Stars that cared the most about their fans
This is a list of stars that have passed on, from any era, in any form of entertainment that truly cared the most about their fans and the public.
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- Actress
- Writer
- Producer
Joan Crawford was born Lucille Fay LeSueur on March 23, 1906, in San Antonio, Texas, to Anna Belle (Johnson) and Thomas E. LeSueur, a laundry laborer. By the time she was born, her parents had separated, and by the time she was a teenager, she'd had three stepfathers. It wasn't an easy life; Crawford worked a variety of menial jobs. She was a good dancer, though, and -- perhaps seeing dance as her ticket to a career in show business -- she entered several contests, one of which landed her a spot in a chorus line. Before long, she was dancing in big Midwestern and East Coast cities. After almost two years, she packed her bags and moved to Hollywood. Crawford was determined to succeed, and shortly after arriving she got her first bit part, as a showgirl in Pretty Ladies (1925).
Three films quickly followed; although the roles weren't much to speak of, she continued toiling. Throughout 1927 and early 1928, she was cast in small parts, but that ended with the role of Diana Medford in Our Dancing Daughters (1928), which elevated her to star status. Crawford had cleared the first big hurdle; now came the second, in the form of talkies. Many stars of the silents saw their careers evaporate, either because their voices weren't particularly pleasant or because their voices, pleasing enough, didn't match the public's expectations (for example, some fans felt that John Gilbert's tenor didn't quite match his very masculine persona). But Crawford wasn't felled by sound. Her first talkie, Untamed (1929), was a success. As the 1930s progressed, Crawford became one of the biggest stars at MGM. She was in top form in films such as Grand Hotel (1932), Sadie McKee (1934), No More Ladies (1935), and Love on the Run (1936); movie patrons were enthralled, and studio executives were satisfied.
By the early 1940s, MGM was no longer giving her plum roles; newcomers had arrived in Hollywood, and the public wanted to see them. Crawford left MGM for rival Warner Bros., and in 1945 she landed the role of a lifetime. Mildred Pierce (1945) gave her an opportunity to show her range as an actress, and her performance as a woman driven to give her daughter everything garnered Crawford her first, and only, Oscar for Best Actress. The following year she appeared with John Garfield in the well-received Humoresque (1946). In 1947, she appeared as Louise Graham in Possessed (1947); again she was nominated for a Best Actress from the Academy, but she lost to Loretta Young in The Farmer's Daughter (1947). Crawford continued to choose her roles carefully, and in 1952 she was nominated for a third time, for her depiction of Myra Hudson in Sudden Fear (1952). This time the coveted Oscar went to Shirley Booth, for Come Back, Little Sheba (1952). Crawford's career slowed after that; she appeared in minor roles until 1962, when she and Bette Davis co-starred in What Ever Happened to Baby Jane? (1962). Their longstanding rivalry may have helped fuel their phenomenally vitriolic and well-received performances. (Earlier in their careers, Davis said of Crawford, "She's slept with every male star at MGM except Lassie", and Crawford said of Davis, "I don't hate [her] even though the press wants me to. I resent her. I don't see how she built a career out of a set of mannerisms instead of real acting ability. Take away the pop eyes, the cigarette, and those funny clipped words, and what have you got? She's phony, but I guess the public really likes that.")
Crawford's final appearance on the silver screen was in the flop Trog (1970). Turning to vodka more and more, she was hardly seen afterward. On May 10, 1977, Joan died of a heart attack in New York City. She was 71 years old. She had disinherited her adopted daughter Christina and son Christopher; the former wrote a tell-all book called "Mommie Dearest", The Sixth Sense published in 1978. The book cast Crawford in a negative light and was cause for much debate, particularly among her friends and acquaintances, including Douglas Fairbanks Jr., Crawford's first husband. (In 1981, Faye Dunaway starred in Mommie Dearest (1981) which did well at the box office.) Crawford is interred in the same mausoleum as fellow MGM star Judy Garland, in Ferncliff Cemetery in Hartsdale, New York.- Actor
- Producer
- Art Department
John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.
Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother Robert E. Morrison swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in Stagecoach (1939), the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in The Alamo (1960), which he produced, directed and starred in. His patriotic stand was enshrined in The Green Berets (1968) which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for Sands of Iwo Jima (1949) and finally got the Oscar for his role as one-eyed Rooster Cogburn in True Grit (1969). A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).- Actress
- Soundtrack
Imogene Coca is best remembered for playing opposite Sid Caesar in the live 90-minute Your Show of Shows (1950), which ran every Saturday night in regular season on NBC from February 1950 to June 1954. Their repertoire of comedy acts included the very memorable, hilarious, timeless and irreconcilable married couple Charlie and Doris Hickenlooper. Coca, however, did not begin her career in comedy. Her father, who was the conductor at a small Philadelphia opera house, and her mother, who performed in vaudeville, certainly instilled in her a desire to perform, but nurtured that desire with piano lessons, vocal training and dance. "I began as one of those horrible little children who sing with no voice," Coca said of her early training. By the time she was 13, she found herself tap dancing, somersaulting (along with various other acrobatics), dancing ballet and otherwise committed full-time as a serious vaudeville trouper. She left Philadelphia at 15 for New York, where she plied her trade as a dancer. She debuted in the chorus of "When You Smile." For the next 30 years music and dance were her staple. She could be found in the troupes of musical revues and doing her own acts in Manhattan clubs, such as the Rainbow Room, the Silver Slipper and Cafe Society Uptown. Her first husband, Robert Burton (who died in 1955), arranged music for many of her performances. Comedy and pantomime filtered into her routines quite by accident. In the production of "New Faces of 1934" Leonard Sillman, the choreographer for the show, loaned her his coat to keep her warm in what was a very cold theater. To augment what warmth she was getting from the oversized coat, Coca, along with three male dancers in the chorus began jumping up and down and improvising dance steps. Stillman noticed them and immediately recognized the comedic affect. He encouraged them to repeat the routine in the show, coat and all, which they did. Although coolly received by the audience at first, eventually the bit had the audience in stitches. Even the critics laughed, crediting Coca with great comedic talent. To hone her skills in what would become her forte in show business, Coca did the next four summers in the Poconos working with Danny Kaye, Carol Channing and the like.
It wasn't until near the end of WWII that she found much work in her new field and it wasn't until January 1949 that she was paired with Caesar in NBC's The Admiral Broadway Revue (1949), a show that aired only until that summer. In the fall of 1950 "Your Show of Shows" was launched on NBC. Coca won an Emmy the following year for her contributions to the program. She and Ceasar left the show in 1954 to pursue individual routes. They did not, however, match the success they enjoyed in "Your Show of Shows." Coca attempted a solo with The Imogene Coca Show (1954), but it lasted only one season. In 1958 Caesar and she paired again on Sid Caesar Invites You (1958); still, it was not the same. Only in 1967 did some of that same magic again occur when the original cast from "Your Show of Shows" reunited on CBS in _The Sid Caesar, Imogene Coca, Carl Reiner, Howard Morris Special (1967) (TV)_; it won an Emmy for outstanding variety special.
Coca starred in two single-season sitcoms in the 1960s: NBC's 1963-64 Grindl (1963) and CBS' 1966-67 It's About Time (1966). In the 1970s she could be found visiting on Dick Cavett's talk show and making guest appearances on The Carol Burnett Show (1967). Thereafter, she appeared only sporadically on TV and in the movies--her most notable appearance was as Aunt Edna in Vacation (1983) with Chevy Chase. Coca and Caesar re-visited some of their old sketches and put together the 1991 show "Together Again", which they toured throughout the country on stage. In her later years Coca and her second husband, actor King Donovan (who died in 1987), lived in Connecticut and Manhattan, staying close to her roots in vaudeville, theatre and "Your Show of Shows."- Actor
- Producer
- Writer
Jonathan Southworth Ritter was born in Burbank, California, on September 17, 1948. He was the son of legendary country singer/actor Tex Ritter (born Woodward Maurice Ritter) and his wife, actress Dorothy Fay (née Dorothy Fay Southworth). The couple married in 1941 and had their first child, Tom Ritter, who was diagnosed with cerebral palsy. John was destined to follow in his parents footsteps. He was enrolled at Hollywood High School where he was student body president.
After graduation from high school, he attended the University of Southern California where he majored in Psychology and minored in Architecture. His first appearance on TV was in 1966 as a contestant on The Dating Game (1965) where he won a vacation to Lake Havasu, Arizona. After making his very first cameo appearance, he was induced to join an acting class taught by Nina Foch. He changed his major to Theater Arts, graduating in 1971 with a Bachelor of Fine Arts degree in Drama. He also studied acting with Stella Adler at the Harvey Lembeck Comedy Workshop. Between 1968 and 1969, he appeared in a series of stage plays in England, Scotland, Holland and in Germany.
His TV debut came playing a campus revolutionary on Dan August (1970) which starred Burt Reynolds and Norman Fell, who later starred with him on Three's Company (1976). Then he appeared as "Reverend Matthew Fordwick" on The Waltons (1972). He continued making more guest appearances on Medical Center (1969), M*A*S*H (1972), The Bob Newhart Show (1972), The Streets of San Francisco (1972), Kojak (1973), Rhoda (1974) and The Mary Tyler Moore Show (1970). While working on The Waltons (1972), he received word that his legendary father had passed away, just a day after New Year's Day in 1974. The following year, in late 1975, ABC picked up the rights for a new series based on a British sitcom, Man About the House (1973). Ritter beat out 50 people, including a young Billy Crystal, to get a major role. The first pilot was trashed, and in order for it to be improved, Joyce DeWitt, an unknown actress, played the role of "Janet Wood", along with Susan Lanier as the dumb blonde, "Chrissy Snow". It did better than the first pilot, but the producers still needed a change and Suzanne Somers came to the show at the very last minute to play "Chrissy". The series, Three's Company (1976), was born. When it debuted as a mid-season replacement, it became a ratings hit. It focused mainly on his character, "Jack Tripper", a chef who pretended to be gay in order to share an apartment with two attractive ladies.
Before playing "Jack Tripper" on the small screen, he also made his box office debut in the movie Nickelodeon (1976). Two years later, he worked with his close friend, Jenny Sullivan, in Breakfast in Bed (1977), and the following year, played "Pres. Chet Roosevelt" in the movie Americathon (1979). Also in 1977, he and his brother emceed the Annual United Cerebral Palsy Telethon which he continued to support for over 15 years. He also became more popular with movies such as Hero at Large (1980) and They All Laughed (1981). In 1980, when Three's Company (1976) was sold into syndication, the show became a ratings phenomenon. At the height of Ritter's popularity, he won a Golden Globe in 1983 for Best Performance by an Actor after being nominated twice for Best TV Actor in a Musical-Comedy Series and, one year later, he won an Emmy for Outstanding Lead Actor In a Comedy Series after being nominated twice. By its eighth season, the show began to drop in the ratings and was canceled in 1984. After cancellation, he starred in its spin-off, called Three's a Crowd (1984), also starring Mary Cadorette, but it lasted for only one season.
