MCU Directors & Their Works #14: Peyton Reed
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- DirectorPeyton ReedStarsKirk CameronMichael J. FoxRobert ZemeckisA peek behind-the-scenes at the making of the "Back to the Future" trilogy.
- DirectorPeyton ReedStarsKirsten DunstEliza DushkuJesse BradfordA champion high school cheerleading squad discovers its previous captain stole all their best routines from an inner-city school and must scramble to compete at this year's championships.Cinematographer: Shawn Maurer
Production Designer: Sharon Lomofsky
Camera Operator: Jack Garrett
B Camera Operator: Houman Farough
Steadicam Operators: Richard Crow, Richard Davis
VFX Supervisor: John Teska
Composer: Christophe Beck
Film Editor: Larry Bock
Additional Film Editor: Erik Anderson
Costume Designer: Mary Jane Fort
Negative Format: 35mm Kodak Film Stock
AR: 1.85:1 (Spherical)
Budget: 11 Million USD - DirectorPeyton ReedStarsEwan McGregorRenée ZellwegerDavid Hyde PierceIn 1962 New York City, love blossoms between a playboy journalist and a feminist advice author.Producers: Dan Jinks, Bruce Cohen
Casting: Francine Maisler CSA
Music Supervisors: Laura Z. Wasserman, Chris Douridas
Composer & Score Orchestrator: Marc Shaiman
Costume Designer: Daniel Orlandi
Film Editor: Larry Bock
Production Designer: Andrew Laws
Cinematographer: Jeff Cronenweth ASC
VFX Cinematographer (MWD): Pat Loungway
Exec Producers: Paddy Cullen, Arnon Milchan
Writers: Eve Ahlert, Dennis Drake
Unit Production Manager: Steven Brown
1st Assistant Director: Todd M. Amateau
2nd Assistant Director: Jennifer Anderson
Narrator: Rick Scarry
Stunt Coordinator: Henry M. Kingi Jr
Art Director: Martin Whist
Assistant Art Director: David Sandefur
Storyboard Artist: Andy Friend
Art Department Assistant: Jack Treehorn
Set Decorator: Don Diers
Choreography Lead: Anne Fletcher
Sound Mixing Leads: Andy Nelson, Anna Behlmar
Production Coordinator: Taylor Favale
Assistant Production Coordinator: Peter Vogel
Post Production Assistant: Kim Bodner
Key Set Production Assistant: Anthony J. Nahar
Research Consultant: Andrew Trosmans
"A" Camera/Steadicam Operator: Peter Rosenfeld
"A" 1st Assistant Camera: Daniel P. McDonough
"A" 2nd Assistant Camera: Vincent Mata
"A" Camera Loader: Gary Kanner
"B" Camera Operators: Lukasz Bielan, Bill Beaird
"B" 1st Assistant Camera: Bob Brown
"B" 2nd Assistant Camera: David Kanner
Post Production Supervisor: Jeffrey Harlacker
Post Production Coordinator: David McKimmie
1st Assistant Editor: Eric C. Andersen
Supervising Sound Editor: Cameron Frankley
2nd Assistant Editor: Sam Vanny
Sound FX Editors: Paul NJ Ottosson MPSE, Charles Maynes
Supervising Foley Editor: Peter Brown
Gaffer: Ed Maloney
Rigging Gaffer: John R. Manocchia
Supervising Prop Master: Todd Ellis
Assistant Prop Master: Tim Y. Wetzel
Prop Assistant: Scott Bauer
Assistant Costume Designer: Jessica Peel
Costume Supervisor: Linda Henrikson
Costume Production Assistant: Tricia Yoo
Video Assist Lead: Daniel Moore
Production SPFX Coordinator: Morgan Guynes
Casting Associate: Kathleen Driscoll-Mohler CSA
Supervising Music Editor: Dan Di Prima
Score Conductor: Pete Anthony
Score Recordist & Mixer: Tim Boyle
Digital Recordist (Score): Vincent Cirilli
Music Contractor: Sandy DeCrescent
Music Video Producer ("Here's To Love"): Leah Fleischmann
Deluxe Color Timer: Jim Passon
Production Preview Engineer: Lee Tucker
Asylum Title & Dating Montage Designers: Simon Cassels, Justin Blampied
Asylum Animators (Main Title Seq.): Michael F. Hemschoot, Joel Behrens
Asylum Compositors (Main Title Seq.): Jean-Luc Azzis, Brandon Criswell
Asylum Senior VFX Supervisor: Nate McGuinness
Asylum Visual Effects Supervisor: Dave MV Jones
Asylum Executive Producers: Emma McGuinness, Blondel Aidoo
Asylum Visual Effects Producer: Lindsay Burnett
Asylum Visual FX Coordinator: Jimmy Batchelder
Asylum Editorial Leads: Zachary Justman, Kosta Saric, Ryan Meredith
ACME Animation Sup (Main Title Seq.): David Wasson
MWD Visual Effects Supervisor: Craig Barron ASC
MWD Visual FX Producer: Krystyna Demkowicz
MWD Matte Artists: Christopher Evans, Chris Stoski
MWD Chief Technical Artist: Paul Rivera
MWD Effects Editorial Lead: Ken Rogerson
DFW VFX Supervisor & Producer: Cosmas Paul Bolger Jr
Digital Filmworks Sr Compositor: Marco Paolini
Digital Filmworks Sr 3D Animator: Edward Quirk
Digital Filmworks Digital Artist: Tommy Tran
DFW Prod Coordinators: Sharon Stetzel, Heather Ignarro
DFW Film Techs: Gil Dela Garza, Robert Lukacs, Anand Shrestha
EFilm Technical Finishing Exec: Bill Feightner
EFilm Digital Color Timers: Steven J. Scott ASC, Michael Eaves
EFilm DI Finishing Producer: Terra Bliss
EFilm Manager of Operations: Chris Edwards
EFilm Finishing Editor: Amy Tompkins
EFilm Digital Colorist Assists: Adrian S. Colbert, Jack Lewars
EFilm DI Assoc. Producers: Mindy Mankow, Hilda Saffari
EFilm IO Manager: Tom Bristow
EFilm DI Services Coordinator: Chris Taft
EFilm Quality Control Supervisor: Tim Cairns
Cameras: Panaflex Millennium & Platinum (35mm Eastman EXR 100T 5248/Kodak Vision 200T 5274/500T 5279)
Lenses: Panavision Primo Anamorphic Primes
AR: 2.35:1 (Anamorphic)
Budget: 35 Million USD
Budget AFI (2022): 54.9 Million USD
Main Title Sequence & Visual Effects Designed by: Asylum, Matte World Digital, Digital Filmworks & ACME Filmworks
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision - DirectorPeyton ReedStarsJennifer AnistonVince VaughnJon FavreauA couple's break-up proceeds to get uglier and nastier by the moment as each tries to keep their luxurious condo from the other.Cinematographer: Eric Alan Edwards ASC
Production Designer: Andrew Laws
B-Camera Operator/2nd Unit DP: Jody Williams
Aerial DP: David Norris
Camera Operators: George Kohut, Steven Wojcik
A-Camera/Steadicam Operator: Peter Rosenfeld
Composer: Jon Brion
Score Mixer/Recordist: Dennis S. Sands
Film Editors: Dan Lebenthal ACE, David Rosenbloom
Supervising DI Colorist: Steven J. Scott ASC
Costume Designer: Carol Oditz
Camera(s): Panaflex GII, Lightweight & Platinum (35mm)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Super 35mm)
Budget: 52 Million USD
Anecdote: Filmed with Panavision Cameras and Lenses - DirectorPeyton ReedStarsJim CarreyZooey DeschanelBradley CooperA man challenges himself to say "yes" to everything.Screenwriters: Nicholas Stoller, Jarrad Paul, Andrew Mogel
