40 - 45 years of westerns
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- Actor
- Additional Crew
- Soundtrack
Ben Corbett was born on 6 February 1892 in Hudson, Illinois, USA. He was an actor, known for Code of the Cactus (1939), 45 Calibre Echo (1932) and Six-Gun Trail (1938). He was married to Edna May Haynes and Helen. He died on 19 May 1961 in Woodland Hills, California, USA.41 years.
323 westerns, 15-56.
1892 - 1961, 69.- Producer
- Actress
- Director
Daughter of Bernard Granville, Bonita Granville was born into an acting family. It's not surprising that she herself became a child actor, first on the stage and, at the age of 9, debuting in movies in Westward Passage (1932). She was regularly cast as a naughty little girl, as in These Three (1936) where she played Mary, an obnoxious girl spreading lies about her teachers. Her performance left an impression on the audience, and she was nominated for a best supporting actress award. In 1938-39 came the movies she is now best remembered for -- playing the bright and feisty detective/reporter Nancy Drew in the Nancy Drew series. She also appeared with Mickey Rooney in a few Andy Hardy movies. She never really had a movie breakthrough, and after marrying oil millionaire & later producer Jack Wrather, she retired from acting in the middle of the 1950s, although she went on to produce the Lassie (1954) TV series.45 years.
4 westerns, 36-81.
1923 - 1988, 65.- Actor
- Stunts
- Second Unit Director or Assistant Director
Robert F. Hoy was equally at home as a stuntman and as an actor. He appeared as Joe Butler on the acclaimed TV Western, The High Chaparral. He stunt-doubled for such actors as Charles Bronson, Tony Curtis, Robert Forrester, Ross Martin, Tyrone Power, David Jansen, and Telly Savalas. He appeared in such films as The Outlaw Josey Wales, The Lone Ranger, Gambler II, Nevada Smith, Bronco Billy, and The Enforcer, and on television in such programs as Wanted Dead or Alive, Walker Texas Ranger, JAG, Dallas (recurring role), The Wild Wild West, Magnum P.I. (five episodes), and The Young Riders. Aside from appearing in front of the cameras, he was the 2nd Unit Director and Stunt Coordinator in Spain on the TV series Zorro and on the pilot episode of The Three Musketeers.
In his work as a stuntman, Bob specialized in horse work, although he was also called upon to double in fight scenes, do car work and handle high falls. The films in which lead actors and others were doubled for stunts are too numerous to mention but include: Operation Petticoat, The Defiant Ones, Spartacus, Tobruk, They Call Me Bruce, River of No Return, To Hell and Back, Drumbeat, Wings of the Hawk, and Revenge of the Creature From the Black Lagoon.
He held lifetime membership in the Stuntmen's Association, of which he was a founding member. He was also a member of the Academy of Motion Pictures, Arts and Sciences, Directors Guild of America, AFTRA, and the Screen Actors Guild (later SAG-AFTRA).45 years.
205 westerns, 50-95.
1927 - 2010, 82.- John War Eagle was born on 24 September 1901 in Charles Mix, South Dakota. He was an actor, known for The Man from Laramie (1955), Last of the Comanches (1953) and The Great Sioux Uprising (1953). He was married to Harriet Pansy McBride. He died on 21 June 1977 in Orange County, California, USA.45 years.
75 westerns, 32-77.
1901 - 1991, 89. - Kansas Moehring was born on 9 July 1897 in St. Marys, Ohio, USA. He was an actor, known for Shootin' for Love (1923), Out of Luck (1923) and Trailing Danger (1947). He died on 2 October 1968 in Los Angeles, California, USA.41 years.
224 westerns, 20-61.
1897 - 1968, 71. - Actor
- Director
- Art Director
Fielden Edward Faulkner II was born on leap day (February 29), 1932, in Lexington, Kentucky, where his father owned and operated a prominent building supply company. His mother was a retired piano and music teacher. He was the second of two children; his sister (now deceased) was nearly 19 years old when he was born.
As a youth he was very creative with woodworking as well as mechanical drawing and other artistic skills. His affinity for performing began to appear when he became fascinated with the art of magic at the age of 11. He enjoyed showing his skills at this new hobby to friends and family, and by the time he was nearly 13 he was performing a full-fledged magic show for childrens birthday parties, service clubs and other gatherings. He eventually engaged the services of a local talent agent, who increased the fees for his act, which he continued to do through college.
He matriculated through the Lexington public school system and, when he entered high school, teamed up with a friend for a vaudeville-like comedy song-and-dance routine, billed as "Faulkner & Seeley--The Sunshine Twins." They performed at numerous high school events and service organizations in Lexington for two years.
During his high school junior year he became very aware of a tall, slender, extremely pretty brunette classmate named Barbara Baldwin who had transferred from her high school in western Kentucky. Fortunately for Ed, they were cast as Emily and George, the leads in their senior class play "Our Town". Ed and Barbara were married in real life after they graduated from the University of Kentucky in June 1954.
Prior to earning a B.S. degree in the Business College at the University of Kentucky in Lexington, he attended the University of Virginia for two years, majoring in Civil Engineering. While attending the University of Kentucky, his acting abilities were further stimulated by three leading roles in the University's outstanding Guignol Theater: "The Dover Road," "Born Yesterday" (as Harry Brock) and "Detective Story" (as the detective); in the latter, Barbara portrayed the detective's wife. No thoughts of becoming a professional actor occurred to him, since service in the US Air Force was required after being commissioned as a second lieutenant on completion of Reserve Officer Training Corps at the University of Kentucky and he was awarded his wings as a single-engine jet fighter pilot.
After two years Air Force service Ed returned to civilian life to fulfill his family obligation of managing the building supply business (because of age and serious health problems, his father could no longer actively participate in the business). After his father's death in 1957, Ed discovered that two former employees had caused severe damage to the business, so much so that the company had to be dissolved. It was at this juncture that the idea of becoming a professional actor became an option. After several discussions with the professor of the Drama Department at the University of Kentucky about the feasibility of going to Hollywood, he was encouraged to "give it a go." In the spring of 1958, and with the full support of his wife, Barbara, they and their daughter moved to Beverly Hills to test the unknown waters of Hollywood.
Through friends, Ed had the good fortune to be introduced to Andrew V. McLaglen, son of Academy Award-winning character actor Victor McLaglen. At that time Andrew was a CBS staff director, helming such notable western TV series such as Have Gun - Will Travel (1957), Gunsmoke (1955) and Rawhide (1959). McLaglen was aware of "Have Gun - Will Travel" star Richard Boone's interest in cultivating young unknown actors, and introduced Ed to the star. Faulkner was 6'3", 185 pounds and had knowledge of horsemanship, all pluses in those days when westerns dominated the TV landscape; Boone became a coach and mentor (along with McLaglen) and Ed was cast in an episode of the show within a month of arrival in California.
Over the next 18+ years he became a journeyman actor, appearing in over 250 TV programs and some 30 theatrical films and made-for-TV movies. He is perhaps best remembered for his appearance in top featured roles in six films with John Wayne, two with Elvis Presley and for working with such prominent actors as James Stewart, Jack Lemmon, Dean Martin, Maureen O'Hara, Doris Day, Jean Arthur, Brian Keith, Rock Hudson, Jim Hutton, Vera Miles and Katharine Ross.
In 1975 Ed took a sabbatical from the film industry and entered the business world by joining Sea Containers Inc., a publicly held company whose primary activity was the ownership and leasing of marine cargo containers to the marine transportation industry worldwide. He became president of the subsidiary office in San Francisco for five years, then became Director of Sales (western US and Canada) for the company's leisure division, world-renowned for the restoration and operation of the Orient Express--known today as The Venice Simplon-Orient Express--and owners of over 40 luxury hotels worldwide, including the Hotel Cipriani in Venice. He retired from the Sea Containers Group in 1987.
He occasionally does voice-overs and guest appearances on TV and in October 2008 did a two-hour interview for Turner Classic Movies Archive Files, which will air at appropriate times on TCM and TNT. Since 2004 he has been a guest at numerous film festivals across the United States (primarily Western-themed) and was recently honored at the 2007 Western Legends Round-Up in Kanab, Utah, with a plaque on their Little Hollywood Walk of Fame.
Ed and Barbara Faulkner reside in Palm Desert, California. They have three daughters, a son and five grandchildren.45 years.
85 westerns, 10 features, 58-03.
1932 --- Actor
- Stunts
- Additional Crew
Wally West was born on 11 October 1903 in Gough, Texas, USA. He was an actor, known for The Sagebrush Family Trails West (1940), Desert Mesa (1935) and Ambush Valley (1936). He was married to Jean H. Pray and Mary E.. He died on 16 May 1984 in Los Angeles, California, USA.45 years.
418 westerns, 31-76.
1903 - 1984, 80.- Actor
- Producer
- Writer
James Hong was born in Minneapolis, Minnesota, USA. He studied civil engineering at the University of Minnesota, but at some point along the way became interested in acting. He graduated from the University of Southern California and practiced for 1½ years as a road engineer with the County of Los Angeles. He took sick leaves and vacation time to do films. He finally quit engineering to focus on acting full time.
He is one of the founders of the East-West Players, the oldest Asian American theater in Los Angeles. He served as president and charter member of the Association of Asian Pacific American Artists.
Hong is one of the most prolific and well-recognized Asian-American character actors of movies and television. He currently lives in Los Angeles and is planning to produce and direct his own films.45 years.
10 westerns, 57-08.
1934 --- Actor
- Stunts
George Sowards was born on 27 November 1888 in Denver, Missouri, USA. He was an actor, known for Outlawed (1921), Back Fire (1922) and Borrowed Trouble (1948). He was married to Edna E. Zilke. He died on 20 December 1975 in Los Angeles, California, USA.45 years.
368 westerns, 21-66.
1888 - 1975, 87.- Actor
- Soundtrack
His grim, beady-eyed, sharp-nosed, weatherbeaten face was always familiar despite the small roles he appeared in. Every once in a while character actor Russell Simpson would stand out in a small scene, but his main purpose seemed to be adding rustic authenticity to his westerns or small-town dramas. Born on June 17, 1880 in San Francisco, California, Simpson was involved in the Alaska gold rush as a teenager before settling upon an acting career. A member of a number of touring companies, he eventually made it to Broadway. His silent film debut in The Virginian (1914) was unbilled, but he went on to appear in occasional leads and top support roles in many others, with such roles as Trampas in the remake of The Virginian (1923) and President Andrew Jackson in The Frontiersman (1927) highlighting his silent era. Simpson's parts grew smaller with the advent of sound and his gents grew increasingly grizzled, stubborn and cranky. In the late 1930s he became a stock player in director John Ford's company of actors, which culminated in one of his finest roles as Pa Joad in the classic The Grapes of Wrath (1940). He appeared in other Ford pictures, including Drums Along the Mohawk (1939), Tobacco Road (1941), They Were Expendable (1945), My Darling Clementine (1946) and The Sun Shines Bright (1953). He would continue acting to the very end, making his last film (naturally) for Ford: The Horse Soldiers (1959). Appearing in hundreds of films over a span of four decades, he graced TV westerns as well with roles on The Lone Ranger (1949) and Adventures of Wild Bill Hickok (1951) to his credit. His more than 40-year marriage to Gertrude Aller produced a daughter, Roberta. Simpson passed away on December 12, 1959 of natural causes in Woodland Hills, California at the age of 79.45 years.
104 westerns, 14-59.
1877 - 1959, 82.- Actor
- Director
- Writer
Fred Kelsey was born on 20 August 1884 in Sandusky, Ohio, USA. He was an actor and director, known for On Trial (1928), The Lone Wolf Strikes (1940) and Red-Haired Alibi (1932). He was married to Katherine Miller. He died on 2 September 1961 in Hollywood, Los Angeles, California, USA.45 years.
64 westerns, 14-59.
1884 - 1961, 77.- Frank Lackteen was born on 29 August 1897 in Kab Elias, Syria (now Lebanon). He was an actor, known for The Green Archer (1925), The Desert Hawk (1944) and The Sea Wolf (1941). He was married to Muriel Elizabeth Dove and Sarah. He died on 8 July 1968 in Woodland Hills, Los Angeles, California, USA.45 years.
79 westerns, 20-65.
1897 - 1968, 70. - Actor
- Stunts
- Second Unit Director or Assistant Director
Stalwart, durable Monte Blue, a romantic leading man of the silent days, was born January 11, 1887, as Gerard Monte Blue (some sources indicate 1890, but his mother's application for his admission to the Soldier's and Sailor's Orphan's Home lists his birth date as January 11, 1887). Various sources have reported his first name as George or Gerald, but, again, in his mother's application, it is spelled Gerard. His father was killed in a railroad accident when Monte was eight and his mother could not support four children. He was admitted (along with another brother, Morris) to the orphanage at that time. There he built up his physique playing football. At one time or another the able-bodied gent was a railroader, a fireman, a coal miner, a cowpuncher, a ranch hand, a circus rider, a lumberjack and, finally, trekking west, he became a day laborer for D.W. Griffith's Biograph Studios.
Blue eventually became a stuntman for Griffith and an extra in The Birth of a Nation (1915), which was his first film. Griffith took him in and made him an assistant on his classic epic Intolerance (1916), where he earned another small part. Gradually moving to support roles for both Griffith and Cecil B. DeMille, Blue earned his breakthrough role as "Danton" in Griffith's Orphans of the Storm (1921) with sisters Lillian Gish and Dorothy Gish. He rose to stardom as a rugged romantic lead opposite Hollywood's top silent stars, among them Gloria Swanson, Clara Bow and Norma Shearer. He made a relatively easy transition into talkies as he had a fine, cultivated voice, but, at the same time, lost most of his investments when the stock market crashed in 1929. By the 1930s the aging star had moved back into small, often unbilled parts, continuously employed, however, by his old friend DeMille and Warner Bros. At the end of his life he was working as an advance man for the Hamid-Morton Circus in Milwaukee. He died of a coronary attack complicated by influenza in 1963.45 years.
114 westerns, 15-60.
1887 - 1963, 76.- Actor
- Soundtrack
Parley Baer was born on 5 August 1914 in Salt Lake City, Utah, USA. He was an actor, known for License to Drive (1988), A Fever in the Blood (1961) and Dave (1993). He was married to Ernestine Clark. He died on 22 November 2002 in Los Angeles, California, USA.45 years.
92 westerns, 50-95.
9 feature westerns.
1914 - 2002, 88.- Actress
- Additional Crew
- Soundtrack
Ann Doran appeared in over 500 motion pictures and 1000 television shows, by one count. Starting at the age of four, she appeared in hundreds of silent films under assumed names so her father's family wouldn't find out. Rarely a featured player (although Charles Starrett's Rio Grande (1938) is a notable exception), she provided many a wonderful performance in support of the leads.44 years.
71 westerns, 38-82.
1911 - 2000, 89.- Julian Rivero was born on 25 July 1890 in San Francisco, California, USA. He was an actor, known for Burn 'Em Up Barnes (1934), The Mad Empress (1939) and Heroes of the Alamo (1937). He was married to Isobel Thomas. He died on 24 February 1976 in Hollywood, Los Angeles, California, USA.44 years.
121 westerns, 24-68.
1890 - 1976, 85. - Actress
- Soundtrack
American actress, originally of leading roles, whose career lasted from silent days into the television era. A native of Rhode Island, she attended St. Mary's Seminary in Narragansett, Rhode Island, then, following her mother's death in 1911, came to Los Angeles as a teenager to live with her actress aunt. She got work as an extra and began her career at 15 at Universal, in fairly substantial roles. By her mid-twenties, she was playing leads and second leads, including the role of Abraham Lincoln's lost love, Ann Rutledge, in The Dramatic Life of Abraham Lincoln (1924). But sound pictures found her roles diminishing, and throughout the next three decades she played smaller and smaller parts. She was a favorite of John Ford(they played bridge together), who used her in thirteen films, but rarely in substantial roles. She was also, for a time, the voice of Walt Disney's "Minnie Mouse." She lived long enough to find herself in demand for documentary interviews on the subject of early Hollywood. Married for a time to Beverly Hills real-estate developer James Cornelius, she survived that marriage by more than sixty years. She died in 1998, two and one-half months before her 99th birthday.44 years.
14 westerns, 17-61.
1900 - 1998, 98.- American actor who had a brief flirtation with stardom before settling into character roles and bit parts. Born in rural South Dakota (according to government records, though some sources say Walsh County, North Dakota) as Robert C. Oakes, the son of a horse rancher, he moved with his family to Culbertson, Montana (not his birthplace as some sources have it), where he grew up. The family moved again and he graduated from high school in Helena. A brief attendance at Montana Wesleyan College was interrupted by the offer of a job driving a tour bus in Yellowstone National Park.
