Favourite actors and actresses
reflects my age but more young 'uns will no doubt be appearing. I liked Jackie Woodburne's character Susan Kennedy in the TV soap Neighbours and I include Penny Morrell who was kind to me when I was a kid
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Born in Namegata, Ibaraki Prefecture in 1931, Kagawa Kyoko (also Makino Kyoko) has endured through the golden age of Japanese cinema, into the end of the century and onto the new to act in many of the more important films from her native country. Growing up she had aspired to learn English and then to become a ballerina after watching Swan Lake, but fate and a beauty contest sponsored by The Tokyo Shimbun newspaper intervened and cast her into the role of an actress. She began her career at the defunct Shintoho Studio in 1949. Films like Tokyo Story, Sansho The Bailiff and High And Low directed respectively by Ozu, Yasujiro, Mizoguchi, Kenji and Kurosawa, Akira have captured and immortalized her. She married and moved to New York City, USA with her husband, a reporter, and child for three years in 1965. She went through a couple of dry spells mid-career when roles had vanished, one of which lasted three years and was broken when a call came from Kurosawa to work on Maadadayo. It was the first time the actress and director worked together in 28 years. Kagawa won a Japanese Academy Award for Best Supporting Actress for the film. She was awarded a Japanese Medal With Purple Ribbon in 1998 for her contribution to Japanese life and arts. She was the subject of a film perspective at the Tokyo International Film Festival and Japan's National Film Centre in 2011. She also received an award in the same year from The International Federation Of Film Archives for her movie preservation effort. She was the first Japanese actor to receive this prize. She has done commercial work in the '70s and '80s (House Foods) and more recently for Lawson stores and Kirin Brewery. Overall she has a dozen awards, a couple of books and even a music single to her credit.- Writer
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Michael Palin is an English comedian, actor, writer and television presenter. He was one of the members of the comedy group Monty Python.
After the Monty Python television series ended in 1974, the Palin/Jones team worked on Ripping Yarns, an intermittent television comedy series broadcast over three years from 1976. In 1980, Palin co-wrote Time Bandits with Terry Gilliam. He also acted in the film. In 1984, he reunited with Terry Gilliam to appear in Brazil. He appeared in the comedy film A Fish Called Wanda (1988), for which he won the BAFTA Award for Best Actor in a Supporting Role.- Actress
- Soundtrack
Mary Louise Brooks, also known by her childhood name of Brooksie, was born in the Midwestern town of Cherryvale, Kansas, on November 14, 1906. She began dancing at an early age with the Denishawn Dancers (which was how she left Kansas and went to New York) and then with George White's Scandals before joining the Ziegfeld Follies, but became one of the most fascinating and alluring personalities ever to grace the silver screen. She was always compared to her Lulu role in Pandora's Box (1929), which was filmed in 1928. Her performances in A Girl in Every Port (1928) and Beggars of Life (1928), both filmed in 1928, proved to all concerned that Louise had real talent. She became known, mostly, for her bobbed hair style. Thousands of women were attracted to that style and adopted it as their own. As you will note by her photographs, she was no doubt the trend setter of the 1920s with her Buster Brown-Page Boy type hair cut, much like today's women imitate stars. Because of her dark haired look and being the beautiful woman that she was, plus being a modern female, she was not especially popular among Hollywood's clientele. She just did not go along with the norms of the film society. Louise really came into her own when she left Hollywood for Europe. There she appeared in a few German productions which were very well made and continued to prove she was an actress with an enduring talent. Until she ended her career in film in 1938, she had made only 25 movies. After that, she spent most of her time reading and painting. She also became an accomplished writer, authoring a number of books, including her autobiography. On August 8, 1985, Louise died of a heart attack in Rochester, New York. She was 78 years old.- Actress
- Writer
- Music Department
Marilyn Monroe was an American actress, comedienne, singer, and model. Monroe is of English, Irish, Scottish and Welsh descent. She became one of the world's most enduring iconic figures and is remembered both for her winsome embodiment of the Hollywood sex symbol and her tragic personal and professional struggles within the film industry. Her life and death are still the subjects of much controversy and speculation.
She was born Norma Jeane Mortenson at the Los Angeles County Hospital on June 1, 1926. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Because Gladys was mentally and financially unable to care for young Marilyn, Gladys placed her in the care of a foster family, The Bolenders. Although the Bolender family wanted to adopt Marilyn, Gladys was eventually able to stabilize her lifestyle and took Marilyn back in her care when Marilyn was 7 years old. However, shortly after regaining custody of Marilyn, Gladys had a complete mental breakdown and was diagnosed as a paranoid schizophrenic and was committed to a state mental hospital. Gladys spent the rest of her life going in and out of hospitals and rarely had contact with young Marilyn. Once Marilyn became an adult and celebrated as a film star, she paid a woman by the name of Inez Melson to look in on the institutionalized Gladys and give detailed reports of her progress. Gladys outlived her daughter, dying in 1984.
Marilyn was then taken in by Gladys' best friend Grace Goddard, who, after a series of foster homes, placed Marilyn into the Los Angeles Orphan's Home in 1935. Marilyn was traumatized by her experience there despite the Orphan's Home being an adequate living facility. Grace Goddard eventually took Marilyn back to live with her in 1937 although this stay did not last long as Grace's husband began molesting Marilyn. Marilyn went to live with Grace's Aunt Ana after this incident, although due to Aunt Ana's advanced age she could not care properly for Marilyn. Marilyn once again for the third time had to return to live with the Goddards. The Goddards planned to relocated and according to law, could not take Marilyn with them. She only had two choices: return to the orphanage or get married. Marilyn was only 16 years old.
She decided to marry a neighborhood friend named James Dougherty; he went into the military, she modeled, they divorced in 1946. She owned 400 books (including Tolstoy, Whitman, Milton), listened to Beethoven records, studied acting at the Actors' lab in Hollywood, and took literature courses at UCLA downtown. 20th Century Fox gave her a contract but let it lapse a year later. In 1948, Columbia gave her a six-month contract, turned her over to coach Natasha Lytess and featured her in the B movie Ladies of the Chorus (1948) in which she sang three numbers : "Every Baby Needs a Da Da Daddy", "Anyone Can Tell I Love You" and "The Ladies of the Chorus" with Adele Jergens (dubbed by Virginia Rees) and others. Joseph L. Mankiewicz saw her in a small part in The Asphalt Jungle (1950) and put her in All About Eve (1950) , resulting in 20th Century re-signing her to a seven-year contract. Niagara (1953) and Gentlemen Prefer Blondes (1953) launched her as a sex symbol superstar.
When she went to a supper honoring her in the The Seven Year Itch (1955) , she arrived in a red chiffon gown borrowed from the studio (she had never owned a gown). That same year, she married and divorced baseball great Joe DiMaggio (their wedding night was spent in Paso Robles, California). After The Seven Year Itch (1955) , she wanted serious acting to replace the sexpot image and went to New York's Actors Studio. She worked with director Lee Strasberg and also underwent psychoanalysis to learn more about herself. Critics praised her transformation in Bus Stop (1956) and the press was stunned by her marriage to playwright Arthur Miller . True to form, she had no veil to match her beige wedding dress so she dyed one in coffee; he wore one of the two suits he owned. They went to England that fall where she made The Prince and the Showgirl (1957) with Laurence Olivier , fighting with him and falling further prey to alcohol and pills. Two miscarriages and gynecological surgery followed. So had an affair with Yves Montand . Work on her last picture The Misfits (1961) , written for her by departing husband Miller, was interrupted by exhaustion. She was dropped from the unfinished Something's Got to Give (1962) due to chronic lateness and drug dependency.
On August 4, 1962, Marilyn Monroe's day began with threatening phone calls. Dr. Ralph Greenson, Marilyn's physician, came over the following day and quoted later in a document "Felt it was possible that Marilyn had felt rejected by some of the people she had been close to." Apart from being upset that her publicist slept too long, she seemed fine. Pat Newcombe, who had stayed the previous night at Marilyn's house, left in the early evening as did Greenson who had a dinner date. Marilyn was upset he couldn't stay, and around 7:30pm she telephoned him to say that her second husband's son had called her. Peter Lawford also called Marilyn, inviting her to dinner, but she declined. Lawford later said her speech was slurred. As the evening went on there were other phone calls, including one from Jose Belanos, who said he thought she sounded fine. According to the funeral directors, Marilyn died sometime between 9:30pm and 11:30pm. Her maid unable to raise her but seeing a light under her locked door, called the police shortly after midnight. She also phoned Ralph Greenson who, on arrival, could not break down the bedroom door. He eventually broke in through French windows and found Marilyn dead in bed. The coroner stated she had died from acute barbiturate poisoning, and it was a 'probable suicide' though many conspiracies would follow in the years after her death.- Actress
- Producer
- Costume Designer
Mariko Okada was born on 11 January 1933 in Tokyo, Japan. She is an actress and producer, known for Samurai III: Duel at Ganryu Island (1956), Akitsu Springs (1962) and This Year's Love (1962). She was previously married to Yoshishige Yoshida.- Actor
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Fred Astaire was born in Omaha, Nebraska, to Johanna (Geilus) and Fritz Austerlitz, a brewer. Fred entered show business at age 5. He was successful both in vaudeville and on Broadway in partnership with his sister, Adele Astaire. After Adele retired to marry in 1932, Astaire headed to Hollywood. Signed to RKO, he was loaned to MGM to appear in Dancing Lady (1933) before starting work on RKO's Flying Down to Rio (1933). In the latter film, he began his highly successful partnership with Ginger Rogers, with whom he danced in 9 RKO pictures. During these years, he was also active in recording and radio. On film, Astaire later appeared opposite a number of partners through various studios. After a temporary retirement in 1945-7, during which he opened Fred Astaire Dance Studios, Astaire returned to film to star in more musicals through 1957. He subsequently performed a number of straight dramatic roles in film and TV.- Actor
- Producer
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Actress
- Director
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Tanaka Kinuyo was a highly regarded and prolific actress best known for her films with director Mizoguchi Kenji. She was immersed in the world of film having received her start in the world of entertainment at age fourteen, being a filmmaker herself, being the cousin of director Kobayashi Masaki and, very much like Hara Setsuko and Ozu Yasujiro, being anecdotally romantically linked with the aforementioned Mizoguchi. The director would later recommend against her being hired as a director, which caused a rift between the two. She received her first known credit in Shochiku's Genroku Onna in 1924. She stayed to become the studio's biggest actress, and a paradigm of beauty, until approximately 1949 when she travelled to the United States Of America as an ambassador of Japanese culture. Upon her return from the US the Japanese detected a change of attitude in her, as well as noting a new short hairdo, which momentarily lead to some criticism. She had married director Shimizu Hiroshi, with whom she had worked, in 1929. Sources claim this was a mere cohabitation however. The marriage lasted a matter of months, but the two worked together beyond their romantic union. She married another one of her directors Gosho Heinosuke, but not before also starring in several Ozu films. It looked like films like Aizen Katsu and Naniwa Onna would be the height of her fame with all their popularity, but post-war films like Life Of Oharu, Sansho The Bailiff and Ugetsu were even bigger classics and immortalized the actress. Another of her many other noteworthy performances was in The Ballad Of Narayama based on a tradition and folklore of Japan. As if to complete her tour de force of Japanese cinema she directed several films and even worked with Kurosawa Akira in Red Beard. She died of a brain tumor in 1977.- Leonor Silveira was born on 28 October 1970 in Lisbon, Portugal. She is an actress, known for Living Bad (2023), Porto Santo (1997) and Voyage to the Beginning of the World (1997).
- Actor
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Humphrey DeForest Bogart was born in New York City, New York, to Maud Humphrey, a famed magazine illustrator and suffragette, and Belmont DeForest Bogart, a moderately wealthy surgeon (who was secretly addicted to opium). Bogart was educated at Trinity School, NYC, and was sent to Phillips Academy in Andover, Massachusetts, in preparation for medical studies at Yale. He was expelled from Phillips and joined the U.S. Naval Reserve. From 1920 to 1922, he managed a stage company owned by family friend William A. Brady (the father of actress Alice Brady), performing a variety of tasks at Brady's film studio in New York. He then began regular stage performances. Alexander Woollcott described his acting in a 1922 play as inadequate. In 1930, he gained a contract with Fox, his feature film debut in a ten-minute short, Broadway's Like That (1930), co-starring Ruth Etting and Joan Blondell. Fox released him after two years. After five years of stage and minor film roles, he had his breakthrough role in The Petrified Forest (1936) from Warner Bros. He won the part over Edward G. Robinson only after the star, Leslie Howard, threatened Warner Bros. that he would quit unless Bogart was given the key role of Duke Mantee, which he had played in the Broadway production with Howard. The film was a major success and led to a long-term contract with Warner Bros. From 1936 to 1940, Bogart appeared in 28 films, usually as a gangster, twice in Westerns and even a horror film. His landmark year was 1941 (often capitalizing on parts George Raft had stupidly rejected) with roles in classics such as High Sierra (1940) and as Sam Spade in one of his most fondly remembered films, The Maltese Falcon (1941). These were followed by Casablanca (1942), The Big Sleep (1946), and Key Largo (1948). Bogart, despite his erratic education, was incredibly well-read and he favored writers and intellectuals within his small circle of friends. In 1947, he joined wife Lauren Bacall and other actors protesting the House Un-American Activities Committee witch hunts. He also formed his own production company, and the next year made The Treasure of the Sierra Madre (1948). Bogie won the best actor Academy Award for The African Queen (1951) and was nominated for Casablanca (1942) and as Captain Queeg in The Caine Mutiny (1954), a film made when he was already seriously ill. He died in his sleep at his Hollywood home following surgeries and a battle with throat cancer.- Actress
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Nina Hoss was born on 7 July 1975 in Stuttgart, Baden-Württemberg, Germany. She is an actress, known for Phoenix (2014), Tár (2022) and A Most Wanted Man (2014). She has been married to Alex Silva since 2015.- Actress
- Second Unit Director or Assistant Director
- Costume and Wardrobe Department
Along with Hara Setsuko and Tanaka Kinuyo, Takamine Hideko remains one of Japan's most admired and prolific film actresses. Born as Hirayama Hideko in Hakodate, Hokkaido in northern Japan in 1924, she became a child actress for Shochiku Studio at age five appearing in the film Haha. She would go on to work with directors like Kinoshita, Ozu, and arguably most notably Naruse Mikio. Mid-career she had switched to P.C.L. Film Studio (later Toho Studios) and then become independent yet she would work for notable directors nonetheless. By the time she married director Matsuyama Zenzo in 1955 she had acquired a reputation as depicting feminist roles where women seek their independence or are oppressed. She died in 2010 of lung cancer, but had recorded songs and written biographies before her death.- Actor
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Anthony Hopkins was born on December 31, 1937, in Margam, Wales, to Muriel Anne (Yeats) and Richard Arthur Hopkins, a baker. His parents were both of half Welsh and half English descent. Influenced by Richard Burton, he decided to study at College of Music and Drama and graduated in 1957. In 1965, he moved to London and joined the National Theatre, invited by Laurence Olivier, who could see the talent in Hopkins. In 1967, he made his first film for television, A Flea in Her Ear (1967).
From this moment on, he enjoyed a successful career in cinema and television. In 1968, he worked on The Lion in Winter (1968) with Timothy Dalton. Many successes came later, and Hopkins' remarkable acting style reached the four corners of the world. In 1977, he appeared in two major films: A Bridge Too Far (1977) with James Caan, Gene Hackman, Sean Connery, Michael Caine, Elliott Gould and Laurence Olivier, and Maximilian Schell. In 1980, he worked on The Elephant Man (1980). Two good television literature adaptations followed: Othello (1981) and The Hunchback of Notre Dame (1982). In 1987 he was awarded with the Commander of the order of the British Empire. This year was also important in his cinematic life, with 84 Charing Cross Road (1987), acclaimed by specialists. In 1993, he was knighted.
In the 1990s, Hopkins acted in movies like Desperate Hours (1990) and Howards End (1992), The Remains of the Day (1993) (nominee for the Oscar), Legends of the Fall (1994), Nixon (1995) (nominee for the Oscar), Surviving Picasso (1996), Amistad (1997) (nominee for the Oscar), The Mask of Zorro (1998), Meet Joe Black (1998) and Instinct (1999). His most remarkable film, however, was The Silence of the Lambs (1991), for which he won the Oscar for Best Actor. He also got a B.A.F.T.A. for this role.- Actress
- Art Department
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Juliette Binoche was born in Paris, France, to Monique Yvette Stalens, a director, teacher, and actress, and Jean-Marie Binoche, a sculptor, director, and actor. Her mother was born in Czestochowa, Poland, of French, Walloon Belgian, and Polish descent, while her father is French. Juliette was only 23 when she first attracted the attention of international film critics with The Unbearable Lightness of Being (1988). Roger Ebert, Chicago Sun-Times film critic with an international following of his books on film and TV reviews, wrote that she was "almost ethereal in her beauty and innocence". That innocence was gone by the time Binoche completed Louis Malle's Damage (1992) (aka "Fatale"). In an interview after the film was released, Binoche said: "Malle was trying direct and wanted something more sophisticated". A year later, Krzysztof Kieslowski's Three Colors: Blue (1993) was added to her film credits. After a sabbatical from film-making to become a mother in 1994, Binoche was selected as the heroine of France's most expensive ($35 million) movie ever: The Horseman on the Roof (1995). More recently, she has made The English Patient (1996), for which she won an Oscar for 'Best supporting actress' and Chocolat (2000).- Actress
- Producer
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Ziyi Zhang is a Chinese actress and model. She is best known for Crouching Tiger, Hidden Dragon (2000), Rush Hour 2 (2001), Hero (2002), House of Flying Daggers (2004), and Memoirs of a Geisha (2005).
She made her feature film debut in The Road Home (1999).
