Composers
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Irving Berlin was born Israel Isidor Baline on May 11, 1888 in Mogilev, Belarus, Russian Empire. Towering composer, songwriter, ("God Bless America", "Always", "Blue Skies", "White Christmas") author and publisher, he came to the United States at age 5 and was educated in New York's public schools. His earliest musical education was from his father, a cantor. He earned Honorary degrees from Bucknell University and Temple University. Beginning his career as a song-plugger for publisher Harry von Tilzer, Berlin worked as a singing waiter in Chinatown. In 1909, he was hired as a staff lyricist by the Ted Snyder Company, and became a partner to that firm four years later.
In 1910, he began doing vaudeville appearances in the United States and abroad, and also appeared with Snyder in the Broadway musical "Up and Down Broadway", that ran for 72 performances. He joined ASCAP as a charter member in 1914, and served on its first board of directors between 1914-1918. Berlin enlisted the United States Army infantry in World War I, and was a sergeant at Camp Upton, New York. After the war, he established his own public-relations firm, and in 1921, he built the 1025-seat Music Box Theatre (at 239 W. 45th Street, New York) with Sam H. Harris. After Harris' death in 1941, Berlin assumed full ownership and the theatre remains a Broadway institution to this day.
Among his many awards was the Medal for Merit for his 1942 all-soldier show "This Is the Army", which toured the United States, Europe and South Pacific battle zones; all proceeds were assigned to Army Emergency Relief and other service agencies. Berlin was also a member of the French Legion of Honor and held the Congressional Medal of Honor for "God Bless America", the proceeds from which went to the God Bless America Fund. His songs were sung by Fred Astaire, Al Jolson, Judy Garland, Bing Crosby, Dick Powell, Alice Faye and many others. Irving Berlin died at the age of 101 of natural causes on September 22, 1989 in New York City.- Composer
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Born in Milan in 1911 into a family of musicians, Nino Rota was first a student of Orefice and Pizzetti. Then, still a child, he moved to Rome where he completed his studies at the Conservatory of Santa Cecilia in 1929 with Alfredo Casella. In the meantime, he had become an 'enfant prodige', famous both as a composer and as an orchestra conductor. His first oratorio, "L'infanzia di San Giovanni Battista," was performed in Milan and Paris as early as 1923 and his lyrical comedy, "Il Principe Porcaro," was composed in 1926. From 1930 to 1932, Nino Rota lived in the USA. He won a scholarship to the Curtis Institute of Philadelphia where he attended classes in composition taught by Rosario Scalero and classes in orchestra taught by Fritz Reiner. He returned to Italy and earned a degree in literature from the University of Milan. In 1937, he began a teaching career that led to the directorship of the Bari Conservatory, a title he held from 1950 until his death in 1979. After his "childhood" compositions, Nino Rota wrote the following operas: Ariodante (Parma 1942), Torquemada (1943), Il cappello di paglia di Firenze (Palermo 1955), I due timidi (RAI 1950, London 1953), La notte di un neurastenico (Premio Italia 1959, La Scala 1960), Lo scoiattolo in gamba (Venezia 1959), Aladino e la lampada magica (Naples 1968), La visita meravigliosa (Palermo 1970), Napoli milionaria (Spoleto Festival 1977). He also wrote the following ballets: La rappresentazione di Adamo ed Eva (Perugia 1957), La Strada (La Scala 1965), Aci e Galatea (Rome 1971), Le Molière imaginaire (Paris and Brussels 1976) and Amor di poeta (Brussels 1978) for Maurice Béjart. In addition, there are countless works for orchestra that have been performed since before World War II and are still performed by orchestras in every part of the world. His work in film dates back to the early forties. His filmography includes the names of virtually all of the noted directors of his time. First among these is Federico Fellini. He wrote all of the movie scores for Fellini's films from The White Sheik (1952) in 1952 to Orchestra Rehearsal (1978) in 1978. Other directors include Renato Castellani, Luchino Visconti, Franco Zeffirelli, Mario Monicelli, Francis Ford Coppola (Oscar for best original score for The Godfather Part II (1974)), King Vidor, René Clément, Edward Dmytryk, and 'Eduardo de Filippo'. He also composed the music for many theatre productions by Visconti, Zefirelli, and de Filippo. In February of 1995, the Nino Rota Foundation was established at Fondazione Cini of Venice, Italy. Cini specializes in the works of 20th century Italian composers and includes the estate of Casella.- Music Department
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He was born Jacob Gershowitz, 26 September 1898, in Brooklyn, New York, of Russian-Jewish immigrants. As a boy he could play popular and classical works on his brother Ira's piano by ear. In 1913 he quit school to study music and began composing for Tin Pan Alley; by 1919 he had his first hit "Swanee" and his first Broadway show "La, La, Lucille." In less than three weeks in 1924 he composed "Rhapsody in Blue," originally for Paul Whiteman's relatively small swing band and later orchestrated by Ferde Grofé. "Concerto in F" followed the next year, and his musical success "Oh, Kay!" (which included "Someone to Watch Over Me") the year after that. Success continued: "Funny Face" (1927), the tone poem "American in Paris" (1928), "Girl Crazy" (1929), "Of Thee I Sing" (1931 the first musical to win the Pulitzer Prize), and the first true American opera: "Porgy and Bess" (1935). He moved to Hollywood were his songs were performed by Fred Astaire and Ginger Rogers. In 1937 he fell in love with Paulette Goddard, then married to Charlie Chaplin. He was heartbroken that she would not leave her husband for him. When he fell ill, that June, it was written off as stress. A month later he died of a brain tumor, five hours after a failed surgical attempt to remove it. Funerals were hold in both Hollywood and New York.- Composer
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Born in Engels, an autonomous region for ethnic Germans on the Volga river, Alfred Schnittke trained as a pianist in Vienna, Austria, where his father served as a correspondent for a Soviet newspaper. In 1953, he moved on to the Moscow Conservatory and served on its faculty from 1962 to 1972. Schnittke wrote over 60 film scores between 1961 and 1984, but they were in popular styles dramatically different from his serious music, which was influenced strongly by Mahler, Ives, and Pousseur and was usually atonal. His music is often despairing, with surprising witty touches, including musical quotations from well-known works.