Drifting down to Los Angeles in the early 1920s, he got work as an auto mechanic, but his ranch-honed cowboy skills got him bit parts in pictures at Paramount when director John Waters offered him work in a series of Westerns. Paramount recognized possibilities in the tall, rugged, handsome cowboy and put him (with a new name, Lane Chandler) into leading roles, first in Westerns, then in contemporary films opposite some of the biggest star actresses of the time, Clara Bow, Greta Garbo, Betty Bronson, and Esther Ralston. As silent films were phased out, Chandler found his stock slipping at Paramount, which had begun to overtly favor Gary Cooper in his place. He began appearing in lower-budgeted Westerns, first in leads, then as second leads to stars such as John Wayne and Jack Hoxie. During this period he free-lanced at Big 4, Syndicate Pictures and Kent (see Willis Kent) Pictures, all a far cry from his days under contract with Adolph Zukor. Despite the relatively poor production values, several of his early talkies (The Hurricane Horseman (1931) and The Cheyenne Cyclone (1931)) rise above similar fare in entertainment value. Unfortunately, Chandler was also forced to work on other lesser productions helmed by hack directors such as J.P. McGowan who cared more about quickly earning a paycheck than the product itself. His association with Kent ended in 1930s and Chandler drifted to another independent outfit called Empire Pictures which promised to produce 6 films, although only 2 were ultimately shot, the entertaining quickies The Lone Bandit (1935) and The Outlaw Tamer (1935). Now in his mid-30's Chandler found his career in irreversible decline and settled into supporting roles. A favorite of director Cecil B. DeMille, Chandler worked in many DeMille films, often in tiny bit parts, though he claimed these were his favorite parts. Eventually Chandler no longer commanded roles of any substance and he spent the remaining 35 years of his career in progressively smaller supporting parts, playing in hundreds of films, often uncredited. A stalwart of television Westerns of the 1950s, he was a familiar face to movie fans for nearly fifty years. An astute businessman with industrial and property holdings, he died in Los Angeles in 1971 at 73.44 years.
250 westerns, 27-71.
1899 - 1972, 73. - Actor
- Director
- Writer
Clu Gulager was born William Martin Gulager in Holdenville, Hughes County, Oklahoma. His nickname was given to him by his father for the clu-clu birds (known in English as martins, like his middle name) that were nesting at the Gulager home at the time Clu was born. He grew up on his uncle's ranch as a cowhand and when he was old enough he joined the United States Marine Corps for a stint from 1946-1948. He got the acting bug being in army plays so when he left he used the GI Bill of Rights to study acting. During this time he met his wife, actress Miriam Byrd-Nethery. They wed in 1952 and had two children: John (born 1957) and Tom (born 1965) The couple was married for more than 50 years until her death in 2003 from cancer.
Gulager's career started off as bit parts on popular western shows usually playing the heavy. Shows like Wanted Dead or Alive, Have Gun Will Travel, Laramie, Riverboat. He scored big with The Untouchables as "Mad Dog Coll", which led to him being offered the role of "Billy the Kid" on The Tall Man from 1960-1962, which also starred Barry Sullivan as "Pat Garrett". The show was pulled after two seasons reportedly because the powers that were didn't like kids seeing Billy the Kid as a hero.
His next big break was playing Deputy Emmett Ryker on The Virginian from 1964-1968. During this time he also fared very well as Lee Marvin's sidekick in the 1964 TV film The Killers, which was considered too violent for TV so it went to theaters. Having being burned out being a TV star he tried to break into films, mostly as a character actor. His stand out films were The Last Picture Show (1971, playing Ellen Burstyn's lover), McQ (1974) with John Wayne, and A Force of One (1979) with Chuck Norris, with whom he would later work in the 1990s on Walker, Texas Ranger.
Gulager was also cast in San Francisco International Airport, with Lloyd Bridges, which failed big time. Throughout the 1970s and 1980s he was in almost every show around, playing bit parts. Then the unthinkable happened: he found a second career as a horror film actor; he followed the footsteps of other TV actors who were stuck in TV hell, like Doug McClure (his costar from The Virginian) and Christopher George. Both men found new careers in B-movies and late night horror films. Gulager finally got a lead part in Dan O'Bannon's cult classic The Return of the Living Dead (1985). He also was in A Nightmare on Elm Street Part 2: Freddy's Revenge (1985).
Throughout the 1980s and 1990s, he appeared in TV and in the occasional horror flick. In 2005 he started acting in his son's horror films -- the Feasts movies and Piranha DD in his 80s. Not letting age get in his way, he was a horror fan favorite and still showed up at conventions at almost 90.44 years.
221 + westerns, 59-03.
1928 ---- Actor
- Writer
After attending the American Academy of Dramatic Arts, Kentucky-born Tom Powers signed with Vitagraph Pictures at 21 years of age, in 1911. He stayed there for two years, then shortly thereafter traveled to England, appearing there in both stage productions and films. When he returned to the US he made a few more pictures, but stopped making movies in 1917 and concentrated exclusively on stage work. He didn't appear onscreen again until 1944, when he acceded to Billy Wilder's request to play Mr. Dietrichson, Barbara Stanwyck's doomed husband, in Double Indemnity (1944). He made up for lost time over the next 12 years, appearing in dozens of pictures--often as a detective, army officer, District Attorney or other authority figure--until 1955, when he died of heart failure in November of that year (his last film, The Go-Getter (1956), was released after his death).44 years.
18 westerns, 11-55.
90 - 55, 65- Boston-born Franklyn Farnum was on the vaudeville stage at the age of 12 and was featured in a number of theatre and musical productions by the time he entered silent films near the age of 40. He appeared to be at his most comfortable in the saddle, his career dominated mostly by westerns. Some of his more famous films include the serial Vanishing Trails (1920) and features The Clock (1917), The Firebrand (1922), The Drug Store Cowboy (1925) and The Gambling Fool (1925). In 1925 he left films, but returned five years later at the advent of sound, only to find himself billed much further down the credits, if at all. He continued on, however, in these obscure roles well into the 1950s. Largely forgotten today, he is not related to silent actors and brothers Dustin Farnum and William Farnum. One of his three wives was the ill-fated Alma Rubens, to whom he was briefly married in 1918. Farnum passed away from cancer in 1961.44 years.
198 westerns, 17-61.
1878 - 1961, 83. - Actor
- Writer
- Director
Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.44 years.
10 westerns, 18-62.
1896 - 1966, 70.- Actor
- Soundtrack
Born in Philadelphia, Pennsylvania on March 31, 1907, Eddie Quillan was seven years old and already performing in vaudeville with his sister and three brothers in an act called "The Rising Generation." His parents, Joseph Quillan and Sarah Quillan, were well-known performers with Joseph himself managing the family act. Booked in such top places as the Orpheum Theatre, the kids eventually took a screen test for Mack Sennett but only Eddie was chosen. Beginning with the short film A Love Sundae (1926), Eddie would make nearly 20 two-reeler shorts with Sennett.
Freelancing a couple of years later, he played the lead in The Godless Girl (1928) and The Sophomore (1929) and received a contract at Pathe Studios, but he wasn't really leading-man material what with his rubbery face and short stature. Nevertheless, his high energy and sharp comedy instincts earned him many support roles in such films as Big Money (1930), Girl Crazy (1932), Mutiny on the Bounty (1935), Young Mr. Lincoln (1939) and The Grapes of Wrath (1940), to cite some of his more popular films.
Discouraged with playing simple roles such as bellhops, soda jerks, et al., he continued on in "B" pictures until Sensation Hunters (1945), when his film career finally fell away. He owned and operated a bowling alley for a time but eventually returned to the film industry, with middling results and infrequent appearances, among them Brigadoon (1954). Light-hearted fluff also came his way in the next decade with The Ghost and Mr. Chicken (1966), Angel in My Pocket (1969) and How to Frame a Figg (1971), but his contributions were relatively minor. His career experienced a minor resurgence during the 1960s and 1970s on TV when he guested on such series as Mannix (1967), Lucas Tanner (1974), Police Story (1973), and Baretta (1975). A close friendship with actor Michael Landon led to work for Eddie in several of Landon's TV vehicles, including Little House on the Prairie (1974) and Father Murphy (1981) and "Highway to Heaven" (1984)_.
The never-married Eddie died in Burbank, California of cancer in 1990 at age 83, and was interred at the San Fernando Mission Cemetery in Mission Hills.44 years.
57 westerns, 39-83.
1907 - 1990, 83.- Writer
- Director
- Producer
Oliver Drake was born on 28 May 1903 in Boise, Idaho, USA. He was a writer and director, known for Moon Over Montana (1946), 26 Men (1957) and Today I Hang (1942). He was married to Liz Marshall and Maybelle Barringer. He died on 19 August 1991 in Las Vegas, Nevada, USA.44 years.
209 westerns, 25-69.
1903 - 1991, 88.- Actor
- Producer
- Director
Amiable and handsome James Garner had obtained success in both films and television, often playing variations of the charming anti-hero/con-man persona he first developed in Maverick, the offbeat western TV series that shot him to stardom in the late 1950s.
James Garner was born James Scott Bumgarner in Norman, Oklahoma, to Mildred Scott (Meek) and Weldon Warren Bumgarner, a carpet layer. He dropped out of high school at 16 to join the Merchant Marines. He worked in a variety of jobs and received 2 Purple Hearts when he was wounded twice during the Korean War. He had his first chance to act when a friend got him a non-speaking role in the Broadway stage play "The Caine Mutiny Court Martial (1954)". Part of his work was to read lines to the lead actors and he began to learn the craft of acting. This play led to small television roles, television commercials and eventually a contract with Warner Brothers. Director David Butler saw something in Garner and gave him all the attention he needed when he appeared in The Girl He Left Behind (1956). After co-starring in a handful of films during 1956-57, Warner Brothers gave Garner a co-starring role in the the western series Maverick (1957). Originally planned to alternate between Bart Maverick (Jack Kelly) and Bret Maverick (Garner), the show quickly turned into the Bret Maverick Show. As Maverick, Garner was cool, good-natured, likable and always ready to use his wits to get him in or out of trouble. The series was highly successful, and Garner continued in it into 1960 when he left the series in a dispute over money.
In the early 1960s Garner returned to films, often playing the same type of character he had played on "Maverick". His successful films included The Thrill of It All (1963), Move Over, Darling (1963), The Great Escape (1963) and The Americanization of Emily (1964). After that, his career wandered and when he appeared in the automobile racing movie Grand Prix (1966), he got the bug to race professionally. Soon, this ambition turned to supporting a racing team, not unlike what Paul Newman would do in later years.
Garner found great success in the western comedy Support Your Local Sheriff! (1969). He tried to repeat his success with a sequel, Support Your Local Gunfighter (1971), but it wasn't up to the standards of the first one. After 11 years off the small screen, Garner returned to television in a role not unlike that in Support Your Local Sheriff! (1969). The show was Nichols (1971) and he played the sheriff who would try to solve all problems with his wits and without gun play. When the show was canceled, Garner took the news by having Nichols shot dead, never to return in a sequel. In 1974 he got the role for which he will probably be best remembered, as wry private eye Jim Rockford in the classic The Rockford Files (1974). This became his second major television hit, with Noah Beery Jr. and Stuart Margolin, and in 1977 he won an Emmy for his portrayal. However, a combination of injuries and the discovery that Universal Pictures' "creative bookkeeping" would not give him any of the huge profits the show generated soon soured him and the show ended in 1980. In the 1980s Garner appeared in few movies, but the ones he did make were darker than the likable Garner of old. These included Tank (1984) and Murphy's Romance (1985). For the latter, he was nominated for both the Academy Award and a Golden Globe. Returning to the western mode, he co-starred with the young Bruce Willis in Sunset (1988), a mythical story of Wyatt Earp, Tom Mix and 1920s Hollywood.
In the 1990s Garner received rave reviews for his role in the acclaimed television movie about corporate greed, Barbarians at the Gate (1993). After that he appeared in the theatrical remake of his old television series, Maverick (1994), opposite Mel Gibson. Most of his appearances after that were in numerous TV movies based upon The Rockford Files (1974). His most recent films were My Fellow Americans (1996) and Space Cowboys (2000) .44 years..
134 westerns, 55-99.
12 feature westerns.
1928 - 2014, 86.- Actor
- Stunts
- Soundtrack
American actor who achieved some success as a child and as a young adult, especially in B-Westerns and in television. The son of a Texas newspaper editor. Jones was a accomplished horseman from infancy. At the age of four he was billed as the World's Youngest Trick Rider and Roper. At the age of six, he was hired to perform riding and lariat tricks in the rodeo owned by western star Hoot Gibson. Gibson convinced young Jones and his parents that there was a place for him in Hollywood, and the boy and his mother went west. Gibson arranged for some small parts for the boy. His good looks, energy, and pleasant voice quickly landed him more and bigger parts. In both low-budget Westerns and in more substantial productions. In 1940 he had one of his most prominent roles, as the voice of Pinocchio (1940) in Walt Disney's animated film of the same name. Jones attended Hollywood High School and at 15, took over the role of Henry Aldrich on the hit radio show "The Aldrich Family." He learned carpentry and augmented his income with jobs in that field. He served in the Army in Alaska during the final months of World War II. Gene Autry, who had cast Jones in several Westerns before the war, now put him back to work in films. And later in television, on programs produced by Autry's company. Now billed as Dick Jones the handsome young man starred as Dick West. Where he was sidekick to the Western hero known as The Range Rider (1951), in a TV series that ran for 76 episodes in 1951 (and for decades in syndication). Then Autry gave Jones his own series Buffalo Bill, Jr. (1955)', which ran for 40 episodes. Jones continued working in films throughout the 50's and into the 60's. In 1966 he retired and entered the business world.44 years.
183 westerns, 35-79.
1927 - 2014, 87.- Actor
- Producer
Jack Mulhall was born on 7 October 1887 in Wappingers Falls, New York, USA. He was an actor and producer, known for The Three Musketeers (1933), Dark Streets (1929) and The Social Buccaneer (1923). He was married to Evelyn Mulhall, Laura Bunton and Bertha Vuillot. He died on 1 June 1979 in Woodland Hills, Los Angeles, California, USA.44 years.
39 westerns, 14-58.
1887 - 1979, 91.- Stunts
- Actor
- Additional Crew
One of the key figures in the development of modern cinematic stunt design, improved safety procedures and co-founder of the Stuntmen's Association of Motion Pictures & Televsion, Loren Janes ranks alongside Dar Robinson, Hal Needham and Yakima Canutt for his contributions to movie stunt work.
James has lent his athletic skills to many amazing stunt sequences in over 130 feature films, and has doubled for some of Hollywood's biggest stars including Paul Newman, Steve McQueen, Jack Nicholson and even Debbie Reynolds in a career spanning nearly half a century. He has contributed his talents to such spectacular films as The Ten Commandments (1956), Spartacus (1960), The Magnificent Seven (1960), Planet of the Apes (1968), The Towering Inferno (1974) and Beverly Hills Cop (1984). Ruggedly handsome, Janes has also had minor acting roles in over a dozen Hollywood feature films.
In 2001, well known western actor L.Q. Jones presented Loren Janes with the Golden Boot Award for his lifetime contribution to the western film genre.44 years.
47 westerns, 55-99.
1931 --- Stunts
- Actor
- Second Unit Director or Assistant Director
Stuntman and actor Roydon Elwood Clark was born on April 15, 1928 in Dalton, Pennsylvania. One in a family of eight children (said family was made up of crop tenders and migrant farm workers), Roydon starting in 1942 spent his summers around the Hudkins stables which provided livestock and wagons for Western films. Clark was taken in by the Hudkins family after his family separated and worked for twenty-five dollars per week pitching hay, taking care of the horses, and doing general chores around a stable. Roydon began his career as an actor and stuntman in Westerns for director Joseph Kane at Republic Pictures. Among the notable actors that Clark doubled for are Errol Flynn, James Garner, Sean Connery, and Joe Don Baker. Moreover, Roydon did volunteer work for four years as a stunt safety investigator for the Directors Guild of America as well as worked as both a stunt coordinator and second unit director on a handful of TV movie follow-ups to the hit TV series The Rockford Files (1974).44 years.
80 westerns, stunts, 49-93.
1928 --- Actor
- Additional Crew
Dee Cooper was born on 25 May 1920 in Muleshoe, Texas, USA. He was an actor, known for The Amorous Adventures of Don Quixote and Sancho Panza (1976), The Return (1980) and Texas Detour (1978). He died on 14 December 1989 in Los Angeles, California, USA.43 years.
119 westerns, 43-86.
1920 - 1989, 69.- Actor
- Producer
- Writer
Roy Rogers (born Leonard Slye) moved to California in 1930, aged 18. He played in such musical groups as The Hollywood Hillbillies, Rocky Mountaineers, Texas Outlaws, and his own group, the International Cowboys. In 1934 he formed a group with Bob Nolan called Sons of the Pioneers. While in that group he was known as Leonard Slye, then Dick Weston. Their songs included "Cool Water" and "Tumbling Tumbleweeds". They first appeared in the western Rhythm on the Range (1936), starring Bing Crosby and Martha Raye. In 1936 he appeared as a bandit opposite Gene Autry in "The Old Coral". In 1937 Rogers went solo from "The Sons Of The Pioneeres", and made his first starring film in 1938, Under Western Stars (1938). He made almost 100 films. The Roy Rogers Show (1951) ran on NBC from October 1951 through 1957 and on CBS from 1961 to September 1964. In 1955, 67 of his feature films were released to television.43 years.