Associate Producer: Danny Wallace
Producers: Richard Zanuck, David Heyman
EP & Unit Production Manager: Marty Ewing
EPs: Dana Goldberg, Bruce Berman
Cinematographer: Robert Yeoman ASC
Cinematographers-2nd Unit Crew: Josh Bleibtreu ASC, Fred Buzz Feitshans IV ASC
Production Designer: Andrew Laws
Film Editor: Craig Alpert ACE
Co-Producer & 1st AD: Katterli Frauenfelder
Co-Producer: Tiffany Daniel
Composer - Original Score & Guitar Instructor: Lyle Workman
Composer - Original Score: Mark Oliver Everett
Music Supervisor & Editor: Jonathan Karp
Costume Designer: Mark Bridges
Co-Associate Producer: Linda Fields Hill
1st Assistant Director: Todd M. Amateau
2nd Assistant Director: Anthony J. Nahar
Stunt Coord & 2nd Unit Director: Gary Hymes
Supervising Art Director: Eric Sundahl
Supervising Set Decorator: Victor Zolfo
Additional Set Decorator: Missy Parker
"A" Camera/Steadicam Operator: Peter Rosenfeld
"A" Camera 1st Asst. Camera: John Boccaccio
"A" Camera 2nd Asst. Camera: David Seekins
"B" Camera 1st Asst. Camera: Harry Zimmerman
"B" Camera 2nd Asst. Camera: Todd Avery
"A" Camera Loader: Greg Kurtz
Sound Mixer: William B. Kaplan CAS
Chief Lighting Technician: John Buckley
Asst. Chief Lighting Technician: Michael Yope
Lighting Programmer: Scott Barnes
Rigging Gaffer: Charles H. McIntyre III
Key Grip: Donald Reynolds Jr
Supervising Propmaster: Maureen Farley
Assistant Propmaster: Andrea Drew Sywanyk
Production Special FX Coordinator: Scott Forbes
Production SFX Techs: JD Schwalm, Ric Schwalm
Post Production Supervisor: Susan E. Novick
1st Assistant Editor: Colin Patton
2nd AEs: Ray Neapolitan, Jim Carretta
Sound Design & Supervision Lead: Cam Frankley
Rerecording Mixers: Ron Bartlett, Doug Hemphill
Supervising Dialog Editor: David V. Butler
Supervising ADR Editor: Petra Bach
Production Coordinator: Carrie A. Tyson
Asst. Production Coordinator: Christina Romney
Production Accountant: Kevin E. Landry
Supervising Location Manager: Peter J. Novak
LMs: Chris Lee, Briana Burke, Jay Traynor
Assistant Location Manager: Jeanie Farnam
LAPD Coordinator: Tony Yancey
Pic Car Coordinators: Rob Johnson, Steven Mann
Assistant Art Director: Clint Wallace
Set Designers: Tammy Lee, Aric Chang
Graphic Artists: Amanda Hunter, David Scott
Art Department Coordinator: Nancy A. King
Storyboard Artists: Josh Sheppard, Mark Moretti
Dance Dance Revolution Consultant: Tyler Ward
Aerial Unit Coordinator: Cliff Fleming
2nd 2nd Assistant Director: Renee Hill-Sweet
Key Set Assistant: Keith Jackson
UPM & 1st AD - 2nd Unit Crew: David Sardi
Key 2nd AD - 2nd Unit Crew: Andrew M. Ward
"A" Camera Op - 2nd Unit Crew: Leo Napolitano
"A" Camera 1st AC - 2nd Unit Crew: Matt Ruth
"A" Camera 2nd AC - 2nd Unit Crew: Alan Jacoby
"B" Cam Op - 2nd Unit Crew: Greg Lundsgaard
"B" Camera 1st AC - 2nd Unit Crew: Rob Baek
"B" Cam 2nd AC - 2nd Unit Crew: Brad Gilson Jr
"B" & "C" Cam Op-2nd Unit Crew: Neil Toussaint
"D" Camera Op - 2nd Unit Crew: Guy Skinner
"X" Cam Operator - 2nd Unit Crew: Kev Haggerty
Ult. Arm Cam Op - 2nd Unit Crew: George Peters
"C" 1st AC - 2nd Unit Crew: Mike Fauntleroy Sr
"D" 1st AC - 2nd Unit Crew: Grant Yellen
Ult. Arm 1st AC-2nd Unit Crew: Dom Napolitano
"C" 2nd AC - 2nd Unit Crew: Mike Fauntleroy Jr
"D" 2nd AC - 2nd Unit Crew: Adam Cowan
Ult. Arm 2nd AC - 2nd Unit Crew: Jackie Nivens
"A" Camera Loader - 2nd Unit Crew: Eric Guthrie
"B" Cam Loader-2ndUnit Crew: Paul Goldhammer
Chief Lighting Tech - 2nd Unit Crew: Cory Geryak
Assistant CLT - 2nd Unit Crew: Larry Sushinski
Prop Master - 2nd Unit Crew: Jared Scardina
SFX Technician - 2nd Unit Crew: Bob Turk
2nd 2nd AD - 2nd Unit Crew: Audrey Clark
EFilm Digital Film Colorist: Steven J. Scott ASC
EFilm DI Finishing Producer: Elizabeth Dewey
EFilm DI Finishing Editor: Amy Pawlowski
EFilm DI Assistant Producer: Robert Phillips
EFilm Digital Opticals Lead: Pat Clancey
EFilm Second Digital Colorist: Mitch Paulson ASC
Production Color Timer: David Orr
Cameras: Arriflex 435, Panaflex XL2 & Platinum (35mm Kodak Vision2 500T 5218)
Lenses: Panavision® Primo Spherical Primes
AR: 2.35:1 (3- & 4-Perf Super 35mm)
Budget: 70 Million USD
Budget AFI (2022): 96.3 Million USD
Printed on: Kodak Vision 2383
Visual Effects, Digital Opticals & Intermediate Finishing Provided by: Look FX, Level 256, EFilm & Pacific Vision Productions
Attribute: Filmed in Panavision® - DirectorPeyton ReedStarsPaul RuddMichael DouglasCorey StollArmed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, pull off a plan that will save the world.Co-Directors (Post-Credits Scene): Anthony Russo, Joe Russo
Screenwriters: Paul Rudd, Adam McKay
Executive Producer & Co-Writer: Edgar Wright
Co-Writers: Joe Cornish, Andrew Barrer, Gabriel Ferrari, Eric Pearson, David Callaham
Executive Producer: Michael Grillo
Co-Producers: Brad Winderbaum, David J. Grant
Cinematographer: Russell Carpenter ASC
Cinematographer (Macro Photog Unit): Rebecca Baehler
Cinematographer (Post-Credits Scene): Trent Opaloch
Production Designer: Shepherd Frankel
Film Editors: Dan Lebenthal ACE, Colby Parker Jr ACE
Costume Designer: Sammy Sheldon
Production Visual FX Supervisor: Jake Morrison
Production Visual FX Producer: Diana Giorgiutti
Composer: Christophe Beck
Composer (Add'l Music): Leo Birenberg
Music Supervisor: Dave Jordan
Assoc. Producer & Key 1st AD: Lars P. Winther
Casting: Sarah Halley Finn CSA
2nd Unit Director/Director of Photography: John Mahaffie NZCS
Unit Production Manager: JoAnn Perritano
1st Assistant Director: Walter Gasparovic
2nd Assistant Director: Brian Avery Galligan
Heads of Visual Dev: Ryan Meinerding, Charlie Wen
Sup. Sound Editors: Shannon Mills, David Laurie
Re-Recording Mixers: Tom Johnson, Juan Peralta
Supervising Finishing Artist: Steven J. Scott ASC
Add'l Film Editors: Leigh Folsom Boyd ACE, Kirk M. Morri
Supervising Stunt Coordinator/2nd Unit Director: Jeff Habberstad
Stunt Coordinator: Trevor Habberstad
2nd Unit Stunt Coordinator: James Churchman
Fight Choreographer: Walter Garcia
Anthony Mackie Stunt Double: Aaron Toney
Precision Driving Coordinators: Bill Young, Sean Tracy, Coleen M. Tracy
Edge System Driver: Dean Bailey
Stunt Unit Camera Bike Op: Regis Harrington
Stunt Riggers: Hank Amos, Brycen Counts