For her work in Memoirs of a Geisha she was nominated for an Golden Globe for Best Actress.- Actress
- Soundtrack
Cyd Charisse was born Tula Ellice Finklea on March 8, 1922, in Amarillo, Texas. Born to be a dancer, she spent her early childhood taking ballet lessons and joined the Ballet Russe at age 13. In 1939, she married Nico Charisse, her former dance teacher. In 1943, she appeared in her first film, Something to Shout About (1943), billed as Lily Norwood. The same year, she played a Russian dancer in Mission to Moscow (1943), directed by Michael Curtiz. In 1945, she was hired to dance with Fred Astaire in Ziegfeld Follies (1945), and that uncredited appearance got her a seven-year contract with MGM. She appeared in a number of musicals over the next few years, but it was Singin' in the Rain (1952) with Gene Kelly that made her a star. That was quickly followed by her great performance in The Band Wagon (1953). As the 1960s dawned, musicals faded from the screen, as did her career. She made appearances on television and performed in a nightclub revue with her second husband, singer Tony Martin. Cyd Charisse died at age 86 of a heart attack on June 17, 2008 in Los Angeles, California.- Actress
- Producer
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Isabelle Yasmine Adjani was born in Gennevilliers, Hauts-de-Seine, a suburb of Paris, to Emma Augusta "Gusti" (Schweinberger) and Mohammed Adjani. Her father was a Kabyle Algerian, from Iferhounène, and her mother was a Bavarian German. She grew up speaking German fluently. After winning a school recitation contest, she began acting in amateur theater by the age of twelve. At the age of 14, she starred in her first motion picture, Le Petit Bougnat (1970). Adjani has appeared in 30 films since 1970. She holds the record for most César Award for Best Actress (5), which she won for Possession (1981), One Deadly Summer (1983) (aka "One Deadly Summer"), Camille Claudel (1988), Queen Margot (1994) (aka "Queen Margot") and Skirt Day (2008) (aka "Skirt Day"). She was also given a double Cannes Film Festival Best Actress Award in 1981. She also received two Academy Award nominations for Best Actress. She performs in French, English, Italian and German. Adjani was made a Chevalier de la Légion d'honneur in 2010.- Though his number of film roles amount to a bit over 30, Paul Scofield has cast a giant shadow in the world of stage and film acting. He grew up in West Sussex, the son of a schoolmaster. He attended the Varndean School for Boys in Brighton. The love of acting came early. While still high school age, he began training as an actor at the Croydon Repertory Theatre School (1939) and then at the Mask Theatre School (1940) in London. He took on all the experience he could handle by joining touring companies and also entertained British troops during World War II. He joined the Birmingham Repertory Theatre and, from there in 1946, he moved to Stratford-upon-Avon. There, in the birthplace of William Shakespeare, he had his first great successes. He had the title role in "Henry V"; he was "Cloten" in "Cymbeline"; "Don Adriano de Armado" in "Love's Labour's Lost", "Lucio" in "Measure for Measure", and then "Hamlet". And there were many more as he honed himself into one the great Shakespearean actors of the 20th century. With a rich, sonorous voice compared to a Rolls Royce being started up, in one instance, and a great sound rumbling forth from an antique crypt in yet another, he was quickly compared to Laurence Olivier.
Scofield did not move on to commercial theater until 1949, when he took the lead role of "Alexander the Great", in playwright Terence Rattigan's unfortunately ill-received "Adventure Story". And as he continued theater work, he moved toward film very carefully. From his first in 1955, Scofield was always - as with any of his acting assignments - extremely picky about accepting a particular role. It was three years before his second film. Meanwhile, Scofield had the opportunity to play a great lead part in a new play by a schoolmaster-turned-new-playwright, Robert Bolt. The play was "A Man for All Seasons" and Scofield's choice role was that of "Sir Thomas More", the great English humanist and chancellor, who defied the ogre "King Henry VIII" in his wish to put aside his first wife for "Anne Bolyne". It was a once in a lifetime part, and Scofield debuted it in London in 1960. His only appearance on Broadway was the next year in that play, which ran into 1962. It was no surprise that the work began garnering awards for him (see Trivia below for details on theater and film awards).
He returned to Shakespeare in 1962 with Peter Brook, the noted British director and producer, directing him as "Lear" at the newly formed Royal Shakespeare Company (RSC) at Stratford. This was a pioneering minimalist production, one of the first "bare stage" efforts - though things were pretty bare stage in Shakespeare's day. Scofield then did "Coriolanus" and "Love's Labour's Lost" for the Shakespeare Festival in Stratford, Ontario in 1963. His third film came six years after his second screen appearance (1958). This was his standout performance in The Train (1964), a production of his co-star, Burt Lancaster, that grew in size and budget with the entrance of Lancaster's second choice for director, John Frankenheimer. Some of the difficulties involved might have turned someone of Scofield's discipline back to the stage thereafter, but the filming of "Seasons" arrived, and he would hardly refuse. With Robert Bolt handling the screenplay and a superlative supporting cast, the film version of A Man for All Seasons (1966) collected some thirty-three international awards, including a three-statue sweep of prime-Oscar categories plus another three for good measure. Scofield was unforgettable as the incisive man of state, able to juggle the volatile politics of the time but always keep his honor and so brimming with faith as to endure the inevitably mounting tide against him.
It suited Scofield for a time to keep his screen-acting to adaptations of plays, books, and ensemble pieces fitted to the big screen. Peter Brook and he teamed again for a film version of the Brook-adapted play Tell Me Lies (1968). The adaptation of Herman Melville's Bartleby (1970), despite Scofield's efforts, did not wash as an attempt to update Melville's story in the late twentieth century. Then Brook was back again to finally attempt what he said had really never been done correctly -adapting Shakespeare to film. Scofield's 1962 "Lear" was held in high esteem, and Brook decided on a film version, King Lear (1970), an even more uncompromising, even uncomfortable, desolation staging and editing of the tragedy. Despite some oddball camera work and not wholly satisfying adapting of the play, Scofield was magnificent and got his chance to show that he is perhaps the best Lear of modern times. While still keeping a concerted interest in filmed play adaptations, Scofield could be lured into more typical screen drama. He joined former co-star, Burt Lancaster, for the spy thriller, Scorpio (1973), as a memorable Russian comrade of Lancaster from the days of World War II, caught in late-Cold War spy craft brutality.
Through the 1980s, Scofield did a mix of TV and film on both sides of the Atlantic. But he was drawn back to Shakespeare and filming efforts, though in humbler parts, first in the Henry V (1989) of ambitious Kenneth Branagh, as the French king, and, the next year, in the Franco Zeffirelli, Hamlet (1990), as "The Ghost" - with the real buzz being for Mel Gibson as the dour "Prince of Denmark". Both films were well-crafted with impressive supporting casts. And Scofield could be content that as with all his roles, he was remaining consistent with himself as his own best judge of how to challenge his acting gifts. Gibson was appropriately awed, saying that working with Scofield was like being "thrown into the ring with Mike Tyson" (that is, Mike Tyson then, not now). Through the 1990s, he enjoyed his continued sampling of all acting media, even radio narration and animation voice-over.
The matter of British actors weighing upon the acceptance of knighthoods for their work began most publicly with Scofield. In 1956, after his tour of "Hamlet" with a triumph in Moscow, he gratefully accepted the appointment as a Commander of the Order of the British Empire (CBE), but thereafter he refused on three occasions the offer of knighthood. "If you want a title, what's wrong with Mr.? If you have always been that, then why lose your title? "I have a title, which is the same one that I have always had. But it's not political. I have a CBE, which I accepted very gratefully". He said this with great simplicity and charm. The matter of 'theatrical nobility' has prompted others to follow Scofield's example. One high profile example with a twist is actor Anthony Hopkins, now an American citizen, who quipped that he only accepted the knighthood because his wife wanted him to do so. In taking the oath of citizenship, Hopkins pledged to "renounce the title of nobility to which I have heretofore belonged". But Scofield's demeanor in his logically crafted refusals from the first so fit this man's very private life. Yet quite averse to being interviewed, he has always been considerate to the public for their patronage. Brilliant man and acting legacy, on and off the stage, Paul Scofield truly is a "Man for All Seasons". - Actor
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This handsome, eloquent and highly charismatic actor became one of the foremost interpreters of Eugene O'Neill's plays and one of the most treasured names in song during the first half of the twentieth century. He also courted disdain and public controversy for most of his career as a staunch Cold War-era advocate for human rights, as well as his very vocal support for Joseph Stalin and the Soviet invasion of Hungary in 1956. While the backlash of his civil rights activities and left-wing ideology left him embittered and practically ruined his career, he remains today a durable symbol of racial pride and consciousness.
Born in Princeton, New Jersey, on April 9, 1898, Paul LeRoy Bustill Robeson and his four siblings (William, Benjamin, Reeve, Marian) lost their mother, a schoolteacher, in a fire while quite young (Paul was only six). Paul's father, a humble Presbyterian minister and former slave, raised the family singlehandedly and the young, impressionable boy grew up singing spirituals in his father's church. Paul was a natural athlete and the tall (6'3"), strapping high school fullback had no trouble earning a scholarship to prestigious Rutgers University in 1915 at age 17 -- becoming only the third member of his race to be admitted at the time. He excelled in football, baseball, basketball, and track and field, graduating as a four-letter man. He was also the holder of a Phi Beta Kappa key in his junior year and was a selected member of their honorary society, Cap and Skull. Moreover, he was the class valedictorian and in his speech was already preaching idealism.
Paul subsequently played professional football to earn money while attending Columbia University's law school, and also took part in amateur dramatics. During this time he met and married Eslanda Cardozo Goode in 1921. She eventually became his personal assistant. Despite the fact that he was admitted to the New York bar, Paul's future as an actor was destined and he never did practice law. His wife persuaded him to play a role in "Simon the Cyrenian" at the Harlem YMCA in 1921. This was followed by his Broadway debut the following year in the short-lived play "Taboo", a drama set in Africa, which also went to London. As a result, he was asked to join the Provincetown Players, a Greenwich Village theater group that included in its membership playwright Eugene O'Neill. O'Neill personally asked Paul to star in his plays "All God's Chillun Got Wings" and "The Emperor Jones" in 1924. The reaction from both critics and audiences alike was electrifying...an actor was born.
In 1925 Paul delivered his first singing recital and also made his film debut starring in Body and Soul (1925), a rather murky melodrama that nevertheless was ahead of its time in its depictions of black characters. Although Robeson played a scurrilous, corrupt clergyman who takes advantage of his own people, his dynamic personality managed to shine through. Radio and recordings helped spread his name across foreign waters. His resonant bass was a major highlight in the London production of "Show Boat" particularly with his powerful rendition of "Ol' Man River." He remained in London to play the role of Shakespeare's "Othello" in 1930 (at the time no U.S. company would hire him), and was again significant in a highly controversial production. Paul caused a slight stir by co-starring opposite a white actress, Peggy Ashcroft, who played Desdemona. Around this time Paul starred in the landmark British film Borderline (1930), a silent film that dealt strongly with racial themes, and then returned to the stage in the O'Neill play "The Hairy Ape" in 1931. The following year he appeared in a Broadway revival of "Show Boat" again as Joe. In the same production, the noted chanteuse Helen Morgan repeated her original 1927 performance as the half-caste role of Julie, but the white actress Tess Gardella played the role of Queenie in her customary blackface opposite Robeson.
Robeson spent most of his time singing and performing in England throughout the 1930s. He also was given the opportunity to recapture two of his greatest stage successes on film: The Emperor Jones (1933) and Show Boat (1936). In Britain he continued to film sporadically with Sanders of the River (1935), Song of Freedom (1936), King Solomon's Mines (1937), Dark Sands (1937) and The Tunnel (1940) in important roles that resisted demeaning stereotypes.
During the 1930s he also gravitated strongly towards economics and politics with a burgeoning interest in social activism. In 1934 he made the first of several trips to the Soviet Union and outwardly extolled the Soviet way of life and his belief that it lacked racial bias, despite the Holodomor and the later Rootless Cosmopolitan Campaign. He was a popular figure in Wales where he became personally involved in their civil rights affairs, notably the Welsh miners. Developing a marked leftist ideology, he continued to criticize the blatant discrimination he found so prevalent in America.
The 1940s was a mixture of performance triumphs and poignant, political upheavals. While his title run in the musical drama "John Henry" (1940), was short-lived, he earned widespread acclaim for his Broadway "Othello" in 1943 opposite José Ferrer as Iago and Uta Hagen as Desdemona. By this time, however, Robeson was being reviled by much of white America for his outspoken civil rights speeches against segregation and lynchings, particularly in the South. A founder of the Progressive Party, an independent political party, his outdoor concerts sometimes ignited violence and he was now a full-blown target for "Red Menace" agitators. In 1946 he denied under oath being a member of the Communist Party, but steadfastly refused to refute the accusations under subsequent probes. As a result, his passport was withdrawn and he became engaged in legal battles for nearly a decade in order to retrieve it. Adding fuel to the fire was his only son's (Paul Jr.) marriage to a white woman in 1949 and his being awarded the Stalin Peace Prize in 1952 (he was unable to receive it until 1958 when his passport was returned to him).
Essentially blacklisted, tainted press statements continued to hound him. He began performing less and less in America. Despite his growing scorn towards America, he never gave up his American citizenship although the anguish of it all led to a couple of suicide attempts, nervous breakdowns and a dependency on drugs. Europe was a different story. The people continued to hold him in high regard as an artist/concertist above reproach. He had a command of about 20 languages and wound up giving his last acting performance in "Othello" on foreign shores -- at Stratford-on-Avon in 1959.
While still performing in the 1960s, his health suddenly took a turn for the worse and he finally returned to the United States in 1963. His poet/wife Eslanda Robeson died of cancer two years later. Paul remained in poor health for pretty much the rest of his life. His last years were spent in Harlem in near-total isolation, denying all interviews and public correspondence, although he was honored for speaking out against apartheid in South Africa in 1978.
Paul died at age 77 of complications from a stroke. Among his many honors: he was inducted into the College Football Hall of Fame in 1995; he received a Grammy Lifetime Achievement Award in 1998; was honored with a postage stamp during the "Black Heritage" series; and both a Cultural Center at Penn State University and a high school in Brooklyn bear his name. In 1995 his autobiography "Here I Stand" was published in England in 1958; his son, Paul Robeson Jr., also chronicled a book about his father, "Undiscovered Paul Robeson: An Artist's Journey" in 2001.- Actress
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Julie Christie, the British movie legend whom Al Pacino called "the most poetic of all actresses," was born in Chabua, Assam, India, on April 14, 1940, the daughter of a tea planter and his Welsh wife Rosemary, who was a painter. The young Christie grew up on her father's plantation before being sent to England for her education. Finishing her studies in Paris, where she had moved to improve her French with an eye to possibly becoming a linguist (she is fluent in French and Italian), the teenager became enamored of the freedom of the Continent. She also was smitten by the bohemian life of artists and planned on becoming an artist before she enrolled in London's Central School of Speech Training. She made her debut as a professional in 1957 as a member of the Frinton Repertory of Essex.
Christie was not fond of the stage, even though it allowed her to travel, including a professional gig in the United States. Her true métier as an actress was film, and she made her debut in the science-fiction television series A for Andromeda (1961) in 1961. Her first film was a girlfriend part in the Ealing-like comedy Crooks Anonymous (1962), which was followed up by a larger ingénue role in another comedy, The Fast Lady (1962). The producers of the James Bond series were sufficiently intrigued by the young actress to consider her for the role that subsequently went to Ursula Andress in Dr. No (1962), but dropped the idea because she was not busty enough.
Christie first worked with the man who would kick her career into high gear, director John Schlesinger, when he choose her as a replacement for the actress originally cast in Billy Liar (1963). Christie's turn in the film as the free-wheeling Liz was a stunner, and she had her first taste of becoming a symbol if not icon of the new British cinema. Her screen presence was such that the great John Ford cast her as the young prostitute in Young Cassidy (1965). Charlton Heston wanted her for his film The War Lord (1965), but the studio refused her salary demands.
Although Amercan magazines portrayed Christie as a "newcomer" when she made her breakthrough to super-stardom in Schlesinger's seminal Swinging Sixties film Darling (1965), she actually had considerable work under her professional belt and was in the process of a artistic quickening. Schlesinger called on Christie, whom he adored, to play the role of mode Diana Scott when the casting of Shirley MacLaine fell through. (MacLaine was the sister of the man who would become Christie's long-time paramour in the late 1960s and early '70s, Warren Beatty, whom some, like actor Rod Steiger, believe she gave up her career for. Her "Dr. Zhivago" co-star, Steiger -- a keen student of acting -- regretted that Christie did not give more of herself to her craft.)
As played by Christie, Diana is an amoral social butterfly who undergoes a metamorphosis from immature sex kitten to jaded socialite. For her complex performance, Christie won raves, including the Best Actress Awards from the Academy of Motion Picture Arts and Sciences and the British Film Academy. She had arrived, especially as she had followed up "Darling" with the role of Lara in two-time Academy Award-winning director David Lean's adaptation of Boris Pasternak's Doctor Zhivago (1965), one of the all-time box-office champs.
Christie was now a superstar who commanded a price of $400,000 per picture, a fact ruefully noted in Charlton Heston's diary (his studio had balked at paying her then-fee of $35,000). More interested in film as an art form than in consolidating her movie stardom, Christie followed up "Zhivago" with a dual role in Fahrenheit 451 (1966) for director François Truffaut, a director she admired. The film was hurt by the director's lack of English and by friction between Truffaut and Christie's male co-star Oskar Werner, who had replaced the the more-appropriate-for-the-role Terence Stamp. Stamp and Christie had been lovers before she had become famous, and he was unsure he could act with her, due to his own ego problems. On his part, Werner resented the attention the smitten Truffaut gave Christie. The film is an interesting failure.
Stamp overcame those ego problems to sign on as her co-star in John Schlesinger's adaptation of Thomas Hardy's Far from the Madding Crowd (1967), which also featured two great English actors, Peter Finch and Alan Bates. It is a film that is far better remembered now than when it was received in 1967. The film and her performance as the Hardy heroine Bathsheba Everdene was lambasted by film critics, many of whom faulted Christie for being too "mod" and thus untrue to one of Hardy's classic tales of fate. Some said that her contemporary Vanessa Redgrave would have been a better choice as Bathsheba, but while it is true that Redgrave is a very fine actress, she lacked the sex appeal and star quality of Christie, which makes the story of three men in love with one woman more plausible, as a film.
Although no one then knew it, the period 1967-68 represented the high-water mark of Christie's career. Fatefully, like the Hardy heroine she had portrayed, she had met the man who transformed her life, undermining her pretensions to a career as a movie star in their seven-year-long love affair, the American actor Warren Beatty. Living his life was always far more important than being a star for Beatty, who viewed the movie star profession as a "treadmill leading to more treadmills" and who was wealthy enough after Bonnie and Clyde (1967) to not have to ever work again. Christie and Beatty had visited a working farm during the production of "Madding Crowd" and had been appalled by the industrial exploitation of the animals. Thereafter, animal rights became a very important subject to Christie. They were kindred souls who remain friends four decades after their affair ended in 1974.
Christie's last box-office hit in which she was the top-liner was Petulia (1968) for Richard Lester, a film that featured one of co-star George C. Scott's greatest performances, perfectly counter-balanced by Christie's portrayal of an "arch-kook" who was emblematic of the '60s. It is one of the major films of the decade, an underrated masterpiece. Despite the presence of the great George C. Scott and the excellent Shirley Knight, the film would not work without Julie Christie. There is frankly no other actress who could have filled the role, bringing that unique presence and the threat of danger that crackled around Christie's electric aura. At this point of her career, she was poised for greatness as a star, greatness as an actress.