213 westerns, 35-78.
1911 - 1998, 86.- Actor
- Producer
- Director
Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven (1960). Sturges remembered Coburn's talents when he cast his next major film project, The Great Escape (1963), where Coburn played the Australian POW Sedgwick. Regular work now came thick and fast for Coburn, including appearing in Major Dundee (1965), the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah.
Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller's The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky's subtle, ironic comedy that would define his performances for the rest of his career.
The next two years were a key period for Coburn, with his performances in the wonderful 007 spy spoof Our Man Flint (1966) and the eerie Dead Heat on a Merry-Go-Round (1966). Coburn followed up in 1967 with a Flint sequel, In Like Flint (1967), and the much underrated political satire The President's Analyst (1967). The remainder of the 1960s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee's untimely death (Coburn, along with Steve McQueen, was a pallbearer at Lee's funeral) put an end to that.
The 1970s saw Coburn appearing again in several strong roles, starting off in Peckinpah's Pat Garrett & Billy the Kid (1973), alongside Charles Bronson in the Depression-era Hard Times (1975) and as a disenchanted German soldier on the Russian front in Peckinpah's superb Cross of Iron (1977). Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the 1990s he was once again appearing regularly in both film and TV productions.
No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in 1997 for playing Nick Nolte's abusive and alcoholic father in Affliction (1997). At 70 years of age, Coburn's career received another shot in the arm, and he appeared in another 14 films, including Snow Dogs (2002) and The Man from Elysian Fields (2001), before his death from a heart attack in November of 2002. Coburn's passions in life included martial arts, card-playing and enjoying Cuban cigars (which may have contributed to his fatal heart attack).43 years.
110 westerns, 58-01.
1928 - 2002, 74.- Actor
- Director
- Writer
Elder brother of the director John Ford and himself a screen director (and John's erstwhile mentor) until the advent of sound. He had also acted in his own films and those of other directors, but turned to acting exclusively circa 1929. As actor, he would provide convincing portrayals of men of authority - men sometimes ruthless if not downright unsavory. (See him as the Republican judge in his brother John's The Informer (1935).) But he also had an ample feel for light comedy. (See him in John's The Quiet Man (1952), as the village elder who - almost in the manner of slapstick - rouses himself from his very deathbed to witness the film's donnybrook dénouement.)43 years.
251 westerns, 10-53.
1881 - 1953, 72.- As a stage actress Edna Holland appeared in several Broadway productions throughout her career, often under the direction of Broadway impresario David Belasco. Some of her Broadway shows were "The Mandarin," "Post Road" with Lucile Watson, "Dear Old Darling" and "Lorelei." She also appeared in silent movies but in 1920 returned to the stage.
- Actor
- Director
- Writer
Francis X. Bushman was born on 10 January 1883 in Baltimore, Maryland, USA. He was an actor and director, known for Sabrina (1954), The Phantom Planet (1961) and Ben-Hur: A Tale of the Christ (1925). He was married to Iva Millicient Richardson, Norma Emily Atkin, Beverly Bayne and Josephine Fladine Duval. He died on 23 August 1966 in Pacific Palisades, California, USA.43 years.
8 westerns, 17-60.
1883 - 1966, 83.- Actor
- Writer
- Producer
Al J. Jennings was born on 25 November 1863 in Virginia, USA. He was an actor and writer, known for The Lady of the Dugout (1918), Beating Back (1914) and The Tryout (1919). He died on 26 December 1961 in Tarzana, California, USA.43 years.
26 westerns, 08-51.
1863 - 1961, 98.- An actor whose filmography comprises 307 films and TV series episodes can't have been in 307 memorable works. Which is the case of Richard (aka Dick) Alexander, one of those numerous character actors Hollywood used to over-consume without giving them the opportunity to really display their talents. Too bad because during the years 1926-1931, Alexander looked set to have an interesting career with supporting roles alongside Olga Baclanova (Lou's sweetheart in Josef von Sternberg's The Docks of New York (1928)), Bebe Daniels (Gonzales in Rio Rita (1929) and even the Divine Greta Garbo (The general's aide in The Mysterious Lady (1928). He also appeared in Lewis Milestone's antiwar masterpiece All Quiet on the Western Front (1930) as a German soldier. Unfortunately this was to be his swan song - with only a couple of exceptions such as Destination Unknown (1933) or The Scarlet Empress (1934)). As of 1931, Richard Alexander was to be hired either for minor (at times even very minor) parts in A Films (a warrior in The Crusades (1935), a farmer in The Story of Louis Pasteur (1936), a man with a pike in Marie Antoinette (1938)) or for supporting parts in hordes of mediocre westerns. Richard Alexander's tall figure, strong build and square-jawed face actually killed his career. The fault lies with the laziness of casting directors: Richard Alexander had given a good performance as a henchman in The Lone Star Ranger (1930), well, he would be a brutal henchman in every two run-of-the-mill westerns. Among the 300-odd roles he played, he was cast forty times as a henchman, no less! And if he was not the villain of the piece he was often credited as a strong, big, burly or tough guy. Sure he always made a good job of it but Richard Alexander had shown at the outset of his career how varied his acting could be and he would certainly rather not have repeated the same type of character over and over again. That is why playing Prince Barin, Buster Crabbe's loyal ally in the Flash Gordon (1936) serial must have been a breath of fresh air for him. Whatever the case may be, Richard Alexander continued bravely to be tough and burly on the screen, not retiring before the age of 72. Towards the end of his career, the aging performer also became an active member of the Screen Actors Guild, representing Hollywood extras. In 1989,Alexander passed away more or less forgotten in spite of his 307 screen appearances. He was 86.43 years.
180 westerns, 27-70.
1902 - 1989, 86. - Actor
- Writer
Forrest Stanley was born on 21 August 1885 in Birmingham, England, UK. He was an actor and writer, known for Beauty's Worth (1922), When Knighthood Was in Flower (1922) and The Cat and the Canary (1927). He was married to Marion Hutchins. He died on 27 August 1969 in Los Angeles, California, USA.43 years.
11 westerns, 16-59.
1885 - 1969, 84.- Actor
- Writer
- Additional Crew
Nolan Leary was born on 26 April 1889 in Rock Island, Illinois, USA. He was an actor and writer, known for Strangler of the Swamp (1945), The Tiger Woman (1944) and Make Way for Tomorrow (1937). He was married to Helen Leary. He died on 12 December 1987 in Los Angeles, California, USA.43 years.
110 westerns, 31-74.
1889 - 1987, 98.- In 1906, Madge went to New York City to study at the Art Students League where she hoped to become an illustrator. This lasted until she appeared in a student musical, which led to a full time job in a traveling stock company. By 1912, Madge was a Broadway Star with the bedroom farce "Little Miss Brown". For the next five years, Madge continued to find success on Broadway appearing in similar roles. Within 3 months of the formation of Goldwyn Pictures, Sam Goldwyn had signed Madge Kennedy to a big movie contract. Goldwyn was at his best when it came to publicity. It was Goldwyn himself who gave Madge the title of "winsome", and Madge was as winsome and sweet as her light comedies suggested. Some of her films were 'Baby Mine (1917)', 'Our Little Wife (1918)', The Kingdom of Youth (1918)' and 'Dollars and Sense (1920)'. While at Goldwyn, Madge shared a dressing room with actress Mabel Normand. After 21 films, Madge left Goldwyn Pictures and appeared in a handful of films produced by her husband, Harold Bolster. These films included 'The Purple Highway (1923)' and 'Bad Company (1925)'. After that, Madge retired from the screen and returned to the stage. After a few years and her remarriage, Madge retired from acting altogether. In 1952, Madge was coaxed out of retirement by George Cukor for the small role of Judge Carroll in 'The Marrying Kind (1952)'. With that, she started another career as Character Actress appearing in films like 'Lust for Life (1956)', 'The Catered Affair (1956)', 'North by Northwest (1959)' and 'The Day of the Locust (1975)'. On the small screen, Madge played the part of Aunt Martha on "Leave It to Beaver (1957)".43 years.
6 westerns, 19-62.
1891 - 1987, 96. - Actor
- Stunts
- Producer
Jack Perrin was born in Three Rivers, MI, on July 25, 1896. His father, a real estate investor, had an eye on the burgeoning prospects in Los Angeles and moved his family there when Perrin was about four. Jack literally grew up witnessing the birth of the film industry, which exploded there in 1913, after Universal and Famous Players (later known as Paramount) moved out in an attempt to escape Thomas Edison's patent war. Perrin entered films in 1915, reportedly with Mack Sennett (these details are in dispute), before enlisting in the Navy in World War I. Discharged in 1919, he returned to Hollywood and landed a contract with Universal, which lasted until 1921. He was cut loose from what was then the largest studio in the world and made the rapid descent into the world of low-budget westerns by outfits like Rayart (later to become Monogram), Aywon and Arrow Pictures. During this period he would work for companies at the very bottom of the Hollywood food chain, headed by ultra-low-budget specialists like Harry S. Webb and the legendary cheapskate Robert J. Horner.
By the latter part of the 1920s Perrin's fortunes rose to the point where he returned to Universal for a series of Canadian Mountie adventure pictures (on a personal level, he met and married Universal star Josephine Hill in 1920 and the marriage would last until 1937). Although he seemed to possess all the assets necessary for cowboy stardom, fate would not be particularly kind to Jack Perrin. At the beginning of the "talkie" period he left Universal and went back to working for the likes of Webb and Horner again. Things got so bad that in the mid-'30s he wound up having to sue Horner in order to get paid for appearing in several of Horner's films (he won). The quality of these productions was, to be charitable, dismal and Jack's popularity correspondingly suffered. He bowed out as a leading man under an ostensible partnership with veteran low-budget producer William Berke in 1936.43 years.
346 westerns, 19-62.
1896 - 1967, 71.- Actor
- Producer
- Director
Veteran actor and director Robert Selden Duvall was born on January 5, 1931, in San Diego, CA, to Mildred Virginia (Hart), an amateur actress, and William Howard Duvall, a career military officer who later became an admiral. Duvall majored in drama at Principia College (Elsah, IL), then served a two-year hitch in the army after graduating in 1953. He began attending The Neighborhood Playhouse School of the Theatre In New York City on the G.I. Bill in 1955, studying under Sanford Meisner along with Dustin Hoffman, with whom Duvall shared an apartment. Both were close to another struggling young actor named Gene Hackman. Meisner cast Duvall in the play "The Midnight Caller" by Horton Foote, a link that would prove critical to his career, as it was Foote who recommended Duvall to play the mentally disabled "Boo Radley" in To Kill a Mockingbird (1962). This was his first "major" role since his 1956 motion picture debut as an MP in Somebody Up There Likes Me (1956), starring Paul Newman.
Duvall began making a name for himself as a stage actor in New York, winning an Obie Award in 1965 playing incest-minded longshoreman "Eddie Carbone" in the off-Broadway revival of Arthur Miller's "A View from the Bridge", a production for which his old roommate Hoffman was assistant director. He found steady work in episodic TV and appeared as a modestly billed character actor in films, such as Arthur Penn's The Chase (1966) with Marlon Brando and in Robert Altman's Countdown (1967) and Francis Ford Coppola's The Rain People (1969), in both of which he co-starred with James Caan.
He was also memorable as the heavy who is shot by John Wayne at the climax of True Grit (1969) and was the first "Maj. Frank Burns", creating the character in Altman's Korean War comedy M*A*S*H (1970). He also appeared as the eponymous lead in George Lucas' directorial debut, THX 1138 (1971). It was Francis Ford Coppola, casting The Godfather (1972), who reunited Duvall with Brando and Caan and provided him with his career breakthrough as mob lawyer "Tom Hagen". He received the first of his six Academy Award nominations for the role.
Thereafter, Duvall had steady work in featured roles in such films as The Godfather Part II (1974), The Killer Elite (1975), Network (1976), The Seven-Per-Cent Solution (1976) and The Eagle Has Landed (1976). Occasionally this actor's actor got the chance to assay a lead role, most notably in Tomorrow (1972), in which he was brilliant as William Faulkner's inarticulate backwoods farmer. He was less impressive as the lead in Badge 373 (1973), in which he played a character based on real-life NYPD detective Eddie Egan, the same man his old friend Gene Hackman had won an Oscar for playing, in fictionalized form as "Popeye Doyle" in The French Connection (1971).
It was his appearance as "Lt. Col. Kilgore" in another Coppola picture, Apocalypse Now (1979), that solidified Duvall's reputation as a great actor. He got his second Academy Award nomination for the role, and was named by the Guinness Book of World Records as the most versatile actor in the world. Duvall created one of the most memorable characters ever assayed on film, and gave the world the memorable phrase, "I love the smell of napalm in the morning!"
Subsequently, Duvall proved one of the few established character actors to move from supporting to leading roles, with his Oscar-nominated turns in The Great Santini (1979) and Tender Mercies (1983), the latter of which won him the Academy Award for Best Actor. Now at the summit of his career, Duvall seemed to be afflicted with the fabled "Oscar curse" that had overwhelmed the careers of fellow Academy Award winners Luise Rainer, Rod Steiger and Cliff Robertson. He could not find work equal to his talents, either due to his post-Oscar salary demands or a lack of perception in the industry that he truly was leading man material. He did not appear in The Godfather Part III (1990), as the studio would not give in to his demands for a salary commensurate with that of Al Pacino, who was receiving $5 million to reprise Michael Corleone.
His greatest achievement in his immediate post-Oscar period was his triumphant characterization of grizzled Texas Ranger Gus McCrae in the TV mini-series Lonesome Dove (1989), for which he received an Emmy nomination. He received a second Emmy nomination and a Golden Globe for his portrayal of Soviet dictator Joseph Stalin in Stalin (1992), and a third Emmy nomination playing Nazi war criminal Adolf Eichmann in The Man Who Captured Eichmann (1996).
The shakeout of his career doldrums was that Duvall eventually settled back into his status as one of the premier character actors in the industry, rivaled only by his old friend Gene Hackman. Duvall, unlike Hackman, also has directed pictures, including the documentary We're Not the Jet Set (1974), Angelo My Love (1983) and Assassination Tango (2002). As a writer-director, Duvall gave himself one of his most memorable roles, that of the preacher on the run from the law in The Apostle (1997), a brilliant performance for which he received his third Best Actor nomination and fifth Oscar nomination overall. The film brought Duvall back to the front ranks of great actors, and was followed by a Best Supporting Actor Oscar nod for A Civil Action (1998).
Robert Duvall will long be remembered as one of the great naturalistic American screen actors in the mode of Spencer Tracy and his frequent co-star Marlon Brando. His performances as "Boo Radley" in To Kill a Mockingbird (1962), "Jackson Fentry" in Tomorrow (1972), "Tom Hagen" in the first two "Godfather" movies, "Frank Hackett" in Network (1976), "Lt. Col. Kilgore" in Apocalypse Now (1979), "Bull Meechum" in The Great Santini (1979), "Mac Sledge" in Tender Mercies (1983), "Gus McCrae" in Lonesome Dove (1989) and "Sonny Dewey" in The Apostle (1997) rank as some of the finest acting ever put on film. It's a body of work that few actors can equal, let alone surpass.43 + years.
25 westerns, 6 features, 63-06 +.
1931 --- Actor
- Writer
- Soundtrack
Movies, especially comedies, have always needed big, blustery, booming authoritarian types for the lead to play off of (or against), and one of the best was Thurston Hall, most famous for his role of Mr. Schuyler in the Topper (1953) series of the early 1950s. Hall was a tall, distinguished, imposing-looking man, which fit perfectly with the variety of military officers, wealthy businessmen, bankers and upper-crust types he played so well. The Boston-born Hall was attracted to a theatrical career as a youth, and toured New England with a theater troupe and eventually journeyed to Britain, where he spent several years on the stage. He formed his own theater company and successfully toured South Africa, New Zealand and Australia. By the time he entered films he was an established and successful stage actor, in both the U.S. and Europe. He started out in silent films, but his rich baritone voice enabled him to easily transition into talkies. He appeared in more than 200 films, his final one being Affair in Reno (1957), although he had kept busy in television, with appearances on many different series in addition to his co-starring role on "Topper". He died of a heart attack in 1958.43 years.
37 westerns, 15-58.
1882 - 1958, 75.- American character actor. Raised in New York City and Cincinnati, Ohio, Beddoe was the son of a professor at the Cincinnati Conservatory of Music who happened also to be the world-famous Welsh tenor, Dan Beddoe. Although Don Beddoe intended a career in journalism, he took an interest in theatre and became involved first with amateur companies and then with professional theatre troupes. He debuted on Broadway in 1929 and kept up a decade-long career on the stage. Although said to have made some minor appearances in silent films, Beddoe made his real transfer to film work in 1938. He appeared in a wide range of supporting roles in literally scores of films, often as either a fast-talking reporter or as a mousey sort. He became one of the most readily familiar faces in Hollywood movies, despite remaining almost unknown by name outside the industry. Following service in the Army Air Corps during the Second World War, he continued to work steadily in small roles, complementing them with television work. Despite advancing (and very ripe old) age, he remained quite active, supplementing his acting work with a second career in real estate. He died in 1991.43 years.
