MCU Directors Résumé #02: Jon Favreau

Cinematographer: Christopher Doyle HKSC
Production Designer: Anne Stuhler
Camera Operators: Larry Banks, Michael Chavez
Steadicam Operators: Will Arnot, Joe Gallagher, Sandy Hays, Mark La Bonge, Larry McConkey
2nd 2nd Assistant Director: Basil Bryant Grillo
Composers: Lyle Workman, John O'Brien
Film Editor: Curtiss Clayton
Additional Film Editor: Dan Lebenthal ACE
Costume Designer: Laura Jean Shannon
Negative Format: 35mm Kodak Film Stock
AR: 1.85:1 (Spherical)
Budget: 5 Million USD
Budget AFI (2021): 7.3 Million USD
Anecdote: Camera Equipment Provided By CSC New York

Co-Producer/"Dr. Leonardo" Actor: Jon Favreau
Screenwriter, Rewrites / Co-Producer: Will Ferrell
Casting Director: Susie Ferris
Production Visual Effects Supervisor: Joe Bauer
Composer: John Debney
Costume Designer: Laura Jean Shannon
Film Editor: Dan Lebenthal ACE
Production Designer: Rusty Smith
Cinematographer: Greg Gardiner
Cinematographer, Stop-Motion Animation & Main Title Sequence - CBP: Chris Warren
Cinematographer, Visual Effects Miniatures - CPS: Dennis McHugh
Co-Producer / Unit PM: David Householter
Executive Producer: Cale Boyter
Producer: Shauna Robertson
Writer: David Berenbaum
Screenwriters, Rewrites: Scot Armstrong, Chris Henchy, Adam McKay
Unit Production Manager: Penny Gibbs
First Assistant Director: Jim Brebner
UM, Second Unit / Second AD: Andrew Robinson
Voice of "Leon the Snowman": Leon Redbone
Voice of "Polar Bear Cub": Ray Harryhausen
Stunt Coordinator: Scott Athea
Executive in Charge of Production: Erik Holmberg
Production Executive: Katherine E. Beyda
Executive in Charge of Finance: Paul Prokop
Executive in Charge of Post Prod.: Jody Levin
Post Production Supervisor: Jay Vinitsky
Supervising Art Director: Kelvin Humenny
Assistant Art Director: Barbara Wilson
Set Designers: Geoff Wallace, Jay Mitchell, Allan Galajda
Art Department Coordinator: Victoria Balharry
Art Department Assistant: Nadine Sekora
Storyboard Artist (Visual Effects): Adrian Viersen
Supervising Set Decorator: Johanne Hubert
Assistant Set Decorator: Jennifer Silvertand
Set Decorator / Buyer: Anu Kiviloo
Set Decorator / Coordinator: Julie Fontaine
"A" Camera Operator: William Waring
"A" Camera First Assistant: Patrick Stepien
"A" Camera Second Assistant: George Majoros
"B" Camera/Steadicam Operator: Carey Toner
"B" Camera First Assistant: Doug C. Lavendar
"B" Camera Second Assistant: Justin Bergler
"B" Camera Trainee: Jenny Madsen
"B" Camera Add'l Operator: Paul Mitchnick CSC
Still Photographer: Alan Markfield
Canadian Casting Director: Stuart Aikins CDC
Canadian Casting Associate: Sean Cossey
Key Production Coordinator: Lynne M. Spencer
Co-Production Coordinator: Nathan Tichenor
Second Assistant Prod. Coord.: Michelle Mueller
Production Office Assistant: Blake Banbury
Second Second Assistant Director: James Bitonti
Third Assistant Director: Misha Bukowski
Trainee Assistant Director: Tarnya Cook
Script Supervisor: Jessica Clothier
Chief Lighting Technician: Andrew Davidson
Rigging Gaffer; Keith S. Woods
Supervising Prop Master: Bryan Korenberg
Assistant Prop Master: Andreas Nieman
Second Props Assistant: Naida Harper
First AE, Los Angeles Editorial: Matt Evans
Second Asst FE, Los Angeles Editorial: Stefanie Wiseman
Visual Effects Editor, Los Angeles Editorial: Paul M. Wagner
Third AE, Los Angeles Editorial: Sandra Y. Torres
P.P.A., Los Angeles Editorial: Matthew C. Walcutt
Avid First AE, Vancouver Editorial: Carolle Alain
Film First Asst Edit, Vancouver Editorial: Claudia Morgado
Visual Effects Editor, Vancouver Editorial: David Legault
Second AE, Vancouver Editorial: Shelly Theaker
P.P.A.'s, Vancouver Editorial: Ryan Malone, Thom Kyle
Dailies Projectionist, Vancouver Editorial: Brian Paterson
Supervising Location Manager: Ann Goobie
Assistant Location Manager: Paul P. Giordano
Key Locations Production Assist.: Rico Mielnicki
Supervising Prod. Coordinator: Emily Glatter
Canadian Casting Assistant: Kevin Arens
U.S. Casting Assistant: Elena Cizmaric
Casting Consultant: Howard Feuer
Key Special Effects Coordinator: Tony Lazarowich
Main On-Set SPFX Assistant: Chris Flemington
Gimbal Technician, Special Effects: Don Gray
Exec. in Charge of Visual Effects: Lauren Ritchie
Key Visual Effects Producer: Joseph B. Conmy IV
Visual Effects Assists: Leann Harvey, Katie Quinn
Motion Control Consultant: Eric Pascarelli
Motion Control Technicians: Adam Francis, Chris Paxton
R&H Visual Effects Supervisor: Bill Westenhofer
R&H Visual Effects Producer: Dan Foster
R&H Animation Supervisor: Erik De Boer
R&H Digital Effects Supervisor: Mark Rodahl
R&H Lighting Supervisor: Art Jeppe
R&H 2D Compositing Supervisor: Craig Seitz
R&H Digital Producer: Stephanie Taylor
R&H Digital Production Coordinator: Gene Kozicki
R&H 2D Coordinator: Patrick Hurd
R&H 3D Lighting Lead: Tony Capizzi
R&H Production Coordinator: Steve Schweickart
R&H Effects Animation Lead: Antoine Durr
R&H Matchmove Supervisor: Mark Welser
R&H Animation Setup: Gavin McMillan, William Telford
R&H Modeling Supervisor: Bradley Sick
R&H Editor: Alessa Carlino
R&H Animation Setup Lead: Joe Mancewicz
Digital Dimension Facility VFX Supervisor: Benoit (Ben) Girard
Digital Dimension Facility Producer: Jerome Morin
Digital Dimension CG Supervisor: Jason Crosby
Digital Dimension Senior TD: James Coulter
Digital Dimension Lead Animator: Justin Mitchell
Digital Dimension Head Compositor: Leandro H. Visconti
CBP Stop-Motion Anim./Main Title Seq. Producer: Edward Chiodo
CBP Stop-Motion Animation/Main Title Sequence Supervisor: Steve Chiodo
CBP Stop-Motion Animation/Main Title Sequence Character Design Lead: Charlie Chiodo
CBP Stop-Motion Animation LP / Supervisor: Paul Kemp
"A" Camera Assistant, Stop-Motion Animation & Main Title Sequence - CBP: Kenneth Thornton
CBP Stop-Motion Animation Effects Editor: Chris Roth
Amalgamated Pixels Head of Prod.: Derry Frost
Amalgamated Pixels EP: Michael J. Morreale
Amalgamated Pixels Compositor: Chad Royer
PLF Pre-Visualization Supervisor: Colin Green
PLF Pre-Visualization Lead: Kyle Robinson
PLF Pre-Visualization Coordinator: Sean Cushing
CPS Miniature Supervisor: Michael Joyce
CPS Miniature Producer: Bob Hurrie
"A" Camera Assistant, Visual Effects Miniatures - CPS: Ned M. Martin
CPS Production Assistant: Troy W. Carrington
Unit Publicist: Lee Anne Muldoon
EPK Producer: Laura Nix
Aerial Unit Helicopter Pilot: Steve Flynn
Second Unit Director: Mickey Gilbert
Second Unit Director / Director of Photography: Chris Woods
Second Unit First Assistant Director: Mark Currie
Second Unit Second Assist Director: Silver Butler
Second Unit DoPs: Donald McCuaig ASC CSC, Lee Erskine
Second Unit SpaceCam Operator: Hans Bjerno
Second Unit Gaffer: Bill Dawson
Second Unit Script Supervisor: Nancy Eagles
Unit PM, New York Crew: Jonathan Filley
First AD, New York Crew: Michael De Casper
Prod. Coordinator, New York Crew: David Price
Assistant PC, New York Crew: Cliff Fuller
Art Director, New York Crew: Charles McCarry
Art Dept. Coord., New York Crew: Tina Khayat
Second AD, New York Crew: Kristin Bernstein
Second Second ADs, New York Crew: Noreen R. Cheleden
DGA Trainee, New York Crew: Kelli Gladney
"A" Camera Operator, NY Crew: Michael Green
"A" First AC, New York Crew: David E. Baron
"A" Second AC, New York Crew: Matt Balzarini
"B" Operator, New York Crew: Steve Consentino
"B" First AC, New York Crew: Timothy Metivier
"B" Second AC, New York Crew: Jamieson K. Fitzpatrick
Camera Loader, New York Crew: Amy Silverman
Still Photographer, NY Crew: Michael Ginsberg
Construction Gaffer, NY Crew: Roberto Jiminez
Gaffer, New York Crew: John W. De Blau
Rigging Gaffer, NY Crew: Charles E. Meere III
LM, New York Crew: Santiago Quinones
Prop Master, New York Crew: James Mazzola
Camera Scenic Lead, New York Crew: M. Tony Trotta
Script Supervisor, NY Crew: Sheila Waldron
Set Decorator, New York Crew: Deborah Schutt
Set Decoration Assistant (Shopper), NY Crew: Alexandra Mazur
SFX Supervisor, New York Crew: Conrad Brink Sr
Aerial Unit Rigging Supervisor ("Spydercam"), NY Crew: Earl Wiggins
Aerial Unit Rigging Coordinator ("Spydercam"), NY Crew: Todd Semmes
Computer Operator ("Spydercam"), NY Crew: Tim Drnec
Winch Tech ("Spydercam"), NY Crew: Matt Davis
Riggers ("Spydercam"), NY Crew: Ben Smith, Cody Taylor
Stunt Coordinator, NY Crew: George Aguilar
Second Unit DoP, NY Crew: Craig Haagensen
Music Contractor: Sandy DeCrescent
Score Recordist & Mixer: Shawn Murphy
Vocal Consultant, Music Score: Michael Dansicker
Color Timers: Jim Passon, Michael Hatzer ASC
Dailies Color Timer: Ed Dobbs
Preview Technical Supervisor: Lee Tucker
Filming Dates: 9 December 2002 - 7 March 2003
Cameras: Arriflex 35 III, 435 ES, Panaflex XL, Millennium & Platinum (35mm Kodak Vision 500T 5279)
Lenses: Panavision® Primo Spherical Primes
AR: 1.85:1 (Spherical 4-Perf 35mm)
Budget: 33 Million USD
Budget AFI (2021): 46.9 Million USD
Printed on: Fuji Eterna-CP 3513DI
Visual Effects by: Rhythm & Hues Studios, Digital Dimension, Amalgamated Pixels, General Lift, Fuzzy Logic Productions, Black Pool Studios + Gentle Giant
Stop-Motion Animation & Main Title Sequence Created by: Chiodo Brothers Productions
Pre-Visualization by: Pixel Liberation Front
Miniatures by: Cinema Production Services
Scanning & Recording by: Pacific Title
End Titles & Opticals by: Custom Film Effects
Color Provided by: Rainmaker
Attribute: Filmed in Panavision®

Costume Designer: Laura Jean Shannon
Production Visual Effects Supervisor: Joe Bauer
Production VFX Producer: Joseph B. Conmy IV
Practical Creature FX Consultant: Stan Winston
Composer: John Debney
Film Editor: Dan Lebenthal ACE
Production Designer: J. Michael Riva
Cinematographer: Guillermo Navarro ASC
Co-Producer: Peter Billingsley
Executive Producer & UPM: Louis D'Esposito
Screenwriters: David Koepp, John Kamps
Sup. Puppeteer/SWS Makeup & Animatronic Supervisor: Shane Patrick Mahan
Supervising Puppeteer: Matt Heimlich
Stunt Coordinator: Thomas Robinson Harper
1st Assistant Director: Bruce Franklin
2nd Assistant Director: Conte Matal
SPI Senior VFX Supervisor: Peter G. Travers
SPI Senior VFX Producer: Daniel J. Lombardo
Supervising Art Director: David Klassen
Set Decorator: Lauri Gaffin
Prop Master: Russell Bobbitt
Camera Operator: Paul C. Babin
A Camera/Steadicam Operator: Harry Garvin
B Camera Operator: Leo J. Napolitano
Add'l Camera Operator: Charles Schner
Production Special FX Supervisor: Jon G. Belyou
Illustrator: Phil Saunders
2nd Unit Art Director: Eric Sundahl