His first animated movie was that of a man turning into a dragon, whose job was to defeat "Ommendon" in The Flight of Dragons (1982). The following year, he came back to series television as "Detective Harry Hooperman" in the comedy/drama, Hooperman (1987) for which he was nominated for both an Emmy and a Golden Globe in 1988 for Outstanding Lead Actor in a Comedy Series. He also won a People's Choice Award for this role. He continued doing more box-office films such as Skin Deep (1989), in which he played a womanizing, alcoholic writer whose life seemed to be falling apart at the seams. In the movies, Problem Child (1990), and Problem Child 2 (1991), he played the surrogate father of a rebellious little boy who wrought havoc on the family. He also worked on Noises Off... (1992) and Stay Tuned (1992) before returning to another TV sitcom called Hearts Afire (1992) that also starred Billy Bob Thornton. The show had well-written scripts but failed to reach a massive audience which led to its cancellation in 1995. While he was working on Hearts Afire (1992), he played "Ward Nelson" on North (1994). Then, he had the opportunity to work with Billy Bob Thornton, in the movie Sling Blade (1996), in which Ritter played the gay manager of a department store. He also provided the voice of "Clifford" in Clifford the Big Red Dog (2000). He was nominated for a Daytime Emmy Award 4 times in a row, totaling seven Emmy nominations in his 35-year career. In 1999, he was also nominated for an Outstanding Guest Actor in a Comedy Series playing the role of "George Madison" on an episode of Ally McBeal (1997).
Soon afterwards, he landed his last television role in 8 Simple Rules (2002), based on the popular book. On this sitcom he played "Paul Hennessey", a loving, yet rational dad, who laid down the ground rules for his three children and dealt with such topics as curfews, sex, drugs, getting arrested, etc. The show was a ratings winner in its first season and won a People's Choice Award for Best New Comedy and also won for Favorite Comedy Series by the Family Awards. While working on "8 Simple Rules," he also starred in his second-to-last film, Manhood (2003). That same year, he felt ill while rehearsing on set, and was taken across the street to Providence St. Joseph Medical Center in Burbank, California, where he was mistakenly treated for a heart attack. He died from an undiagnosed aortic dissection which is a tear in the wall of the aorta. He underwent surgery and died on September 11, 2003, just six days shy of his 55th birthday. In the years that he worked, John Ritter was a brilliant comedian and a passionate actor, who wanted to make everybody laugh. Shortly before his death, his eldest son, Jason Ritter, was cast in the role of "Kevin" in the highly-rated drama Joan of Arcadia (2003).- Music Artist
- Actress
- Music Department
Patsy Cline was born Virginia Patterson Hensley on September 8, 1932 in Winchester, Virginia. Her brush with show business came at age four when she won a prize in an amateur tap dancing contest. By the time she entered grade school, her family was fully aware of her musical talent. On her eighth birthday, her mother presented her with a piano, on which Patsy learned more music patterns. On Sundays, she sang with the local church choir, and at age 14, was singing regularly on local radio station WINC (she got the job by walking fearlessly into the station and asking for an audition). When Patsy was 15, her parents divorced, reportedly due to her father's heavy drinking. Without her father around to pay the bills, Patsy helped her mother earn money by singing in local clubs in the evenings, and by day, was working at the local drug store, which led to her dropping out of high school a year later. In 1948, Patsy maneuvered herself backstage when 'Wally Fowler' brought his music show to her hometown. Patsy impressed Fowler with her singing, and he gave her the opportunity to audition to be a member of the Grand Ole Opry in Nashville. However, to her disappointment, the Opry reps said that she would not be ready for big-time country radio.
Patsy returned to Winchester and continued to sing in local clubs. She met and married Gerald Cline in 1952. That same year, she was featured in Bill Peer's Melody Playboys of Brunswick, Maryland. Peer got Patsy her first recording contract with Four Star Records in 1954. In late 1955, Patsy became a regular on the radio show "Town and Country Jamboree", a country-western program that broadcast in Washington, D.C. In 1957, Patsy finally got her big break when she appeared as a contestant on the television variety show Talent Scouts (1948), hosted by Arthur Godfrey. For her first television appearance, she selected a torch song she sang a year earlier, "Walkin' After Midnight". She won first place and became a regular on the show for the next two weeks. "Walkin' After Midnight" was released as a single and put Patsy on the top ten charts of country and pop music. However, her determined drive and ambition put a large strain her marriage and kept her away from her husband; as a result, Patsy and Gerald divorced soon after her television debut. In the late 1950s, Patsy put a hold on her career and married a second time, to Charlie Dick, and together they had two children. However, when she returned to singing, the long hours that kept her away put another strain on the marriage.
In 1960, Patsy was finally invited to join the Grand Old Opry and the following year she scored with her second single, "I Fall to Pieces". Producer Owen Bradley took advantage of Patsy's rich voice and backed her with lush string arrangements rather than the twangy sound of steel guitar, which was typical for country-western singers at the time. Anxious to be true to her roots, Patsy often expressed a desire to yodel and growl on her records, but she understood that this smoother sound was giving her career a major boost and used it during the next two years of album recordings. In March 1963, Patsy traveled from Nashville to Kansas City, where on March 5, 1963, she appeared at a benefit concert for the family of disc jockey Jack McCall, who had been killed in a traffic accident earlier that year. Immediately after her performance, she boarded a small plane back to Nashville along with country-western performers Cowboy Copas, Harold Hawkshaw Hawkins and pilot Randy Hughes. Approximately 85 miles west of Nashville, the plane ran into turbulence and crashed. There were no survivors. Shortly before her death, Patsy recorded the single "Sweet Dreams", which became #5 on the country charts after her untimely death at age 30 (her best-known song, "Crazy", was written by future country-western legend Willie Nelson). Ten years after her death, Patsy Cline was inducted into the Country Music Hall of Fame, the first female soloist chosen for the honor.- Actor
- Producer
- Writer
Michael Landon was born Eugene Maurice Orowitz, on Saturday, October 31st, 1936, in Forest Hills, Queens, New York. In 1941, he and his family moved to Collingswood, New Jersey.
When Eugene was in high school, he participated -- and did very well -- in track and field, especially javelin throwing, and his athletic skills earned him a scholarship to USC. However, an accident injured his arm, ending his athletic career -- and his term at USC -- and he worked a number of odd jobs and small roles to make ends meet and decided that acting was for him. However, he thought that his real name was not a suitable one for an aspiring actor, and so "Michael Landon" was born.
Two of his first big roles were as Tony Rivers in I Was a Teenage Werewolf (1957) and as Tom Dooley in the western The Legend of Tom Dooley (1959). That same year he was approached by producer David Dortort to star in a pilot called The Restless Gun (1957), which was renamed when the series was picked up to Bonanza (1959). Landon played Little Joe Cartwright, the youngest of the three Cartwright brothers, a cocky and somewhat rebellious youth nevertheless had a way with the ladies. For 14 years, Landon became the heart and soul of the show, endearing himself to both younger and older viewers, and he became a household name during the 1960s and 1970s.
In 1968, after almost ten years of playing Little Joe, he wanted an opportunity to direct and write some episodes of the show. After the season finale in 1972, Dan Blocker, who played his older brother Hoss and was also a close friend, died from a blood clot in his lung, after gall bladder surgery, but Michael decided to go back to work, revisiting his own character in a two-part episode called "Forever."
Bonanza (1959) was finally canceled in early 1973, after 14 years and 430 episodes. Michael didn't have to wait long until he landed another successful role that most TV audiences of the 1970s would thoroughly enjoy, his second TV western, for NBC, Little House on the Prairie (1974). That show was based on a popular book written by Laura Ingalls Wilder, and he played enduring patriarch and farmer Charles Ingalls. Unlike Bonanza (1959), where he was mostly just a "hired gun," on this show he served as the producer, writer, director, and executive producer. By the end of its eighth season in 1982, Landon decided to step down from his role on "Little House" as he saw his TV children grown up and moved out of their father's house, and a year later, the show was canceled. After 14 years on Bonanza (1959) and 8 years on Little House on the Prairie (1974), it was about time to focus on something else, and once again, he didn't have to wait too long before Highway to Heaven (1984) came along. Unlike the western shows that he did for 23 years, this NBC fantasy/drama show focused on Jonathan Smith, an angel whose job was to save peoples' lives and work for God, his boss. Victor French played ex-cop Mark Gordon, who turned down a fortune but had redeemed himself by meeting Jonathan.
By the end of the fifth season in 1989, French was diagnosed with lung cancer and died in June of that same year. Landon was devastated by the loss and pulled the plug on Highway to Heaven (1984). In early 1991, after 35 years of working on NBC, he was axed by the network, so he moved to CBS to star in the pilot of a two-hour movie, Us (1991), in which he played Jeff Hayes, a man freed from prison by new evidence after 18 years wrongfully spent inside. This was going to be another one of Landon's shows but, in April 1991, he was diagnosed with pancreatic cancer. He later appeared on The Tonight Show Starring Johnny Carson (1962) to talk about his battle with the disease, and many people in the audience were affected by the courage and energy he showed. Unfortunately, he was already terminally ill by that time, and on Monday, July 1st, 1991, after a three-month battle, he finally succumbed to the disease. His family, his colleagues, and his children were all by his side. His life-time: Saturday, October 31st, 1936 to Monday, July 1st, 1991, was 19,966 days, equaling 2,852 weeks & 2 days.- Actress
- Producer
- Soundtrack
Born Joan de Beauvoir de Havilland on October 22, 1917, in Tokyo, Japan, in what was known as the International Settlement, to British parents, Lilian Augusta (Ruse), a former actress, and Walter Augustus de Havilland, an English professor and patent attorney. Her paternal grandfather's family was from Guernsey in the Channel Islands. Her father had a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan. While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname.
She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films. In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won. Joan was making one film a year but choosing her roles well. In 1942 she starred in the well-received This Above All (1942).
The following year she appeared in The Constant Nymph (1943). Once again she was nominated for the Oscar, she lost out to Jennifer Jones in The Song of Bernadette (1943). By now it was safe to say she was more famous than her older sister and more fine films followed. In 1948, she accepted second billing to Bing Crosby in The Emperor Waltz (1948). Joan took the year of 1949 off before coming back in 1950 with September Affair (1950) and Born to Be Bad (1950). In 1951 she starred in Paramount's Darling, How Could You! (1951), which turned out badly for both her and the studio and more weak productions followed.