124 westerns, 39-82.
1903 - 1991, 87. - Actor
- Producer
- Additional Crew
One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.
Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".
Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).
Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).
The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).
In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.
Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.43 years.
11 westerns, 60-03.
1915 - 2014, 98.- Actor
- Stunts
- Additional Crew
Frank Hagney was born on 20 April 1884 in Sydney, New South Wales, Australia. He was an actor, known for It's a Wonderful Life (1946), Ride Him, Cowboy (1932) and The Sea Beast (1926). He was married to Edna M. Keating Shephard and Ethel Scott. He died on 25 June 1973 in Los Angeles, California, USA.43 years.
180 westerns, 24-67.
1884 - 1973, 89.- Actor
- Additional Crew
- Composer
Like thousands of "day actors' during Hollywood's Golden Era, Max Wagner toiled in relative obscurity in supporting and bit roles with the occasional meaty character part. It was a film career that sustained him as a durable and dependable actor from the mid-1920s through the '70s.
The youngest of five boys, Wagner was born in Mexico, the son of William W. Wagner, a railroad conductor. His mother, Edith Wagner, was a writer and correspondent for the Christian Science Monitor during the Mexican Revolution. He was 10 years old when Mexican rebels fatally wounded his father. His mother then brought him to Salinas, California, where he struck up a lifelong friendship with John Steinbeck. Wagner served as a model for the boy in Steinbeck's novel "The Red Pony" and he would appear in many of the films based on Steinbeck's books.
Max's brothers - Jack, Blake, and Bob - were already in Hollywood working on films. Jack and Blake worked under D.W. Griffith at Biograph as cameramen and later went to work for Hal Roach and Mack Sennett. Bob worked on the First National lot as an assistant cameraman. At 23 years old, Max joined his brothers in Hollywood. Jack was working on a Harry Langdon film in 1924 and helped Max secure his first acting part. His early experiences at Mack Sennett honed his talent in physical comedy that would serve him well throughout his career.
During the early talkie period studios often made Spanish-language versions of their popular films. Max, fluent in Spanish, acted in many such films in supporting roles under the name of Max Baron. Studios often went to him to serve as a Spanish-language coach for actors. He appeared alongside Lupe Velez in the "Mexican Spitfire" series and when he wasn't acting, he monitored Velez's ad-libbing in Spanish to spot any profanity.
While most of Max's work was with major studios, he was a regular with Mascot, the low-budget studio that churned out serials including "The Lost Jungle (1934) and Tom Mix's "The Miracle Rider" (1935). Max was a regular in the Charlie Chan series and was a company player with Preston Sturges, appearing in such films as "The Palm Beach Story" (1942), "The Miracle of Morgan's Creek" (1944), "The Great Moment" (1944) and "The Sin of Harold Diddlebock" (1946).
During World War II, he took a break to serve in the U.S. Army in North Africa.
His tough, brawny appearance made him a casting director's perfect choice for gangster roles, giving him unlimited work as a henchman in dozens of Warner Bros. films in the 1930s. Los Angeles newspaper gossip columnists used to jokingly chart his rise from Gangster No. 4 (no gun, no dialog) to Gangster No. 2 (gun and dialog).
A lifelong heavy drinker, Max struggled off and on with alcoholism. He entered Alcoholics Anonymous in 1950, but resumed acting the following year.
His most notable appearance in films came in 1953 with the role of Sgt. Rinaldi in the cult sci-fi classic "Invaders from Mars." The same year he was also cast in "Donovan's Brain," another cult favorite.
By the 1960s, Max was cast mostly in bit parts in film and television westerns and dramas, ending his career with small parts in such TV series as "Gunsmoke" and "Columbo."43 years.
280 westerns, 30-73.
1901 - 1975, 73.- Actor
- Producer
Herbert Rawlinson was born on 15 November 1885 in Brighton, East Sussex, England, UK. He was an actor and producer, known for The Flame Fighter (1925), The Carter Case (1919) and The Belle of Broadway (1926). He was married to Loraine Abigail Long, Roberta Arnold and Josephine Norman. He died on 12 July 1953 in Los Angeles, California, USA.42 years.
54 westerns, 11-53.
1885 - 1953, 67.- Anna Quirentia Nilsson, popularly known as "Anna Q", who was born on March 30th, 1888, in Ystad, Sweden, emigrated to the United States in 1905. The 5'7" Nilsson used her blonde beauty to become a famous model for well-known fashion photographers and fine artists. In 1907 she was chosen the most beautiful girl in the US and in 1911 made her film debut in Molly Pitcher (1911). She was an overnight sensation, becoming a silent film superstar in the first decade of the 20th century. In 1914 she was chosen the most beautiful actress "in the world" and Photoplay magazine named her "the ideal American girl" in 1919.
She appeared in films by the top studios in Hollywood, including Goldwyn, Famous Players (Paramount), Metro and First National. Her movie career continued to flourish in the 1920s, the decade of the flapper and bathtub gin, the so-called Jazz Age. In 1926 she was chosen the most popular actress. However, she suffered a major setback in 1928, when she was thrown off a horse and fractured her thigh. To her relatives in Sweden she wrote " . . . no tragedy is greater than mine. I am still a young star and suddenly everything is lost". Her fans supported her with some 30,000 letters a month and Nilsson tried to rush her convalescence. It made a bad situation worse and doctors needed to shorten her leg.
In 1931 Nilsson was back before the camera, but her stardom was unfortunately in the past. She appeared in approximately 40 more films until she retired in 1954. She was one of the bridge players (a.k.a. the "wax works") in Norma Desmond's mansion in Sunset Blvd. (1950), appearing with her former co-star, silent film superstar and prominent victim of sound, H.B. Warner. Four years later, she appeared in a small part in her motion-picture swan-song, the classic musical Seven Brides for Seven Brothers (1954).
Anna Q. Nillson died on February 11, 1974, six weeks shy of her 85th birthday.42 years.
12 westerns, 12-54.
1911 - 1999, 87. Sweden. California. - Actress
- Additional Crew
- Soundtrack
Lovely brown-eyed, brunette Claire Du Brey enjoyed a rich, four-decade film career in all. Born Clara Violet Dubrey on August 31, 1892, in Bonner's Ferry Idaho, her family traveled the rugged Sierra Madre terrain by covered wagon in their move to California when she was 13.
Educated in a convent setting and once trained to be a nurse, Claire responded to an newspaper ad and found employment working part time in motion pictures. From there, she found herself in front of the camera, making her movie debut as star Billie Burke's friend in the Triangle release Peggy (1916). Universal saw a leading lady vamp in her, however, and from 1917 she enjoyed star billing in such silent short and feature-length vehicles as Princess Dione in the Rex Ingram-directed The Reward of the Faithless (1917); The Fighting Gringo (1917), opposite Harry Carey; Anything Once (1917) and The Winged Mystery (1917) both co-starring Franklyn Farnum; Brace Up (1918) with Herbert Rawlinson; the family drama The Magic Eye (1918); and A Man in the Open (1919) with Dustin Farnum. She also appeared in a number of Lon Chaney's early Universal vehicles such as The Rescue (1917) Pay Me! (1917) and Triumph (1917).
A versatile player whether asked to portray royalty, servants, temptresses or prairie flowers, Claire turned to Los Angeles stage plays during an early 1920s lull in film offers and graced such vehicles as "Madame X," "Spring Cleaning" and "The Youngest". Later "jazz age" film roles included The Sea Hawk (1924), Drusilla with a Million (1925) Exquisite Sinner (1926), and The Devil Dancer (1927).
During the declining period of her career (1928), Claire met actress Marie Dressler and they became close friends. Claire wound up serving as Dressler's secretary, fan mail handler and travel companion. In reward, Dressler arranged for Claire to get small roles a few of her talking films Politics (1931) and Prosperity (1932). She also served as Dressler's nurse in 1933 when the elder woman was dying of cancer.
As a character actress, Claire became much in demand throughout the late 1930s, 1940s and 1950s, appearing in general purpose roles as secretaries, nurses, salesladies, housekeepers, matrons, spinsters, relatives, etc. On a rare occasion she managed to stand out, none more so than in her mad scene as Bertha Rochester in a "B"-level version of Jane Eyre (1934) starring Colin Clive and Virginia Bruce. Seen sporadically on TV into the 1950s, she retired by the end of the decade. Her last film roles were in Girls Town (1959) and The Miracle (1959), both unbilled.
An early marriage to a doctor, Mark Gorman, ended in divorce. She lived another four decades after leaving the limelight. In her final years she grew deaf and her health quite fragile, dying at the age of 100 on August 1, 1993.42 years.
40 westerns, 17-59.
1892 - 1993, 100.- Actress
- Writer
Marin Sais was descended from one of the earliest Spanish families of California (Marin County was named after one of her ancestors). She was possessed of a fine singing voice. and after graduation from school journeyed to New York to pursue an operatic career. However, not long after her arrival she apparently changed her mind about her career path, and before long she was appearing in two-reel comedies for Vitagraph. Her career progressed steadily, and she was soon working in full-length films and serials. She soon journeyed to Hollywood, and began appearing in westerns, often with Hoot Gibson. She also became a fixture in action serials. In 1920 she married cowboy actor Jack Hoxie, and they appeared in several films together, but divorced five years later. With the coming of sound she began appearing in character roles rather than the leading or featured roles she was used to, and the films she appeared in were often for the cheap independent market. She seemed to specialize in westerns, and with few exceptions her pictures up until her retirement in 1953 were all in that genre.42 years.
111 westerns, 11-53.
1890 - 1971, 81.- Actor
- Writer
- Soundtrack
The son of a rancher-turned-politician, Guinn Williams was given the nickname "Big Boy" (and he was, too - 6' 2" of mostly solid muscle from years of working on ranches and playing semi-pro and pro baseball) by Will Rogers, with whom he made one of his first films, in 1919. Although his father wanted him to attend West Point (he had been an officer in the Army during World War I), Williams had always wanted to act and made his way to Hollywood in 1919. His experience as a cowboy and rodeo rider got him work as a stuntman, and he gradually worked his way up to acting. He became friends with Rogers and together they made around 15 films. Additionally,in a film that has recently received critical acclaim, he appeared alongside Charles Farrell and Janet Gaynor in the silent film Lucky Star (1929), playing a brute vying for the affections of Janet Gaynor in competition with a returning war veteran, played by Charles Farrell. He then easily made the transition from silents to talkies. Although he also starred in a series of low-budget westerns in the early and mid-1930s, he really came into his own as a supporting player in the late 1930s and early 1940s, especially at Warner Bros., where he appeared in such resoundingly successful westerns as Dodge City (1939) and Santa Fe Trail (1940) with his friends Errol Flynn and Alan Hale. Williams specialized in the somewhat dim and quick-tempered but basically decent sidekick, a role he would play for the next 20 years or so. He also made sound films other than westerns, and was in, for example, A Star Is Born (1937). Late in his career, he won the hearts of TV viewers in a regular role as Pete, the comedic roadie in Circus Boy (1956). In the early 1960s Williams' health began to deteriorate, which was noticeable in his last film, The Comancheros (1961), in which he had a small part and, sadly, did not look well at all. He died of uremic poisoning shortly afterwards.42 years.
150 westerns, 19-61.
1899 - 1962, 63.- Actor
- Soundtrack
Clayton Moore grew up in Chicago, Illinois and although his father wanted him to become a doctor, he had visions of something a little more glamorous. Naturally athletic, he practiced gymnastics during family summer vacations in Canada, eventually joining the trapeze act The Flying Behrs at 19. During the 1934 Chicago World's Fair, Clayton performed in the position of catcher. Playing off his good looks, he was signed by the John Robert Powers modeling agency and enjoyed a print career in NY for several years. But a friend urged him to make the move to Hollywood in 1938 where he entered films as a bit player and stuntman. In 1940, at the suggestion of his agent Edward Small, he changed his first name from Jack to Clayton. Beginning with Perils of Nyoka (1942), he eventually became King of the Serials at Republic Studios appearing in more than cliffhanger star Buster Crabbe. During this period, he also worked in many B westerns earning his acting chops alongside Roy Rogers, Gene Autry and interestingly Jay Silverheels. Later in 1942 he entered the military, was stationed in Kingman, Arizona and assigned entertainment duties including the production of training films. While in Arizona, he asked his future wife Sally Allen to marry him; she said "yes" and joined him in Kingman for the balance of his enlistment. After the war, he returned to these supporting roles while concentrating on westerns. His turn as Ghost of Zorro (1949) came to the attention of the radio's hugely successful Lone Ranger producer George W. Trendle who was casting the lead role for the new television series. After the interview, Trendle said, "Mr. Moore would you like the role of the Lone Ranger?" Moore replied, "Mr. Trendle, I AM The Lone Ranger." The premiere episode appeared on ABC on September 15, 1949, and was the first western specifically written for the new medium. Although Moore's voice was a natural baritone, Trendle insisted he sound more like the radio actor Brace Beemer, so Moore worked with a voice coach to mimic both the speech pattern and tone. He starred in television's The Lone Ranger from 1949-1952 and 1953-1957. Along with William Boyd ("Hopalong Cassidy"), Moore was one of the most popular TV western stars of the era. Because of a salary dispute, he was replaced by John Hart, for one season. It was during his time away from the TV show that Moore returned to the big screen (as Clay Moore) to continue his movie career with such memorable movies as Radar Men from the Moon (1952) and Jungle Drums of Africa (1953). where he co-starred with Phyllis Coates, TVs first "Lois Lane". Hired back to the series, at a higher salary, Moore remained as The Lone Ranger until the series ended in 1957, after 169 episodes. He appeared in two color big-screen movie continuations of that character, in The Lone Ranger (1956) and The Lone Ranger and the Lost City of Gold (1958). After a lifetime of "B" movie parts, Clayton Moore finally found success in a TV series and continued to make commercials and personal appearances as "The Lone Ranger" for the next three decades. The commercials for Jeno's Pizza Rolls and Aqua Velva have become legendary in their own right. At his appearances, he recited The Lone Ranger Creed, which he deeply believed in, and that image was never tarnished by the types of personal scandals that often affected other stars. In 1978 Jack Wrather (the Wrather Corp}, which owned the series and the rights to the title character, obtained a court order to stop Moore from appearing in public as "The Lone Ranger". The company planned to film a new big-screen movie of the popular hero and did not want the public to confuse its new star with the old one. It would be the only screen appearance for Klinton Spilsbury, this "new Lone Ranger". Although the former "Arrow" shirt model appeared rugged and handsome in the "unmasked" sequence, his voice projected so poorly it was overdubbed by the more melodious voice of James Keach. The film was one of the biggest flops of the 1980s and The Lone Ranger story wasn't attempted again until 30 years later with Armie Hammer and Johnny Depp as Tonto. Again, however, the film flopped without a nod to the original tenets of the integrity of the character. After Jack Wrather died in 1984, his widow actress Bonita Granville dismissed the lawsuit allowing Moore to continue to appear as the masked man. Moore's legacy to the entertainment industry and western film genre has been cemented with the installation of his legendary mask in the Smithsonian, his star on Hollywood's Walk of Fame, and a United States Postage Stamp bearing his image alongside Silver.42 years.
230 westerns, 37-79.
43 feature westerns.
1914 - 1999, 86.- Jack Kelly started acting at age two, modeling in soap ads and garnering a lifetime supply of soap for his pay. He continued to model until the age of nine when he appeared in his first play with Hope Emerson called "Swing Your Lady". Broadway shows and radio followed until his family moved to California in 1938. He attended St. John's Military Academy and spent two years as a law student at UCLA. For three years, he dropped acting to concentrate on school and making money. He worked as a shoe salesman, gas station attendant, lifeguard, grocery delivery boy, and men's clothing salesman. In 1945, Kelly was inducted into the army taking basic training at Camp Roberts in California. He was sent to Alaska as a weather observer and was on the first B-29 to fly over the Arctic Circle. After his discharge in 1946, Kelly returned to UCLA and worked nights on such radio programs as "Lux Radio theater", "Suspense", "Tell It Again", and "Romance of the Ranchos".
Upon leaving school he joined the Circle Theater in Los Angeles appearing in "Time of Your Life", "The Adding Machine", and "Love On The Dole". In 1949, he acted in "Anna Lucasta" at the coronet Theater. This performance brought Kelly to the attention of several Hollywood directors. He then made his film debut in "Fighting Man Of The Plains", starring Randolph Scott. In 1955, Kelly was signed by Warner Bros. to star as Dr. Parris Mitchell in the "King's Row" series of "Warner Bros. Presents". The show debuted in September 1955. Kelly was best known as Bart Maverick on Maverick (1957). His hobbies included ship models, reading historical literature, sculpting, and listening to show tunes records. He also enjoyed sailing, badminton, skin diving, golf, horseback riding and flying.42 years.
125 westerns, 49-91.