2nd Unit DoPs: Ueli Steiger ASC, Enrique Chediak ASC
2nd Unit Camera Operator: Roberto Blasini
VFX Unit VistaVision A Cam Op: Mark Gutterud
Digital Finishing Colorist: Natasha Leonnet
Production VFX Coordinators: Thomas Elder-Groebe, Greg Baxter
Production VFX Assistant: Matthew Dean Russell
SPI VFX Digital Prod Manager: Julie Zachary
SPI VFX Executive Producer: Jenny Fulle
SPI CG Supervisors: Bob Pietzman, Dave Seager, Robert Winter
SPI Visual FX Associate PM: Garrick McLaughlin
SPI VFX Coordinator: Elizabeth Schafer
SPI VFX Technical Director: Thelvin Cabezas
SWS Makeup & Animatronic Sup: J. Alan Scott
SWS Effects Coordinator: Lindsay MacGowan
Add'l Visual Effects Supervisor: Benoit Girard
Add'l Visual Effects Producer: Chris Del Conte
Add'l VFX Executive Producer: Jerome Morin
Add'l Visual Effects Coordinator: Taryn P. Kelly
CPS Miniatures Supervisor: Michael Joyce
CPS Senior Model Maker: Jen Underdahl
CPS Miniature Unit DoPs: Dave Drzewiecki, Leslie Bernstein
Zoic Studios Visual FX Supervisor: Randy Goux
Pre-Visualization Producer: Sean Cushing
Camera: Moviecam Compact (35mm Kodak Vision 250D 5246/Vision2 500T 5218)
Lenses: Zeiss Ultra Primes & Arri Variable Primes
AR: 1.85:1 (4-Perf 35mm SL)(8-Perf VV: VFX)
Budget: 65 Million USD
Budget AFI (2021): 87 Million USD
Printed on: Kodak Vision 2383
Special Visual Effects & Animation Provided by: Sony Pictures Imageworks & Zoic Studios
Miniature Visual Effects Provided by: Cinema Production Services
Special Robot & Zorgon Effects Provided by: Stan Winston Studio

Executive Producer: Jon Favreau
Screenplay/Story Writers: Mark Fergus, Mark Ostby, Art Marcum, Matt Holloway
Screenplay Writers: John August, J.J. Abrams, Shane Black
Producers: Avi Arad, Kevin Feige
Executive Producer/Unit Production Manager: Louis D'Esposito
Executive Producers: Peter Billingsley, Ari Arad
Executive Producers: Stan Lee, David Maisel
Director of Photography: Matthew Libatique ASC
Director of Photography, Additional Photography: Gabriel Beristain ASC AMC BSC
Production Design: J. Michael Riva
Editor: Dan Lebental ACE
Production Visual Effects Supervisor: John Nelson
Costume Designers: Laura Jean Shannon, Rebecca Benjten
Associate Producer: Jeremy Latcham
Composer: Ramin Djawadi
Composers, Additional Music & Arrangements: Lorne Balfe, Atli Örvarsson, Clay Duncan
Music Supervisor: Dave Jordan
Casting Directors: Sarah Halley Finn CSA, Randi Hiller CSA
Key Unit Production Manager: Sara E. White
First Assistant Director/Associate Producer: Eric N. Heffron
Second Assistant Director: Michael J. Moore
Executive in Charge of Production: Ross Fanger
Co-Producer/Production Visual Effects Producer: Victoria Alonso
ILM Senior Visual Effects Supervisor: Ben Snow
ILM Senior Animation Supervisor: Hal Hickel
Visualization/HUD Effects Supervisor: Kent Seki
Physical Suit Effects Supervisor: Shane Patrick Mahan
Second Unit Director: Phil Nielson
Second Unit Director of Photography: Jonathan Taylor ASC
Stunt Coordinator: Thomas Robinson Harper
Second Unit Stunt Coordinator: Keith Woulard
Lead Stunt Rigger: Aaron R. Walters
Stunt Riggers: David Hugghins, Mark Ginther
Aerial Unit Helicopter Pilot: Kevin LaRosa
Aerial Unit Ground Safety Coordinator: Kevin LaRosa II
Aerial Unit Director of Photography: David B. Nowell ASC
Aerial Unit First Assistant Camera/Tech: Scott Smith
Aerial Unit Stunt Coordinator: Tim Rigby
Aerial Unit Camera: Craig William O'Brien
Production Supervisors: David J. Grant, Gary Wordham
Executive in Charge of Finance: Matt Finick
Executive in Charge of Post-Production: Charlie Davis
Post-Production Supervisor: Luminita Docan
Supervising Art Director: David Klassen
Art Directors: Richard F. Mays, Susan Wexler
Set Decorator: Lauri Gaffin
Steadicam Operator/Camera Operator: Colin Anderson SOC
First Assistant Camera: Peter Berglund
Second Assistant Camera: Matt Stenerson
B-Camera First Assistant: Taylor Matheson
B-Camera Second Assistant: Joey O'Donnell
Additional Camera Operators: Gary Hatfield, Keith Solomon
Additional Camera Assistants: Mark Santoni, Rocky Babcock, Liam Sinnott, Mark Strasburg, Rich Moriarty, Robert Baird
Additional Editor: Michael Tronick ACE
Additional Editors: Greg Parsons, Derek Brechin
Production Visual Effects Editors: Jeff Beattie, Wilt Henderson
First Assistant Editors: Sandra Y. Granovsky, Dawn Michelle King
Second Assistant Editor: Stacey Frederick
Apprentice Editor: Carlos Castillón
Post Production Assistant: John Bartnicki
Additional Visual Effects Supervisor: Wesley Sewell
Visual Effects Production Manager: Susan Pickett
Visual Effects Senior Coordinator: Bernardo Jauregui
Production Visual Effects Coordinator: Katrissa Peterson
Visual Effects Plate Coordinators: Chris Antonini, Shyam V. Yadav
Prop Master: Russell Bobbitt
Assistant Prop Master: D. James Stubblefield
Prop Assistant: Travis Bobbitt
Production Coordinator: Gretel Twombly
Assistant Production Coordinator: Michael P. Twombly
Production Visual Effects Accountant: John D. Vaughan
Visual Effects First Assistant Director/Second Unit Second Assistant Director: Chris Castaldi
Additional First Assistant Director: Mike Viglietta
Additional Second Assistant Director: Greg Hale
Additional Second Second Assistant Director: Marvin J. Williams Jr.
Computer & Video Playback Supervisor: C. Alexander Sears
Interactive Graphics Supervisor: Rick Lupton
Gaffer: Michael Bauman
Best Boy Set Lighting: Michael Bonnaud
Fixture Technician: Al DeMayo
Lighting Programmer: Scott Barnes
Production Special Effects Coordinator: Daniel Sudick
Production Special Effects Foremen: Gintar Repecka, Todd K. Jensen, Robert L. Olmstead
Special Effects Shop Foreman: Thomas Pahk
Production Special Effects Purchaser: Sara R. Morris
Production Special Effects Technician: Joel Mitchell
Casting Associate: Tamara Hunter CSA
Senior Lead Set Designer: William J. Law III
Set Designers: Erick Avila, Noelle King
Suit Consultant: Adi Granov
Illustrators: Phil Saunders, Ryan Meinerding
Storyboard Artists: David Lowery, Stephen Platt, Eric Ramsey, Phil Keller
2-D Animatics: James Rothwell
Graphic Designer: Dianne Chadwick
Art Department Coordinator: Nancy A. King
SWS Second Unit Co-Coordinator: Christopher Swift
SWS Studio Administrator: John Rosengrant
SWS Consultant: Stan Winston
Assistant to Mr. Favreau: Karen M. Johnson
Assistant to Mr. D'Esposito: Brad Winderbaum
Assistants to Mr. Finick & Mr. Davis: Trinh Tran
Product Placement: Kathy Findling
US Department of Defense Liaison: Philip M. Strub
Military Advisor: Harry Humphries
Second Unit First Assistant Director: Steve Battaglia
Second Unit Gaffer: Dan Riffel
Second Unit Special Effects Foreman: Mike Edmonson
Second Unit Camera Operator: Joseph V. Cicio
Second Unit First Assistant Camera: Kevin Potter
Second Unit Second Assistant Camera: Scott Whitbread
Second Unit B-Camera Operator: Kent Harvey SOC
Second Unit B-Camera First Assistant: Lou DeMarco
Second Unit B-Camera Second Assistant: Tony Muller
Second Unit C-Camera First Assistant: Paul Santoni
Second Unit C-Camera Second Assistant: Cameron Duncan
Second Unit Additional Second Assistant Camera: Dave Taylor
ILM Senior Visual Effects Producer: Wayne Billheimer
ILM Digital Production Supervisor: Doug Smythe
ILM Compositing Supervisor: Jeff Sutherland
ILM CG Supervisor: Philippe Rebours
ILM Digital Model Supervisor: Bruce Holcomb
ILM Viewpaint Supervisor: Ron Woodall
ILM Visual Effects Art Director: Aaron McBride
ILM Associate Animation Supervisor: Marc Chu
ILM Creature Supervisor: James Tooley
ILM Visual Effects Editor: Lorelei David
ILM Senior Production Manager: Katie Lynch
ILM Digital Leads: Colin Benoit, Amy Shepard, Christopher Stoski
ILM CG Sequence Supervisors: Tim Brakensiek, Gerald Gutschmidt, Nigel Sumner, Ian Christie, David Hisanaga, Leandro Estebecorena, Dorne Huebler, Conny Fauser, Tom Martinek, Patrick Myers
ILM Animators: Charles Allneck, Maia Kayser, Jakub Pistecky, Scott Benza, Paul Kavanagh, Greg Towner, Peter Kelly, Delio Tramontozzi
ILM Digital Artists: Al Bailey, Katherine Baird, Christopher Balog, Kevin Barnhill, Duncan Blackman, Richard Bluff, Jean Bolte, Stephen Braggs, Brian Cantwell, Tami Carter, Mark Casey, Terry Chostner, Selwyn Eddy, Thomas Hutchinson, Jiri Jacknowitz, François Lambert, Will McCoy, Russell Paul, Jason Porter, Johan Thorngren, Bruce Vecchitto, Steve Walton, Dan Wheaton, John Whisnant
ILM Production Managers: Lori Arnold, Laura Moore
ILM Production Coordinators: Daniel Cavey, Chrysta Burton
ILM Production Staff: Hui Ling Chang, Robert Watts
ILM Visual Effects Executive Producer: Gretchen Libby
ILM Senior Staff: Lynwen Brennan, Vicki Dobbs-Beck, Curt Miyashiro, Khuyen Dang, Chrissie England, Miles Perkins
Supervising Sound Editor: Frank Eulner
Sound Designer/Re-Recording Mixer: Christopher Boyes
Re-Recording Mixer: Lora Hirschberg
Sound Design: Shannon Mills
EFilm Supervising Digital Colorist: Steven J. Scott ASC
EFilm Producer: Loan Phan
EFilm Editor: Amy Pawlowski
EFilm Colorist Assist: Mitch Paulson ASC
Color Timer: Chris Regan
Executive Music Producer: Hans Zimmer
Additional Electric Guitar: Tom Morello
Ambient Music Design: Rob Simon
Score Orchestrations: Stephen Coleman, Matt Dunkley
Score Conductor: Gavin Greenaway
Score Mixer: Alan Meyerson
Score Recordist: Geoff Foster
Temp Music Editor: Tanya Hill
Music Editors: Shannon Erbe, David Klotz
Music Coordinators: Jojo Villenueva, Rebekah Touma
Panavision® Lens Technician: Dan Sasaki ASC
Filming Dates: March 12, 2007 - June 25, 2007
Cameras: Arriflex 235, Panaflex XL & Millennium (35mm Kodak Vision2 200T 5217 & 500T 5218)
Lenses: Panavision® Primo Spherical Primes, Angenieux Optimo 4:1 17-80mm Zooms, 12:1 24-290mm Zooms & Cooke CXX 15-40mm Zooms
AR: 1.90:1 (2018 IMAX Version: Some Scenes), 2.39:1 (4-Perf Super 35mm)
Budget: 130-140 Million USD
Budget AFI (2025): 191.8-206.5 Million USD
Printed on: Kodak Vision 2383
Phase: One
Series: MCU Beginnings Trilogy
Physical Iron Man Suits & Makeup Effects Created by: Stan Winston Studio
Visual Effects & Animation by: Industrial Light & Magic + Lola|VFX
Miniature Effects & Photography by: New Deal Studios
Post Production Sound Services by: Skywalker Sound
Digital Intermediate by: EFilm
Score Mixed at: Remote Control Prods, Santa Monica, CA
Score Recorded at: Air Studios, London, UK
Film Processing by: FotoKem
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision®

Executive Producer/Story Writer: Jon Favreau
Story Writer: Robert Downey Jr.