Production Supervisor: Jason Tamez
Supervising Art Director: David Lazan
Art Director: Jann Engel
Visual Development Coordinator: Jacob Johnston
Visual Dev Illustrators: Andy Park, Rodney Fuentebella
Set Designer: Dean Wolcott
Storyboard Artists: Bryan Andrews, Jay Oliva
Storyboard Coordinator: Max Sweeney
Graphic Designer: Susan A. Burig
A Camera/Steadicam Operator: Peter Rosenfeld
B Camera Operator: Bill O'Drobinak SOC
1st Assistant B Camera: Sean Hunter Moe
2nd Assistant B Camera: Matthew Haskins
Data Management Supervisor: Kyle Spicer
Libra Head Operator: Jayden York
Production Coordinator: Jenny Sandell
Ass't Prod Coordinators: Kelly Mokris, Daniel A. Parker
2nd 2nd Assistant Director: Cody Williams
Add'l 2nd 2nd Assistant Director: Katy Galow
Post Production Supervisor: Jesse Torres
Post Production Coordinator: Jennifer Bergman
Production Visual FX Executive: Danielle Costa
Digital Production Manager: Beverly Abbott
Production VFX Coordinators: Scott McPhate, Tyler Cordova, Michael Asiman, Kelly CHow
VFX Assistant Coordinator: Emily Denker
Production VFX Editors: Kosta Saric, Greg Reed
Supervising VFX Plate Coordinator: Jason Chen
Visual FX Plate Coordinator (Main & 2nd Units): Pasquale Greco
Visual FX Macro Plate Coordinator: Teddy Danh
Visual Effects Senior Compositor: Johnny Wilson
3D Stereo-2nd Unit VFX Supervisor: Evan Jacobs
3D Stereoscopic Producer: Mike May
3D Stereoscopic Prod Manager: Tanissa Schoen
3D Stereo Coordinators: Gary Carrillo, Sarah Cave, Whitney Kitchen
3D Stereo Assoc. Coordinators: Carlos Galan IV, Elden Avila
3D Stereoscopic Production Ass't: Elle Callahan
3D Stereo Editors: Julian Andraus, Gina Zappala, Bob Drwila
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: Jim Stubblefield
Computer Playback Supervisor: Matt Morrissey
Chief Lighting Technician: Len Levine
Fixtures Design Supervisor: Mike Visencio
Rigging Gaffer: Dennis J. Lootens
Supervising Location Manager: Mike Fantasia
Set Decorator: Leslie Ann Pope
Assistant Set Decorator: Claudia Bonfe
Set Dec Coordinator: Amy Lehman
Production Special FX Supervisor: Daniel Sudick
Production SFX Foremen: Joel Mitchell, Michael Gaspar, Steven C. Ficke, David Heron, Eric Cook, Cory Faucher
Casting Associate: Jason B. Stamey CSA
Aerial Unit Coord-Pilot (SF & GA): Kevin LaRosa Sr
SF Aerial Unit DoP: David B. Nowell ASC
GA Aerial Unit DoP: Michael Kelem
Aerial Unit Ground Coordinator (SF & GA): Kevin LaRosa Jr
SF Aerial Unit Shotover Tech: Peter Graf
GA Aerial Unit Shotover Tech: James O'Hara
Picture Car Coordinator: John Armstrong
2nd Unit 1st Assistant Director: Nick Satriano
2nd Unit 2nd Assistant Director: Douglas Plasse
2nd Unit 2nd 2nd Ass't Director: Chris Blackmore
2nd Unit Add'l 2nd Assistant Dir: Iran Kuykendall
2nd Unit Prop Master: Keith Walters
2nd Unit Assistant Prop Master: Chris Wdowin
2nd Unit A Camera Operator: Peter Gulla
2nd Unit B Camera Operator: Kent Harvey SOC
2nd Unit C Camera Operator: Bob Gorelick
2nd Unit 1st Assistant D Camera: Mark Strasburg
2nd Unit 1st Assist Crash Camera: Mark Santoni
2nd Unit 2nd Assist D Camera: Kelsey Symons
2nd Unit 2nd Assist Crash Camera: John Garrett
2nd Unit Gaffer: Dan Riffel
2nd Unit Libra Head Operator: Jason Sutton
2nd Unit Technocrane Tech: Aaron G. York
2nd Unit RF Technician: Nick Masters
1st Ass't Dir (Macro Photog Unit): Steve Love
Add'l 2nd AD (Macro Photog Unit): Kate Pulley
A Cam 1st AC (Macro Photog Unit): Matt Mebane
A 2nd AC (Macro Photog Unit): Victoria Warren
DIT (Macro Photography Unit): Zach Hilton
MILO Moco Op (Macro Photog Unit): Nigel Rowe
Moco Tech (Macro Photog Unit): Stephen Bilenky
CLT (Macro Photography Unit): Dwayne Redlin
Aerial/Plate Unit 2nd AD (SF Unit): Brendon Breese
Plate Unit DoP (SF Unit): Bobby Finley III
SF Unit Production Coordinator: Shauna Sanders
SF Unit Rigging Gaffer: Frank Dorowsky
SF Unit Rigging Assistant CLT: Brian Dennis
SF Unit Add'l 2nd Assist Director: Jason Halley
Plate Unit B Camera Operator (SF Unit): Stephen Buckingham
Aerial/Plate Unit B Cam 1st AC (SF Unit): Dennis Rogers
Aerial/Plate Unit A Cam 1st AC (SF Unit): Robert Settlemire
Aerial/Plate Unit B Cam 2nd AC (SF Unit): Anne Lee
Aerial/Plate Unit Loader (SF Unit): Henry Nguyen
Aerial/Plate Unit DIT (SF Unit): Jordan Livingston
SF Unit Ass't Art Directors: Doug Pierce, Susie Alegria
SF Unit Location Manager: Rory Enke
Gaffer (Add'l Photog): Erik Messerschmidt ASC
SVP & General Manager: Benjamin Hung
SVP of Marketing: Michael Pasciullo
ILM Senior Visual Effects Supervisor: Russell Earl
ILM Visual FX Executive Producer: Jeanie King
ILM Visual Effects Supervisor: Mohen Leo
ILM Senior Animation Supervisor: Tim Harrington
ILM Assoc. Animation Supervisors: Arslan Elver, Craig Bardsley
ILM Visual Effects Producer: Nina Fallon
ILM Digital Model Supervisor: Bruce Holcomb
ILM CG Supervisors: Doug Sutton, Daniele Bigi
ILM Lead VFX Concept Artist: Cody Gramstad
ILM Generalist Supervisor: Johan Thorngren
ILM Sr Composite Supervisor: Francois Lambert
ILM Digital R&P Supervisor: Lance Baetkey
ILM Layout Supervisors: John Levin, Doug Moore
ILM Visual Effects Editor: Nic Anastassiou
ILM Visual FX Production Manager: Lee Briggs
ILM Compositing Supervisor: John Galloway
ILM Animation Supervisor: Delio Tramontozzi
ILM Effects Supervisor: Florian Witzel
ILM VFX Assoc. Prod Manager: Cynthia Crimmins
ILM Prod Coordinators: Rebekah Noulles, Jakris Smittant, Timothy Trimmings, Sam Hodge
ILM Prod Assists: Keith Anthony-Brown, Rebecca Jones, Rob Farac
ILM GM & EVP of Visual Effects: Lynwen Brennan
ILM Exec in Charge of Finance: Khuyen Dang
ILM Digital Prod Manager: Vicki Dobbs Beck
ILM Head of Production: Sue Lyster
DNEG Senior Visual FX Supervisor: Alex Wuttke
DNEG VFX Executive Producer: Ann Podlozny
DNEG VFX Producers: Darcie Muangman, Rob Shears
DNEG CG Supervisor: Daniel Paulsson
DNEG Comp Supervisors: Gruff Owen, Anton Yri
DNEG Animation Supervisors: Neil Glasbey, Nick Symons
DNEG CG Seq. Supervisors: Fabio Zangla, Mike Stillwell
DNEG Comp Sequence Supervisors: Richard R. Reed, Steve Newbold, Nik Brownlee
DNEG Camera Supervisor: David Stripinis
DNEG CG Effects Supervisor: Adrian Thompson
DNEG Visual FX Build Supervisor: Jon Capleton
DNEG Rigging Supervisor: Andre Metello
DNEG Shader Supervisor: Eric Vezinet
