Child/Young Stars
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Shirley Temple was easily the most popular and famous child star of all time. She got her start in the movies at the age of three and soon progressed to super stardom. Shirley could do it all: act, sing and dance and all at the age of five! Fans loved her as she was bright, bouncy and cheerful in her films and they ultimately bought millions of dollars' worth of products that had her likeness on them. Dolls, phonograph records, mugs, hats, dresses, whatever it was, if it had her picture on there they bought it. Shirley was box-office champion for the consecutive years 1935-36-37-38, beating out such great grown-up stars as Clark Gable, Bing Crosby, Robert Taylor, Gary Cooper and Joan Crawford. By 1939, her popularity declined. Although she starred in some very good movies like Since You Went Away (1944) and the The Bachelor and the Bobby-Soxer (1947), her career was nearing its end. Later, she served as an ambassador to Ghana and Czechoslovakia. It was once guessed that she had more than 50 golden curls on her head.- Actor
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After Larry's first retirement, he worked at Arabian-American Oil Company refinery in Saudi Arabia for Fluor Daniel. Later, Larry was tasked to spearhead the implementation of the Telecommunications infrastructure for a Shell refinery in Rayong, Thailand, also at the employ of Fluor Daniel.
Then he remained in Thailand in true retirement.- Actor
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Dickie Moore made his acting and screen debut at the age of 18 months in the 1927 John Barrymore film The Beloved Rogue (1927) as a baby, and by the time he had turned 10 he was a popular child star and had appeared in 52 films. He continued as a child star for many more years, and became the answer to the trivia question, "Who was the first actor to kiss Shirley Temple on screen?" when that honor was bestowed upon him in 1942's Miss Annie Rooney (1942). As with many child actors, once Dickie got older the roles began to dry up. He made his last film in 1952, but was still in the public eye with the 1949 to 1955 TV series Captain Video and His Video Rangers (1949). He then retired from acting for a new career in publicity. He later produced industrial shows.- Actor
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Brandon De Wilde was born into a theatrical family and made a much-acclaimed Broadway debut in "The Member of the Wedding" at age 9. He was the first child actor to win the Donaldson Award, and went on to repeat his role in the film version, directed by Fred Zinnemann in 1952. As the blond-haired, blue-eyed Joey who idolizes the strange gunman played by Alan Ladd in the film Shane (1953), he stole the picture and received an Oscar nomination for his work. During 1953-54, Brandon starred in his own television series, Jamie (1953), and made his mark as a screen adolescent during the 1960s playing a younger brother in All Fall Down (1962) and nephew in Hud (1963), starring Paul Newman. He managed to keep his career-building into early adulthood, but his career was tragically cut short: en route to visit his wife at a hospital where she had recently undergone surgery, he was killed when the camper-van he was driving struck a parked truck. He was only 30 years old.- Actor
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Dean Robert Stockwell grew up in North Hollywood, the son of Broadway performers Harry Stockwell and Elizabeth "Betty" Stockwell (née Veronica). His vaudevillian father was a replacement Curly in the original production of "Oklahoma!". He was also a decent tenor whose voice was used for the part of Prince Charming in Disney's Snow White and the Seven Dwarfs (1937). Dean's mother was a one-time Broadway chorine who used the stage moniker "Betty Veronica." His older brother was the actor Guy Stockwell.
At the age of seven, Dean made his stage debut in a Theater Guild production of Paul Osborn's The Innocent Voyage, in which his brother was also cast. The play ran for nine month. Dean was eventually spotted by a talent scout, and, on the strength of his performance, was signed by MGM in 1945. Under contract until 1947 (and again from 1949 to 1950), Stockwell became a highly sought-after child star in films like Anchors Aweigh (1945), with Gene Kelly and Frank Sinatra, The Green Years (1946) and Song of the Thin Man (1947). His impish, dimpled looks and tousled brown hair combined with genuine acting talent kept him on the box office front line for more than a decade. Having won a Golden Globe Award as Best Juvenile Actor for Gentleman's Agreement (1947) (on loan-out to 20th Century Fox), Stockwell went on to play the title role in an adaptation of Rudyard Kipling's Kim (1950). He came to admire his co-star Errol Flynn as a sort of role model. Thereafter, Stockwell segued into television for several years until resurfacing as a mature actor in Richard Fleischer's Compulsion (1959), (based on the infamous Leopold & Loeb murder case), co-starring with Bradford Dillman as one of the two young killers, and Orson Welles. He had already played the part on Broadway in 1957, on this occasion partnering Roddy McDowall. His last film role of note in the early 60s was as Edmund Tyrone in Eugene O'Neill's Long Day's Journey Into Night (1962). Despite developing a drinking problem on the set (for which he was chastised by Katharine Hepburn), Stockwell gave a solid performance which he later described as a career highlight.
Stockwell dropped out of show biz for some time in the 60s to join the hippie scene at which time he befriended Neil Young and Dennis Hopper. Later in the decade, he made a gleeful comeback in low budget psychedelic counterculture (Psych-Out (1968)) biker films (The Loners (1972)) and horror comedies (The Werewolf of Washington (1973)). Keeping a considerably lower profile during the 70s, he became a frequent TV guest star in popular crime dramas like Mannix (1967), Columbo (1971) The Streets of San Francisco (1972) and Police Story (1973). By the early 80s, work opportunities had become scarcer and Stockwell was compelled to briefly sideline as a real estate broker. He nonetheless managed to make a comeback with a co-starring role in the Wim Wenders road movie Paris, Texas (1984). New York Times reviewer Vincent Canby wrote of his performance "Mr. Stockwell, the former child star, has aged very well, becoming an exceptionally interesting, mature actor." Stockwell subsequently enjoyed high billing in David Lynch's noirish psycho-thriller Blue Velvet (1986) and received an Oscar nomination for his Mafia don Tony "The Tiger" Russo in Married to the Mob (1988). His television career also flourished, as cigar-smoking, womanizing rear admiral Al Calavicci in the popular science fiction series Quantum Leap (1989). The role won him a Golden Globe Award in 1990 and a new generation of fans. When the show ended after five seasons, Stockwell remained gainfully employed for another decade, still frequently seen as political or military authority figures (Navy Secretary Edward Sheffield in JAG (1995), Defence Secretary Walter Dean in Air Force One (1997)) or evil alien antagonists (Colonel Grat in Star Trek: Enterprise (2001), humanoid Cylon John Cavil in Battlestar Galactica (2004)).