1927 - 1992, 65. - Henry Beckman was born on 26 November 1921 in Halifax, Nova Scotia, Canada. He was an actor, known for Marnie (1964), Blood & Guts (1978) and The Brood (1979). He was married to Hillary Beckman and Cheryl Maxwell. He died on 17 June 2008 in Barcelona, Catalonia, Spain.42 years.
77 westerns, 60-02.
1921 - 2008, 86. Canada. Spain. - Actor
- Soundtrack
Mean, miserly and miserable-looking, they didn't come packaged with a more annoying and irksome bow than Charles Lane. Glimpsing even a bent smile from this unending sourpuss was extremely rare, unless one perhaps caught him in a moment of insidious glee after carrying out one of his many nefarious schemes. Certainly not a man's man on film or TV by any stretch, Lane was a character's character. An omnipresent face in hundreds of movies and TV sitcoms, the scrawny, scowling, beady-eyed, beak-nosed killjoy who usually could be found peering disdainfully over a pair of specs, brought out many a comic moment simply by dampening the spirit of his nemesis. Whether a Grinch-like rent collector, IRS agent, judge, doctor, salesman, reporter, inspector or neighbor from hell, Lane made a comfortable acting niche for himself making life wretched for someone somewhere.
He was born Charles Gerstle Levison on January 26, 1905 in San Francisco and was actually one of the last survivors of that city's famous 1906 earthquake. He started out his working-class existence selling insurance but that soon changed. After dabbling here and there in various theatre shows, he was prodded by a friend, director Irving Pichel, to consider acting as a profession. In 1928 he joined the Pasadena Playhouse company, which, at the time, had built up a solid reputation for training stage actors for the cinema. While there he performed in scores of classical and contemporary plays. He made his film debut anonymously as a hotel clerk in Smart Money (1931) starring Edward G. Robinson and James Cagney and was one of the first to join the Screen Actor's Guild. He typically performed many of his early atmospheric roles without screen credit and at a cost of $35 per day, but he always managed to seize the moment with whatever brief bit he happened to be in. People always remembered that face and raspy drone of a voice. He appeared in so many pictures (in 1933 alone he made 23 films!), that he would occasionally go out and treat himself to a movie only to find himself on screen, forgetting completely that he had done a role in the film. By 1947 the popular character actor was making $750 a week.
Among his scores of cookie-cutter crank roles, Lane was in top form as the stage manager in Twentieth Century (1934); the Internal Revenue Service agent in You Can't Take It with You (1938); the newsman in Mr. Smith Goes to Washington (1939); the rent collector in It's a Wonderful Life (1946); the recurring role of Doc Jed Prouty, in the "Ellery Queen" film series of the 1940s, and as the draft board driver in No Time for Sergeants (1958). A minor mainstay for Frank Capra, the famed director utilized the actor's services for nine of his finest films, including a few of the aforementioned plus Mr. Deeds Goes to Town (1936), Arsenic and Old Lace (1944) and State of the Union (1948).
Lane's career was interrupted for a time serving in the Coast Guard during WWII. In post-war years, he found TV quite welcoming, settling there as well for well over four decades. Practically every week during the 1950s and 1960s, one could find him displaying somewhere his patented "slow burn" on a popular sitcom - Topper (1953), The Real McCoys (1957), The Many Loves of Dobie Gillis (1959), Mister Ed (1961), Bewitched (1964), Get Smart (1965), Gomer Pyle: USMC (1964), The Munsters (1964), Green Acres (1965), The Flying Nun (1967) and Maude (1972). He hassled the best sitcom stars of the day, notably Lucille Ball (an old friend from the RKO days with whom he worked multiple times), Andy Griffith and Danny Thomas. Recurring roles on Dennis the Menace (1959), The Beverly Hillbillies (1962) and Soap (1977) made him just as familiar to young and old alike. Tops on the list had to be his crusty railroad exec Homer Bedloe who periodically caused bucolic bedlam with his nefarious schemes to shut down the Hooterville Cannonball on Petticoat Junction (1963). He could also play it straightforward and serious as demonstrated by his work in The Twilight Zone (1959), Perry Mason (1957), Little House on the Prairie (1974) and L.A. Law (1986).
A benevolent gent in real life, Lane was seen less and less as time went by. One memorable role in his twilight years was as the rueful child pediatrician who chose to overlook the warning signs of child abuse in the excellent TV movie Sybil (1976). One of Lane's last on-screen roles was in the TV-movie remake of The Computer Wore Tennis Shoes (1995) at age 90. Just before his death he was working on a documentary on his long career entitled "You Know the Face".
Cinematically speaking, perhaps the good ones do die young, for the irascible Lane lived to be 102 years old. He died peacefully at his Brentwood, California home, outliving his wife of 71 years, former actress Ruth Covell, who died in 2002. A daughter, a son and a granddaughter all survived him.42 years.
28 westerns, 40-82.
1905 - 2007, 102.- Actor
- Additional Crew
- Writer
One of the great stars of early American Westerns. McCoy was the son of an Irish soldier who later became police chief of Saginaw, Michigan, where McCoy was born. He attended St. Ignatius College in Chicago and after seeing a Wild West show there, left school and found work on a Wyoming ranch. He became an expert horseman and roper and developed a keen knowledge of the ways and languages of the Indian tribes in the area. He competed in numerous rodeos, then enlisted in the U.S. Army when America entered the First World War. He was commissioned and rose to the rank of lieutenant colonel. At the end of World War I, he returned to his ranch in Wyoming, only to be called by Governor Bob Carry to the post of Adjutant General of Wyoming, a position he held until 1921. The position carried with it the rank of Brigadier General (a brevet promotion) and it has been reported that this made him the youngest general officer in the U.S. Army. His reputation as a friend to the Wind River Reservation Indians, both Arapahoe and Shoshone, preceded him and in 1922, he was asked by the head of Famous Players-Lasky, Jesse L. Lasky, to provide Indian extras for the Western extravaganza, The Covered Wagon (1923). He resigned from the state position and recruited several hundred Indians to the Utah movie location. When the film wrapped, he was asked to choose several Indians to accompany him to Hollywood. There the production company developed a live 'prologue' to be presented just prior to the movie showing. The idea was a success and McCoy and his Indian group toured the U.S. and eventually, Europe as well. After touring this country and Europe with the Indians as publicity, McCoy returned to Hollywood and used his connections to obtain further work in the movies, both as a technical advisor and eventually as an actor. MGM speedily signed him to a contract to star in a series of Westerns and McCoy rapidly rose to stardom, making scores of Westerns and occasional non-Westerns. In 1935, he left Hollywood, first to tour with the Ringling Brothers Circus and then with his own Wild West show. His 1938 Wild West Show cost over $300,000 to mount and closed in bankruptcy in just 28 days. He returned to films in 1940, in a series teaming him with Buck Jones and Raymond Hatton, but World War II and Jones's death in 1942 ended the project. McCoy returned to the Army for the war and served with the Army Air Corps in Europe, winning several decorations and a promotion to full Colonel. He retired from the army and from films after the war, but emerged in the late 1940s for a few more films and some television work. In 1942 he ran for the Republican Nomination for the U.S. Senate in Wyoming. He was defeated and returned to Hollywood and an uncertain future. In 1946 he sold his Wyoming ranch and moved to Bucks County, Pennsylvania and the life of the gentleman farmer. While living there, he met and married Danish writer Inga Arvad. He later built a home in Nogales, Arizona where Inga subsequently died in 1973. He spent his later years as a retired rancher. He died at the U.A. Army hospital at Ft. Hauchuca, Arizona on January 29 1978 at the age of 86.42 years.
85 westerns, 80 features, 23-65.
1891 - 1978, 86.- A serious rival to Rudolph Valentino as the suave, smouldering 'Latin Lover' type was black-haired Spanish-born Antonio Moreno. One of the most prominent screen stars of the 1920s, he was equally adept at romance, melodrama or comedy and appeared opposite most of the legendary movie queens of the era, from the Gish sisters to Greta Garbo, to Gloria Swanson and Mary Pickford.
Moreno was born Antonio Garrido Monteagudo in Madrid and came to America at the age of fourteen. His working life began as an employee of the Northhampton Electric Light and Gas Company. He first acted on stage under the tutelage of Maude Adams whose theatre he had initially visited in order to fix the lighting. From the repertory stage in Massachusetts, he then made his way to Hollywood where he arrived in 1912.
Having made his motion picture debut at Rex-Universal Moreno then featured as a top draw card for Vitagraph until 1921. He proudly held the sobriquet "King of the Cliff-hangers" (usually as co-star to Pearl White) because of his prolific work in serials. However, the pinnacle of his career came a few years later under contract to Famous Players Lasky/Paramount (from 1923 to 1924) and at Metro-Goldwyn-Mayer (in 1926), at which time Moreno was one of the highest paid actors in Hollywood. With the advent of sound pictures, his career suffered a sharp decline, in no small measure due to a heavy Spanish accent. Nonetheless, he eventually segued into character parts and remained gainfully employed in the industry until the late 1950s. Moreno has a star on the iconic Walk of Fame on Hollywood Boulevard.
He was married from 1923 to Daisy Danziger, the daughter of an oil millionaire. Their lavish mansion, called 'Paramour', was one of the largest in Hollywood and the site of many a famous party. Daisy died ten years later in a tragic car crash near Mulholland Drive.42 years.
19 westerns, 14-56.
1887 - 1967, 79. - Actor
- Stunts
Stuntman and actor Troy Melton was born on March 2, 1921 in Jackson, Tennessee. Melton migrated with his family to Los Angeles, California during the Great Depression. Following service in the Army Air Corps during World War II, Troy returned to Los Angeles and found sporadic work as an actor before his career as a stuntman took off in the late 1940's. One of the founding members of the Stuntmen's Association of Motion Pictures, Melton's career as an actor and stuntman spanned a little over forty years. Among the notable actors that Troy doubled for are Roy Rogers, Kent Taylor, Gregory Walcott, Richard Webb, and Duncan Renaldo. Moreover, Melton was also an avid golfer and owner of the Playboy Restaurant on Melrose Avenue in Hollywood (he eventually sold said restaurant in 1988). Troy died at age 74 from cancer on November 15, 1995 in Los Angeles, California.42 years.
250 westerns, 40-82.
1921 - 1995, 74.- Often confused with the British-born comic actor J. Pat O'Malley, who is the better remembered, silent dramatic film star Pat O'Malley had an enduring career that stands on its own. He was of solid Irish-American stock, born in Forest City, Pennsylvania, in 1890. A one-time railroad switchman, he also had circus experience by the time he discovered an interest in movie making. He began with the Kalem Studio in 1913 and appeared in a few Irish films before signing on with Thomas Edison's company in 1914. The following year, he married actress Lillian Wilkes, and three of their children, Eileen, Mary Katherine, and Sheila, would become actors as well. His brother Charles O'Malley was a sometime actor, appearing in westerns on occasion. His first identifiable film is The Alien (1913). He began freelancing in 1916 and from then on, appeared in scores of silents as both a rugged and romantic lead, some classic films being The Heart of Humanity (1918), My Wild Irish Rose (1922), and The Virginian (1923). He did not age well come sound pictures, and he was quickly relegated to supporting parts. He appeared in hundreds upon hundreds of bits (mostly unbilled) until 1956, when he retired. He died a decade later.41 years.
51 westerns, 24-65.
1890 - 1966, 75. - Actor
- Additional Crew
- Writer
Clarence Muse was born on October 14, 1889 in Baltimore, Maryland, USA as Clarence Edouard Muse. He was an actor, known for Shadow of a Doubt (1943) and The Black Stallion (1979). He was married to Irene Ena Kellman, Willabelle Burch West and Ophelia Belle Labertier. He died on October 13, 1979 in Perris, California, USA41 years.
19 westerns, 31-72.
1889 - 1979, 89.- Actor
- Writer
- Director
Tim Considine was born on 31 December 1940 in Los Angeles, California, USA. He was an actor and writer, known for My Three Sons (1960), Patton (1970) and Executive Suite (1954). He was married to Willett Helen Hunt and Charlotte Stewart. He died on 3 March 2022 in Mar Vista, California, USA.41 years.
31 westerns, 1954-1995.
1940 --- Actor
- Stunts
- Soundtrack
An athlete turned actor, Strode was a top-notch decathlete and a football star at UCLA. He became part of Hollywood lore after meeting director John Ford and becoming a part of the Ford "family," appearing in four Ford motion pictures. Strode also played the powerful gladiator who does battle with Kirk Douglas in Spartacus (1960)."41 years.
33 westerns, 54-95.
1914 - 1994, 80.- Actor
- Producer
An American cowboy star of "B" westerns who had a brief career in the 1940s, Sunset Carson was born with the decidedly unheroic name of Winifred Maurice Harrison (although he was generally known to his family as Michael or Mick) in Gracemore, Oklahoma. He moved to Plainview, Texas, as a boy and became a successful rodeo rider. Supposedly spotted at a rodeo by Tom Mix, Carson--like Mix, never one to let the truth get in the way of a good story--was given a job in Mix's touring circus/Wild West Show. He also claimed to have appeared in a few bit parts in movies before traveling to South America in 1940 and winning the Champion All-Around Cowboy awards in Buenos Aires (!) two years in a row.
Returning to the US, he got small parts in such films as Stage Door Canteen (1943) and Janie (1944) before being spotted by Republic executive Louis Gray. His size, looks and horsemanship got him a Republic contract as the star of a series of "B" westerns, along with a name change to Sunset Carson. Within two years Carson was #10 on the list of top money-making western stars, but Republic parted ways with him in 1946. According to stuntman Yakima Canutt, Carson attended a studio function drunk and accompanied by an underage girl, and studio head Herbert J. Yates fired him. Carson claimed to have left over business disputes. In any case, he never again achieved the level of success he had had at Republic. After a string of very low-budget westerns for other companies, Carson retired from films in 1985 after making the sci-fi western Alien Outlaw (1985). Sunset Carson toured with Tommy Scott's Country Music Circus and Wild West Show. He replaced Tim McCoy after his death and stayed with them for five seasons. Thereafter he lived in retirement, making film appearances and attending western film conventions.
Sunset Carson died in Reno, Nevada, in 1990.- Stunts
- Actor
- Additional Crew
He made his first appearance before the camera at the age of 14 in Douglas Fairbanks's Robin Hood (1922) Young Dave became the National A.A.U. tumbling champion in 1925 and 1926. Still in his teens, he began taking bit parts in films. His big break came in Masked Emotions (1929). It led him to a series of Hal Roach comedies. In 1933 Ajax Pictures signed him as one of the leads in its "Young Friends" series. In the 1930s he played a variety of roles in many B westerns. He was one of the three leads, with with Charles Quigley and Bruce Bennett, in the Republic Pictures serial Daredevils of the Red Circle (1939). While at Republic he met stuntman Yakima Canutt and began doing stunt work. Dave doubled for almost every western lead at Republic and also some of the ladies. In 1942 Monogram Pictures signed him as one of the leads in its Range Busters western series. Dave appeared in three of them: Texas to Bataan (1942), Trail Riders (1942) and Haunted Ranch (1943). Dave joined the US Army Air Corps and and rose to the rank of captain. After his discharge he returned to Hollywood and confined his career mainly to stunt work and second-unit directing. He doubled Douglas Fairbanks Jr. and Tony Curtis in all of their action films. He didn't restrict his stunt work to just films, though; he also doubled the leads in such TV series as The F.B.I. (1965), Adventures of Wild Bill Hickok (1951) and many others. He was also seen as the old lady in the wheelchair on The Red Skelton Hour (1951). Dave was inducted into the Stuntman's Hall of Fame in 1970, and in 1978 contracted ALS, also known as Lou Gehrig's Disease.41 years.
174 westerns, 34-75.
1910 - 1980, 70.- Actor
- Producer
Prolific American character actor of primarily villainous roles. The son of German parents, Cincinnati feed-store manager August Wilke and his wife Rose, Robert Joseph Wilke grew up in Cincinnati. He worked as a lifeguard at a Miami, Florida, hotel, where he made contacts in the film business. He was able to obtain work as a stuntman and continued as such until the mid-'40s, when he began getting actual roles in low-budget westerns and serials. A prominent appearance as one of the heavies in High Noon (1952) led to work in higher-quality films. He worked extensively in television as well as movies, and became an enormously familiar face, though a fairly anonymous one to the general public. His weathered visage made him a perfect western bad guy, but he occasionally played sympathetic parts as well, as in Days of Heaven (1978). An expert golfer, he was said by his friend Claude Akins to have earned more money on the golf course than he ever did in movies. He died in 1989.41 years.
308 westerns, 38-79.- Actor
- Soundtrack
Harry Woods was born on 5 May 1889 in Cleveland, Ohio, USA. He was an actor, known for The Viking (1928), Monkey Business (1931) and Colorado Territory (1949). He was married to Helen P. Hookenberry. He died on 28 December 1968 in Los Angeles, California, USA.41 years.
161 westerns, 23-64.