Casting Directors: Sarah Halley Finn CSA, Randi Hiller CSA
Composer/Conductor/Electric Guitar: John Debney
Composer, Additional Music/Electric Guitar: Tom Morello
Music Supervisor: Dave Jordan
Co-Producers: Jeremy Latcham, Victoria Alonso
Associate Producer: Karen Johnson
Associate Producer/First Assistant Director: Eric N. Heffron
Production Visual Effects Supervisor & Plate/2nd Unit Director: Janek Sirrs
Costume Designer: Mary Zophres
Editors: Dan Lebental ACE, Richard Pearson ACE
Production Design: J. Michael Riva
Director of Photography: Matthew Libatique ASC
Director of Photography, Additional Photography: Gabriel Beristain ASC AMC BSC
Director of Photography, New York Unit: Richard Rutkowski ASC
Director of Photography, Kerner Optical: Pat Sweeney
Director of Photography, Post Credits Scene: Haris Zambarloukos BSC GSC
Executive Producers: Alan Fine, Stan Lee, David Maisel
Executive Producer/Unit Production Manager: Denis L. Stewart
Executive Producers: Louis D'Esposito, Susan Downey
Producer: Kevin Feige
Screenplay Writer: Justin Theroux
Screenplay Writer, Revisions: Shane Black
Key Unit Production Manager: Basil Bryant Grillo
First Assistant Director, Additional Photography/Second Assistant Director: Chris Castaldi
Production Visual Effects Producer: Susan Pickett
Second Unit Director/Director of Photography: Jonathan Taylor ASC
ILM Senior Visual Effects Supervisor: Ben Snow
ILM Senior Animation Supervisor: Marc Chu
ILM Senior Visual Effects Producer: Wayne Billheimer
Physical Suit Effects Supervisor: Shane Patrick Mahan
Stunt Coordinator: Thomas Robinson Harper
Second Unit Stunt Coordinator: Keith Woulard
Fight Coordinator: Jonathan Eusebio
Fight Design: Jeff Imada
Natasha Stunt Double: Heidi Moneymaker
Monaco Unit Stunt Coordinator: Michel Julienne
Fight Consultant: Eric Oram
Stunts: Tanoai Reed, Chad Stahelski, Mike Gunther
Aerial Unit Director of Photography: David B. Nowell ASC
Aerial Unit Coordinator: Kevin LaRosa
Assistant Aerial Coordinator/Pilot: Kevin LaRosa II
Aerial Unit Helicopter Pilot (New York): Al Cerullo
Aerial Unit Helicopter Pilot (Monaco): Marc Wolff
Aerial Unit Helicopter Operator (Monaco): Adam Dale
Production Supervisor: Noelle Green
Supervising Art Director: David Klassen
Set Designer: Noelle King
Film Character Designer: Ryan Meinerding
Suit Consultant: Adi Granov
"A" Camera Operator/Steadman Operator: Colin Anderson SOC
"B" Camera Operator: Peter Berglund
"A" Camera 1st Assistant: Mark Santoni
"B" Camera 1st Assistant: Mark Stenerson
"A" Camera 2nd Assistant: Ryan Rayner
"B" Camera 2nd Assistant: Joey O'Donnell
Steadicam/Revolutionary Rig: Christopher TJ McGuire SOC ACO
Additional Photography 1st AC: Alan Cohen
Post Production Supervisor: Peter Mavromates
First Assistant Editors: Dawn Michelle King, Sean Thompson
Second Assistant Editors: Carlos M. Castillón, Sandra Granovsky
Additional Post Coordinator: Danielle Daly
Editorial Production Assistant: John Bartnicki
Additional Visual Effects Supervisor: James Madigan
Visual Effects Production Manager: Bernardo Jauregui
Production Visual Effects Coordinator: Katrissa "Kat" Peterson
Visual Effects Plate Coordinator: Chris Antonini
Production Visual Effects Editor: Jeff Beattie
Visual Effects Production Assistant: Matthew Eberle
Visual Effects Assistant Editor: Nolan Reese
Expo Action Concepts: Genndy Tartakovsky, Bryan Andrews
Supervising Prop Master: Russell Bobbitt
Assistant Prop Master: Jim Stubblefield
Production Visual Effects Accountant: John D. Vaughan
Gaffer: Michael Bauman
Best Boy Electric: Michael Bonnaud
Electricians: Tommy Dangcil, Luis Moreno
Specialty Lighting Technician: Albert De Mayo
Chief Rigging Electrician: Jeffrey P. Soderberg
Assistant Costume Designer: Jenny Eagen
Set Decorator: Lauri Gaffin
Production Special Effects Supervisor: Daniel Sudick
Special Effects Supervising Foreman: Thomas Pahk
Special Effects Shop Foreman: David Heron
1st Unit Set Foreman: Ginter Repecka
2nd Unit Set Foreman: Mike Edmonson
Production Special Effects Foremen: Eric P. Cook, Robert M. Olmstead
Special Effects Rigging Foreman: Joel Mitchell
Special Effects Office Coordinator: Kyle McGatlin
Legacy Digital Suit Sculpting Department: Ian Joyner
Legacy Model Shop Supervisor: Dave Merritt
Legacy Co-Supervisors: John Rosengrant, Lindsay MacGowan, J. Alan Scott
Casting Associate: Tamara Hunter CSA
Assistant to Mr. D'Esposito: Trinh Tran
Assistant to Mr. Feige: Jonathan Schwartz
Product Placement: Julie Keller
Senate Hearing Advisor: R. Todd Bouldin
Russian Dialect Coach: Elena Baranova
Second Unit 1st Assistant Director: Michael J. Moore
Second Unit 2nd Assistant Director: David Riebel
Second Unit 2nd 2nd Assistant Director: Greg Hale
Second Unit "A" Camera Operator: Joseph V. Cicio
Second Unit "B" Camera Operator: Kent Harvey SOC
Second Unit "A" Camera 1st AC: Kevin C. Potter
Second Unit "B" Camera 1st AC: Louie DeMarco
Second Unit Additional Camera 1st AC: Robert Stenger
Second Unit "A" Camera 2nd AC: Scott Whitbread
Second Unit "B" Camera 2nd AC: Tony Muller
Second Unit Loader: Conrad Castor
Second Unit Production Assistant: Matt Haggerty
Second Unit Gaffer: Dan Riffel
Monaco Unit Production Executive: John Bernard
Monaco Unit Production Manager: Gilles Castera
Monaco Unit Palace Liaison: Mark C. Thomas
Monaco Unit 3rd Assistant Director: Delphine Bertrand
Monaco Unit Camera Operators: Tim Wooster, Roger McDonald, Graham Hall ACO
Monaco Unit 1st Assistant Camera: Simon Heck, Hugues Espinasse
Monaco Unit 2nd Assistant Camera: Dean Morrish, Alan Hall
Monaco Unit Film Loader: Luke Cairns
Monaco Unit Location Manager: Xavier Wakefield
Monaco Unit Costume Supervisor: Christine Wada
Unit Production Manager, New York Unit: Thomas J. Whelan
Physical Production Executive: David J. Grant
Interactive Marketing Manager: Brad Winderbaum
ILM Digital Production Supervisor: Doug Smythe
ILM Compositing Supervisor: Jon Alexander
ILM CG Supervisors: David Hisanaga, John Walker
ILM Visual Effects Art Director: Aaron McBride
ILM Digital Model Supervisor: Bruce Holcomb
ILM Viewpaint Supervisor: Ron Woodall
ILM Associate Animation Supervisor: Rick O'Connor
ILM Creature Supervisor: Timothy Brakensiek
ILM Digital Matte Supervisor: Giles Hancock
ILM Layout Supervisor: Selwyn Eddy III
ILM Roto & Paint Supervisor: Amy Shepard
ILM Visual Effects Editor: Lorelei David
ILM Visual Effects Production Manager: Erin O'Connor
ILM Digital Artists: Richard Bluff, Will McCoy
ILM Production Coordinator: Lauren Carara
ILM Digital Production Management: Brian Barlettani, Mohen Leo, Stuart McAra
ILM Additional Art Support: Alex Jaeger
ILM Visual Effects Executive Producer: Gretchen Libby
ILM Senior Staff: Vicki Dobbs-Beck, Lynwen Brennan, Khuyen Dang, Chrissie England, Curt Miyashiro, Jessica Teach
DNEG Visual Effects Supervisor: Ged Wright
DNEG Compositing Supervisor: Victor Wade
DNEG Animation Supervisor: Paul A. Davies
DNEG Visual Effects Producer: Kristopher Wright
DNEG Senior Staff: Dominic Sidoli, Eamonn Butler
Prologue Films Executive Producer: Kyle Cooper
Lola|VFX Visual Effects Supervisor: Edson Williams
Lola|VFX Visual Effects Producer: Thomas Nittmann
Lola|VFX Associate Visual Effects Producer: Ryan Zuttermeister
Hydraulx Feebles Creators: Colin Strause, Greg Strause, Liam O'Donnell
GVE Visual Effects Supervisor: Jake Morrison
GVE Senior Compositor: Amanda Morrison
Supervising Sound Editor: Frank Eulner
Supervising Sound Editor/Sound Designer/Re-Recording Mixer: Christopher Boyes
Re-Recording Mixer: Lora Hirschberg
Additional Re-Recording Mixer: Gary Summers
EFilm Supervising Digital Colorist Steven J. Scott ASC
EFilm Digital Intermediate Colorist: Mitch Paulson ASC
EFilm Digital Intermediate Assistant Producer: Philippe Majdalani
EFilm Digital Intermediate Editor: Amy Pawlowski
EFilm Color Timing Assistant: Sean Mattini
EFilm Digital Opticals: Pat Clancey
Color Timer: Chris Regan
Music Editors: Tanya Noel Hill, Jeff Carson
Score Recordist & Mixer: Shawn Murphy
Electric Guitar/Electronic Score Producer: Keith Power
Electric Cello: Tina Guo
Music Coordinator: Rebekah Touma
DJ Consultant: DJ Kevin Scott
Music Score Coordinator: Lola Debney
In Memory of: Adam Goldstein
Department of Defense Liaison: Philip M. Strub
Deluxe® Dailies Color Timer: Adam Clark ASC
Panavision® Senior Technical Advisor: Dan Sasaki ASC
Second Unit Director, Post Credits Scene: Kenneth Branagh
Filming Dates: April 6, 2009 - July 18, 2009, February 2010 (Reshoots)
Cameras: Arriflex 435 Advanced , Panaflex XL2, Photo-Sonics 4ER, Phantom Flex, VistaVision & Canon EOS 5D Mark II (35mm Kodak Vision2 50D 5201, 200T 5217, Vision3 500T 5219 & Vision 500T 5279)
Lenses: Panavision® Primo Spherical Primes, G-Series Anamorphic Primes, ATZ 70-200mm Zooms, AWZ2 40-80mm Zooms, Angenieux Optimo 15-40mm Zooms, Optimo 28-76mm Zooms & Canon EF Primes
AR: 2.39:1 (4-Perf Super 35mm)(Anamorphic: Post Credits Scene)(8-Perf VistaVision: Visual Effects Plates)(HD: Select Second Unit Shots)
Budget: 170-200 Million USD
Budget AFI (2025): 247.6-291.3 Million USD
Printed on: Kodak Vision 2383 & Vision Premier 2393
Phase: One
Series: MCU Beginnings Trilogy
Iron Man/Whiplash Suit Construction & Animatronics by: Legacy Effects
Visual Effects & Animation by: Industrial Light & Magic, Double Negative, Lola|VFX+ Hydraulx