And she walked away.
After meeting Beatty, Julie Christie essentially surrendered any aspirations to screen stardom, or at maintaining herself as a top-drawer working actress (success at the box office being a guarantee of the best parts, even in art films.) She turned down the lead in They Shoot Horses, Don't They? (1969) and Anne of the Thousand Days (1969), two parts that garnered Oscar nominations for the second choices, Jane Fonda and Geneviève Bujold. After shooting In Search of Gregory (1969), a critical and box office flop, to fulfill her contractual obligations, she spent her time with Beatty in Calfiornia, renting a beach house at Malibu. She did return to form in Joseph Losey's The Go-Between (1971), a fine picture with a script by the great Harold Pinter, and she won another Oscar nomination as the whore-house proprietor in Robert Altman's minor classic McCabe & Mrs. Miller (1971) that she made with her lover Beatty. However, like Beatty himself, she did not seek steady work, which can be professional suicide for an actor who wants to maintain a standing in the first rank of movie stars.
At the same time, Julie Christie turned down the role of the Russian Empress in Nicholas and Alexandra (1971), another film that won the second-choice (Janet Suzman) a Best Actress Oscar nomination. Two years later, she appeared in the landmark mystery-horror film Don't Look Now (1973), but that likely was as a favor to the director, Nicolas Roeg, who had been her cinematographer on "Fahrenheit 451," "Far From the Madding Crowd" and "Petulia." In the mid '70s, her affair with Beatty came to an end, but the two remained close friends and worked together in Shampoo (1975) (which she regretted due to its depiction of women) and Heaven Can Wait (1978).
Christie was still enough of a star, due to sheer magnetism rather than her own pull at the box-office, to be offered $1 million to play the Jacqueline Kennedy Onassis character in The Greek Tycoon (1978) (a part eventually played by Jacqueline Bisset to no great acclaim). She signed for but was forced to drop out of the lead in Agatha (1979) (which was filled by Vanessa Redgrave) after she broke a wrist roller-skating (a particularly southern Californian fate!). She then signed for the female lead in American Gigolo (1980) when Richard Gere was originally attached to the picture, but dropped out when John Travolta muscled his way into the lead after making twin box-office killings as disco king Tony Manera in Saturday Night Fever (1977) and greaser Danny Zuko in Grease (1978). Christie could never have co-starred with such a camp figure of dubious talent. When Travolta himself dropped out and Gere was subbed back in, it was too late for Christe to reconsider, as the part already had been filled by model-actress Lauren Hutton. It would take 15 years for Christie and Gere to work together.
Finally, the end of the American phase of her movie career was realized when Christie turned down the part of Louise Bryant in Reds (1981), a part written by Warren Beatty with her in mind, as she felt an American should play the role. (Beatty's latest lover, Diane Keaton, played the part and won a Best Actress Oscar nomination.) Still, she remained a part of the film, Beatty's long-gestated labor of love, as it is dedicated to "Jules."
Julie Christie moved back to the UK and become the UK's answer to Jane Fonda, campaigning for various social and political causes, including animal rights and nuclear disarmament. The parts she did take were primarily driven by her social consciousness, such as appearing in Sally Potter's first feature-length film, The Gold Diggers (1983) which was not a remake of the old Avery Hopwood's old warhorse but a feminist parable made entirely by women who all shared the same pay scale. Roles in The Return of the Soldier (1982) with Alan Bates and Glenda Jackson and Merchant-Ivory's Heat and Dust (1983) seemed to herald a return to form, but Christie -- as befits such a symbol of the freedom and lack of conformity of the '60s -- decided to do it her way. She did not go "careering," even though her unique talent and beauty was still very much in demand by filmmakers.
At this point, Christie's movie career went into eclipse. Once again, she was particularly choosy about her work, so much so that many came to see her, essentially, as retired. A career renaissance came in the mid-1990s with her turn as Gertrude in Kenneth Branagh's ambitious if not wholly successful Hamlet (1996). As Christie said at the time, she didn't feel she could turn Branagh down as he was a national treasure. But the best was yet to come: her turn as the faded movie star married to handyman Nick Nolte and romanced by a younger man in Afterglow (1997), which brought her rave notices. She received her third Best Actress Oscar nomination for her performance, and showed up at the awards as radiant and uniquely beautiful as ever. Ever the iconoclast, she was visibly relieved, upon the announcement of the award, to learn that she had lost!
Christie lived with left-wing investigative journalist Duncan Campbell (a Manchester Guardian columnist) since 1979, first in Wales, then in Ojai, California, and now in London's East End, before marrying in January 2008. In addition to her film work, she has narrated many books-on-tape. In 1995, she made a triumphant return to the stage in a London revival of Harold Pinter's "Old Times", which garnered her superb reviews.
In the decade since "Afterglow," she has worked steadily on film in supporting roles. Christie -- an actress who eschewed vulgar stardom -- proved to be an inspiration to her co-star Sarah Polley, the remarkably talented Canadian actress with a leftist political bent who also abhors Hollywood. Of her co-star in No Such Thing (2001) and The Secret Life of Words (2005), Polley says that Christie is uniquely aware of her commodification by the movie industry and the mass media during the 1960s. Not wanting to be reduced to a product, she had rebelled and had assumed control of her life and career. Her attitude makes her one of Polley's heroes, who calls her one of her surrogate mothers. (Polley lost her own mother when she was 11 years old.)
Both Christie and Polley are rebels. Sarah Polley had walked off the set of the big-budget movie that was forecast as her ticket to Hollywood stardom, Almost Famous (2000), to have a different sort of life and career. She returned to her native Canada to appear in the low-budget indie The Law of Enclosures (2000), a prescient art film in that director John Greyson offset the drama with a background of a perpetual Gulf War three years before George W. Bush invaded Iraq, touching off the second-longest war in U.S. history. Taking a hiatus from acting, Polley went to Norman Jewison's Canadian Film Centre to learn to direct, and direct she has, making well-regarded shorts before launching her feature film debut, Away from Her (2006), which was shot and completed in 2006 but held for release until 2007 by its distributor.
Polley, who had longed to be a writer since she was a child actress on the set of the quaint family show Avonlea (1990) wrote the screenplay for her adaptation of Alice Munro's short story "The Bear Went Over the Mountain" with only one actress in mind: Julie Christie. Polley had first read the short story on a flight back from Iceland, where she had made "No Such Thing" with Christie, and as she read, it was Julie whom she pictured as Fiona, the wife of a one-time philandering husband, who has become afflicted with Alzheimer's disease and seeks to save her hubby the pain of looking after her by checking herself into a home.
After finishing the screenplay, it took months to get Christie to commit to making the film. Julie turned her down after reading the script and pondering it for a couple of months, saying "No" even though she liked the script. Polley then had to "twist her arm" for another couple of months. But alas, Julie has a weakness for national treasures: Just like with Branagh a decade ago, the legendary Julie Christie could not deny the Great White North's Sarah Polley, and commit she did. Polley then found out why Christie is so reticent about making movies:
"She gives all of herself to what she does. Once she said yes, she was more committed than anybody."
According to David Germain, a cinema journalist who interviewed Christie for the Associated Press, "Polley and Christie share a desire to do interesting, unusual work, which generally means staying away from Hollywood.
"'It's been a kind of greed and a kind of egotism, but it's not necessarily wanting to avoid the Hollywood thing, but in fact, it incorporates wanting to avoid the Hollywood thing, because the Hollywood thing is so inevitably not original,' Christie said. 'It's avoiding non-originality, so that means you're really down to a very small choice.'"
The collaboration between the two rebels yielded a small gem of a film. Lions Gate Films was so impressed, it purchased the American distribution rights to the film in 2006, then withheld it until the following year to build up momentum for the awards season.
Julie Christie's performance in "Away From Her" is superb, and already has garnered her the National Board of Review's Best Actress Award. She will likely receive her fourth Academy Award nomination, and quite possibly her second Oscar, for her unforgettable performance, a labor of love she did for a friend.
We, the Julie Christie fans who have waited decades for the handful of films made by the numinous star: Would we have wanted it any other way? We are the Red Sox fans of the movies, once again rewarded with a world-class masterpiece by our heroine. Perhaps, like all human beings, we want more, but we have learned over the last thirty-five years to be content with the diamonds that are Julie's leading performances that she gives just once a decade, content to feel that these are a surfeit of riches, our surfeit of riches, so great is their luminescence.- Actress
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Machiko Kyô was born on 25 March 1924 in Osaka, Japan. She was an actress, known for Rashomon (1950), The Teahouse of the August Moon (1956) and Gate of Hell (1953). She died on 12 May 2019 in Tokyo, Japan.- Actress
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Anna Magnani was born in Rome, Italy (not in Egypt, as some biographies claim), on March 7, 1908. She was the child of Marina Magnani and an unknown father often said to be from Alexandria, Egypt, but whom Anna herself claimed was from the Calabria region of Italy although she never knew his name. Raised in poverty by her maternal grandmother in Rome after her mother left her, Anna worked her way through Rome's Academy of Dramatic Art by singing in cabarets and night-clubs, then began touring the countryside with small repertory companies.
Although she had a small role in a silent film in the late 1920s, she was not known as a film actress until Doctor, Beware (1941), directed by Vittorio De Sica. Her break-through film was Roberto Rossellini's Rome, Open City (1945) (A.K.A. Open City), generally regarded as the first commercially successful Italian neorealist film of the postwar years and the one that won her an international reputation. From then on, she didn't stop working in films and television, winning an Academy Award for her performance in the screen version of Tennessee Williams' The Rose Tattoo (1955), a part that was written for her by her close friend Williams. She worked with all of Italy's leading directors of the 1950s, 1960s and 1970s.
She was renowned for her earthy, passionate, woman-of-the-soil roles. She and Rossellini were lovers for some years after Open City, until he began his infamous affair with Ingrid Bergman. She had one child, Luca, with Italian actor Massimo Serato. The boy was later stricken with polio and Magnani dedicated her life to caring for him. Her only marriage, to Italian director Goffredo Alessandrini in the mid-1930s, lasted only a short while and ended in an annulment. Her last film was Federico Fellini's Roma (1972). She died in her native Rome from pancreatic cancer the following year at age sixty-five.- Actor
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This remarkable, soft-spoken American began in films as a diffident juvenile. With passing years, he matured into a star character actor who exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He was born in Grand Island, Hall, Nebraska, the son of Herberta Elma (Jaynes) and William Brace Fonda, who was a commercial printer, and proprietor of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country and moved to Holland, presumably because of political or religious persecution. In the mid-1600s, they crossed the Atlantic and settled in upstate New York where they founded a community with the Fonda name.
Growing up, Henry developed an early interest in journalism after having a story published in a local newspaper. At the age of twelve, he helped in his father's printing business for $2 a week. Following graduation from high school in 1923, he got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. As it became difficult to juggle his working hours with his academic roster, he obtained another position as a physical education instructor at $30 a week, including room and board. By this time, he had grown to a height of six foot one and was a natural for basketball.
In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. Then, despite opposition from his parents, Henry accepted an offer from Gregory Foley, director of the Omaha Playhouse, to play the title role in 'Merton of the Movies'. His father would not speak to him for a month. The play and its star received fairly good notices in the local press. It ran for a week, after which Henry observed "the idea of being Merton and not myself taught me that I could hide behind a mask". For the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway.
In 1928, he headed east and briefly played in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates among whose number were such future luminaries as James Stewart (who would remain his closest lifelong friend), Joshua Logan and Kent Smith. Before long, Henry played leads opposite Margaret Sullavan, soon to become the first of his five wives. Both marriage and the players broke up four years later. In 1932, Henry found himself sharing a two-room New York apartment with Jimmy Stewart and Joshua Logan. For the next two years, he alternated scenic design with acting at various repertory companies. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely.
It was Hayward who persuaded the 29-year old to become a motion picture actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (1935). With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit. Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance), the screwball comedy The Moon's Our Home (1936) (with ex-wife Sullavan), the excellent pre-civil war-era romantic drama Jezebel (1938) and the equally superb Young Mr. Lincoln (1939), in which Henry gave his best screen performance to date as the 'jackleg lawyer from Springfield'. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) and The Grapes of Wrath (1940), with Henry as Tom Joad, often regarded his career-defining role as the archetypal grassroots American trying to stand up against oppression. It also set the tone for his subsequent career. Whether he played a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of total justice in (12 Angry Men (1957)) or a nightclub musician wrongly accused of murder (The Wrong Man (1956)), his characters were alike in projecting integrity and quiet authority. In this vein, he also gave a totally convincing (though historically inaccurate) portrayal in the titular role of The Return of Frank James (1940), a rare example of a sequel improving upon the original.
Henry rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck -- with whom he shared an excellent on-screen chemistry -- in The Mad Miss Manton (1938) and The Lady Eve (1941). He was also good value as a poker-playing grifter in the western comedy A Big Hand for the Little Lady (1966). Finally, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's classic Once Upon a Time in the West (1968). Illness curtailed his work in the 1970s. His final screen role was as an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, he died soon after at the age of 77, having left a lasting legacy matched by few of his peers.- Academy Award-winning, legendary English actress - who maintained her status in the British acting elite for decades. Made a Dame of the British Empire by Queen Elizabeth II in 1956. Almost always on stage, she appeared rarely in film, her first being The Wandering Jew (1933). On stage she was cast in many a Shakespearean role, but in film she usually played sympathetic characters. She won an Oscar for A Passage to India (1984), and her last TV film was She's Been Away (1989). She died from a stroke.
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Toshiro Mifune achieved more worldwide fame than any other Japanese actor of his century. He was born in Tsingtao, China, to Japanese parents and grew up in Dalian. He did not set foot in Japan until he was 21. His father was an importer and a commercial photographer, and young Toshiro worked in his father's studio for a time after graduating from Dalian Middle School. He was automatically drafted into the Japanese army when he turned 20, and enlisted in the Air Force where he was attached to the Aerial Photography Unit for the duration of the World War II. In 1947 he took a test for Kajirô Yamamoto, who recommended him to director Senkichi Taniguchi, thus leading to Mifune's first film role in These Foolish Times II (1947). Mifune then met and bonded with director Akira Kurosawa, and the two joined to become the most prominent actor-director pairing in all Japanese cinema. Beginning with Drunken Angel (1948), Mifune appeared in 16 of Kurosawa's films, most of which have become world-renowned classics. In Kurosawa's pictures, especially Rashomon (1950), Mifune would become the most famous Japanese actor in the world. A dynamic and ferocious actor, he excelled in action roles, but also had the depth to plumb intricate and subtle dramatic parts. A personal rift during the filming of Red Beard (1965) ended the Mifune-Kurosawa collaboration, but Mifune continued to perform leading roles in major films both in Japan and in foreign countries. He was twice named Best Actor at the Venice Film Festival (for Yojimbo (1961) and Red Beard (1965)). In 1963 he formed his own production company, directing one film and producing several others. In his later years he gained new fame in the title role of the American TV miniseries Shogun (1980), and appeared infrequently in cameo roles after that. His last years were plagued with Alzheimer's Syndrome and he died of organ failure in 1997, a few months before the death of the director with whose name he will forever be linked, Akira Kurosawa.- Actress
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Born in Denmark, she came to Paris at 18. She met Coco Chanel and Pierre Cardin and started as a top model. She met Jean-Luc Godard about a cameo in Breathless (1960), but she had to be naked and she refused to play in the movie. One year later, they wed and she became famous with the "Nouvelle Vague" movies directed by him, Jacques Rivette, and Agnès Varda.
In 1967, Serge Gainsbourg wrote his only film musical Anna (1967) for her, with the hit "Sous le soleil exactement". Then, she went to Hollywood for a few movies and came back to Paris. She wrote and directed Vivre ensemble (1973) after her divorce from Pierre Fabre. She later remarried, to Dennis Berry.- Actor
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Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.- Actress
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Jan Francis was born on 5 August 1947 in Westminster, London, England, UK. She is an actress, known for Dracula (1979), Just Good Friends (1983) and The Good Companions (1980). She has been married to Thomas Ellice since 1977. They have two children.- Actress
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Born in Shenyang, grew up in Jinan, the daughter of an economics professor. Loved music from childhood, and dreamed of a singing career. After failing to gain entrance to China's top music school in 1985, applied for and was admitted to the Central Drama Academy in Beijing, from which she graduated in 1989. While still a student, was cast as the female lead in Red Sorghum (1988)(aka "Red Sorghum"), the initial directing effort by Yimou Zhang. China's best-known actress in the West, she was named Best Actress at the 49th Venice International Film Festival for her role in The Story of Qiu Ju (1992) (aka "The Story of Qiu Ju"). Made a series of successful films with Yimou Zhang, a collaboration that apparently ended with the breakup of their personal relationship in 1995 and Gong's subsequent marriage to a tobacco company executive.- Actor
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Alfredo James "Al" 'Pacino established himself as a film actor during one of cinema's most vibrant decades, the 1970s, and has become an enduring and iconic figure in the world of American movies.
He was born April 25, 1940 in Manhattan, New York City, to Italian-American parents, Rose (nee Gerardi) and Sal Pacino. They divorced when he was young. His mother moved them into his grandparents' home in the South Bronx. Pacino found himself often repeating the plots and voices of characters he had seen in the movies. Bored and unmotivated in school, he found a haven in school plays, and his interest soon blossomed into a full-time career. Starting onstage, he went through a period of depression and poverty, sometimes having to borrow bus fare to succeed to auditions. He made it into the prestigious Actors Studio in 1966, studying under Lee Strasberg, creator of the Method Approach that would become the trademark of many 1970s-era actors.
After appearing in a string of plays in supporting roles, Pacino finally attained success off-Broadway with Israel Horovitz's "The Indian Wants the Bronx", winning an Obie Award for the 1966-67 season. That was followed by a Tony Award for "Does the Tiger Wear a Necktie?" His first feature films made little departure from the gritty realistic stage performances that earned him respect: he played a drug addict in The Panic in Needle Park (1971) after his film debut in Me, Natalie (1969). The role of Michael Corleone in The Godfather (1972) was one of the most sought-after of the time: Robert Redford, Warren Beatty, Jack Nicholson, Ryan O'Neal, Robert De Niro and a host of other actors either wanted it or were mentioned, but director Francis Ford Coppola wanted Pacino for the role.
Coppola was successful but Pacino was reportedly in constant fear of being fired during the very difficult shoot. The film was a monster hit that earned Pacino his first Academy Award nomination for Best Supporting Actor. However, instead of taking on easier projects for the big money he could now command, Pacino threw his support behind what he considered tough but important films, such as the true-life crime drama Serpico (1973) and the tragic real-life bank robbery film Dog Day Afternoon (1975). He was nominated three consecutive years for the "Best Actor" Academy Award. He faltered slightly with Bobby Deerfield (1977), but regained his stride with And Justice for All (1979), for which he received another Academy Award nomination for Best Actor. Unfortunately, this would signal the beginning of a decline in his career, which produced flops like Cruising (1980) and Author! Author! (1982).