1889 - 1968, 79.- Actor
- Soundtrack
John McIntire possessed the requisite grit, craggy features and crusty, steely-eyed countenance to make for one of television and film's most durable supporting players in western settings and film noir. Born in Spokane, Washington in 1907 and the son of a lawyer, he grew up in Montana where he learned to raise and ride broncos on the family homestead. After two years at USC, he spent some time out at sea before turning his attentions to entertainment and the stage. As a radio announcer, he gained quite a following announcing on the "March of Time" broadcasts.
In the late 1940s, John migrated west and found a niche for himself in rugged oaters and crimers. Normally the politicians, ranchers and lawmen he portrayed could be counted on for their integrity, maturity and worldly wise, no-nonsense approach to life such as in Black Bart (1948), Down to the Sea in Ships (1949), The Asphalt Jungle (1950), Scene of the Crime (1949) Ambush (1950) Saddle Tramp (1950) and The World in His Arms (1952). However, director Anthony Mann tapped his versatility and gave him a few shadier, more interesting villains to play in two of his top-notch western films: Winchester '73 (1950) and The Far Country (1954) and a kindhearted role in The Tin Star (1957). Television helped John gain an even stronger foothold in late 1950s Hollywood. Although his character departed the first season of the Naked City (1958) program, he became a familiar face in two other classic western series. He won the role of Christopher Hale in 1961 after Wagon Train (1957) series' star Ward Bond died, and then succeeded the late Charles Bickford in The Virginian (1962) in 1967 playing Bickford's brother, Clay Grainger, for three years.
John's deep, dusty, resonant voice was utilized often for narratives and documentaries. In the ensuing years, he and his longtime wife, actress Jeanette Nolan, became the Ossie Davis and Ruby Dee of the sagebrush set, appearing together as the quintessential frontier couple for decades and decades. They were married for 56 years until John's death of emphysema in 1991. They both outlived their son, Tim McIntire, a strapping, imposing actor himself, who died in 1986 of heart problems.41 years.
290 westerns, 48-84.
28 feature westerns.
1907 - 1991, 83.- Actor
- Producer
- Writer
He looked so much like superstar Humphrey Bogart that character actress Sarah Padden asked if the two were related. LaRue said he didn't think so. After a long pause studying the young actor's face, she asked, "Did your mother ever meet Humphrey Bogart?"
Alfred "Lash" LaRue was born in Louisiana (although some records indicate Michigan). His father was a traveling salesman, and young Alfred spent his formative years moving all across the country. His family finally settled in Los Angeles where he attended St. John's Military Academy and began college at College of the Pacific, intending to study law. At some point he took an acting class there in an attempt to overcome a speech impediment. After college he followed his father into sales and became a real estate agent. Unsatisfied, he switched to hairdressing before falling into acting. In 1945 he was interviewed by veteran low-budget producer / director Robert Emmett Tansey, who was looking for a bullwhip-cracking anti-hero to co-star in a production at lowly Producers Releasing Corporation (PRC). That studio had been around since 1940, rising out of the ashes of Ben Judell's failed dream, and had quickly earned a reputation--entirely justified--of being the worst studio among the denizens of "Poverty Row", that grouping of cheap jack independent producers and ultra-low-budget production companies which composed the bottom rung of the Hollywood food chain, at least since the days of equally shoddy Syndicate Pictures a decade before. LaRue, with his remarkable resemblance to Bogart, certainly looked the part and was cast after claiming he had worked a bullwhip since childhood. In fact he had never handled one, so after he was cast he ran out and borrowed a whip. He spent the next several days trying to learn to use it, but wound up beating himself senseless and bloody, and was finally forced to admit to Tansey that he didn't know what he was doing. Impressed by LaRue's sincerity and laughing at his injuries, Tansey arranged for personalized bullwhip instruction, a rather lavish expense for penny-pinching PRC. Al had appeared in a handful of walk-on roles at Universal, but after realistically gauging his chances at becoming a star at a major studio, he decided it was better to be a bigger fish in a small pond (or, in PRC's case, a mud puddle). His PRC debut, Song of Old Wyoming (1945), headlined singing cowboy Eddie Dean and co-starred the beautiful Jennifer Holt, veteran actor Jack Holt's daughter. This picture was also unique as being PRC's first western to be shot in color, albeit in Cinecolor, a process favored by low-budget producers because it was much cheaper than the better known (and more garish) Technicolor, even though it was decidedly inferior and gave films shot in it an anemic, washed-out look.
Although he wasn't the star, and billed as "the Cheyenne Kid," LaRue received a relatively large amount of fan mail where it then dawned on the powers-that-be at PRC they had a potential star on their hands. Not wanting to mess with a good thing, the studio paired the whip-cracking LaRue with the singing Dean two more times before splitting them off into their own pictures. LaRue quickly adopted an all-black wardrobe and rode a jet black horse to accentuate his image as a bad guy / good guy, sort of an early western anti-hero. He was assigned a sidekick, the hard-drinking, middle-aged Al St. John--a former Keystone Kop for Mack Sennett--beginning with Law of the Lash (1947) and the two gradually became good friends. At PRC he became "King of the Bullwhip" and a solid staple of Saturday-afternoon matinees. LaRue remained with the company after it morphed into Eagle-Lion in 1948, usually playing a character named Cheyenne Davis, before adopting the "Lash" moniker he'd been using for years in screen credits. In private life LaRue loved booze, women and flashy--preferably custom-tailored--clothes. He was married so often it was hard to keep track of his wives, but most sources agree that the number ranged from 10 to 12, two of his more notable ones being actresses Reno Browne, a blonde beauty who co-starred in a few of his films, and Barbra Fuller. Aside from a penchant for marrying pretty much anyone he became attracted to, he also acquired an alcohol problem (which he would battle, with varying degrees of success, for the rest of his life) and after his acting career waned in the early '50s he ran into financial problems. Despite having one of the more recognizable names in B-westerns, he never ranked among the top stars in popularity polls, probably attributable less to his screen persona or acting ability and more to his films' awful scripts and deplorable lack of production values due to PRC's legendary cheapness, a factor which hurt the careers of many of the studio's western stars (had he been signed to a less penurious studio like Republic or Columbia, his career might have risen to far greater heights). LaRue almost always performed his own stunts--mainly because PRC was loathe to spend money on professional stunt men, who in those days demanded higher pay than the stars they were doubling for--a fact he took pride in and made sure that he "conveniently" lost his hat during action scenes so his audience could see that it was actually him in the fray and not a stunt double.
It's interesting to note that although he was never a top-ranked cowboy star during his heyday, he rated his own comic book series that lasted until 1960. After riding out a particularly rough period of his life in the 1960s, he began appearing at Hollywood memorabilia and western shows where he cheerfully greeted fans, happily signed autographs and gained a reputation of being pleasantly accessible. He died in 1996.41 years.
47 westerns, 45-86.
1917 - 1996, 78.- Actor
- Writer
Big, burly character actor, one of the toughest of screen heavies. New York-born Leo Gordon's combination of a powerful physique, deep, menacing voice and icy, withering glare was guaranteed to strike fear into the heart of even the bravest screen hero. Director Don Siegel, who used Gordon in his prison film Riot in Cell Block 11 (1954), once said that "Leo Gordon was the scariest man I have ever met"--this coming from a man who had directed John Wayne, Clint Eastwood and Bette Midler! Siegel wasn't talking about just Gordon's screen presence. As a "heavy", Gordon was the real deal--before becoming an actor (he studied at the American Academy of Dramatic Arts), Gordon served five years in San Quentin State Prison for armed robbery (during which he was shot several times point-blank by police--and survived). "Riot in Cell Block 11" was filmed at Folsom State Prison--where Gordon also served time--and the Folsom warden remembered him as a troublemaker.At first he refused to allow the film to be shot there if Gordon was to be in it, but Siegel was able to convince him that Gordon was no threat to the prison.
Contrary to his image, though, Gordon was not just a one-note villain. He did play sympathetic parts on occasion, notably in the western Black Patch (1957)--which he also wrote--and in Roger Corman's civil rights drama The Intruder (1962), and turned in first-rate performances, especially in the latter film. Gordon was also a screenwriter, turning out several screenplays for Corman. He wasn't just limited to writing low-budget sci-fi films, either; he penned the screenplay for the WWII epic Tobruk (1967), writing in a meaty part for himself as Kruger, a tough sergeant in a platoon of German Jews masquerading as Nazi soldiers to help blow up a German oil storage facility.
Leo Gordon died in Los Angeles, CA, in 2000 at age 78 of heart failure.41 years.
182 westerns, 53-94.
1922 - 2000, 78.- Actress
- Producer
- Writer
Born Helen Luella Koford on January 7, 1929, the Los Angeles, California native worked as a model before she made her film debut at age 11 in 20th Century-Fox's Maryland (1940). Through the 1940s, she worked under a variety of names (her own, Judy Ford and January Ford) before settling on Terry Moore in 1948. Placed under contract by Columbia Pictures, Moore was loaned out to RKO Radio Pictures for one of her most famous films, Mighty Joe Young (1949). By that time, Columbia studio boss Harry Cohn had changed her Swedish name Helen Koford to the Irish-sounding Terry Moore. In 1953, she received an Academy Award nomination for her performance in Paramount Pictures' Come Back, Little Sheba (1952). In the 1970s, she was in the news more than she was in films, asserting that she was the secret wife of the late billionaire Howard Hughes. She has starred in 77 feature films and listed among her leading men are such Hollywood legends including Burt Lancaster, John Wayne, Cary Grant, Tyrone Power, Glenn Ford, Mickey Rooney and Robert Wagner. Since she was a pilot herself, Terry played a major role in preparing Leonardo DiCaprio for his portrayal of Howard Hughes in The Aviator (2004). In 1964, Terry published a memoir of her life with Howard Hughes, entitled 'The Beauty and the Billionaire'.41 years.
37 westerns, 59-2000.
1929 --- Actor
- Soundtrack
Olin Howland had a career in movies which stretched from the 20s, up through the time he passed away, in the late 50s. After a few attempts at films in the silent era, Olin began to appear regularly in the sound pictures of the 1930s. His roles were usually in mysteries and dramas, and he became a western character actor in the 'horse operas' put out by Republic in the 1940s. One of his most memorable roles was also one of his last; he appeared in First Stop (1955), as the owner of a broken down motel in the middle of nowhere, which the Ricardo's and Mertz's are forced to stay at for the night (and which the can't leave because the car's steering wheel was mysteriously *stolen*.41 years.
44 westerns, 18-59.
1886 - 1959, 73.- Actress
- Soundtrack
Florence Lake was born on 27 November 1904 in Charleston, South Carolina, USA. She was an actress, known for Secret Service (1931), Quiet Please! (1933) and Wrong Direction (1934). She was married to John Graham Owens. She died on 11 April 1980 in Woodland Hills, Los Angeles, California, USA.41 years.
25 westerns, 31-72.
1894 - 1980, 75.- Actor
- Soundtrack
Born in 1919 in Jerusalem, Nehemiah Persoff emigrated with his family to America in 1929.
Following schooling at the Hebrew Technical Institute of New York, he found a job as a subway electrician doing signal maintenance until an interest in the theater altered the direction of his life.
He joined amateur groups and subsequently won a scholarship to the Dramatic Workshop in New York. This led to what would have been his Broadway debut in a production of "Eve of St. Mark", but he was fired before the show opened. He made his official New York debut in a production of "The Emperor's New Clothes" in 1940.
WWII interrupted his young career in 1942, when he was inducted into the United Sates Army, returning to the stage after his hitch was over in 1945, three years later. He sought work in stock plays and became an intern of Stella Adler and, as a result, a strong exponent of the Actor's Studio. Discovered by Charles Laughton and cast in his production of "Galileo" in 1947, Persoff made his film debut a year later with an uncredited bit in The Naked City (1948).
Short, dark, chunky-framed and with a distinct talent for dialects, Persoff became known primarily for his ethnic villainy, usually playing authoritative Eastern Europeans.
In a formidable career which had him portraying everything from cab drivers to Joseph Stalin, standout film roles would include Leo in The Harder They Fall (1956) with Humphrey Bogart, Gene Conforti in Alfred Hitchcock's The Wrong Man (1956), Albert in This Angry Age (1958) and gangster Johnny Torrio in Al Capone (1959). That same year he played another gangster, the small role of Little Bonaparte, in Some Like It Hot (1959).
He was a durable performer during TV's "Golden Age" (Gunsmoke (1955), The Twilight Zone (1959)) and well beyond (Chicago Hope (1994), Law & Order (1990)), playing hundreds of intense, volatile and dominating characters.
In later years, his characters grew a bit softer as Barbra Streisand's Jewish father in Yentl (1983) and the voice of Papa Mousekewitz in the An American Tail (1986) will attest. Later stage work included well-received productions of "I'm Not Rappaport" and his biographical one-man show "Sholem Aleichem".
After declining health and high blood pressure forced him to slow down, Persoff took up painting in 1985, studying sketching in Los Angeles. Specializing in watercolor, he created more than 100 works of art, many of which have been exhibited up and down the coast of California. He celebrated his 100th birthday in 2019.41 years.
40 westerns, 50-91 -
1919 --- Actor
- Soundtrack
A golden career was reflected in his name. Robert Golden Armstrong ("Bob" to his friends) was born in Birmingham, Alabama on April 7, 1917. He attended the University of North Carolina at Chapel Hill. While there, he was frequently performing on stage with the Carolina Playmakers. After graduating, R.G. headed to New York, where his acting career really took off. In 1953, along with many of his Actors Studio buddies, he was part of the cast of "End As a Man" -- this became the first play to go from off-Broadway to Broadway. The following year, R.G. got his first taste of movies, appearing in Garden of Eden (1954). However, he returned to New York and the live stage. He received great reviews for his portrayal of Big Daddy in the Broadway production of "Cat On a Hot Tin Roof" in 1955.
In 1958, R.G. took the plunge to Hollywood -- he appeared in two movies, a television series, and did numerous guest appearances on television series that year, usually in Westerns such as The Rifleman (1958), Have Gun - Will Travel (1957) and Zane Grey Theatre (1956), among others. He would go on to appear in 80 movies and three television series in his career, and guest-starred in 90 television series, many of them Westerns, often as a tough sheriff or a rugged land baron. R.G. was a regular cast member in the television series T.H.E. Cat (1966), playing tough, one-handed Captain MacAllister. During the filming of Steel (1979) in Kentucky, watching the mammoth Kincaid Tower being built, he made some good friends in the cast: "You become a family on the set," he said in an interview at the time.
Even though he had a long, versatile career, the younger generation knows him as the demonic Lewis Vandredi (pronounced VON-drah-dee), who just would not let the main characters have a good night's sleep on the television series Friday the 13th: The Series (1987). Finally retiring after six successful decades in show business -- his last film appearance was Purgatory (1999) -- R.G. and his lovely wife Mary Craven were mostly just enjoying life in California, and still traveled and vacationed in Europe occasionally. His upbeat, fun-loving personality made him a delight for all who came in contact with him. R.G. Armstrong died at age 95 of natural causes in Studio City, California on July 27, 2012.41 years.
131 westerns, 58-99.
1917 - 2012, 95.- Actor
- Soundtrack
Albert Salmi was born on March 11, 1927, in Brooklyn, New York, to Finnish parents. After serving in the Army during WWII, he used the GI Bill to study at the Dramatic Workshop of the American Theater Wing and the prestigious Actors Studio. He became a stage actor, very soon landing on Broadway, where his role as Bo Decker in "Bus Stop" was his biggest stage success. A compromise between the stage and screen was live TV drama, in which he was cast regularly. His portrayal of Bruce Pearson in the The United States Steel Hour (1953)'s live 1956 broadcast of "Bang the Drum Slowly" was heart-tuggingly poignant. Salmi's very first film appearance was a choice role in The Brothers Karamazov (1958), for which he turned down an Oscar nomination. The National Board of Review succeeded in presenting him with its award for the same picture, however. Salmi came to enjoy film work and actively sought out parts in westerns. He became a very familiar presence, especially on the TV screen, where he guest starred in many of the westerns and other series of the 1960s and 1970s.
In 1967 he was presented with the Western Heritage (Wrangler) Award from the National Cowboy Hall of Fame for his role in the Gunsmoke (1955) episode entitled "Death Watch". This bronze cowboy on horseback became his most cherished award. Salmi demonstrated his versatility, however, as years went on. Tall, brawny and sometimes quite intimidating, he was often cast as the bad guy or the authority figure. He was equally convincing, though, as a wronged or misunderstood good guy or a good-natured sidekick. A method actor, Salmi had the ability to make you love or hate his character.
He was, in real life, quite different from most of the characters he played. A quiet-natured family man, he was an oddity by glitzy Hollywood standards. Many of his friends and co-stars have commented on his sense of humor and his lack of pretense. In semi-retirement, he shared his knowledge of theatre by teaching drama classes in Spokane, Washington, where he and his wife settled.41 years.
99 westerns, 58-99.
