Women Directors
Directors who happen to be women too. For inspiration and diversity...
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Sofia Coppola was born on May 14, 1971 in New York City, New York, USA as Sofia Carmina Coppola. She is a director, known for Somewhere (2010), Lost in Translation (2003), and Marie Antoinette (2006). She has been married to Thomas Mars since August 27, 2011. They have two daughters, Romy and Cosima. She was previously married to Spike Jonze.- Director
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A very talented painter, Kathryn spent two years at the San Francisco Art Institute. At 20, she won a scholarship to the Whitney Museum's Independent Study Program. She was given a studio in a former Offtrack Betting building, literally in an old bank vault, where she made art and waited to be critiqued by people like Richard Serra, Robert Rauschenberg and Susan Sontag. Later she earned a scholarship to study film at Columbia University School of Arts, graduating in 1979. She was also a member of the British avant garde cultural group, Art and Language. Kathryn is the only child of the manager of a paint factory and a librarian.- Writer
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Jane Campion was born in Wellington, New Zealand, and now lives in Sydney, New South Wales, Australia. Having graduated with a BA in Anthropology from Victoria University of Wellington in 1975, and a BA, with a painting major, at Sydney College of the Arts in 1979, she began filmmaking in the early 1980s, attending the Australian Film Television and Radio School (AFTRS). Her first short film, Peel (1982) won the Palme D'Or at the Cannes Film Festival in 1986. Her other short films include A Girl's Own Story (1984), Passionless Moments (1983), After Hours (1985) and the tele-feature 2 Friends (1986), all of which won Australian and international awards. She co-wrote and directed her first feature film, Sweetie (1989), which won the Georges Sadoul prize in 1989 for Best Foreign Film, as well as the LA Film Critics' New Generation Award in 1990, the American Independant Spirit Award for Best Foreign Feature, and the Australian Critics' Award for Best Film, Best Director and Best Actress. She followed this with An Angel at My Table (1990), a dramatization based on the autobiographies of Janet Frame which won some seven prizes, including the Silver Lion at the Venice Film Festival in 1990. It was also awarded prizes at the Toronto and Berlin Film Festivals, again winning the American Independent Spirit Award, and was voted the most popular film at the 1990 Sydney Film Festival. The Piano (1993) won the Palme D'Or at Cannes, making her the first woman ever to win the prestigious award. She also captured an Academy Award for Best Original Screenplay at the 1993 Oscars, while also being nominated for Best Director.- Writer
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Nora Ephron was educated at Wellesley College, Massachusetts. She was an acclaimed essayist (Crazy Salad 1975), novelist (Heartburn 1983), and had written screenplays for several popular films, all featuring strong female characters, such as anti-nuclear activist Karen Silkwood (Silkwood (1983), co-written with Alice Arlen) and a mobster's feisty independent daughter Cookie Voltecki (Cookie (1989), also co-written with Arlen). Ephron's hard-headed sensibilities helped make Rob Reiner's When Harry Met Sally... (1989) a clear-eyed view of modern romance, and she earned an Oscar nomination for her original screenplay.
Ephron made her directorial debut with the comedy This Is My Life (1992), co-scripted by her sister Delia Ephron, which starred Julie Kavner as a single mother who struggles to establish herself as a stand-up comedienne. Ephron followed up by helming and co-writing Sleepless in Seattle (1993), a romantic comedy in which lovers Tom Hanks and Meg Ryan are separated for most of the film. Less about love than about love in the movies, the film drew inspiration from the beloved shipboard romance An Affair to Remember (1957), starring Cary Grant and Deborah Kerr.
Ephron was born in New York City, the daughter of stage and screen writing team Henry Ephron and Phoebe Ephron, who used her infancy as the subject of their play "Three's a Family" and based their comedy Take Her, She's Mine (1963) on letters their daughter wrote them from college. Their screenplays include There's No Business Like Show Business (1954), Carousel (1956) and Desk Set (1957). Formerly married to novelist Dan Greenburg and investigative journalist Carl Bernstein, Ephron was wed to crime journalist and screenwriter Nicholas Pileggi, at the time of her passing, who wrote such films as Goodfellas (1990). She was of Russian Jewish descent.- Actress
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Julie Delpy was born in Paris, France, in 1969 to Albert Delpy and Marie Pillet, both actors.
She was first featured in Jean-Luc Godard's Detective (1985) at the age of fourteen. She has starred in many American and European productions since then, including Disney's The Three Musketeers (1993), Killing Zoe (1993), Three Colors: White (1994), and the "Before" series, alongside Ethan Hawke: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013).
She graduated from NYU's film school, and wrote and directed the short film Blah Blah Blah (1995), which screened at the Sundance Film Festival. She is a resident of Los Angeles.- Director
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Accomplished Film Director/Writer/Producer Mira Nair was born in India and educated at Delhi University and at Harvard. She began her film career as an actor and then turned to directing award-winning documentaries, including So Far From India and India Cabaret. Her debut feature film, Salaam Bombay! was nominated for an Academy Award for Best Foreign Language Film in 1988; it won the Camera D'Or (for best first feature) and the Prix du Publique (for most popular entry) at the Cannes Film Festival and 25 other international awards. Her next film, Mississippi Masala, an interracial love story set in the American South and Uganda, starring Denzel Washington and Sarita Choudhury, won three awards at the Venice Film Festival including Best Screenplay and The Audience Choice Award. Subsequent films include The Perez Family (with Marisa Tomei, Anjelica Huston, Alfred Molina and Chazz Palminteri), about an exiled Cuban family in Miami; and the sensuous Kama Sutra: A Tale of Love, which she directed and co-wrote. Nair directed My Own Country based on Dr. Abraham Verghese's best-selling memoir about a young immigrant doctor dealing with the AIDS epidemic. Made in 1998, My Own Country starred Naveen Andrews, Glenne Headly, Marisa Tomei, Swoosie Kurtz, and Hal Holbrook, and was awarded the NAACP award for best fiction feature. Nair returned to the documentary form in August 1999 with The Laughing Club of India, which was awarded The Special Jury Prize in the Festival International de Programmes Audiovisuels 2000. In the summer of 2000, Nair shot Monsoon Wedding in 30 days, a story of a Punjabi wedding starring Naseeruddin Shah and an ensemble of Indian actors. Winner of the Golden Lion at the 2001 Venice Film Festival, Monsoon Wedding also won a Golden Globe nomination for Best Foreign Language Film and opened worldwide to tremendous critical and commercial acclaim. Nair's next feature was an HBO original film, Hysterical Blindness. Set in working class New Jersey in 1987, the film stars Uma Thurman, Juliette Lewis, Gena Rowlands. Thurman and Lewis play single women looking for love in all the wrong places, while Rowlands, who plays Thurman's mother, adds to her daughter's hysteria when she finds Mr. Right in Ben Gazarra. The film received great critical acclaim and the highest ratings for HBO, garnering an audience of 15 million, a Golden Globe for Uma Thurman, and 3 Emmy Awards. Following the tragic events of September 11, 2001, Nair joined a group of 11 renowned filmmakers, each commissioned to direct a film that was 11 minutes, 9 seconds and one frame long. Nair's film is a retelling of real events in the life of the Hamdani family in Queens, whose eldest son was missing after September 11, and was then accused by the media of being a terrorist. 11.09.01 is the true story of a mother's search for her son who did not return home on that fateful day. In May 2003, Nair helmed the Focus Features production of the Thackeray classic, Vanity Fair, a provocative period tale set in post-colonial England, in which Reese Witherspoon plays the lead, Becky Sharp. The film is scheduled to release in Fall 2004. Nair's upcoming projects include Tony Kushner's Homebody/Kabul for HBO, and Hari Kunzru's The Impressionist, and there are also plans to take Monsoon Wedding to Broadway. Mirabai Films is establishing an annual filmmaker's laboratory, Maisha, which will be dedicated to the support of visionary screenwriters and directors in East Africa and India. The first lab, which is only for screenwriters, will be launched in August 2005 in Kampala, Uganda.- Director
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Agnès Varda was born on 30 May 1928 in Ixelles, Belgium. She was a director and writer, known for Cléo from 5 to 7 (1962), Vagabond (1985) and Faces Places (2017). She was married to Jacques Demy. She died on 29 March 2019 in Paris, France.- Producer
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New Yorker Lena Dunham is the daughter of a painter, Carroll Dunham and Laurie Simmons, a designer and photographer. Dunham was educated at Oberlin College, Ohio, graduating with a creative writing degree. It was while at Oberlin that she began writing shorts and feature films. In 2009, Dunham created the web series Delusional Downtown Divas (2009), which gained a cult following.
Also in 2009, Dunham released Creative Nonfiction (2009), her first feature film. She went on to write, direct and star in Tiny Furniture (2010), which scored two Independent Spirit Award nominations. In 2012, Dunham came to the attention of a wider audience with the HBO series Girls (2012) created by and starring Dunham and executive produced by Judd Apatow.- Actress
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Tonie Marshall was the daughter of French actress Micheline Presle and American actor/director William Marshall, who appeared in such '40s and '50s films as Knute Rockne All American (1940). As a child, Tonie saw her mother "doing movies and getting invited everywhere", and the life of an actress impressed her. Tonie decided on the profession for herself and went on to appear in over fifteen films and TV mini-series since the late 70s, in that time working with such acclaimed directors as Claude Zidi and with such stars as Daniel Auteuil and Richard Bohringer.
In 1988, she appeared in the French TV miniseries Palace (1988) starring Michel Blanc. But making a living as an actress sometimes meant accepting roles that were less satisfying. Looking for a transition out of acting, she began a career recording voiceovers for radio commercials, where she was able to work in between the worlds of acting and writing, and eventually got into writing scripts. She debuted as writer/director with police comedy Pentimento (1989).
Four years later she wrote and directed Something Fishy (1994) which was very well received in France and was promoted at Festivals in the US as "Something's Fishy". Her next film as a director was Bastard Brood (1996) which starred Nathalie Baye and told the story of a woman who having never known her father, discovers that he is a monstrous cannibal accused of numerous crimes.
But it was Venus Beauty Institute (1999) that established Marshall as a force in France's film industry when it swept the 1999 Cesars, the French equivalent of the Academy Awards.- Writer
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A director, producer, writer, marketer and film distributor, Ava DuVernay made her feature film debut with the documentary This is the Life (2008), a history on hip hop movement that flourished in Los Angeles in the 1990's. This was followed by series of television music documentaries which included My Mic Sounds Nice (2010) which aired on BET.