Outside of acting, Stockwell embraced environmental issues and exhibited works of art, notably collages and sculptures. In 2015, he was forced to retire from acting after suffering a stroke. Stockwell died on November 7, 2021 due to natural causes at the age of 85.- Actress
- Soundtrack
Born Hayley Catherine Rose Vivien Mills in London in 1946, she is the daughter of the great actor Sir John Mills and the well-known novelist-playwright Mary Hayley Bell. Her sister is the actress Juliet Mills. She grew up in her parents' home, an outgoing, funny child, and, because she spent so much time with her parents and their friends, very intelligent. When she went to boarding school at age nine, however, she became very shy around kids her own age. She found solace in theater productions at her school. She was noticed playing at her parent's home in 1958 by director J. Lee Thompson, who immediately cast her opposite her father in the thriller Tiger Bay (1959). Her debut performance turned heads around the world, from Germany, where she won an award at the Berlin Film Festival, to Hollywood, when Walt Disney came knocking at her door. He signed her to a five-year contract. For her first film for the studio, Pollyanna (1960), she won critical raves, box-office success, and a special Juvenile Academy Award. Her second Disney film, The Parent Trap (1961), in which she played twins, was even more popular. She continued to appear in routine Disney films like In Search of the Castaways (1962) and Summer Magic (1963), as well as films outside the studio like Whistle Down the Wind (1961), based on her mother's novel, and The Chalk Garden (1964), again co-starring with her father. Though Disney gave her a somewhat more adult role in the mystery film The Moon-Spinners (1964), she had begun to tire of her sunny, innocent Pollyanna image. After completing That Darn Cat! (1965), she left the studio for good. That Darn Cat! (1965) was still a success, as was her first post-Disney film, Columbia's The Trouble with Angels (1966). Then, she shocked her fans by appearing in the comedy The Family Way (1966) with her father. There was an even bigger surprise in store when she fell in love with the film's director, Roy Boulting, who was 33 years her senior. She lived with Boulting for five years after he divorced his wife. They married in 1971 and had a son, Crispian Mills, in 1973. By this time, he'd taken control of her career, and, as a result, she made many bad film choices that left critics and audiences cold. By 1975, her film career had pretty much tanked. She separated from Boulting that year and moved in with actor Leigh Lawson, with whom she had a son, Jason, in 1976. They split up in 1984. She appeared in three TV-movie sequels to The Parent Trap (1961) in the 1980s, and also appeared in the BBC miniseries The Flame Trees of Thika (1981) and the TV series Good Morning, Miss Bliss (1987), later re-titled Saved by the Bell (1989). She hasn't done much film work in several years, preferring to concentrate on her burgeoning career in theater. Her greatest success in theater, so far, has been the role of Anna in "The King and I", which she has played in many touring stage productions throughout the 1990s.- Actor
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He was born Richard Bartlett Schroder, Jr., in Staten Island, New York on April 13th, 1970. His mother, Diane Schroder was an employee at AT&T, which is also the same company that employed his father, Richard Bartlett Schroder, Sr.
Eventually working his way up to management from being a telephone repairmen, Rick's father had known his mother since they attended junior high together. After his older sister and he were born, Rick's mother quit her job to raise the children. A good-looking child, Rick's mother began taking him to photo shoots when he was only three months old. In his own words, he must have been a natural, because he started working right away, never having taken an acting lesson in his life.- Actor
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Salvatore (Sal) Mineo Jr. was born to Josephine and Sal Sr. (a casket maker), who emigrated to the U.S. from Sicily. His siblings were Michael, Victor and Sarina. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighborhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school.
He soon appeared in the theatrical production "The Rose Tattoo" with Maureen Stapleton and Eli Wallach and as the young prince in "The King and I" with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (1955) with Tony Curtis and later that same year played Plato in James Dean's Rebel Without a Cause (1955). He was nominated for Best Supporting Actor for his performance in this film and again for his role as Dov Landau in Exodus (1960).
Expanding his repertoire, Mineo returned to the theatre to direct and star in the play "Fortune and Men's Eyes" with successful runs in both New York and Los Angeles. In the late 1960s and 1970s he continued to work steadily in supporting roles on TV and in film, including Dr. Milo in Escape from the Planet of the Apes (1971) and Harry O (1973). In 1975 he returned to the stage in the San Francisco hit production of "P.S. Your Cat Is Dead". Preparing to open the play in Los Angeles in 1976 with Keir Dullea, he returned home from rehearsal the evening of February 12th when he was attacked and stabbed to death by a stranger. A drifter named Lionel Ray Williams was arrested for the crime and, after trial in 1979, convicted and sentenced to life in prison for the murder, but was paroled in 1990. Although taken away far too soon, the memory of Sal Mineo continues to live on through the large body of TV and film work that he left behind.- Actress
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Natalie Wood was an American actress of Russian and Ukrainian descent. She started her career as a child actress and eventually transitioned into teenage roles, young adult roles, and middle-aged roles. She drowned off Catalina Island on November 29, 1981 at age 43.
Wood was born July 20, 1938 in San Francisco to Russian immigrant parents: housewife Maria Gurdin (née Zoodiloff), known by multiple aliases including Mary, Marie and Musia, and second husband Nick Gurdin (née Zacharenko), a janitor and prop builder. Nicholas was born in Primorsky Krai, son of a chocolate-factory worker. Maria was born in Barnaul, southern Siberia to a wealthy industrialist. Natalie's maternal grandfather owned soap and candle factories.