1927 - 1990, 63.- Actor
- Director
- Writer
An American character actor of prodigious output who also directed and wrote silent films, Paul Hurst spent much of his early work in low-budget westerns. A native of Traver, California (in the San Joaquin Valley), Hurst had first-hand knowledge of western lore, growing up surrounded by the multimillion-acre Lux & Miller ranches that ran cattle throughout the state. Visiting San Francisco as a young man, he became involved in amateur theatricals and thereafter traveled to Los Angeles to join the emerging film industry there. He began appearing in films as early as 1912, most of them westerns. By 1916 Hurst was directing them as well (some sources report that he served in World War I as a member of the French Foreign Legion, but the dates of his film projects make this story highly suspect).
In the early 1920s Hurst wrote several scenarios for films he directed and in which he appeared. He proved adept at working as a director for some of the cheapest producers along Gower Gulch, where movies were normally shot on location in a week or less and where stuntmen were often the highest-paid folks on the set. Within a few years he focused all of his energies into acting, however, notably becoming one of the few successes to emerge from "Poverty Row".
Hurst quickly became one of the more prolific and familiar characters in American movies. With his stocky build and squinty demeanor, and with a raspy voice that enhanced his memorability once sound pictures came in, Hurst played villains, cops and comedy sidekicks in more than 250 films. His most famous role was that of the deserter shot dead on the stairway of Tara by Vivien Leigh in Gone with the Wind (1939). Hurst was the sidekick to Monte Hale in a number of B westerns. Former Gower Gulch veteran John Wayne hired Hurst for Big Jim McLain (1952) knowing that Hurst was ill with terminal cancer. In 1953, at age 64, owing to his health problems, Paul Hurst committed suicide.41 years.
104 westerns, 12-53.
1888 - 1953, 64.- Actor
- Additional Crew
- Soundtrack
Gene Evans was born in Holbrook, Arizona, on July 11, 1922, and was raised in Colton, California. He served in the Army during World War II as a combat engineer, and was awarded the Purple Heart and the Bronze Star for bravery in action. He began his acting career there, performing in a theatrical troupe of GIs in Europe. After the war, he went to Hollywood, where he made his film debut in 1947's Under Colorado Skies (1947). The rugged, red-headed character actor was a familiar face in such westerns as Cattle Queen of Montana (1954), The War Wagon (1967), Support Your Local Sheriff! (1969), The Ballad of Cable Hogue (1970) and Pat Garrett & Billy the Kid (1973). He also starred in the war films The Steel Helmet (1951) and Fixed Bayonets! (1951) and co-starred with future first lady Nancy Reagan (before she became Nancy Reagan) in Donovan's Brain (1953). His other major films include Park Row (1952), The Giant Behemoth (1959), Operation Petticoat (1959) and Walking Tall (1973). He became well known in the 1950s on television, playing the father in My Friend Flicka (1955). He remained active in films and television through the 1980s. Evans subsequently retired to a farm near Jackson, Tennessee. He was a popular guest at the Memphis Film Festival for the past decade.41 years.
157 westerns, 47-88.
1922 - 1998, 75.- Francine York was born in the small mining town of Aurora, Minnesota to her parents, Frank and Sophie Yerich. When Francine was five, her family (including her younger sister, Deanne) moved to Cleveland, where she began to write short stories and take an interest in acting. At age nine, Francine made her theatrical debut in the Hodge Grammar School production of Cinderella, playing Griselda. Initially quite upset that she did not get the starring role, Francine ended up stealing the show with her performance as the evil stepsister. Right after the show, Francine ran into the audience and told her mother that she wanted to be an actress.
When Francine was age 12, the family moved back to Aurora, where she continued to perform in class plays, as well as writing, producing, directing and starring in a three-act play called "Keen Teens or Campus Quarantine". Francine, displaying an entrepreneurial spirit at a young age, charged five cents admission to the show, and the whole town turned out for the production.
While studying journalism and drama at Aurora High School, Francine worked as the feature editor of the school newspaper, Aurora Borealis, and she won all of the school's declamation contests with her dramatic readings. Additionally, she was the baton-twirling majorette for the school band, and active in the 4-H club, where she won several blue ribbons for cooking in both county and state fairs. This proved to be valuable experience for Francine later on, when she would not only host, but do all of the gourmet cooking for dinner parties for some of Hollywood's biggest names.
At age 17, Francine won the Miss Eveleth contest (Eveleth being a nearby town), and became a runner-up in the Miss Minnesota contest, which was hosted by former Miss America BeBe Shopp. For the talent portion of the Miss Minnesota pageant, Francine, who was not afraid to be less than glamorous during a performance, donned some old clothes, removed her makeup, grayed her hair, and performed a reading of a monologue called "The Day That Was That Day" by Amy Lowell, in which she played a dual role of two elderly Southern women. BeBe Shopp encouraged Francine in her theatrical ambitions, and predicted that she would end up in Hollywood very soon. At this point, however, Hollywood was still a dream for Francine, who wanted desperately to leave Minnesota and make her mark in show business.
Moving to Minneapolis, she got a job modeling sweaters for New York-based Jane Richards Sportswear and began traveling throughout the United States, ending up in San Francisco. After leaving Jane Richards, Francine began a modeling course at the House of Charm agency, which started her off on a very successful modeling career for all of the major department stores, including Macy's. Her modeling work got the attention of the producers of the Miss San Francisco beauty pageant, which she subsequently entered and was voted runner-up, but ended up taking over the title after the winner became too sick to participate. Soon after, Francine got a job as a showgirl at Bimbo's, a well-known San Francisco nightclub, which was highly disapproved of by Francine's modeling agency, but this turned out to be the right choice for Francine when she met Bimbo's headliner, singer Mary Meade French, who brought Francine to Hollywood and, later, got her signed with her first agent.
Arriving in Los Angeles, Francine once again found herself working as a showgirl at Frank Sennes' Moulin Rouge, a popular nightclub on Sunset Boulevard in Hollywood, where she performed in three shows a night, seven nights a week for six months. Tired of sharing a stage with elephants, pigeons and horses, she moved on to pursue her acting career and began study with famed actor/teacher Jeff Corey. While performing in Corey's class, Francine was spotted by a theatrical producer, who cast her in a play called "Whisper in God's Ear" at the Circle Theatre. During this time, the same producer gave Francine her very first movie role, starring in Secret File: Hollywood (1962), a film about the day-to-day operations of a sleazy Hollywood tabloid. The movie premiered in Francine's hometown of Aurora, which gave her the biggest thrill of her life as the whole town, the press, her family, friends, and even the high school band turned out at the airport to greet her with banners proclaiming, "Welcome Home, Francine!"
Francine's first big break came when Jerry Lewis cast her in his film It's Only Money (1962), in which she played a tantalizing sexpot, a role which brought her a tremendous amount of publicity. This led to Lewis hiring her for five more of his films, including The Nutty Professor (1963), The Patsy (1964), The Disorderly Orderly (1964), The Family Jewels (1965) and Cracking Up (1983), in which she played a fifteenth century marquise. Other notable film appearances include Bedtime Story (1964) (with Marlon Brando and David Niven), Tickle Me (1965) (with Elvis Presley), Cannon for Cordoba (1970) (with George Peppard), and science fiction cult films Curse of the Swamp Creature (1968), Mutiny in Outer Space (1965) and Space Probe Taurus (1965). Francine's most popular film was the cult classic The Doll Squad (1973), where she played Sabrina Kincaid, leader of an elite team of gorgeous female assassins who attempt to stop a diabolical madman from destroying the world with a deadly plague virus. Francine also delivered a stunning performance as Marilyn Monroe in an otherwise lackluster film, Marilyn Alive and Behind Bars (1992). (Film critic Tom Weaver has been quoted as saying that Francine's performances often rise above the low-budget films she has been cast in.) More recently, Francine played Nicolas Cage's mother-in-law in The Family Man (2000).
Francine has also had tremendous success in television, with appearances on Route 66 (1960), Hawaiian Eye (1959), 77 Sunset Strip (1958), My Favorite Martian (1963), Burke's Law (1963), Perry Mason (1957), Batman (1966), Gomer Pyle: USMC (1964), Lost in Space (1965), It Takes a Thief (1968), Green Acres (1965), The Wild Wild West (1965), Ironside (1967), I Dream of Jeannie (1965), Love, American Style (1969), Mannix (1967), Bewitched (1964), Adam-12 (1968), Mission: Impossible (1966), Kojak (1973), Columbo (1971), Matlock (1986), The King of Queens (1998) and Las Vegas (2003), among many others. Francine's personal favorites among her television roles include her portrayal of nineteenth century British actress Lily Langtry in the Death Valley Days (1952) episode "Picture of a Lady", and her role as the princess opposite Shirley Temple (one of Francine's childhood idols) in NBC's presentation of Hans Christian Andersen's "The Little Mermaid". One of Francine's other favorite roles was that of high-class prostitute and blackmailer Lorraine Temple on Days of Our Lives (1965).
While Francine was enjoying great success as a film and television actress, she was also making a name for herself as a fitness/nutrition expert and gourmet cook. She made many appearances on television demonstrating her culinary skills, and many of her recipes, as well as her exercise programs, were published in national health magazines. Francine also became known as one of Hollywood's leading hostesses, cooking for such celebrities as Clint Eastwood, Rex Harrison, Vincent Price, Regis Philbin, Jean Stapleton, Neil Sedaka, James Arness, Glenn Ford and Peter Ustinov.
Francine continued to act in films and on television. Two recent television appearances include Hot in Cleveland (2010) (as British matriarch Lady Natalie), and Bucket and Skinner's Epic Adventures (2011) (as Aunt Bitsy). She was also quite busy working on her autobiography, something her fans are looking forward to with great interest. In 1996, she met director Vincent Sherman (Mr. Skeffington, The Adventures of Don Juan, The Young Philadelphians), and was his companion until his death in 2006. Francine never married - she once said, "Like Cinderella, I always wanted to marry the handsome prince...but they don't make glass slippers in size ten!" On January 6, 2017, Francine York died of cancer at age 80 in Van Nuys, California.41 years.
19 westerns, 64-05.
1936 - 2017, 80. - Actor
- Stunts
- Additional Crew
George DeNormand's life is an example of somebody whose life is almost too eventful to be true. Once he got out of the military, he became a professional boxer. Like most boxers, his career only lasted a handful of professional bouts however it opened up the door to a move to appearing as a stuntman in films.
While most boxers who appeared in movies had faces which showcased the many years of abuse they took during their career, DeNormand was able to escape with face and cognitive ability intact. In the 1930s, he started a long career as a stuntman. Like most stuntman, he had a specialty, and his was appearing in fight scenes and doubling for actors who the studio did not want to risk hurting.
There was no better period in DeNormand's career than the 1940s. By then he had established himself as one of the go-to brawlers for movies. This led him to be cast as a regular henchman in various Johnny Mack Brown movies where he was able to get paid as a stuntman and as an actor. Sometimes he was handy to have around just in case they needed a stuntman to do a fighting sequence or if they needed a random henchman to have beaten up. DeNormand had several credited roles in the late 1940s where he was an outlaw that Johnny Mack Brown had to fight or a gang member Brown had to shoot off a horse.
Like most stuntmen, DeNormand's body began to break down in the 1950s and he found regular work as an extra in both westerns and dramas as an extra. Sometimes he would be given dialog but DeNormand's thick New York accent made it really hard to give him lines of dialog if the setting was wrong. He was able to appear multiple times in many of the hit television shows of the time and he even had a few talking appearances in The Life and Legend of Wyatt Earp.
By the late 1960s, DeNormand's stunt days were over. The various productions he worked for would occasionally have him do a few small stunts that could not be done by a regular person. These were regularly referred to by various cast members as "Whammys" where the stunt would not be hazardous enough to call in a member of the stuntman's union but where an extra would get upgraded in pay. One of DeNormand's final stunts or credits where he received a whammy was on the hit television show "The Wild Wild West" where he played a murdered toy maker who receives a close-up right before his body falls out of a closet.
DeNormand was heavily connected to the studios so by the 1970s, he was still receiving various silent bits from movies. He was still frequently chosen in shows like Gunsmoke to play a banker or movies like Get to Know Your Rabbit where he had a single line of dialog as an aspiring magician. DeNormand loved the motion picture industry and he continued to appear in various films until he died as result of cancer in 1976 leaving behind a legacy of somebody who appeared in various aspects of the film industry and who was greatly respected by all who knew him.40 years.
270 westerns, 35-75.
1903 - 1976, 73.- Jack Kenny was born on 16 November 1886 in Chicago, Illinois, USA. He was an actor, known for The Northern Code (1925), Not Quite Decent (1929) and Beauty and Bullets (1928). He was married to Bryna Davis. He died on 26 May 1964 in Hollywood, California, USA.40 years.
219 westerns, 22-62.
1886 - 1964, 77. - Actor
- Writer
- Soundtrack
The son of a circuit-riding Methodist preacher in rural Alabama, Pat Buttram became one of America's best-known comic entertainers. He left Alabama a month before his 18th birthday to attend the 1933 Chicago World's Fair. An announcer from radio station WLS was on hand to interview members of the crowd and settled on Pat as a typical visitor from the South. The interview that followed was anything but typical. Pat made a hit with his hilarious observations on the fair and was immediately offered a job with the station. This led to a long and happy association with the popular "National Barn Dance" radio program. During those years Pat met Gene Autry, who took a liking to the young comic and later brought him to Hollywood to replace Smiley Burnette, who had found other work while Gene served in WWII. Together Pat and Gene made many western films and a television series, The Gene Autry Show (1950), which aired from 1950 until 1956. They remained close friends until Pat's death in 1994.
In 1952 Pat married actress Sheila Ryan, whom he had met on the set of Mule Train (1950). Over the next 40 years Pat prospered in radio, films and television, making stand-up appearances on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and lending his vocal talents to many animated television shows and films, including several Walt Disney features. In the early 1960s he revealed a flair for dramatic acting when Alfred Hitchcock tapped him for roles in two The Alfred Hitchcock Hour (1962) episodes. His big television break came in 1965 with the role of "Mr. Haney" in the long-running CBS comedy Green Acres (1965). Throughout his career Pat was in constant demand as a toastmaster and after-dinner speaker, where his agile and sophisticated wit belied his "countrified" appearance. In 1982 Pat founded the Golden Boot Awards to honor actors, directors, stunt people and other industry professionals who have made significant contributions to the western film genre. Proceeds from the annual event are donated to the Motion Picture Health and Welfare Fund.40 years.
117 westerns, 48-88.
1915 - 1994, 78.- Actor
- Soundtrack
Taylor Holmes, the American stage and film actor, was born in Newark, New Jersey. He made his Broadway debut in February 1900 in the controversial play "Sapho", which was closed down by the New York Police Department for immorality after 29 performances. In the April 1900 trial, the play was adjudged not obscene, and it reopened and ran for an additional 55 performances.
Holmes would go on to appear in 36 other Broadway productions over the next 46 years. From 1917 through 1959, he appeared in scores of films and television shows, being employed mainly by TV in the 1950s.
Taylor Holmes was married to the actress Edna Phillips. They were the parents of the actors Phillips Holmes and Ralph Holmes and of a daughter, Madeleine. His wife and two sons died before he finally shuffled off this mortal coil on September 30, 1959, at the age of 81. He was buried at Holy Cross Cemetery in Culver City, California.40 years.
13 westerns, 18-58.
1978 - 1959, 81- Actor
- Second Unit Director or Assistant Director
- Stunts
Chet Brandenburg was born on 15 October 1897 in Peoria, Illinois, USA. He was an actor and assistant director, known for Under Two Jags (1923), Las fantasmas (1930) and Powder and Smoke (1924). He died on 17 July 1974 in Woodland Hills, Los Angeles, California, USA.40 years.
306 westerns, 24-64.
1897 - 1974, 76.- Riley Hill was born on 20 March 1914 in Fort Worth, Texas, USA. He was an actor, known for The Haunted Mine (1946), Target (1952) and The Lost Trail (1945). He died on 16 December 1993 in Las Cruces, New Mexico, USA.40 years.
118 westerns, 39-79.
1914 - 1993, 79 - Actor
- Producer
- Additional Crew
This remarkable, soft-spoken American began in films as a diffident juvenile. With passing years, he matured into a star character actor who exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He was born in Grand Island, Hall, Nebraska, the son of Herberta Elma (Jaynes) and William Brace Fonda, who was a commercial printer, and proprietor of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country and moved to Holland, presumably because of political or religious persecution. In the mid-1600s, they crossed the Atlantic and settled in upstate New York where they founded a community with the Fonda name.
Growing up, Henry developed an early interest in journalism after having a story published in a local newspaper. At the age of twelve, he helped in his father's printing business for $2 a week. Following graduation from high school in 1923, he got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. As it became difficult to juggle his working hours with his academic roster, he obtained another position as a physical education instructor at $30 a week, including room and board. By this time, he had grown to a height of six foot one and was a natural for basketball.
In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. Then, despite opposition from his parents, Henry accepted an offer from Gregory Foley, director of the Omaha Playhouse, to play the title role in 'Merton of the Movies'. His father would not speak to him for a month. The play and its star received fairly good notices in the local press. It ran for a week, after which Henry observed "the idea of being Merton and not myself taught me that I could hide behind a mask". For the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway.