Absent from the big screen for a while, she took parts in television and dinner theaters. She also starred in many well-produced Broadway plays such as Forty Carats and The Lion in Winter. Her last appearance on the big screen was The Witches (1966) and her final appearance before the cameras was Good King Wenceslas (1994). She is, without a doubt, a lasting movie icon.- Actor
- Director
- Producer
James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".- Music Artist
- Actress
- Writer
Tammy once said: "I spent 15 minutes writing ["Stand by Your Man"], and a lifetime defending it". She was born Virginia Wynette Pugh on May 5, 1942, on her grandfather's cotton farm in Itawamba County, Mississippi. Tammy picked cotton as a child, and as a young woman worked as a waitress, a doctor's receptionist, a barmaid and a shoe factory worker. Shortly before graduating high school, Tammy married high school sweetheart Euple Byrd, an itinerant construction worker who was unemployed more often than not. They were finally forced to live in an abandoned, 60-year-old, 3-room log cabin on a Mississippi farm with no indoor plumbing, no stove and only a wood-burning fireplace for cooking and heat. "Not even the poorest sharecropper would have paid to live there," Tammy noted, but it was rent-free. They had 3 daughters, Gwendolyn ("Gwen"), Jacquelyn ("Jackie"), and Tina. The marriage ended in divorce. Tammy still dreamed of becoming a singer. Then, after a short marriage to singer Don Chapel which ended in annulment, Tammy headed to Nashville to pursue a career as a singer in earnest. As a teenager, her fantasy had been to appear on stage with her singing idol, George Jones. In 1968, she married George Jones, creating a union that captured the imaginations of country music fans everywhere. For the next 7 years they lived, sang, wrote, recorded and performed in a romantic, stormy, much-publicized relationship. They had one daughter, Tamala Georgette, born in 1970. Many of Tammy's hits dealt with classic themes of loneliness, divorce and the difficulties of relationships, especially her signature song "Stand by Your Man," which she co-wrote with her producer Billy Sherrill. The beautiful, deeply-moving lyrics of the song go: "Stand by your man / And show the world you love him / Keep giving' all the love you can / Stand by your man". This song has sometimes been misinterpreted, by misinformed people, as meaning a woman should tolerate anything, even abuse, from her man. What it really is, is an affirmation of the vows to love and honor a spouse. Tammy defended the song, in her own words, as "an expression of triumph over adversity". Her recording of "Stand by Your Man" was the biggest selling single in the history of country music. Tammy's releases have made the #1 position in the charts 35 times. Tammy received awards far too numerous to list here, some highlights were being named Country Music Association "Female Vocalist of the Year" for 3 years straight, 1968-1970; (she would be inducted into CMA Hall of Fame in 1998). After her divorce in 1975, Tammy was briefly married to Nashville real estate executive Michael Tomlin. Finally, with singer-songwriter George Richey, she achieved a long-lasting marriage; they were married for 20 years, from 1978 until her death in 1998. "I've had a wonderful life", she said in a 1991 Associated Press interview. "I absolutely feel I've been blessed tremendously. I can't complain at all". In all, she had 5 daughters and one son. Tammy passed away in her sleep on Monday, April 6, 1998, in her beloved Nashville; she was 55. Tammy will be missed greatly by her fans all around the world.- Music Artist
- Music Department
- Actor
Jennings, a singer, songwriter and guitarist, recorded 60 albums and had 16 No. 1 country singles in a career that spanned five decades. He was inducted into the Country Music Hall of Fame in October 2001. With pal Willie Nelson, Jennings performed duets like "Mammas Don't Let Your Babies Grow Up to Be Cowboys", "Luckenbach" and "Good Hearted Woman". Those 1970s songs nurtured a progressive sound and restless spirit embraced later by Travis Tritt, Charlie Daniels, Steve Earle and others. His resonant, authoritative voice also was used to narrate the popular TV show The Dukes of Hazzard (1979). He sang its theme song, which was a million seller. "I aimed the narration at children and it made it work," he said in a 1987 AP interview. He traditionally wore a black cowboy hat and ebony attire that accented his black beard and mustache. Often reclusive when not on stage, he played earthy music with a spirited, hard edge. Combined, Jennings had a well-defined image that matched well with his history of battling record producers to do music his way. About his independence, he said: "There's always one more way to do something-- your way." Some of his album titles nourished his brash persona: "Lonesome, On'ry and Mean," "I've Always Been Crazy," "Nashville Rebel," "Ladies Love Outlaws" and "Wanted: The Outlaws." He often refused to attend music awards shows on grounds performers should not compete against each other. Despite those sentiments, Jennings won two Grammy awards and four Country Music Association awards. He did not attend his induction into the Country Music Hall of Fame last year. In 1959, his career was nearly cut short by tragedy. He was scheduled to fly on the light plane that crashed and killed Buddy Holly, Ritchie Valens and The Big Bopper. Jennings gave up his seat on the plane to The Big Bopper, who was ill and wanted to fly rather than travel by bus with those left behind. He and Holly were teen-age friends in Lubbock, Texas, and Jennings was in Holly's band. "Mainly what I learned from Buddy was an attitude," Jennings said. "He loved music, and he taught me that it shouldn't have any barriers to it." Born in Littlefield, Texas, Jennings became a radio disc jockey at 14 and formed his own band not long afterward. By the early 1960s Jennings was playing regularly at a nightclub in Phoenix. In 1963, he was signed by 'Herb Alpert''s A&M Records, then was signed by RCA in Nashville shortly thereafter by Chet Atkins. Once in Nashville, he and Cash became friends and roommates. His hit records began in the mid-1960s and his heyday was the mid-1970s. About his outlaw image, he said: "It was a good marketing tool. In a way, I am that way. You start messing with my music, I get mean. As long was you are honest and up front with me, I will be the same with you. But I still do things my way."- Actress
- Soundtrack
Born in the Astoria section of Queens, New York City, Ethel Merman surely is the pre-eminent star of 'Broadway' musical comedy. Though untrained in singing, she could belt out a song like quite no one else, and was sought after by major songwriters such as Irving Berlin and Cole Porter. Having debuted in 1930 in "Girl Crazy, " she is yet remembered for her marvelous starring appearances in so many great musicals that were later adapted to the silver screen. Among the film versions, Merman herself starred in Anything Goes (1936) and Call Me Madam (1953). That wonderfully boisterous blonde, Betty Hutton, had the Merman lead in both Red, Hot and Blue (1949) and Annie Get Your Gun (1950). Besides Betty Hutton, other Merman screen stand-in roles include Lucille Ball, (in Du Barry Was a Lady (1943)), Ann Sothern, (in Panama Hattie (1942)), Vivian Blaine (in Something for the Boys (1944)) and Rosalind Russell (in Gypsy (1962)). (Russell could never render Stephen Sondheim and Jule Styne's "Everything's Coming Up Roses" the way the immortal Merman did, over and over again.) Ethel Merman's lifetime facts: her dare of birth, was on Thursday, January 16th, 1908 & her life expired on Wednesday, February 15th, 1984. Thursday, January 16th, 1908 & Wednesday, February 15th, 1984, differ 27,789 days, equaling 3,969 weeks & 6 days.- Actor
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Milton Berle was an American comedian and actor.
Berle's career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and television. As the host of NBC's Texaco Star Theatre (1948-55), he was the first major American television star and was known to millions of viewers as "Uncle Miltie" and "Mr. Television" during the first Golden Age of Television. He was honored with two stars on the Hollywood Walk of Fame for his work in both radio and TV.
Berle won the Emmy for Most Outstanding Kinescoped Personality in 1950. In 1979, Berle was awarded a special Emmy Award, titled "Mr. Television." He was twice nominated for Emmys for his acting, in 1962 and 1995.
Berle was inducted into the Television Hall of Fame in 1984. On December 5, 2007, Berle was inducted into the California Hall of Fame.- Actress
- Soundtrack
Known as "The First lady of the American Theater", Helen Hayes had a legendary career on stage and in films and television that spanned over eighty years. Hayes was born in Washington, D.C., to Catherine Estelle "Essie" Hayes, an actress who worked in touring companies, and Francis van Arnum Brown, a clerk and salesman. Her maternal grandparents were Irish. A child actress in the first decade of the 20th century, by the time she turned twenty in 1920 she was well on her way to a landmark career on the American stage, becoming perhaps the greatest female star of the theatre during the 1930s and 1940s. She made a handful of scattered films during the silent era and in 1931 was signed to MGM with great fanfare to begin a career starring in films. Her first three films, Arrowsmith (1931), The Sin of Madelon Claudet (1931), and A Farewell to Arms (1932), were great hits and she would win the 1932 Oscar for Best Actress for her work in Madelon Claudet. Alas, her lack of screen glamour worked against her becoming a box office star during the golden era of Hollywood, and her subsequent films were often not well received by critics. Within four years she had abandoned the screen and returned to the stage for the greatest success of her career, "Victoria Regina", which ran for three years starting in 1935. Helen Hayes returned to motion pictures with a few featured roles in 1950s films and frequently appeared on television. In 1970, she made a screen comeback in Airport (1970), a role originally offered to Claudette Colbert, who declined it, earning Hayes her second Oscar, this time for Best Supporting Actress. Helen Hayes retired from the stage in 1971 but enjoyed enormous fame and popularity over the next fifteen years with many roles in motion pictures and television productions, retiring in 1985 after starring in the TV film Murder with Mirrors (1985).- Actor
- Producer
- Soundtrack
Ernest Borgnine was born Ermes Effron Borgnino on January 24, 1917 in Hamden, Connecticut. His parents were Anna (Boselli), who had emigrated from Carpi (MO), Italy, and Camillo Borgnino, who had emigrated from Ottiglio (AL), Italy. As an only child, Ernest enjoyed most sports, especially boxing, but took no real interest in acting. At age 18, after graduating from high school in New Haven, and undecided about his future career, he joined the United States Navy, where he stayed for ten years until leaving in 1945. After a few factory jobs, his mother suggested that his forceful personality could make him suitable for a career in acting, and Borgnine promptly enrolled at the Randall School of Drama in Hartford. After completing the course, he joined Robert Porterfield's famous Barter Theatre in Abingdon, Virginia, staying there for four years, undertaking odd jobs and playing every type of role imaginable. His big break came in 1949, when he made his acting debut on Broadway playing a male nurse in "Harvey".