Wood's parents had to migrate due to the Russian Civil War. Her paternal grandfather joined the anti-Bolshevik civilian forces early in the war and was killed in a street fight between Red and White Russian soldiers. This convinced the Zacharenkos to migrate to Shanghai, China, where they had relatives. Wood's paternal grandmother remarried in 1927 and moved the family to Vancouver, British Columbia. In 1933 they resettled along the U.S. West Coast. Nicholas met Wood's mother, four years his senior, while she was still married to Alexander Tatuloff, an Armenian mechanic she divorced in 1936.
Mary Tatuloff, Wood's mother, had unfulfilled ambitions of becoming a ballet dancer. She grew up in the Chinese city of Harbin and had married Alexander there in 1925. The Tatuloffs had one daughter, Ovsanna, before coming to America in 1930. After marrying Nicholas Zacharenko in 1938, five months before Wood's birth, Mary (now calling herself Marie) transferred her dream of stardom onto her second child. Marie frequently took a young Wood with her to the cinema, where she could study the films of Hollywood child stars.
Wood's parents changed the family name to Gurdin upon obtaining U.S. citizenship, and her pseudonymous mother finally settled on a permanent first name: Maria. In 1942 they bought a house in Santa Rosa, where young Natalie was noticed by members of a crew during a film shoot. She got to audition for roles as an actress, and the family moved to Los Angeles to help seek out roles for her. RKO Radio Pictures' executives William Goetz and David Lewis chose the stage name Wood for her, in reference to director Sam Wood. Natalie's younger sister Svetlana Gurdin would eventually follow an acting career as well, under the stage name Lana Wood.
Wood made her film debut in Happy Land (1943). She was only five years old, and her scene as the "Little Girl Who Drops Ice Cream Cone" lasted 15 seconds. Wood somehow attracted the interest of film director Irving Pichel who remained in contact with her family. She had few job offers over the following two years, but Pichel helped her get a screen test for a more substantial role in the romance film Tomorrow Is Forever (1946). Wood passed through an audition and won the role of Margaret Ludwig, a post-World War II German orphan. At the time, Wood was unable to "cry on cue" for a key scene, so her mother tore a butterfly to pieces in front of her, giving her a reason to cry for the scene.
Wood started appearing regularly in films following this role and soon received a contract with 20th Century Fox. Her first major role was that of Susan Walker in the Christmas film Miracle on 34th Street (1947), which was a commercial and critical hit. Wood got her first taste of fame, and afterwards Macy's invited her to appear in the store's annual Thanksgiving Day parade. Following her early success, Wood receive many more film offers. She typically appeared in family films, cast as the daughter of such stars as Fred MacMurray, Margaret Sullivan, James Stewart, Joan Blondell, and Bette Davis. Wood found herself in high demand and appeared in over twenty films as a child actress.
The California laws of the era required that until reaching adulthood, child actors had to spend at least three hours per day in the classroom. Wood received her primary education on the studio lots, receiving three hours of school lessons whenever she was working on a film. She was reportedly a "straight A student." Director Joseph L. Mankiewicz was quite impressed by Wood's intellect. After school hours ended, Wood would hurry to the set to film her scenes.
While Wood acquired the services of agents, her early career was micromanaged by her mother. An older Wood gained her first major television role in the short-lived sitcom The Pride of the Family (1953). At the age of 16, she found more success with the role of Judy in Rebel Without a Cause (1955). She played the role of a teenage girl who wears makeup and dresses up in racy clothes to attract the attention of a father who typically ignores her. The film's success helped Wood make the transition from child actress to an ingenue. She was nominated for an Academy Award for Best Supporting Actress.
Her next significant film was The Searchers (1956), a western in which she played the role of abduction victim Debbie Edwards, niece of John Wayne's character. The film was a commercial and critical hit, and has since become regarded as a masterpiece. Also in 1956, Wood graduated from Van Nuys High School. She signed a contract with Warner Brothers, where she was kept busy with several new films. To her disappointment, she was typically cast as the girlfriend of the protagonist and received roles of little depth. For a while, WB had her paired with teen heartthrob Tab Hunter. The studio was hoping that the pairing would serve as a box-office draw, but this did not work out. One of Wood's only serious roles from this period was the title character in Marjorie Morningstar (1958), as a young Jewish girl whose efforts to create her own identity and career path clash with the expectations of her family. The film was a critical success, and fit well with other films exploring the restlessness of youth in the '50s.
Wood's first major box office flop was the biographical film All the Fine Young Cannibals (1960), examining the rags to riches story of jazz musician Chet Baker without actually using his name. The film's box office earnings barely covered the production costs, and MGM recorded a loss of $1,108,000. For the first time. Wood's appeal to the audience was in doubt. With her career in decline following this failure, Wood was seen as "washed up" by many in the film community. But director Elia Kazan gave her the chance to audition for the role of the sexually-repressed Wilma Dean Loomis in his upcoming film Splendor in the Grass (1961). Kazan cast Wood as the female lead, because he found in her (in his words): a "true-blue quality with a wanton side that is held down by social pressure." Kazan is credited for producing Wood's most powerful moment as an actress. The film was a critical success, with Wood nominated for an Academy Award for Best Actress.
Wood's next important film was West Side Story (1961), where she played Maria, a restless Puerto Rican girl. Wood was once again called to represent the restlessness of youth, this time in a story involving youth gangs and juvenile delinquents. The film was a great commercial success with about $44 million gross, the highest-grossing film of 1961. It was also critically acclaimed, and is still regarded as one of the best films of Wood's career. Her next film was Gypsy (1962), playing the role of burlesque entertainer and stripper Gypsy Rose Lee. Film historians credit the film as an even better role for Wood than that of Maria, with witty dialogue, a greater emotional range, and complex characterization. The film was the eighth highest-grossing release of 1962, and was well-received critically.