Pacino took on another vicious gangster role and cemented his legendary status in the ultra-violent cult film Scarface (1983), but a monumental mistake was about to follow. Revolution (1985) endured an endless and seemingly cursed shoot in which equipment was destroyed, weather was terrible, and Pacino fell ill with pneumonia. Constant changes in the script further derailed the project. The Revolutionary War-themed film, considered among the worst films ever made, resulted in awful reviews and kept him off the screen for the next four years. Returning to the stage, Pacino did much to give back and contribute to the theatre, which he considers his first love. He directed a film, The Local Stigmatic (1990), but it remains unreleased. He lifted his self-imposed exile with the striking Sea of Love (1989) as a hard-drinking policeman. This marked the second phase of Pacino's career, being the first to feature his now famous dark, owl eyes and hoarse, gravelly voice.
Returning to the Corleones, Pacino made The Godfather Part III (1990) and earned raves for his first comedic role in the colorful adaptation Dick Tracy (1990). This earned him another Academy Award nomination for Best Supporting Actor, and two years later he was nominated for Glengarry Glen Ross (1992). He went into romantic mode for Frankie and Johnny (1991). In 1992, he finally won the Academy Award for Best Actor for his amazing performance in Scent of a Woman (1992). A mixture of technical perfection (he plays a blind man) and charisma, the role was tailor-made for him, and remains a classic.
The next few years would see Pacino becoming more comfortable with acting and movies as a business, turning out great roles in great films with more frequency and less of the demanding personal involvement of his wilder days. Carlito's Way (1993) proved another gangster classic, as did the epic crime drama Heat (1995) directed by Michael Mann and co-starring Robert De Niro. He directed the film adaptation of Shakespeare's Looking for Richard (1996). During this period, City Hall (1996), Donnie Brasco (1997) and The Devil's Advocate (1997) all came out. Reteaming with Mann and then Oliver Stone, he gave commanding performances in The Insider (1999) and Any Given Sunday (1999).
In the 2000s, Pacino starred in a number of theatrical blockbusters, including Ocean's Thirteen (2007), but his choice in television roles (the vicious, closeted Roy Cohn in the HBO miniseries Angels in America (2003) and his sensitive portrayal of Jack Kevorkian, in the television movie You Don't Know Jack (2010)) are reminiscent of the bolder choices of his early career. Each television project garnered him an Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie.
Never wed, Pacino has a daughter, Julie Marie, with acting teacher Jan Tarrant, and a set of twins with former longtime girlfriend Beverly D'Angelo. His romantic history includes Jill Clayburgh, Veruschka von Lehndorff, Carole Mallory, Debra Winger, Tuesday Weld, Marthe Keller, Carmen Cervera, Kathleen Quinlan, Lyndall Hobbs, Penelope Ann Miller, and a two-decade intermittent relationship with "Godfather" co-star Diane Keaton. He currently lives with Argentinian actress Lucila Solá, who is 36 years his junior.
As of 2022, Pacino is 82-years-old. He has never retired from acting, and continues to appear regularly in film.- Actress
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Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.- Actor
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Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actress
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Yoshiko Kuga was born on 21 January 1931 in Tokyo, Japan. She is an actress, known for Taiyô to bara (1956), Somewhere Under the Broad Sky (1954) and Jôshû to tomo ni (1956). She was previously married to Akihiko Hirata.- Actress
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Julianne Moore was born Julie Anne Smith in Fort Bragg, North Carolina on December 3, 1960, the daughter of Anne (Love), a social worker, and Peter Moore Smith, a paratrooper, colonel, and later military judge. Her mother moved to the U.S. in 1951, from Greenock, Scotland. Her father, from Burlington, New Jersey, has German, Irish, Welsh, German-Jewish, and English ancestry.
Moore spent the early years of her life in over two dozen locations around the world with her parents, during her father's military career. She finally found her place at Boston University, where she earned her Bachelor of Fine Arts (B.F.A.) degree in acting from the School of the Performing Arts. After graduation (in 1983), She took the stage name "Julianne Moore" because there was another actress named "Julie Anne Smith". Julianne moved to New York and worked extensively in theater, including appearances off-Broadway in two Caryl Churchill plays, Serious Money and Ice Cream With Hot Fudge and as Ophelia in Hamlet at The Guthrie Theatre. But despite her formal training, Julianne fell into the attractive actress' trap of the mid-1980's: TV soaps and miniseries. She appeared briefly in the daytime serial The Edge of Night (1956) and from 1985 to 1988 she played two half-sisters Frannie and Sabrina on the soap As the World Turns (1956). This performance later led to an Outstanding Ingénue Daytime Emmy Award in 1988. Her subsequent appearances were in mostly forgettable TV-movies, such as Money, Power, Murder. (1989), The Last to Go (1991) and Cast a Deadly Spell (1991).
She made her entrance into the big screen with 1990's Tales from the Darkside: The Movie (1990), where she played the victim of a mummy. Two years later, Julianne appeared in feature films with supporting parts in The Hand That Rocks the Cradle (1992) and the comedy The Gun in Betty Lou's Handbag (1992). She kept winning better and more powerful roles as time went on, including a small but memorable role as a doctor who spots Kimble Harrison Ford and attempts to thwart his escape in The Fugitive (1993). (A role that made such an impression on Steven Spielberg that he cast her in the Jurassic Park (1993) sequel without an audition in 1997). In one of Moore's most distinguished performances, she recapitulated her "beguiling Yelena" from Andre Gregory's workshop version of Chekhov's Uncle Vanya in Louis Malle's critically acclaimed Vanya on 42nd Street (1994). Director Todd Haynes gave Julianne her first opportunity to take on a lead role in Safe (1995). Her portrayal of Carol White, an affluent L.A. housewife who develops an inexplicable allergic reaction to her environment, won critical praise as well as an Independent Spirit Award nomination.
Later that year she found her way into romantic comedy, co-starring as Hugh Grant's pregnant girlfriend in Nine Months (1995). Following films included Assassins (1995), where she played an electronics security expert targeted for death (next to Sylvester Stallone and Antonio Banderas) and Surviving Picasso (1996), where she played Dora Maar, one of the numerous lovers of Picasso (portrayed by her hero, Anthony Hopkins). A year later, after co-starring in Spielberg's The Lost World: Jurassic Park (1997), opposite Jeff Goldblum, a young and unknown director, Paul Thomas Anderson asked Julianne to appear in his movie, Boogie Nights (1997). Despite her misgivings, she finally was won over by the script and her decision to play the role of Amber Waves, a loving porn star who acts as a mother figure to a ragtag crew, proved to be a wise one, since she received both Golden Globe and Academy Award nominations. Julianne started 1998 by playing an erotic artist in The Big Lebowski (1998), continued with a small role in the social comedy Chicago Cab (1997) and ended with a subtle performance in Gus Van Sant's remake of Psycho (1960). 1999 had Moore as busy as an actress can be.
As the century closed, Julianne starred in a number of high-profile projects, beginning with Robert Altman's Cookie's Fortune (1999) , in which she was cast as the mentally challenged but adorable sister of a decidedly unhinged Glenn Close. A portrayal of the scheming Mrs. Cheveley followed in Oliver Parker's An Ideal Husband (1999) with a number of critics asserting that Moore was the best part of the movie. She then enjoyed another collaboration with director Anderson in Magnolia (1999) and continued with an outstanding performance in The End of the Affair (1999), for which she garnered another Oscar nomination. She ended 1999 with another great performance, that of a grieving mother in A Map of the World (1999), opposite Sigourney Weaver.- Actress
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Thandiwe Newton was born in London. She is the daughter of Zimbabwean mother Nyasha, a health-care worker from the Shona tribe, and British father Nick Newton, who worked as a lab technician. She lived in Zambia until political unrest caused her family to move back to the UK, where she lived in Cornwall (in southwest Britain) until she was 11 and enrolled in London's Art Educational School to study modern dance until a back injury forced her to quit dancing. This led to her auditioning for films. Her first role was in John Duigan's Flirting (1991). She then moved to Los Angeles, California to pursue acting. When her British accent limited the amount of work she was getting, she returned to Britain, studied at Cambridge University, and earned a degree in anthropology. Between semesters she continued acting and became noticed in in- demand for future film roles.- Actor
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One of the greatest actors of all time, Robert De Niro was born on August 17, 1943 in Manhattan, New York City, to artists Virginia (Admiral) and Robert De Niro Sr. His paternal grandfather was of Italian descent, and his other ancestry is Irish, English, Dutch, German, and French. He was trained at the Stella Adler Conservatory and the American Workshop. De Niro first gained fame for his role in Bang the Drum Slowly (1973), but he gained his reputation as a volatile actor in Mean Streets (1973), which was his first film with director Martin Scorsese. He received an Academy Award for Best Supporting Actor for his role in The Godfather Part II (1974) and received Academy Award nominations for best actor in Taxi Driver (1976), The Deer Hunter (1978) and Cape Fear (1991). He received the Academy Award for Best Actor for his role as Jake LaMotta in Raging Bull (1980).
De Niro has earned four Golden Globe Award nominations for Best Actor - Motion Picture Musical or Comedy, for his work in New York, New York (1977), opposite Liza Minnelli, Midnight Run (1988), Analyze This (1999) and Meet the Parents (2000). Other notable performances include Brazil (1985), The Untouchables (1987), Backdraft (1991), Frankenstein (1994), Heat (1995), Casino (1995) and Jackie Brown (1997). At the same time, he also directed and starred in such films as A Bronx Tale (1993) and The Good Shepherd (2006). De Niro has also received the AFI Lifetime Achievement Award in 2003 and the Golden Globe Cecil B. DeMille Award in 2010.
As of 2022, De Niro is 79-years-old. He has never retired from acting, and continues to work regularly in mostly film.- Actor
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George Timothy Clooney was born on May 6, 1961, in Lexington, Kentucky, to Nina Bruce (née Warren), a former beauty pageant queen, and Nick Clooney, a former anchorman and television host (who was also the brother of singer Rosemary Clooney). He has Irish, English, and German ancestry. Clooney spent most of his youth in Ohio and Kentucky, and graduated from Augusta High School. He was very active in sports such as basketball and baseball, and tried out for the Cincinnati Reds, but was not offered a contract.
After his cousin, Miguel Ferrer, got him a small role in a feature film, Clooney began to pursue acting. His first major role was on the sitcom E/R (1984) as Ace. More roles soon followed, including George Burnett, the handsome handyman on The Facts of Life (1979); Booker Brooks, a supervisor on Roseanne (1988); and Detective James Falconer on Sisters (1991). Clooney had his breakthrough when he was cast as Dr. Doug Ross on the award-winning drama series ER (1994), opposite Anthony Edwards, Noah Wyle and Julianna Margulies.
While filming "ER" (1994), Clooney starred in a number of high profile film roles, such as Robert Rodriguez's From Dusk Till Dawn (1996), and One Fine Day (1996), opposite Michelle Pfeiffer. In 1997, Clooney took on the role of Batman in Joel Schumacher's Batman & Robin (1997). The film was a moderate success in the box office, but was slammed by critics, notably for the nipple-laden Batsuit. Clooney went on to star in Steven Soderbergh's Out of Sight (1998), Terrence Malick's The Thin Red Line (1998), and David O. Russell's Three Kings (1999).
In 1999, Clooney left "ER" (1994) (though he would return for the season finale) and appeared in a number of films, including O Brother, Where Art Thou? (2000), The Perfect Storm (2000) and Ocean's Eleven (2001). Collaborating once again with Steven Soderbergh, Ocean's Eleven (2001) received critical acclaim, earned more than $450 million at the box office, and spawned two sequels: Ocean's Twelve (2004) and Ocean's Thirteen (2007).
In 2002, Clooney made his directorial debut with Confessions of a Dangerous Mind (2002), an adaptation of TV producer Chuck Barris' autobiography. This was the first film under the banner of Section Eight Productions, a production company he founded with Steven Soderbergh. The company also produced many acclaimed films, including Far from Heaven (2002), Syriana (2005), A Scanner Darkly (2006) and Good Night, and Good Luck. (2005). Clooney won his first Oscar for Best Supporting Actor in Syriana (2005), and was nominated for Best Director and Best Original Screenplay for Good Night, and Good Luck. (2005).
In 2006, Section Eight Productions was shut down so that Soderbergh could concentrate on directing, and Clooney founded a new production company, Smokehouse Productions, with his friend and longtime business partner, Grant Heslov.
Clooney went on to produce and star in Michael Clayton (2007) (which earned him an Oscar nomination for Best Actor), directed and starred in Leatherheads (2008), and took leading roles in Burn After Reading (2008), The Men Who Stare at Goats (2009), Fantastic Mr. Fox (2009), and Jason Reitman's Up in the Air (2009). Clooney received critical acclaim for his performance in Up in the Air (2009) and was nominated for several awards, including a Golden Globe Award and Academy Award. He didn't win that year, but took home both Best Actor awards (as well as countless nominations) for his role as a father who finds out his wife was unfaithful as she lays in a coma in Alexander Payne's The Descendants (2011). Through his career, Clooney has been heralded for his political activism and humanitarian work. He has served as one of the United Nations Messengers of Peace since 2008, has been an advocate for the Darfur conflict, and organized the Hope for Haiti telethon, to raise money for the victims of the 2010 earthquake. In March 2012, Clooney was arrested for civil disobedience while protesting at the Sudanese embassy in Washington, D.C.
Clooney was married to actress Talia Balsam, from 1989 until 1993. After their divorce, he swore he would never marry again. Michelle Pfeiffer and Nicole Kidman bet him $10,000 that he would have children by the age of 40, and sent him a check shortly after his birthday. Clooney returned the funds and bet double or nothing he wouldn't have children by the age of 50. Although he has remained a consummate bachelor, Clooney has had many highly publicized relationships, including with former WWE wrestler Stacy Keibler. In 2014, he married lawyer and activist Amal Clooney, with whom he has two children, twins.- Actress
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Janet Gaynor was born Laura Gainor on October 6, 1906, in Philadelphia, Pennsylvania. As a child, she & her parents moved to San Francisco, California, where she graduated from high school in 1923. She then moved to Los Angeles where she enrolled in a secretarial school. She got a job at a shoe store for the princely sum of $18 per week. However, since L.A. was the land of stars and studios, she wanted to try her hand at acting. She managed to land unbilled bit parts in several feature films and comedy shorts. She bided her time, believing "Good things come to those who wait." She didn't have to wait too long, either. In 1926, at the age of 20, she turned in a superb performance as Anna Burger in The Johnstown Flood (1926). The Hollywood moguls knew they had a top star on their hands and cast her in several other leading roles that year, including The Shamrock Handicap (1926), The Blue Eagle (1926), The Midnight Kiss (1926) and The Return of Peter Grimm (1926). The next year she turned in acclaimed performances in two classic films, 7th Heaven (1927) and Sunrise (1927). Based on the strength of those two films plus Street Angel (1928), Janet received the very first Academy Award for best actress. This was the first and only time an actress won the Oscar for multiple roles. When "talkies" replaced silent films, Janet was one of the few who made a successful transition, not only because of her great acting ability but for her charming voice as well. Without a doubt, Janet had already lived a true rags-to-riches story. Throughout the mid-1930s she was the top drawing star at theaters. She turned in grand performances in several otherwise undistinguished films.
Then came A Star Is Born (1937). She was very convincing as Vicki Lester (aka Esther Blodgett), struggling actress trying for the big time. Told by the receptionist at Central casting "You know what your chances are? One in a hundred thousand," Esther/Vicki replies, "But maybe--I'm that one." For her outstanding performance she was nominated for another Oscar, but lost to Luise Rainer's performance in The Good Earth (1937), her second in as many tries. After appearing in The Young in Heart (1938), Janet didn't appear in another film until 1957's Bernardine (1957). Her last performance was in a Broadway version of Harold and Maude. Although the play was a flop, Janet's performance salvaged it to any degree - she still had what it took to entertain the public. On September 14, 1984, Janet passed away from pneumonia in Palm Springs, California, at the age of 77.- Actor
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Alec Guinness was an English actor. He is known for his six collaborations with David Lean: Herbert Pocket in Great Expectations (1946), Fagin in Oliver Twist (1948), Col. Nicholson in The Bridge on the River Kwai (1957), for which he won the Academy Award for Best Actor), Prince Faisal in Lawrence of Arabia (1962), General Yevgraf Zhivago in Doctor Zhivago (1965), and Professor Godbole in A Passage to India (1984).
Guinness is really most remembered for his portrayal of Obi-Wan Kenobi in George Lucas' original Star Wars trilogy for which he receive a nomination for an Academy Award for Best Supporting Actor.
In 1959, he was knighted by Queen Elizabeth II for services to the arts. In the 1970s, Guinness made regular television appearances in Britain, including the role of George Smiley in the serialisations of two novels by John le Carré: Tinker Tailor Soldier Spy (1979) and Smiley's People (1982). In 1980 he received the Academy Honorary Award for lifetime achievement.
Guinness was also one of three British actors, along with Laurence Olivier and John Gielgud, who made the transition from Shakespearean theatre in England to Hollywood blockbusters immediately after the Second World War.
Guinness died on 5 August 2000, from liver cancer, at Midhurst in West Sussex.- Actor
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The tall, handsome and muscular Scottish actor Sean Connery is best known as the original actor to portray James Bond in the hugely successful movie franchise, starring in seven films between 1962 and 1983. Some believed that such a career-defining role might leave him unable to escape it, but he proved the doubters wrong, becoming one of the most notable film actors of his generation, with a host of great movies to his name. This arguably culminated in his greatest acclaim in 1988, when Connery won the Academy Award for Best Supporting Actor for his role as an Irish cop in The Untouchables (1987), stealing the thunder from the movie's principal star Kevin Costner. Connery was polled as "The Greatest Living Scot" and "Scotland's Greatest Living National Treasure". In 1989, he was proclaimed "Sexiest Man Alive" by People magazine, and in 1999, at age 69, he was proclaimed "Sexiest Man of the Century."
Thomas "Sean" Connery was born on August 25, 1930 in Fountainbridge, Edinburgh. His mother, Euphemia Maclean, was a cleaning lady, and his father, Joseph Connery, was a factory worker and truck driver. He also had a, Neil Connery, a plasterer in Edinburgh, who was eight years younger. Before going into acting, Sean had many different jobs, such as a milkman, lorry driver, a laborer, artist's model for the Edinburgh College of Art, coffin polisher and bodybuilder. He also joined the Royal Navy, but was later discharged because of medical problems. At the age of 23, he had a choice between becoming a professional soccer player or an actor, and even though he showed much promise in the sport, he chose acting and said it was one of his more intelligent decisions.
