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An actress who always attracts audiences' attention, Jennifer Tilly is by turns funny, sexy, compassionate, compelling and often all at once. She has been playing unforgettable characters ever since she started her career as an actress.
Jennifer Tilly was born Jennifer Ellen Chan in Harbor City, Los Angeles, to Harry Chan, a used car salesman, who was of Chinese origin, and Patricia (née Tilly), a schoolteacher and stage actress. Her sister is actress Meg Tilly. They were raised on rural Texada Island, British Columbia, by her mother and stepfather, John Ward.
Jennifer successfully cultivated another fan base with the revitalization of the "Child's Play" horror comedy franchise. For Ronny Yu's Bride of Chucky (1998), the filmmakers turned to Jennifer to create the character who would spark the series in a new direction. She met the challenge and established a new horror icon in Tiffany. In Rogue Pictures' Seed of Chucky (2004), written and directed by series creator Don Mancini, Jennifer again took the popular series to the next level; starring as Tiffany and as herself, the deadly doll's favorite actress, who soon becomes an unwitting hostess in more ways than one.
Jennifer's pitch-perfect voiceover work as Tiffany is not the only instance of her being able to incarnate a character from the vocal chords out. Families know her distinctive cadences from the Disney hits Home on the Range (2004), directed by Will Finn and John Sanford; The Haunted Mansion (2003) (in which Jennifer acted from the neck up only), directed by Rob Minkoff; and the Pixar blockbuster Monsters, Inc. (2001) (voicing Mike's love interest Celia), directed by Pete Docter, David Silverman and Lee Unkrich. She began her acting career as a teenager, putting herself through the theater program at Stephens College in Missouri by winning writing competitions. She then headed to Los Angeles, California. While she continued to act on the stage (earning a Dramalogue Award for her performance in "Vanities"), movies and television immediately came calling for the actress with the unique voice and visage.
In 2001, she starred in the Broadway revival of "The Women" with Cynthia Nixon and Kristen Johnson, which was later taped for, and broadcast on, PBS. In 2008, she appeared with Miranda Richardson in the critically acclaimed production of Wallace Shawn's play "Grasses of a Thousand Colors" at the Royal Court Theatre in London. Other plays include "Tartuffe" (LAAT) "Boy's Life" (LAAT) "Baby with the Bathwater" (LAPT) and others too numerous to mention. In 2005, Jennifer met her boyfriend, professional poker player Phil Laak (also known as the Unabomber). That summer at the World Series of Poker, she bested a field of 601 to take down the Ladies Event and win a coveted gold bracelet. She followed this up by winning the WPT Ladies Invitational, making her one of a small but elite group holding both a WSOP bracelet, and a WPT title. In summer 2010, she also won the Bellagio Cup 5k tournament.- Actress
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Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Actress
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Meg Tilly was set on being a dancer, and at 17 connected to the Connecticut Ballet Company and later Throne Dance Theatre. It was in this capacity that she had her screen debut in Alan Parker's Fame (1980). Unfortunately, an injury to her back cut short her plans for a dance career, and a small appearance in the TV series Hill Street Blues (1981) turned her towards acting (her dancing skills were not all forgotten, as was evident in The Big Chill (1983) and Psycho II (1983)). She received an Oscar nomination for Best Supporting Actress for Agnes of God (1985), and nobody doubted that she was on her way to stardom. One step on the road to that status was her being cast in Milos Forman's Amadeus (1984) as Constanza, but again her body interfered, and seven weeks into the production with her foot in a cast were more than the producers could accept, and she was replaced. Her "consolation", was a role in Forman's next project Valmont (1989), didn't do her career much good. Since then she has averaged a movie a year, and with the exception of Leaving Normal (1992), none have tapped the enormous reservoir of talent she has.- Actress
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Mary Tyler Moore was born in Flatbush, Brooklyn, on December 29, 1936. Moore's family relocated to California when she was eight. Her childhood was troubled, due in part to her mother's alcoholism. The eldest of three siblings, she attended a Catholic high school and married upon her graduation, in 1955. Her only child, Richard Meeker Jr., was born soon after.