Wood's next significant role was that of Macy's salesclerk Angie Rossini in Love with the Proper Stranger (1963). In the film, Angie has a one-night-stand with musician Rocky Papasano, played by Steve McQueen, finds herself pregnant and desperately seeks an abortion. The film under-performed at the box office but was critically well-received. Wood received her third (and last) nomination for an Academy Award. At age 25, Wood was tied with Teresa Wright as the youngest person to score three Oscar nominations. Wood held that designation until 2013, when Jennifer Lawrence achieved her third nomination at age 23.
Wood continued her successful film career until 1966, but her health status was not as successful. She was suffering emotionally and had sought professional therapy. She paid Warner Bros. $175,000 to cancel her contract and was able to retire for a while. She also fired her entire support team: agents, managers, publicist, accountant, and attorneys. She took a three-year hiatus from acting.
Wood made her comeback in the comedy Bob & Carol & Ted & Alice (1969) with the themes of sexual liberation and wife swapping. It was a box office hit. Wood decided to gamble her $750,000 fee on a percentage of the gross, earning a million dollars in profits. She chose not to capitalize on the film's success, however, and did not take another acting job for five years.
In 1970, Wood was married to the screenwriter Richard Gregson and was expecting her first child, Natasha Gregson Wagner. She went into semi-retirement to be a stay-at-home mom, appearing in only four more theatrical films before her death. These films were the mystery comedy Peeper (1975), the science fiction film Meteor (1979), the comedy The Last Married Couple in America (1980), and the posthumously-released science fiction film Brainstorm (1983).
In the late '70s, Wood found success in television roles, appearing in several made-for-TV movies and the mini-series From Here to Eternity (1979). Her project received high ratings, and she had plans to make her theatrical debut in a 1982 production of Anastasia.
On November 28, 1981, Wood joined her last husband Robert Wagner, their married friend Christopher Walken, and captain Dennis Davern on a weekend boat trip to Catalina Island. Conspicuously absent from the group was Christopher's wife, casting director Georgianne Walken. The four of them were on board the Wagners' yacht "Splendour." Earwitness Marilyn Wayne heard cries for help around 11:05 P.M. and a "man's voice slurred, and in aggravated tone, say something to the effect of, 'Oh, hold on, we're coming to get you,' and not long after, the cries for help subsided." On the morning of November 29, Wood's corpse was recovered 1 mile (1.6 kilometers) away from the boat, near small Valiant-brand inflatable dinghy beached nearby. The toxicology report revealed her blood alcohol level was at .14, over the legal limit of .10. Wood was buried on December 2 at Westwood Village Memorial Park Cemetery in Los Angeles. Nine days later, the LACSD officially closed the case.- Producer
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Although younger brother Dwayne Hickman (born 1934) is probably the better-remembered sibling today with his cult following as TV's favorite lovestruck teenager Dobie Gillis and a few "Beach Party" films, it is Darryl Hickman who is certainly the more prolific brother in the movies. At one time, he was deemed one of Hollywood's most talented child stars of World War II and post-war film.
Hickman was born in Hollywood, California on July 28, 1931, to Milton Hickman, an insurance salesman, and his wife Katherine, a mother-turned-stage mother. Taking dance classes at age 3, Darryl's looks and talent were discovered by his dance school director who eventually had him placed with a child troupe at age 5 (Meglin School for Kiddies). Paramount Studios subsequently took notice and signed him to a contract, making his unbilled film debut as Ronald Colman's son in the classic adventure The Prisoner of Zenda (1937). The child then appeared briefly in a second Colman film, If I Were King (1938). Darryl would grow up within the studio system and on the studio sets. Fellow classmates would include such stars as Jackie Cooper.
Appearing in the Bing Crosby musical biopic The Star Maker (1939), Crosby took notice of young Darryl's promise and referred him to his talent agent brother Everett Crosby. Everett was impressed as well, and took Darryl under his wing. Placed in the Paramount films Untamed (1940) and The Way of All Flesh (1940), the boy was eventually featured in his most prominent role, that of young, impoverished Winfield Joad in the classic film The Grapes of Wrath (1940). MGM quickly showed interest and bought out the boy's Paramount contract.
A popular loan-out child player, Darryl appeared in a "poverty row" version of one of Jack London's more popular adventure stories Sign of the Wolf (1941); appeared in 12-year-old Shirley Temple's last film for Fox Young People (1940); showed up in Universal's Mob Town (1941) and another Fox film Young America (1942). While at MGM, Darryl found himself working with the studio's top echelon of stars including Spencer Tracy, Katharine Hepburn, Robert Taylor and Mickey Rooney. Notable in-house roles included that of "Flip" in Men of Boys Town (1941), "Johnny Smith" in Joe Smith, American (1942), "(young) Blackie" in Northwest Rangers (1942); "Jeb" in the Tracy/Hepburn drama Keeper of the Flame (1942), "Etienne" in Assignment in Brittany (1943), and as young "Lionel" in the classic "Americana" film The Human Comedy (1943).
Darryl progressed from child to juvenile parts with equal skill. He was featured in the role of WWI flying ace Eddie Rickenbacker as a lad in the biopic Captain Eddie (1945) starring Fred MacMurray and also featuring brother Dwayne; played composer Ira as a teenager in the Gershwin story Rhapsody in Blue (1945); reunited with Shirley Temple in the "Corliss Archer" comedy Kiss and Tell (1945); played the ill-fated brother-in-law of evil Gene Tierney in the drama Leave Her to Heaven (1945); portrayed the younger version of Van Heflin in the film noir The Strange Love of Martha Ivers (1946); tangled with priest Pat O'Brien as a young troublemaker in the "Boy's Town"-like crime drama Fighting Father Dunne (1948); was upgraded to Shirley Temple's boyfriend in the light comedy A Kiss for Corliss (1949); played a prep school problem along with co-star Dean Stockwell in the comedy The Happy Years (1950) and a disturbed ranch caretaker along with equally disturbed older sister Mercedes McCambridge in the heavy meller Lightning Strikes Twice (1951).