In 1928, he headed east and briefly played in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates among whose number were such future luminaries as James Stewart (who would remain his closest lifelong friend), Joshua Logan and Kent Smith. Before long, Henry played leads opposite Margaret Sullavan, soon to become the first of his five wives. Both marriage and the players broke up four years later. In 1932, Henry found himself sharing a two-room New York apartment with Jimmy Stewart and Joshua Logan. For the next two years, he alternated scenic design with acting at various repertory companies. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely.
It was Hayward who persuaded the 29-year old to become a motion picture actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (1935). With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit. Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance), the screwball comedy The Moon's Our Home (1936) (with ex-wife Sullavan), the excellent pre-civil war-era romantic drama Jezebel (1938) and the equally superb Young Mr. Lincoln (1939), in which Henry gave his best screen performance to date as the 'jackleg lawyer from Springfield'. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) and The Grapes of Wrath (1940), with Henry as Tom Joad, often regarded his career-defining role as the archetypal grassroots American trying to stand up against oppression. It also set the tone for his subsequent career. Whether he played a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of total justice in (12 Angry Men (1957)) or a nightclub musician wrongly accused of murder (The Wrong Man (1956)), his characters were alike in projecting integrity and quiet authority. In this vein, he also gave a totally convincing (though historically inaccurate) portrayal in the titular role of The Return of Frank James (1940), a rare example of a sequel improving upon the original.
Henry rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck -- with whom he shared an excellent on-screen chemistry -- in The Mad Miss Manton (1938) and The Lady Eve (1941). He was also good value as a poker-playing grifter in the western comedy A Big Hand for the Little Lady (1966). Finally, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's classic Once Upon a Time in the West (1968). Illness curtailed his work in the 1970s. His final screen role was as an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, he died soon after at the age of 77, having left a lasting legacy matched by few of his peers.40 years.
99 westerns, 39-79.
20 feature westerns.
1905 - 1982, 77.- Stunts
- Actor
Dean Smith was raised in Eliasville, Texas, and later lived in Breckenridge, Texas, where he raised horses and longhorn cattle. He attended the University of Texas at Austin where he competed in track and football. He won an Olympic gold medal for the 400-meter relay in the 1952 Helsinki games and finished fourth in the 100-dash in the closest race in Olympic history. He was the lead-off man on the University of Texas world record relay team, 1954-55, and AAU national champion in the 100-meter dash. He played with the Los Angeles Rams during exhibition season and was traded to the Pittsburg Steelers at which time he decided to enter the movie business. He also won amateur rodeo championships for bareback bronco riding and calf roping.
He was an honorary member of the Professional Rodeo Cowboys Association, was inducted into the Texas Rodeo Cowboy Hall of Fame (2006), the Texas Sports Hall of Fame (1985), Stuntman's Hall of Fame (1980), and the University of Texas Hall of Fame (1980). He was awarded the American Culture Award for Western Movies and Television (2000), the Golden Boot Award in 1998, the Ben Johnson Award in 1993, the All American Cowboy Award in 1997, and the Head of the Class Alvin Davis Award in 2002.
In 2002, he organized the Dean Smith Celebrity Rodeo benefiting the Cowboy Cancer Crusade tribute to Ben Johnson, the Dean Smith Celebrity Rodeo benefiting the John Wayne Cancer Institute honoring John Wayne and, in 2006, the Dean Smith Celebrity Rodeo benefiting the John Wayne Cancer Institute honoring The Singing Cowboys in Abilene, Texas, the third weekend in October. On April 8, 2006, the John Wayne Cancer Institute honored him with the "Duke Award" for his contributions to cancer research.
In 2023, Dean Smith died of cancer, aged 91, in Breckenridge, Texas.40 years.
104 westerns, 57-97.
1932 --- Actor
- Producer
- Writer
Wallace MacDonald was born on 5 May 1891 in Mulgrave, Nova Scotia, Canada. He was an actor and producer, known for A Man's World (1942), Flame of Stamboul (1951) and Are All Men Alike? (1920). He was married to Doris May. He died on 30 October 1978 in Santa Barbara, California, USA.40 years.
44 westerns, 19-59.
1891 - 1978, 87.- Actor
- Director
Born in Germany in 1872, Paul Panzer spent several years on the stage before entering the film industry with Edison in 1905. He later went to Vitagraph, one of the first actors to work at that studio, but left them in 1911. He directed one film, The Life of Buffalo Bill (1912), with the real Buffalo Bill (aka Buffalo Bill Cody) released by Monopol, a small independent company. However, he returned to acting and worked, often uncredited, in that capacity for the next 40+ years, appearing in more than 350 films all told. He made his last film in 1952, and died in Hollywood in 1958.40 years.
31 westerns, 12-52.
1872 - 1958, 85. Germany. USA.- Actress
- Soundtrack
Fay Eunice McKenzie was born February 19, 1918 into a show business family where she was the youngest of two sisters and an actress cousin, and made her screen debut at only ten weeks old in "Station Content" (1918) in which she was carried in the arms of Gloria Swanson. Her parents, Eva & Bob "Pops" McKenzie were already veteran performers and apparently wanted their daughter to get an early start in films. She nearly stole the show from Oliver Hardy as "the baby" in the Alice Howell short "Distilled Love" (filmed in 1918 but released two years later). By the time she was six, Fay was considered an old hand, having played diverse parts in her father's stock company. Among her early films was the 1924 Photoplay Medal Winner, "The Dramatic Life of Abraham Lincoln."
A native of Hollywood, she got most of her schooling on movie sets including the famous Little Red Schoolhouse at MGM. Her classmates included Betty Grable, Ann Rutherford and June Storey. As a teenager in the early 1930's Fay appeared in a number of low budget westerns with Wally Wales and Buddy Roosevelt as well as the all-star MGM musical "Student Tour" (1934). In 1937 she starred in the cult propaganda film about the dangers of marijuana entitled "Assassin of Youth". She also had a small part in the 1939 classic "Gunga Din". Her first Broadway venture was at age 17 and in 1940 she appeared as Miss Hollywood in "Meet the People", a popular review of that season starring Jack Gilford and Jack Albertson.
But she is probably best remembered for her work with Gene Autry at Republic Studios, where she was the feminine interest in "Down Mexico Way" (1941), "Sierra Sue" (1941), "Home in Wyomin'" (1942), "Heart of the Rio Grande" (1942) and "Cowboy Serenade" (1942). Finally getting the leading lady roles she deserved, the raven-haired beauty was an immediate hit with audiences. In 1942 Republic co-starred her with Don 'Red' Barry in the war-time flag waver, "Remember Pearl Harbor!" During WWII she toured with the Hollywood Victory Caravan and appeared in dozens of USO shows with various show biz legends including Frank Sinatra, Phil Silvers and Desi Arnaz. At the same time she could be heard on radio in "Pabst's Blue Ribbon Town" starring Groucho Marx. Featured film roles continued to come her way with Universal's "The Singing Sheriff" (1944), Warner Bros' "Night and Day" (1946) and "Murder in the Music Hall" (1946), the latter filmed at her home studio of Republic.
In 1946 she married the dark, husky actor Steve Cochran, but their union was short lived and they divorced two years later. She went back to Broadway to appear opposite comedian Bert Lahr (best known as The Cowardly Lion in "The Wizard of Oz") in the 1946 revival of "Burlesque." During the 1950's she studied with Sanford Meisner and at The Actor's Studio with Lee Strasberg in NYC. She was seen to favorable advantage on a number of TV shows including "The Millionaire" (1959), "Mr. Lucky" (1960), "Bonanza" (1961), and "Experiment in Terror" (1962).
She also appeared in a number of films for close friend and director Blake Edwards, including "Breakfast at Tiffany's" (1961) as the party guest laughing in the mirror, "The Party" (1968) and "S.O.B." (1981). She was especially proud of "The Party" with Peter Sellers and agreed to play the cameo role of Alice Clutterbuck (the hostess of the party) because the script was co-written by her husband, Tom Waldman. She and Waldman married in 1949 and had two children Tom Jr. and Madora. Waldman Sr. passed away in 1985. Her older sister Ella "Lolly" McKenzie was also an actress and was married to well-known comedian Billy Gilbert. Her other sister Ida Mae McKenzie started in silent films as well and went on to work behind the scenes of popular game shows including the original "Hollywood Squares".
McKenzie traveled extensively as a Christian Science Practitioner, lecturing all over the country and in Europe. In 2012 she received the Career Achievement Award at the Cinecon Classic Film Festival and in 2017 she was on-hand to present some of her family's home movies at the TCM Film Festival (those films are now housed the Academy Film Archive in Hollywood). During the summer of 2018 she made a cameo appearance alongside her son Tom as Mrs. Van Proosdy in the film "Kill A Better Mousetrap". Her performance marks the first century-spanning career in motion picture history. She passed away peacefully in her sleep on the morning of April 16th at the age of 101. She is survived by her son, actor Tom Waldman, Jr., daughter Madora McKenzie Kibbe and her two grandchildren.40 years.
23 westerns, 21-61.
1918 --- Actor
- Sound Department
- Producer
Tall and athletic, and possessed of "movie star" good looks, John Hart acted on the stage of the renowned Pasadena Playhouse as a young man, before making his screen debut in a supporting role in director Cecil B. DeMille's big-budget The Buccaneer (1938). With these physical assets and early acting credentials, the native Los Angeleno seemed bound for bigger and better things but military service slowed his momentum: Returning to Hollywood after World War II, he found himself back at the proverbial starting line. Hart soon fell into the low-budget Western and serial rut, but he served with distinction in many youth-oriented productions: He was the perfect embodiment of radio-comic strip hero Jack Armstrong in a 1947 serial, rode the Western plains in 52 episodes of TV's The Lone Ranger (1949) (playing the Masked Man) and brought life to James Fenimore Cooper's courageous frontiersman Hawkeye in TV's Hawkeye and the Last of the Mohicans (1957). In more recent years, he worked behind-the-scenes (as a cameraman, post-production supervisor, dubbing supervisor, etc.).40 years.
175 westerns, 40-80.
1917 - 2009, 91.- Actor
- Writer
- Additional Crew
Benny Rubin was born on 2 February 1899 in Boston, Massachusetts, USA. He was an actor and writer, known for I Love Lucy (1951), Bright Lights (1935) and Traveling Saleslady (1935). He was married to Beatrice Dallinger and Mary Bolt. He died on 15 July 1986 in Los Angeles, California, USA.40 years.
20 westerns, 30-70.
1899 - 1986, 87.- Stunts
- Actor
- Second Unit Director or Assistant Director
Everett Creach was born on 24 December 1933 in Kansas City, Missouri, USA. He was an actor and assistant director, known for Howard the Duck (1986), Marathon Man (1976) and Young Guns (1988). He died on 10 November 1994 in Los Angeles, California, USA.45 years.
20 westerns, 43-88.
1933 - 1994, 60.- Glen Walters was born on 17 June 1901 in Victoria, British Columbia, Canada. She was an actress, known for She Goes to War (1929), Man Bait (1926) and The Little Shepherd of Kingdom Come (1961). She died on 26 April 1997 in Los Angeles, California, USA.45 years.
40 westerns, 26-73.
1901 - 1997, 95. - Initially drawn to an acting career to counterbalance an acute case of shyness, diminutive character actor Charles Wagenheim's career comprised hundreds upon hundreds of minor but atmospheric parts on stage, film and TV. Born in Newark, New Jersey, in 1896, he was the son of immigrant parents. Enlisting in the military during World War I, he was compensated for an education by the government and chose to study dramatics at the American Academy of Dramatic Arts in New York, graduating in 1923.
After touring with a Shakespearean company, he appeared in a host of Broadway plays, several of them written, directed and/or produced by the prolific George Abbott, including "A Holy Terror" (1925), "Four Walls" (1927) and "Ringside" (1928). Following a stage part in "Schoolhouse on the Lot" (1938), the mustachioed Wagenheim turned to Hollywood for work. His dark, graveside manner, baggy-eyed scowl and lowlife countenance proved ideal for a number of genres, particularly crime thrillers and westerns.
In films from 1929, the character player scored well when Alfred Hitchcock chose him to play the assassin in Foreign Correspondent (1940). He went on to enact a number of seedy, unappetizing roles (tramps, drunks, thieves) over the years but never found the one juicy part that could have put him at the top of the character ranks. Usually billed tenth or lower, Wagenheim was more filler than anything else which his blue-collar gallery of cabbies, waiters, deputies, clerks, morgue attendants, junkmen, etc., will attest. Some of his better delineated roles came with Two Girls on Broadway (1940); Charlie Chan at the Wax Museum (1940); Halfway to Shanghai (1942); the cliffhangers Don Winslow of the Navy (1942) and Raiders of Ghost City (1944); The House on 92nd Street (1945); A Lady Without Passport (1950); Beneath the 12-Mile Reef (1953); and Canyon Crossroads (1955). One of his more promising roles came as "The Runt" in Meet Boston Blackie (1941), which started Chester Morris off in the popular 1940s "B" series as the thief-cum-crimefighter, but the sidekick role was subsequently taken over by George E. Stone.
Of his latter films it might be noted that Wagenheim was cast in the very small but pivotal role of the thief who breaks into the storefront in which the Frank family is hiding above in The Diary of Anne Frank (1959). TV took up much of his time in later years and he kept fairly busy throughout the 1960s and 1970s. Wagenheim played the recurring role of Halligan on Gunsmoke (1955) (from 1967-1975) and performed until the very end on such shows as All in the Family (1971) and Baretta (1975). On March 6, 1979, the 83-year-old Wagenheim was bludgeoned to death in his Hollywood apartment following a grocery shopping trip when he surprised a thief in his home. By sheer horrific coincidence, elderly character actor Victor Kilian, of Mary Hartman, Mary Hartman (1976) fame, was found beaten to death by burglars in his Los Angeles-area apartment just a few days later (March 11th).45 years.
104 westerns, 42-87.
1896 - 1979, 83. - Director
- Actor
- Producer
Thomas Carr was born on 4 July 1907 in Philadelphia, Pennsylvania, USA. He was a director and actor, known for Congo Bill (1948), Brick Bradford (1947) and Superman's Peril (1954). He was married to Julejane Cameron. He died on 23 April 1997 in Ventura, California, USA.44 years.
190 westerns, 24-68.
1907 - 1997, 89.- Director
- Second Unit Director or Assistant Director
- Additional Crew
Lesley Selander's film career, which lasted more than 40 years, started in the early 1920s as a teenager when he got a job at a studio as a lab technician. He soon managed to work his way into the production end of the business and secured employment as a camera operator, then an assistant director, with several side trips as a director of two-reel shorts. He directed his first feature in 1936, a western--a genre in which he would not only excel but one where he would spend much of the rest of his career.
Although Selander couldn't be considered an "A"-list director, his films had a professionalism and a verve that many of those made by his fellow B directors lacked. His sense of pacing was such that his films could be counted on to move quickly and smoothly, and not just his westerns. He also made detective thrillers, action/adventure pictures and even a horror film or two. One standout that is seldom seen nowadays, however, is Return from the Sea (1954), a sentimental and lyrical story of a cynical, embittered merchant seaman and the equally disillusioned waitress he meets in a dingy diner in the waterfront section of town. It's a surprisingly sensitive work for a man who spent his career making tough, macho shoot-'em-ups, and even more of a surprise are the outstanding performances by an unlikely cast: tough-guy Neville Brand as the sailor, perennial gun moll Jan Sterling as the waitress, and a terrific job by veteran heavy John Doucette as a garrulous, happy-go-lucky cab driver determined to bring the two together. With this little jewel Selander proved he was capable of much more than cattle stampedes, Indian attacks and gangster shootouts, but unfortunately he never made another one like it.
As the market for B westerns died out, Selander--like so many of his fellow B directors--turned to television. The last few feature films he made, in the mid- and late 1960s, were a string of what's come to be known as "geezer westerns" churned out by producer A.C. Lyles, embarrassing efforts made on the cheap that were meant to give employment to aging cowboy stars; the less said about them, the better.
Lesley Selander retired from the business in 1968, and died in 1979.44 years.
189 westerns, 25-68.
1900 - 1979, 79.- Actor
- Director
- Second Unit Director or Assistant Director
William Bailey was born on 26 September 1886 in Omaha, Nebraska, USA. He was an actor and director, known for The House Without a Key (1926), The Penitent (1912) and Hilda Wakes (1913). He was married to Alethia Hamilton Fadden, Mary Florence Cannon and Polly Vann. He died on 8 November 1962 in Hollywood, California, USA.43 years.
213 westerns, 35-78.
1886 - 1962, 76.- Writer
- Director
- Producer
Ford Beebe was born on 26 November 1888 in Grand Rapids, Michigan, USA. He was a writer and director, known for The Invisible Man's Revenge (1944), Flash Gordon Conquers the Universe (1940) and The Golden Idol (1954). He was married to Kitty Winifred Delevanti and Frances Caroline Willey. He died on 26 November 1978 in Lake Elsinore, California, USA.43 years.
136 westerns, 16-59.
1888 - 1978, 90.