A dancer at first, Moore's first break in show business was in 1955, as a dancing kitchen appliance - Happy Hotpoint, the Hotpoint Appliance elf, in commercials generally broadcast during the popular sitcom The Adventures of Ozzie and Harriet (1952). She then shifted from dancing to acting and work soon came, at first a number of guest roles on television series, but eventually a recurring role as Sam, Richard Diamond's sultry answering service girl, on Richard Diamond, Private Detective (1956), her performance being particularly notorious because her legs (usually dangling a pump on her toe) were shown instead of her face.
Although these early roles often took advantage of her willowy charms (in particular, her famously-beautiful dancer's legs), Moore's career soon took a more substantive turn as she was cast in two of the most highly regarded comedies in television history, which would air first-run for most of the '60s and '70s. In the first of these, The Dick Van Dyke Show (1961), Moore played Laura Petrie, the charmingly loopy wife of star Dick Van Dyke. The show became famous for its very clever writing and terrific comic ensemble - Moore and her fellow performers received multiple Emmy Awards for their work. Meanwhile, she had divorced her first husband, and married advertising man (and, later, network executive) Grant Tinker.
After the end of The Dick Van Dyke Show (1961), Moore focused on movie-making, co-starring in five between the end of the sitcom and the start of The Mary Tyler Moore Show (1970), including Thoroughly Modern Millie (1967), in which she plays a ditsy aspiring actress, and an inane Elvis Presley vehicle, Change of Habit (1969), in which she plays a nun-to-be and love interest for Presley. Also included in this mixed bag of films was a first-rate television movie, Run a Crooked Mile (1969), which was an early showcase for Moore's considerable talent at dramatic acting.
After trying her hand at movies for a few years, Moore decided, rather reluctantly, to return to television, but on her terms. The result was The Mary Tyler Moore Show (1970), which was produced by MTM Enterprises, a company she had formed with Tinker, and which later went on to produce scores of other television series. Moore starred as Mary Richards, who moves to Minneapolis on the heels of a failed relationship. Mary finds work at the newsroom of WJM-TV, whose news program is the lowest-rated in the city, and establishes fast friendships with her colleagues and her neighbors. The sitcom was a commercial and critical success and for years was a fixture of CBS television's unbeatable Saturday night line-up. Moore and Tinker were determined from the start to make the sitcom a cut above the average, and it certainly was - instead of going for a barrage of gags, the humor took longer to develop and arose out of the interaction between the characters in more realistic situations. This was also one of the earliest television portrayals of a woman who was happy and successful on her own rather than simply being a man's wife. The Mary Tyler Moore Show (1970) is generally included amongst the finest television series ever produced in America.
Moore ended the sitcom in 1977, while it was still on a high point, but found it difficult to flee the beloved Mary Richards persona - her subsequent attempts at television series, variety programs, and specials (such as the mortifying disco-era Mary's Incredible Dream (1976)) usually failed, but even her dramatic work, which is generally excellent, fell under the shadow of Mary Richards. With time, however, her body of dramatic acting came to be recognized on its own, with such memorable work as in Ordinary People (1980), as an aloof WASP mother who not-so-secretly resents her younger son's survival; in Finnegan Begin Again (1985), as a middle-aged widow who finds love with a man whose wife is slowly slipping away, in Lincoln (1988), as the troubled Mary Todd Lincoln, and in Stolen Babies (1993), as an infamous baby smuggler (for which she won her sixth Emmy Award). She also inspired a new appreciation for her famed comic talents in Flirting with Disaster (1996), in which she is hilarious as the resentful adoptive mother of a son who is seeking his birth parents. Moore also acted on Broadway, and she won a Tony Award for her performance in "Whose Life Is It Anyway?"
Widely acknowledged as being much tougher and more high-strung than her iconic image would suggest, Moore had a life with more than the normal share of ups and downs. Both of her siblings predeceased her, her sister Elizabeth of a drug overdose in 1978 and her brother John of cancer in 1991 after a failed attempt at assisted suicide, Moore having been the assistant. Moore's troubled son Richie shot and killed himself in what was officially ruled an accident in 1980. Moore was diagnosed an insulin-dependent diabetic in 1969, and had a bout with alcoholism in the early 1980s. Divorced from Tinker in 1981 after repeated separations and reconciliations, she married physician Robert Levine in 1983. The union with Levine proved to be Moore's longest run in matrimony and her only marriage not to end in divorce. Despite the opening credits of The Mary Tyler Moore Show (1970), in which she throws a package of meat into her shopping cart, Moore was a vegetarian and a proponent of animal rights. She was an active spokesperson for both diabetes issues and animal rights.
