second-oldest winner of a Tony Award for acting.
As of 2021, May is 89-years-old. She is no longer very active, but she reportedly has plans to direct another film. She remains a popular actress.- Director
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Pirjo Honkasalo was born on 22 February 1947 in Helsinki, Finland. She is a director and cinematographer, known for Melancholian 3 huonetta (2004), Tanjuska and the Seven Devils (1993) and Tulennielijä (1998).- Writer
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Madeleine Smithberg is known for The Daily Show (1996), Explorer (2015) and Yahoo Current Traveler (2006).- Writer
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As a co-creator and former head writer of Comedy Central's "The Daily Show," and Co-founder of Air America Radio; Lizz Winstead has emerged as a critically acclaimed political writer and producer. As a performer, Winstead brought her political wit to "The Daily Show" as a Correspondent and later to the radio waves co-hosting "Unfiltered," Air America Radio's mid morning show with citizen of the world and Hip Hop legend Chuck D, and political big brain Rachel Maddow.
Lizz' comedic talents have been recognized in Entertainment Weekly's 100 most Creative People issue and she was nominated Best Female Club Performer by The American Comedy Awards and has appeared numerous times on television including HBO's "Women of the Night", "The US Comedy Arts Festival" in Aspen, "Comedy Central Presents.." and too many basic cable stand-up shows and VH-1 "50 Greatest This" and "100 Greatest That's" to mention....
Lizz is writing, producing and staring in "Wake Up World" an Off Broadway and web show in NYC that satirizes all of our beloved morning shows. Winstead continues touring the country doing stand-up and is a regular contributor on "The Ed Show" on MSNBC.- Producer
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Jennifer Flanz is known for The Daily Show (1996), Jordan Klepper Fingers the Globe: Hungary for Democracy (2022) and The Rally to Restore Sanity and/or Fear (2010).- Producer
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Debbie Vickers was born on 18 July 1953. She is a producer, known for The Tonight Show with Jay Leno (1992), The Jay Leno Show (2009) and The Flying Car (2002).- Writer
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Merrill Markoe was born on 13 August 1948 in New York City, New York, USA. She is a writer and producer, known for Late Night with David Letterman (1982), Not Necessarily the News (1982) and Edtv (1999).- Writer
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Amber Ruffin is a writer, executive producer, and host of the Emmy and WGA Award-nominated series The Amber Ruffin Show on Peacock. She is also an Emmy and WGA Award-nominated writer and performer for NBC's "Late Night with Seth Meyers." Ruffin was the first African American female to write for a late-night network talk show in the U.S. She wrote and performed on Comedy Central's "Detroiters" and was a regular narrator on the cabler's "Drunk History." Ruffin was previously a performer at Boom Chicago in Amsterdam, the iO Theater, and the Second City in Chicago. In addition, she was a writer/performer for the 2018 and 2019 Golden Globe Awards and has written for the series "A Black Lady Sketch Show." Ruffin is a New York Times bestselling author, along with her sister Lacey Lamar, of "You'll Never Believe What Happened to Lacey: Crazy Stories of Racism," published by Grand Central Publishing. She is also co-writing the Broadway musical "Some Like it Hot," which will begin performances in 2022. In 2021, Ruffin was named to the 2021 TIME100 Next List, TIME's list of the next 100 most influential people in the world.- Writer
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Robin Thede is a comedy writer, sketch/improvisational comedian and actress. She attended Northwestern University in Evanston, Illinois, earning a B.S.J. degree in Broadcast Journalism and African-American Studies. After college, Robin studied improvisation, sketch and comedy writing at The Second City in Chicago.
She is the creator, executive producer and star of "A Black Lady Sketch Show" (HBO). Prior, she created, executive produced and hosted the critically acclaimed late night show, "The Rundown with Robin Thede" (BET). Robin was named one of Variety's Top Ten Comics to Watch in 2019.