In 1951, Borgnine moved to Los Angeles to pursue a movie career, and made his film debut as Bill Street in The Whistle at Eaton Falls (1951). His career took off in 1953 when he was cast in the role of Sergeant "Fatso" Judson in From Here to Eternity (1953). This memorable performance led to numerous supporting roles as "heavies" in a steady string of dramas and westerns. He played against type in 1955 by securing the lead role of Marty Piletti, a shy and sensitive butcher, in Marty (1955). He won an Academy Award for Best Actor for his performance, despite strong competition from Spencer Tracy, Frank Sinatra, James Dean and James Cagney. Throughout the 1950s, 1960s and 1970s, Borgnine performed memorably in such films as The Catered Affair (1956), Ice Station Zebra (1968) and Emperor of the North (1973). Between 1962 and 1966, he played Lt. Commander Quinton McHale in the popular television series McHale's Navy (1962). In early 1984, he returned to television as Dominic Santini in the action series Airwolf (1984) co-starring Jan-Michael Vincent, and in 1995, he was cast in the comedy series The Single Guy (1995) as doorman Manny Cordoba. He also appeared in several made-for-TV movies.
Ernest Borgnine has often stated that acting was his greatest passion. His amazing 61-year career (1951 - 2012) included appearances in well over 100 feature films and as a regular in three television series, as well as voice-overs in animated films such as All Dogs Go to Heaven 2 (1996), Small Soldiers (1998), and a continued role in the series SpongeBob SquarePants (1999). Between 1973 until his death, Ernest was married to Tova Traesnaes, who heads her own cosmetics company. They lived in Beverly Hills, California, where Ernest assisted his wife between film projects. When not acting, Ernest actively supported numerous charities and spoke tirelessly at benefits throughout the country. He has been awarded several honorary doctorates from colleges across the United States as well as numerous Lifetime Achievement Awards. In 1996, Ernest purchased a bus and traveled across the United States to see the country and meet his many fans. On December 17, 1999, he presented the University of North Alabama with a collection of scripts from his film and television career, due to his long friendship with North Alabama alumnus and actor George Lindsey (died May 6, 2012), who was an artist in residence at North Alabama.
Ernest Borgnine passed away aged 95 on July 8, 2012, at Cedars-Sinai Medical Center in Los Angeles, California, of renal failure. He is survived by his wife Tova, their children and his younger sister Evelyn (1926-2013)- Writer
- Actress
- Producer
Joan Rivers is an American talk show host, comedian, writer and actress from Brooklyn, New York. She voiced Dot Matrix from Mel Brooks' Spaceballs. She has portrayed in several films and shows such as Shrek 2, Look Who's Talking, The Smurfs and Iron Man 3. She passed away in September 2014 at Manhattan, New York.- Actor
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- Director
Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.- Actress
- Music Department
- Soundtrack
Her real name was Frances "Fanny" Rose Shore, and she was born in Winchester, Tennessee. Stricken with polio at 18 months of age, she recovered after receiving the Sister Kenny treatment. She became a cheerleader at Hume-Fogg High School in Nashville and went on to graduate from Vanderbilt University in 1938, where she majored in sociology. She took voice and acting lessons on the side and sang on radio station WSM in Nashville. In 1938 she left Tennessee for New York City and began singing on radio station WNCW in New York. Her first recordings were with bandleader Xavier Cugat, and she later changed her named to Dinah after her success with the song of the same name. She received numerous Emmy awards for television specials and productions and appeared in many films. She was married to actor George Montgomery, with whom she had one daughter and adopted a son.- Actor
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With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.- Actress
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Known as "The Big Mouth" and considered the female equivalent to Bob Hope, Martha Raye was an American icon in her own right.
She was born Margy Reed in Butte, Montana, to Maybelle Hazel (Hooper) and Peter Reed, Jr., vaudeville performers. She had Irish, German, and English ancestry. Raye made her acting debut before the age of 10 as she toured the nation with her parents variety show "Reed and Hopper". In her late teens she was hired by band-leader Paul Ash as his lead vocalist and was spotted by a Hollywood talent scout during a New York City concert in 1934. She soon relocated to Hollywood were she began making a name for herself appearing in a string of successful screwball comedies alongside the likes of Bing Crosby, Jimmy Durante, W.C. Fields, and Joe E. Brown.
With the outbreak of World War II she took a break from film making to focus on entertaining servicemen and women traveling with the USO on many tour stops. She soon became even more famous for her dedication to America, its values, and its soldiers which helped earn her the beloved nickname "Colonel Maggie".
She continued acting into the late 1980s dividing her time between movies, TV guest spots, and occasional stage appearances. She passed away on October 19, 1994 after a long battle from pneumonia and was buried with full military honors at the Fort Bragg Main Post Cemetery, Fort Bragg, North Carolina. Martha "Colonel Maggie" Raye was 78 years old.- Actor
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American actor who achieved some success as a child and as a young adult, especially in B-Westerns and in television. The son of a Texas newspaper editor. Jones was a accomplished horseman from infancy. At the age of four he was billed as the World's Youngest Trick Rider and Roper. At the age of six, he was hired to perform riding and lariat tricks in the rodeo owned by western star Hoot Gibson. Gibson convinced young Jones and his parents that there was a place for him in Hollywood, and the boy and his mother went west. Gibson arranged for some small parts for the boy. His good looks, energy, and pleasant voice quickly landed him more and bigger parts. In both low-budget Westerns and in more substantial productions. In 1940 he had one of his most prominent roles, as the voice of Pinocchio (1940) in Walt Disney's animated film of the same name. Jones attended Hollywood High School and at 15, took over the role of Henry Aldrich on the hit radio show "The Aldrich Family." He learned carpentry and augmented his income with jobs in that field. He served in the Army in Alaska during the final months of World War II. Gene Autry, who had cast Jones in several Westerns before the war, now put him back to work in films. And later in television, on programs produced by Autry's company. Now billed as Dick Jones the handsome young man starred as Dick West. Where he was sidekick to the Western hero known as The Range Rider (1951), in a TV series that ran for 76 episodes in 1951 (and for decades in syndication). Then Autry gave Jones his own series Buffalo Bill, Jr. (1955)', which ran for 40 episodes. Jones continued working in films throughout the 50's and into the 60's. In 1966 he retired and entered the business world.- Actress
- Producer
- Costume Designer
Gloria Swanson was born Gloria May Josephine Svensson in Chicago, Illinois. She was destined to be perhaps one of the biggest stars of the silent movie era. Her personality and antics in private definitely made her a favorite with America's movie-going public. Gloria certainly didn't intend on going into show business. After her formal education in the Chicago school system and elsewhere, she began work in a department store as a salesclerk. In 1915, at the age of 18, she decided to go to a Chicago movie studio with an aunt to see how motion pictures were made. She was plucked out of the crowd, because of her beauty, to be included as a bit player in the film The Fable of Elvira and Farina and the Meal Ticket (1915). In her next film, she was an extra also, when she appeared in At the End of a Perfect Day (1915). After another uncredited role, Gloria got a more substantial role in Sweedie Goes to College (1915). In 1916, she first appeared with future husband Wallace Beery. Once married, the two pulled up stakes in Chicago and moved to Los Angeles to the film colony of Hollywood. Once out west, Gloria continued her torrid pace in films. She seemed to be in hit after hit in such films as The Pullman Bride (1917), Shifting Sands (1918), and Don't Change Your Husband (1919). By the time of the latter, Gloria had divorced Beery and was remarried, but it was not to be her last marriage, as she collected a total of six husbands. By the middle 1920s, she was the highest-paid actress in Hollywood. It has been said that Gloria made and spent over $8 million in the '20s alone. That, along with the six marriages she had, kept the fans spellbound with her escapades for over 60 years. They just couldn't get enough of her. Gloria was 30 when the sound revolution hit, and there was speculation as to whether she could adapt. She did. In 1928, she received an Oscar nomination for Best Actress for her role of Sadie Thompson in the film of the same name but lost to Janet Gaynor for 3 different films. The following year, she again was nominated for the same award in The Trespasser (1929). This time, she lost out to Norma Shearer in The Divorcee (1930). By the 1930s, Gloria pared back her work with only four films during that time. She had taken a hiatus from film work after 1934's Music in the Air (1934) and would not be seen again until Father Takes a Wife (1941). That was to be it until 1950, when she starred in Sunset Blvd. (1950) as Norma Desmond opposite William Holden. She played a movie actress who was all but washed up. The movie was a box office smash and earned her a third Academy Award nomination as Best Actress, but she lost to Judy Holliday in Born Yesterday (1950). The film is considered one of the best in the history of film and, on June 16, 1998, was named one of the top 100 films of all time by the American Film Institute, placing 12th. After a few more films in the 1950s, Gloria more or less retired. Throughout the 1960s, she appeared mostly on television. Her last fling with the silver screen was Airport 1975 (1974), wherein she played herself. Gloria died on April 4, 1983, in New York City at the age of 84. There was never anyone like her, before or since.- Music Artist
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Johnny Cash was born February 26, 1932, in Kingsland, Arkansas, to Carrie Cash (Rivers) and Raymond Cash. He made his first single, "Hey Porter", for Sun Records in 1955. In 1958 he moved to Columbia Records. He had long periods of drug abuse during the 1960s, but later that decade he successfully fought his addiction with the help of singer June Carter Cash, whom he married in 1968. In 1971 he appeared in the western A Gunfight (1971) with 'Kirk Douglas (I)'. Cash made only a few films, but quite a few appearances on television, both in series and made-for-TV films, and was especially effective as a rural Southern sheriff in the 1930s determined to bring to justice a wealthy landowner who committed murder because he believed he was above the law in Murder in Coweta County (1983), a drama based on a true story. In 1975 Cash wrote his autobiography, "Man In Black", which is now out of print. In the late 1980s he moved from Columbia Records to Mercury, then in the next decade moved again to American Recordings. Amongst his biggest hit records were "I Walk the Line", "Ring of Fire" and "A Boy Named Sue". After several years of ill health, he died of complications from diabetes on 12 September 2003, only a few months after the death of his beloved wife.- Actress
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Shelley Winters was born Shirley Schrift of very humble beginnings on August 18, 1920 (some sources list 1922) in East St. Louis, Illinois. Her mother, Rose Winter, was born in Missouri, to Austrian Jewish parents, and her father, Jonas Schrift, was an Austrian Jewish immigrant. She had one sibling, a sister, Blanche. Her father moved the family to Brooklyn when she was still young so that he, a tailor's cutter, could find steadier work closer to the city's garment industry. An unfailing interest in acting began quite early for Shelley, and she appeared in high school plays. By her mid- to late teens she had already been employed as a Woolworth's store clerk, model, borscht belt vaudevillian and nightclub chorine, all in order to pay for her acting classes. During a nationwide search in 1939 for GWTW's Scarlett O'Hara, Shelley was advised by auditioning director George Cukor to get acting lessons, which she did. Apprenticing in summer stock, she made her Broadway debut in the short-lived comedy "The Night Before Christmas" in 1941 and followed it with the operetta "Rosalinda" (1942) initially billing herself in both shows as Shelley Winter (without the "s").
