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American actor with a sporadic career, the son of stage and screen legend John Barrymore. His father and mother, actress Dolores Costello divorced in his infancy and he claimed to remember seeing his father only once. His mother attempted to keep him from the acting life, sending him to St. John's Military Academy and intending that he attend college. But young Barrymore rebelled and signed a movie contract at 17. He chose not to apprentice in the theatre in small roles, leaping blindly into leading roles then bailing out of them at least twice before ever managing to make his stage debut. Although his family, especially his aunt Ethel Barrymore, was humiliated by the embarrassment these failures brought to the Barrymore name, he received encouragement from them as well. His rebellious nature began to cause him great personal and professional difficulty. He had repeated scrapes with the law and was jailed numerous times for drunkenness and spousal abuse. (He had married actress Cara Williams.) In 1958 he changed his name to John Drew Barrymore and had a brief resurgence in film, appearing in leading roles in several not completely uninteresting projects. But his social behavior continued to derail any professional progress and he had further incarcerations in the Sixties for drug activity. Although he continued to appear occasionally onscreen, he became more and more reclusive, eventually disappearing into the wilderness to live a mystical existence that has also been described as derelict. He was long estranged from his family, including his son John Blyth Barrymore (who has repeated many of his father's career and personal patterns) and daughter, actress Drew Barrymore.- Producer
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Since melting audiences' hearts at the age of just six in E.T. the Extra-Terrestrial (1982), Drew Barrymore has emerged as one of the most beloved and singularly gifted actresses of her generation. Born in Culver City, California to John Drew Barrymore and Jaid Barrymore, the clutches of fame were near inescapable for young Drew, her father being a member of the esteemed showbiz dynasty fronted by stage star Maurice Barrymore, his thespian wife Georgiana and their three children: Lionel Barrymore, Ethel Barrymore, and John Barrymore.
Tailgating a turbulent adolescence that saw her grapple with insobriety, substance abuse, and cutthroat media vitriol, a diligent Barrymore threw herself into her career throughout the early-mid nineties, first with a succession of 'bad girl' parts in cultish B-pictures like Poison Ivy (1992), Guncrazy (1992) and - fittingly - Bad Girls (1994); then warmly received turns in prestige vehicles such as Boys on the Side (1995), Woody Allen's Everyone Says I Love You (1996), and Wes Craven's game-changing Scream (1996). Equal portions of goofball - The Wedding Singer (1998), Never Been Kissed (1999), Charlie's Angels (2000) - and gravitas - Riding in Cars with Boys (2001), Donnie Darko (2001), Confessions of a Dangerous Mind (2002) - came next, with a Golden Globe-grabbing pièce de résistance - her divine incarnation of Edith Bouvier Beale in Grey Gardens (2009) - confirming that her skill set was every bit as forceful and far-reaching as imagined.
Having already set in motion a bunch of lucrative projects via production house Flower Films (co-est. with Nancy Juvonen in '95), Barrymore fastened an additional string to her bow when she spearheaded the sports dramedy Whip It (2009), her glowingly appraised directorial debut. Fresh off a healthy run of movie parts at the launch of the 2010s, her star turn as zombified suburban realtor Sheila Hammond - a tour de force at once dizzy and detailed - on Netflix's Santa Clarita Diet (2017) saw her step with trademark resolve into newer territory still: the flourishing world of small screen entertainment, a metamorphosis she continues to espouse with her role as compère of spirited daytime staple The Drew Barrymore Show (2020).- Actor
- Writer
- Soundtrack
John Barrymore was born John Sidney Blyth on February 15, 1882 in Philadelphia, Pennsylvania. An American stage and screen actor whose rise to superstardom and subsequent decline is one of the legendary tragedies of Hollywood. A member of the most famous generation of the most famous theatrical family in America, he was also its most acclaimed star. His father was Maurice Blyth (or Blythe; family spellings vary), a stage success under the name Maurice Barrymore. His mother, Georgie Drew, was the daughter of actor John Drew. Although well known in the theatre, Maurice and Georgie were eclipsed by their three children, John, Lionel Barrymore, and Ethel Barrymore, each of whom became legendary stars. John was handsome and roguish. He made his stage debut at age 18 in one of his father's productions, but was much more interested in becoming an artist.