Stage Shoot by: Kerner Optical
Digital Intermediate by: EFilm
Score Recording (London): Abbey Road Studios
On-Set Color Correction by: Gamma & Density's 3CP System
Shot on: Kodak Motion Picture Film
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision® (as "Cameras & Lenses")

Executive Producer: Jon Favreau
Casting Director: Sarah Halley Finn CSA
Composer/Orchestra Conductor: Harry Gregson-Williams
Composer, Additional Music: Halli Cauthery
Co-Producers: Chris Wade, Dan Forcey, Karen Gilchrist
Production Visual Effects Supervisor/Second Unit Director: Roger Guyett
Special Makeup & Animatronics/Legacy Effects Project Supervisor: Shane Mahan
Costume Designer: Mary Zophres
Editors: Dan Lebental ACE, Jim May ACE
Production Designer: Scott Chambliss
Director of Photography: Matthew Libatique ASC
Director of Photography, Kerner Optical: Pat Sweeney
Executive Producer: Steven Spielberg ACE
Executive Producer/Unit Production Manager: Denis L. Stewart
Executive Producers: Bobby Cohen, Randy Greenberg, Ryan Kavanaugh
Producers: Brian Grazer, Ron Howard
Producers/Screenplay Writers: Alex Kurtzman, Roberto Orci
Producer: Scott Mitchell Rosenberg
Screen Story/Screenplay Writers: Mark Fergus, Hawk Ostby
Screen Story Writer: Steve Oedekerk
Screenplay Writer: Damon Lindelof
Key Unit Production Manager: Basil Bryant Grillo
First Assistant Director / Co-Producer: K.C. Hodenfield
Second Assistant Director: Chris Castaldi
Stunt Coordinator: Thomas Robinson Harper
2nd Unit Stunt Coordinator: Freddie Hive
Jake's Stunt Double: Benjamin Cooke
Second Unit Director: Terry Leonard
Production Visual Effects Producer: Kimberly Nelson LoCascio
ILM Co-Visual Effects Supervisor: Eddie Pasquarello
ILM Senior Animation Supervisor: Marc Chu
ILM Senior Visual Effects Producers: Peter Nicolai, Stephanie Hornish
Production Supervisor: Noelle Green
Supervising Art Director: Chris Burian-Mohr
Art Director: Lauren Polizzi
Assistant Set Decorator: Amanda Moss Serino
A Camera Operator/Steadi-Cam: Peter Rosenfeld SOC
B Camera Operators: Joey Cicio, Chris Moseley
C Camera Operator: Magela Crosignani
A Camera First Assistant: Mark Santoni
B Camera First Assistant: Mark Stenerson
C Camera First Assistant: Chris Toll
A Camera Second Assistant: John Woodward
B Camera Second Assistant: Joey O'Donnell
C Camera Second Assistants: Tom Barrios, Charles Newberry
Chief Lightning Technician: Mike Bauman
Assistant Chief Lightning Technician: Michael Bonnaud
Rigging Gaffer: John Manocchia
Supervising Prop Master: Russell Bobbitt
Production Special Effects Supervisor: Daniel Sudick
SFX Supervising Foreman: Thomas Pahk
Production SFX Forepersons: Gintar Repecka, Eric Cook, David Heron, Joel Mitchell, Robert Olmstead, Christy Sumner
Assistant Costume Designer: Jenny Eagan
Production Executive: Shelly Strong
Second Second Assistant Director: Marvin Williams
Casting Executive: Leslee Feldman
Casting Associate: Tamara Hunter CSA
Historical Consultant: Dr. Paul Hutton
Apache Consultant: Dr. Scott Rushforth
Apache Translator: Oliver Enjady
Set Designer v Kevin Cross
Concept Artists: James Clyne, Phil Saunders, Christopher Ross
Illustrators: Ryan Meinerding, Andrea Dopaso
Storyboard Artists: David Lowery, John Mann, Ed Natividad, Marc Vena, Ryan Woodward, Patrick Rodriguez, James Rothwell
Graphic Designer: Clint Schultz
Assistant to Mr. Favreau: John Bartnicki
Associate to Mr. Spielberg: Kristie Macosko Krieger
Post Production Executive: Mark Graziano
Post Production Supervisor: Erica Frauman
First Assistant Editors: Sandra Granovsky, Dawn Michelle King
Production VFX Editor: Paul Wagner
Extended Cut Post Supervisor: Justin Ostensen
Post Production Assistant - Los Angeles: Rachel Watson
Supervising Sound Editor: Frank Eulner
Re-Recording Mixer/Sound Designer: Christopher Boyes
Re-Recording Mixer: Lora Hirschberg
Sound Designer: David Farmer
Music Executive: Jennifer Hawks
Music Editor: Tanya Hill
Music Score Mixer: Malcolm Luker
Music Scoring Engineer: Jamie Luker
Score Orchestrations: Ladd McIntosh
Guitar: Heitor Pereira
Associate Visual Effects Producer: Thomas Elder-Groebe
Production Visual Effects Coordinator: Isha Sunflower Downs
Production Visual Effects Assistant: Andre Slaughter
Second Unit Director of Photography: Paul Hughen ASC
Unit Production Manager, Second Unit: Ray Zimmerman
Second Unit First Assistant Directors: Matt Rebenkoff, David Ticotin
Second Unit Second Assistant Director: Kristina Peterson
Second Unit Camera Operators: Michael Walker SOC, Kent Harvey SOC, Bob Scott, Dale Myrand, Cris Lombardi
Second Unit First Assistant Camera: Richie Masino, Louie DeMarco, Kevin Potter, Butch Pierson
Second Unit Second Assistant Camera: Todd Avery, Tony Muller, Greg Kurtz, Scotty Whitbread
Second Unit Chief Lightning Technicians: Rick West, Dan Riffel
Second Unit Special Effects Foreman: Mike Edmonson
Second Unit Production Coordinator: Elaine Thompson
Second Unit Helicopter Pilots: Kevin LaRosa Sr., Kevin LaRosa Jr.
Second Unit Aerial DP: David B. Nowell ASC
ILM Digital Production Supervisor: Michael Di Como
ILM Visual Effects Associate Producer: Erin Dusseault
ILM CG Supervisors: Daniel Pearson, Robert Weaver
ILM Visual Effects Art Director: Christian Alzmann
ILM Digital Model Supervisors: Paul Giacoppo, Bruce Holcomb
ILM Viewpaint Supervisors: Martin Murphy, Ron Woodall
ILM Creature Supervisor: Karin Cooper
ILM Digital Matte Supervisor: Barry Williams
ILM Layout Supervisor: John Levin
ILM Roto & Paint Supervisor: Beth D'Amato
ILM Executive Producer: Jill Brooks
ILM CG Sequence Supervisors: Leandro Estebecorena, Thomas Fejes, Gerald Gutschmidt, François Lambert, Tony Mercer, Stefano Trivelli
ILM Lead Animators: Derrick Carlin, Andy Wong
ILM Digital Artists: Selwyn Eddy III, Raul Essig
ILM Visual Effects Associate Production Manager: Hui Ling Chang
ILM Visual Effects Production Coordinators: Lauren Carara, Flannery Huntley
ILM Visual Effects Production Assistants: Ashley Bettini, Justin Tatsuo Chan
ILM Visual Effects Editors: Tony Pitone, Jenni O'Byrne
ILM Concept Artist: Devon Cutler
ILM Executive Staff: Vicki Dobbs-Beck, Lynwen Brennan, Janet Lewin
Shade FX VFX Supervisor: Brian Godwin
Shade FX VFX Producer: David Van Dyke
Shade FX Composting Supervisor: Hariminder Singh Khalsa
Shade FX CG Lead: Charlie Winter
Shade FX VFX Coordinator: Shane Strickman
Shade FX Technical Supervisor: John Riddle
Shade FX VFX Production Assistant: Ryan Andersen
Legacy Effects Project Supervisor: Lindsay MacGowan
Legacy Effects Lead Alien Character Designers: Scott Patton, Ian Joyner
Legacy Effects Creative Coordinator: Chris Swift
Legacy Effects Senior Systems Engineer: Jason Lopez
Legacy Effects Coordinators: Alan Scott, John Rosengrant
Garage VFX Visual Effects Supervisor: Gavin Miljkovich
EFilm Supervising Digital Colorist: Steven J. Scott ASC
EFilm Digital Intermediate Producers: Mike Dillon, Loan Phan
EFilm Digital Intermediate Editor: Amy Pawlowski
EFilm Second Colorists: Andrew Francis, Charles Bunnag
EFilm Color Timing Assistant: Juan Flores
EFilm Core Project Manager: Vanessa Galvez
EFilm Cinemascan Dailies Colorist: Ben Estrada
EFilm Cinemascan Dailies Producer: Ken Lebre
Lab Color Timer: Chris Regan
Lab Account Manager: Saj Jayasinghe
Account Manager's Assistant: Bruce Fowler
Avid Technician: Chad Wilkerson
Special Thanks: Guillermo Del Toro
Deluxe Dailies Color Timer: Adam Clark ASC
Panavision® Senior Technical Advisor: Dan Sasaki ASC
Filming Dates: June 30, 2010 - September 30, 2010
Cameras: Panaflex XL, Millennium & Platinum (35mm Kodak Vision2 50D 5201, Vision3 200T 5213, 500T 5219 & Ektachrome 100D 5285)
Lenses: Panavision® Primo ALZ11 48-550mm Zooms, ALZ3 Hubble 270-840mm Zooms, C-, E- & G-Series Anamorphic Primes
AR: 2.39:1 (Anamorphic)
Budget: 163 Million USD
Budget AFI (2025): 230.1 Million USD
Printed on: Kodak Vision 2383
Post Production Sound Services by: Skywalker Sound
Visual Effects & Animation by: Industrial Light & Magic, Shade FX & The Garage VFX
Models, Miniatures & Special Effects/Miniature Effects Provided by: Kerner Optical & New Deal Studios
Alien Character & Effects Designed + Created by: Legacy Effects
Digital Intermediate by: EFilm
Cross-Processing by: Deluxe Laboratories
Attribute: Filmed in Panavision® (as "Cameras & Lenses")

Writer/Producer: Jon Favreau
Producer: Sergei Bespalov
Director of Photography: Kramer Morgenthau ASC
Production Designer: Denise Pezzini
Film Editor: Robert Leighton
Music Supervisor: Mathieu Schreyer
Costume Designer: Laura Jean Shannon
Casting Director: Sarah Halley Finn CSA
Executive Producer: Karen Gilchrist
Executive Producer/Unit Production Manager: Molly Allen
Executive Producers: Mark C. Manuel, Ted O'Neal
Executive Producers: Gleb Fetisov, Oleg Teterin
Executive Producers: Marina Bespalov, James D. Brubaker, Jere Hausfater, Philip Elway
Executive Producers: Tim Smith, Paul Brett, Anne Sheehan
Executive Producers: Jerry Fruchtman, Peter Fruchtman, Craig Chapman
Executive Producers: Boris Teterev, Scott Steindoff, Dylan Russell, Jason Rose
Co-Producer: Roy Choi
First Assistant Director: Gregory G. Hale
Second Assistant Director: David Kelley
Associate Producer: John Bartnicki
Second Unit Director: Mike Marti
Production Supervisor: Peggy Robinson