DuVernay's first narrative feature film, I Will Follow (2010), secured her the African-American Film Critics Association award for best screenplay. Her follow-up, Middle of Nowhere (2012) won the Best Director Prize at the 2012 Sundance film festival, making her the first African-American woman to receive the award.- Director
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Lisa Cholodenko earned an MFA at Columbia University Film School where she made an award-winning short film Dinner Party (1997) Her feature High Art (1998) won the National Society of Film Critics award for Ally Sheedy's performance and The Waldo Salt Screenwriting award at Sundance. Both "High Art" and Laurel Canyon (2002) premiered at Cannes Director's Fortnight.- Director
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The films of Claire Denis frequently explore the fragile connections between people and the ways in which the most seemingly inconsequential relationship can have life-changing effects. At the heart of Denis' cinema is a fascination with the delights and difficulties of belonging and otherness, the gravity and gift of foreignness. Often revolving around reactions to the intrusion of the other, be it a stranger or foreigner, Denis' films insist on the vital necessity of the unusual to coexist within the "normal" world. In films such as I Can't Sleep (1994) and Nénette and Boni (1996), Denis captures the mercurial and instant shifts in tone, from the pleasurably sensual to the menacing or the simply unaccountable, caused by the intrusion of the strange into the fabric of the everyday. In Denis' films one often feels that all is well even as worlds collide and collapse or, conversely, that a grave challenge underlies the seemingly calm moments. While Denis' childhood in French colonial Africa is reflected most directly in the African setting shared by her debut feature Chocolat (1988) and best-known film, Beau Travail (1999), this encounter with the intimacies and injustices of colonialism resounds throughout much of her work. Also shaping Denis' unique vision are the apprenticeships she served, just out of film school, under a variety of renowned directors, including Jacques Rivette, Wim Wenders, Dusan Makavejev and Jim Jarmusch - an eclectic company that is itself suggestive of the unique juxtaposition of careful craft and seeming casualness within Denis' work. Denis has often spoken of her shock as a young woman at discovering the novels of Faulkner that have exerted such a major influence over postwar French cinema. For Denis, Faulkner "was a plunge into the senses, into terror and the pain of his characters." These words describe Denis' films as well. But whatever terror and pain her characters may sometimes experience is outmeasured by the depths of Denis' deep affection for them and by her curiosity in their experiences of pleasure as well as fear. Even in the unsettling Trouble Every Day (2001), the not-infrequent catastrophes in Denis' films provoke a sense of wonder at, and even delight in, the sheer weight of existence.- Director
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Nicole Holofcener was born on 22 March 1960 in New York City, New York, USA. She is a director and writer, known for Enough Said (2013), Friends with Money (2006) and Can You Ever Forgive Me? (2018). She was previously married to Benjamin Allanoff.- Actress
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Penny Marshall was born Carole Penny Marshall on October 15, 1943 in Manhattan. The Libra was 5' 6 1/2", with brown hair and green eyes. She was the daughter of Marjorie (Ward), a tap dance teacher, and Anthony "Tony" Marshall, an industrial film director. She was the younger sister of filmmakers Garry Marshall and Ronny Hallin. Her father was of Italian descent, originally surnamed "Masciarelli," and her mother was of German, Scottish, English, and Irish ancestry.
Penny was known in her family as "the bad one"... because not only did she walk on the ledge of her family's apartment building, but she snuck into the movies as a child and even dated a guy named "Lefty." She attended a private girls' high school in New York and then went to the University of New Mexico for two and a half years. There, Penny got pregnant with daughter, Tracy Reiner, and soon after married the father, Michael Henry, in 1961. The couple divorced two years later in 1963. She worked as a secretary for awhile. Her film debut came from her brother Garry Marshall, who put her in the movie How Sweet It Is! (1968) with the talented Debbie Reynolds and James Garner. She also did a dandruff commercial with Farrah Fawcett - the casting people, of course, giving Farrah the part of the "beautiful girl" and Penny the part of the "plain girl." This only added to Penny's insecurity with her looks.
She then married Rob Reiner on April 10, 1971, shortly after getting her big television break as Oscar Madison's secretary, Myrna Turner, on The Odd Couple (1970). She also played Mary Richards' neighbor, Paula Kovacks, on The Mary Tyler Moore Show (1970) for a couple of episodes. However, her Laverne & Shirley (1976) fame came when her brother needed two women to play "fast girls" who were friends of Arthur Fonzarelli and would date Fonzie and Richie Cunningham on Happy Days (1974). Penny had been working on miscellaneous writing projects ("My Country Tis Of Thee", a bicentennial spoof for Francis Ford Coppola and "Paper Hands" about the Salem Witch Trials) with writing partner Cindy Williams. Cindy happened to be a friend and ex-girlfriend of Henry Winkler's, so Garry asked the two to play the parts of these girls. The audience saw their wonderful chemistry, and loved them so much, a spin-off was created for them.
Penny was well-known as Laverne DeFazio. She and Rob had divorced in 1980. The show ended three years later, half a year after Cindy Williams left the show due to pregnancy (her first baby, Emily, from now ex-husband Bill Hudson)... they wanted Williams to work the week she was supposed to deliver.
Soon after, Penny began directing such films as Jumpin' Jack Flash (1986), Big (1988) and A League of Their Own (1992). Her hobbies included needlepoint, jigsaw puzzles and antique shopping. She was best friends with actress Carrie Fisher and was godmother to Carrie's daughter, Billie.
Penny died at 75 in Los Angeles, California.- Director
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Martha Patterson Coolidge was born on August 17, 1946 in New Haven Connecticut. She studied illustration at Rhode Island School of Design, but changed majors, becoming the first film major at the school. She attended and graduated from New York University's Tisch School of the Arts, where she received her Master's degree in Fine Arts. Coolidge's diverse project range has given her a reputation for eclectic taste. Among a long list of working with Hollywood's finest, Coolidge also discovered great talents like Nicolas Cage (Valley Girl (1983)), Val Kilmer (Real Genius (1985)) and James Gandolfini (Angie (1994)).
In addition to working with talented artists, Coolidge has received many awards for her work. Recognition has included a Best Director "Spirit" Award from the Independent Feature Project West, the "Crystal Award" from Women in Film, the Maverick Award from the LeFemme Film Festival, the distinguished "Robert Aldrich Award" from the Directors Guild of America, the "Breakthrough Award" from Women, Men & Media, and "Lifetime Achievement Awards" from Methodfest, the Dallas Film Festival, a "Big Bear" from the Big Bear Film Festival and the "Award for Artist Excellence in Film" from Rhode Island School of Design. She has been inducted into the Connecticut Women's Hall of Fame and the Museum of Television and Radio, and also helped found the Association of Independent Video and Filmmakers, Inc. and the IFP.
An avid horsewoman. Ms. Coolidge breeds and shows Paso Fino horses and holds several National Championship titles. She is married to the award-winning production designer James H. Spencer and has one son, Preston, named in honor of one of her idols, playwright and film director Preston Sturges.- Actress
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Angelina Jolie is an Academy Award-winning actress who rose to fame after her role in Girl, Interrupted (1999), playing the title role in the "Lara Croft" blockbuster movies, as well as Mr. & Mrs. Smith (2005), Wanted (2008), Salt (2010) and Maleficent (2014). Off-screen, Jolie has become prominently involved in international charity projects, especially those involving refugees. She often appears on many "most beautiful women" lists, and she has a personal life that is avidly covered by the tabloid press.
Jolie was born Angelina Jolie Voight in Los Angeles, California. In her earliest years, Angelina began absorbing the acting craft from her actor parents, Jon Voight, an Oscar-winner, and Marcheline Bertrand, who had studied with Lee Strasberg. Her good looks may derive from her ancestry, which is German and Slovak on her father's side, and French-Canadian, Dutch, Polish, and remote Huron, on her mother's side. At age eleven, Angelina began studying at the Lee Strasberg Theatre Institute, where she was seen in several stage productions. She undertook some film studies at New York University and later joined the renowned Met Theatre Group in Los Angeles. At age 16, she took up a career in modeling and appeared in some music videos.
In the mid-1990s, Jolie appeared in various small films where she got good notices, including Hackers (1995) and Foxfire (1996). Her critical acclaim increased when she played strong roles in the made-for-TV movies True Women (1997), and in George Wallace (1997) which won her a Golden Globe Award and an Emmy nomination. Jolie's acclaim increased even further when she played the lead role in the HBO production Gia (1998). This was the true life story of supermodel Gia Carangi, a sensitive wild child who was both brazen and needy and who had a difficult time handling professional success and the deaths of people who were close to her. Carangi became involved with drugs and because of her needle-using habits she became, at the tender age of 26, one of the first celebrities to die of AIDS. Jolie's performance in Gia (1998) again garnered a Golden Globe Award and another Emmy nomination, and she additionally earned a SAG Award.
Angelina got a major break in 1999 when she won a leading role in the successful feature The Bone Collector (1999), starring alongside Denzel Washington. In that same year, Jolie gave a tour de force performance in Girl, Interrupted (1999) playing opposite Winona Ryder. The movie was a true story of women who spent time in a psychiatric hospital. Jolie's role was reminiscent of Jack Nicholson's character in One Flew Over the Cuckoo's Nest (1975), the role which won Nicholson his first Oscar. Unlike "Cuckoo", "Girl" was a small film that received mixed reviews and barely made money at the box office. But when it came time to give out awards, Jolie won the triple crown -- "Girl" propelled her to win the Golden Globe Award, the SAG Award and the Academy Award for best leading actress in a supporting role.
With her newfound prominence, Jolie began to get in-depth attention from the press. Numerous aspects of her controversial personal life became news. At her wedding to her Hackers (1995) co-star Jonny Lee Miller, she had displayed her husband's name on the back of her shirt painted in her own blood. Jolie and Miller divorced, and in 2000, she married her Pushing Tin (1999) co-star Billy Bob Thornton. Jolie had become the fifth wife of a man twenty years her senior. During her marriage to Thornton, the spouses each wore a vial of the other's blood around their necks. That marriage came apart in 2002 and ended in divorce. In addition, Jolie was estranged from her famous father, Jon Voight.
In 2000, Jolie was asked to star in Lara Croft: Tomb Raider (2001). At first, she expressed disinterest, but then decided that the required training for the athletic role was intriguing. The eponymous character was drawn from a popular video game. Lara Croft was a female cross between Indiana Jones and James Bond. When the movie was released, critics were unimpressed with the final product, but critical acclaim wasn't the point of the movie. The public paid $275 million for theater tickets to see a buffed up Jolie portray the adventuresome Lara Croft. Jolie's father Jon Voight appeared in the movie, and during filming there was a brief rapprochement between father and daughter.
One of the Lara Croft movie's filming locations was Cambodia. While there, Jolie witnessed the natural beauty, culture and poverty of that country. She considered this an eye opening experience, and so began the humanitarian chapter of her life. Jolie began visiting refugee camps around the world and came to be formally appointed as a Goodwill Ambassador for the United Nations High Commissioner for Refugees (UNHCR). Some of her experiences were written and published in her popular book "Notes from My Travels" whose profits go to UNHCR.