Prior, she was head writer and correspondent for The Nightly Show with Larry Wilmore (2015) and as the head writer for the White House Correspondents Dinner (2016), making her the first African-American woman head writer in late night history and for the WHCD. Robin was also head writer on The Queen Latifah Show (2013), and wrote on Kevin Hart's sitcom Real Husbands of Hollywood (2013). She was a writer/performer on the sketch comedy series "In The Flow With Affion Crockett" (FOX) and has appeared in dozens of TV shows and movies, including Difficult People, Key & Peele, A Haunted House, and more. She will next appear in the upcoming thriller feature "Bad Hair" from writer/director Justin Simien.
Robin has written for dozens of comedians, including Chris Rock, Kevin Hart, Anthony Anderson, Mike Epps, Jamie Foxx and more. She has written for numerous award shows and specials, including the MTV Video Music Awards, The BET Awards, UNCF: An Evening of Stars, BET Hip Hop Awards and BET Honors. She was also a regular contributor for Funny or Die, where she created several viral sketches, including the viral hit "Every Little Step" with Mike Tyson, Wayne Brady and Bobby Brown.- Actress
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Jennifer Saunders was born July 6, 1958 in Sleaford, Lincolnshire, to Jane, a biology teacher, and Robert Thomas Saunders, an RAF pilot. She attended Central School of Speech and Drama where she met her comedy partner Dawn French. Like many of the early 80s groundbreaking "alternative" comedians she began her career as comedienne/actress/writer with Dawn French at "The Comedy Store" in London, where she met fellow comedians Adrian Edmondson (later her husband), Rik Mayall, Nigel Planer, Alexei Sayle and Peter Richardson, who later opened his own club, "The Comic Strip", where these comedians quickly formed a regular format.
The Comic Strip team were transferred to television screens with great success as they all starred alongside each other in The Comic Strip Presents (1982). After The Comic Strip she starred in a few episodes of The Young Ones (1982), Girls on Top (1985) and Happy Families (1985). Afterwards she and Dawn French wrote a TV show of their own, French and Saunders (1987), which was an immense success due to the double act's genius writing, brilliant acting performances and hilarious spoofs of world famous blockbusters and bands.
It was in one of the episodes of "French and Saunders" that the audience had the pleasure of watching a sketch about an uptight daughter and a crazy, neurotic mother that became a comedy classic sitcom. When the BBC next asked Saunders to write something, she just couldn't come up with any ideas, so she decided to expand on that sketch, making it more outrageous and therefore funnier - Absolutely Fabulous (1992) was born.
Perhaps by coincidence Saunders had created one of the most loved, funny, and creative TV Shows in BBC history. Three series were made, in 1995 the show was put on hold until Saunders began writing again and came back with a fourth series in 2001. She is always ready for charity as well, she has been doing "Comic Relief" with a lot of her comedy companions ever since 1986. Jennifer Saunders, one of the most loved TV faces in Britain, will hit the screens with her fifth series of Absolutely Fabulous in 2003.- Actress
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Dawn was educated at a weekly boarding school in Plymouth and spent the weekends with her grandparents who lived nearby She never felt at home at the school as it was too posh. She met Jennifer Saunders while training to be a teacher at the Central School of Speech and Drama and became flat mates and started writing together. When the Comedy Store opened they started attending and it was there that she met Lenny Henry who she later married.- Writer
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Jo Miller is known for The Daily Show (1996), Full Frontal with Samantha Bee (2016) and The Rally to Restore Sanity and/or Fear (2010).- Producer
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Studied at George Brown Theatre School in Toronto. She waited tables for five years, did some theatre work and the odd commercial. Even kept her comedic bent alive in the Toronto sketch comedy group, the Atomic Fireballs, she formed with three other women.- Writer
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Ashley Nicole Black was born in Los Angeles, California, USA. She is a writer and actress, known for Ted Lasso (2020), A Black Lady Sketch Show (2019) and The Simpsons Movie (2007).- Producer
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Allana Harkin (@allanaharkin) is an Emmy Award Winning producer, director, actor and writer who has garnered 10 Emmy nominations and 2 Producer Guild nominations for her work on seven seasons TBS's "Full Frontal with Samantha Bee". Her film "The Godmother" played festivals across the country including winning awards for Best Comedy. Her directing projects include Nesting for Crave Canada and The Popularity Papers for BBC Studios.