Briefly educated at King's College, Wimbledon, and at New York's Art Students League, Barrymore worked as a freelance artist and for a while sketched for the New York Evening Journal. Gradually, though, the draw of his family's profession ensnared him, and by 1905, he had given up professional drawing and was touring the country in plays. He survived the 1906 San Francisco earthquake, and in 1909, became a major Broadway star in "The Fortune Hunter". In 1922, Barrymore became his generation's most acclaimed "Hamlet", in New York and London. But by this time, he had become a frequent player in motion pictures. His screen debut supposedly came in An American Citizen (1914), though records of several lost films indicate he may have made appearances as far back as 1912. He became every bit the star of films that he was on stage, eclipsing his siblings in both arenas.
Though his striking matinee-idol looks had garnered him the nickname "The Great Profile", he often buried them under makeup or distortion in order to create memorable characters of degradation or horror. He was a romantic leading man into the early days of sound films, but his heavy drinking (since boyhood) began to take a toll, and he degenerated quickly into a man old before his time. He made a number of memorable appearances in character roles, but these became over time more memorable for the humiliation of a once-great star than for his gifts. His last few films were broad and distasteful caricatures of himself, though in even the worst, such as Playmates (1941), he could rouse himself to a moving soliloquy from "Hamlet". He died on May 29, 1942, mourned as much for the loss of his life as for the loss of grace, wit, and brilliance which had characterized his career at its height.- Actor
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Famed actor, composer, artist, author and director. His talents extended to the authoring of the novel "Mr. Cartonwine: A Moral Tale" as well as his autobiography. In 1944, he joined ASCAP, and composed "Russian Dances", "Partita", "Ballet Viennois", "The Woodman and the Elves", "Behind the Horizon", "Fugue Fantasia", "In Memorium", "Hallowe'en", "Preludium & Fugue", "Elegie for Oboe, Orch.", "Farewell Symphony (1-act opera)", "Elegie (piano pieces)", "Rondo for Piano" and "Scherzo Grotesque".- Ethel Barrymore was the second of three children seemingly destined for the actor's life of their parents Maurice and Georgiana. Maurice Barrymore had emigrated from England in 1875, and after graduating from Cambridge in law had shocked his family by becoming an actor. Georgiana Drew of Philadelphia acted in her parents' stage company. The two met and married as members of Augustin Daly's company in New York. They both acted with some of the great stage personalities of the mid Victorian theater of America and England. The Barrymore children were born and grew up in Philadelphia. Though older brother Lionel Barrymore began acting early with his mother's relatives in the Drew theater company, Ethel, after a traditional girl's schooling, planned on becoming a concert pianist.
The lure of the stage was perhaps congenital, however. She made her debut as a stage actress during the New York City season of 1894. Her youthful stage presence was at once a pleasure, a strikingly pretty and winsome face and large dark eyes that seemed to look out from her very soul. Her natural talent and distinctive voice only reinforced the physical presence of someone destined to command any role set before her. After the opportunity to appear on the London stage with English great Henry Irving in "The Bells" (1897) and later in "Peter the Great" (1898), she returned to New York to star in the Clyde Fitch play "Captain Jinks of the Horse Marines" (1901) (produced by her friend and benefactor Charles Frohman), which brought her initial American acclaim. Lead roles, such as Nora in Henrik Ibsen's "A Doll's House" (1905) and starring in "Alice By the Fire" (also 1905), "Mid-Channel" (1910) and "Trelawney of the Wells" (1911) proved her popularity as a warm and charismatic star of American stage. In the meantime she married stockbroker Russell Griswold Colt in 1909 and gave birth to three children while continuing her acting career.