DNEG Matchmove Supervisors: Benoit Terminet Schuppon, Weikian Ang
DNEG R/P Supervisors: Oliver Atherton, Guy Penwell, Jeff Baldemoro
DNEG VFX Production Supervisor: Jenny Bazen
DNEG VFX Line Producers: Kate Mummery, Katie Roehrick, Harrison Goldstein, Neh Jaiswal
DNEG FX Unit A-Cam Op (Shoot Kit): Rob Curley
DNEG FX Unit Matchmove Cam Op (Shoot Kit): James Cooper
DNEG FX Unit Roto Artist (Shoot Kit): James Gibson
DNEG Exec VFX Producer: Emma McGuinness
Luma Exec VFX Supervisor: Payam Shohadai
Luma Senior VFX Supervisor: Vincent Cirelli
Luma Senior VFX Producer: Steven Swanson
Luma Pictures VFX Producers: Michael Perdew, Steve Griffith
Luma Associate VFX Supervisor: Jared Simeth
Luma Sequence Supervisor: Brendan Seals
Luma Pictures DFX Supervisor: Justin Johnson
Luma Animation Supervisor: Raphael A. Pimentel
Luma Pictures CG Supervisors: Pavel Pranevsky, Richard Sutherland
Luma Lead Digital VFX Coordinators: Catherine Hughes, Justin Porter
Luma Technical Coordinator: Daniel Kepler
Luma Digital VFX Coordinators: Timothy Bond, Ashley Keeler, Cole Darby
Luma Head of Business Relations: Lindsay Hallett
Luma Business Relations Associate: Katryna Shattuck
Luma Pictures 2D Supervisor: Alex Cancado
Luma Pictures Lighting Supervisor: Andrew Zink
Luma Design Supervisor: Loic Zimmerman
Luma Character Rigging TD: Marcos D. Romero
Luma Pictures Senior FX TD: John Casella
Luma Pipeline Supervisor: Chad Dombrova
Method Senior VFX Supervisor: Greg Steele
Method Senior VFX Producer: Karey Maltzahn
Method LA Animation Supervisor: Keith Roberts
Method LA Digital VFX Supervisor: Francisco De Jesus
Method Studios LA CG Supervisor: Juan Gomez
Method Studios LA FX Supervisor: Peter Claes
Method LA VFX Sequence Supervisors: Chris J. Kenny, Brandon Nelson, Brian Delmonico
Method LA Lead Concept Artist: Ming S. Pan
Method LA Prod Manager: Chelsea Kammeyer
Method LA Coordinators: Kat Greene, Danielle Light, Chris McLeod, Kristin Patterson
Method LA Animation Leads: Freddy Burgos, Aaron Schultz
Method LA R/T Animation Sup: Simon Yuen
Method LA Tech Animation Lead: Ryan Rogers
Method LA Tracking Supervisor: Fabio Zapata
Method LA VFX Lighter: Fernando Zorrilla
Method LA SVP of Global Prod: Gabby Gourrier
Method London CG Supervisor: Damien Stumpf
Method London Comp Sup: Giuliano Vigano
Method London VFX Producer: Mark Webb
Method London VFX Coordinators: Ashley Bradford, Jayce Attewell
Lola VFX Supervisor: Trent Claus
Lola VFX Producer: Allison Paul
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX Comp Supervisor: Edson Williams
Lola VFX Lead Compositor: Jeremiah Sweeney
Lola VFX Digital Matte Painter: Rob Olsson
Cinesite VFX Supervisor: Simon Stanley-Clamp
Cinesite Exec VFX Producer: Melody Woodford
Cinesite VFX Producer: Melanie Byrne
Cinesite VFX Coordinator: Frederike Parenteau
Cinesite VFX Editor: Andrew Stevens
Cinesite Animation Supervisor: Eamonn Butler
Cinesite Comp Supervisor: Aymeric Perceval
Cinesite CG Supervisor: Chris Nickel
Cinesite FX Supervisor: Jonathan Davies
Cinesite Assets Supervisor: James Stone
Cinesite Lead Animator: Peter Clayton
Trixter Senior VFX Supervisors: Simone Kraus Townsend, Dominik Zimmerle
Trixter VFX Producers: Franzisca Puppe, Rebe Grasser
Trixter CG Supervisor: Adrian Corsei
Trixter VFX Consultant: Alessandro Cioffi
Trixter Exec VFX Producer: Michael Coldewey
Trixter VFX Editor: Jan Reichmann
Trixter Pipeline Manager: Tobias Mack
Trixter Prod Coordinators: Christine Neumann, Mara Frohlich
Trixter FX Unit Camera Layout Matchmove Artist: Ando Avila
Technicolor VFX Vice President: Doug Spilatro
Technicolor Executive Producer (VFX): Tricia Pifer
Technicolor VFX Producer: Marie Rheinschild-Jordan
Technicolor VFX Senior Artist: Eroc Moralls
Technicolor VFX Artists: Casey Allen, Chris Howard
3rd Floor Previz & Postviz Supervisor: Jim baker
3rd Floor Previz & Postviz Lead Artist: Jason Thielen
3rd Floor Previz Producer: Kerry Shea
3rd Floor Previz Prod Manager: Charlotte Nelson
3rd Floor Previz Coordinator: Michael Armstrong
Lead Main Title Designer: Erin Sarofsky
Executive Producer (Sarofsky): Steven Anderson
Sarofsky VFX Supervisor: Matthew Crnich
Sarofsky Animation/Comp Lead: John Filipkowski
Finishing Artist: Charles Bunnag
Senior Finishing Producer: Mike Dillon
Associate Finishing Artists: Gray Marshall ASC, David Franks
Ass't Finishing Producers: Brandie Konopasek, Laura Holeman
Senior Finishing Assistant: Juan Flores
Finishing Assistants: Kevin Razo, Ray Horta, Ron Leidelmeijer
Senior Finishing Editor: Bob Schneider
Finishing Editor: Carrie Oliver
Finishing Account Executive: Michael Moncreiff
VP of Theatrical Picture Operations: Tim Belcher
Finishing Data Manager: Derek Schneider
VP of Engineering: Thoma Thurau
Finishing Artist (Marketing): Adam Nazarenko
Stereo D Stereo Producer: Jon Goldsmith
Stereo D Stereographer: Emma Webb
Stereo D Stereo Prod Sup: Steven Crowe
Stereo D Executive Stereographer: Brian Taber
Stereo D Post-Prod Producer: Chris McClintock
Stereo D Line Producer: Chris Treichel
Stereo D Finaling Sup: Russell Resendez McCoy
Stereo D Roto Supervisor: Daniel Schrepf
Stereo D Depth Manager: Jessica Sharp
Stereo D Comp Supervisor: David Phillips
Stereo D Finaling Ass't Manager: Elaine Kelley
Stereo D Depth Supervisor: Roy Mann
Stereo D Tracking Supervisor: Bryan Higgins
Stereo D Finaling Manager: Rebecca Kramp
Stereo D Element Prod Sup: Mike Anders
Stereo D Roto Ass't Manager: Tagui Chilyan
Stereo D Element QC Lead: Les Foor
Stereo D Stereo Editorial Sup: Derek N. Prusak
Stereo D Stereo Editors: Dane Bergerson, Dave Watro, Emily Mason
Stereo D Roto Leads: Raphael Oseguera, Ian Kelly
Stereo D Pipeline Support Sup: Chris Montesano
Stereo D Pipeline TD: Nick Swartz
PFW Senior Stereo Supervisor: Richard W. Baker
PFW Exec Producers: Matthew Bristowe, Gaurav Jain
PFW Senior Producers: Franklin Mascarenhas,
Valeria Andino
PFW Stereo Supervisors: Barry O'Brien, Jimmy Philip, Manu Jain
PFW Prod Managers: Richard Edwards, Gufran Khan, Annsh Patel
PFW Production Coordinator: Simon Fraser
Dailies Producer: Patrick Ready
Dailies Colorist: Ed Twiford
Dailies Lab Manager: Stephen Ceci
Score Recordist & Mixer: Casey Stone
Add'l Score Recordist & Mixer: Greg Hayes
Score Editor: Fernand Bos
Score Coordinators: Zach Robinson, Jeff Morrow
Score Conductor & Orchestrator: Tim Davies