Jolie has stated that she now plans to spend most of her time in humanitarian efforts, to be financed by her actress salary. She devotes one third of her income to savings, one third to living expenses and one third to charity. In 2002, Angelina adopted a Cambodian refugee boy named Maddox, and in 2005, adopted an Ethiopian refugee girl named Zahara. Jolie's dramatic feature film Beyond Borders (2003) parallels some of her real life humanitarian experiences although, despite the inclusion of a romance between two westerners, many of the movie's images were too depressingly realistic -- the movie was not popular among critics or at the box office.
In 2004, Jolie began filming Mr. & Mrs. Smith (2005) with co-star Brad Pitt. The movie became a major box office success. There were rumors that Pitt and Jolie had an affair while filming Mr. and Mrs. Smith. Jolie insisted that because her mother had been hurt by adultery, she herself could never participate in an affair with a married man, therefore there had been no affair with Pitt at that time. Nonetheless, Pitt separated from his wife Jennifer Aniston in January 2005 and, in the months that followed, he was frequently seen in public with Jolie, apparently as a couple. Pitt's divorce was finalized later in 2005.
Jolie and Pitt announced in early 2006 that they would have a child together, and Jolie gave birth to daughter Shiloh that May. They also adopted a three-year-old Vietnamese boy named Pax. The couple, who married in 2014 and divorced in 2019, continue to pursue movie and humanitarian projects, and now have a total of six children. She was appointed Honorary Dame Commander of the Order of St. Michael and St. George at the 2014 Queen's Birthday Honours for her services to United Kingdom foreign policy and the campaign to end warzone sexual violence.- Writer
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Catherine Breillat is a Paris based filmmaker and writer who became famous for her distinctively personal films on sexuality, gender trouble and sibling rivalry. Accused of being a "porno auteuriste", Breillat allowed for an unbiased view of sexuality and extended the language of mainstream movies. She is also a best-selling novelist and wrote her first novel, L'Homme Facile, at the age of 17. Breillat acted in Bernardo Bertolucci's Last Tango in Paris (1972) and wrote the screenplay for Maurice Pialat's movie Police (1985) . Since her first own film A Real Young Girl (1976), which was released 23 years after its shooting, Breillat explored critically as well as in an innovative way the perceptions imposed on female sexuality, related family and coming of age issues.- Director
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Though Academy Award®, Golden Globe Award and Emmy Award winning writer and director Susanne Bier's work often plays out against a wide-reaching global backdrop, its focus is intimate, carefully exploring the explosive emotions and complexities of familial bonds. This unique combination is part of the formula that has made her Denmark's leading female filmmaker and a powerhouse worldwide.
Bier's 2010 film In a Better World won the Academy Award for Best Foreign Language Film in 2011, as well as an Italian Golden Globe Award® for Best European Film and Best Director at the European Film Awards. She previously helmed the multi-award-winning After the Wedding (2006), which was also an Academy Award® nominee for Best Foreign Language Film, and was remade as an English-language film in 2019 starring Julianne Moore, Michelle Williams, and Billy Crudup.
Bier won an Emmy Award in 2016 for directing the six-part AMC mini-series The Night Manager, based on the 1993 novel of the same name by John le Carré, with stars Tom Hiddleston, Hugh Laurie, and Olivia Colman all winning Golden Globes for their work.
Bier followed this with the 2018 Netflix film Bird Box, starring Sandra Bullock, which went on to become the most-watched film in Netflix history. In 2020, she directed the six-part HBO series The Undoing, starring Nicole Kidman and Hugh Grant, the network's first original series to grow its audience each week.
Prior to this, Bier co-wrote and directed the romantic comedy The One and Only (1999), which won Best Film at the Danish Robert Awards and was the most watched domestic film in Denmark in 20 years, with one-fifth of the country's population having seen it at the cinema.
In 2002, she directed Open Hearts, shot in accordance with the Dogme '95 filmmaking aesthetic. The film won numerous awards, including the Audience Award at the Robert Festival (Danish Academy Award) and the International Film Critics' Award at the Toronto International Film Festival. Bier followed this with Brothers (2004), which won, among others, the Audience Award at the Sundance Film Festival.
In 2007, Bier directed the award-winning Things We Lost in the Fire, starring Halle Berry and Benicio Del Toro, her first English-language film.
In 2012, Bier made her triumphant return to the genre with the 2013 winner of the European Film Award for Best Comedy, Love Is All You Need, starring Pierce Brosnan and Trine Dyrholm. In 2014, Bier directed A Second Chance, starring Nikolaj Coster-Waldau, which premiered at the Toronto International Film Festival.
Most recently, Susanne Bier directed the Showtime limited series The First Lady, starring Viola Davis, Michelle Pfieffer, and Gillian Anderson.- Director
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Born in Germany, to a Palestinian father and German mother, Lexi Alexander, a former World Kickboxing Champion and USMC close-quarter-combat instructor, worked her way up from stunt woman to Oscar-nominated director with her first short film Johnny Flynton, a drama about a boxer. Eager to learn a common language with actors, Lexi studied at the Piero Dusa Acting Conservatory before helming feature films including the SXSW Jury & Audience Award winning drama Green Street Hooligans, Marvel's Punisher: War Zone and Lifted. She directed episodes for TV shows such as ARROW, SUPERGIRL, SWAT and AMERICAN GOTHIC and has recently sold a movie to Blumhouse Productions & Netflix International. Lexi continues to be an avid martial artist and is currently a passionate student of the Russian style Systema.- Writer
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Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Writer
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During the 1970s, Lina Wertmüller emblazoned her name into the pantheon of Italian cinema with a series of intensely polemical, deeply controversial and wonderfully entertaining films. Among the most politically outspoken and iconoclastic members of the second generation of postwar directors - the direct heirs to the neo-realists - Wertmüller was also one of the first woman directors to be internationally recognized and acclaimed. Armed with a keenly satiric and Rabelaisian humor, Wertmüller reinvented the narrative forms and character types of Italian comedy to create one of the rare examples of a radical, politically galvanized cinema that managed to achieve widespread popularity. Indeed, the fierce invectives against social, cultural and historical inequities at the heart of Wertmüller's mid-1970s masterworks Love and Anarchy, Seven Beauties and Swept Away seemed only to help the films find an appreciative audience, especially in the United States, where they broke box office records for foreign films and even secured Wertmüller an Oscar nomination for Best Director - the very first woman named for this category. Although Wertmüller remains a well-known name, her remarkable films are strangely overlooked and only selectively revisited. And yet, the incredible energy and daring of her most popular works is equally present in lesser-known masterpieces such as All Screwed Up and The Seduction of Mimi, films that are both extremely topical and yet still totally relevant today.- Writer
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Writer/director Lone Scherfig graduated from The National Film School of Denmark in 1984. Her first feature film, THE BIRTHDAY TRIP (1990), was selected for Panorama in Berlin, the New Directors section at MOMA in New York and won the Grand Jury Prix in Rouen. Her next film, ON OUR OWN (1998), received the Grand Prix in Montreal and the Cinekid Prize in Amsterdam. Scherfig then wrote and directed ITALIAN FOR BEGINNERS (2000; the Danish 'Dogma' #5), which was a huge audience hit and won her the Silver Bear and the international film critics' award FIPRESCI at the 2001 Berlinale, plus numerous other awards around the world.
Scherfig's first English-language feature, WILBUR WANTS TO KILL HIMSELF (2002), toured the festival circuit and brought home awards from e.g. France, the US and Japan. Her next production, AN EDUCATION (2009), won the Audience Award at Sundance and was nominated for three Oscars and eight BAFTAs. Scherfig has since directed three British films, i.e. ONE DAY (2011), THE RIOT CLUB (2014) and THEIR FINEST (2016) which premiered at TIFF in 2016 and screened in Sundance and London as the Mayor's gala. In 2019, Lone Scherfig's The Kindness of Strangers opened and was in competition at Berlin International Film Festival.
In between features Scherfig has directed a range of TV-series, including TAXA (1997), QUIET WATERS (1999), BETTER TIMES (2004) and, most recently, THE ASTRONAUT WIVES CLUB (2015; conceptualised by Scherfig).- Writer
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Nancy Jane Meyers is an American filmmaker. She has written, produced, and directed many critically and commercially successful films including Private Benjamin (1980), Irreconcilable Differences (1984), Baby Boom (1987), Father of the Bride (1991), Father of the Bride Part II (1995), The Parent Trap (1998), What Women Want (2000), Something's Gotta Give (2003), The Holiday (2006), It's Complicated (2009), and The Intern (2015).- Actress
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Ida was born in London to a show business family. In 1932, her mother took Ida with her to an audition and Ida got the part her mother wanted. The picture was Her First Affaire (1932). Ida, a bleached blonde, went to Hollywood in 1934 playing small, insignificant parts. Peter Ibbetson (1935) was one of her few noteworthy movies and it was not until The Light That Failed (1939) that she got a chance to get better parts. In most of her movies, she was cast as the hard, but sympathetic woman from the wrong side of the tracks. In The Sea Wolf (1941) and High Sierra (1940), she played the part magnificently. It has been said that no one could do hard-luck dames the way Lupino could do them. She played tough, knowing characters who held their own against some of the biggest leading men of the day - Humphrey Bogart, Ronald Colman, John Garfield and Edward G. Robinson. She made a handful of films during the forties playing different characters ranging from Pillow to Post (1945), where she played a traveling saleswoman to the tough nightclub singer in The Man I Love (1946). But good roles for women were hard to get and there were many young actresses and established stars competing for those roles. She left Warner Brothers in 1947 and became a freelance actress. When better roles did not materialize, Ida stepped behind the camera as a director, writer and producer. Her first directing job came when director Elmer Clifton fell ill on a script that she co-wrote Not Wanted (1949). Ida had joked that as an actress, she was the poor man's Bette Davis. Now, she said that as a director, she became the poor man's Don Siegel. The films that she wrote, or directed, or appeared in during the fifties were mostly inexpensive melodramas. She later turned to television where she directed episodes in shows such as The Untouchables (1959) and The Fugitive (1963). In the seventies, she made guest appearances on various television show and appeared in small parts in a few movies.- Producer
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Mimi Leder was born on 26 January 1952 in New York City, New York, USA. She is a producer and director, known for The Morning Show (2019), On the Basis of Sex (2018) and Deep Impact (1998). She has been married to Gary Werntz since 26 January 1986. They have one child. She was previously married to Allen Garfield.- Director
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Dorothy Arzner, the only woman director during the "Golden Age" of Hollywood's studio system--from the 1920s to the early 1940s and the woman director with the largest oeuvre in Hollywood to this day--was born January 3, 1897 (some sources put the year as 1900), in San Francisco, California, to a German-American father and a Scottish mother. Raised in Los Angeles, her parents ran a café which featured German cuisine and which was frequented by silent film stars including: Charles Chaplin and William S. Hart, and director Erich von Stroheim. She worked as a waitress at the restaurant, and no one could have foreseen at the time that Arzner would be one of the few women to break the glass ceiling of directing and would be the only woman to work during the early sound era.