Although the stage was her first love, she did heed the call of the silver screen, and though not achieving the matinée idol image that younger brother John Barrymore garnered in silent movies after similar chemistry on stage, she won over audiences from her first film appearance in The Nightingale (1914). However, her early film roles, steady through 1919, took a back seat to continued stage triumphs: "Declassee" (1919), her impassioned Juliet in "Romeo and Juliet" (1922), "The Second Mrs. Tanqueray" (1924) and, especially, "The Constant Wife" (1926).
She harnessed her considerable talents in the role of an activist as well, being a bedrock supporter of the Actors Equity Association and, in fact, had been a prominent figure in the actors strike of 1919. By 1930 she was entering middle age and her movie roles reflected this. Except for Rasputin and the Empress (1932) with her brothers, the roles were elderly mothers and grandmothers, dowager ladies and spinster aunts. Perhaps wisely she put off Hollywood for over a decade, with stage work that included her most endearing role in "The Corn is Green" (a tour that lasted from 1940 to 1942). She finally moved to Southern California in 1940.
Yet the consummate actress glowed still in the films that came steadily in the mid-'40s and through much of the 1950s. As the mother of Cary Grant in the pensive None But the Lonely Heart (1944) she started off her late film career brilliantly by receiving the Oscar for Best Actress in a supporting role, though she was not satisfied with that effort. Her engaging wit and humanity stood out in even supporting roles, such as, the politically savvy mother of Joseph Cotten in The Farmer's Daughter (1947) and, once again with Cotton, as sympathetic art dealer Miss Spinney, with those eyes, in the haunting screen adaptation of Robert Nathan's novel Portrait of Jennie (1948). There was also a mingling of some TV work to round out her last movies in the late 1950s. In 1955 she saw her book "Memories, An Autobiography" see publication. For the enduring legacy she had already begun years before, a theater named for her was dedicated in New York in 1928. When she passed away in 1959, she was interred near her brothers at Calvary Cemetery in East Los Angeles. - Actress
- Writer
"Too Much, Too Soon" was the story of Diana's life, and the title of her autobiography. Her father was stage and screen legend John Barrymore and her mother was Blanche Oelrichs (who wrote under the masculine pseudonym Michael Strange), who had just divorced Mr. Thomas and had 2 children (Leonard and Robin) from that marriage. Diana's parents got married on August 15, 1920, and Diana was born 7 months later, on March 3, 1921.
At age 6, Diana was attending school in Paris and rarely saw her father as he was romancing Dolores Costello (whom he'd later marry) and divorcing Diana's mother. Next year, she was back in USA and by 1929, her mom had married Harrison Tweed. By age 14, she had already spent a few years in boarding school so she saw little of her mother and years had gone by without her meeting her father.
In 1934, when her father did come for one rare visit, he took Diana and an older schoolmate friend of hers to dinner and a movie and he got drunk and hit on Diana's 17-year-old schoolmate. In rebellion against years of getting no attention from her parents, Diana attended a dance wearing a "lurid red satin dress with a plunging neckline and hardly any back," and a pair of borrowed high heels. She had decided to stop feeling miserable and stop being a victim of her parents who had ignored her her entire life.
By 1937, Diana was enrolled in the American Academy of Dramatic Art in New York and vacationing summers in Europe on her $500 a month allowance (a fortune in those days). In November 1938, David Selznick gave Diana a screen test to play Scarlett O'Hara in "Gone With the Wind' and although she didn't get the part, the following year Diana was doing summer stock in Maine for $10 a week. By 1940, her salary had increased to $150 per week when she appeared in "Outward Bound" in the Harris Theatre in Chicago, right next door to where John Barrymore was performing "My Dear Children" at the Selwyn Theatre, his first theatrical work in 15 years (he had exclusively made movies since 1925).