Score Orchestrators: Dave Metzger, Kevin Kliesch
Music Coordinators: Shannon Murphy, Margaret Gardner
Digital Score Recordist: Larry Mah
Head of Music Preparation: Mark Graham
Panavision VP of Optical Engineering: Dan Sasaki ASC
Filming Dates: 18 August 2014 - 5 December 2014, April 2015 (Add'l Photography)
Cameras: Alexa M, XT Plus & Phantom Flex4K (2.8K/3.4K ARRIRAW)
Lenses: Panavision C-, E-, G-, T-Series Anamorphic Primes, Anamorphic Zooms, Primo Spherical Primes, Primo Macro Primes, Primo-V Spherical Primes, Primo Compact Zoom, Super Speed MKII Spherical Primes, Frazier Lens System, Angenieux Optimo Zoom, P+S Technik Skater Scope Primes & Nova Spherical Zoom
AR: 1.85:1 (Super 35mm), 2.39:1 (Anamorphic: post Credits scene)
Phase: 2
MCU Division: The Next Level Trilogy
Budget: 130 Million USD
Printed on: Fuji Eterna-CP 3514DI
Distributed By: Walt Disney Studios Motion Pictures
Practical Suit Effects Provided by: Stan Winston Studio/Legacy Effects
Visual Effects & Animation Provided by: Industrial Light & Magic, Double Negative, Method Studios, Lola VFX + Luma Pictures
3D Conversion Provided by: Stereo D & Prime Focus
Post-Production Sound Services Provided by: Skywalker Sound
Music Recorded at: Air Studios, London, UK
Attribute: Filmed in Panavision - DirectorPeyton ReedStarsPaul RuddEvangeline LillyMichael PeñaAs Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.Writer: Paul Rudd
Co-Writer: Patrick Burleigh
Producer: Stephen Broussard
Executive Producer & UPM: Charles Newirth
Co-Producer: Mitch Bell
Co-Producer/1st Ass't Director: Lars P. Winther
Cinematographer: Dante Spinotti ASC AIC
Production Designer: Shepherd Frankel
Film Editors: Dan Lebenthal ACE, Craig Wood ACE
Costume Designer: Louise Frogley
Production Visual FX Supervisor: Steph Ceretti
Production Visual Effects Producer: Susan Pickett
Composer: Christophe Beck
Composers (Add'l Music): Michael Paraskevas, Jeff Morrow
Music Supervisor: Dave Jordan
Casting: Sarah Halley Finn CSA
2nd Unit Director: Jeff Habberstad
Unit Production Manager: Robin Le Chanu
Key 2nd Assistant Director: Katherine Galow
2nd AD & 2nd Unit 1st AD: Doug Plasse
Ass't to Mr. Reed/Assoc. Producer: Laura Stoltz
Sr Prod & Creative Dev Manager & Associate Producer: Kevin R. Wright
Visual Development Supervisor: Andy Park
Sup. Sound Editors: Addison Teague, Katy Wood
Re-Recording Mixers: Tom Johnson, Juan Peralta
Sup Music Edit & Score Supervisor: Steve Durkee
Senior 3D Finishing Supervisor: Evan Jacobs
3D Stereoscopic Producer: Jon Goldsmith
Supervising Finishing Artist: Steven J. Scott ASC
Stunt Coordinator: George Cottle
Assistant Stunt Coordinator: Brycen Counts
Fight Choreographer: Chris Brewstew
Stunt Rigging Coordinator: Chris Daniels
Supervising Art Director: Jay Pelissier
Senior Set Decorator: Gene Serdena
Art Directors: Clint Wallace, Domenic Silvestri, Calla Klessig
Graphic Designer: Christy Gray
Digital Art Coordinator: Jason Beale
Digital Asset Coordinator: Jamey Russell
Animatic Editor: Coral D'Alessandro
Visual Development Manager: AJ Vargas
Visual Development Coordinator: Bojan Vucicevic
Visual Dev Concept Illustrator: Rod Fuentebella
A Camera/Steadicam Operator: Peter Rosenfeld
1st Assistant A Camera: Brad Peterman
B Camera Operator: Christopher Schenck
1st Assistant B Camera: Hayden Pazanti
C Camera Operator: Robby Baumgartner
1st Assistant C Camera: Dennis Rodgers
2nd Assistant C Camera: Henry Nguyen
Post-Production Supervisor: Jennifer Bergman
1st AEs: Dawn Michelle King, Simon Morgan
Post-Production Coordinator: Kendall McCrory
2nd Marketing Editor: Craig Tanner
2nd Unit VFX Supervisor: Blaine Lougheed
Macro Unit VFX Supervisor: Mihaela Orzea
LA Unit Add'l Photog VFX Sup.: Jesse James Chisholm
Visual FX Associate Producer: Lauren Miyake
Senior Visual FX Coordinator: Victoria Tracconi
Production VFX Coordinators: Scott McPhate, Dennis Murillo
VFX In-House Lead Compositor: Johnny Wilson
VFX In-House Sr Compositor: Derek Ledbetter
Visual Effects In-House Compositor: Isaac Buono
ScreenX Supervisor: Randy Starr
On-Set VFX Production Manager: Jaesung Oh
Ass't VFX Data Wranglers: Chris Graf, Killian Huntley
Image Pipeline Supervisor: Michael Maloney
3D Stereoscopic Supervisor: Gary Carrillo
3D Stereoscopic Assoc. Producer: Tanissa Schoen
3D Stereo Production Manager: Susan Mueller
3D Stereo Editors: Way Palmieri, Guy Wiedmann
3D Stereo Prod Assists: Marge Huntington, Ryan O'Sullivan
3D Stereo Technical Coordinator: Carlos Galan IV
3D Stereo Prod Coordinators: Andy Yamada, Gabrielle Powell, Alexei Krassovsky, Tagui Chilyan
2nd 2nd ADs: Cody Williams, Ryan Pezdirc
Additional 2nd Assistant Director: Megan Willis
Supervising Prop Master: Andrew M. Siegel
Ass't Prop Masters: Melissa Harrison, Eliot Levin
Chief Lighting Technician: Rafael Sanchez
Ass't Chief Lighting Technician: Scott Sprague
Production CG Supervisor: Rick Lupton Jr
Rigging Chief Lighting Technician: Michael Tyson
Supervising Location Manager: Mike Fantasia
Location Coordinator: Kristen Cornay
Production SFX Supervisor: Daniel Sudick
Production SFX Coordinator: Joel Mitchell
Production SFX Foremen: Jeff Ogg, Josh Pinney
Senior Casting Associate: Jason B. Stamey CSA
Aerial Unit DoP: David B. Nowell ASC
Aerial Unit Pilot: Kevin LaRosa Sr
Aerial Unit Ground Coordinator: Kevin LaRosa Jr
Aerial Unit Shotover K1 Tech & Drone Unit Tech: Jared Slater
Drone Unit DoP: Phil Pastuhov
Drone Unit Pilot: Michael Ferguson
Exec Coordinator for Kevin Feige: Brian Gay
Exec Coord for Mr. D'Esposito: Simona Paparelli
Science Consultant: Spyridon Michalakis
Magic Consultant: Blake Vogt
Sup. Picture Car Coordinator: Dennis McCarthy
2nd Unit DoP: Igor Meglic ZFS
2nd Unit Stunt Coordinator: Andy Gill
2nd Unit Stunt Rigging Coord.: Dave Hugghins
2nd Unit Ass't Stunt Rigging Coord: Zach Henry
2nd Unit Prod Supervisor: Deborah Schwab
2nd Unit Key 2nd Ass't Director: Megan Schmidt
2nd Unit 2nd 2nd Ass't Director: Townsend Wells
2nd Unit Production Coordinator: Thomas Ward
2nd Unit A Camera Operator: Nino Pansini
2nd Unit B Camera Operator: Steve Koster
2nd Unit C Cam Ops: Jeff Crumbley SOC, Harry K. Garvin
2nd Unit D Cam Operator: Stephen Buckingham
2nd Unit A Cam 1st ACs: Greg Luntzel, Tommy Tieche, Nino Neuboeck
2nd Unit 2nd Ass't C Camera: Nicholas Cannon