On January 25, 2017, Mary Tyler Moore died at age 80 at Greenwich Hospital in Greenwich, Connecticut, from cardiopulmonary arrest complicated by pneumonia after having been placed on a respirator the previous week. She was laid to rest during a private ceremony at Oak Lawn Cemetery in Fairfield, Connecticut.- Actress
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Rachel Anne McAdams was born on November 17, 1978 in London, Ontario, Canada, to Sandra Kay (Gale), a nurse, and Lance Frederick McAdams, a truck driver and furniture mover. She is of English, Welsh, Irish, and Scottish descent. Rachel became involved with acting as a teenager and by the age of 13 was performing in Shakespearean productions in summer theater camp; she went on to graduate with honors with a BFA degree in Theater from York University. After her debut in an episode of Disney's The Famous Jett Jackson (1998), she co-starred in the Canadian TV series Slings and Arrows (2003), a comedy-drama about the trials and travails of a Shakespearean theater group, and won a Gemini award for her performance in 2003.
Her breakout role as Regina George in the hit comedy Mean Girls (2004) instantly catapulted her onto the short list of Hollywood's hottest young actresses. She followed that film with a star turn opposite Ryan Gosling in the adaptation of the Nicholas Sparks bestseller The Notebook (2004), which was a surprise box office success and became the predominant romantic drama for a new, young generation of moviegoers. After filming, McAdams and Gosling became romantically involved and dated through mid-2007. McAdams next showcased her versatility onscreen with the manic comedy Wedding Crashers (2005), the thriller Red Eye (2005), and the holiday drama The Family Stone (2005).
McAdams then explored the independent film world with Married Life (2007), which premiered at the Toronto Film Festival and also starred Pierce Brosnan, Chris Cooper and Patricia Clarkson. Starring roles in the military drama The Lucky Ones (2008), the newspaper thriller State of Play (2009), and the romance The Time Traveler's Wife (2009) followed before she starred opposite Robert Downey Jr. and Jude Law in Guy Ritchie's international blockbuster Sherlock Holmes (2009). McAdams played the plucky producer of a failing morning TV show in Morning Glory (2010), the materialistic fiancée of Owen Wilson in Woody Allen's Midnight in Paris (2011), and returned to romantic drama territory with the hit film The Vow (2012) opposite Channing Tatum. The actress also stars with Ben Affleck in Terrence Malick's To the Wonder (2012) and alongside Noomi Rapace in Brian De Palma's thriller Passion (2012).
In 2005, McAdams received ShoWest's "Supporting Actress of the Year" Award as well as the "Breakthrough Actress of the Year" at the Hollywood Film Awards. In 2009, she was awarded with ShoWest's "Female Star of the Year." As of 2011, she has been romantically linked with her Midnight in Paris (2011) co-star Michael Sheen.- Actress
- Soundtrack
In America, the early performing arts accomplishments of young Maureen FitzSimons (who we know as Maureen O'Hara) would definitely have put her in the child prodigy category. However, for a child of Irish heritage surrounded by gifted parents and family, these were very natural traits. Maureen made her entrance into this caring haven on August 17, 1920, in Ranelagh (a suburb of Dublin), Ireland. Her mother, Marguerita Lilburn FitzSimons, was an accomplished contralto. Her father, Charles FitzSimons, managed a business in Dublin and also owned part of the renowned Irish soccer team "The Shamrock Rovers." Maureen was the second of six FitzSimons children - Peggy, Florrie, Charles B. Fitzsimons, Margot Fitzsimons and James O'Hara completed this beautiful family.