Darryl attended the Immaculate Heart Grammar School in Los Angeles as well as the studio schools at Paramount and then MGM. In September of 1951, 20-year-old Darryl, who had grown unhappy and disenchanted with Hollywood and the studio system in its inability to protect child actors, abandoned his career and entered a monastery, the Passionist Seminary, with the intent on becoming a priest. Within a year, however, he left when he realized he was not cut out for a life in the priesthood.
Trying to regain his acting momentum proved admirable and challenging. He began on 50's TV with guest shots on such shows as "Sky King," "The Lone Ranger," "Annie Oakley," "Biff Baker, U.S.A., "Perry Mason," "Public Defenders," "Alfred Hitchcock Presents," "Wanted: Dead or Alive," "Gunsmoke," "The Millionaire" and several anthology programs. He also guested on brother Dwayne's popular "Dobie Gillis" TV show. On the film front, he found featured roles in Destination Gobi (1953), Island in the Sky (1953), Prisoner of War (1954), Tea and Sympathy (1956), The Persuader (1957) and The Tingler (1959).
By the early 1960's, as film and TV offers began to dry up, Darryl wisely moved behind the scenes. Starting out as a TV writer, he eventually became a program executive. In the 70's he briefly attempted TV producing. In later years he would also become a respected acting coach in the Los Angeles area. Never leaving acting altogether, he made 60's and 70's guest appearances on such shows as "Walt Disney's Wonderful World of Color," "Dr. Kildare," "Love, American Style," "All in the Family" and "Maude," before finding an "in" with an abundance of 80's animated voice work: Space Stars (1981), Pac-Man (1982), The Biskitts (1983), The Greatest Adventure: Stories from the Bible (1985) and A Pup Named Scooby-Doo (1988). One of his last visible appearances was in a 1999 episode of "The Nanny."
Darryl married actress Pamela Lincoln, whom he first met on the film set of The Tingler (1959). They had one child, but divorced in 1982. He is married presently to production assistant Lynda Farmer Hickman.- Actor
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Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.- Actress
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As a testament to her passion and talent, former 1950s pig-tailed moppet star Patty McCormack has remained a consistent presence on film and TV for over five decades. While the lovely and talented blonde suffered her share of hard knocks and obvious stereotypes in adjusting to an adult career, she did not fade away into oblivion or self destruct as other vulnerable child stars before her did.
Born Patricia Ellen Russo in Brooklyn, New York, to Frank Russo, a firefighter, and the former Elizabeth McCormack, a roller skating pro, the young girl found herself modeling at age 4. Two years later, she had progressed to films with bits in Two Gals and a Guy (1951) and Here Comes the Groom (1951). Soon thereafter she made her Broadway debut (at age 6) in the short-lived play "Touchstone" starring Ossie Davis.
While simultaneously appearing in the live television series Mama (1949) [aka "I Remember Mama"], the by-now 8-year-old returned to Broadway a second time and created the role that would make her a cult sensation -- "Rhoda Penmark", the tiny, braided little demon with murderous intentions in "The Bad Seed". Starring Nancy Kelly as her put-upon, overly-trusting mother, the show became a certifiable hit. The two actors were invited to recreate their famous roles in the film version, The Bad Seed (1956), and achieved equally fine results. No child before her had ever been given such a deliberately evil, twisted role and Patty chewed up the scenery with courteous malevolence. Though the film today may come off as extremely stagy and overly mannered to some, its fascination cannot be denied. Audiences took readily to Patty and her wicked ways and the young actress earned both Oscar and Golden Globe "Best Supporting Actress" nominations.
The film would be a hard act to follow or forget. So strongly identified with the role, Patty found it difficult for audiences to see her any other way. She tried finding some variance as a pioneer girl in All Mine to Give (1957), a testy child star in Kathy O' (1958) and a tomboy in The Adventures of Huckleberry Finn (1960) but the memory of "Rhoda Penmark" would not be so easily wiped away. She suffered typical teen angst in the film The Explosive Generation (1961) with William Shatner and had to make do as a young adult in such low-level movies as The Mini-Skirt Mob (1968), Maryjane (1968) and The Young Animals (1968).
By the 1970s Patty, who had spent so much time as a child doing live television, found herself again relying on the medium for steadier work. Billed now as a more grown-up "Patricia McCormack", she also appeared in a variety of legit stage productions and, on occasion, found roles in independent films. Appearing in more than 250 episodes of some of the most successful programs around, audiences may remember her giving sensible, wifely support to Jeffrey Tambor on The Ropers (1979), the short-lived spin-off of the Three's Company (1976) sitcom, or from her recurring role as "Evelyn Michaelson" on Dallas (1978). More recently on film and TV, she played "Adrianna"'s mother, "Liz LaCerva", on HBO's hit The Sopranos (1999) and appeared in guest form on NYPD Blue (1993), Cold Case (2003), Grey's Anatomy (2005), Entourage (2004) and What About Brian (2006). She also played former "First Lady" "Pat Nixon" in the film Frost/Nixon (2008).
In 1995, Patty's devoted fans reveled when she felt comfortable enough to embrace again her "Bad Seed" behavior by starring in the low-budget horror feature Mommy (1995) and its sequel Mommy's Day (1997) [aka "Mommy 2"]. She came full circle as a most pernicious homemaker who created violent, Rhoda-worthy ends for those unlucky enough to cross her path.