2nd Unit A Cam 2nd ACs: Justin Cooley, Victoria K. Warren
2nd Unit 2nd Ass't B Camera: Matt Kelly Johnson
SF Stunt 2nd Unit B Cam 2nd ACs: Aaron Kirby, Theresa Wong
2nd Unit DI Technician: Brooke Willard
2nd Unit Gaffers: Joe Page, Kiva Knight
2nd Unit Prop Master: Greg Edgar
2nd Unit Ass't Prop Master: James Eddy
Array Unit A Cam 1st Ass't (2nd Unit): John Jack Ellingwood
Array Unit 2nd Ass't A Cam (2nd Unit): Jeff Rios
Array Unit B Cam 2nd AC (2nd Unit): Jamie Pair
Array Unit D.I.T. (2nd Unit): Alex Carr
Array Unit Grip (2nd Unit): Brian Pitts
Array Unit Stunt Car Driver (2nd Unit): Robert Nagle
2nd Unit Array Car Technician: Gary Dionne
2nd Unit VFX Data Wranglers: Ron Underdahl, Teddy Phu Than Danh
2nd Unit VFX Witness A Cam Op: Marcus Clarke
2nd Unit VFX Witness B Cam Operator: Skyler O'Flaherty
2nd Unit Visual FX Coordinator: James Ledwell
SF Unit Ass't Prod Coordinator: Daisy Tenorio
SF Unit 2nd 2nd Ass't Director: Jason Halley
SF Unit Art Director: Michael Goldman
SF Unit Assistant Art Director: Susie Alegria
SF Unit DI Technician: Todd Sansone
SF Unit Assistant CLT: Spencer Mulcahy
SF Unit Rigging Chief Lighting Tech: Scott Graves
SF Unit Rigging Ass't CLTs: Chris Schellenberger, Kevin Barnes
SF Unit Ass't Prop Masters: Anna Rogers, William Martin
SF Unit Location Manager: Dan Cooley
Plate Unit Location Manager (SF Unit): Matthew Riutta
SF Unit Array Grip: Jim Wickman
Unit Prod Manager (Hawaii Unit): Renee Confair
Hawaii Unit Production Coordinator: Zoila Gomez
Hawaii Unit 2nd 2nd Ass't Dir: Stockton Porter
Hawaii Unit Art Director: Scott Meehan
Hawaii Unit Set Decorator: Christopher Wood
Hawaii Unit Assistant CLT: Don Tomich
Hawaii Unit Ass't Location Manager: Ryan Hoke
Macro Unit 1st Ass't Dir: Brian Avery Galligan
Macro Unit 2nd 2nd AD: Adam Powell
Macro Unit DoP: Rebecca Baehler
Macro Unit 1st Assistant A Camera: Mike Ferrel
Macro Unit 2nd Ass't A Camera: Louis Massouras
Macro Unit DI Technician: Daniel Applegate
Macro Unit Chief Lighting Tech: Dwayne Redlin
Macro Unit Assistant Gaffer: Jeff Matthews
Moco Unit A Camera Operator: Rudy Harbon
Moco Unit 1st Ass't A Cam: Alessandro Di Meo
Moco Unit 2nd Ass't A Camera: Daniel Wurschl
Moco Unit Chief Lighting Tech: James Davis
Moco Unit Ass't Gaffer: Eddie Bowlin
Moco Unit VFX Bolt Cam Operator: James Wakley
Moco Unit VFX Ass't Bolt Camera Op: Jan Beran
Moco Unit DI Technician: Tyler Blackwell
Unit Prod Man. (LA Unit; Add'l Photog): LeeAnn Stonebreaker
LA Unit 1st AD (Add'l Photography): Steve Love
LA Unit 2nd AD (Add'l Photog): Jason Inman
LA Unit A Cam 1st AC (Add'l Photog): Dan Ming
LA Unit A Cam 2nd AC (Add'l Photog): Milan Miki Janicin
LA Unit B Cam Ops (Add'l Photog): Chris Duskin, Kent Harvey SOC
LA Unit B 2nd AC (Add'l Photog): Roger Spain
LA Unit Prod Coord (Add'l Photog): Christie Kwan
LA Unit APC (Add'l Photog): Kendra Rasmussen
LA Unit Sup. Art Director (Add'l Photog): Brad Ricker
LA Unit Art Director (Add'l Photog): Kiel Gookin
LA Unit Ass't Art Director (Add'l Photog): Colleen Larson
LA Unit 2nd 2nd AD (Add'l Photog): Jeff Hubbard
LA Unit Prop Master (Add'l Photog): Kirk Corwin
LA Unit Ass't Prop Masters (Add'l Photog): Mike Luce, Melissa Harrison
VFX Data Wranglers (Add'l Photog): Viki Chan, Jonas Huerta
Key ALM (Add'l Photog): Miranda Carnessale
SFX Foreman (Add'l Photography): Justin Krauss
VP of Physical Production: David J. Grant
VP of Visual Effects: Danielle Costa
T3F Visualization Creative Supervisor: Jim Baker
R3F Visualization Supervisors: Pat Gehlen, Jason Thielen
T3F Visualization Exec Producer: Chris Edwards
T3F Visualization Producer: Katie Hoolen
T3F Visualization Senior PM: Elizabeth Montes
T3F Previz Editor: Nina Helene Hirten
T3F Technical Supervisor: Casey Schatz
T3F Head of Production: Charlotte Nelson
T3F Virtual Production Manager: Evelyn Cover
T3F Head of Pipeline: Addison Bath
T3F Head of Finance: Allie Koppel
T3F Head of IT: Jeremy Oddo
T3F Global Head of Business Dev: Dane Allan Smith
ILM Sr VFX Supervisors: Russell Earl, Dave Dally
ILM Sr VFX Producers: Lee Briggs, Cabral Rock
ILM Senior Animation Supervisor: Kevin Martel
ILM Visual FX Executive Producer: Jeanie King
ILM Visual Effects Editor: Lorelei David
ILM Senior Comp Supervisor: Nicolas Caillier
ILM Lighting Supervisor: Bora Dayioglu
ILM FX Supervisors: Nicolas Delbecq, Florian Witzel
ILM Roto/Paint Supervisor: Justin Kosnikowski
ILM Layout Supervisor: Andrew Ritchie
ILM Compositing Supervisor: Jay Cooper
ILM CG Supervisor: Jordi Cardús Civit
ILM VFX PMs: Alexis Forni, Adrian Steel, Lauren Fong
ILM Senior Production Assistant: Kathleen Adams
ILM Add'l Comp Supervisor: Aleksei Chernogorod
ILM Lead Animator: Edward Zhou
ILM Medusa Performance Cap Tech: Brendan Byrd
ILM Virtual Production TD: Brad Isdrab
ILM Add'l Production Coordinator: Jenna Zarate
DNEG Visual FX Supervisor: Alessandro Ongaro
DNEG Visual Effects Producer: Janet Yale
DNEG DFX Supervisors: Tim McGovern, Xavier Bernasconi
DNEG Animation Supervisor: Jeremy Stewart
DNEG CG Supervisors: Ravindra Bhandi, Ahmed Yousry
DNEG Build Supervisor: Ryan Woodward
DNEG Creature Supervisor: Remi Cauzid
DNEG FX Supervisors: Daniel Jenkins, Mitul Patel
DNEG Lighting Supervisor: Filippo Forni
DNEG Environment Supervisor: Pedro Santos
DNEG Comp Supervisors: Jennifer Meire, Oniel Fernandez, Farhad Mohasseb
DNEG Matchmove Supervisors: William Lin, Kathir Manickam, Andrew Hutton, Santosh Day
DNEG R/P Supervisors: Shane Meehan, Hemant Khairnar
DNEG Digital Color Timer: Aurora Shannon
DNEG On-Set Mocap Data Supervisor: Dan Kunz
DNEG On-Set VFX Shoot Crew Data TD: Andrew Van Midde
DNEG On-Set Mocap Data TD/Lidar Processor: Ryan Basaraba
DNEG VFX Prod Supervisors: Jose Maria De La Puente, Nishant Subrahmanian, Sachin Neil Reia Garud
DNEG Stereo Supervisor: Barry O'Brien
DNEG Stereo Producer: Richard Edwards
Scanline VFX Supervisor: Jelmer Boskma
Scanline VFX Producer: Michael Goodwin
Scanline VFX DFX Supervisor: Marcus Goodwin
Scanline VFX Animation Supervisor: Eric Petey
Scanline VFX CG Supervisor: Ryo Sakaguchi
Scanline VFX Compositing Supervisors: Michael Porterfield, Micah Gallagher
Scanline VFX Digital Prod Manager: Olivia Goh
Scanline VFX Dept. Supervisors: Alex Branton, Evan Fraser, Evan Salisbury, Jim Su, Ivan Prvulj
Scanline VFX Consulting Sup.: Stephan Trojansky