Maureen loved playing rough athletic games as a child and excelled in sports. She combined this interest with an equally natural gift for performing. This was demonstrated by her winning pretty much every Feis award for drama and theatrical performing her country offered. By age 14 she was accepted to the prestigious Abbey Theater and pursued her dream of classical theater and operatic singing. This course was to be altered, however, when Charles Laughton, after seeing a screen test of Maureen, became mesmerized by her hauntingly beautiful eyes. Before casting her to star in Jamaica Inn (1939), Laughton and his partner, Erich Pommer, changed her name from Maureen FitzSimons to "Maureen O'Hara" - a bit shorter last name for the marquee.
Under contract to Laughton, Maureen's next picture was to be filmed in America (The Hunchback of Notre Dame (1939)) at RKO Pictures. The epic film was an extraordinary success and Maureen's contract was eventually bought from Laughton by RKO. At 19, Maureen had already starred in two major motion pictures with Laughton. Unlike most stars of her era, she started at the top, and remained there - with her skills and talents only getting better and better with the passing years.
Maureen has an enviable string of all-time classics to her credit that include the aforementioned "The Hunchback of Notre Dame," How Green Was My Valley (1941), Miracle on 34th Street (1947), Sitting Pretty (1948), The Quiet Man (1952), and The Parent Trap (1961). Add to this the distinction of being voted one of the five most beautiful women in the world and you have a film star who was as gorgeous as she was talented.
Although at times early in her career Hollywood didn't seem to notice, there was much more to Maureen O'Hara than her dynamic beauty. She not only had a wonderful lyric soprano voice, but she could use her inherent athletic ability to perform physical feats that most actresses couldn't begin to attempt, from fencing to fisticuffs. She was a natural athlete.
In her career Maureen starred with some of Hollywood's most dashing leading men, including Tyrone Power, John Payne, Rex Harrison, James Stewart, Henry Fonda, Brian Keith, Sir Alec Guinness and, of course, her famed pairings with "The Duke" himself, John Wayne. She starred in five films with Wayne, the most beloved being The Quiet Man (1952).
In addition to famed director John Ford, Maureen was also fortunate to have worked for some other great directors in the business: Alfred Hitchcock, William Dieterle, Henry Hathaway, Henry King, Jean Renoir, John M. Stahl, William A. Wellman, Frank Borzage, Walter Lang, George Seaton, George Sherman, Carol Reed, Delmer Daves, David Swift, Andrew V. McLaglen and Chris Columbus.
In 1968 Maureen found much deserved personal happiness when she married Charles Blair. Gen. Blair was a famous aviator whom she had known as a friend of her family for many years. A new career began for Maureen, that of a full-time wife. Her marriage to Blair, however, was again far from typical. Blair was the real-life version of what John Wayne had been on the screen. He had been a Brigadier General in the Air Force, a Senior Pilot with Pan American, and held many incredible record-breaking aeronautic achievements. Maureen happily retired from films in 1973 after making the TV movie The Red Pony (1973) (which on the prestigious Peabody Award for Excellence) with Henry Fonda. With Blair, Maureen managed Antilles Airboats, a commuter sea plane service in the Caribbean. She not only made trips around the world with her pilot husband, but owned and published a magazine, "The Virgin Islander," writing a monthly column called "Maureen O'Hara Says."
Tragically, Charles Blair died in a plane crash in 1978. Though completely devastated, Maureen pulled herself together and, with memories of ten of the happiest years of her life, continued on. She was elected President and CEO of Antilles Airboats, which brought her the distinction of being the first woman president of a scheduled airline in the United States.
Fortunately, she was coaxed out of retirement several times - once in 1991 to star with John Candy in Only the Lonely (1991) and again, in 1995, in a made-for-TV movie, The Christmas Box (1995) on CBS. In the spring of 1998, Maureen accepted the second of what would be three projects for Polson Productions and CBS: Cab to Canada (1998) - and, in October, 2000, The Last Dance (2000).
On St. Patrick's Day in 2004, she published her New York Times bestselling memoir, 'Tis Herself, co-authored with her longtime biographer and manager Johnny Nicoletti.
On November 4, 2014 Maureen was honored by a long overdue Oscar for "Lifetime Achievement" at the annual Motion Picture Arts and Sciences Governors Awards.
Maureen O'Hara was absolutely stunning, with that trademark red hair, dazzling smile and those huge, expressive eyes. She has fans from all over the world of all ages who are utterly devoted to her legacy of films and her persona as a strong, courageous and intelligent woman.- Actress
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Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.
Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.
The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.
Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.
Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.
Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.
Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.- Actress
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Vivica A. Fox was born in South Bend, Indiana, on July 30, 1964, and is the daughter of Everlyena, a pharmaceutical technician, and William Fox, a private school administrator. She is of Native American and African-American descent and is proud of her heritage. She is a graduate of Arlington High School in Indianapolis, Indiana, and, after graduating, moved to California to attend college. Vivica went to Golden West College and graduated with an Associate Art degree in Social Sciences. While in California, she started acting professionally, first on soap operas, such as Generations (1989), Days of Our Lives (1965) and The Young and the Restless (1973). In another early role, she played Patti LaBelle's fashion designer daughter, "Charisse Chamberlain", on the NBC-TV series, Out All Night (1992). Her first big break was in the film, Independence Day (1996), along with Will Smith, and also Set It Off (1996). She has earned critical acclaim for her portrayal of "Maxine" in the 1997 motion picture, Soul Food (1997), which netted her MTV Movie Award and NAACP Image Award nominations. In 2000, she was casted in the medical drama, City of Angels (2000), as "Dr. Lillian Price". She has had roles in many other movies ever since, such as: Teaching Mrs. Tingle (1999), Two Can Play That Game (2001) and Kill Bill: Vol. 1 (2003). In 2004, Fox was in an episode of Punk'd (2003), where her pregnant friend pretended to go into labor, but they became angry when a paramedic appeared to care more about taking pictures than delivering the baby. Vivica also took another television role, from 2004 to 2006, as she starred in the drama series, 1-800-Missing (2003), on the Lifetime Television Network. In 2007, she was a contender on Dancing with the Stars (2005) and stayed until she was voted off in the fourth week. In 1998, Vivica A. Fox married singer Christopher Harvest (aka Sixx-Nine), whom she later divorced in June 2002. She also dated rapper 50 Cent, however this was a brief relationship.- Actress
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Ask Kate Winslet what she likes about any of her characters, and the word "ballsy" is bound to pop up at least once. The British actress has made a point of eschewing straightforward pretty-girl parts in favor of more devilish damsels; as a result, she's built an eclectic resume that runs the gamut from Shakespearean tragedy to modern-day mysticism and erotica.
Kate Elizabeth Winslet was born in Reading, Berkshire, into a family of thespians -- parents Roger Winslet and Sally Anne Bridges-Winslet were both stage actors, maternal grandparents Oliver and Linda Bridges ran the Reading Repertory Theatre, and uncle Robert Bridges was a fixture in London's West End theatre district. Kate came into her talent at an early age. She scored her first professional gig at eleven, dancing opposite the Honey Monster in a commercial for a kids' cereal. She started acting lessons around the same time, which led to formal training at a performing arts high school. Over the next few years, she appeared on stage regularly and landed a few bit parts in sitcoms. Her first big break came at age 17, when she was cast as an obsessive adolescent in Heavenly Creatures (1994). The film, based on the true story of two fantasy-gripped girls who commit a brutal murder, received modest distribution but was roundly praised by critics.
Still a relative unknown, Winslet attended a cattle call audition the next year for Ang Lee's Sense and Sensibility (1995). She made an immediate impression on the film's star, Emma Thompson, and beat out more than a hundred other hopefuls for the part of plucky Marianne Dashwood. Her efforts were rewarded with both a British Academy Award and an Oscar nomination for Best Supporting Actress. Winslet followed up with two more period pieces, playing the rebellious heroine in Jude (1996) and Ophelia in Kenneth Branagh's Hamlet (1996).
The role that transformed Winslet from art house attraction to international star was Rose DeWitt Bukater, the passionate, rosy-cheeked aristocrat in James Cameron's Titanic (1997). Young girls the world over both idolized and identified with Winslet, swooning over all that face time opposite heartthrob Leonardo DiCaprio and noting her refreshingly healthy, unemaciated physique. Winslet's performance also garnered a Best Actress nomination, making her the youngest actress to ever receive two Academy Award nominations.