Within a short time, Shelley pushed ahead for a career out west. Hollywood proved to be a tough road. Toiling in bit roles for years, many of her scenes were excised altogether during her early days. Obscurely used in such movies as What a Woman! (1943), The Racket Man (1944), Cover Girl (1944) and Tonight and Every Night (1945), her breakthrough did not occur until 1947, and it happened on both the stage and big screen. Not only did she win the replacement role of Ado Annie Carnes in "Oklahoma!" on Broadway but, around the same time, scored excellent notices on film as the party girl waitress who ends up a victim of deranged strangler (and Oscar winner) Ronald Colman in the critically-hailed A Double Life (1947) directed by Cukor. From this moment, she achieved a somewhat earthy film stardom, playing second-lead broads who often met untimely ends (as in Cry of the City (1948) and The Great Gatsby (1949)), or tawdry-black-stockinged and feather-boa-adorned leads, as in South Sea Sinner (1950) in which her eclectic co-stars included Macdonald Carey and Liberace!
As a tarnished glamour girl and symbol of working-class vulgarity in Hollywood, Shelley was about to be written off in pictures altogether when one of her finest movie roles arrived on her front porch. Her best hard luck girl storyboard showed up in the form of depressed, frumpy-looking Alice Tripp, a factory girl seduced and abandoned by wanderlust Montgomery Clift in A Place in the Sun (1951). Favoring gorgeous society girl Elizabeth Taylor who is totally out of his league, Clift is subsequently blackmailed by Winters' pathetic (and now pregnant) character into marrying her. For her desperate efforts, she is purposely drowned by Clift after he tips their canoe. The role, which garnered Shelley her first Oscar nomination, finally plucked her out of the sordid starlet pool she was treading and into the ranks of serious femme star contenders. But not for long.
Winters just couldn't escape the lurid bottle-blonde quality she instilled in her characters. During what should have been her peak time in films were a host of badly-scripted "B" films. The obvious, two-dimensional chorines, barflies, floozies and gold diggers she played in Behave Yourself! (1951), Frenchie (1950), Phone Call from a Stranger (1952), Playgirl (1954), and also Mambo (1954), in which co-starred second husband Vittorio Gassman, pretty much said it all. She grew extremely disenchanted and decided to return to dramatic study. Earning membership into the famed Actors' Studio, she went to Broadway and earned kudos, thereby reestablishing her reputation as a strong actress with the drug-themed play "A Hatful of Rain" (1955). Co-starring in the show was the up-and-coming Anthony Franciosa, who became her third husband in 1957. Her renewed dedication to pursuing quality work was shown by her appearances in a number of heavyweight theater roles including Blanche in "A Streetcar Named Desire" (1955). In later years, the Actors' Studio enthusiast became one of its most respected coaches, shaping up a number of today's fine talents with the Strasberg "method" technique.
By the late 1950s, she had started growing in girth and wisely eased into colorful character supports. The switch paid off. After a sterling performance as the ill-fated wife of sadistic killer Robert Mitchum in Charles Laughton's The Night of the Hunter (1955), she scored big in the Oscar department when she won "Best Supporting Actress" for the shrill and hypertensive but doomed Mrs. Van Daan in The Diary of Anne Frank (1959). From this period sprouted a host of revoltingly bad mamas, blowsy matrons, and trashy madams in such film fare as Lolita (1962), The Chapman Report (1962), The Balcony (1963) Wives and Lovers (1963), and A House Is Not a Home (1964). She topped things off as the abusive prostitute mom in A Patch of Blue (1965) who was not above pimping her own blind daughter (the late Elizabeth Hartman) for household money. The actress managed to place a second Oscar on her mantle for this riveting support work.
With advancing age and increasing size, she found a comfortable niche in the harping Jewish wife/mother category with loud, flashy, unsubtle roles in Enter Laughing (1967), Next Stop, Greenwich Village (1976) and, most notably, The Poseidon Adventure (1972). She earned another Oscar nomination for "Poseidon" while portraying her third drowning victim. At around the same time, she scored quite well as the indomitable Marx Brothers' mama in "Minnie's Boys" on Broadway in 1970.
In the 1970s and 1980s, she developed into an oddly-distracted personality on TV, making countless talk show appearances and becoming quite the raconteur and incessant name dropper with her juicy Hollywood behind-the-scenes tales. Candid would be an understatement when she published two scintillating tell-all autobiographies that reached the bestsellers list. "Shelley, Also Known as Shirley" (1981) and "Shelley II: The Middle of My Century" (1989) detailed dalliances with Errol Flynn, Burt Lancaster, Marlon Brando, William Holden, Sean Connery and Clark Gable, to name just a few.
Thrice divorced (her first husband was a WWII captain; her only child, Vittoria, was the daughter of her second husband, Gassman), she remained footloose and fancy free after finally breaking it off with the volatile Franciosa in 1960. Her stormy marriages and notorious affairs, not to mention her ambitious forays into politics and feminist causes, kept her name alive for decades. She worked in films until the beginning of the millennium, her last film being the easily-dismissed Italian feature La bomba (1999). She enjoyed Emmy-winning TV work and had the recurring role of Roseanne Barr's tell-it-like-it-is grandmother on the comedienne's self-named sitcom. Her last years were marred by failing health and, for the most part, she was confined to a wheelchair. Suffering a heart attack in October of 2005, she died in a Beverly Hills nursing home of heart failure on January 14, 2006.
It was reported that only hours earlier on her deathbed she had entered into a "spiritual" union with her longtime companion of 19 years, Gerry McFord; a relationship of which her daughter disapproved. Gregarious, brazen, ambitious and completely unpredictable -- that would be Shelley Winters, the storyteller, whose amazing career lasted over six colorful decades.- Actor
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Buddy Ebsen began his career as a dancer in the late 1920s in a Broadway chorus. He later formed a vaudeville act with his sister Vilma Ebsen, which also appeared on Broadway. In 1935 he and his sister went to Hollywood, where they were signed for the first of MGM's Eleanor Powell movies, Broadway Melody of 1936 (1935). While Vilma retired from stage and screen shortly after this, Buddy starred in two further MGM movies with Powell. Two of his dancing partners were Frances Langford in Born to Dance (1936) and Judy Garland in Broadway Melody of 1938 (1937). They were a little bit taller than Shirley Temple, with whom he danced in Captain January (1936). MGM studio chief Louis B. Mayer offered him an exclusive contract in 1938, but Ebsen turned it down. In spite of Mayer's warning that he would never get a job in Hollywood again, he was offered the role of the scarecrow in The Wizard of Oz (1939). Ebsen agreed to change roles with Ray Bolger, who was cast as the Tin Man. Ebsen subsequently became ill from the aluminum make-up, however, and was replaced by Jack Haley. He returned to the stage, making only a few pictures before he got a role in the Disney production of Davy Crockett: King of the Wild Frontier (1955). After this, he became a straight actor, and later won more fame in his own hit series, The Beverly Hillbillies (1962) and Barnaby Jones (1973).- Actress
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Poised and lovely Marjorie Lord started her long and varied career on the Broadway stage and in "B" films as a sweet-natured ingénue. Born Marjorie F. Wollenberg, of German and Czech heritage, on July 26, 1918 in San Francisco, California, her family transported themselves to New York City when she was 15. Here she enrolled in both acting and ballet at the American Academy of Dramatic Arts and the Chaliff School of Dance, respectively.
Marjorie's first job (billed as Marjorie Lord) was as a 17-year-old replacement on Broadway in "The Old Maid" starring Judith Anderson in 1935. Film parts from recently-signed RKO Studio started coming her way in 1937 with the Harry Carey western Border Cafe (1937); the murder mystery Forty Naughty Girls (1937); the Wheeler & Woolsey musical comedy High Flyers (1937); and a top role in the family drama The Middleton Family at the New York World's Fair (1939).
She met actor John Archer after they appeared together in the stage production of "The Male Animal" and married at the end of 1941, they settled in Hollywood after playing Los Angeles in a stage tour of "Springtime for Henry" with Edward Everett Horton in 1942. The couple had two children before divorcing in 1953. Son Gregg avoided show business and became an airline pilot while daughter Anne Archer followed in her parents' footsteps as an actress.
Marjorie earned a Universal contract in the process and throughout the 1940s and 1950s and would alternate between theater and film assignments. She returned to Broadway with the plays "Signature" in 1945 and "Little Brown Jug" a year later, returning a decade later as a replacement in the popular Moss Hart comedy "Anniversary Waltz" in the mid-1950s. Most of Marjorie's films were inconsequential and set her up as a pretty diversion -- Escape from Hong Kong (1942), Moonlight in Havana (1942) and The Adventures of Smilin' Jack (1943). Some of her better films of that period included a loan-out, Johnny Come Lately (1943), with James Cagney, and Sherlock Holmes in Washington (1943) starring the irrepressible sleuthing team of Basil Rathbone and Nigel Bruce.
Freelancing from the late 1940s on, Marjorie was the co-star or second lead in such films as the jazzy musical drama New Orleans (1947) for Hal Roach Studios; the Universal crimers The Strange Mrs. Crane (1948) and The Argyle Secrets (1948) as a femme fatale; the Columbia action adventure Air Hostess (1949); the Tim Holt RKO western Masked Raiders (1949) in an interesting shady role; Monogram's Bomba the Jungle Boy offering The Lost Volcano (1950); the Columbia action drama Chain Gang (1950); and the amusing crime comedy Stop That Cab (1951).
Moving more into the new 1950s medium of TV, Marjorie had guest parts on such shows as "Racket Squad," "The Adventures of Kit Carson," "China Smith," "Ramar of the Jungle," "Hopalong Cassidy," "The Loretta Young Show" and "Wagon Train," along with the anthology series "Four Star Playhouse," "Schlitz Playhouse," "Fireside Theatre," and "'Cavalcade of America." Marjorie greatest exposure, however, came in 1957 when she was cast as the second wife of widower/entertainer Danny Thomas in the long-established comedy hit The Danny Thomas Show (1953). She lucked into the role when Danny's "first wife" (played by actress Jean Hagen, best known for her classic role as screechy "Lina Lamont" in Singin' in the Rain (1952)) asked to leave the series and the writer had her character "die." Marjorie proved an able sparring partner for the comedian for seven more seasons, but was unsparingly typecast as the wholesome wife thereafter.
Following this Marjorie appeared in a number of dinner theater productions for work, but would indelibly remain Kathy ("Clancy") Williams in the public eye and appeared very sparsely on TV ("Love, American Style") and film (fifth billed as the wife of Bob Hope in the comedy Boy, Did I Get a Wrong Number! (1966)). As a result, she graciously returned to Danny Thomas and her famous TV wife role in the sequel series Make Room for Granddaddy (1970).