In her 15-year career as a director (1928-43), Arzner made three silent movies and 14 "talkies". Her path to the director's chair was different than that of women directors in the future (indeed, different than most male directors too). Directors nowadays are typically graduates of film schools or were working actors prior to directing. Like most of the directors of her generation, Arzner gained wide training in most aspects of filmmaking by working her way up from the bottom. It was the best way to become a filmmaker, she later said.
After graduating from high school in 1915, she entered the University of Southern California, where she was in the pre-med program for two years. When the US entered World War I in 1917, Arzner was unable to realize her ambition of serving her country in a military capacity, as there were no women's units in the armed forces at the time, so she served as an ambulance driver during the war.
After the cessation of hostilities, Azner got a job on a newspaper. The director of her ambulance unit introduced her to film director William C. de Mille (the brother of Cecil B. DeMille, one of the co-founders of Famous Players-Lasky, which eventually became known by the title of its distribution unit--Paramount Pictures). She decided to pursue a film career after visiting a movie set and being intrigued by the editing facilities. Arzner decided that she would like to become a director (there was no strict delineation between directors and editors in the immediate postwar period as the movie studios matured into a "factory" industrial production paradigm).
Though she was the sole member of her gender to direct Hollywood pictures during the first generation of sound film, in the silent era a woman behind the camera was not unknown. The first movie in history was directed by a Frenchwoman, and many women were employed in Hollywood during the silent era, most frequently as scenario writers (some research indicates that as many as three-quarters of the scenario writers during the silent era--when there was no requirement for a screenplay as such as there was no dialogue--were women). Indeed, there were women directors in the silent era, such as Frances Marion (though she was more famous as a screenwriter) and Lois Weber, but Arzner was fated to be the only female director to have made a successful transition to "talkies". It wasn't until the 1930s and the verticalization of the industry, as it matured and consolidated, that women were squeezed out of production jobs in Hollywood.
The introduction to William deMille paid off when he hired her for the sum of $20 a week to be a stenographer. Her first job for DeMille was typing up scripts at Famous Players-Lasky. She was reportedly a poor typist. Ambitious and possessed of a strong will, Arzner offered to write synopses of various literary properties, and eventually was hired as a writer. Impressing DeMille and other Paramount powers-that-be, Arzner was assigned to Paramount's subsidiary Realart Films, as a film cutter. She was promoted to script girl after one year, which required her presence on the set to ensure the continuity of the script as shot by the director. She then was given a job editing films. She excelled at cutting: as an editor (she was the first Hollywood editor professionally credited as such on-screen), she labored on 52 films, working her way up from cutting Bebe Daniels comedies to assignments on "A" pictures within a couple of years. She came into her own as a filmmaker editing the Rudolph Valentino headliner Blood and Sand (1922), about a toreador. Her editing of the bullfighting scenes was highly praised, and she later said that she actually helmed the second-unit crew shooting some of the bullfight sequences. Director James Cruze was so impressed by her work on the Valentino picture that he brought her on to his team to edit The Covered Wagon (1923). Arzner eventually edited three other Cruze films: Ruggles of Red Gap (1923), Merton of the Movies (1924) and Old Ironsides (1926). Her work was of such quality that she received official screen credit as an editor, a first for a cutter of either gender.
While collaborating with Cruze she also wrote scenarios, scripting her ideas both solo and in collaboration. She was credited as a screenwriter (as well as an editor) on "Old Ironsides", one of the more spectacular films of the late silent era, being partially shot in Magnascope, one of the earliest widescreen processes. She would always credit Cruze as her mentor and role model. "Old Ironsides" proved to be the last film on which she was credited as an editor, as her ambitions to become a director would finally come to fruition. To indulge her, Paramount gave her a job as an assistant director, for which she was happy--until she realized it was not a stepping stone to the director's chair, and she was determined to sit in that chair.
Arzner pressured Paramount to let her direct, threatening to leave the studio to work for Columbia Pictures on Poverty Row, which had offered her a job as a director. Unwilling to lose such a talented filmmaker, the Paramount brass relented, and she made her debut with Fashions for Women (1927). It was a hit. In the process of directing Paramount's first talkie, Manhattan Cocktail (1928), she made history by becoming the first woman to direct a sound picture. The success of her next sound picture, The Wild Party (1929), starring Paramount's top star, Clara Bow, helped establish Fredric March as a movie star.
Arzner proved adept at handling actresses. As Budd Schulberg related in his autobiography "Moving Pictures", Clara Bow--a favorite of his father, studio boss B.P. Schulberg--had a thick Brooklyn accent that the silence of the pre-talkie era hid nicely from the audience. She was terrified of the transition to sound, and developed a fear of the microphone. Working with her sound crew, Arzner devised and used the first boom mike, attaching the microphone to a fish pole to follow Bow as she moved around the set. Arzner even used Bow's less-than-dulcet speaking tones to underscore the vivaciousness of her character.
Though Arzner made several successful films for Paramount, the studio teetered on the edge of bankruptcy due to the Depression, eventually going into receivership (before being saved by the advent of another iconic woman, Mae West). When the studio mandated a pay cut for all employees, Arzner decided to go freelance. RKO Radio Pictures hired her to direct its new star, headstrong young Katharine Hepburn, in her second starring film, Christopher Strong (1933). It was not a happy collaboration, as both women were strong and unyielding, but Arzner eventually prevailed. She was, after all, the boss on the set: The director. The fiercely independent Hepburn complained to RKO, but the studio backed its director against its star. Eventually the two settled into a working relationship, respecting each other but remaining cold and distant from one another. Ironically, Arzner would display her directorial flair in elucidating the kind of competitive rivalries between women she experienced with Hepburn.
The Directors Guild of America was established in 1933, and Arzner became the first woman member. Indeed, she was the only female member of the DGA for many years.
Arzner's films featured well-developed female characters, and she was known at the time of her work, quite naturally, as a director of "women's pictures". Not only did her movies portray the lives of strong, interesting women, but her pictures are noted for showcasing the ambiguities of life. Since the rise of feminist scholarship in the 1960s, Arzner's movies have been seen as challenging the dominant, phallocentric mores of the times.
Arzner was a lesbian, who cultivated a masculine look in her clothes and appearance (some feel as camouflage to hide the boy's club that was Hollywood). Many gay critics discern a hidden gay subtext in her films, such as "Christopher Strong". Whereas feminist critics see a critique of gender inequality in "Christopher Strong", lesbian critics see a critique of heterosexuality itself as the source of a woman's troubles. The very private Azner, the woman who broke the glass ceiling and had to survive, and indeed thrived, in the all-male world of studio filmmaking, refused to be categorized as a woman or gay director, insisting she was simply a "director." She was right.
Arzner did have less troubled and more productive collaborations with other actresses after her experience with Hepburn. She developed a close friendship with one of her female stars, Joan Crawford, whom she directed in two 1937 MGM vehicles, The Last of Mrs. Cheyney (1937) and The Bride Wore Red (1937). Arzner later directed Pepsi commercials as a favor to Crawford's husband, Pepsi-Cola Company's Chairman of the Board Alfred Steele.
In 1943 Arzner joined other top Hollywood directors such as John Ford and George Stevens in going to work for the war effort during World War Two. She made training films for the US Army's Women's Army Corps (WACs). That same year her health was compromised after she contracted pneumonia. After the war she did not return to feature film directing, but made documentaries and commercials for the new television industry. She also became a filmmaking teacher, first at the Pasadena Playhouse during the 1950s and 1960s and then at the University of California-Los Angeles campus during the 1960s and 1970s. At UCLA she taught directing and screenwriting, and one of her students was Francis Ford Coppola, the first film school grad to achieve major success as a director. She taught at UCLA until her death in 1979.
She was honored in her own lifetime, becoming a symbol and role model for women filmmakers who desired entry into mainstream cinema. The feminist movement in the 1960s championed her. In 1972 the First International Festival of Women's Films honored her by screening "The Wild Party", and her oeuvre was given a full retrospective at the Second Festival in 1976. In 1975 the DGA honored her with "A Tribute to Dorothy Arzner." During the tribute, a telegram from Katharine Hepburn was read: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"- Writer
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Amy Heckerling studied Film and TV at New York University and got a Masters Degree in Film from The American Film Institute. Despite this education she couldn't get a break in Hollywood. However, in 1982, she made Fast Times at Ridgemont High (1982), and people started to take notice. In 1985, while Amy was pregnant, she got the idea for Look Who's Talking (1989). In 1994, Amy wrote Clueless (1995). Amy is a liberal and also an environmentalist and helps environmental charities whenever she can.- Music Artist
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Barbra Streisand is an American singer, actress, director and producer and one of the most successful personalities in show business. She is the only person ever to receive all of the following: Oscar, Tony, Emmy, Grammy, Golden Globe, Cable Ace, National Endowment for the Arts, and Peabody awards, as well as the Kennedy Center Honor, American Film Institute's Lifetime Achievement honor and the Film Society of Lincoln Center Chaplin Award.
She was born in Brooklyn, New York, in 1942 to Diana Kind (née Ida Rosen), a singer turned school secretary, and Emanuel Streisand, a high school teacher. Her father died when she was 15 months old. She has a brother, Sheldon, and a half-sister, Roslyn Kind, from their mother's remarriage. As a child she attended the Beis Yakov Jewish School in Brooklyn. She was raised in a middle-class family and grew up dreaming of becoming an actress (or even an actress / conductor, as she happily described her teenage years at one of her concerts).
After a period as a nightclub singer and off-Broadway performer in New York City she began to attract interest and a fan base, thanks to her original and powerful vocal talent. She debuted on Broadway in the 1962 musical comedy "I Can Get It For You Wholesale" by Harold Rome, receiving a Tony Award nomination for Best Supporting Actress and a New York Drama Critics Poll award. The following year she reached great commercial success with her first Columbia Records solo releases, "The Barbra Streisand Album" (multiple Grammy winner, including "Best Album of the Year") and "The Second Barbra Streisand Album" (her first RIAA Gold Album); these albums, mostly devoted to composer Harold Arlen, brought her critical praise and, most of all, public acclaim all over the US. In 1964 she had another smash Broadway hit when she portrayed legendary Broadway star Fanny Brice in "Funny Girl" by Jule Styne and Bob Merrill; the show's main song, "People", became her first hit single and she appeared on the cover of Time magazine. After many TV appearances as a guest on various music and variety shows (such as an episode of The Judy Garland Show (1963), for which she was nominated for an Emmy), she signed an exclusive contract with CBS for a series of annual TV specials. My Name Is Barbra (1965) (which won an Emmy) and Color Me Barbra (1966) were extremely successful.