Dedicated to CG Supervisor: Eric Fernandes
Luma Exec VFX Supervisor: Payam Shohadai
Luma Pictures VFX Producer: Michael Perdew
Luma Senior Visual FX Supervisor: Vincent Cirelli
Luma DPMs: Catherine Hughes, Justin Porter
Luma VFX Supervisors: Brendan Seals, Kevin Souls
Luma Associate VFX Supervisor: Jared Simeth
Luma Lead Digital VFX Coordinator: David Entin
Luma Animation Supervisor: Raphael A. Pimentel
Luma Head of Business Relations: Lindsay Hallett
Luma Pictures DFX Supervisor; Justin Johnson
Luma Assoc. Bidding Producer: Katryna Shattuck
Luma CG Supervisors: Alex Cancado, Andrew Zink
Luma Compositing Supervisor: Benjamin Ying
Luma Effects Supervisor: Steve Avoujageli
Luma VFX On-Set Supervisor: Jamie Hallett
Method Studios VFX Supervisor: Andrew Hellen
Method Studios VFX Producer: Gayle Munro
Method Additional VFX Sup: Hamish Schumacher
Method VFX Production Manager: Sophie Cherry
Method Studios DFX Supervisor: Sandra Balej
Method Studios CG Supervisor: Mike Borgstrom
Method Studios Visual Effects Editor: Rachel Litz
Method Add'l CG Supervisor: Dave Cunningham
Method Animation Supervisors: Stephen Clee, Matt Kowaliszyn
Cinesite Visual FX Supervisor: Stephane Paris
Cinesite Visual Effects Producer: Chad Nixon
Cinesite CG Supervisor: Chris Nickel
Cinesite 2D Supervisor: Nicholas Barnes
Cinesite Animation Supervisor: Scott Holmes
Cinesite VFX Exec Producer: Marc A. Rosseau
Cinesite Line Producer: Florian Chauvet
Cinesite Head of CG: Holger Voss
Rodeo FX VFX Supervisor: Francois Dumoulin
Rodeo FX Visual FX Producer: Wassila Lmouaci
Rodeo FX CG Supervisors: Raphael Letertre, Eric McGuire
Rodeo FX Visual Effects Editor: Guillaume Poulin
Rodeo FX Prod Coordinators: Alexandra Robert, Lorie Bussieres
Rodeo FX President: Sebastien Moreau
Rodeo FX Prod Assists: Mathieu Labbe, Naomi Jeanneteau
Rodeo FX Executive Producer: Isabelle Langlois
Rodeo FX Comp Supervisors: Renaud Madeline, Alexis Belanger, Reuben Barkataki
Rodeo FX VP of Tech & Dev: Jordan Soles
Digital Domain Senior VFX Sup.: Nikos Kalaitzidis
Digital Domain Sr VFX Producer: Eric Kimelton
Digital Domain DFX Supervisor: Joel Behrens
Lola VFX Executive Producer: Thomas Nittmann
Lola VFX Composite Supervisor: Edson Williams
Lola VFX Supervisor: Trent Claus
Lola VFX Coordinator: Aileen Mu
Lola VFX Producer: Max Leonard
Lola VFX Accountant: Jaimie Lefebvre
Lola VFX On-Set Photographer: Patrick Flannery
Lola VFX Matte Painters: Rob Olsson, Sun Lee
Lola VFX Editor: John Polyson
Technicolor VFX Supervisor: Doug Spilatro
Logan Exec Creative Director: Alexei Tylevich
Logan Creative Director: Ara Devejian
Logan Executive VFX Producer: Paul Abatemarco
Logan Visual FX Supervisor: Brandon Thomas
Senior Finishing Artist: Charles Bunnag
Senior Finishing Producer: Mike Dillon
Finishing Artist: Gray Marshall ASC
Finishing Producer: Laura Holeman
3D Stereo Finishing Artists: Dave Franks, Travis Flynn
Senior Finishing Editor: Bob Schneider
Finishing Editor: Carrie Oliver
HDR Finishing Artist: Adam Nazarenko
Finishing Sales Executive: Morning Star Schott
Senior Technical Finishing Lead: Juan Flores
Finishing Client Services Advisor: Jessica Stone
Technical Finishing Lead: Kevin Razo
Finishing Assistant: Ronnie Leidelmeijer
Finishing Engineer: Mike Tosti
Stereo D Stereo Producer: Madalynn Sadeghian
Stereo D Stereographer: Emma Webb
Stereo D Stereo Prod Supervisors: Ryan Fisk, Louis Polak
Stereo D Stereo Supervisors: Jason Bomstein, Ankit Rathod
Stereo D Roto Manager: Saket Sinha
Stereo D Ass't Stereo Sup: Sachin Fargade
Stereo D Depth Manager: Vijay Kadapatti
Stereo D Line Producer: Ravi Mahapatro
Stereo D Finaling Man.: Sandy Phetchampohone
Stereo D Roto QC Supervisor: Ajit Raghuwanshi
Stereo D Finaling Supervisor: Thrailraju Madhav
Stereo D Stereo Production Coordinators: Carly Nadeau, Lukas Stabile, Elliesse Cuniff
Stereo D Ass't Finaling Supervisor: Yael Majors
Stereo D Post-Production Manager: Derek Prusak
Stereo D Production Assistant: Joseph Masellis
Stereo D Element QC Lead: Joshua Gengler
Stereo D Editors: Jess Jansen, Reginald Harber Jr
Stereo D Software Engineering Man.: Jill Isner
Stereo D VFX & Augmentation Lead: Alex Heffner
Stereo D 3D Technology Manager: Val Dela Rosa
Stereo D I/D Operator: Adam Heinis
Legend3D Senior Stereo Supervisor: Simon Kern
Legend3D Comp Department Manager: Monalisa Bhattacharya
Legend3D Stereo Supervisor: Prateek Kaushal
Legend3D Ass't Depth Supervisor: Harish Naidu
Legend3D Stereo Producer: Caprice Paxton
Legend3D Paint Supervisor: Shailese Dhawade
Legend3D Digital Prod Managers: Zach Knue, Christy Runyon
Legend3D Comp Supervisor: Santosh Katkar
Legend3D Stereo Element QC Lead: Gloria Nguyen
Legend3D Pipeline Engineer: Ryan Albertson
Legend3D Stereo Element QC Man.: Tiku Fisher
Legend3D Roto Dept. Manager: Sheetal John
Legend3D Stereo Editor: HR Barnett
Legend3D Depth Dept. Manager: Deepti Nadhan
Legend3D I/O Technician: Dane Anderson
Legend3D Paint Dept. Manager: G. Raja Reddy
Legend3D Chief Creative Officer: Richard Baker
Add'l Re-Recording Mixers: Lora Hirschberg, Garry Summers
Dailies Executive Producer: Stephen Ceci
Dailies Producer: Ken Lebre
Dailies Colorist: Rich Montez
Score Music Editor/Producer: Fernand Bos
Lead Score Orchestrator/Conductor: Tim Davies
Score Recordist & Mixer: Casey Stone
Score Coordinator: Tyler Westen
Panavision VP of Optical Engineering: Dan Sasaki ASC
Cameras: Alexa 65, Mini, SXT, Millennium DXL & Red Epic Dragon (6.5K ARRIRAW)
Lenses: Panavision Frazier Lens System, Arri Prime DNA, Zeiss Ultra Primes, Angenieux EZ-1, Optimo & Vantage Telephoto Zooms
AR: 1.90:1 (IMAX version: some scenes), 2.39:1 (Arri 765)(3.4K ARRIRAW & 6K/8K Redcode RAW: Some Scenes)
Budget: 162 Million USD
Distributed by: Walt Disney Studios Motion Pictures
Visual Effects, Animation, Medusa Performance Capture Tech & 3D Stereo Conversion Provided By: Industrial Light & Magic, Double Negative, Scanline VFX, Lola VFX, Disney Research, Stereo D + Legend3D
Additional Visual Effects Provided by: Logan
Post-Production Sound Services Provided by: Skywalker Sound
Score Recorded at: Abbey Road Studios
Attribute: Filmed w/ Panavision & Arri Cameras + Lenses - DirectorPeyton ReedStarsPedro PascalAmy SedarisMisty RosasThe Mandalorian must ferry a passenger with precious cargo on a risky journey.