No Road Back (1957) was Sean's first major movie role, and it was followed by several made-for-TV movies such as Anna Christie (1957), Macbeth (1961) and Anna Karenina (1961) as well as guest appearances on TV series, and also films such as Hell Drivers (1957), Another Time, Another Place (1958), Darby O'Gill and the Little People (1959) and The Frightened City (1961). In 1962 he appeared in The Longest Day (1962) with a host of other stars.
His big breakthrough came in 1962 when he landed the role of secret agent James Bond in Dr. No (1962). He played James Bond in six more films: From Russia with Love (1963), Goldfinger (1964), Thunderball (1965), You Only Live Twice (1967), Diamonds Are Forever (1971) and Never Say Never Again (1983).
After and during the success of the Bond films, he maintained a successful career as an actor and has appeared in films, including Alfred Hitchcock's Marnie (1964), The Hill (1965), Murder on the Orient Express (1974), The Man Who Would Be King (1975), The Wind and the Lion (1975), Time Bandits (1981), Highlander (1986), The Name of the Rose (1986), Indiana Jones and the Last Crusade (1989), The Hunt for Red October (1990), Rising Sun (1993), The Rock (1996), Finding Forrester (2000) and The League of Extraordinary Gentlemen (2003).
Sean married actress Diane Cilento in 1962 and they had Sean's only child, Jason Connery, born on January 11, 1963. The couple announced their separation in February 1971 and filed for divorce 2½ years later. Sean then dated Jill St. John, Lana Wood, Magda Konopka and Carole Mallory. In 1975 he married Micheline Roquebrune and they stayed married, despite Sean's well-documented love affair with Lynsey de Paul in the late '80s. Sean had three stepchildren through his marriage to Micheline, who was one year his senior. He is also a grandfather. His son, Jason and Jason's ex-wife, actress Mia Sara had a son, Dashiell Connery, in 1997.
Sean Connery died at the age of 90 on October 31, 2020, in Nassau, the Bahamas, where he resided for many years.- Actress
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Setsuko Hara became one of Japan's best-loved stars over her 30-year film career. Her signature character type, variations on a daughter devoted to her parents and home, inspired the nickname that stayed with her until retirement: the Eternal Virgin. To some extent, reality mirrored her roles in these films. In a society that considers marriage and parenting almost obligatory, she remained single and childless, something of a controversy in Japan in the 1950s. Fortunately she was popular enough to avoid criticism, but the 1950s were still a hard decade. She was plagued by ill health, missing out on several top roles as a result, and she witnessed the death of her camera-man brother in a freak train accident on set.
In 1963, shortly after the death of her mentor, director Yasujirô Ozu, she suddenly walked away from the film industry. At age 43, and at the height of her popularity, she bluntly refused to perform again, angering her fans, the industry, and the press. She implied acting had never been a pleasure and that she had only pursued a career in order to provide for her large family; this explanation is seen as the cause of her popularity backlash. She moved to a small house in picturesque Kamakura where she remained, living alone (though apparently sociable with friends), and refusing all roles offered.
She is undoubtedly known mostly for her work with Yasujiro Ozu, making six films with the great director, including the so-called Noriko trilogy, of which Tokyo Story (1953) is probably the best-known. She also worked with Akira Kurosawa, Mikio Naruse, Hiroshi Inagaki, and many others.- Actress
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Maria de Medeiros is the oldest of three daughters by the pianist, maestro and composer António Vitorino D'Almeida and Maria Armanda Esteves. Her sisters are Inês de Medeiros, stage actress and film and stage director and Ana Medeiros, violinist, composer, and music teacher.
Studied at Lycée Français Charles Le Pierre, Lisbon, and when she was 15 years old, she acted in her father's movie, Silvestre. Went to Paris in 1984, aiming to take a college degree in the Beaux Arts, and ended by taking Philosophy, and Drama instead, at the National Schools of Arts and Theatre Techniques.
Lived and filmed in Portugal, and abroad, then she returned to Paris, where she is established since 1987. She married a Catalonian (Spain), and has two daughters. She acquired the French nationality because of her children, and because she has a French culture as well as a Portuguese one. She is fluent in Portuguese, French, English, German, Italian and Spanish.- Actress
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Known outside her native country as the "Spanish enchantress," Penélope Cruz Sánchez was born in Madrid to Eduardo Cruz, a retailer, and Encarna Sánchez, a hairdresser. As a toddler, she was already a compulsive performer, re-enacting TV commercials for her family's amusement, but she decided to focus her energies on dance. After studying classical ballet for nine years at Spain's National Conservatory, she continued her training under a series of prominent dancers. At 15, however, she heeded her true calling when she bested more than 300 other girls at a talent agency audition. The resulting contract landed her several roles in Spanish TV shows and music videos, which in turn paved the way for a career on the big screen. Cruz made her movie debut in El laberinto griego (1993) (The Greek Labyrinth), then appeared briefly in the Timothy Dalton thriller Framed (1992). Her third film was the Oscar-winning Belle Epoque (1992), in which she played one of four sisters vying for the love of a handsome army deserter. The film also garnered several Goyas, the Spanish equivalent of the Academy Awards. Her resume continued to grow by three or four films each year, and soon Cruz was a leading lady of Spanish cinema. Live Flesh (1997) (Live Flesh) offered her the chance to work with renowned Spanish director Pedro Almodóvar (who would later be her ticket to international fame), and the same year she was the lead actress in the thriller/drama/mystery/sci-fi film Open Your Eyes (1997), a huge hit in Spain that earned eight Goyas (though none for Cruz). Her luck finally changed in 1998, when the movie-industry comedy The Girl of Your Dreams (1998) won her a Best Actress Goya. Cruz made a few more forays into English-language film, but her first big international hit was Almodóvar's All About My Mother (1999), in which she played an unchaste but well-meaning nun. As the film was showered with awards and accolades, Cruz suddenly found herself in demand on both sides of the Atlantic. Her next big project was Woman on Top (2000), an American comedy about a chef with bewitching culinary skills and a severe case of motion sickness. While in the US, she also signed up to star opposite Johnny Depp in the drug-trafficking drama Blow (2001) and opposite Matt Damon in Billy Bob Thornton's All the Pretty Horses (2000). Cruz says she's wary of being typecast as a beautiful young damsel, but it's hard to imagine disguising her wide-eyed charms and generous nature. Fortunately, with Cameron Crowe's Vanilla Sky (2001) (a remake of Open Your Eyes (1997)) and a John Madden collaboration looming in her future, Damsel Penelope isn't likely to disappear just yet.- Actor
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Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Actor
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Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actress
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Rita Hayworth was born Margarita Carmen Cansino on October 17, 1918, in Brooklyn, New York, into a family of dancers. Her father, Eduardo Cansino Reina, was a dancer as was his father before him. He emigrated from Spain in 1913. Rita's American mother, Volga Margaret (Hayworth), who was of mostly Irish descent, met Eduardo in 1916 and were married the following year. Rita, herself, studied as a dancer in order to follow in her family's footsteps. She joined her family on stage when she was eight years old when her family was filmed in a movie called La Fiesta (1926). It was her first film appearance, albeit an uncredited one. Sotted by Fox studio head Winfield R. Sheehan, she signed her first studio contract, and make her film debut at age sixteen, in Dante's Inferno (1935), followed by Cruz Diablo (1934). She continued to play small bit parts in several films under the name of "Rita Cansino". Fox dropped her after five small roles, but expert, exploitative promotion by her first husband Edward Judson soon brought Rita a new contract at Columbia Pictures, where studio head Harry Cohn changed her surname to Hayworth and approved raising her hairline by electrolysis. She played the second female lead, Judy McPherson, in Only Angels Have Wings (1939). After thirteen minor roles, Columbia lent her to Warner Bros. for her first big success, The Strawberry Blonde (1941); her splendid dancing with Fred Astaire in You'll Never Get Rich (1941) made her a star. This was the film that exuded the warmth and seductive vitality that was to make her famous. Her natural, raw beauty was showcased later that year in Blood and Sand (1941), filmed in Technicolor.
Rita was probably the second most popular actress after Betty Grable. In You'll Never Get Rich (1941) with Fred Astaire, was probably the film that moviegoers felt close to Rita. Her dancing, for which she had studied all her life, was astounding. After the hit Gilda (1946) (her dancing had made the film and it had made her), her career was on the skids. Although she was still making movies, they never approached her earlier success. The drought began between The Lady from Shanghai (1947) and Champagne Safari (1954). Then after Salome (1953), she was not seen again until Pal Joey (1957). Part of the reasons for the downward spiral was television, but also Rita had been replaced by a new star at Columbia, Kim Novak.
Rita, herself, said, "Men fell in love with Gilda, but they wake up with me". In person, Rita was shy, quiet and unassuming; only when the cameras rolled did she turn on the explosive sexual charisma that in Gilda (1946) made her a superstar. To Rita, though, domestic bliss was a more important, if elusive, goal, and in 1949 she interrupted her career for marriage - unfortunately an unhappy one almost from the start - to the playboy Prince Aly Khan. Her films after her divorce from Khan include perhaps her best straight acting performances, Miss Sadie Thompson (1953) and They Came to Cordura (1959).
After a few, rather forgettable films in the 1960s, her career was essentially over. Her final film was The Wrath of God (1972). Her career was really never the same after Gilda (1946). Perhaps Gene Ringgold said it best when he remarked, "Rita Hayworth is not an actress of great depth. She was a dancer, a glamorous personality, and a sex symbol. These qualities are such that they can carry her no further professionally." Perhaps he was right but Hayworth fans would vehemently disagree with him.
Beginning in 1960 (age 42), early onset of Alzheimer's disease (undiagnosed until 1980) limited Rita's ability. The last few roles in her 60-film career were increasingly small. With 20 years of symptoms, Rita was cared for by her daughter, Yasmin Khan, until Rita's death at age 68 on May 14, 1987, in New York City.- Actress
- Writer
- Additional Crew
Monica Vitti was born on 3 November 1931 in Rome, Lazio, Italy. She was an actress and writer, known for L'Avventura (1960), Red Desert (1964) and L'Eclisse (1962). She was married to Roberto Russo. She died on 2 February 2022 in Rome, Lazio, Italy.- Actress
- Writer
Jacqueline 'Jackie' Woodburne is an Irish/Australian actress who grew up in Northern Ireland before moving to Australia and lived in Frankston Victoria. Jackie is best known for her roles on Cop Shop (1977), 1915 (1982), A Country Practice (1981), and for a roles in Australian Award winning prison soap Prisoner (1979), and for her long running role as Susan Kennedy on long running Australian TV soap Neighbours (1985).- Actress
- Producer
Sidse Babett Knudsen is a Danish actress who works in theatre, television, and film. Knudsen made her screen debut in the 1997 improvisational comedy Let's Get Lost, for which she received both the Robert and Bodil awards for Best Actress.
Following the critical success of her debut, Knudsen has been considered one of the top Danish actresses of her generation. In 2000, she again won both best actress awards for the comedy romance Den Eneste Ene (English title: The One and Only). In 2016, she won the César Award for Best Supporting Actress for the film Courted (L'Hermine). Knudsen has also received award nominations for her roles in Monas Verden (Mona's World) and Efter Brylluppet (After the Wedding).
Knudsen achieved international recognition for her leading role as fictional Danish Prime Minister Birgitte Nyborg in the Danish TV series Borgen, and for her role as Theresa Cullen in the HBO science fiction-Western television series Westworld.- Actor
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Joseph Frank Keaton was born on October 4, 1895 in Piqua, Kansas, to Joe Keaton and Myra Keaton. Joe and Myra were Vaudevillian comedians with a popular, ever-changing variety act, giving Keaton an eclectic and interesting upbringing. In the earliest days on stage, they traveled with a medicine show that included family friend, illusionist Harry Houdini. Keaton himself verified the origin of his nickname "Buster", given to him by Houdini, when at the age of three, fell down a flight of stairs and was picked up and dusted off by Houdini, who said to Keaton's father Joe, also nearby, that the fall was 'a buster'. Savvy showman Joe Keaton liked the nickname, which has stuck for more than 100 years.
At the age of four, Keaton had already begun acting with his parents on the stage. Their act soon gained the reputation as one of the roughest in the country, for their wild, physical antics on stage. It was normal for Joe to throw Buster around the stage, participate in elaborate, dangerous stunts to the reverie of audiences. After several years on the Vaudeville circuit, "The Three Keatons", toured until Keaton had to break up the act due to his father's increasing alcohol dependence, making him a show business veteran by the age of 21.
While in New York looking for work, a chance run-in with the wildly successful film star and director Roscoe 'Fatty' Arbuckle, resulted in Arbuckle inviting him to be in his upcoming short The Butcher Boy (1917), an appearance that launched Keaton's film career, and spawned a friendship that lasted until Arbuckle's sudden death in 1933. By 1920, after making several successful shorts together, Arbuckle moved on to features, and Keaton inherited his studio, allowing him the opportunity to begin producing his own films. By September 1921, tragedy touched Arbuckle's life by way of a scandal, where he was tried three times for the murder of Virginia Rapp. Although he was not guilty of the charges, and never convicted, he was unable to regain his status, and the viewing public would no longer tolerate his presence in film. Keaton stood by his friend and mentor through out the incident, supporting him financially, finding him directorial work, even risking his own budding reputation offering to testify on Arbuckle's behalf.
In 1921, Keaton also married his first wife, Natalie Talmadge under unusual circumstance that have never been fully clarified. Popular conjecture states that he was encouraged by Joseph M. Schenck to marry into the powerful Talmadge dynasty, that he himself was already a part of. The union bore Keaton two sons. Keaton's independent shorts soon became too limiting for the growing star, and after a string of popular films like One Week (1920), The Boat (1921) and Cops (1922), Keaton made the transition into feature films. His first feature, Three Ages (1923), was produced similarly to his short films, and was the dawning of a new era in comedic cinema, where it became apparent to Keaton that he had to put more focus on the story lines and characterization.
At the height of his popularity, he was making two features a year, and followed Ages with Our Hospitality (1923), The Navigator (1924) and The General (1926), the latter two he regarded as his best films. The most renowned of Keaton's comedies is Sherlock Jr. (1924), which used cutting edge special effects that received mixed reviews as critics and audiences alike had never seen anything like it, and did not know what to make of it. Modern day film scholars liken the story and effects to Christopher Nolan Inception (2010), for its high level concept and ground-breaking execution. Keaton's Civil War epic The General (1926) kept up his momentum when he gave audiences the biggest and most expensive sequence ever seen in film at the time. At its climax, a bridge collapses while a train is passing over it, sending the train into a river. This wowed audiences, but did little for its long-term financial success. Audiences did not respond well to the film, disliking the higher level of drama over comedy, and the main character being a Confederate soldier.
After a few more silent features, including College (1927) and Steamboat Bill, Jr. (1928), Keaton was informed that his contract had been sold to MGM, by brother-in-law and producer Joseph M. Schenck. Keaton regarded the incident as the worst professional mistake he ever made, as it sent his career, legacy, and personal life into a vicious downward spiral for many years. His first film with MGM was The Cameraman (1928), which is regarded as one of his best silent comedies, but the release signified the loss of control Keaton would incur, never again regaining his film -making independence. He made one more silent film at MGM entitled Spite Marriage (1929) before the sound era arrived.
His first appearance in a film with sound was with the ensemble piece The Hollywood Revue of 1929 (1929), though despite the popularity of it and his previous MGM silents, MGM never allowed Keaton his own production unit, and increasingly reduced his creative control over his films. By 1932, his marriage to Natalie Talmadge had dissolved when she sued him for divorce, and in an effort to placate her, put up little resistance. This resulted in the loss of the home he had built for his family nicknamed "The Italian Villa", the bulk of his assets, and contact with his children. Natalie changed their last names from Keaton to Talmadge, and they were disallowed from speaking about their father or seeing him. About 10 years later, when they became of age, they rekindled the relationship with Keaton. His hardships in his professional and private life that had been slowly taking their toll, begun to culminate by the early 1930s resulting in his own dependence on alcohol, and sometimes violent and erratic behavior. Depressed, penniless, and out of control, he was fired by MGM by 1933, and became a full-fledged alcoholic.
After spending time in hospitals to attempt and treat his alcoholism, he met second wife Mae Scrivens, a nurse, and married her hastily in Mexico, only to end in divorce by 1935. After his firing, he made several low-budget shorts for Educational Pictures, and spent the next several years of his life fading out of public favor, and finding work where he could. His career was slightly reinvigorated when he produced the short Grand Slam Opera (1936), which many of his fans admire for giving such a good performance during the most difficult and unmanageable years of his life.
In 1940, he met and married his third wife Eleanor Norris, who was deeply devoted to him, and remained his constant companion and partner until Keaton's death. After several more years of hardship working as an uncredited, underpaid gag man for comedians such as the Marx Brothers, he was consulted on how to do a realistic and comedic fall for In the Good Old Summertime (1949) in which an expensive violin is destroyed. Finding no one who could do this better than him, he was given a minor role in the film. His presence reignited interest in his silent films, which lead to interviews, television appearances, film roles, and world tours that kept him busy for the rest of his life.