Patti's millennium films, a variety of comedy, drama and, of course, horror films, would include The Medicine Show (2001), Choosing Matthias (2001), Shallow Ground (2004), Frost/Nixon (2008) (as First Lady Pat Nixon), Soda Springs (2012), Buttwhistle (2014), Chicanery (2017) and a lead in the lowbudget mystery House of Deadly Secrets (2018). As for TV, in addition to guest parts on such shows as "The D.A.," "N.Y.P.D. Blue," "Grey's Anatomy," "Entourage," "Criminal Minds," "Shark," "Private Practice," "Citizen Jane," "Desperate Housewives," "Prime Suspect," "Hawaii Five-0, she had recurring roles on The Sopranos (1999), Have You Met Miss Jones? (2012), Hart of Dixie (2011) and the daytime series General Hospital (1963) as Dr. Monica Quartermaine. She also played the small role of a doctor in a remake of her cult film The Bad Seed (2018).
A mother herself with two children, Robert and Danielle, Patty was once married to Bob Catania, a restaurateur. She was also an eight-year companion to screenwriter and playwright Ernest Thompson of On Golden Pond (1981) fame.- Actor
- Soundtrack
Charles Herbert was a mildly popular 1950s child actor with a trademark sulky puss and thick, furrowed eyebrows, who was known for playing inquisitive kids besieged by alien beings, including a robot, as well as by a human fly and several house-haunting ghosts. He racked up over 20 films, 50 TV shows and a number of commercials during his youthful reign.
He was born Charles Herbert Saperstein on December 23, 1948, in Culver City, Los Angeles, California, to Pearl Jean (Diamond) and Louis Saperstein. His mother was an Austrian Jewish immigrant, while his paternal grandparents were Russian Jews. Noticed by a Hollywood talent agent while riding a bus with his mother, Charles began his career at age four, on a 1952 TV show entitled "Half Pint Panel".
Elsewhere on TV, he showed up regularly on series fronted by such stars as Robert Cummings and Gale Storm. This period was marked by amazingly high-profiled performances such as his blind child on the Science Fiction Theatre (1955) episode, The Miracle Hour (1956). On the feature film front, Charles made an inauspicious debut in the Lucille Ball/Desi Arnaz comedy, The Long, Long Trailer (1954). Although director Vincente Minnelli had handpicked him for the role, his part was completely deleted from the movie. Other tyke roles turned out more positively and in a variety of genres, including the film noir pieces, The Night Holds Terror (1955) and The Tattered Dress (1957), the dramas, Ransom! (1956) and No Down Payment (1957), and the comedies, Houseboat (1958) and Please Don't Eat the Daisies (1960). His most recognized genre, however, was sci-fi, and he appeared in a number of films that are now considered classics of that genre. He started off in a bit part as a boy playing tug-of-war with a dead sailor's cap in The Monster That Challenged the World (1957). Up front and center, he came into his own playing the young son of dead scientific genius Ross Martin, whose brilliant brain is transplanted into what becomes the robot-like The Colossus of New York (1958). He loses another dad (David Hedison) to a botched experiment in The Fly (1958), also starring iconic master of macabre Vincent Price. Lastly, Charles headed up the cast in the somewhat eerie but rather dull and tame William Castle spookfest, 13 Ghosts (1960). Castle handpicked Charles for the child role and even offered the busy young actor top-billing over the likes of Donald Woods, Rosemary DeCamp, Jo Morrow, Martin Milner and Margaret Hamilton if he would appear in his movie. In this haunted house setting, Castle's trademark gimmick had audiences using 3-D glasses in order to see the ghostly apparitions.
He had another leading role in the fantasy adventure, The Boy and the Pirates (1960), then film offers for Charles completely stopped. Growing into that typically awkward teen period, he was forced to subsist on whatever episodic roles he could muster up, including bits on Wagon Train (1957), Rawhide (1959), The Fugitive (1963), Family Affair (1966) and My Three Sons (1960). By the end of the 1960s, however, Charles was completely finished in Hollywood, having lost the essential adorableness that most tyke stars originally possessed. Unable to transition into adult roles, his personal life went downhill as well. With no formal education or training to do anything else and with no career earnings saved, he led a reckless, wanderlust life and turned to drugs. Never married, it took him nearly 40 years (clean and sober since October, 2005) to turn his life around. During good times and bad, however, he has appeared from time to time at sci-fi film festivals.
Charles Herbert died of a heart attack on October 31, 2015, in Las Vegas, Nevada.- Actor
- Producer
- Writer
Along with his most impressive list of television/film credits, Bill is also a very talented well-known musician, songwriter, recording artist, as well as writer. He plays guitar, bass, keyboards, banjo, mandolin, harmonica, percussion and sings. He has released three solo CDs, 1997's "Dying To Be Heard", 1999's "In The Current" and the 2000 release of his third solo album, "Pandora's Box". All three released on Renaissance Records. In 1978, Bill and his partner, Robert Haimer, officially formed the infamous "quirky-rock duo" Barnes and Barnes. They are known worldwide, and have recorded 9 albums on Rhino and CBS Record labels. They also released a feature length home video titled "Zabagabee" featuring a Collaboration of Barnes and Barnes short films. Their infamous "Fish Heads" song placed #57 in Rolling Stones Top 100 Videos of All Time. In 2000, Ogio Records released the 24 song "Yeah: The Essential Barnes & Barnes" CD. Bill was nominated for an Emmy in 1991/1992 for his original song composition for Adventures in Wonderland for Disney which he wrote 105 songs for 100 episodes. He also scored three episodes of the award winning PBS series The Universe and I and contributed songs and themes to Santa Barbara, TV Guide Looks At, Hard to Hold (1984), Plain Clothes (1988), Archie, Sunshine (1975), Bless the Beasts & Children (1971), The Simpsons (1989), and many other film and television projects. Bill and Miguel Ferrer are in a rock and roll band called the Jenerators. Their first CD and cassette titled the "Jenerators" was released in 1994 on Asil Records. Their second CD produced by Frank Wolf titled "Hitting The Silk" was released in November of 1998 on Wildcat Records. They perform in the Los Angeles area when possible. If that is not enough, Bill has also worked on various children albums as well. "The Yogi Bear Environmental Album: This Land Is Our Land" a 1993 release on Rhino Records/Hanna Barbera, "The Dinosaur Album" also a 1993 release on Rhino Records, and his album "Kiss My Boo Boo" which has been released on the Infinite Visions label.