- DirectorPeyton ReedStarsPedro PascalOmid AbtahiTemuera MorrisonThe Mandalorian and his allies attempt a daring rescue.
- DirectorPeyton ReedStarsPaul RuddEvangeline LillyMichael DouglasScott Lang and Hope Van Dyne are dragged into the Quantum Realm, along with Hope's parents and Scott's daughter Cassie. Together they must find a way to escape, but what secrets is Hope's mother hiding? And who is the mysterious Kang?Director: Peyton Reed
Screenwriter: Jeff Loveness
Producers: Kevin Feige, Stephen Broussard
Executive Producer & Unit PM: Kevin De La Noy
Co-Producer: Mitchell Bell
Cinematographer: William "Bill" Pope ASC
Production Designer: Will Htay
Costume Designer: Sammy Sheldon
Overall VFX Supervisor: Jesse James Chisholm
Overall VFX Producer: Fiona Campbell Westgate
Composer: Christophe Beck
Music Supervisor: Dave Jordan
Casting Director: Sarah Halley Finn CSA
Second Unit Director: Dan DeLeeuw
Unit Production Manager: Joan Schneider
First ADs: Richard Graysmark, Jamie Christopher
Key Second Assistant Director: Tom Rye
Visual Development Supervisor: Andy Park
Creative Finishing Supervisor: Evan Jacobs
Sr. Supervising Finishing Artist: Jill Bogdanowicz ASC
Post Production Supervisor: Rebecca Adams
Supervising Stunt Coordinator: Gary Powell
Assistant Stunt Coordinator: Matthew Stirling
Fight Coordinator: Mark Stanton-Kelly
Supervising Art Director: Nick Gottschalk
Production Set Decorator: Richard Roberts
Senior Art Director: Dean Clegg
Visual Effects Art Director: Gregory Fangeaux
Set Dec Art Director: Alice Biddle
Virtual Production Supervisor: Ian Milham
Virtual Production Producer: Randy Starr
Set Designer & Draughtsperson: Tom Coxon
Lead Graph Designers: Josie Kealy, Hannah Kons
Visual Development Manager: AJ Vargas
A / Steadicam Operator: Karsten Jacobsen
A Camera First Assistant: Lewis Hume
A Camera Second Assistant: Archie Muller
B Camera Operator: John Watters
B Camera First Assistant: Tommy Holman
B Camera Second Assistant: Ben Gadsden
Phantom/2nd Unit Dailies DIT: Mark Kozlowski
First AEs: Elise Anderson, Scott Jacobs, Robert Sealey
Second AEs: Taylor Bynum IV, Pilar Gómez Igbo, Art Olmos
Post Production Coordinator: Benjamin Seward
Turkey 2nd Unit VFX Supervisor: William McCoy
Visual Effects First Assist. Editor: Brianna Lynch
Previz First Assistant Editor: Joe Zappia
3D Stereoscopic Editor #2: Guy Wiedmann
Overall Special Effects Supervisor: Paul Corbould
Special FX Workshop Supervisor: Tony Edwards
SFX Assistant Design Supervisor: Jason Leinster
Gaffer: Jamie Mills
Electrical Rigging Supervisor: Billy Dunn
Key Grip: Steve Ellingworth
Supervising Location Manager: Rachel Hyde
Production Location Assistant: Chris Rouse
Unit Manager: Sam Courtnage
Senior Casting Associate: Molly Doyle CSA
Casting Associate, UK: Emma Callinan
UK Casting Assistant: Sian Crisp
Picture Car Supervisor: Ian Clarke
Aerial Unit Camera Systems Technic: Peter Graf
Second Unit Production Manager: Chris Moore
Second Unit First Assistant Director: Joe Geary
2nd Unit Key 2nd ADs: Dan John, Toby Spanton
Second Unit Director of Photog: Samuel Renton ACO
Second Unit A/Steady Op: Sebastian Barraclough
Second Unit A Camera First Assist: Sacha Jones
Second Unit A Camera Second Asst: Oli Hallam
Second Unit B Camera Operator: Svetlana Miko
Second Unit B Camera First Assist: Luke Cairns
Second Unit Digital Imaging Technic: Tom Gough
Second Unit DIT Assistant: Rick James
Second Unit Gaffer: Will Finch
Second Unit Key Grip: Adrian Barry
Iceland Unit Supervising LM: Thor Kjartansson
New Mexico Unit Location Manager: Paul Roberts
VFX SF Unit Assistant PC: Erika Svensson
LA Unit Production Supervisor: Lisa Dietrick
LA Unit Assistant Stunt Coord: Zack Duhame
LA Unit Art Directors: Tara Ilsley, Katia Najera
LA Unit A Cam/Steadicam Op: David Chameides
LA Unit A Camera First Assistant: Dan Ming
LA Unit A Camera Second Assist: Eric Amundsen
LA Unit Digital Utility: Jordan Sadler
LA Unit Gaffer: Christopher Prampin
LA Unit Lighting Technician: David Warfield
LA Unit Lighting Programmer: David Kane
LA Unit Fixtures Foreman: Michael S. Beckman
ILM Visual Effects Supervisor: Mal Humphreys
ILM Exec Visual Effects Producer: Jeanie King
ILM Visual Effects Producer: James Turner
ILM Associate CG Supervisor: Sally Wilson
ILM VFX Production Coordinator: Lauren Nichol
ILM StageCraft VP Producer: Danny Huerta
ILM StageCraft Prod Coord: Jamie Ray Sims
ILM StageCraft Executive Producer: Carl Walters
ILM Stagecraft VFX Line Producer: Liam McCartin
ILM Virtual Production Manager: Lucy Tanner
T3F Visualization Exec Producer: Dane A. Smith
DD Postvisualization supervisor: Hunt Dougherty
MARZ Compositing Supervisor: Vivek Sharma
SPI Animation Supervisor: Craig McPherson
SPI Matchmove Supervisor: Marc Jones
Barnstorm VFX Global HOP: Chad Hudson
CAS VFX Capture Technician: Harry Shaper
Filming Dates: February 4, 2021 (Cappadocia Shoot), June 2021 (Second Unit Filming), 26 July 2021 - 23 November 2021, 2022 (LA Reshoots)
Cameras: Alexa Mini LF IMAX, Millennium DXL2 IMAX® & Red Epic Dragon
Lenses: Panavision® AL Primes & Leitz Summicron-C Primes
AR: 1.90:1 (IMAX Version: Sone Scenes), 2.39:1 (Anamorphic)(6K Redcode RAW: VFX)
Phase: 5
Budget: 200-250 Million USD
Virtual Production Technology & Content Creation by: Industrial Light & Magic + ILM Stagecraft
Visual Effects, Animation & 3D Conversion by: Digital Domain 3.0, Sony Pictures Imageworks, Method Studios, MPC, Luma Pictures & SDFX Studios
Color & Finish Provided by: Company 3
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®|IMAX®