Marjorie gently phased her career out for the most part after her third marriage in 1977, but could be seen from time to time in such programs as "Fantasy Island" and "The Love Boat." In 1987, she returned for a short-lived run on the domestic sitcom Sweet Surrender (1987) starring Dana Delany and Mark Blum, as the latter's mother. Her last camera appearance was a featured part in the "grumpy old men"-styled TV movie Side by Side (1988) starring Milton Berle, Sid Caesar and her TV husband Danny Thomas.
Made a widow by her second and third husbands, Marjorie published her memoir, "A Dance and a Hug," in 2005. She died on November 28, 2015, age 97, in Beverly Hills, California, of natural causes.- Actor
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The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."- Actress
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Donna Reed was born in the midwestern town of Denison, Iowa, on January 27, 1921, as Donna Belle Mullenger. A small town - a population of less than 3,000 people - Denison was located by the Boyer River, and was the county seat of Crawford County. Donna grew up as a farm girl, much like many young girls in western Iowa, except for one thing - Donna was very beautiful. That wasn't to say that others weren't as pretty, it's just that Donna's beauty stood out from all the other local girls, so much so that she won a beauty contest in Denison. Upon graduation from high school Donna left for college in Los Angeles, in the hopes of eventually entering movies. While at Los Angeles City College, she pursued her dream by participating in several college stage productions. In addition to the plays, she also won the title of Campus Queen. At one of those stage plays Donna was spotted by an MGM talent scout and was signed to a contract. Her first film was a minor role in MGM's The Getaway (1941). That was followed by a small part in Babes on Broadway (1941), with Mickey Rooney and Judy Garland as a secretary. She then won her breakthrough role in Shadow of the Thin Man (1941). Afterwards, MGM began giving her better parts, in films such as The Bugle Sounds (1942), The Courtship of Andy Hardy (1942) and The Man from Down Under (1943). In 1944 she received second billing playing Carol Halliday in See Here, Private Hargrove (1944), a comedy about a reporter drafted into the army who eventually meets up with Donna's character as a worker in the canteen. The following year Donna starred in The Picture of Dorian Gray (1945), her best role to date. It was a love story set in London in 1890. It got mixed critical reviews but did well at the box-office. Donna was now one of the leading ladies of Hollywood. In 1946 she starred in what is probably her best-known role, as the wife of James Stewart in the classic It's a Wonderful Life (1946). This timeless story is a holiday staple to this day. The film also starred Lionel Barrymore and Thomas Mitchell. The next year Donna starred as Ann Daniels in Paramount's Beyond Glory (1948) with Alan Ladd, which did well at the box-office. Her next role was the strongest she had had yet--Chicago Deadline (1949), again with Ladd. It was one of the best mystery dramas to come out of Hollywood in a long time, and did very well at the box office. As the 1940s faded out and the 1950s stormed in, Donna's roles got bigger but were mainly of the wholesome, girl-next-door type. In 1953, however, she starred as the hostess Alma in the widely acclaimed From Here to Eternity (1953). She was so good in that film she was nominated for and won the Academy Award for Best Supporting Actress, beating out such veterans as Thelma Ritter and Marjorie Rambeau. The film itself won for Best Picture and remains a classic to this day. Later that year Donna starred in The Caddy (1953), a comedy with Jerry Lewis and Dean Martin. Three years later she landed the role of Sacajawea in The Far Horizons (1955), the story of the Lewis and Clark Expedition, starring Charlton Heston and Fred MacMurray. After finishing The Whole Truth (1958), Donna began her own TV series (produced by her husband), The Donna Reed Show (1958), a hit that ran for eight years. She was so effective in the show that she was nominated for TV's prestigious Emmy Award as Best Actress every year from 1959-1962. She was far more popular in TV than on the screen. After the run of the program, Donna took some time away from show business before coming back in a couple of made-for-TV movies (in 1974, she had made a feature called Welcome to Arrow Beach (1973), but it was never released). She did get the role of Ellie Ewing Farlow in the hit TV series Dallas (1978) during the 1984-85 season. It was to be her final public performance. On January 14, 1986, less than two weeks before her 65th birthday, she died of pancreatic cancer in Beverly Hills, California. Grover Asmus, her husband, created the Donna Reed Foundation for the Performing Arts in her hometown of Denison. The foundation helps others who desire a career in the arts. Donna never forgot her roots. She was still a farm girl at heart.- Actor
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This preeminent sitcom dad of the 50s had already started things off studying law when he decided to put together a dance band in the 20s on the sly. The band was so successful that he never looked back -- his love for entertaining completely took over. The New Jersey-born performer made a living for a time playing hotels and casinos on the East coast, capitalizing on an easy-going singing style. In 1932 Harriet Nelson came aboard as lead vocalist of his band and their easy rapport together provided some marvelous spontaneous comedy relief that clicked with audiences. They married in 1935 and soon extended their popularity to radio (with Red Skelton, among others) and a few WWII musical films such as Sweetheart of the Campus (1941), Strictly in the Groove (1942), Honeymoon Lodge (1943) and Take It Big (1944). Determined to maintain a strong family unit as their family grew, they integrated their two careers into one and seldom worked apart after this.
They were a huge hit together with the family radio program "The Adventures of Ozzie and Harriet" in 1944 with two young actors playing their sons. When the show transferred to TV in 1952, their real-life sons, David Nelson and Ricky Nelson, were incorporated. This landmark show lasted 14 years, a record unbroken for what is considered America's first "reality" TV sitcom. Although Ozzie's dad character came off stammering, hesitant and slightly absent-minded, which meshed perfectly with Harriet's smart, wisecracking appeal, he was anything but offstage. A dynamo and workaholic as well as shrewd businessman, he supervised his show completely as producer, director, and editor. He virtually put son Ricky on the map as a pop singing idol via his sitcom, incorporating the boy's musical talents into various plots.
Ozzie's interests invariably spread to other aspects of show business as well. He and Harriet occasionally toured together on the theater stage in such light-hearted vehicles as "The Marriage-Go-Round." Later on he took on the role of producer and director for some of TV's more popular shows. Older son David followed in his father's footsteps as a producer and director. In the early 70s Ozzie and Harriet attempted another TV series entitled Ozzie's Girls (1973), which was syndicated to local stations, but the show had an outdated feel to it and lasted a mere season. One of his very few failures. Ozzie died in Laguna Beach, California of liver cancer in 1975 at age 69.- Tallulah Brockman Bankhead was born on January 31, 1902 in Huntsville, Alabama. Her father was a mover and shaker in the Democratic Party who served as Speaker of the United States House of Representatives from June 4, 1936, to September 16, 1940. Tallulah had been interested in acting and, at age 15, started her stage career in the local theater troupes of Huntsville and the surrounding areas. At age 16, she won a beauty contest and, bolstered by this achievement, moved to New York City to live with her aunt and to try her hand at Broadway. She was offered a role in Dr. Jekyll and Mr. Hyde (1920), but did not take it after she refused John Barrymore's invitation for a visit to the casting couch. Unfortunately, for the young Miss Bankhead, she did not make any headway on the stages of New York, so she pulled up stakes and moved to London, in 1923, to try her luck there.
For the next several years, she was the most popular actress of London's famed West End, the British equivalent of Broadway. After starring in several well-received plays, she gained the attention of Paramount Pictures executives and returned to the United States to try her hand at the film world. Her first two films, Woman's Law (1927) and His House in Order (1928), did not exactly set the world on fire, so she returned to do more stage work. She tried film work again with Tarnished Lady (1931), where she played Nancy Courtney, a woman who marries for money but ultimately gets bored with her husband and leaves him, only to come back to him when he is broke. The critics gave it a mixed reception. Tallulah's personality did not shine on film as Paramount executives had hoped. She tried again with My Sin (1931) as a woman with a secret past about to marry into money. Later that year, she made The Cheat (1931), playing Elsa Carlyle, a woman who sold herself to a wealthy Oriental merchant who brands her like she was his own property and is subsequently murdered. The next year, she shot Thunder Below (1932), Faithless (1932), Make Me a Star (1932) (she had a cameo role along with several other Paramount stars) and Devil and the Deep (1932). The latter film was a star-studded affair that made money at the box-office due to the cast (Gary Cooper, Charles Laughton and newcomer Cary Grant). The films she was making just did not do her talent any justice, so it was back to Broadway--she did not make another film for 11 years. She toured nationally, performing in all but three states.
She was also a big hit at social affairs, where she often shocked the staid members of that society with her "untraditional" behavior. She chain-smoked and enjoyed more than her share of Kentucky bourbon, and made it a "habit" to take her clothes off and chat in the nude. A friend and fellow actress remarked on one occasion, "Tallulah dear, why are you always taking your clothes off? You have such lovely frocks." She was also famous--or infamous--for throwing wild parties that would last for days. She returned to films in 1943 with a cameo in Stage Door Canteen (1943), but it was Lifeboat (1944) for director Alfred Hitchcock that put her back into the limelight. However, the limelight did not shine for long. After shooting A Royal Scandal (1945) she did not appear on film again until she landed a role in Die! Die! My Darling! (1965). Her film and small-screen work consisted of a few TV spots and the voice of the Sea Witch in the animated film The Daydreamer (1966), so she went back to the stage, which had always been first and foremost in her heart. To Tallulah, there was nothing like a live audience to perform for, because they, always, showed a lot of gratitude. On December 12, 1968, Tallulah Bankhead died at age 66 of pneumonia in her beloved New York City. While she made most of her fame on the stages of the world, the film industry and its history became richer because of her talent and her very colorful personality. Today her phrase, "Hello, Dahling" is known throughout the entertainment world. - Actor
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Jackie Coogan was born into a family of vaudevillians; his father was a dancer and his mother had been a child star. On the stage by age 4, Jackie was touring at age 5 with his family in Los Angeles, California.
While performing on the stage, he was spotted by Charles Chaplin, who then and there planned a film in which he and Jackie would star. To test Jackie, Chaplin first gave him a small part in A Day's Pleasure (1919), which proved that he had a screen presence. The movie that Chaplin planned that day was The Kid (1921), where the Tramp would raise Jackie and then lose him. The movie was very successful and Jackie would play a child in a number of movies and tour with his father on the stage.
By 1923, when he made Daddy (1923), he was one of the highest- paid stars in Hollywood. He would leave First National for MGM where they put him into Long Live the King (1923). By 1927, at age 13, Coogan had grown up on the screen and his career was going through a downturn. His popular film career would end with the classic tales of Tom Sawyer (1930) and Huckleberry Finn (1931).
In 1935, his father died and his mother married Arthur Bernstein, who was his business manager. When he wanted the money that he made as a child star in the 1920s, his mother and stepfather refused his request and Jackie filed suit for the approximately $4 million that he had made. Under California law at the time, he had no rights to the money he made as a child, and he was awarded only $126,000 in 1939. Because of the public uproar, the California Legislature passed the Child Actors Bill, also known as the Coogan Act, which would set up a trust fund for any child actor and protect his earnings.