After several more film, television, and stage appearances through the 1960s, he wrote the autobiography "My Wonderful World of Slapstick", having completed nearly 150 films in the span of his ground-breaking career. His last film appearance was A Funny Thing Happened on the Way to the Forum (1966) which premiered seven months after Keaton's death from the rapid onset of lung cancer. Since his death, Keaton's legacy is being discovered by new generations of viewers every day, many of his films are available on YouTube, DVD and Blu-ray, where he, like all gold-gilded and beloved entertainers can live forever.- Actress
- Soundtrack
Made her first film when she was 15 and from then on shared her time between studying dramatic art and performing in plays, films and TV productions. However it was not until the 1990s that she began to make her worthiest appearances in films directed by Julio Medem (Vacas, La Ardilla Roja and Tierra), Juan Estelrich Jr.(La Vía Láctea and Pintadas), and especially Pilar Miró (El perro del hortelano and Tu nombre envenena mis sueños). For her role in La Ardilla Roja she won the Sant Jordi Award as well as the Cartelera Turia Award and the Spanish Actors Union Prize, all for best female actress, and in 1997 she was bestowed the Honor of the Goya Award for best Female Interpretation for her part in El Perro del Hortelano. In 1999 she overworked making four films and decided to rest for a time "to regather energy".- Actor
- Soundtrack
Japanese leading man, an important star and one of the handful of Japanese actors well known outside Japan. Nakadai was a tall handsome clerk in a Tokyo shop when director Masaki Kobayashi encountered him and cast him in The Thick-Walled Room (1956). Nakadai was subsequently cast in the lead role in Kobayashi's monumental trilogy 'Ningen no joken' and became a star whose international acclaim rivaled that of countryman Toshirô Mifune. Like Mifune, Nakadai worked frequently with director Akira Kurosawa and indeed more or less replaced Mifune as Kurosawa's principal leading man after the well-known falling out between Mifune and Kurosawa. His appearances for Kurosawa in Kagemusha: The Shadow Warrior (1980) and Ran (1985) are among the most indelible in the director's oeuvre.- Actress
- Music Department
- Producer
One of the leading lights of the 1965-1990's Indian New Wave, Shabana Azmi (alongside the late Smita Patil) was one of the main female actors who dominated the films of the so-called "Parallel Cinema" in India in the 1970s and 1980s. Born to noted Urdu progressive poet and lyricist Kaifi Azmi and theatre actress Shaukat Azmi, Shabana has acted in films by virtually all of India's most famous art-house directors including Shyam Benegal, Satyajit Ray, Mrinal Sen, Aparna Sen and others, as well as in commercial and middle-of-the-road Hindi films, where she has essayed several strong female characters (e.g., in The Death Sentence: Mrityu Dand (1997) and Godmother (1999)). Shabana Azmi was paired opposite Rajesh Khanna in 7 successful films.She is noted for her naturalness and intensity on-screen, matched by her fierce advocacy of the rights of women, minorities and slum-dwellers off-screen, both through activism and in her role as a Member of Parliament, where her consistent stand in defense of liberal values and the freedom of expression is noteworthy. She has also acted on stage to considerable acclaim, most notably in Tumhari Amrita with Farookh Sheikh. She is married to noted scriptwriter and lyricist Javed Akhtar.- Actor
- Producer
- Stunts
Iko Uwais was born in Jakarta, Indonesia, to Maisyaroh and Mustapha Kamaluddin. His grandfather, H. Achmad Bunawar, was a master of silat, an Indonesian traditional martial art, and founded a silat school. Iko himself has been learning silat since he was 10 years old. He became National Champion in 2005 in Silat Demonstration category. Iko's talent as a martial arts actor was discovered by Welsh film Director, Gareth Evans, who visited Iko's Silat school for a documentary in 2007. Evans then asked Iko to quit his daytime job as a driver in a telecommunications company and join Evans' movie production company as the leading actor in his movies.- Ruan Lingyu was born Ruan Fenggen on April 26, 1910 in Shanghai, China. Her father died when she was a child and her mother worked as a maid to support them. When she was sixteen Ruan started acting as a way to earn money. She made her film debut in the 1927 Chinese language film A Married Couple In Name Only. Ruan fell in love with Zhang Damin, a gambler who had been disowned by his wealthy family. She would financially support him during their relationship. In 1930 she signed a contract with Lianhua Studios and starred in the film Spring Dream of an Old Capital. It was a huge hit and made her one of China's biggest stars. Her success continued with starring roles in Little Toys, Homecoming, and The Goddess. She was called "China's Greta Garbo". Ruan broke up with Zhang and started dating Tang Jishan, a married tea tycoon. He bought her a mansion in Shanghai and she became his mistress. Her ex-lover Zhang sued her in 1934 claiming she was his wife and owed him money.
The scandal made front page headlines and from then on then tabloid press became obsessed with her personal life. Unfortunately her relationship with Tang was rocky and he started abusing her. She was devastated when he threw her beloved dog out of a window. Ruan was cast in the 1935 drama New Women. It was based on the life of Ai Xia, an actress who had committed suicide. When New Women premiered in February of 1935 there was a backlash from journalists who objected to their negative portrayal. On March 8, 1935 Ruan committed suicide by overdosing on barbiturates. She was just twenty-four years old. A note was found that said "Gossip is a fearful thing". More than one hundred thousand fans attended her funeral. Three female fans were so overcome with grief that they committed suicide during her funeral procession. She was buried at Fu Shou Yuan Cemetery in Shanghai. Two new "suicide" notes written by Ruan were found in 2001. In these notes she writes that Tang broke her heart and Zhang shamed her publicly. - Actress
- Producer
- Soundtrack
Naomi Ellen Watts was born on September 28, 1968 in Shoreham, England to Myfanwy Edwards "Miv" (Roberts), an antiques dealer and costume/set designer, and Peter Watts (Peter Anthony Watts), Pink Floyd's road manager. Her maternal grandfather was Welsh. Her father died when she was seven and she followed her mother and brother around England until she was 14 and they finally settled in Australia, homeland of her maternal grandmother. When they arrived, she coaxed her mother to let her take acting classes. After bit parts in commercials, she landed her first role in For Love Alone (1986). Naomi met her best friend Nicole Kidman when they both auditioned for a bikini commercial and shared a taxi ride home. In 1991, Naomi starred with Kidman in the sleeper hit Flirting (1991), directed by John Duigan. Naomi continued her career by starring in the Australian Brides of Christ (1991) co-starring Oscar-winners Russell Crowe and Brenda Fricker.
In 1993, she worked with John Duigan again in Wide Sargasso Sea (1993) and director George Miller in Gross Misconduct (1993). Tank Girl (1995), in 1995, an adaptation of the comic book was a cult hit, starred Naomi as "Jet Girl", but it didn't do at the box-office or do much for her career. Watts continued to take insignificant parts in movies including the much forgotten film Children of the Corn: The Gathering (1996). It wasn't until David Lynch cast her in the critically acclaimed film Mulholland Drive (2001) that she began to become noticed. Her part as an aspiring actress showed her strong acting ability and wide range and earned her much respect, as much as to say by some that she was overlooked for a Oscar nomination that year. Stardom finally came to Naomi in the surprise hit The Ring (2002), which grossed over $100,000,000 at the box-office and starred Watts as an investigative reporter hunting down the truth behind several mysterious deaths seemingly caused by a video tape. While the movie did not fare well with the critics, it launched her into the spotlight. In 2003, she starred in Alejandro González Iñárritu's 21 Grams (2003) which earned her - what some say is a much overdue Oscar nomination and brought others to call her one of the best in her generation of actors. The same year, she was nominated for 21 Grams (2003), Naomi was chosen to play "Ann Darrow" in director Peter Jackson's King Kong (2005) which took her to New Zealand for a five month shoot. Watts completed her first comedy in I Heart Huckabees (2004) for director David O. Russell, playing a superficial spokes model - a break from her usual intense and dramatic roles she is known for.
In 2005, she reprized her role as the protective-mother-reporter "Rachel Keller" in The Ring Two (2005). The movie, released in March, opened to $35,000,000 at the box office in the first weekend and established her as a box-office draw. Also in 2005, it was decided that her independent movie Ellie Parker (2001) would be re-released in late 2005 after its success at resurfacing at the Sundance Film Festival. The movie, which Naomi also produced, features her in the title role and is a bit biographical, but yet exaggerated take of the life of a struggling actress as she comes to Hollywood and encounters nightmares of the profession (it also features Watts' own beat-up Honda which she travels around in). In 2006, she starred with Edward Norton in The Painted Veil (2006). In July of 2007, Naomi gave birth to a boy, Alexander Pete (Sasha Schreiber) in Los Angeles with Liev Schreiber. Since then her career choices have gathered even more critical acclaim with starring roles roles in German director Michael Haneke's American remake of his thriller Funny Games (2007), David Cronenberg's Eastern Promises (2007), and the action-thriller, The International (2009), released in February 2009. In mid-2008, Watts announced she was expecting her second child with Schreiber and gave birth to second son Samuel Kai Schreiber, in New York on December 13.- Actress
- Producer
- Director
On January 30, 1937, renowned theatre actor Michael Redgrave was performing in a production of Hamlet in London. During the curtain call, the show's lead, Laurence Olivier, announced to the audience: "tonight a great actress was born". This was in reference to his co-star's newborn daughter, Vanessa Redgrave.
Vanessa was born in Greenwich, London, to Michael Redgrave and Rachel Kempson, both thespians. Three quarters of a century after her birth (despite numerous ups and down) this rather forward expectation has definitely been lived up to with an acclaimed actress that has won (among many others) an Academy Award, two Emmys, two Golden Globes, two Cannes Best Actress awards, a Tony, a Screen Actors Guild award, a Laurence Olivier theatre award and a BAFTA fellowship.
Growing up with such celebrated theatrical parents, great expectations were put on both herself, her brother Corin Redgrave and sister Lynn Redgrave at an early age. Shooting up early and finally reaching a height just short of 6 foot, Redgrave initially had plans to dance and perform ballet as a profession. However she settled on acting and entered the Central School of Speech and Drama in 1954 and four years later made her West End debut. In the decade of the 1960s she developed and progressed to become one of the most noted young stars of the English stage and then film. Performances on the London stage included the classics: 'A Touch of Sun', 'Coriolanus', 'A Midsummer's Night Dream', 'All's Well that Ends Well', 'As You Like It', 'The Lady from the Sea', 'The Seagull' and many others. By the mid 1960s, she had booked various film roles and matured into a striking beauty with a slim, tall frame and attractive face. In 1966 she made her big screen debut as the beautiful ex-wife of a madman in an Oscar nominated performance in the oddball comedy Morgan! (1966), as well as the enigmatic woman in a public park in desperate need of a photographer's negatives in the iconic Blow-Up (1966) and briefly appeared in an unspoken part of Anne Boleyn in the Best Picture winner of the year A Man for All Seasons (1966).
She managed to originate the title role in "The Prime of Miss Jean Brodie" the same year on the London stage (which was then adapted for the big screen a few years later, but Maggie Smith was cast instead and managed to win an Oscar for her performance). Her follow up work saw her play the lead in the box office hit adaptation Camelot (1967), a film popular with audiences but dismissed by critics, and her second Academy Award nominated performance as Isadora Duncan in the critically praised Isadora (1968).
Her rise in popularity on film also coincided with her public political involvement, she was one of the lead faces in protesting against the Vietnam war and lead a famous march on the US embassy, was arrested during a Ban-the-Bomb demonstration, publicly supported Yasar Arafat's Palestine Liberation Organization (PLO) and fought for various other human rights and particularly left wing causes. Despite her admirably independent qualities, most of her political beliefs weren't largely supported by the public. In 1971 after 3 films back to back, Redgrave suffered a miscarriage (it would have been her fourth, after Natasha Richardson, Joely Richardson and Carlo Gabriel Nero) and a break up with her then partner and father of her son, Franco Nero. This was around the same time her equally political brother Corin introduced her to the Workers Revolutionary Party, a group who aimed to destroy capitalism and abolish the monarchy. Her film career began to suffer and take the back seat as she became more involved with the party, twice unsuccessfully attempting to run as a party member for parliament, only obtaining a very small percentage of votes.
In terms of her film career at the time, she was given probably the smallest part in the huge ensemble who-dunnit hit, Murder on the Orient Express (1974) and given another thankless small part as Lola Deveraux in the Sherlock Holmes adventure The Seven-Per-Cent Solution (1976).
After a celebrated Broadway debut, she created further controversy in 1977 with her involvement in two films, firstly in Julia (1977) where she acted opposite Jane Fonda as a woman fighting Nazi oppression and narrated and featured in the documentary The Palestinian (1977) where she famously danced holding a Kalashnikov rifle. She publicly stated her condemnation of what she termed "Zionist hudlums", which outraged Jewish groups and as a result a screening of her documentary was bombed and Redgrave was personally threatened by the Jewish Defense League (JDL). Julia (1977) happened to be a huge critical success and Redgrave herself was nominated for a Best Supporting Actress Oscar, but Jewish support groups demanded her nomination to be dropped and at the event of the Academy Awards burned effigies of Redgrave and protested and picketed. Redgrave was forced to enter the event via a rear entrance to avoid harm and when she won the award she famously remarked on the frenzy causes as "Zionist hoodlums" which caused the audience to audibly gasp and boo. The speech reached newspapers the next morning and her reputation was further damaged.
It came as a surprise when CBS hired her for the part of real life Nazi camp survivor Fania Fenelon in Playing for Time (1980), despite more controversy and protesting (Fenelon herself didn't even want Redgrave to portray her) she won an Emmy for the part and the film was one of the highest rating programs of the year. Her follow up film work to her Oscar had been mostly low key but successful, performances in films such as Yanks (1979), Agatha (1979), The Bostonians (1984), Wetherby (1985) and Prick Up Your Ears (1987) further cemented her reputation as a fine actress and she received various accolades and nominations.
However mainly in the 1980s, she focused on TV films and high budget mini-series as well as theatre in both London and New York. She made headlines in 1984 when she sued the Boston Symphony Orchestra for $5 million for wrongful cancellation of her contract because of her politics (she also stated her salary was significantly reduced in Agatha (1979) for the same reason). She became more mainstream in the 1990s where she appeared in a string of high profile films but the parts often underused Redgrave's abilities or they were small cameos/5-minute parts. Highlights included Howards End (1992), Little Odessa (1994), Mission: Impossible (1996) and Cradle Will Rock (1999), as well as her leading lady parts in A Month by the Lake (1995) and Mrs Dalloway (1997).
In 2003 she finally won the coveted Tony award for her performance in 'The Long Day's Journey Into Night' and followed up with another two Tony nominated performances on Broadway, her one woman show 'The Year of Magical Thinking' in 2007 and 'Driving Miss Daisy' in 2010 which not only was extended due to high demand, but was also transferred to the West End for an additional three months in 2011.
Vanessa continues to lend her name to causes and has been notable for donating huge amounts of her own money for her various beliefs. She has publicly opposed the war in Iraq, campaigned for the closure of Guantanamo Bay, supported the rights of gays and lesbians as well as AIDs research and many other issues. She released her autobiography in 1993 and a few years later she was elected to serve as a UNICEF Goodwill Ambassador. She also famously declined the invitation to be made a Dame for her services as an actress. Many have wondered the possible heights her career could have reached if it wasn't for her outspoken views, but being a celebrity and the artificial lifestyle usually attached doesn't seem to interest Redgrave in the slightest.
Vanessa has worked with all three of her children professionally on numerous occasions (her eldest daughter, Natasha Richardson tragically died at the age of 45 due to a skiing accident) and in her mid 70s she still works regularly on television, film and theatre, delivering time and time again great performances.- Actor
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Bruno Ganz was an acclaimed Swiss actor who was a prominent figure in German language film and television for over fifty years. He is internationally renowned for portraying Adolf Hitler in the Academy Award-nominated film Downfall (2004).
Ganz was born in Zürich, to a Swiss mechanic father and a northern Italian mother. He decided to pursue an acting career by the time he entered university. He debuted at the theatre in 1961, and gained a reputation as a reflective, charismatic and technically brilliant stage actor. In 1970, he and Peter Stein founded the theatre company 'Schaubühne' in Berlin, Germany. On stage, Ganz portrayed Dr. Heinrich Faust in Peter Stein's staging of Faust, Part One and Faust, Part Two in 2000.
In cinema, Ganz became one of the best-known and most acclaimed actors in the German language, collaborating with many of the most respected European actors and directors of his time. He also starred in international features that reached a global audience. His film debut was The Gentleman in the Black Derby (1960). He also starred in Unknown (2011), The Counselor (2013), and The Party (2017).
Ganz died from cancer on 16 February 2019 at his home in the village of Au, in Wädenswil, Switzerland.- Actress
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Danish leading woman of German films who became one of the greatest stars of the silent era. A native of the Copenhagen suburb of Vesterbro, Nielsen was the daughter of a coppersmith and a washerwoman, both of whom died before Nielsen was fifteen. Her stage debut came as a child in the chorus of the Kongelige Teater's production of Boito's opera "Mephistopheles." She studied at the Royal Theatre School of Copenhagen and embarked upon a stage career in her late teens. She toured Scandinavia and became one of the highest-paid and most popular stage actresses of her time and place. In 1909, director Urban Gad suggested that the silent screen would allow her to transcend her Danish language barrier, and she agreed appear in his film 'Afgrunden (1910)'. The film was successful and Nielsen was encouraged to continue in this new art form. A German distributor, Paul Davidson, invited Nielsen to Germany, where he was building a film studio which would eventually become Europe's largest--the Universum Film Union A.-G. (or Ufa). Nielsen and her director, Gad, whom she had married, went to Germany and spent the next quarter century there. She became one of the true superstars of the silent screen, a tragic heroine whose photograph during the First World War accompanied German and also British and French troops into battle. Among her notable films after the war was a version of "Hamlet, " which was not so much a Shakespearean film as it was an exploration of a then-current theory that the real Hamlet had been, in fact, a woman. Nielsen played the title role. She continued to play a wide variety of roles in Germany and occasionally in Denmark and Norway, never losing the respect and popularity she had maintained almost from the beginning of her career. She abandoned her film work just as sound was taking over the industry. Aside from one or two brief forays in talkies, her acting was thereafter confined to the stage. She died in 1972 at the age of 89, shortly after her fifth marriage.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Philippe Noiret was one of French cinema's most familiar faces who appeared in more than 140 films in a career that spanned more than half a century.
He was born on October 1, 1930, in Lille, Nord, France, into a middle class family of shopkeepers. His father was fond of literature. Young Noiret attended the College Janson-of-Sally in the 16th arrondissement in Paris. At school, he was more interested in acting than in academics; he failed to pass his baccalaureate exams three times and left school without graduation. He studied acting at the Centre Dramatique de l'Ouest (Western Drama Theatre). There, in 1950, Noiret made his debut sharing the stage with Gérard Philipe under directorship of Roger Blin . From 1953-1960 Noiret was a permanent member of the troupe with the Théâtre National Populaire (TNP) in Paris. There he played over 40 roles in seven years under directorship of Jean Vilar. While there he met actress Monique Chaumette, whom he married in 1962, and they had one daughter, Frederique. At that time Noiret continued his acting career as a stand-up comedian and a night club entertainer.
Noiret made his big screen debut playing bit part in Gigi (1949), then earned his first on-screen credit in Agence matrimoniale (1952). He landed his first leading role as Lui, a government inspector, in the French New Wave film La Pointe Courte (1955) by notable female director Agnès Varda. His first big success came in 1960 with Louis Malle 's film Zazie in the Metro (1960) (aka.. Zazie in the Metro). In 1968 he became a star in France with the title role in Very Happy Alexander (1968). After that success, Noiret moved on with his acting career and devoted himself almost entirely to the big screen. Noiret's trademark hangdog face and his range allowed him to portray a middle-class man or an aristocrat, but not a handsome romantic hero, so he was cast primarily as the Everyman character. In The Big Feast (1973), an allegoric film about sex orgy and suicide by overeating, which caused a scandal at Cannes in 1973, Noiret co-starred in a controversial role as suicidal judge Philippe, alongside Marcello Mastroianni.