In addition to his many other talents, Bill co-created the popular children television series, Space Cases (1996) with Peter David which he also co-wrote, produced, composed music for, and guest starred in as well. It was nominated for the 1996 Ace Award for "Outstanding Children's Series." The series has run globally in over sixty countries. Peter and Bill have written the screenplay to the feature film, "Overload" which Bill is also starring in. Bill has written as well as co-created many comic books, stories, and television series. He has written for Marvel Comics, Dark Horse Comics, DC Comics and Pocket Books. The stories he co-wrote include well-known titles as "Spider-Man", "The Hulk", and "Clive Barker's Hellraiser." He co-wrote a Star Trek trilogy "Return of the Worthy", and was a creative consultant and writer to the Lost In Space Innovation monthly comic. He also has written for DC comics, "Aquaman", "The Spectre" and "Star Trek". His writing projects include the feature film, _Overload_ and a fantasy novel co-written with Angela Cartwright, "Realms Of Majik: The Pocket in Reality". His short stories, "The Black '59" and "The Undeadliest Game" appeared in Pocket Books "Shock Rock" Volumes 1 and 2. Both have been printed globally in many languages. He has also written for animation, most recently an episode of the sci fi series, "Roswell Conspiracies". He has also written episodics for NBC's series, "Sunshine", USA network's Swamp Thing, as well as scripting an unfilmed episode of Babylon 5 (1993). He co-created and wrote the Marvel Comics series' "The Comet Man", "The Dreamwalker" graphic novel, and Dark Horse Comics' "Trypto, The Acid Dog" with Miguel Ferrer.
Included in his various multi-talent accomplishments, he is also a prolific voice over actor and can be heard narrating several of the prestigious "A&E: Biographies" as well as many other documentaries and specials. Some of his commercial work in that arena includes McDonalds, Mattel, Bud Ice, Amtrak, Blockbuster, Ford, KFC, Wal Mart, and Nickelodeon - just to name a few. He is presently doing all the television and radio spots for Farmers Insurance. His voice over work in animation includes The Ren & Stimpy Show (1991), Batman: The Animated Series (1992), Animaniacs (1993), Little Wizard Adventures, and Buzz Lightyear of Star Command (2000).- Actress
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Delightful child/juvenile actress Virginia Anna Adelaide Weidler (her friends called her "Ginny") had that knowing gleam in her eye that usually spelled trouble in one form or another for anyone nearby. She was born in Eagle Rock, California, in 1927, one of six children. Her mother was former Wagnerian opera singer Margarete Radon (born Margarete Therese Louisa Meyer), and her father was architect Alfred Weidler.
Virginia nearly made her acting debut at age 3 in John Barrymore's Moby Dick (1930) but was summarily replaced. A year later, she scored her first small movie bit in Warner Baxter's Surrender (1931) and was on her way. One of her brothers, child actor and musician George Weidler, was Doris Day's first husband (from 1946 to 1949).
RKO picked up young Virginia after learning that she could speak a bit of French. The average-looking youngster was ably cast as rural tomboy types in Laddie (1935) and Freckles (1935), the latter film allowing her to do a dead-on parody of Shirley Temple. She earned her first lead in Girl of the Ozarks (1936) and showed she could easily hold her own. After an unimpressive stint with Paramount, who tried to groom her as a rival to Fox's bratty Jane Withers, she was finally picked up by MGM and her film career blossomed. Co-starring with Mickey Rooney in Love Is a Headache (1938), she proved a natural young comedienne and precocious scene-stealer in such films as Out West with the Hardys (1938) (again with Rooney) and Too Hot to Handle (1938).
Little Virginia could also shine in dramatic outings, as she did with The Lone Wolf Spy Hunt (1939) and Bad Little Angel (1939), but she was never a good choice for sappy roles, as demonstrated when she played Norma Shearer's whiny imp of a daughter in The Women (1939). Virginia's forte was providing comedy relief, and she reached her young peak with two classic MGM films: Young Tom Edison (1940), as Rooney's creative sister, and The Philadelphia Story (1940), as Katharine Hepburn's smart-alecky younger sister. Her tongue-in-cheek rendition of "Lydia the Tattooed Lady" at the piano was just one of many memorable highlights from this vintage classic.
The young actress's career started to slip away from her when the teenage Shirley Temple signed with MGM, abruptly bumping "Plain-Jane" Virginia back to secondary status. After rather disappointing receptions to Born to Sing (1942), The Youngest Profession (1943), and Best Foot Forward (1943), the awkward teen left films and turned to vaudeville as a song-and-dance comedy performer, utilizing her full-scale talents as a mimic. She made her legitimate stage debut in "The Rich Full Life" at the John Golden Theatre in 1945, but the show closed within a month.
Soon after, Virginia retired from show business, married, and had two children. She passed away from a heart ailment at 41. After her death it was learned that she had suffered from rheumatic fever as a child.- Actor
- Producer
- Director
Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.- Actress
- Writer
- Soundtrack
Born Angela Maxine O'Brien on January 15, 1937 in San Diego, California. Her film debut was one-minute shot in MGM's Babes on Broadway (1941). Her big moment came when she was cast in Journey for Margaret (1942). This film shot her into instant stardom and also resulted in Angela changing her name to Margaret. Throughout the 1940s Margaret was a major child star. Her unforgettable performance as "Tootie" in Vincente Minnelli's Meet Me in St. Louis (1944) won her an Academy Award as "Outstanding Child Actress" of her day. She gave brilliant performances in such films as The Canterville Ghost (1944), Our Vines Have Tender Grapes (1945), The Secret Garden (1949) and Little Women (1949). By the early 1950s Margaret had made a mint for MGM and earned a personal fortune. Then she brilliantly graduated into adolescent roles and she never retired from the screen. She also remained active on TV and on the dinner-theater circuit. She frequently is appearing at prestigious events as Celebrity Host or Guest Star and popular Public Speaker.- Actor
- Soundtrack
Jackie 'Butch' Jenkins was born on 29 August 1937 in Los Angeles, California, USA. He was an actor, known for National Velvet (1944), Boys' Ranch (1946) and Summer Holiday (1948). He was married to Glenda Larue Birmingham. He died on 14 August 2001 in Asheville, North Carolina, USA.- Actress
- Soundtrack
Marcia Mae Jones was born on August 1, 1924, into an acting family. Her mother, Freda Jones, was an actress, and all three of her siblings -- Margaret Jones, Macon Jones, and Marvin Jones -- were child actors. But Marcia Mae had the most successful career, and she was the only one of her siblings to become a child star.