In 1937, Jackie married Betty Grable; the marriage lasted 3 years. During World War II, he served in the Army; he returned to Hollywood after the war. Unable to restart his career, he worked in B-movies, mostly in bit parts and usually playing the heavy. In the 1950s he started to appear on television, and he acted in as many shows as he could. By the 1960s he would be in two completely different television comedy series.. The first one was McKeever and the Colonel (1962), where he played Sgt. Barnes in a military school from 1962 to 1963. The second series was the classic The Addams Family (1964), where he played Uncle Fester from 1964 to 1966. After that, he continued to make appearances on television shows and a handful of movies. He died of a heart attack in 1984.- Actress
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Thelma McQueen attended public school in Augusta, Georgia and graduated from high school in Long Island, New York. She studied dance with Katherine Dunham, Geoffrey Holder, and Janet Collins. She danced with the Venezuela Jones Negro Youth Group. The "Butterfly" stage name, which does describe her constantly moving arms, actually derives from dancing the "Butterfly Ballet" in a 1935 production of "A Midsummer Night's Dream". Her stage debut was in "Brown Sugar," directed by George Abbott for whom she did several other stage shows. In 1939 she appeared as the shop girls' assistant Lulu in The Women (1939) and in her most famous role, the irresponsible, whiny Prissy of Gone with the Wind (1939) ("Oh, Miss Scarlett, I don't know nuthin' 'bout birthin' babies").
Two other notable appearances among her string of silly maid parts were in Flame of Barbary Coast (1945) and Mildred Pierce (1945). From 1947 to 1951, she was a regular on the radio show "Beulah" and then in the TV version 1950-52.
In 1980, a Greyhound Bus Lines guard mistook her for a pickpocket and handled her roughly, throwing her against a bench and cracking several of her ribs. She sued for assault, and after several years of litigation, she was awarded $60,000. She chose to live very frugally on the money and retired to a small town outside Augusta, Georgia, where she lived in anonymity in a modest one-bedroom cottage.
On the night of Dec. 22, 1995, a fire broke out in her home, and she was found by firefighters lying on the sidewalk outside with severe burns over 70 percent of her body. She said her clothes caught fire while she was trying to light a kerosene heater in her cottage, which was destroyed by the fire. She was taken to Augusta Regional Medical Center, where she died at age 84.- Music Artist
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Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, the fourth of seven children of Catherine (Harrigan) and Harry Lincoln Crosby, a brewery bookkeeper. He was of English and Irish descent. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s Bing's brother Everett sent a record of Bing singing "I Surrender, Dear" to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in The Big Broadcast (1932), a film featuring radio favorites. His songs about not needing a bundle of money to make life happy was the right message for the decade of the Great Depression. His relaxed, low-key style carried over into the series of "Road" comedies he made with pal Bob Hope. He won the best actor Oscar for playing an easygoing priest in Going My Way (1944). He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (1954). Playing golf was what he liked to do best. He died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium.- Actress
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Lillian Diana Gish was born on October 14, 1893, in Springfield, Ohio. Her father, James Lee Gish, was an alcoholic who caroused, was rarely at home, and left the family to, more or less, fend for themselves. To help make ends meet, Lillian, her sister Dorothy Gish, and their mother, Mary Gish, a.k.a. Mary Robinson McConnell, tried their hand at acting in local productions. Lillian was six years old when she first appeared in front of an audience. For the next 13 years, she and Dorothy appeared before stage audiences with great success. Had she not made her way into films, Lillian quite possibly could have been one of the great stage actresses of all time; however, she found her way onto the big screen when, in 1912, she met famed director D.W. Griffith. Impressed with what he saw, he immediately cast her in her first film, An Unseen Enemy (1912), followed by The One She Loved (1912) and My Baby (1912). She would make 12 films for Griffith in 1912. With 25 films in the next two years, Lillian's exposure to the public was so great that she fast became one of the top stars in the industry, right alongside Mary Pickford, "America's Sweetheart".
In 1915, Lillian starred as Elsie Stoneman in Griffith's most ambitious project to date, The Birth of a Nation (1915). She was not making the large number of films that she had been in the beginning because she was successful and popular enough to be able to pick and choose the right films to appear in. The following year, she appeared in another Griffith classic, Intolerance (1916). By the early 1920s, her career was on its way down. As with anything else, be it sports or politics, new faces appeared on the scene to replace the "old", and Lillian was no different. In fact, she did not appear at all on the screen in 1922, 1925 or 1929. However, 1926 was her busiest year of the decade with roles in La Bohème (1926) and The Scarlet Letter (1926). As the decade wound to a close, "talkies" were replacing silent films. However, Lillian was not idle during her time away from the screen. She appeared in stage productions, to the acclaim of the public and critics alike. In 1933, she filmed His Double Life (1933), but did not make another film for nine years.
When she returned in 1943, she appeared in two big-budget pictures, Commandos Strike at Dawn (1942) and Top Man (1943). Although these roles did not bring her the attention she had had in her early career, Lillian still proved she could hold her own with the best of them. She earned an Oscar nomination as Best Supporting Actress for her role of Laura Belle McCanles in Duel in the Sun (1946), but lost to Anne Baxter in The Razor's Edge (1946).
One of the most critically acclaimed roles of her career came in the thriller The Night of the Hunter (1955), also notable as the only film directed by actor Charles Laughton. In 1969, she published her autobiography, "The Movies, Mr. Griffith, and Me". In 1987, she made what was to be her last motion picture, The Whales of August (1987), a box-office success that exposed her to a new generation of fans. Her 75-year career is almost unbeatable in any field, let alone the film industry. On February 27, 1993, at age 99, Lillian Gish died peacefully in her sleep at her Manhattan apartment in New York City. She never married.- Actor
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Roy Rogers (born Leonard Slye) moved to California in 1930, aged 18. He played in such musical groups as The Hollywood Hillbillies, Rocky Mountaineers, Texas Outlaws, and his own group, the International Cowboys. In 1934 he formed a group with Bob Nolan called Sons of the Pioneers. While in that group he was known as Leonard Slye, then Dick Weston. Their songs included "Cool Water" and "Tumbling Tumbleweeds". They first appeared in the western Rhythm on the Range (1936), starring Bing Crosby and Martha Raye. In 1936 he appeared as a bandit opposite Gene Autry in "The Old Coral". In 1937 Rogers went solo from "The Sons Of The Pioneeres", and made his first starring film in 1938, Under Western Stars (1938). He made almost 100 films. The Roy Rogers Show (1951) ran on NBC from October 1951 through 1957 and on CBS from 1961 to September 1964. In 1955, 67 of his feature films were released to television.- Actress
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Born in Campgaw, New Jersey, Jane Waddington Wyatt came from a New York family of social distinction (her father was a Wall Street investment banker and her mother was a drama critic). Jane was raised from the age of three months in New York City and attended the fashionable Chapin School and later Barnard College. After two years of college, she left to join the apprentice school of the Berkshire Playhouse at Stockbridge, Massachusetts, where for six months she played an assortment of roles. One of her first jobs on Broadway was as understudy to Rose Hobart in a production of "Trade Winds"--a career move that cost her her slot on the New York Social Register. Wyatt made the transition from stage to screen and was placed under contract at Universal, where she made her film debut in director James Whale's One More River (1934). She went back and forth between Universal and Broadway (and co-starred in Frank Capra's Columbia film Lost Horizon (1937) on loan out from Universal). In the 1950s, she co-starred with Robert Young in Father Knows Best (1954), the classic sitcom chronicling the life and times of the Anderson family in the Midwestern town of Springfield. Jane Wyatt died at age 96 of natural causes at her home in Bel-Air, California, on October 20, 2006.- Actor
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Sammy Davis Jr. was often billed as the "greatest living entertainer in the world".
He was born in Harlem, Manhattan, the son of dancer Elvera Davis (née Sanchez) and vaudeville star Sammy Davis Sr.. His father was African-American and his mother was of Cuban and African-American ancestry. Davis Jr. was known as someone who could do it all, sing, dance, play instruments, act, do stand-up and he was known for his self-deprecating humor; he once heard someone complaining about discrimination, and he said, "You got it easy. I'm a short, ugly, one-eyed, black Jew. What do you think it's like for me?" (he had converted to Judaism).
A short stint in the army opened his eyes to the evils of racism. A slight man, he was often beaten up by bigger white soldiers and given the dirtiest and most dangerous assignments by white officers simply because he was black. He helped break down racial barriers in show business in the 1950s and 1960s, especially in Las Vegas, where he often performed; when he started there in the early 1950s, he was not allowed to stay in the hotels he played in, as they refused to take blacks as customers. He also stirred up a large amount of controversy in the 1960s by openly dating, and ultimately marrying, blonde, blue-eyed, Swedish-born actress May Britt.
He starred in the Broadway musical "Golden Boy" in the 1960s. Initially a success, internal tensions, production problems and bad reviews--many of them directed at Davis for playing a role originally written for a white man resulted in its closing fairly quickly. His film and nightclub career were in full swing, however, and he became even more famous as one of the "Rat Pack", a group of free-wheeling entertainers that included Dean Martin, Frank Sinatra, Joey Bishop and Peter Lawford.
A chain smoker, Davis died from throat cancer at the age of 64. When he died, he was in debt. To pay for Davis' funeral, most of his memorabilia was sold off.- Actress
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Betsy Palmer was probably best known for playing Jason Voorhees' mother in the horror film Friday the 13th (1980), but her career as an actress began many years before.
Palmer was born Patricia Betsy Hrunek in East Chicago, Indiana, to Marie (née Love), who launched the Chicago Business College, and Rudolph Vincent Hrunek, a Czech-born industrial chemist. Palmer played a young female officer opposite Jack Lemmon in Mister Roberts (1955), and appeared in another war film the same year, The Long Gray Line (1955). Throughout the late 1950s, Palmer was recognized as a news reporter on Today (1952) on NBC, then became largely involved in television. She remained in made-for-TV films and notable guest appearances, before playing the murderous avenging mother, Mrs. Voorhees, in the horror film Friday the 13th (1980). She also continued working in television, and appearing in low-budget films like The Fear: Resurrection (1999). Palmer spent her later years between her home in New York City and Sedona, Arizona.
Betsy Palmer died of natural causes on a Friday, May 29, 2015, at a hospice care center in Danbury, Connecticut.- Music Artist
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Conway Twitty was born on 1 September 1933 in Friars Point, Mississippi, USA. He was a music artist and actor, known for Limitless (2011), Punch-Drunk Love (2002) and Hollywoodland (2006). He was married to Dolores Virginia Henry, Temple Medley and Ellen Matthews. He died on 5 June 1993 in Springfield, Missouri, USA.- Actress
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Ann B. Davis made her debut in show business at age 6 earning $2.00 in a puppet show. At the University of Michigan, Ann planned to study medicine but got the acting bug from her brother who was the lead dancer in the national company of "Oklahoma" for over a year. Ann then spent six years in little theaters, stock companies, touring musicals, and such until she got her break as "Schultzie", the secretary on "The Bob Cummings Show." Before Hollywood, Ann spent a summer at the Cain Park Theater and, during a year at the Erie Playhouse in Erie, Pennsylvania, she studied everything about show production and played dozens of roles ranging from teenagers to characters over 60. In 1949, she arrived at Porterville, California and spent three years at the Barn theater.