Philippe Noiret shot to international fame with the supporting role as Alfredo, an old man who is a small town projectionist who befriends and inspires a young boy, in Cinema Paradiso (1988). He received international acclaim for his portrayal of the exiled Chilean poet Pablo Neruda in The Postman (1994) by director Michael Radford. Noiret won two Cesar Awards (the French equivalent of the Oscars) and earned three more Cesar nominations. In 1976 he won his first Cesar for his exceptional performance as Julien Dandieu, a surgeon who kills the Nazis in revenge for the death of his wife and daughter, in The Old Gun (1975) (aka.. The Old Gun). Noiret won his second Cesar for the leading role as Major Delaplane in Life and Nothing But (1989) (aka.. Life and Nothing But) in 1990. Over the years, Noiret worked with all of the France's top directors. He also made excellent radio performances and popular books readings, which he narrated with his serious voice and impeccable diction. He was decorated with the Knight of the Legion of Honor.
Philippe Noiret was also known as an elegant hedonist and an avid dog lover. His other interests outside of the acting profession included art, horses, gourmet cuisine and cigars. For about 30 years he resided in his country house in the wine country near Carcassonne, in the South of France, where he generously supported the local causes. Noiret died of generalized complications of cancer on November 23, 2006, in a hospital, in Paris, and was laid to rest in Cimetière du Monparnasse in Paris, France.- Actress
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The iconoclastic gifts of the highly striking and ferociously talented actress Tilda Swinton have been appreciated by art house crowds and international audiences alike. After her stunning Oscar-winning turn as a high-powered corporate attorney in the George Clooney starring and critically-lauded legal thriller Michael Clayton (2007), however, her androgynous looks and often bizarre appeal have been embraced by more mainstream crowds as well.
She was born Katherine Mathilda Swinton into a patrician Scottish military family on November 5, 1960, in London, England. Her mother, Judith Balfour, Lady Swinton (née Killen), was Australian, and her father, Major-General Sir John Swinton, an army officer, was English-born. Her ancestry is Scottish, Northern Irish, and English, including a long tapestry of prominent Scottish ancestors. Educated at an English and a Scottish boarding school, Tilda subsequently studied Social and Political Science at Cambridge University and graduated in 1983 with a degree in English Literature.
During her tenure as a student, she performed countless stage productions and proceeded to work for a season with the Royal Shakespeare Company where she appeared in such productions as "Measure for Measure." The rebel insider her, however, was strong and she left the company after a year as her approach and interests began to shift dramatically. With a pungent taste for the unique and seldom tried, Tilda found some gender-bending stage roles come her way. She portrayed Mozart in Pushkin's "Mozart and Salieri", and as a working class woman impersonating her dead husband during World War II, in Manfred Karge's "Man to Man," a role she later committed to film (Man to Man (1992)).
In 1985, the tall, slender performer with alabaster skin and carrot-topped hair began a professional association with gay experimental director Derek Jarman. She continued to live and work with the groundbreaking writer/director/cinematographer for the next nine years, involving herself in seven of his often notorious films. This quirky, highly fascinating alliance would produce such stark and radical turns as the Berlin International Film Festival winners Caravaggio (1986), The Last of England (1987), The Garden (1990) and Edward II (1991) (playing Isabella, in which she won "Best Actress" at the Venice Film Festival) and Wittgenstein (1993), as well as the films Soursweet (1988) (a movie with no spoken dialogue) and the Stockholm Film Festival Award winner Blue (1993).
Jarman succumbed to complications from AIDS in 1994. His untimely demise left a devastating void in Tilda's life for quite some time. Her most notable performance of her Jarman period, however, came from a non-Jarman film. For the vivid title role in Orlando (1992), her nobleman character lives for 400 years while changing sex from man to woman. The film, which Swinton spent years helping writer/director Sally Potter develop and finance, continues to this day to have a worldwide devoted fan following.
Over the years, Tilda has preferred art to celebrity, opening herself to experimental projects with new and untried directors and mediums, delving into the worlds of installation art and cutting-edge fashion. Consistently off-centered roles in Female Perversions (1996), Love Is the Devil: Study for a Portrait of Francis Bacon (1998), Teknolust (2002), Young Adam (2003), Broken Flowers (2005) and Béla Tarr's The Man from London (2007) have added to her mystique. Back in 1995, she delved into a performance art piece in the Serpentine Gallery, London, where she was put on display to the public for a week, asleep (or apparently so), in a glass case.
Following the birth of her twins in 1997, Tilda would leave lean for a time towards Hollywood mainstream filming. The thriller The Deep End (2001), earned her a number of critic's awards and her first Golden Globe nomination. Other visible U.S. pictures included The Beach (2000) with Leonardo DiCaprio, fantasy epic Constantine (2005) with Keanu Reeves, her Oscar-decorated performance in Michael Clayton (2007) and, of course, her iconic White Witch in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005).
Into the millennium, Tilda continued to amaze starring in the crime drama Julia (2008) and in David Fincher's The Curious Case of Benjamin Button (2008). She learned Italian and Russian for Luca Guadagnino's I Am Love (2009), starred in the psychological thriller We Need to Talk About Kevin (2011), Wes Anderson's Moonrise Kingdom (2012) and Bong Joon Ho's Snowpiercer (2013), and earned fine notice in Terry Gilliam's The Zero Theorem (2013). She also starred in the dark romantic fantasy drama Only Lovers Left Alive (2013) directed by Jim Jarmusch, had a small role in Wes Anderson's The Grand Budapest Hotel (2014), starred in Judd Apatow's comedy Trainwreck (2015), and played a rock star in Luca Guadagnino's A Bigger Splash (2015).
Showing no signs of slowing up, Tilda continues to make creative, visual impressions in such films as the Coen Brothers' Hail, Caesar! (2016) where she reunited with Clooney and had a dual role playing twin journalists, and as the wise Asian teacher of Dr. Strange (Benedict Cumberbatch) in the Marvel Comics action film Doctor Strange (2016), while repeating the part of The Ancient One in Avengers: Endgame (2019). She gave another eccentric, unhinged performance in the action adventure message movie Okja (2017), played Betsy Trotwood in a contemporary telling of The Personal History of David Copperfield (2019) and teamed up again with writer/director Jim Jarmusch in the thoroughly offbeat fantasy horror comedy The Dead Don't Die (2019).- Actress
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Madeleine Stowe was born in Los Angeles, California, to Mireya Maria (Mora Steinvorth) and Robert Alfred Stowe, a civil engineer. Her mother was a from a prominent political family in Costa Rica. Stowe grew up in Eagle Rock, a working-class neighborhood of Los Angeles. At age ten she started practicing for a career as a concert pianist and trained every day for hours. However, when her instructor died in 1976 she more or less quit playing.
She went to University of Southern California and studied cinema and journalism before taking up acting at Beverly Hills' Solaris Theater. She made a few appearances in TV and on film but her breakthrough came in 1987 with Stakeout (1987). Other major credits include The Last of the Mohicans (1992) and Short Cuts (1993).
When not filming, she spends her time at her ranch in Texas, which she shares with her husband Brian Benben.- Actress
- Music Department
Waheeda Rehmaan combined the classic Tamil-Islamic beauty with an extraordinary grace, talent and a truly transcendent appeal that ranked her among the pantheon of Bollywood's elite actresses. And few could dance better than she could!
She was born into a traditional Tamil Urdu speaking Muslim family on 3 February 1938, in Chengalpattu,Tamil Nadu. Growing up, she was trained in dancing, especially the Bharatnatyam dance. Her first films were Jayasimha (1955) and Rojulu Marayi (1955), both in Telegu and Kalam Mari Pochu in Tamil. These films became a huge success and established her as a hit-heroine, but it was a song Eruvaaka Sagaroranno Chinnanna in the Rojulu Marayi that got Rehman recognition in South. During success party of Rojulu Marayi, Guru Dutt noticed her and cast her in CID. The result was one of the most stunning debuts ever made in a Hindi film. As a mysterious woman named Kamini, she added a thrill to the whole film and it remains one of the most seductive and memorable roles of her career.
Amazed (and enraptured) by her beauty and talent, Guru Dutt cast her in 5 films. Thus, Rehman gave a mesmerizing performance in Thirst (1957) as Gulab, the prostitute with a heart of gold, and she stole the hearts of audiences as Jameela, a shy Muslim girl in the romance Chaudhvin Ka Chand (1960). But by then she was involved in an affair with Guru Dutt and this affair led to the disintegration of Dutt's marriage - and soon the two of them broke apart after their last collaboration, Sahib Bibi Aur Ghulam (1962).
Moving on after Guru Dutt, Rehman worked with the acclaimed director Satyajit Ray in The Expedition (1962) and consolidated her position as a top Bollywood star with her commercial successes Bees Saal Baad (1962) and _Kohra (1964)_. With Devanand she did 7 films and 5 were super-hits. Then she did _Guide (1965/I)_ - a film that took her to the peak of her career. In the conservative 1960s, Rosie was a daring role for Waheeda to play, and yet the gamble paid off - her performance as Rosie, a woman who leaves her husband for her lover, is ranked as her best ever! And to think that when she did the film, she was certain she would never, ever be able to do another film again!
She had commercial films like Ram Aur Shyam (1967) and Patthar Ke Sanam (1967) proved to be huge successes and had 4 hits with Sunil Dutt in 60's Ek Phool Char Kaante, Mujhe Jeene Do, Meri Bhabhi and Darpan but her offbeat films Teesri Kasam (1966) and Reshma Aur Shera (1971) bombed, in spite of her critically acclaimed performances in those films. Her 3 films with Rajendra Kumar though critically acclaimed became box-office flops and her films with Dharmendra between 1967-1973 bombed. Then she acted in Khamoshi opposite Rajesh Khanna which became her career's biggest hit.In 1974, Rehman married Kamaljit, her hero in Shagoon(1964) a businessman who had earlier tried to make it in films and moved to Bangalore.
After her marriage she cut down acting assignments, preferring to market her own brand of breakfast cereal and lead a contented life in a Bangalore farmhouse. She turned to supporting roles and did 24 films as supporting actress from 1976-1994. After her husband's death in 2000, she again started appearing in 9 films as elderly woman.- Actress
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The acclaimed Cornish actress Dame Kristin Scott Thomas was born in Redruth, Cornwall, to Deborah (Hurlbatt) and Lieutenant Commander Simon Scott Thomas. Her father was a pilot for the British Royal Navy and died in a flying accident in 1964. Her stepfather, Lt. Cdr Simon Idiens, was also a pilot, and died six years later under similar circumstances. Her childhood home was Dorset, England. She left at the age of 19 to work as an au pair in Paris. She was married to French doctor François Oliviennes, with whom she had three children; Hannah, Joseph, and George.- Actress
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Born on January 12th 1984 in Tehran. Her father is a former national team football player, Hamid Alidoosti. She started her career as an actress visiting Amin Tarokh's acting school in 2000. Soon she was chosen for her first role in I'm Taraneh, 15 (2002) (I'm Taraneh, 15), which has so far remained her main success. Her first steps in acting brought her the silver Leopard on the 55th Locarno film festival, and the Cristal Simorgh on Iranian's biggest film festival, Fajr. Being extremely selective her next appearance was 3 years later, Beautiful City (2004) (Beautiful city) by Asghar Farhadi. Fireworks Wednesday (2006) (Fireworks Wednesday) and About Elly (2009) (About Elly) are her next movies with Asghar Farhadi. She has also played in Canaan (2008) by 'Mani Haghighi' which is going to be released in October 2008. Doubt (2009) (by Varuzh Karim-Masihi) is her latest movie which is being shot now in Tehran. She has also appeared in two theater plays, both written and directed by Mohammad Rahmanian.- Actor
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Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Actress
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Few in modern British history have come as far or achieved as much from humble beginnings as Glenda Jackson did. From acclaimed actress to respected MP (Member of Parliament), she was known for her high intelligence and meticulous approach to her work. She was born to a working-class household in Birkenhead, where her father was a bricklayer and her mother was a cleaning lady. When she was very young, her father was recruited into the Navy, where he worked aboard a minesweeper. She graduated from school at 16 and worked for a while in a pharmacy. However, she found this boring and dead-end and wanted better for herself. Her life changed forever when she was accepted into the prestigious Royal Acadamy of Dramatic Art (RADA) at the age of 18. Her work impressed all who observed it. At age 22, she married Roy Hodges.
Her first work came on the stage, where she won a role in an adaptation of "Separate Tables", and made a positive impression on critics and audiences alike. This led to film roles, modest at first, but she approached them with great determination. She first came to the public's notice when she won a supporting role in the controversial film Marat/Sade (1967), and is acknowledged to have stolen the show. She quickly became a member of Britain's A-List. Her first starring role came in the offbeat drama Negatives (1968), in which she out-shone the oddball material. The following year, controversial director Ken Russell gave her a starring role in his adaptation of the 1920s romance Women in Love (1969), in which she co-starred with Oliver Reed. The film was a major success, and Jackson's performance won her an Academy Award for Best Actress. In the process, she became an international celebrity, known world-wide, yet she didn't place as much value on the status and fame as most do. She did, however, become a major admirer of Russell (who had great admiration for her in return) and acted in more of his films. She starred in the controversial The Music Lovers (1971), although it required her to do a nude scene, something that made her very uncomfortable. The film was not a success, but she agreed to do a cameo appearance in his next film, The Boy Friend (1971). Although her role as an obnoxious actress was very small, she once again performed with great aplomb.
1971 turned out to be a key year for her. She took a risk by appearing in Sunday Bloody Sunday (1971), as a divorced businesswoman in a dead-end affair with a shallow bisexual artist, but the film turned out to be another major success. She accepted the starring role in the British Broadcasting Corporation's much anticipated biography of Queen Elizabeth I, and her performance in the finished film, Elizabeth R (1971), was praised not only by critics and fans, but is cited by historians as the most accurate portrayal of the beloved former queen ever seen. The same year, she successfully played the role of Queen Elizabeth I again in the historical drama Mary, Queen of Scots (1971). That same year, she appeared in the popular comedy series The Morecambe & Wise Show (1968) in a skit as Queen Cleopatra, which is considered on of the funniest TV skits in British television, and also proof that she could do comedy just as well as costume melodrama. One who saw and raved about her performance was director Melvin Frank, who proceeded to cast her in the romantic comedy A Touch of Class (1973), co-starring George Segal. The two stars had a chemistry which brought out the best in each other, and the film was not only a major hit in both the United States and Great Britain, but won her a second Academy Award. She continued to impress by refusing obvious commercial roles and seeking out serious artistic work. She gave strong performances in The Romantic Englishwoman (1975) and The Incredible Sarah (1976), in which she portrayed the legendary actress Sarah Bernhardt. However, some of her films didn't register with the public, like The Triple Echo (1972), The Maids (1975), and Nasty Habits (1977). In addition, her marriage fell apart in 1976. But her career remained at the top and in 1978 she was named Commander of the Order of the British Empire. That year, she made a comeback in the comedy House Calls (1978), co-starring Walter Matthau. The success of this film which led to a popular television spin-off in the United States the following year. In 1979, she and Segal re-teamed in Lost and Found (1979), but they were unable to overcome the routine script. She again co-starred with Oliver Reed in The Class of Miss MacMichael (1978), but the film was another disappointment.
During the 1980s, she appeared in Hopscotch (1980) also co-starring Walter Matthau, and HealtH (1980) with Lauren Bacall, with disappointing results, although Jackson herself was never blamed. Her performance in the TV biography Sakharov (1984), in which she played Yelena Bonner, devoted wife of imprisoned Russian nuclear scientist Andrei Sakharov opposite Jason Robards, won rave reviews. However, the next film Turtle Diary (1985), was only a modest success, and the ensemble comedy Beyond Therapy (1987) was a critical and box office disaster and Jackson herself got some of the worst reviews of her career.
As the 1980s ended, Jackson continued to act, but became more focused on public affairs. She grew up in a household that was staunchly supportive of the Labour Party. She had disliked the policies of Conservative Prime Minister Margaret Thatcher, even though she admired some of her personal attributes, and strongly disapproved of Thatcher's successor, John Major. She was unhappy with the direction of British government policies, and in 1992 ran for Parliament. Although running in an area (Hampstead and Highgate) which was not heavily supportive of her party, she won by a slim margin and immediately became its most famous newly elective member. However, those who expected that she would rest on her laurels and fame were mistaken. She immediately took an interest in transportation issues, and in 1997 was appointed Junior Transportation Minister by Prime Minister Tony Blair. However, she was critical of some of Blair's policies and is considered an inter-party opponent of Blair's moderate faction. She was considered a traditional Labour Party activist, but is not affiliated with the faction known as The Looney Left. In 2000, she ran for Mayor of London, but lost the Labour nomination to fellow MP Frank Dobson, an ally of Blair, who then lost the election to an independent candidate, Ken Livingstone.
In 2005, she ran again and won the nomination, but lost to Livingstone, winning 38% of the vote. When Blair announced he would not seek reelection as Prime Minister in 2006, Jackson's name was mentioned as a possible successor, although she didn't encourage this speculation. In 2010, she sought reelection to parliament and was almost defeated, winning by only 42 votes.
In 2013, she responded to the death of Margaret Thatcher by strongly denouncing her policies, which was condemned by many as graceless. In 2015, elections for parliament were called again but she didn't seek reelection. She was succeeded in Parliament by Christopher Philp, a Conservative Party member who had been Jackson's opponent in 2010.- Actress
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Jobert was born in 1940 in Algeria. She studied drama and fine art in Paris, made her acting debut on the stage in 1963 and secured her first film role in Louis Malle's The Thief of Paris (1967) in 1966. Her big break came with her casting as "Elisabeth" in Jean-Luc Godard's Masculine Feminine (1966), in which she performed alongside Brigitte Bardot and Jean-Pierre Léaud, and other high profile roles in star-studded casts followed. She gave a particularly powerful performance in Maurice Pialat's 1971 production, We Won't Grow Old Together (1972). Roles became rarer in the 1980s and Jobert increased her television and radio work by way of compensation.- Actor
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Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actress
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Katharine Houghton Hepburn was born on May 12, 1907 in Hartford, Connecticut to a suffragist, Katharine Martha (Houghton), and a doctor, Thomas Norval Hepburn, who both always encouraged her to speak her mind, develop it fully, and exercise her body to its full potential. An athletic tomboy as a child, she was very close to her brother Tom; at 14 she was devastated to find him dead, the apparent result of accidentally hanging himself while practicing a hanging trick their father had taught them. For many years afterward, she used his November 8 birth date as her own. She became shy around girls her age and was largely schooled at home. She did attend Bryn Mawr College, where she decided to become an actress, appearing in many of their productions.