After the swell of unexpected attention surrounding Titanic (1997), Winslet was eager to retreat into independent projects. Rumor has it that she turned down the lead roles in both Shakespeare in Love (1998) and Anna and the King (1999) in order to play adventurous soul searchers in Hideous Kinky (1998) and Holy Smoke (1999). The former cast her as a young single mother traveling through 1970s Morocco with her daughters in tow; the latter, as a zealous follower of a guru tricked into a "deprogramming" session in the Australian outback. The next year found her back in period dress as the Marquis de Sade's chambermaid and accomplice in Quills (2000). Kate holds the distinction of being the youngest actor ever honored with four Academy Award nominations (she received her fourth at age 29). As of 2016, she has been nominated for an Oscar seven times, winning one of them: she received the Best Actress Oscar for the drama The Reader (2008), playing a former concentration camp guard.
For her performance of Joanna Hoffman in Steve Jobs (2015), she received her seventh Academy Award nomination.
Off camera, Winslet is known for her mischievous pranks and familial devotion. She has two sisters, Anna Winslet and Beth Winslet (both actresses), and a brother, Joss.
In 1998, she married assistant director Jim Threapleton. They had a daughter, Mia Honey Threapleton, in October 2000. They divorced in 2001. She later married director Sam Mendes in 2003 and gave birth to their son, Joe Alfie Winslet-Mendes, later that year. After seven years of marriage, in February 2010 they announced that they had amicably separated, and divorced in October 2010. In 2012, Kate married Ned Rocknroll, with whom she has a son. She was awarded Commander of the Most Excellent Order of the British Empire in the 2012 Queen's Birthday Honours List for her services to Drama.- Actress
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Brunette Millie Perkins began her career as a New York photographer's model and one-time receptionist at an advertising agency. Her waif-like images in fashion magazines seemed to project both innocence and shyness and made such an impression on the director George Stevens, that he invited her to audition for the lead role in The Diary of Anne Frank (1959). Despite her total lack of acting experience, Perkins won out over 10,000 other hopefuls and went on to star in, what would become, her most famous role. An overnight sensation, she received numerous plaudits for her performance but never subsequently succeeded to parlay this into a more enduring stardom.
She was born as Mildred Frances Perkins in Newark, New Jersey. Her mother, Catherine Louise, was of Irish and French-Canadian extraction. Her father, Adolph Perkins, was a captain in the merchant marine, born in the Austro-Hungarian Empire. Millie was schooled in Fair Lawn, New Jersey. After relocating to New York, she studied drama under Jeff Corey. Following her role as diarist and holocaust victim Anne Frank, she was signed by 20th Century Fox. However, her tenure at the studio turned out to be brief, prematurely ending in her suspension for refusing to play the lead in the bucolic drama Tess of the Storm Country (1960), which she viewed as a retrograde step in her career. Diane Baker went on to star in the role, while Millie's sole credit for Fox was a supporting part in the lacklustre Elvis Presley vehicle Wild in the Country (1961).
Free-lancing, she next appeared in Joshua Logan's box-office flop Ensign Pulver (1964) and as the female lead in two modestly budgeted, off-beat westerns, The Shooting (1966) and Ride in the Whirlwind (1966) (both starring Jack Nicholson, who also co-produced). None of these would have been particularly career enhancing and may have contributed to Millie's six-year long hiatus from screen acting. She made a comeback as a character actress from the mid-70s, latterly in maternal roles (notably in At Close Range (1986), Wall Street (1987) and The Lost City (2005)). On TV, she played Presley's mother Gladys in Elvis (1990), a biopic of the star's early life. She also had recurring roles in the soap Knots Landing (1979), and, as a grandmother, in the drama series Any Day Now (1998). She has taught drama classes at Southern Oregon University at some point in the early 80s, as well as addressing high school drama groups in and around Jacksonville, her adopted home town since 1976.
Millie Perkins retired from screen acting in 2006. She divorced her first husband, the actor Dean Stockwell, after two years of marriage in 1962. She was separated from her second husband, writer-director Robert Thom, with whom she had two daughters.- Actress
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Jennifer Garner, who catapulted into stardom with her lead role on the television series Alias (2001), has come a long way from her birthplace of Houston, Texas. Raised in Charleston, West Virginia by her mother Patricia Ann (née English), a retired English teacher, and her father, Billy Jack Garner, a former chemical engineer, she is the second of their three daughters. She spent nine years of her adolescence studying ballet, and characterizes her years in dance as consisting of determination rather than talent, being driven mostly by a love of the stage.