"There's always going to be doom and gloom, but Harkin gives the impression that laughing at that darkness not only helps keep you sane, but helps you fight back" - Bustle- Director
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Abbi Jacobson is an American comedian, actress, writer, and illustrator. She is best known for co-creating and co-starring in the Comedy Central series Broad City (2014) alongside Ilana Glazer, which was based on a web series of the same name that the two have created three years prior. Jacobson is also known for voicing Katie Mitchell in The Mitchells vs. the Machines (2021) and Princess Bean in Disenchantment (2018), and would later go on to co-create and star in the series A League of Their Own (2022), which was based on the 1992 film of the same name.- Actress
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Ilana Glazer was born on 12 April 1987 in Long Island, New York, USA. She is an actress and producer, known for Broad City (2014), Rough Night (2017) and Broad City (2010). She has been married to David Rooklin since 25 February 2017.- Actress
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Tig Notaro is an American stand-up comedian, writer, radio contributor, and actress. Her acclaimed album Live was nominated in 2014 for the Grammy Award for Best Comedy Album at the 56th Annual Grammy Awards. The special Tig Notaro: Boyish Girl Interrupted was nominated in 2016 at the 68th Primetime Emmy Awards for Outstanding Writing for a Variety Special. In 2017, the album Boyish Girl Interrupted was nominated for the Grammy Award for Best Comedy Album at the 59th Annual Grammy Awards.- Actress
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Zawe Ashton is an actor, writer and director.
Her role as Vod in Channel 4's "Fresh Meat" won her a cult following, and the diversity of her work across television, film, and stage has attracted numerous accolades and awards.
Most recently, Zawe starred on Broadway in the critically acclaimed revival of Harold Pinter's BETRAYAL directed by Jamie Lloyd, opposite Tom Hiddleston and Charlie Cox. Ben Brantley of The New York Times wrote that Zawe is "a breakout star... her deeply sensitive performance elicits a feminist subtext in Betrayal." She also received a WhatsOnStage nomination for the West End run of the show.
Zawe's recent film and TV credits include the Netflix feature film Velvet Buzzsaw, in which she starred alongside Jake Gyllenhaal, Toni Colette, and Rene Russo. She is seen teaming up with Toni Colette again in the BBC/Netflix TV series Wanderlust. She will appear as a new character Oona in the fourth series of the critically acclaimed Handmaid's Tale. She was nominated for two British Comedy Awards for her break out role as Vod in 'Fresh Meat', the show was nominated for a BAFTA in 2014. Her heartbreaking portrayal of Joyce Vincent in Carol Morley's 'Dreams of a Life' earned her a Best Newcomer nomination at the British Independent Film Awards in 2012.
In addition to being an accomplished actress, Zawe has also established herself as an award-winning writer, producer and director. As a playwright, her second play FOR ALL THE WOMEN WHO THOUGHT THEY WERE... MAD was produced in London at the Hackney Showroom and at Soho Rep in New York, simultaneously in 2019. Her writing career began when she became the youngest winner of the London Poetry Slam Championship in 2000. Her debut play Harm's Way was nominated for a Verity Bargate Award in 2007. Zawe's directorial debut Happy Toys was nominated for Best British Short at the Raindance Film Festival in 2014.