Art Director: Alicia Maccarone
Set Decorator: Bryan John Venegas SDSA
A Camera Operator: Don Devine SOC
B Camera Operator: Darin Moran
Steadicam Operator: Henry Tirl SOC
A Camera 1st Assistant: Richard Masino
A Camera 2nd Assistant: Liam Sinnott
B Camera 1st Assistant: Jan Ruona
B Camera 2nd Assistant: Terry Wolcott
Chief Lightning Technician: Brett Laumann
Prop Master: James Lee Kroning
Production Special Effects Consultant: Donnie Dean
Production Special Effects Coordinator: Mark Byers
Production Special Effects Technicians: Steve Bosner, Joe W. Klein
Production Visual Effects Editor: Corinne Villa
First Assistant Editor: Danny Miller
Assistant Editors: Gregg London, Maria Gonzalez
Post Production Supervisors: Sheryl Benko, Bill Wohlken
Casting Associate: Tamara Hunter CSA
Casting Assistant: Jason B. Stamey CSA
BTS Camera Operator: Sean Ricigliano
Graphic Designer: Ellen King
Splinter Unit 1st Assistant Director, Miami Unit: Stephen P. Del Prate
Miami Unit C Camera Operator: Andrew Fisher
Splinter Unit 1st Assistant Camera, Miami Unit: Roberto Ballesteros
Splinter Unit 2nd Assistant Camera, Miami Unit: Marvyn Lee
Splinter Unit Script Supervisor, Miami Unit: Melinda Tasken
Miami Unit Additional Prop Master: Romain Gateau
Splinter Unit Key Grip, Miami Unit: Kevin Higgins
Splinter Unit Best Boy Grip, Miami Unit: Nicolas Donadio
Miami Unit Special Effects Foreman: Bruce Merlin
New Orleans Unit Production Supervisor: Will Greenfield
Splinter Unit 1st Assistant Director, New Orleans Unit: Mark E. Brown
New Orleans Unit C Camera Operator: Jeff Tufano
New Orleans Unit C Camera 1st Assistant: Norris Fox
New Orleans Unit B Camera 2nd Assistant: Bryce Marshall
New Orleans Unit C Camera 2nd Assistant: Tonja Greenfield
New Orleans Unit Special Effects Technician: Justin B. Johnson
New Orleans Unit Insert Car Driver: David Bullard
Austin Unit Production Supervisor: John K. Patterson
Splinter Unit 1st Assistant Director, Austin Unit: Scott Meyers
Austin Unit C Camera Operator: Steve Denny
Austin Unit B Camera 1st Assistant: Adam Schwartz
Austin Unit B Camera 2nd Assistant: Sam Pearcy
Austin Unit Chief Lightning Technician: Barry Strickland
Austin Unit Special Effects Technician/Visual Effects Supervisor: Steve Wolf
Splinter Unit Location Manager, Austin Unit: Logan Cooper
Set Decorator, Additional Photography: Erin Fite
Gaffer, Additional Photography: Lee Spencer
Set Lighting Technician, Additional Photography: Jason Sidore
Sound Designer: Tom Meyers
Supervising Sound Editors / Dialogue Editors: Michael Silvers, Steve Slanec
Re-Recording Mixers: Chris Boyes, Gary Summers
Sound Effects Editor: Chris Scarabosio
Music Editor: Tanya Noel Hill
On-Screen Music Mixer: Erich Gobel
Dolby Sound Consultant: Dan Sperry
Technicolor Supervising Digital Colorist: Steven J. Scott ASC
Technicolor Digital Colorist: Charles Bunnag
Technicolor Digital Colorist Assist: Juan Flores
Technicolor DI Producer: Mike Dillon
Technicolor DI Assistant Producer: Brandie Konopasek
Technicolor DI Senior Editor: Bob Schneider
Technicolor DI Editor: Carrie Oliver
Technicolor Account Executive: Michael Moncrieff
Technicolor Visual Effects Artist: Doug Spilatro
Modern VideoFilm Dailies Post Supervisor: Heidi Tebo
Modern VideoFilm Dailies Data Lab Operators: Devin Barker, Jonathan Juarez
Modern VideoFilm Account Executive: Tal Fiala
FotoKem Account Representative: Ray Morfino
FotoKem Film Scheduler: Steven Mitchell
FotoKem Color Timer: Jim Williams
Shade VFX - VFX Supervisor: Bryan Godwin
Shade VFX - VFX Executive Producer: David Van Dyke
Shade VFX Compositing Supervisor: Harimander Singh Khalsa
Shade VFX CG Lead: Gabriel Vargas
Shade VFX Animation Supervisor: Jason Donnelly
Shade VFX FX Animation Lead: Andres Berkstein
Shade VFX Digital Production Manager: Molly Pabian
Shade VFX Head of Technology: John Riddle
Shade VFX - VFX Editorial Coordinator: Ryan Andersen
Shade VFX Compositors: Charles Baden, Kyle Gray, Wade Ivy
Shade VFX 2D Artist: Neiko Nagy
Shade VFX Digital Effects Producer: Shane Strickman
Composer, Additional Music: Lyle Workman
Panavision® VP of Optical Engineering: Dan Sasaki ASC
Home Video Colorist: Steve Rebsch
Cameras: Arri Alexa Plus 4:3 (2K SxS ProRes 4:4:4)
Lenses: Panavision® C-, E-Series Anamorphic Primes, ATZ 70-200mm Zooms & AWZ2 40-80mm Zooms
AR: 2.39:1 (Anamorphic)
Budget: 11 Million USD
Budget AFI (2025): 14.7 Million USD
Post Production Sound Services by: Skywalker Sound
Digital Intermediate by: Technicolor
Dailies Provided by: Modern VideoFilm
35mm Laboratory Services: FotoKem
Visual Effects by: Shade VFX
Camera Package by: Panavision Woodland Hills
Attribute: Filmed in Panavision (as "Cameras & Lenses")

Producer: Jon Favreau
Screenwriter: Justin Marks
Producer: Brigham Taylor
Executive Producers: Peter Tobyansen, Molly Allen, Karen Gilchrist
Cinematographer: Bill Pope ASC
Production Designer: Christopher Glass
Film Editor: Mark Levolsi ACE
Costume Designer: Laura Jean Shannon
Composer: John Debney
Production Visual Effects Supervisor, Second Unit Director & Director of Photog: Robert Legato ASC
Prod. Visual Effects Supervisor: Adam Valdez
Production Visual Effects Producer / Co-Producer: Joyce Cox
Production Animation Supervisor: Andrew Jones
Casting Director: Sarah Halley Finn CSA
Unit Production Manager: David M. Bernstein
UPM/First Assistant Director: David Venghaus Jr
Second Assistant Director: Gregory Pawlik Jr
Co-Producer: John Bartnicki
MPC Sr Visual Effects Supervisor: Charlie Henley
MPC Senior Executive Producer: Philip Greenlow
MPC Senior Animation Supervisors: Peta Bayley, Gabriele Zucchelli
WETA Senior Visual Effects Supervisors: Daniel Lemmon, Keith Miller, Joe Letteri
WETA Senior Animation Supervisor: Paul Story
Supervising Sound Editor/Re-Recording Sound Mixer: Christopher Boyes
Supervising Sound Editor: Frank Eulner
Re-Recording Sound Mixer: Lora Hirschberg
Supervising Finishing Artist: Steven J. Scott ASC
Second Film Editor: Adam Gerstel
Stunt Coordinator/Second Unit Director: Thomas Robinson Harper
Stunt Coordinator: Casey O'Neill
Head of Stunt Water Safety: Michael T. Brady
Dive Masters: Jim Pearson, Kris A. Jeffrey
Safety Divers: James Mitchell Clyde, Brett Smith
Production Supervisor: Lisa Vijitchanton
Supervising Art Director: Andrew L. Jones
Production Art Director: John Lord Booth III
MOCAP Art Director: Mike Stassi
Assistant Art Directors: Heide Waldbaum, Anne Costa, Meghan McClure
Supervising Virtual Art Director: Yuri Bartoli
Art Department Coordinator: Lindsay Good
Art Dept. Researchers: Amina Die’Ye, Damani Mangum
Art Dept. PAs: Evan Seccombe, Matt McLaughlin
Concept Artists: Jonathan Bach, Michael Kutsche
Creative/Conceptual Consultants: Iain McCaig, Claire Wendling, Christian Alzmann
Illustrator: Anthony Leonardi III
Jr. Illustrators: Nellie Prestine-Lowery, Oli Dear
Head of Storyboards: Dave Lowery
Storyboard Coordinator: Emily Bruza
Storyboard Artists: Marc Baird, Ryan Falkner, James A. Mitchell, Phil Norwood, John Fox
Overall Animatic Supervisor: Jeremy Thompson
Production Animatic Artist: James Rothwell
Animatic Assistants: Eric William Armstrong, Aaron Holmlund
Asst. Animatic Sequencer: William Weigand
First Assist. Editor: William Joseph Kruzykowski
Lead Visual Effects Editor: Andrew Ryan Turner
Visual Effects Editors: David Heinz, Julian Andraus, Jom Schermerhorn
Editorial Assistant: Ian McClarren
Post Production Supervisor: Jonas Thaler
Post Production Coordinator: Amanda Weir
Post Production Assistant: Brian Russell
Visual Effects Associate Producer: Barry St. John
Visual Effects Production Manager: Matt Rubin
Virtual Production Manager: Bruce Franklin
Lead Visual Effects Coordinator: P.J. Tobyansen
Production Visual Effects Coordinator: Pasquale Antonelli
Asset Manager & Prod Visual Effects Coordinator: Svetlana Tesnes
Add'l Visual Effects Coordinator: Michael Legato
Assist Visual Effects Coordinator: Brian Runnels
Visual Effects Data Coordinator: Tim Brodsky
Prod. Visual Effects Accountant: Emily McGatlin
Visual Effects Bidding Producer: Jac Barnbrook
Assistants to Mr. Favreau: Meghan Malloy, Wayne Horton
Assistants to Mr. Taylor: Corrine Greco, Trevor Eldridge
Cast Coordinator to Mr. Murray: Kris Moran
Digital Asset Managers: Sarah Delucchi, Dianne Ott
Production Controller: Doug Moreno
First Assistant Accountant: Troy McGatlin
Second Assistant Accountants: Brett Eidelman, Robert Soto
Payroll Accountant: Lori Ikeda
Payroll Clerk: Bryan Persichetti
Casting Associate: Tamara Hunter
Casting Assistant: Claire Koonce
NY Casting Director: Janet M. Bulter
Extras Casting Director: Richard King
Extras Casting Assistant: Jeremy Lambert
Production Set Decorator: Amanda Moss Serino
Set Dec Leadman: Thierry Labbe
Leadman/On-Set Dresser: Merdyce McClaren
Set Dressers: David Venezky, David L. Bush, Glenn Strauss
Set Decoration Buyer: Anne Tobin
Drapery Foreman: Deborah Jones
Key Costume Supervisor: Sarah Lee-Taylor
MOCAP Costume Supervisors: Antonio Almaraz, Marilu Hernandez
Key Costumers: Lisa Marie Harris, Jason Moore
Key Set Costumer: Paul Corricelli
MOCAP Set Costumer: Ashley Ellsworth
Costume Illustrator: Christian Cordella
Makeup Dept. Head: George Black
Special Effects Makeup Lead: Margie Kaklamanos
Hair Dept. Head: Marie Larkin
Key Hairstylist: Bryn E. Leetch