Jennifer took this determination with her when she enrolled at Denison University as a chemistry major; later she changed her major when she discovered that her passion for the stage was stronger than her love of science. New York attracted the young actress after college, and she worked as a hostess while pursuing a career in film and television. Her most recent move has been to Los Angeles, a decision that led to a role on the television series Felicity (1998), where she met her future husband Scott Foley. The couple divorced in 2004.
Jennifer starred in the television series Alias (2001) as Agent Sydney Bristow, who works for the Central Intelligence Agency. For her work, Garner has received four consecutive Emmy nominations for Outstanding Lead Actress in a Drama Series. She has also received four Golden Globe nominations and won once, as well as received two Screen Actors Guild Award nominations, and won once. She has appeared in numerous other television production as well as such films as Elektra (2005), 13 Going on 30 (2004), Daredevil (2003), Pearl Harbor (2001) and Dude, Where's My Car? (2000). Aside from filming Alias (2001), Jennifer enjoys cooking, gardening, hiking, and--inspired by her character on the series--kickboxing. She married actor and filmmaker Ben Affleck in 2005, now her ex-husband, with whom she has three children.- Actress
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Born to immigrants in New York City, Lucy Liu has always tried to balance an interest in her cultural heritage with a desire to move beyond a strictly Asian-American experience. Her mother, Cecilia, a biochemist, is from Beijing & her father, Tom Liu, a civil engineer, is from Shanghai. Once relegated to "ethnic" parts, the energetic actress is finally earning her stripes as an across-the-board leading lady.
She graduated from Stuyvesant High School in 1986 & enrolled in NYU. However, she was discouraged by the dark and sarcastic atmosphere, so she transferred to the University of Michigan after her freshman year. She graduated w/ a degree in Asian Languages & Cultures, managing to squeeze in some additional training in dance, voice, fine arts & acting. During her senior year, she auditioned for a small part in a production of Alice in Wonderland and walked away with the lead. Encouraged by the experience, she decided to take the plunge into professional acting. She moved to L.A., splitting her time between auditions & food service day jobs. She eventually scored a guest appearance as a waitress on Beverly Hills, 90210 (1990). That performance led to more walk-on parts in shows like NYPD Blue (1993), ER (1994) & The X-Files (1993). In 1996, she was cast as an ambitious college student on Rhea Perlman's ephemeral sitcom Pearl (1996).
She first appeared on the big screen as an ex-girlfriend in Jerry Maguire (1996) (she had previously filmed a scene in the indie Bang (1995), but it was shelved for 2 years). She then waded through a series of supporting parts in small films before landing her big break on Ally McBeal (1997). She initially auditioned for the role of Nelle Porter, which went to Portia de Rossi. However, writer-producer David E. Kelley was so impressed w/ her that he promised to write a part for her in an upcoming episode. The part turned out to be that of growling, ill-tempered lawyer Ling Woo, which she filled w/ such aplomb that she was signed on as a regular cast member.
The "Ally" win gave her film career a much-needed boost-in 1999, she was cast as a dominatrix in the Mel Gibson action flick Payback (1999) & as a hitchhiker in the ill-received boxing saga Play It to the Bone (1999). The following year brought even larger roles: first as the kidnapped Princess Pei Pei in Jackie Chan's western Shanghai Noon (2000), then as one-third of the comely crime-fighting trio in Charlie's Angels (2000).
When she's not hissing at clients or throwing well-coiffed punches, she keeps busy w/ an eclectic mix of off-screen hobbies. She practices the martial art of Kali-Eskrima-Silat (knife-and-stick fighting), skis, rock climbs, rides horses &plays the accordion. In 1993, she exhibited a collection of multimedia art pieces at the Cast Iron Gallery in SoHo (New York), after which she won a grant to study & create art in China. Her hectic schedule doesn't leave much time for romantic intrigue, but she says she prefers to keep that side of her life uncluttered.