After a brief London stage period and the birth of her son Jason Gould (with then-husband Elliott Gould), in summer 1967 she gave a memorable free concert in New York City, "A Happening in Central Park", that was filmed and later broadcast (in an edited version) as a TV special; then she flew to Hollywood for her first movie, Funny Girl (1968), a filming of her stage success. The picture, directed by William Wyler, opened in 1968 and became a hit in the US and abroad, making her an international "superstar" and multiple award winner, including the Best Actress Oscar. After a series of screen musicals, such as Gene Kelly's Hello, Dolly! (1969) and Vincente Minnelli's On a Clear Day You Can See Forever (1970), she wanted to try comedies, resulting in such films as The Owl and the Pussycat (1970) and What's Up, Doc? (1972). She turned to dramas and turned out Up the Sandbox (1972) and the classic The Way We Were (1973), directed by Sydney Pollack and co-starring Robert Redford. The song "The Way We Were" (written by Marvin Hamlisch and Alan Bergman and Marilyn Bergman) became one of her biggest hits and most memorable and famous songs.
She returned to TV for a new special conceived as a musical journey covering many world musical styles, Barbra Streisand and Other Musical Instruments (1973), then returned (for contractual reasons) to her Fanny Brice role in a sequel to her hit "Funny Girl" film, Funny Lady (1975), and the next year turned out one of her most personal film projects, A Star Is Born (1976), one of the biggest hits of the year for which she won a Golden Globe for Best Actress and her second Oscar, for the song "Evergreen". Always extremely busy on the discography side, averaging one album a year throughout the '70s and '80s, she had a string of successful singles and albums, such as "You Don't Bring Me Flowers" (duet with Neil Diamond), "Enough is Enough" (with Donna Summer), "The Main Event" (from her film The Main Event (1979) with her friend Ryan O'Neal) and the album "Guilty", written for her by The Bee Gees' Barry Gibb, which sold more than 10 million copies worldwide.
She debuted as a director with the musical drama Yentl (1983), in which she also portrayed a Jewish girl who is forced to pass herself off as a man to pursue her dreams. The movie received generally positive reviews and the beautiful score by Michel Legrand and lyricists Marilyn Bergman and Alan Bergman stands up as one of Streisand's finest musical works. The film received several Oscar nominations, winning in two categories, but she was not nominated as Best Director, which disappointed both her and her fans, many of whom consider this the Academy's biggest "snub".
In 1985 her album "The Broadway Album" was an unexpected runaway success, winning a Grammy Award and helping to introduce a new generation to the world of American musical theater. In 1986 she performed in a memorable concert, after 19 years of stage silence, "One Voice". She returned to the screen in Nuts (1987), a drama directed by Martin Ritt, in the role of a prostitute accused of murder who fights to avoid being labeled "insane" at her trial. In 1991 she appeared in The Prince of Tides (1991), which many consider to be the pinnacle of her screen career, playing a psychiatrist who tries to help a man (Nick Nolte) to find the pieces of his past life. The film received seven Oscar nominations (but again NOT for Best Directing), but she did receive a nomination from the DGA (Directors Guild of America) for Best Director. In 1994 she returned to the stage after 27 years for a series of sold-out concerts (for the televised version of one of these, she won another Emmy).
In the 1990s she broke several personal records: with two #1 albums ("Back to Broadway" in 1993 and "Higher Ground" in 1997) and became the only artist to achieve a #1 album on the Billboard charts in the 1960s, 1970s, 1980s and 1990s (she extended this record into the 21st century in 2009 with the jazz album "Love is the Answer"). In 1996 she starred in her third picture as director, The Mirror Has Two Faces (1996), with Jeff Bridges and Lauren Bacall. The film had a "the girl got the guy" ending, and the same happened to her in real life--the next year she married well known TV actor James Brolin.
In 2000 she focused her career again on concerts ("Timeless") and in 2006-07 with a European tour. She made only two more films--a supporting role as a sex therapist mother in the Ben Stiller comedy Meet the Fockers (2004) and its sequel, Little Fockers (2010), alongside Dustin Hoffman and Robert De Niro. She published a book, "Passion for Design", in 2010 and celebrated her friendship with the Bergmans with an entire album of their songs, "What Matters Most" (2011), that debuted in the top 10.
After a long break from filming, she returned in a starring role for the 2012 holiday season with The Guilt Trip (2012), a mother/son picture co-starring Seth Rogen and directed by Anne Fletcher, and is working on putting together a film version of the well-known Jule Styne musical "Gypsy". In almost 50 years of career, Streisand has contributed to the show business industry in a personal and unique way, collecting a multi-generational fan base; she has a powerful and recognize vocal range, and a raucous and often self-deprecating sense of humor, which doesn't prevent her from showing the serious and dramatic sides of her personality. Her strong political belief in social justice infuses her professional career and personal life, and she makes no bones about what she believes; her willingness to put her money where her mouth is has resulted in some truly vicious attacks by many who hold opposite political views, but that hasn't stopped her from acting on her beliefs. She has been honored with the Humanitarian Award from the Human Rights Campaign, an Honorary Doctorate in Arts and Humanities from Brandeis University in 1995, an Honorary Doctorate of Philosophy from the Hebrew University of Jerusalem in 2013 and the bestowing by the government of France the title of Commander of the Order of Arts and Letters. She supports many humanitarian causes through the Streisand Foundation and has been a dedicated environmentalist for many years; she endowed a chair in environmental studies in 1987 and donated her 24-acre estate to the Santa Monica Mountains Conservancy. In addition, she was the lead founder for the Clinton Climate Change Initiative. This effort brought together a consortium of major cities around the world to drive down greenhouse gas emissions. She is a leading spokesperson and fund-raiser for social and political causes close to her heart and has often dedicated proceeds from her live concert performances to benefit programs she supports.- Actress
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Andrea Arnold was born on 5 April 1961 in Dartford, Kent, England, UK. She is an actress and director, known for American Honey (2016), Fish Tank (2009) and Red Road (2006).- Director
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Patty Jenkins is a writer/director best known for directing Wonder Woman, the Warner Bros./DC Comics blockbuster of 2017, and her debut feature Monster. Patty also works in television where she is best known for the pilot and finale episode of AMC's hit show The Killing.
Patty began her career as a painter at The Cooper Union in New York City. Upon transitioning to filmmaking, she spent eight years as an Assistant Camera Person/Focus Puller on commercials and music videos. After attending the AFI in Los Angeles, she wrote and directed Monster.
Roger Ebert named Monster as The #1 Best Film of 2004 and #3 Best Film of the decade. AFI named it on the Ten Best Films of the Year. Patty also garnered a number of awards and nominations, including winning Best First Feature at the 2004 Independent Spirit Awards. Charlize Theron went on to sweep the awards circuit winning the Oscar, Golden Globe, SAG Award, and numerous critics' awards in the Best Actress category.
Jenkins went on to direct many commercials and TV programs including Fox's Arrested Development and HBO's Entourage and the pilot episodes for ABC's Betrayal and Exposed. She won the DGA award for best directing for The Killing pilot, as well as being nominated for an Emmy. She also received an Emmy nomination for her work on the final segment of FIVE - a series of short films about breast cancer.
In 2017, Jenkins broke the record for Biggest Grossing Live-Action Film Directed by a Woman, Domestic and Worldwide, with Wonder Woman. The film also received critical acclaim, broke several records and went on to become highest grossing film of the summer of 2017.- Producer
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In 2015 after four years of activism in the Directors Guild of America, Maria Giese became the person who instigated the groundbreaking industry-wide Federal investigation for women directors in Hollywood. In The New York Times, Manohla Dargis referred to her work as "a veritable crusade." Giese and her work are a subject of three recent books and two award-winning feature documentaries: This Changes Everything (2019) and "Half The Picture" (2018). Her 2019 TEDx talk, "The Battle For Female Voices in Entertainment Media," and her upcoming book, Troublemaker, describe her work getting the ACLU and EEOC to investigate this issue- the ramifications of which are resonating globally.
Giese is a subject in and co-produced the 2022 feature documentary "Brainwashed: Sex and Power, the Visual Language of Cinema", and is attached to direct a feature documentary, "Women On Wall Street", and a narrative feature film, "Oliver Outloud", a story of a painter with Tourettes Syndrome. Prior to that, she wrote and directed the 1996 feature film When Saturday Comes starring Sean Bean and Pete Postlethwaite, and the 2007 award-winning digital feature film Hunger based on the novel by Nobel Prize-winner Knut Hamsun. She has also directed two Golden Cine Eagle-winning short films, and has written three screenplays that have been produced into feature films, including "North Star" directed by Nils Gaup and starring James Caan, Christophe Lambert and Catherine McCormack.
A member of the Directors Guild of America, Giese holds a BA from Wellesley College and a Master's degree from UCLA's Graduate School of Theatre, Film and Television. In 2016 she was awarded the prestigious Equity Award from Stanford University and her articles have appeared in Ms. Magazine, The Hollywood Reporter, Elle, IndieWIRE, and Film Inquiry. Giese herself has appeared on CNN Global, BBC International, ABC Live, Sky TV UK Live, Bloomberg TV, and NPR. She has been featured in The New York Times, The Los Angeles Times, The Washington Post, The Philadelphia Inquirer, Forbes, Fortune, Cosmopolitan, LA Weekly, The Hollywood Reporter, Variety, The Guardian, among others internationally.- Actress
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Jodie Foster started her career at the age of two. For four years she made commercials and finally gave her debut as an actress in the TV series Mayberry R.F.D. (1968). In 1975 Jodie was offered the role of prostitute Iris Steensma in the movie Taxi Driver (1976). This role, for which she received an Academy Award nomination in the "Best Supporting Actress" category, marked a breakthrough in her career. In 1980 she graduated as the best of her class from the College Lycée Français and began to study English Literature at Yale University, from where she graduated magna cum laude in 1985. One tragic moment in her life was March 30th, 1981 when John Warnock Hinkley Jr. attempted to assassinate the President of the United States, Ronald Reagan. Hinkley was obsessed with Jodie and the movie Taxi Driver (1976), in which Travis Bickle, played by Robert De Niro, tried to shoot presidential candidate Palantine. Despite the fact that Jodie never took acting lessons, she received two Oscars before she was thirty years of age. She received her first award for her part as Sarah Tobias in The Accused (1988) and the second one for her performance as Clarice Starling in The Silence of the Lambs (1991).- Director
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Debra Granik (born February 6, 1963) is an American New York City-based independent film and documentary film director and screenwriter. She is most known for 2004's Down to the Bone, which starred Vera Farmiga, 2010's Winter's Bone, which starred Jennifer Lawrence in her breakout performance and for which Granik was nominated for Academy Award for Best Picture and Best Adapted Screenplay, and 2018's Leave No Trace, a film based on the book My Abandonment by Peter Rock.