She made her acting debut when she was just six months old, when director James Cruze saw her in her baby carriage and immediately cast her as the baby in his film Mannequin (1926). Her first major role was in Night Nurse (1931), in which she played one of two siblings targeted for murder for their inheritance by a sinister household retainer. By age 10, she had appeared in several dramatic films. In 1936, she played a terrified victim of school bullying in These Three (1936), a role that brought her much attention. In 1937, she played the crippled Klara in Heidi (1937). The film starred two other child actors, Delmar Watson (as with Marcia Mae, all of Delmar's siblings were actors) and Shirley Temple. Despite Marcia Mae being four years older than Temple, the two girls acted well together and would appear together again, in The Little Princess (1939). Marcia Mae also worked with several other child stars of the 1930s, including Jane Withers, Bonita Granville, Jackie Moran, Sybil Jason, and her favorite, Jackie Cooper.
Marcia Mae's first husband was a merchant marine with whom she had two children. This union ended in divorce. Her film career began to slow down in the early 1950s, after which she largely appeared in television roles. By 1952, she was employed as a switchboard operator in the law firm of Greg Bautzer. Her adult life was marred by the suicide of her second husband, Bill Davenport, and problems with alcohol. She eventually conquered her alcohol dependency and became a member of the Academy of Motion Picture Arts and Sciences.- Actor
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Jackie Cooper was born John Cooper in Los Angeles, California, to Mabel Leonard, an Italian-American stage pianist, and John Cooper. Through his mother, he was the nephew of actress Julie Leonard, screenwriter Jack Leonard, and (by marriage) director Norman Taurog. Jackie served with the Navy in the South Pacific toward the end of World War II. Then, quietly and without publicity or fanfare, compiled one of the most distinguished peacetime military careers of anyone in his profession. In 1961, as his weekly TV series Hennesey (1959) was enhancing naval recruiting efforts, accepted a commission as a line officer in the Naval Reserve with duties in recruitment, training films, and public relations. Holder of a multi-engine pilot license, he later co-piloted jet planes for the Navy, which made him an Honorary Aviator authorized to wear wings of gold-at the time only the third so honored in naval aviation history. By 1976 he had attained the rank of captain, and was in uniform aboard the carrier USS Constellation for the Bicentennial celebration on July 4. In 1980 the Navy proposed a period of active duty at the Pentagon that would have resulted in a promotion to rear admiral, bringing him even with Air Force Reserve Brigadier General James Stewart. Fresh on the heels of a second directing Emmy, he felt his absence would impact achieving a long-held goal of directing motion pictures, and reluctantly declined. (The opportunity in films never materialized.) Holds Letters of Commendation from six secretaries of the Navy. Was honorary chairman of the U.S. Navy Memorial Foundation and a charter member of VIVA, the effort to return POW-MIAs from Vietnam. Upon retirement in 1982, he was decorated with the Legion of Merit by Navy Secretary John F. Lehman Jr.. Other than Stewart, no performer in his industry has achieved a higher uniformed rank in the U.S. military. (Glenn Ford was also a Naval Reserve captain, and director and Captain John Ford was awarded honorary flag rank upon his 1951 retirement from the Naval Reserve).- Actor
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Jackie Coogan was born into a family of vaudevillians; his father was a dancer and his mother had been a child star. On the stage by age 4, Jackie was touring at age 5 with his family in Los Angeles, California.
While performing on the stage, he was spotted by Charles Chaplin, who then and there planned a film in which he and Jackie would star. To test Jackie, Chaplin first gave him a small part in A Day's Pleasure (1919), which proved that he had a screen presence. The movie that Chaplin planned that day was The Kid (1921), where the Tramp would raise Jackie and then lose him. The movie was very successful and Jackie would play a child in a number of movies and tour with his father on the stage.
By 1923, when he made Daddy (1923), he was one of the highest- paid stars in Hollywood. He would leave First National for MGM where they put him into Long Live the King (1923). By 1927, at age 13, Coogan had grown up on the screen and his career was going through a downturn. His popular film career would end with the classic tales of Tom Sawyer (1930) and Huckleberry Finn (1931).
In 1935, his father died and his mother married Arthur Bernstein, who was his business manager. When he wanted the money that he made as a child star in the 1920s, his mother and stepfather refused his request and Jackie filed suit for the approximately $4 million that he had made. Under California law at the time, he had no rights to the money he made as a child, and he was awarded only $126,000 in 1939. Because of the public uproar, the California Legislature passed the Child Actors Bill, also known as the Coogan Act, which would set up a trust fund for any child actor and protect his earnings.
In 1937, Jackie married Betty Grable; the marriage lasted 3 years. During World War II, he served in the Army; he returned to Hollywood after the war. Unable to restart his career, he worked in B-movies, mostly in bit parts and usually playing the heavy. In the 1950s he started to appear on television, and he acted in as many shows as he could. By the 1960s he would be in two completely different television comedy series.. The first one was McKeever and the Colonel (1962), where he played Sgt. Barnes in a military school from 1962 to 1963. The second series was the classic The Addams Family (1964), where he played Uncle Fester from 1964 to 1966. After that, he continued to make appearances on television shows and a handful of movies. He died of a heart attack in 1984.