A/Steadicam Operator: Roberto De Angelis
A First Assistant Camera: E.J. Misisco Jr
B First Assistant Camera: Michael Klimchak
C First Assistant Camera: Liam Sinnott
A Second Assistant Camera: William McConnell
B Second Assistant Camera: Tyler Emmett
C Second Assistant Camera: Paul Tilden
3D Engineer/DIT: Robin Charters
3D Technicians: Jeff Rios, Manning Tillman
Convergence Engineer, 3D: Joshua Mellinger
Flight Head Technicians: Michael M. Pagan, Drew Dumas
G3 Remote Head Technician: James H. Razo
A Camera Reference Operator: A.J. Raitano
B Camera Reference Operator: Brian Garbellini
C Cam Reference Operator: Michole Bergstrom
D Camera Reference Operator: Tyler Allison
E Camera Reference Operator: Paul Tobyansen
Reference Camera Utility First AC: Lynda Wu
Reference Camera Utility Second AC: Colleen Marshall
Reference Camera Technician: Brett Egan
On Set Survey - Setup Unit: Ron Underdahl
Script Supervisor: Kathy McHugh
Script Supervisor - Virtual Unit: Becky Boyle
Digital Notes Supervisor: Greta Anderson
Sound Mixer: Ronald Judkins
Pro Tools Playback Operator: Michael Krikorian
Playback Operator (MOCAP): Jeff Zimmerman
Boom Operator: Scotty Jacobs
Utility Sound: Veronica Kahn, Rene DeFrancesch
Overall Location Manager: Kei Rowan-Young
Assistant Location Manager: Diana Lara
Environmental Steward: Matt Rusk
Gaffer: Robert Finley III
Best Boy Electric: Dale Balani
Dimmer Board Operators: Joshua Thatcher, Duane Katz
Gaffer - Setup Unit: Salim Bensrhir
Photo Booth Gaffer: Christian Killingsworth
Rigging Gaffer: Frank Dorowsky
Best Boy Rigging Electric: Brian Dennis
Rigging Electricians: Thomas F. DeRose, Michael Dorowsky, Dean Halvorsen, Oscar Rodriguez
Key Grip: Tony Mazzucchi
Best Boy Grip: Max Gerson
Dolly Grips: Daniel Pershing, Timothy S. Christie, Billy Pierson, Kurt Stevens
Crane Technicians: David Hammer, Peter Drinco,
Brian McPherson, David Haeussler
Key Rigging Grip: Chris Leidholdt
Best Boy Rigging Grip: Chris Conahan
Rigging Grip Gang Boss: Domenic Pacino
Rigging Grips: James Alden, Robert Foulds, Jim Leidholdt, Jason Blaise Cunningham
Sewing Grip: Damon T. Doherty
Key Grip - Setup Unit: Dave Cole
MOCAP Key Grip: Dennis Hoerter
MOCAP Best Boy Grip: James Monroe Tharp Jr
Production Video Supervisor: Ian Kelly
Video Assist Supervisor: Jesse Olivares
Video Operators: Richmond G. Cogswell, Brad Ralston
Simulcam Supervisor: Glenn Derry
Simulcam Technicians: Gary P. Martinez, Chuck Ghislandi
Virtual Video Operator: Dan Moore
Simulcam CG Rigging Lead: Kalan Ray
Simulcam Engineer: Alejandro Arango
Supervising Property Master: James L. Kroning
Assistant Property Master: Lorri Jakubuv
Senior Illustrator - Props: Andrea Dopaso
Propmakers: Lynn Garrido, Jane Kilkenny
Property Production Assistant: Daniel Riva
Overall Special Effects Supervisor: JD Schwalm
Prod. Special Effects Coordinator: Gintar Repecka
Special Effects Office Coordinator: Colleen Daniel
Production Special Effects Foreman: Joseph Judd
Special Effects Lead Technician: Sean Amborn
Special Effects Technicians: Gregory Bryant, Jeremiah Cooke, Mark Gulleserian, Tom Amborn, Thomas R. Homsher, Nathaniel Acord, Kim Derry,
Mike Derry, Roland Fullajtar
Ritter Fan Operator: Adam Davenport
Assist Production Coordinator: Sally Jean Potters
Production Secretary: Brian Runnels
2nd 2nd Assistant Directors: Lillian Awa, Jason Z. Kemp, Stephanie Tull
Additional 2nd AD: Kim Richards
Set PAs: Laura Brooks, Robert Nyerges, Andrew Sitter, Laura Hoyt, Melissa Cottingham, John Meyers
Office PAs: Kurt Humphreys, Kalif Fuller, Nick Newman, Mark C. Livolsi, Stephen Ellis, Olivia Taylor
IT Support: Dustin Tiep
Specialist Set Designer: Aric Cheng
Set Designers: David Chow, Richard F. Mays, Julien Pougnier
Model Makers: Tony Bohorquez, Leo Rijn
Graphic Designer: Sara Escamilla
Construction Coordinator: Tom Early
Greens Coordinator: Richard J. Bell
Greens Foreman: Richard W. Jones
Greens Gang Boss: Todd Barnowski
Stand-by Greens: Jeffrey Thomas
Greens Labor: John Savola
General Foreman: Marcel Michael Worch
Foremen: James Barron, Bryan Turk
Propmaker: Jim Early
Propmaker Gang Boss: Fred O'Connor
Standby Propmaker: Alfred J. Ransdell
Labor Foreman: James Piccione
Labor Gang Bosses: Omar Gutierrez, Isaac Guerrero, Ruben A. Lahn Jr, Ty Beck
Paint Supervisor: Stacy Clinger
Lead Scenic: Josh Votaw, Michael D. Valdes
Paint Gang Bosses: Chris Wessman, Leslie Lawson, Sean Sult
Lead Sculptor: Jamie Miller
Modeler Gang Bosses: Craig Abele, Duncan Crawford
Mold Shop Supervisor: David Cohen
Molder: Charlie Araiza
Plaster Supervisor: Robert Wilbanks
Construction Accountant: Jim Scaife
Studio Teacher: Lois Yaroshefsky
Motion Capture & Acting Coach: Sara Arrington
Stunt Department Office Mgr.: Jenn Grundstad
Unit Publicist: Gregg Brilliant
Still Photographer: Glen Wilson
EPK M3 Productions Producer: Brad Baruh
M3 Field Producers: Alexia Necoechea, Sean Ricigliano
Transportation Captain: Nathan Hardcastle
Transportation Co-Captain: Keith Fisher
JHCS Creative Supervisor: Pete Brooke
JHCS Production Manager: Jeremy Nocon
JHCS Production Coordinator: Amy Smith
SWS/LE Project Supervisor: Shane Patrick Mahan
Legacy Preliminary Animal Design: Chris Swift, Glenn Hanz, Jared Marantz, Won Il-Song, Kourtney Coats, Constantine Serkis
Legacy Mechanical/Digital Interface Device Team: Richard Landon, Gregory Smith, Rodrick Khachatorian
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Designer: Steve Rosenbluth
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Operator: Johnnie Spence
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Programmers: Steven Sandoval, Bob Nolty, Archie Te
Legacy Digital Interface Device Team-Concept Overdrive Control Systems Technician: Vincent Ramirez
MPC VFX Producers: Anton Agerbo, Christina Graham
MPC DFX Supervisors: Clwyd Edwards, Antoine Moulinesau, Jon Neill, Elliot Newman
MPC Character Supervisor: Ben Jones
MPC Environment Supervisor: Audrey Ferrara
MPC Compositing Supervisors: David Griffiths, Stephen Kennedy, Richard Little, David Shire
MPC Animation Producer: Duncan Ramsay
MPC Production Managers: Olivia Lyne, Joel MacDonald, Lucy Tanner, Cecilia Marin, George Pembrey
MPC Matchmove & Roto Animation Supervisors, Additional Supervision: Puja Parikh, Kabir Verma
MPC Layout Supervisor, Additional Supervision: Stanley A. Dellimore
MPC Environment Supervisor, Add'l Supervision: Marco Rolandi
MPC FX Supervisor, Add'l Supervision: Oliver Winwood
MPC Rotoscope & Paint Prep Supervisors, Add'l Supervision: Richard Baillie, Payal Dani
Head of MPC Film, Studio Team: Chris Robertson
MPC Global Head of Production, Studio Team: Rachel Matchlett
MPC Heads of Production, Studio Team: Lauren McCallum, Uma Krishnamurthy
MPC Global Head of VFX Operations, Studio Team: Damien Fagnou
MPC Head of VFX, Studio Team: Jigesh Gajjar
MPC R&D Supervisor, Software Research & Development: Rob Pieke
MPC R&D Manager, Software Research & Development: Safiya Greensword
MPC Global Head of Technology: Nick Cannon
MPC Heads of Technology: Georg Wieland, Shajy Thomas
MPC LA Unit VFX Producer: Dawn Guinta
MPC LA Unit DFX Supervisor: Michael Kennedy
MPC LA Unit Lighting Visualization Supervisor: Michael Hipp
MPC LA Unit Systems Support: Ron Rebensdorf
WETA Visual Effects Producer: Ben Pickering
WETA Executive Producer: David Conley
WETA Head Of Production: Cyndi Ochs
WETA CG Supervisors: Thelvin Tico Cabezas, Daniele Tosti
WETA Compositing Supervisor: Chris Salzmann
WETA Creatures Supervisor: Matthew Muntean
WETA Models Supervisor: Florian Fernandez
WETA Texture Lead: Masaya Suzuki
WETA Shader Lead: Emiliano Padovani
WETA Layout Leads: Shweta Bhatnagar, Michael Paget
WETA Digital Stereographer: Angus Ward
WETA Animation Supervisors & Leads: Nino Kristoffer C. Ancieto, Jamie Beard, Alexander Burt, Matthew Riordan, Christian Rivers, Dennis Yoo
WETA FX Supervisors & Leads: Gerardo Aguilera, David Caeiro Cebrian, Johnathan M. Nixon, Alex Nowotny
WETA Editing & Imaging: Tom McHattie, James Meikle, Stephen Roucher
WETA Research and Development: Holly Dale, Martin Grozinger, Steven Longay, Paolo Emilio Selva
WETA Production Engineering: Tim Murphy, Reed Wade
WETA Rendering: Shijun Haw, Robin Hub
WETA IT: Malcolm Aitchison, Svend Andersen, Andrew Lambert, Matthew John Penman, Campbell Taylor-Fairweather
DD1.0 Virtual Production Supervisor & Producer: Gary Roberts
DD1.0 VAD/LAB Supervisor: April Warren
DD1.0 MOCAP Production Supervisor: Gaby Rios
DD1.0 MOCAP Pipeline Supervisor: Ryan Beagen
DD1.0 Virtual Camera Layout Op: John Brennan
DD1.0 V.C. Layout TD: Girish Balakrishnan
DD1.0 Virtual A/Simulcam Op: Mahyar Sadri
DD1.0 Virtual B/Simulcam Op: Anthony Jacob
DD1.0 Virtual C/Simulcam Operator: IAN ADAMS
Digital Domain Digital Notes Lead: Brett Skaggs
Digital Domain VAD Coordinator: Sam Tung
DD1.0 Virtual Production CG Supervisor: Mark Rodahl
DD1.0 LAB Master Scene Lead: Jose Astacio
DD1.0 LAB Master Scene Coordinator: Elizabeth Willaman
DD1.0 LAB Animation Lead: Andrew Greenlee
DD LAB Animation Coordinator: Clayton Shank
Digital Domain LAB Shots Lead: Joe Henderson
DD1.0 LAB Shots Coordinator: Alisha Lim
DD1.0 LAB Shots Artists: Long Hai-Pham, Kirsten Jelliffe
DD1.0 Virtual Production TDs: Adrian Dimond, Rick Fronek
DD1.0 Systems/IT: Roger Van Helden, Oded Rosenblum
DD Senior Production Accountant: Andrea Biklian