She then moved down the coast to Monterey, where she appeared at the Wharf theater. From there she decided to try Hollywood. Anne has also played many parts on stage including "The Women", "Twelfth Night", "Dark Of The Moon", and others. Her mother, Marguerite Scott Davis, appeared with professional stock companies for over thirty years.- Actor
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Frank Sinatra Jr. was born on 10 January 1944 in Jersey City, New Jersey, USA. He was an actor and writer, known for Hollywood Homicide (2003), Aru heishi no kake (1970) and Dream for an Insomniac (1996). He was married to Cynthia Sinatra. He died on 16 March 2016 in Daytona Beach, Florida, USA.- Soundtrack
Kitty Wells was born on 30 August 1919 in Nashville, Tennessee, USA. She was married to Johnny Wright. She died on 16 July 2012 in Madison, Tennessee, USA.- Actor
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Quiet, soft-spoken Robert grew up in California and had some stage experience with the Pasadena Playhouse before entering films in 1931. His movie career consisted of playing characters who were charming, good-looking--and bland. In fact, his screen image was such that he usually never got the girl. Louis B. Mayer would say, "He has no sex appeal," but he had a work ethic that prepared him for every role that he played. And he did play in as many as eleven films per year for a decade starting with The Black Camel (1931). He was notable as the spy in Alfred Hitchcock's Secret Agent (1936), but the '40s was the decade in which he was to have most of his best roles. These included Northwest Passage (1940); Western Union (1941); and H.M. Pulham, Esq. (1941). Good roles followed, from the husband of Dorothy McGuirein Claudia (1943) to the detective in Crossfire (1947), but they were becoming scarce. In 1949, Robert started a radio show called "Father Knows Best" wherein he played Jim Anderson, an average father with average situations--a role which was tailor-made for him. Basically retiring from films, he starred in this program for five years on radio before it went to television in 1954. After a slight falter in the ratings and a switch from CBS to NBC, it became a mainstay of television until it was canceled in 1960. He continued making guest appearances on various television shows and working in television movies. In 1969, he starred as Dr. Marcus Welby in the TV movie A Matter of Humanities (1969). The Marcus Welby series that followed ran from 1969 through 1976 and featured James Brolin as his assistant, Dr. Steven Kiley--the doc with the bike. After the series ended, Robert, now in his seventies, finally licked his 30-year battle with alcohol and occasionally appeared in television movies through the 1980s.- Actress
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Born on February 17, 1937 in Biloxi, Mississippi, Mary Ann Mobley is one of the few Miss Americas to have true success as an actress or television personality (the others are Barnaby Jones (1973) beauty Lee Meriwether, television hostess Phyllis George, Consumer advocate/game show panelist Bess Myerson and Eraser (1996) heroine Vanessa Williams). After serving as Miss America 1959, Mobley soon became a sought-after guest star in episodic television of the 1960s, appearing on many hit series of that era - Perry Mason (1957), Mission: Impossible (1966), The Man from U.N.C.L.E. (1964), The Virginian (1962), to name a few. Her most important contribution to 1960s popular culture, though, was appearing opposite Elvis Presley in two films - Harum Scarum (1965) and Girl Happy (1965). Her success in film led to a 1965 Golden Globe for Most Promising Newcomer, an award she shared with Mia Farrow and Celia Milius. She also starred in a number of other B-movies of the 1960s, such as Get Yourself a College Girl (1964) and For Singles Only (1968).
Her television and film output decreased in the 1970s as she raised her daughter, Clancy Collins White, with her husband, Gary Collins. During that decade, her television appearances were mostly guest roles on series such as the iconic series Love, American Style (1969), Fantasy Island (1977), The Love Boat (1977) and the game show Match Game (1973), on which she was a frequent panelist alongside such other famous wiseacres as Betty White, Brett Somers, Patti Deutsch and Charles Nelson Reilly. She and Collins also appeared a number of times performing death-defying high-wire acts and other athletic, outrageous stunts on the annual television event Circus of the Stars (1977).
In the 1980s, she starred as stepmother "Maggie McKinney" in the final season of Diff'rent Strokes (1978), appeared in a recurring role as alcoholism counselor "Dr. Beth Everdene" on the prime-time soap opera Falcon Crest (1981) and continued to pop-up as a guest star on series like Hotel (1983) and Matt Houston (1982) and game shows like The Hollywood Squares (Daytime) (1965) and Body Language (1983). She also acted as her husband's frequent guest co-host on his successful talk shows Hour Magazine (1980) and The Home Show (1988), as well as on installments of the Miss America Pageant. In the 1990s, she made guest appearances on the sitcoms Designing Women (1986), Hearts Afire (1992), Hardball (1994) and Sabrina the Teenage Witch (1996). She and Collins were also hosts of an oft-run late 1990s television infomercial for "SelectComfort", a specialty bed product. Also during the 1990s, she toured in the popular play, "Love Letters", with her husband, and performed a cabaret act at the Cinegrill in Hollywood.
Mary Ann and other "Match Game"/"Hollywood Squares" regulars of the 1970s and 1980s (such as Charo, Nipsey Russell, Paul Lynde and Jo Anne Worley) were riotously spoofed on Saturday Night Live (1975) in a 2002 game show sketch called "Super Buzzers" with Tina Fey playing Mary Ann. Mary Ann and her husband soon got a chance to demonstrate their own good humor, appearing as themselves in a satiric infomercial parody on the Showtime series Dead Like Me (2003) in 2003 (the fake infomercial was for a no-effort body-toning contraption - which spontaneously combusts!).- Music Artist
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After high school Gene Autry worked as a laborer for the St. Louis and San Francisco Railroad in Oklahoma. Next he was a telegrapher. In 1928 he began singing on a local radio station, and three years later he had his own show and was making his first recordings. Three years after that he made his film debut in Ken Maynard's In Old Santa Fe (1934) and starred in a 13-part serial the following year for Mascot Pictures, The Phantom Empire (1935). The next year he signed a contract with Republic Pictures and began making westerns. Autry--for better or worse--pretty much ushered in the era of the "singing cowboy" westerns of the 1930s and 1940s (in spite of the presence in his oaters of automobiles, radios and airplanes). These films often grossed ten times their average $50,000 production costs. During World War II he enlisted in the US Army and was assigned as a flight officer from 1942-46 with the Air Transport Command. After his military service he returned to making movies, this time with Columbia Pictures, and finally with his own company, Flying A Productions, which, during the 1950s, produced his TV series The Gene Autry Show (1950), The Adventures of Champion (1955), and Annie Oakley (1954). He wrote over 200 songs. A savvy businessman, he retired from acting in the early 1960s and became a multi-millionaire from his investments in hotels, real estate, radio stations and the California Angels professional baseball team.- Actress
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Myrna Williams, later to become Myrna Loy, was born on August 2, 1905 in Helena, Montana. Her father was the youngest person ever elected to the Montana State legislature. Later on her family moved to Radersburg where she spent her youth on a cattle ranch. At the age of 13, Myrna's father died of influenza and the rest of the family moved to Los Angeles. She was educated in L.A. at the Westlake School for Girls where she caught the acting bug. She started at the age of 15 when she appeared in local stage productions in order to help support her family. Some of the stage plays were held in the now famous Grauman's Theater in Hollywood. Mrs. Rudolph Valentino happened to be in the audience one night who managed to pull some strings to get Myrna some parts in the motion picture industry. Her first film was a small part in the production of What Price Beauty? (1925). Later she appeared the same year in Pretty Ladies (1925) along with Joan Crawford. She was one of the few stars that would start in silent movies and make a successful transition into the sound era. In the silent films, Myrna would appear as an exotic femme fatale. Later in the sound era, she would become a refined, wholesome character. Unable to land a contract with MGM, she continued to appear in small, bit roles, nothing that one could really call acting. In 1926, Myrna appeared in the Warner Brothers film called Satan in Sables (1925) which, at long last, landed her a contract. Her first appearance as a contract player was The Caveman (1926) where she played a maid. Although she was typecast over and over again as a vamp, Myrna continued to stay busy with small parts. Finally, in 1927, she received star billing in Bitter Apples (1927). The excitement was short lived as she returned to the usual smaller roles afterward. Myrna would take any role that would give her exposure and showcase the talent she felt was being wasted. It seemed that she would play one vamp after another. She wanted something better. Finally her contract ran out with WB and she signed with MGM where she got two meaty roles. One was in the The Prizefighter and the Lady (1933), and the other as Nora Charles in The Thin Man (1934) with William Powell. Most agreed that the Thin Man series would never have been successful without Myrna. Her witty perception of situations gave her the image that one could not pull a fast one over on the no-nonsense Mrs. Charles. After The Thin Man, Myrna would appear in five more in the series. Myrna was a big box-office draw. She was popular enough that, in 1936, she was named Queen of the Movies and Clark Gable the king in a nationwide poll of movie goers. Her popularity was at its zenith. With the outbreak of World War II, Myrna all but abandoned her acting career to focus on the war effort. After making THE SHADOW OF THE THIN MAN in November of 1941, Myrna more or less stayed away from Hollywood for five years. She broke this hiatus to appear in one Thin Man sequel while devoting most of her time working with the Red Cross. When she did return her star quality had not diminished a bit, as evidenced by her headlining The Best Years of Our Lives (1946). The film did superbly at the box-office, winning the Academy Award for Best Picture in 1947. With her career in high gear again, Myrna played opposite Cary Grant in back-to-back hits The Bachelor and the Bobby-Soxer (1947) and Mr. Blandings Builds His Dream House (1948). She continued to make films through the '50s but the roles started getting fewer, her biggest success coming at the start of that decade with Cheaper by the Dozen (1950). By the 1960s the parts had all but dried up as producers and directors looked elsewhere for talent. In 1960 she appeared in Midnight Lace (1960) and was not in another film until 1969 in The April Fools (1969). The 1970s found her mainly in TV movies, not theatrical productions, except for small roles in Airport 1975 (1974) and The End (1978). Her last film was in 1981 called Summer Solstice (1981), and her final acting credit was a guest spot on the sitcom Love, Sidney (1981) in 1982. By the time Myrna passed away, on December 14, 1993, at the age of 88, she had appeared in a phenomenal 129 motion pictures. She was buried in Helena, Montana.