Granik was born in Cambridge, Massachusetts, to father William R. Granik, who was an attorney with H.U.D. who litigated fair housing, and mother Marian Gay. She grew up in the suburbs of Washington D.C. Granik is the granddaughter of broadcast pioneer Ted Granik (1907-1970), founder and moderator of the long-run public affairs panel discussion program, The American Forum of the Air, on from 1934 to 1956, first on the radio and later on television. Granik is from a Jewish family.
In 1985, Granik received her B.A. in political science from Brandeis University. As an undergraduate at Brandeis, Granik also took classes at the Studio for Interrelated Media at the Massachusetts College of Art. In 2001, Granik received an MFA from NYU's Tisch School of the Arts.
While at Brandeis, Granik took Henry Felt's film and media workshop production class and volunteered with the Boston grassroots filmmaking organization Women's Video Collective. She also took film classes at the Studio for Interrelated Media at the Massachusetts College of Art. During this time, Granik made educational films for trade unions on subjects like workplace health and safety, one of which was made for the Massachusetts Division of Occupational Safety. Granik worked in production on educational media projects, eventually working on long form documentaries by Boston-area filmmakers before deciding to go to graduate school for filmmaking at New York University.
In 1997, Granik directed her first short film, Snake Feed, as her senior thesis with the mentorship of NYU film professor Boris Frumin, who was instrumental in sharing his love of post-World War II European neorealist films. Snake Feed, which began its life as a 7-minute documentary portrait exercise, was accepted into Sundance Institute's Lab Program for screenwriting and directing. Granik workshopped and developed the short film into a feature film at the Sundance Lab. Granik has said that Snake Feed was a work of narrative fiction, with the main characters, recovering addict Irene and her boyfriend Rick, playing dramatized versions of themselves.
In 2004, the short film of Snake Feed and the story of Irene and Rick became the basis of Granik's first feature-length film, Down to the Bone, which was a fictionalized depiction of their struggles. Down to the Bone is the story of an upstate New York mother who goes to rehab to kick her cocaine addiction and ends up falling in love with a nurse and descending back into her old drug habits. Down to the Bone was based on an original screenplay written by Granik and her creative partner, Anne Rosellini. The role of the main character Irene, played by Vera Farmiga, significantly raised Farmiga's profile as an actor. Down to the Bone was shot in Ulster County in upstate New York.
Granik's second feature, 2010's Winter's Bone, was an adaptation by Granik and Rosellini of the 2006 novel by Daniel Woodrell. It is the story of Ree Dolly, a teenager living in the Missouri's Ozark Mountains who is the sole caretaker of her two younger siblings and her catatonic mother. She is forced to hunt down her missing drug-dealing father in order to save her family from eviction.
The film starred a then-unknown Jennifer Lawrence and John Hawkes and won the Grand Jury Prize: Dramatic Film at the 2010 Sundance Film Festival, which led to a distribution deal with Roadside Attractions. Winter's Bone won the Seattle International Film Festival Golden Space Needle Audience Award for Best Director and Best Actress award for Jennifer Lawrence. In 2011, Winter's Bone was nominated for four Academy Awards: Best Picture, Best Adapted Screenplay, Best Actress for Jennifer Lawrence and Best Supporting Actor for John Hawkes. The film featured a soundtrack made up of old time gospel, bluegrass, and traditional music found in the Ozarks and was produced by Steve Peters. It features the singing of Marideth Sisco, who worked as a music and folklore consultant for the region, and also appeared in the Winter's Bone. The actor John Hawkes sings one track on the soundtrack.
Winter's Bone was shot on location in the Ozark area of southern Missouri. Granik cast many of the supporting roles with first-time actors from the surrounding area and all of the homes on screen were established Ozark homes-no sets were built for this film. For the look of the film, Granik kept most of the established aesthetics of the homes in which they were shooting and many of the few mementos that were added to the homes were contributed by Ozark people in the community.
Granik produced and directed an HBO television pilot called American High Life. The show was a family drama that "follows a young career woman to her economically depressed small home town in the midwest."The show was not picked up.
Granik developed a film adaption of Rule of the Bone, the 1995 novel by Russell Banks, but the project is still in development.
In 2014, Granik's film, Stray Dog, was released. The film is a documentary about a man named Ron Hall, whose nickname is "Stray Dog," and portrays his life as an avid biker and Vietnam Veteran who sometimes struggles with PTSD. The film documents Hall's participation in an annual pilgrimage motorcycle ride called "Ride to the Wall" with fellow biker Vietnam vets from all over the country where they ride to the Vietnam Veterans Memorial in Washington, D.C. Granik had met Hall, who had a small role on Winter's Bone, during filming.
Granik directed the drama Leave No Trace, starring Ben Foster and newcomer Thomasin McKenzie, which was released in 2018, domestically by Bleecker Street and internationally by Sony Worldwide Acquisitions. The film tells the story of a father and daughter who illegally live on government land and are forced to adapt to more traditional living in mainstream life. It examines ideas of self-reliance and community, and was a critics' pick of The New York Times. Leave No Trace premiered at the 2018 Sundance Film Festival, and played at the Cannes Film Festival, and was shot in the forested areas of Oregon, including Forest Park near Portland, Oregon, over the course of 30 days. In addition to Oregon, Washington state was used for locations, with some scenes shot at a Christmas tree farm. Leave No Trace took approximately three and a half years to develop, from the first time Granik read Peter Rock's novel, My Abandonment, on which the film was based.
Other projects Granik has in development include a documentary about life after being released from jail and the subject of recidivism in East Baltimore - that was to feature Felicia "Snoop" Pearson from The Wire and elements of her memoir, Grace After Midnight - but is now a documentary about four former inmates in New York City.
Another project is a film based on Barbara Ehrenreich's book, Nickel and Dimed: On (Not) Getting By in America, which focuses on poverty and the working poor in America- Director
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Julie Taymor is an Academy Award-nominated director, known for such films as Frida (2002) and Across the Universe (2007).
She was born on December 15, 1952, in Newton, Massachusetts, a suburb of Boston. Her father, Melvin Lester Taymor, was a gynecologist. Her mother, Elizabeth Bernstein, was a teacher of political science. Young Taymor was fond of international folklore and mythology, and also developed a passion for theatre. She spent her formative years living in several countries. As a teenager, during the 1960s, she lived in Sri Lanka and India with the Experiment in International Living program, then studied acting in Paris, at the mime school of Jacques Lecoq. From 1969 to 1974, she studied theatre and mythology at Oberlin College, graduating in 1974 with a degree in folklore and mythology.
During the 1970s, Taymor lived in Japan, studying the art of puppetry and Japanese theatre. Then, she spent five years in Indonesia, working as director of international theatre with Asian, European, and American actors. Back in the USA, she worked on and off Broadway. There, she achieved her first success with staging a fairy tale, "The King Stag", and then toured 66 cities across the world, including Los Angeles, Venice, Tokyo, and Moscow.
In the 1990s, Taymor directed several classic operas. Her 1992 production of Igor Stravinsky's "Oedipus Rex" in Japan earned the Emmy Award. Then, she directed the 1993 production of "The Magic Flute" by 'Wolfgang Mozart', in Florence, with conductor Zubin Mehta, and the acclaimed 1994 production of "Salome" in St. Petersburg, Russia, with conductor Valery Gergiev.
In New York, she continued a stellar theatrical career, directing such productions as William Shakespeare's "Titus Andronicus" and "Juan Darién: A Carnival Mass" at the Lincoln Center. In 1997, Taymor directed a massive Walt Disney Company's production of "The Lion King" on Broadway, for which she also co-designed over a 100 costumes and masks of animals, and earned two Tony Awards.
Her film, Frida (2002), received six Oscar nominations, and two Oscars, for make-up and for the music score by Elliot Goldenthal. Taymor continued her success with the 2004 production of "The Magic Flute" at the Metropolitan Opera (which is now in repertoires at the Met), and the 2006 staging of "Grendel" at the Los Angeles Opera and, later, at the Linolcn Center Festival. Taymor's experience with cross-genre and cross-cultural productions came to culmination in her latest film, Across the Universe (2007). It is a musical set in the 1960s England, Vietnam, and America, where a love story and social protest are intertwined with over thirty songs by The Beatles.
Outside of her directing profession, Taymor amassed puppets, masks and folk art from around the world. As an artist, she has been involved in making puppets, masks, costumes and stage sets. Since 1980, Julie Taymor has been a long-time collaborator with the Oscar-winning composer, Elliot Goldenthal, and the couple lives in Manhattan.- Producer
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Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.- Director
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Hardwicke's first film as a director was the Sundance winner THIRTEEN which explored the transition into teenage years with an authenticity that still captures young audiences (1.3 billion Tik Tok engagements.) Hardwicke directed LORDS OF DOGTOWN before she became best known as the director of TWILIGHT, which launched the blockbuster franchise and has since earned over three billion dollars. Recently her indie film PRISONER'S DAUGHTER premiered at TIFF 2022 and DREAMS IN THE WITCHHOUSE dropped on Netflix October 2022 as part of Guillermo del Toro's Cabinet of Curiosities. MAFIA MAMMA premieres in theaters on April 14 2023.- Director
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Spheeris is often referred to as a 'rock 'n roll anthropologist'.
In 1974 she formed the first Los Angeles music video production company, ROCK 'N REEL. She concluded her music video work with the Grammy-nominated, "Bohemian Rhapsody" video for "Wayne's World". Spheeris' feature film debut was the 1979 documentary on the Los Angeles punk scene, "The Decline of Western Civilization" which was received with stunning and unanimous critical praise. In 1983 she wrote and directed "Suburbia", produced by Roger Corman. It is a disturbing and prophetic story of rebellious, homeless kids squatting in abandoned houses, trying to make new families, and protecting one another. "Suburbia" won first place at the Chicago Film Festival. Almost 25 years later her documentary, "The Decline of Western Civilization, Part III" would eerily mirror the events she scripted in "Suburbia". In the mid-80s she directed "The Boys Next Door", starring Charlie Sheen and Maxwell Caulfield, then "Dudes" starring John Cryer, Flea, and Daniel Roebuck. Both films have attained cult classic status. "The Decline of Western Civilization, Part II: The Metal Years" was released in 1988, again to spectacular critical acclaim. Commentaries from Ozzy Osbourne, Steven Tyler and Joe Perry, Alice Cooper, Lemmy of Motorhead, Poison, etc. make it one of the most memorable pieces of rock film history.
In 1992, Spheeris directed her seventh feature, and first studio film, "Wayne's World" at Paramount Pictures. Subsequently she directed and produced "The Beverly Hillbillies" (Fox), wrote and directed "The Little Rascals" (Universal), then directed "Black Sheep" (Paramount), etc. In 1999, Spheeris documented The Ozzfest, America's most successful summer concert tour, and the reunion performances of the original Black Sabbath. Both as director and one of the cinematographers, Spheeris achieved a remarkable and historic film which offers the audience a unique view of life on the road: "We Sold Our Souls For Rock 'N Roll".