Photon Project Lead/Creative Supervisor: Habib Zargarpour
Photon Architects: Girish Balakrishnan, Gary Roberts
Photon Principal Software Engineer: Wes Potter
Photon Software Engineers: Ludovic Chabant, Andrew Clements, John Hable, Dom Humphrey, Maurice Ko, David Lam
Genre8 DMS Stereo Supervisor: Tim Chou
Genre8 DMS Executive Producer: Paul Becker
Genre8 DMS Producer: Chad Cortvriednt
Genre8 DMS Depth Supervisor: Ashish Kukian
Genre8 DMS Asset Supervisor: Bhavani Shankar
MPC Previsualization Supervisor: Duane Floch
MPC Previz Executive Producer: Julian Levi
MPC Previz Production Manager: Kim Menastar
T3F Previz Supervisor: Brian Pace
T3F Previz Artists: Roger Liu, Roger Mathews,
Joseph Civitate, Eduardo Franz, Jordan Emerick
T3F Previz Creative Supervisor: Chris Edwards
T3F Previz Producer: Kerry Shea
T3F Production Manager: Charlotte Nelson
Magnopus Visual Effects Executive Producer: Ben Grossman
Magnopus Visual Effects Producer: Magdalena Wolf
Magnopus Matchmove Artist: Carl Stern
Magnopus Compositors: Davy Nethercutt, Bee Jin Tan
Magnopus Matte Painter: Alex Nice
Magnopus Visual Effects Editor: Brian Miller
Tangerine Visual Effects Supervisor: Joe Farrell
Tangerine Apps Layout Supervisor: Derek Blume
Tangerine Digital Production Mgr.: Patrick Halm
Tangerine Matchmove Supervisor: Steve Hansen
Tangerine Lighting Artists: Christina Lee, Patrick Vidal
Tangerine Apps Animator: Andrew Greenlee
Tangerine Compositors: Kevin Pierce, Ian Harris, Austin Brown, Suzette Barnett
Tangerine Apps Matchmove Artist: Nha Lee
Tangerine Apps Systems Engineer: Tao Ma
Tangerine Head of Management: Dogan Koslu
Tangerine Apps Hand Drawn Logo Animation Supervisor: Bill Perkins
Tangerine Logo Hand FX Animator & Design: Phillip Vigil
Tangerine Logo Ink and Paint Artist: Serena Reid
Tangerine Logo Backgrounds Lead: Max Perkins
Skywalker Sound Effects Editors: Ken Fischer, David Chrastka
Skywalker Sound Dialogue Editor: Marshall Winn
Skywalker Foley Editors: Jim Likowski, Dee Selby
Assistant Supervising Sound Editor: Andre Fenley
Skywalker Assistant Dialogue Editor: Lisa Chino
Skywalker Apprentice Sound Editor: Lucas Miller
Sound Foley Artists: Jana Vance, Denny Thorpe
Skywalker Sound Foley Mixer: Chris Manning
Assistant Re-Recording Mixer: Kevin Bolen
Skywalker Sound Head of Engineering: Steve Morris
Hula Post Chief Technology Officer: Joshua Rizzo
Hula Post Senior Engineer: Dennis Bethke
Hula Post Senior Technician: James Tejeda
Hula Post Background Voices Coord: Barb Harris
TCS Associate Finishing Colorist: Mike Sowa ASC
TCS Assist Digital Finishing Colorist: Juan Flores
TCS Digital Conform Editor: Bob Schneider
TCS Color Scientist: Josh Pines
TCS Digital Intermediate Producer: Mike Dillon
Sound Mix Tech: Tom Y. Burns
Supervising Music Editor: Charles Martin Inouye
Music Editors: Tanya Noel Hill, Jim Harrison
Score Recordist and Mixer: Simon Rhodes
Score Orchestrators: Kevin Kasha
Orchestra Contractor: Dan Savant
Choir Contractor: Bobbi Page
Heads of Music Preparation: Mark Graham, Greg Jamrock, Andrew Hauschild
Score Recordist: Kevin Globerman
Score Coordinator: Lola Debney
Score Production Supervisors: Natalie Stowell, Stephanie Pereida
Score Technical Assistant: Jaime Hartwick
Songs Recordists: Vince Caro, Riccardo Damian,
Mike Dorsey, Jens Jungkurth, Mark Ronson, Misha Kachkachishvili
Additional Song Arrangers: Mark Mullins, Scott Lee Miller, William August Hunt
USC Light Stage Sr Supervisor: Paul Debevec
USC Light Stage Supervisor: Xueming Yu
USC Light Stage Producer: Kathleen Haase
USC Light Stage Software Developer: Graham Fyffe
USC Light Stage Associate Supervisor: Jay Busch
GGS 3D Scanning Supervisor: Yoshi De Herrera
GGS Producer: Brian Adler
GGS Scan Technicians: Rodrigo Carrasco, Larry Taylor, Stephen Casa, Neal Bradshaw
BFR LIDAR Technician: Nick Curry
Special Thanks: Mark Andrews, Brian Larson, Katherine Sarafian, Paul Reynolds, Tamara Reynolds, Elizabeth Chassie, Jaimie Councilor, Michael Rooney, Saffery Champness
Los Angeles Zoo Consultant: John Lewis
Dedicated to: Garry Shandling, Shawn Robinson
Camera: Alexa XT M (3.4K ARRIRAW)
Lenses: Panavision Primo Spherical Primes
AR: 1.85:1 (Dual-Strip 3D)
Budget: 175-177 Million USD
On-Set Reference Puppets Created by: Jim Henson's Creature Shop
Live Action Prop Effects/Digital Interface Created at: Stan Winston Studio/Legacy Effects
Visualization, Visual Effects & Animation by: MPC Previz, MPC, Weta Digital, Tangerine Apps & The Third Floor
Virtual Production, Real Time Visualization and Development Provided by: Digital Domain & Photon
3D Services by: Gener8 Digital Media Services
Medusa Performance Capture, Concept Design & Visual Development by: Industrial Light & Magic, Magnopus + Disney Research
Post Production Sound Services by: Skywalker Sound
Editing Systems and Service by: Hula Post
Digital Intermediate by: Technicolor Creative Services
Sound Re-Recorded at: The William Holden Theater & Sony Post Production Services Culver City, CA
Music Preparation by: JoAnn Kane Music Services
Score Recorded at: Sony Scoring Stage, Culver City, CA
Score Mixed at: Technicolor at Paramount, Hollywood, CA
Songs Recorded at: Chalice Recording Studio (Los Angeles, CA), Diamond Mine Recording Co (Long Island City, NY), Esplanade Studios & Music Shed Studios (New Orleans, LA), Electric Lady (New York, NY) + Zelig Studios (London, UK)
Main on End Type Design & End Crawl Sequence Designed by: YU+CO
Facial Reflectance Capture by: The University of Southern California Institute for Creative Technologies
3D Scanning by: 3D Systems/Gentle Giant Studios
LIDAR Services Provided by: Big Flick Rentals
Digital Asset Management Provided by: 5th Kind
3D Camera Systems, Grip & Lighting Provided by: Cineverse (A Division of VER)
Lenses Provided by: Panavision
Camera Cranes Provided by: Pro-Cam Rentals
Camera Cranes, Dollies and Stabilized Camera Systems Provided by: Chapman/Leonard Studio Equipment
Remote Heads by: Camera Car Systems
Filmed at: Los Angeles Center Studios
Soundtrack Available on: Walt Disney Records
Filmed in: Downtown Los Angeles
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision

Producer: Karen Gilchrist
Executive Producers: Tom Peitzman, Julie Taymor
Cinematographer: Caleb Deschanel ASC
Production Designer: James Chinlund
Film Editors: Mark Livolsi ACE, Adam Gertsel
Co-Producer: John Bartnicki
Composer & Exec Music Producer: Hans Zimmer
Composers (Original Songs): Elton John, Tim Rice
Songs Producer: Pharrell Williams
Production VFX Supervisor/2nd Unit Director: Robert Legato ASC
Production VFX Supervisor: Adam Valdez
Production Animation Supervisor: Andrew R. Jones
Casting: Sarah Halley Finn CSA
Unit Production Manager: Jeffrey Silver
Assoc. Producer & 1st AD: David J. Venghaus Jr
2nd Assistant Director: Kim Richards
Associate Producer: Debbi Bossi
Production VFX Producers: Barry St. John, Matt Rubin
MPC Senior VFX Supervisor: Elliot Newman
MPC DFX Supervisor: Audrey Ferrara
MPC Animation Supervisors: Gabriele Zucchelli, Stephen Enticott
MPC Virtual Production Supervisor: Girish Balakrishnan
MPC VFX Producer: Christoph Roth
MPC Sr VFX Exec Producers: Philip Greenlow, Christian Robertson
Head of Story: Dave Lowery
Supervising Finishing Artist: Steven J. Scott ASC
Supervising Art Director: Vlad Bina
Art Consultants: Joseph Ramiro, Derek Pendleton
Animatics Supervisor: James Rothwell
Add'l Film Editor: Jessica Schulte
Production VFX Coordinator: Pasquale Antonelli
VFX Associate Producer: Yasamin Ismaili
A Camera/Steadicam Operator: Henry Tirl
B Camera/Steadicam Operator: Chris Haarhoff
2nd Assistant Camera: Eric Amundsen
MPC Senior VFX Digital Producer: Will Newis
MPC VFX Executive Producer: Christina Graham
MPC VFX Digital Producer: Danny Huerta
Virtual Production Producer (MPC Virtual Prod Unit): Maude Lewis
Head of Virtual Production (MPC Virtual Prod Unit): Adam Davis
MPC Virtual Prod Unit Animation Supervisor: Julio Del Rio Hernandez
Consultant: Chris Montan
African Music Consultant: Lebo M
3D Finishing Artist: Charles Bunnag
Finishing Artist: Mandy Sorenson
Finishing Artist/Colorist: Adam Nazarenko
Finishing Producer: Laura Geucherian
CO3 President, Exec Finishing Producer & Add'l Senior Finishing Colorist: Stefan Sonnenfeld ASC
Finishing Editor: Joe Ken
Senior Technical Lead: Juan Flores
Filming Dates: 1 February 2017 - 31 December 2018
Cameras: Alexa 65 & 65 IMAX (6.5K ARRIRAW)
Lenses: Panavision Sphero 65 Primes, 2400mm Telephoto Prime & Canon 150-600mm Zoom
AR: 1.43:1 (Select IMAX Laser Venues: Some Scenes), 1.78:1 (4K UHD, Blu-Ray, DVD and Digital Versions), 1.85:1 (PS 70 IMAX), 1.90:1 (IMAX Digital and Laser Venues)
Budget: 250-260 Million USD
Color & Finish Provided by: Company 3
Visual Effects & Animation Provided by: Moving Picture Company
Post-Production Sound Services Provided by: Skywalker Sound
Distributed by: Walt Disney Studios Motion Pictures
Attribute: Filmed in Panavision/IMAX

Writer/Executive Producer: Jon Favreau
Executive Producer: Dave Filoni
Executive Producer & UPM: Colin Wilson
Cinematographer: Barry Baz Idoine ASC
Production Designer: Andrew L. Jones
Production Design Supervisor: Doug Chiang
Episode Editor: Adam Gerstel
Composer: Ludwig Göransson
Composer (Add'l Music): Joseph Shirley