At 19 years of age, Diana made her Broadway debut playing Caroline Bronson in "Romantic Mr. Dickens." Later, helping the war effort, she also campaigned for "Bundles for Britain." In January 1942, Diana left the stage for Hollywood when producer Walter Wanger had promised to cast her in movies at $1,000 a week, and she would appear in two of his films: Eagle Squadron (1942) with screen legend Robert Stack and later Ladies Courageous (1944). Actor Van Heflin proposed to Diana, and introduced her to producer Joe Pasternak, who had collaborated with director Henry Koster on many films; Koster was set to direct Between Us Girls (1942). Diana got the role, but not Van Heflin, two days later he married Frances Neal.
Diana visited the hospital the night her father died on May 29, 1942 (of cirrhosis of the liver, from decades of too much alcohol). She let years of pent-up emotions out when she wrote, "Damn mother for her indifference and disdain of me, and damn daddy for the crazy, mixed-up life he led."
Diana quickly married Bramwell Fletcher, who was 18 years older than her, on July 30, 1942 (they would divorce in 1947). Diana gave a standout performance in the starring role in the film noir classic Nightmare (1942) costarring Oscar-nominated veteran actor Brian Donlevy but problems started with the filming of Fired Wife (1943); even though her salary was now raised to $2,000 per week, and Universal had advertised her as "1942's Most Sensational New Screen Personality"; it seemed it was all too much, too soon. The box office didn't deliver as they had counted on her Barrymore name so the studio had wanted to cash in on her instantly instead of grooming her for roles, and finding suitable projects. When Universal, clutching at straws, asked if she'd work with Abbott and Costello, Diana refused and was put on unpaid suspension. The suspension lasted 6 months and when Diana was cast in "Ladies Courageous" it was in a secondary role, the lead had been reassigned to Loretta Young.
December 1943, Diana and her husband headed back to New York and despite achieving some recognition in movies, her film career was over and Diana considered herself a has-been before her 23rd birthday. The couple took the Theatre Guild production of "Rebecca" on the road to Cleveland, Detroit, Pittsburgh, St. Louis, Cincinnati. By the summer of 1945, Diana returned to Hollywood she couldn't find any parts in movie but was instead offered $1,000 a week to be on Jack Carson's NBC radio show. In 1947, Diana divorced her husband and married again on the rebound. This time it was to a John R. Howard who was a 6'2" tennis pro (5th ranked in the nation) whom Diana met and married (January 17, 1947), and divorced after living with him as man and wife for 6 months; he was 2 years younger than her. John was broke, sponged off Diana's money and got them both arrested one night in June in his hometown of Louisville, Kentucky for drunk driving and he'd assaulted the policemen. After only 6 months of marriage, Diana asked for a divorce but John would only agree to give it to her for a large sum of money. Diana refused to pay him and got the divorce after 3 years.
Diana went to Salem, MA, to do summer stock where the producer introduced her to actor Robert Wilcox, who would become husband number three. Wilcox had been in about 2 dozen B-movies, was 11 years older than Diana and was also a recovering alcoholic. They celebrated his release from the rehab clinic by drinking martinis. Summer stock became a winter tour in Atlanta, with Diana earning $750 a week and Wilcox $250 but Wilcox drank so heavily that soon nobody wanted to hire him but were forced to retain him as Diana refused to act without him. After summer stock in 1948, they returned to New York where the jobs soon ran out and they were forced to live on the trust fund John Barrymore had set up for her, becoming even more broke by the minute.
Early in 1950, CBS offered Diana a new opportunity: television. They offered her a live talk show, "The Diana Barrymore Show" at 11:00 p.m., and had guests like Earl "the Pearl" Wilson lined up. Diana showed up the first night, too drunk to work and the show was canceled before it aired. (To make matters worse, the show became "The Faye Emerson Show" which launched the former movie actress' television career into almost a dozen TV series).