(2016) She is currently touring with her Producer/daughter Anna Fox, screening "The Decline" trilogy in support of the Shout Factory DVD release.- Director
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Kimberly Peirce was born on 8 September 1967 in Harrisburg, Pennsylvania, USA. She is a director and producer, known for Boys Don't Cry (1999), Stop-Loss (2008) and Carrie (2013).- Director
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Sam Taylor-Johnson was born on 4 March 1967 in London, England, UK. She is a director and producer, known for Nowhere Boy (2009), Fifty Shades of Grey (2015) and Love You More (2008). She has been married to Aaron Taylor-Johnson since 21 June 2012. They have two children. She was previously married to Jay Jopling.- Director
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Began her career directing music videos for acts like Tone Loc, Depeche Mode, Indigo Girls, NWA, Hanson and Sonic Youth and made her first feature in 92 with Guncrazy starring Drew Barrymore. Ms Barrymore received a Golden Globe Nomination. She then went on to direct feature films starring Chris Rock-CB4, Adam Sandler in Billy Madison, Dave Chappelle in Half Baked, Britney Spears in Crossroads and most recently, 13: The Musical for Netflix. She is also known for her documentary work on Jean Michel Basquiat: The Radiant Child and The Punk Singer about Kathleen Hanna. After having 2 kids with her husband Mike D of the Beastie Boys she started a career in Television has directed on shows such as Grey's Anatomy, Dead To Me, The Politician and P Valley. She directed the pilot for High School Musical: The Musical: The Series. She continues to work in documentaries, episodic television and feature films.- Producer
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Since melting audiences' hearts at the age of just six in E.T. the Extra-Terrestrial (1982), Drew Barrymore has emerged as one of the most beloved and singularly gifted actresses of her generation. Born in Culver City, California to John Drew Barrymore and Jaid Barrymore, the clutches of fame were near inescapable for young Drew, her father being a member of the esteemed showbiz dynasty fronted by stage star Maurice Barrymore, his thespian wife Georgiana and their three children: Lionel Barrymore, Ethel Barrymore, and John Barrymore.
Tailgating a turbulent adolescence that saw her grapple with insobriety, substance abuse, and cutthroat media vitriol, a diligent Barrymore threw herself into her career throughout the early-mid nineties, first with a succession of 'bad girl' parts in cultish B-pictures like Poison Ivy (1992), Guncrazy (1992) and - fittingly - Bad Girls (1994); then warmly received turns in prestige vehicles such as Boys on the Side (1995), Woody Allen's Everyone Says I Love You (1996), and Wes Craven's game-changing Scream (1996). Equal portions of goofball - The Wedding Singer (1998), Never Been Kissed (1999), Charlie's Angels (2000) - and gravitas - Riding in Cars with Boys (2001), Donnie Darko (2001), Confessions of a Dangerous Mind (2002) - came next, with a Golden Globe-grabbing pièce de résistance - her divine incarnation of Edith Bouvier Beale in Grey Gardens (2009) - confirming that her skill set was every bit as forceful and far-reaching as imagined.
Having already set in motion a bunch of lucrative projects via production house Flower Films (co-est. with Nancy Juvonen in '95), Barrymore fastened an additional string to her bow when she spearheaded the sports dramedy Whip It (2009), her glowingly appraised directorial debut. Fresh off a healthy run of movie parts at the launch of the 2010s, her star turn as zombified suburban realtor Sheila Hammond - a tour de force at once dizzy and detailed - on Netflix's Santa Clarita Diet (2017) saw her step with trademark resolve into newer territory still: the flourishing world of small screen entertainment, a metamorphosis she continues to espouse with her role as compère of spirited daytime staple The Drew Barrymore Show (2020).- Actress
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Betty Thomas was born July 27, 1947 in St. Louis, Missouri, graduating from Ohio University with a BA in fine arts. Initially sidetracked, Betty first taught school in Chicago but found herself restricted and needing more of an open forum for self-expression than a classroom. She found herself drawn inextricably to comedy. After toiling as a waitress, she became part of the Second City improvisational troupe where she made use of her towering (6' 1") imposing features in aggressive routines and sketches. True to form, she made her film debut in the sketch satire Tunnel Vision (1976) which parodied TV programming. The movie is lesser known today for its satirical bite and more for its exceptional cast of up-and-coming comedy artists at the time including Chevy Chase, Laraine Newman, John Candy, Joe Flaherty, Gerrit Graham, Howard Hesseman, and the team of Al Franken and Tom Davis. Other innocuous comedies/spoofs followed such as Chesty Anderson U.S. Navy (1976), Used Cars (1980), and Coming Attractions (1978) which, at the very least, helped to bulk up her comedy resume. She also appeared as a regular on The Fun Factory (1976), which was three parts quiz show, silly sketches, and audience participation.
Ironically, Betty achieved her stardom not in comedy but in hard-hitting drama. Doing a complete about face as tough-talking Officer Lucille Bates on the hit police series Hill Street Blues (1981), she displayed both grit and vulnerability as she stood nose-to-nose alongside the rest of the male-oriented precinct. She was nominated for six Emmys in all and won the "Best Supporting Actress" trophy in 1985. Some equally compelling mini-movie roles came along with this success. In the late 1980s, Betty made an abrupt and concentrated move into TV and film directing, one of her last acting roles being that of the butch, underhanded scoutmaster (and Shelley Long's misery-inducing nemesis) in the obvious comedy film Troop Beverly Hills (1989).
Betty received her bookend Emmy award while directing the cable sitcom Dream On (1990). She never lost her taste for comedy satire, however. One of her major box office successes would come with the spot-on parody The Brady Bunch Movie (1995). She has continued in this lighter vein of late, guiding the one-man promotion machine Howard Stern to a surprisingly entertaining critical hit with Private Parts (1997), which was based on his memoirs, the Jennifer Love Hewitt film Can't Hardly Wait (1998), I Spy (2002), an updated remake of the 1960s TV series, and Surviving Christmas (2004). In recent years she has directed TV movies and episodes of such series as "Audrey" and "Grace and Frankie."- Director
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Niki Caro is a New Zealand film director and screenwriter, born in 1967. Caro was born in Wellington, the capital city of New Zealand. She was educated first at the Kadimah College in Auckland, and then the Diocesan School for Girls in Auckland. The School is a private girls' school, and ranks among the top-achieving schools in New Zealand.
In the late 1980s, Caro enrolled in the Elam School of Fine Arts to pursue training as a sculptor. However her interest shifted to film studies. She graduated from Elam in 1988, at the age of 21. For post-graduate studies, Caro enrolled at the Swinburne University of Technology, located at Melbourne, Victoria.
Following the completion of her studies, Caro initially directed television commercials. In 1992, she directed and wrote an episode for the anthology television series "Another Country" (1992). In 1998, Caro directed her first feature film "Memory and Desire". It was an adaptation of a short story by Peter Wells (1950-2019), concerning the depression and apparent suicide of a Japanese married man. The film was critically well-received and won a New Zealand film award.
Caro next directed the feature film "Whale Rider" (2002).. It depicts a young Maori girl, Paikea "Pai" Apirana (played by Keisha Castle-Hughes) , who stands as a candidate for the position of tribal chief. The film earned over 41 million dollars at the worldwide box office, becoming one of New Zealand's most commercially successful films. The film also won an award at the Sundance Film Festival.
In 2005, Caro directed her first American film, "North Country". The film was loosely based on the legal case "Jenson v. Eveleth Taconite Co.", a class-action sexual harassment lawsuit concerning the treatment of female miners in a Minnesota-based mine. The film earned about 25 million dollars at the worldwide box office, failing to recover its budget expenses. Two of the films actresses (Charlize Theron and Frances McDormand) were nominated for Academy Awards for their performances, but neither of them won.
In 2009, Caro directed the romantic drama "A Heavenly Vintage", an adaptation on the fantasy novel "The Vintner's Luck" (1998) by Elizabeth Knox. The film won three awards at the Sedona Film Festival, but was criticized for toning down the homosexual relationship depicted in the novel.
In 2015, Caro directed the sports drama "McFarland, USA". The film is based on the life of track and field coach James White (1941-), and the first victory of the McFarland High School at a cross-country running championship in 1987. The film won about 46 million dollars at the worldwide box office, the commercially most successful film in Caro's career to that point.
In 2017, Caro directed the World War II-themed war film "The Zookeeper's Wife". The film was based on the lives of a married couple, the zoologist Jan Zabinski (1897-1974) and the children's writer Antonina Erdman ( 1908-1971). During the foreign occupation of Poland in World War II, the Zabinskis used the abandoned buildings of the Warsaw Zoo and their privately-owned villa to shelter hundreds of displaced Jews. They managed to rescue about 300 people. Caro won an award at the Heartland Film Festival for her direction in this film.
In 2017, Caro was hired by the Walt Disney Company to direct a live-action remake of "Mulan" (1998). Caro was reportedly the second female film director entrusted by Disney to direct a big-budget film, following Ava DuVernay (1972-). Caro's remake is scheduled for release in 2020.- Director
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Mary Lambert was born in 1951 in Helena, Arkansas, USA. She is a director and writer, known for Pet Sematary (1989), Madonna: Like a Prayer (1989) and The in Crowd (2000). She has been married to Jerome Gary since 28 September 1991. They have one child.- Director
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Born in 1966 in Salta in the North of Argentina,Lucrecia Martel settled down in Buenos Aires where she attended the ENERC (National Film School). She started by directing a few shorts among which Historias Breves I: Rey muerto (1995), which garnered several awards in the international film festival circuit. From 1995 to 1998, she made a series of documentaries for TV as well as a children's TV programme, hailed by the Argentinian press for its unusual dark humor. From 2001 until today, Lucrecia Martel has managed to make three very personal feature films, The Swamp (2001), The Holy Girl (2004) and The Headless Woman (2008), in which she explores her favorite theme, troubled minds.- Director
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Maya Deren came to the USA in 1922 as Eleanora Derenkowsky. Together with her father Solomon Derenkowsky, a psychiatrist, and her mother Maria Fidler, an artist, she fled the pogroms organized by the Bolsheviks against the Jews. She studied journalism and political science at the Syracuse University in New York, finishing her BA at the New York University (NYU) in June 1936, and then received her MA in English literature from the Smith College in 1939.
In 1943, she made her first film Meshes of the Afternoon (1943), co-starring with Alexander Hammid. Through this association, at Hammid's suggestion, she changed her name to Maya, meaning "illusion." Overall, she made six short films and several incomplete films, including Witch's Cradle (1944) starring Marcel Duchamp.