Casting: Sarah Halley Finn CSA
1st Assistant Director: Kim Richards
2nd Assistant Director: Heather Wagner Wang
Production Visual Effects Supervisor: Joe Bauer
Production Visual Effects Producer: Abigail Keller
Production Animation Supervisor: Hal Hickel
Costume Designer: Shawna Trpcic
Co-Executive Producer: Karen MJ Gilchrist
Producer: John Bartnicki
Co-Producer + ILM SVP & GM: Janet Lewin
Co-Producer: Jason McGatlin
Makeup Designer: Brian Sipe
Co-Makeup Designer: Alexei Dmitriew
Hair Designer: Maria Sandoval
Legacy FX Senior Supervisor: John Rosengrant
Head of Storyboards: Dave Lowery
2nd Unit Director: Sam Hargrave
Stunt Coordinator: Ryan Watson
Assistant Stunt Coordinator: Joe Perez
Graffiti Designer: David Choe
Supervising Finishing Artist: Steven J. Scott ASC
Co-Producer/Prod Supervisor: Gavin J. Behrman
Assoc. Producer & Virtual Prod Sup: Clint Spillers
Associate Producer: Kristen Schreck
Supervising Art Director: David Lazan
Graphic Designer: Michael Epstein
Storyboard Artist: Phill Norwood
Model Maker: Jason Mahakian
Art Coordinator: Michelle Thieme
Digital Asset Manager: Sara Polito
Concept Supervisors: Ryan Church, Christian Alzmann, Erik Tiemens
Concept Model Supervisor: Rene Garcia
Concept Manager: Genevieve Elkin
Concept Researcher: Phil Szostak
Concept Coordinator: Madeline Sandrolini
ILM Virtual prod Visualization Sup.: Landis Fields
ILM Environments VFX Supervisor: Enrico Damm
ILM Senior Comp Supervisor: Cameron Nielson
ILM Senior Visual Effects Supervisor: John Knoll
ILM Senior Animation Supervisor: Paul Kavanagh
ILM Senior Visual Effects Producer: Stacy Bissell
ILM StageCraft Producers: Sabina Fredenburg, Chris Bannister
ILM StageCraft Volume Supervisor: Greg Kegel
ILM Virtual Prod CG Supervisors: Doug Sutton, Edward Cunneen
ILM Environments Supervisors: Johanes Kurnia, Kevin George
ILM Environments PM: Rachel Galbraith
Virtual Art Dept. Manager: Haley Hughes
Virtual Art Dept. Supervisor: Vlad Bina
Senior Lighter (Virtual Environ. Design): Safari Sosebee
T3F Sr Visualization Supervisor: Chris Williams
T3F Previz Lead: Patrick T. Gehlen
T3F Supervising TD: Johnson Thomasson
T3F Techviz Supervisor: Steven Tom
T3F Techviz Lead: Kevin Tan
T3F Assoc. Production Manager: Clayton Albrecht
T3F Virtual Prod Stage Technician: Daniel McCue
T3F Visualization Producer: Charlotte Nelson
T3F Vice President: Dane Allan Smith
T3F Visualization Coordinator: Lauren Levesque
T3F R&D Manager: Evelyn Cover
T3F Visualization Engineer: Gary Marsh
T3F Visualization Engine TD: Jesus Chui Munoz
T3F Pipeline TD: Ryan Zukoff
T3F Art Developer: Julia Lou
Supervising Set Decorator: Amanda Serino
Set Dec Coordinator: Gina Hermosillo
Supervising Prop Master: Josh Roth
2nd Unit Prop Master: Lawson Brown
Prop Shop Coordinator: Damon Allison
Assistant Costume Designer: Sara Fox
Costume Supervisor: Julie Robar
Legacy FX Prosthetic Designer: Scott Patton
Legacy Effects Supervisor: J. Alan Scott
Add'l Cinematographer: David Klein ASC
A Camera Operator: Simon Jayes
A Camera 1st Assistant: James Apted
B Camera Operator: Chris Murphy
B Camera 1st Assistant: Niranjian Martin
DIT: Eduardo Eguia
A Camera 2nd Assistant: Amanda Levy
Add'l Camera Utility: Mike McGee
B Camera 2nd Assistant: Jeremy Cannon
Camera Loader: Jesse Barba
Add'l Camera Loader: Luis Hernandez
C Camera Op (2nd Unit Camera): Andy Graham
C Cam 1st Ass't (2nd Unit Camera): Dom Mainl
D Camera Op (2nd Unit Camera): John Joyce
D Cam 1st Ass't (2nd Unit Camera): Jon Zarkos
C Cam 2nd AC (2nd Unit Camera): John Carreon
D Cam 2nd AC (2nd Unit Cam): Diana Ulzheimer
Video Assist Operator: Brad Ralston
2nd Unit Video Assist Operator: Gaylen Nebeker
2nd Unit 1st Assistant Director: Matthew Milan
2nd 2nd Assistant Director: Heather Keheyas
Add'l 2nd Assistant Director: David Buchwald
Chief Lighting Technician: Jeff Webster
Ass't Chief Lighting Technician: Layne McIsaac
Rigging Chief Lighting Technician: Bob DeChellis
Rigging Ass't Chief Lighting Technician: Jeff Cole
Key Grip: Walter Bud Scott
Production Controller: Shari LaFranchi Blakney
Assistant Production Supervisor: Darin Eppich
Financial Controller: Edward Allen
Production SFX Supervisor: Roy K. Cancino
On Set Coord/Pyro Foreman (SFX): Alan Roberts
Engineers/Design Techs (SFX): Brandon Stell, Chris Cogswell
Shop Foreman (Special Effects): Chris Altmeyer
Production SFX Accountant: Victoria Haag
Supervising Location Manager: Jennifer Dunne
Key Assistant Location Manager: Nathan Stein
Assoc. Episode Editors: Dylan Firshein, J. Erik Jessen
Production VFX Editors: Steve Jacks, Luftar Von Rama
Sr Post Prod Supervisor: Jude Lane-Babcock
Post Production Supervisor: James Blevins
1st Assistant Editor: Rachel Goldsmith
2nd Assistant Editor: Michael Lucas
3rd Assistant Editor: David Matusek
Post Production Coordinator: Anna Livingston
Visual Effects 1st Assistant Editor: Zach Fine
Visual Effects 2nd Assistant Editor: Yu Jung Hou
Post Production Assistant: Kathryn Elise Drexler
FotoKem Dailies Colorist: Jon Rocke
NextLAB Operator (Dailies): Christopher Horvath
FotoKem Dailies Producer: Jackie Mata
FotoKem Head of Dept. (Dailies): David B. Hall
NextLAB Engineer (Dailies): Kyle Peters
FotoKem Sr Producer (VFX Pulls): Pam Scott-Farr
CO3 Sr Finishing Artists: Charles Bunnag, Adam Nazarenko
CO3 Finishing Assistant: Michael Ochoa
CO3 Technical Project Manager: Juan Flores
CO3 Senior Finishing Producer: Laura Holeman
CO3 Finishing Executive: Jackie Lee
CO3 Associate Finishing Producer: Philip Marvin
CO3 Sr Finish Editors: Chad Schermerhorn, Joe Ken
CO3 Image Scientist: John Quartel
CO3 Technologist: Michael Chiado
CO3 Digital Delivery Technician: David Renteria
CO3 Deliverables Assoc. Producer: Jessica Dunn
CO3 Head of Production: Nick Monton
CO3 President & EP: Stefan Sonnenfeld ASC
Music Editor: Stephanie McNally
Score Supervisor: Monica Sonand
Score Orchestrator: Pete Anthony
Score Synth Programmer: Max Sandler
Score Conductor: Anthony Parnther
Supervising Sound Editor: Matthew Wood
Supervising Sound Editor/Designer: David Acord
Re-Record Mixers: Bonnie Wild, Stephen Uruta
Sound FX Editors: Benjamin A. Burtt, JR Grubbs
Dialogue/ADR Editors: Jim Spencer, Rick Quinn
Foley Supervisor: Richard Gould
Ass't Supervising Sound Editor: Trey Turner
Ass't Re-Recording Mixer: Judy Kirschner
Consulting Visual FX Supervisor: Richard Bluff
VFX Assoc. Producers: Jarkis Smittant, Hui Ling Chang
Visual Effects Production Manager: Katie Plumer
Additional Visual FX Supervisor: Joel Delle-Vergin
2nd Unit VFX Supervisor: Jason Van Haverbeke
Production VFX Coordinator: Jett Lucas, Gregory Weiler
Photogram. Acquisition Tech (VFX Crew): Matt McLaughlin
Production VFX Data Wrangler: Matthew Skuta
VFX Assistant Data Wrangler: Kate Chamuris
2nd Visual Effects Editor: Jenni O'Byrne
VFX Production Accountant: Andrew Brown
ILM VFX Supervisors: Jose Burgos, Julian Foddy, Dave Dally, Jeff Capogreco
ILM Comp Supervisors: Peter Demarest, Michael Conte
ILM Prod Supervisors: Russ Lum, Ale Melendez, Duncan Ramsey, Stefan Drury
ILM Vice President (Marketing): Luke O'Byrne
ILM CG Effects Supervisor: Joakim Arnesson
ILM Digital R/P Supervisor: Lance Baetkey
ILM Digital Comp Supervisor: Christopher Balog
ILM Lead FX Technical Director: Ken Beauchamp
ILM Visual Effects Producer: Laurence Berkani
ILM Visual Effects Compositor: Tami Carter
ILM Digital Compositor: Peter Chesloff
ILM Add'l VFX Supervisors: Jay Cooper, Malcolm Humphreys
ILM CG Supervisor: Karin Cooper
ILM Layout Supervisor: Tim Dobbert
ILM FX Supervisors: Georg Kaltenbrunner, Raul Essig
ILM Visual FX Production Manager: Lauren Fong
ILM Director (PR/C): Greg Grusby
ILM VFX On-Set Photographer: Giles Hancock
ILM Animation Supervisor: Cedric Lo
ILM Assoc. Animation Supervisor: Jakub Pistecky
ILM SVP & Chief Creative Officer: Rob Bredow
ILM Executive VFX Producer: Gretchen Libby
ILM VP of Operations: Jessica Teach
ILM Head of Production: Sue Lyster
ILM Exec in Charge of Prod: Luke Hetherington
ILM Creative Directors & Add'l VFX Supervisors: Nigel Sumner, Jeff White
ILM Creative Director & Sr VFX Supervisor: Ben Morris
ILM Razorcrest Model Makers (Miniatures Team): John Goodson, Dan Patrascu
Hybride Visual FX Supervisor: Joseph Kasparian
ILP Visual Effects Supervisor: Bobo Skipper
Base FX Visual Effects Supervisor: Mark Varisco
Stereo D VFX Supervisor: Russ Resendez McCoy
EVP & General Manager of Prod: Lynwen Brennan
SVP of Live Action Dev & Prod: Michelle Rejwan
Filming Dates: 7 October 2019 - 8 March 2020 (Entire Second Season)
Cameras: Alexa LF IMAX & Mini LF IMAX (4.5K ARRIRAW)
Lenses: Panavision Ultra Vista 1.65x Anamorphic Primes & H-Series Spherical Primes
AR: 1.78:1 (Krayt Dragon Fight), 2.39:1 (Anamorphic)
Visual Effects & Virtual Production Provided by: Industrial Light & Magic, Hybride, Important Looking Pirates, Base FX + Stereo D
Visualization Provided by: The Third Floor
Animatronic Live Action Effects, Prosthetics & Specialty Costumes Designed by: Stan Winston Studio/Legacy Effects
Dailies & VFX Pulls Provided by: FotoKem NextLAB
Digital Intermediate Finishing Provided by: Company 3
Main & End Titles Designed by: YU+co
Post-Production Sound Services Provided by: Skywalker Sound
Additional Visual Effects Provided by: Yannix & Virtuos
Attribute: Filmed in Panavision/IMAX (as Panavision Lenses)