As an author, Zawe's novel, CHARACTER BREAKDOWN, was published by Penguin / Random House in 2019. The Times called it "'Smart, funny, vivid, honest, dark, timely'".- Producer
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Kerry Ehrin is known for The Morning Show (2019), Bates Motel (2013) and Friday Night Lights (2006).- Writer
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Marta Kauffman was born on 21 September 1956 in Broomall, Pennsylvania, USA. She is a writer and producer, known for Friends (1994), Dream On (1990) and Grace and Frankie (2015). She was previously married to Michael Skloff.- Producer
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Shonda Lynn Rhimes is an African-American producer, author and screenwriter. She is known for working on the Britney Spears and Zoe Saldana film Crossroads, Grey's Anatomy, Scandal, Private Practice, the Anne Hathaway and Julie Andrews film The Princess Diaries 2: Royal Engagement and the Halle Berry film Introducing Dorothy Dandridge. She has three children.- Producer
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Nahnatchka Khan was born on 17 June 1973 in Los Angeles, California, USA. She is a producer and writer, known for Always Be My Maybe (2019), Totally Killer (2023) and Fresh Off the Boat (2015). She has been married to Julia Bicknell since November 2019.- Writer
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Michelle King was born on 11 May 1962 in Los Angeles, California, USA. She is a writer and producer, known for The Good Wife (2009), Evil (2019) and The Good Fight (2017). She is married to Robert King.- Producer
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An only child, Amy Sherman-Palladino is daughter to comedian Don Sherman & dancer Maybin Hewes.
Originally a dancer herself, Palladino had initially received a callback to the musical Cats, while also having a possible writing position on the staff of Roseanne in rotation. When she and writing partner Jennifer Heath were asked to join Roseanne, she put behind her dancing career -- much to her mother's chagrin, -- and began writing for television.- Writer
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Elizabeth Stamatina Fey was born in 1970 in Upper Darby, Pennsylvania, just west of Philadelphia, to Xenobia "Jeanne" (Xenakes), a brokerage employee, and Donald Henry Fey, who wrote grant proposals for universities. Her mother is Greek, born in Piraeus, while her father had German, Northern Irish, and English ancestry. Going by the name of Tina, Fey considered herself a "supernerd" during her high school and college years. She studied drama at the University of Virginia, and after graduating in 1992, she headed to Chicago, the ancestral home of American comedy. While working at a YMCA to support herself, she started Second City's first set of courses. After about nine months, a teacher told her to just skip ahead and audition for the more selective Second City Training Center. She failed but about eight weeks later, she re-auditioned and got into the year-long program. She ended up spending many years at The Second City in Chicago where many SNL cast members first started out. Then in 1995, Saturday Night Live (1975) came to The Second City's cast, including Fey's friend, Adam McKay, as a writer, searching for new talent. What they found was Tina Fey. When Adam was made Head writer, he suggested Fey should send a submission packet over the summer with six sketches, 10 pages each. Tina took the advice and sent them. After Lorne Michaels met her and saw her work she was offered a job a week later. She admitted that she was extremely nervous working in the legendary Studio 8H; being a foot shorter than everyone else, younger, and being one of the only female writers at the time. After a few years, Tina made history by becoming the first female head writer in the show's history. Tina also made her screen debut as a featured player during the 25th season by co-anchoring Weekend Update with Jimmy Fallon. Since Tina and Jimmy have taken over Weekend Update it has been considered the best ever. This year she made it to full fledged star by becoming a regular cast member, though she is hardly on the show, besides Update. And during the past two summers, Tina and Rachel Dratch performed their two-woman show to critical acclaim in both Chicago (1999) and New York (2000) and made their Aspen Comedy Festival Debut. Tina is married to Jeff Richmond, a Second City director and lives in New York City.- Writer
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Ann Biderman was born on 15 August 1951. She is a writer and producer, known for NYPD Blue (1993), Copycat (1995) and Primal Fear (1996).- Writer
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Diane English was born on 18 May 1948 in Buffalo, New York, USA. She is a writer and producer, known for Murphy Brown (1988), The Women (2008) and Double Rush (1995). She was previously married to Joel Shukovsky.- Producer
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She's American TV producer and Screenwriter, born in Ohio and graduated from Wittenberg University, in 2000 with a BA in English Literature and Creative Writing. She has written scripts for TV such as "The West Wing", "Justice", as well as has written and produced shows such as "Daredevil", "Private Practice". Now she's working on a show for Netflix, will be written and produced by her also, named "The Witcher" which is based on the famous Polish book by Andrzej Sapkowski. She lives in Los Angeles with her husband Michael Hissrich who is also a TV producer like her with her two children, Harry and Ben.