Deren is the author of two books, "An Anagram of Ideas on Art, Form, and Film" 1946 (reprinted in "The Legend of Maya Deren," vol 1, part 2) and "Divine Horsemen: The Living Gods of Haiti" (1953)--a book that was made after her first trip to Haiti in 1947 and which is still considered one of the most useful on Haitian Voudoun. Deren wrote numerous articles on film and on Haiti. Maya Deren shot over 18,000 feet of film in Haiti from 1947 to 1954 on Haitian Voudoun, parts of which can be viewed in Divine Horsemen: The Living Gods of Haiti (1993) made after her death by her then-husband Teiji Ito and his new wife Cherel Ito.
In 1947, Maya Deren became the first filmmaker to receive a Guggenheim grant for creative work in motion pictures. She wrote film theory, distributed her own films, traveled across the USA, and went to Cuba and Canada to promote her films using the lecture-demonstration format to teach film theory, and Voudoun and the interrelationship of magic, science, and religion. Deren established the Creative Film Foundation in the late 1950s to reward the achievements of independent filmmakers.- Director
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Lynne Ramsay was born on 5 December 1969 in Glasgow, Strathclyde, Scotland, UK. She is a director and writer, known for You Were Never Really Here (2017), We Need to Talk About Kevin (2011) and Ratcatcher (1999). She was previously married to Rory Stewart Kinnear.- Producer
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Jennifer Lee was born on 22 October 1971 in Barrington, Rhode Island, USA. She is a producer and writer, known for Frozen (2013), Frozen II (2019) and Wreck-It Ralph (2012). She has been married to Alfred Molina since August 2021. She was previously married to Robert Joseph Monn.- Director
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Thirty-one years ago, filmmaker Julie Dash broke racial and gender boundaries with her Sundance award-winning film (Best Cinematography) Daughters of the Dust. She became the first African American woman to have a wide theatrical release of her feature film. The Library of Congress placed Daughters of the Dust and her UCLA MFA senior thesis Illusions in the National Film Registry. These two films join a select group of American films preserved and protected as national treasures by the Librarian of Congress. Dash recently designed two rooms for the Metropolitan Museum of Art and VOGUE, In American: An Anthology of Fashion, featured at the NYC Met Gala 2022.- Director
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Chantal Akerman was born on 6 June 1950 in Brussels, Belgium. She was a director and writer, known for The Meetings of Anna (1978), I, You, He, She (1974) and A Couch in New York (1996). She was married to Sonia Wieder-Atherton. She died on 5 October 2015 in Paris, France.- Actress
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Maïwenn (sometimes credited as Maïwenn Besco or her birth name Maïwenn Le Besco, born 17 April 1976) is a French actress, film director and screenwriter.
Maïwenn Le Besco was born in Les Lilas, Seine-Saint-Denis, France, a suburban area east of Paris. Maïwenn is of mixed Breton, Vietnamese, French, and Algerian descent. Her Algerian ancestry comes from her maternal grandfather. Maïwenn's mother, Catherine Belkhodja, introduced her to the entertainment industry at a young age, an experience later chronicled by Maïwenn in her one-woman shows Le Pois Chiche (The Chickpea) and I'm an Actress.
Maïwenn starred in several films as a child, then teen, actress--notably as the child version of the lead role played by Isabelle Adjani in the hit film One Deadly Summer (1983).
Following her marriage to director Luc Besson and the birth of their daughter in 1993, Maïwenn interrupted her career for several years. During this period, she only appeared in a supporting part in Besson's Léon: The Professional (1994), in which she was credited as Ouin-Ouin. She also directed the film's making-of. Perhaps Maïwenn's most internationally-seen film role was her appearance as the alien Diva Bazina in Besson's The Fifth Element (1997).
After her breakup with Besson, Maïwenn returned to France. She performed as a standup comedian in an autobiographical one-woman-show, and reentered the movie business after several filmmakers saw her comedy routine in Paris. She appeared in several notable movies, including the horror film High Tension (2003), in which she starred opposite Cécile de France. By the time the film came out in 2003, she had decided she wanted to try directing. In 2006, she directed her first feature film, the semi-autobiographical Pardonnez-moi (2006). According to Maïwenn, after Besson learned she planned to use her own money to produce the film, he told her "You need to immediately stop what you're doing. You're crazy. Nobody puts their own money into a movie." After seeing the film he apologized, saying she was right on this occasion. Her second film was All About Actresses (2009), in which she appears as herself making a documentary. She achieved international recognition when her third film, the social drama Polisse (2011), won the Jury Prize at the 2011 Cannes Film Festival. All three films feature Maïwenn with a camera, stemming from a childhood fascination and her interest in the mise en abyme, the story within a story. Her 2015 film My King (2015) was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival, with Emmanuelle Bercot winning the Best Actress award.
Maïwenn met film director Luc Besson when she was 12 and they began dating when she was 15. In January 1993, at age 16, she gave birth to their daughter Shanna. On the DVD extras for the 1994 film Léon: The Professional, Maïwenn said the film is based on her relationship with Besson. She was 20 at the beginning of filming (early 1996) for The Fifth Element, during which Besson left her for the film's star, Milla Jovovich.
In 2004, Maïwenn had a son, Diego, with Jean-Yves Le Fur, her second ex-husband who is a real estate developer.- Actress
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A one-time pin-up beauty and magazine story model, Barbara Loden studied acting in New York in the early 50s and was on the Broadway boards within the decade. She was discovered for films by legendary producer/director Elia Kazan who was impressed with what she did in a small role as Montgomery Clift's secretary in Wild River (1960). He moved her up to feature status with her next role as Warren Beatty's wanton sister in his classic Splendor in the Grass (1961). As Kazan's protégé, she appeared as part of Kazan's stage company in the Lincoln Center Repertory Theater's production of After the Fall, winning the Tony and Outer Critic's Circle awards for that dazzling performance. An oddly entrancing, delicate blonde beauty possessed with a Marilyn Monroe-like vulnerability, she impressed in two of his other stage productions as well - But For Whom Charlie and The Changeling . After appearing in the failed movie Fade In (1973) with Burt Reynolds, she married Kazan and went into semi-retirement. Barbara wrote, directed and starred, however, in a bold independent film entitled Wanda (1970) and became an unexpected art house darling, distinguishing herself as one of the few woman directors whose work was theatrically-released during the period. She won praise in all three departments, nabbing the Venice Film Festival's International Critics Prize. Supposedly discouraged by a doubting, perhaps even resentful Kazan, Barbara never followed up on this success. She expressed interest and was in the midst of putting together another film, based on the novella The Awakening by Kate Chopin, when she learned in 1978 she had breast cancer. Barbara died two and a half years later, at age 48, after the cancer spread to her liver - before the project ever came to fruition. The Hollywood industry lost a burgeoning talent who just might have opened doors for other women directors had she been given the time.- Director
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Marjane Satrapi was born on 22 November 1969 in Rasht, Iran. She is a director and actress, known for Persepolis (2007), The Voices (2014) and Chicken with Plums (2011). She is married to Mattias Ripa. She was previously married to Reza.- Director
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Two time Emmy-nominated actress and director Lynn Shelton fell ill and was taken to a Los Angeles, California hospital. During her medical examination it was found that she had been suffering, without diagnosis or any apparent symptoms, from acute myeloid leukemia, a cancer of the blood. She died just a few days later on May 16, 2020 at age 54.- Actress
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Kansas Bowling directed her first feature film "B.C. Butcher" starring Kato Kaelin when she was 17-years-old. She shot it on 16mm in her dad's backyard with money she raised bussing tables. It was released by Troma Entertainment when she was 19-years-old. Since then, Kansas has directed over 30 music videos for artists such as Iggy Pop, and has acted in films directed by Quentin Tarantino and Glenn Danzig. Her second feature film "Cuddly Toys" is out 2023.- Director
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Anders weathered a rough childhood and young adult life which not only encouraged an escapist penchant for making up characters but also an insider's sympathy for the strong but put-upon women who people her films. Growing up in rural Kentucky, Anders would always remember hanging onto her father's leg at age five as he abandoned her family. Traveling frequently with her mother and sisters, Anders would later be raped at age 12, endure abuse from a stepfather who once threatened her with a gun, and suffer a mental breakdown at age 15. Venturing back to Kentucky from Los Angeles at 17, she would soon move to London to live with the man who would father her first child. Upon her return to the US, Anders finally began to pick up the pieces of her life. She enrolled in junior college and later the UCLA film school and managed when a second daughter came along. Enchanted with _Wim Wenders_' films, she so deluged the filmmaker with correspondence that he gave her a job as a production assistant on his film Paris, Texas (1984). After graduating from UCLA, Anders made her feature writing and directing debut, Border Radio (1987), a study of the LA punk scene, in collaboration with two former classmates. Her first solo effort, Gas Food Lodging (1992), telling of a single mother and her two teenage daughters, and her followup, My Crazy Life (1993), looking at girl gangs in the Echo Park neighborhood of LA where Anders settled, have shown her to be a deeply personal filmmaker who has used her own experience to make grittily realistic, well-observed, gently ambling studies of women coming of age amid tough, sterile social conditions.- Director
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Émilie Jouvet is known for My Body, My Rules (2017).- Producer
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Maren Ade was born in Karlsruhe on 12 December 1976 to a couple of teachers.She studied cinema at Munich's Hochschule für Fernsehen und Film. As of 2001 she co-founded, together with Janine Jackowski, a fellow graduate from HFF, the "Komplizen" film company. It is through Komplizen that Maren would later co-produce, among others, "Arabian Nights", Miguel Gomes' masterpiece. After two shorts in 2000 and 2001 made under the auspices of her film school, she co-produced, wrote and and directed Der Wald vor lauter Bäumen (2003), her first feature. A grueling drama about the difficult beginnings of a new teacher, the movie impressed both audiences and critics. Incidentally, it is of interest to specify that its school scenes were entirely shot within the walls of the educational institution where her mother was teaching at the time. This promising effort was followed six years later by Everyone Else (2009), which although taking place in a totally different setting (the Sardinian seaside in the glory of Summer) also concerns characters unsure of themselves. A taut drama as well, it revolves around two holiday making newly married couples and describes in a Roman Polanski-like manner the wicked relationships they share. But her greatest success came in 2015 and 2016 with Toni Erdmann (2016), an offbeat comedy with a philosophical approach, which enthused the festival-goers at Cannes, allegedly making them "roar with laughter", and later making unexpected profit in art houses throughout the world. And it is true that a father playing dirty tricks on his daughter (meant to make her realize she is wasting her life) is no ordinary entertainment. As a matter of fact, after only three full-length movies to her credit, Maren Ade has become a name that counts in today's German cinema.- Director
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Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter. She gained recognition for her role in writing and directing several independent films, including I Shot Andy Warhol (1996), American Psycho (2000), and The Notorious Bettie Page (2005). She co-wrote American Psycho and The Notorious Bettie Page with Guinevere Turner. Although Harron has denied this title, she has been thought to be feminist filmmaker due to her film on lesbian feminist Valerie Solanas, in I Shot Andy Warhol (1996), and a queer story-line within her teenage Gothic horror, The Moth Diaries (2011).