When the FBI threw husband number two in jail (for white slavery), he no longer contested the divorce and Diana married Robert Wilcox on October 17, 1950 but her hopeful new start would soon come crashing down with the year ending with Diana's mother's death on November 5 1950. As the year 1951 started, Diana was at an all-time low point, she'd been drinking steadily for weeks, got the DTs and had gone through all her money ($250,000 from her Hollywood earnings, and almost $50,000 she'd inherited when her half-brother Robin had died). Diana pawned all her jewelry (diamond bracelets, pins, etc.) and took a job in Vaudeville which was considered demeaning but where she was at least earning a weekly salary again.
Rather than face humiliation in New York ("a Barrymore following a juggling act!"), Diana and Robert got booked for 3 weeks in the Celebrity Club in Sydney, Australia in the autumn of 1951--and stayed in Australia for 6 months, mainly doing stage performances at the Princess Theatre in Melbourne. Whereas she'd been shunned in New York, she was a big celebrity in Australia, for a while but Diana's drinking got her in trouble, again and even got her fired for her drinking in Brisbane, while booked into a vaudeville house with a girlie show called "the Nudie-Cuties." By March 1952, Diana and Robert were working in half empty houses in Tasmania.
Back in Hollywood later that year, they were so flat broke they got locked out of their hotel room because the rent was 2 weeks overdue; Diana mooched money from old friends like Tyrone Powers. In November 1952 came the shocking news that her late mother's estate, the once Barrymore millions, came to a mere $8,000-- decades of lavish spending had spent it all. Diana and Robert tried to get help at an Alcoholics Anonymous meeting; however, they "fortified" themselves with drinks before the meeting, and made straight for a bar after it was over. Wilcox never worked, he just sat around the hotel room all day getting drunk, and sponging off Diana. She, in turn, started a love affair with Tom Farrell. Before it was all over, Robert had cracked both their skulls, leaving them bloodied where Diana needed stitches from a doctor, and then announcing she was divorcing Robert. Even though Tom Farrell had been "the other man" only a few weeks before, when Tom spotted Diana having a drink with an old friend, he went berserk. In their hotel room, in a jealous rage, he beat Diana to a bloody pulp, breaking her nose while he hit her with fists until she fell, and then kicking her repeatedly when she was on the floor. This would be the second time in such a short time where a doctor would have to tend to her injuries caused by her problematic relationships. For the next 3 months, Diana kept herself sequestered in her apartment, drinking heavily and taking pills; her weight dropped from a healthy 130 pounds to a skeletal 97. Being close to death, with cirrhosis, Diana took Robert back. Diana, once from the enormously rich family, was so broke she shopped for supermarket sales, getting beef liver for 33 cents a pound. When the electricity was turned off in their apartment (they hadn't paid the electric bill in months), they didn't even have money to buy candles.
They finally got summer stock work, and then a 6-month tour but Robert caught another colic attack of pancreatitis, his fourth which proved to be fatal. In November 1954, when Diana was in a French bedroom farce "Pajama Tops," where they showed her posters showing her half naked. Humiliated, she carried on with the job as she needed the money and by that time, more than half of the theatres in the country had blacklisted her.
On June 11, 1955, after Diana told him in a phone conversation that she wanted a divorce, Robert spent the next few hours drinking at a bar and he eventually collapsed of a heart attack while he was on a train to Rochester.
Diana checked herself into rehab at Towns Hospital in New York for 8 weeks, to get treatment for her alcoholism and barbiturate dependence. She returned to work on the stage sober. In 1957, Diana wrote her autobiography (along with Gerold Frank), and the 300+ page book was turned into a whitewashed, vague movie Too Much, Too Soon (1958). Diana finally took her own life on January 25, 1960 at only 38 years old. In her book, she had lamented: "So much has been dreamed, so little done; there was so much promise and so much waste."- Actor
- Producer
- Director
John Blyth Barrymore was born on 15 May 1954 in Manhattan, New York City, New York, USA. He is an actor and producer, known for Full Moon High (1981), Before I Sleep (2013) and The Barrymore Fortune.