After graduating, she began getting small roles in plays on Broadway and elsewhere. She always attracted attention, especially for her role in "Art and Mrs. Bottle" (1931). She finally broke into stardom when she took the starring role of the Amazon princess Antiope in "A Warrior's Husband" (1932). The inevitable film offers followed; after making a few screen tests, she was cast in A Bill of Divorcement (1932), opposite John Barrymore. The film was a hit, and after agreeing to her salary demands, RKO signed her to a contract. She made five films between 1932 and 1934. For her third, Morning Glory (1933), she won her first Academy Award. Her fourth, Little Women (1933), was the most successful picture of its day.
But stories were beginning to leak out, of her haughty behavior off- screen and her refusal to play the Hollywood Game, always wearing slacks and no makeup, never posing for pictures or giving interviews. Audiences were shocked at her unconventional behavior instead of applauding it, and so when she returned to Broadway in 1934 to star in "The Lake", the critics panned her, and the audiences, who at first bought up tickets, soon deserted her. When she returned to Hollywood, things didn't get much better. From 1935-1938, she had only two hits: Alice Adams (1935), which brought her her second Oscar nomination, and Stage Door (1937); the many flops included Break of Hearts (1935), Sylvia Scarlett (1935), Mary of Scotland (1936), Quality Street (1937), and the now-classic Bringing Up Baby (1938).
With so many flops, she came to be labeled "box-office poison". She decided to go back to Broadway to star in "The Philadelphia Story" (1938) and was rewarded with a smash. She quickly bought the film rights and so was able to negotiate her way back to Hollywood on her own terms, including her choice of director and co-stars. The Philadelphia Story (1940) was a box-office hit, and Hepburn, who won her third Oscar nomination for the film, was bankable again. For her next film, Woman of the Year (1942), she was paired with Spencer Tracy, and the chemistry between them lasted for eight more films, spanning the course of 25 years, and a romance that lasted that long off-screen. (She received her fourth Oscar nomination for the film.) Their films included the very successful Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957).
With The African Queen (1951), Hepburn moved into middle-aged spinster roles, receiving her fifth Oscar nomination for the film. She played more of these types of roles throughout the 1950s, and won more Oscar nominations for many of them, including her roles in Summertime (1955), The Rainmaker (1956), and Suddenly, Last Summer (1959). Her film roles became fewer and farther between in the 1960s, as she devoted her time to the ailing Tracy. For one of her film appearances in this decade, in Long Day's Journey Into Night (1962), she received her ninth Oscar nomination. After a five-year absence from films, she then made Guess Who's Coming to Dinner (1967), her last film with Tracy and the last film Tracy ever made; he died just weeks after finishing it. It garnered Hepburn her tenth Oscar nomination and her second win. The next year, she did The Lion in Winter (1968), which brought her her eleventh Oscar nomination and third win.
In the 1970s, she turned to making made-for-TV films, with The Glass Menagerie (1973), Love Among the Ruins (1975), and The Corn Is Green (1979). She still continued to make an occasional appearance in feature films, such as Rooster Cogburn (1975) with John Wayne and On Golden Pond (1981) with Henry Fonda. This last brought her her twelfth Oscar nomination and fourth win - the latter still the record.
She made more TV-films in the 1980s and wrote her autobiography, 'Me', in 1991. Her last feature film was Love Affair (1994), with Warren Beatty and Annette Bening, and her last TV- film was One Christmas (1994). With her health declining, she retired from public life in the mid-1990s. She died at 96 at her home in Old Saybrook, Connecticut.- Actor
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Tony Leung Chiu Wai was born in Hong Kong on 27 June 1962. He and his younger sister were raised by their mother after his father left them. In 1982, after passing the training courses of TVB, Tony became a TV actor and became famous for his comedy style in such TV shows as Tales of a Eunuch (1983) or The Proud Twins (1979). However, he didn't limit himself to television and began showing his versatility in films like My Heart Is That Eternal Rose (1989) and A City of Sadness (1989). After he starred in several movies directed by 'Kar wai Wong'; such as Chungking Express (1994) and Happy Together (1997), he gained more respect as an actor and finally received the Best Actor Award at the Cannes International Film Festival for his outstanding performance in In the Mood for Love (2000). In addition to his acting career, he is also known as a singer.- Actress
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Mary Steenburgen is an Academy Award-winning American actress.
She was born in Newport, Arkansas, USA. Her mother, Nellie May (Wall) Steenburgen, was a school-board secretary, and her father, Maurice H. Steenburgen, was a freight-train conductor. Her surname comes from distant Dutch ancestry, and her roots also include English, Scottish, and Welsh.
Young Steenburgen was fond of arts and literature. Mary grew up tap-dancing her way through talent shows and school functions. She was active in her school drama class. After appearing in a number of high school plays, she enrolled at Hendrix College, a highly progressive Southern School located in Conway, Arkansas. Upon the recommendation of her drama professor, she left college in 1972 and moved to New York to study acting professionally. In the past several years, Mary Steenburgen has emerged as one of the most accomplished and sought-after screen actresses. Ever since Jack Nicholson discovered her and cast her as a sassy adventuress in his rollicking western, Goin' South (1978), her career has skyrocketed and she has won acclaim for exceptional performances in each of her diverse film roles. In Nicholas Meyer's Time After Time (1979), Steenburgen was afforded critical praise for her portrayal of a somewhat dippy but liberated young bank clerk in San Francisco who crosses paths, via time machine, with English author H.G. Wells (played by Malcolm McDowell, who later became her husband). In 1980 she shot to fame with her role as Lynda Dummar in Melvin and Howard (1980) for which she won Oscar for Best Actress in a Supporting Role. Steenburgen again impressed audiences and critics alike with her stunning performance as the strong-willed turn-of-the-century mother in Ragtime (1981).
Steenburgen is a notable patron of arts. She is also an active supporter of humanitarian causes. She has two children from her previous marriage to actor Malcolm McDowell. Since 1995 she has been married to actor Ted Danson, and the couple is living in the Los Angeles area.- Actor
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The bushy-browed, cigar-smoking wise-cracker with the painted-on moustache and stooped walk was the leader of The Marx Brothers. With one-liners that were often double entendres, Groucho never cursed in any of his performances and said he never wanted to be known as a dirty comic. With a great love of music and singing (The Marx Brothers started as a singing group), one of the things Groucho was best known for was his rendition of the song "Lydia the Tattooed Lady."- Actress
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Anne Bancroft was born on September 17, 1931 in The Bronx, NY, the middle daughter of Michael Italiano (1905-2001), a dress pattern maker, and Mildred DiNapoli (1907-2010), a telephone operator. She made her cinema debut in Don't Bother to Knock (1952) in 1952, and over the next five years appeared in a lot of undistinguished movies such as Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955), Nightfall (1956) and The Girl in Black Stockings (1957). By 1957 she grew dissatisfied with the scripts she was getting, left the film business and spent the next five years doing plays on Broadway. She returned to screens in 1962 with her portrayal of Annie Sullivan in The Miracle Worker (1962), for which she won an Oscar. Bancroft went on to give acclaimed performances in The Pumpkin Eater (1964), The Slender Thread (1965), Young Winston (1972), The Prisoner of Second Avenue (1975), The Elephant Man (1980), To Be or Not to Be (1983), 84 Charing Cross Road (1987) and other movies, but her most famous role would be as Mrs. Robinson in The Graduate (1967). Her status as the "older woman" in the film is iconic, although in real life she was only eight years older than Katharine Ross and just six years older than Dustin Hoffman. Bancroft would later express her frustration over the fact that the film overshadowed her other work. Selective for much of her intermittent career, she appeared onscreen more frequently in the '90s and early '00s, playing a range of characters in such films as Love Potion No. 9 (1992), Point of No Return (1993), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), Keeping the Faith (2000) and Up at the Villa (2000). She also started to make some TV films, including Deep in My Heart (1999) for which she won an Emmy. Sadly, on June 6, 2005, Bancroft passed away at the age of 73 from uterine cancer. Her death surprised many, as she had not disclosed her illness to the public. Among her survivors was her husband of 41 years, Mel Brooks, and their son Max Brooks, who was born in 1972. Her final film, the animated feature Delgo (2008), was released posthumously in 2008 and dedicated to her memory.- Actor
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At a consistently lean 6' 2", green-eyed Timothy Dalton may very well be one of the last of the dying breed of swashbuckling, classically trained Shakespearean actors who have forged simultaneous successful careers in theater, television and film. He has been comparison-shopped roundly for stepping into roles played by other actors, first following Sir Laurence Olivier in Wuthering Heights (1970), in Scarlett (1994).
Undaunted and good-natured, he has always stated that he likes the risk of challenges. He was born in Colwyn Bay, North Wales, the oldest of five children of Dorothy (Scholes) and Peter Dalton-Leggett. His father was stationed in Colwyn Bay during World War II, and moved the family to Manchester in the late 1940s, where he worked in advertising and raised the growing Dalton family, in an upper-class neighbourhood outside of Belper, Derbyshire. Timothy was enrolled in a school for bright children, where he excelled in sports and was interested in the sciences. He was fascinated with acting from a young age, perhaps due to the fact that both his grandfathers were vaudevillians, but it was when he saw a performance of "Macbeth" at age 16 that his destiny was clinched.
After leaving Herbert Strutt Grammar School at age 16, he toured as a leading member of Michael Croft's National Youth Theater. Between 1964-66, he studied at the Royal Academy of Dramatic Art (RADA). Just before completing his two years, he quit and joined the Birmingham Repertory Theatre, playing the lead in many productions under the direction of Peter Dews while at the same time then as James Bond in The Living Daylights (1987) and Licence to Kill (1989), and even more brutally, recently, as Rhett Butler turning professional. Dalton later said of RADA in an interview with "Seventeen" magazine (December 1970), "It took a year to undo the psychological damage that was caused by the oppressive teachers.".
His talent and classic good looks immediately landed him professional work in television, guest-starring on an episode of the short-lived series, Judge Dee (1969), and as a regular on the 14-episode series Sat'day While Sunday (1967) with the young Malcolm McDowell. In late 1967, Peter O'Toole recommended him for the role of the young King Philip of France in The Lion in Winter (1968) (coincidentally, this was also Anthony Hopkins' big break). The following year, he starred in the Italian film Giuochi particolari (1970) with Marcello Mastroianni and Virna Lisi, although his voice was dubbed into Italian by another actor. Dalton also mixed in a healthy dose of BBC work during this time, including The Three Princes (1968), Five Finger Exercise (1970) and Candida (1973). Also during this time, he was approached and tested for the role of James Bond in On Her Majesty's Secret Service (1969) which he turned down, feeling he was too young for the role. His next film was another costume drama, Cromwell (1970), working with director Ken Hughes, with whom he later made his first American film, Sextette (1977). He followed Cromwell (1970) with Wuthering Heights (1970) and Mary, Queen of Scots (1971).
He was already developing a pattern in his films that would follow him throughout his career: costume dramas where he played royalty, which he had done in three of his first four films (and ridden horses in three, and raised a sword in two). In 1972, he was contracted to play a role in Lady Caroline Lamb (1972). However, he was replaced at the last moment. Dalton sued the company and won, but the film went on without him. From the early to mid-1970s, he decided to further hone his skills by going back into the theater full time. He signed on with the Royal Shakespeare Company (RSC) and the Prospect Theatre Company (PTC), and toured the world with both, playing the leads in "Romeo and Juliet", "King Lear", "Henry V", "Love's Labours Lost" and "Henry IV" - parts 1 and 2.
In 1975, he returned to movies in the British/Austrian production of The Executioner (1975). It was followed in 1976 by the Spanish religious historical film about the inquisition, El hombre que supo amar (1976), which was never widely released. After this, he took another break from film, mixing in a healthy dose of theater, returning for his first American film, Sextette (1977), and the lengthy miniseries Centennial (1978), his first American television appearance, in which Lynn Redgrave played his wife. Because of his broad exposure to American audiences in this series, he began to get more frequent film and television work in the United States, including the Charlie's Angels (1976) episode "Fallen Angel" -- which, ironically, had several references to his character being like James Bond -- and the TV movie The Flame Is Love (1979). Although he did a few features, including playing Vanessa Redgrave's husband in Agatha (1979), most of his work until 1985 consisted of TV movies and miniseries. He played Prince Barin in the science fiction classic Flash Gordon (1980). He followed this with a small film, Chanel Solitaire (1981) and also filmed a staged production of Antony and Cleopatra (1984) opposite Lynn Redgrave, with Anthony Geary, as well as Nichelle Nichols and Walter Koenig of the original Star Trek (1966) series.
The years 1983-1987 have so far been the most prolific of his career. In 1983, he starred as Rochester in what he considers one of his best works, the popular BBC miniseries Jane Eyre (1983). Also, during this time, Roger Moore was considering leaving Bond, and Dalton was again approached, but due to his full schedule, he had to decline. In 1984, he did one of his many narrations in the Faerie Tale Theatre (1982) production of The Emperor's New Clothes (1987). That same year also saw him in the Hallmark Hall of Fame piece The Master of Ballantrae (1984) opposite Michael York and Richard Thomas, and another miniseries, Mistral's Daughter (1984), opposite Stefanie Powers and Stacy Keach. The next year was also a very busy one. He starred in another miniseries, Sins (1986), playing the brother of Joan Collins, and also starred in and narrated the four-hour miniseries Florence Nightingale (1985), opposite Jaclyn Smith. He also starred in The Doctor and the Devils (1985) as Dr. Thomas Rock, with Stephen Rea, Jonathan Pryce and Patrick Stewart.
In the mid-to-late 1980s, Dalton narrated many nature documentaries, most notably several episodes of the UK series Wildlife Chronicles (1987). In the spring of 1986, he teamed with Vanessa Redgrave for another revival of a Shakespeare production, The Taming of the Shrew (1988) and his interpretation of Petrucchio received uniformly high praise. Simultaneously, the world was playing a guessing game as to who would succeed Roger Moore as James Bond. Dalton was approached but was committed to the theater, and so Pierce Brosnan was offered the role. When Brosnan was unable to get out of his Remington Steele (1982) contract at the last minute, Dalton was again approached. Able now to work it into his tight schedule, he agreed. Although his first outing as Bond, The Living Daylights (1987), did reasonably well at the box-office, Licence to Kill (1989) suffered from a lack of marketing that appeared to harm its chances of big box-office success. However, Dalton's interpretation of "Bond" in this film received critical acclaim in some quarters as being the closest to author Ian Fleming's literary "Bond". Back in the theater, he teamed again with Vanessa Redgrave for a revival of Eugene O'Neill's seldom performed play, "A Touch of the Poet", which is considered by some to be his and Redgrave's finest professional collaboration. Although there were talks of bringing the play to Broadway, this never materialized.
Following Licence to Kill (1989), he immediately returned to one of his strengths, costume drama, in The King's Whore (1990). It was followed by his excellent performance in the Disney action adventure The Rocketeer (1991), where he played an Errol Flynn type Nazi agent. In August 1991, he teamed with Whoopi Goldberg for the first biracial interpretation of "Love Letters" for the final sold-out performances of the play in Los Angeles. When he had signed on to do Bond, it was for three pictures, but the rights to the Bond films became entangled in lengthy litigation, delaying production of the third. During this wait, he was set to star in the title role of another historical epic, Christopher Columbus: The Discovery (1992). However, the film was doomed from the start due to the competition with the Gérard Depardieu "Columbus" picture, which was racked with its own problems. When the director was replaced, Dalton backed out and was followed by his co-star, Isabella Rossellini.
In 1992, he starred in the A&E production Framed (1992), which won a bronze medal in the 1993 New York Film Festival. The next year, he journeyed to northern Alaska and Minnesota to make a documentary on one of his favorite subjects, wolves. In the Company of Whales (1991) went on to win a silver medal in the 1994 New York Film Festival. He kept busy in television through 1993 and 1994. He made Red Eagle (1994), Scarlett (1994) and managed to squeeze in a guest appearance on Tales from the Crypt (1989) in the episode "Werewolf Concerto". In 1994, he took on the role of Rhett Butler in the eight-hour miniseries Scarlett (1994), produced by Robert Halmi Sr. for the Hallmark Hall of Fame. In April of that year, believing he needed to move on to fresh challenges, he officially resigned the role of James Bond, a move which was much regretted by the producers, though they understood his reasons. After two months of negotiations, the role went to Pierce Brosnan.
In September 1994, Dalton was called upon for two readings of "Peter and the Wolf" at the Hollywood Bowl. He played to full-capacity crowds. In November, Scarlett (1994) premiered and, though given only a lukewarm response by critics, it was a ratings success not only in the United States but all over the world, breaking records in many European countries. As always after a major work, Dalton again withdrew quietly and without fanfare to search for his next project, a small, personal film. In the summer of 1995, he journeyed to Canada to shoot Salt Water Moose (1996). The film was made by Canada's Norstar Entertainment and was sold to Halmi to be the first video release in his new line of Hallmark family films. It premiered on Showtime in June 1996.
During the spring of 1996, he made the IRA drama The Informant (1997) in Ireland and, in May, he traveled to Prague to shoot Passion's Way (1999), opposite Sela Ward. On February 7, 1997, the comedy The Beautician and the Beast (1997) co-starring Fran Drescher opened in the United States. He also gleefully parodied his swashbuckling/James Bond image in Looney Tunes: Back in Action (2003) as a spy playing an actor playing a spy.
In 1995, Dalton began a relationship with Oksana Grigorieva which produced a child in 1997, Dalton's son Alexander. Over the following years, Dalton has been a caring and loving father of his son. Very much a private man, Dalton's pastimes include fishing, reading, jazz, opera, antique fairs and auctions and, of course, movies.- Actor
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He was the ultra-cool male film star of the 1960s, and rose from a troubled youth spent in reform schools to being the world's most popular actor. Over 40 years after his untimely death from mesothelioma in 1980, Steve McQueen is still considered hip and cool, and he endures as an icon of popular culture.
McQueen was born in Beech Grove, Indiana, to mother Julian (Crawford) and father William Terence McQueen, a stunt pilot. His first lead role was in the low-budget sci-fi film The Blob (1958), quickly followed by roles in The St. Louis Bank Robbery (1959) and Never So Few (1959). The young McQueen appeared as Vin, alongside Yul Brynner, in the star-laden The Magnificent Seven (1960) and effectively hijacked the lead from the bigger star by ensuring he was nearly always doing something in every shot he and Brynner were in together, such as adjusting his hat or gun belt. He next scored with audiences with two interesting performances, first in the World War II drama Hell Is for Heroes (1962) and then in The War Lover (1962). Riding a wave of popularity, McQueen delivered another crowd pleaser as Hilts, the Cooler King, in the knockout World War II P.O.W. film The Great Escape (1963), featuring his famous leap over the barbed wire on a motorcycle while being pursued by Nazi troops (in fact, however, the stunt was actually performed by his good friend, stunt rider Bud Ekins).
McQueen next appeared in several films of mixed quality, including Soldier in the Rain (1963); Love with the Proper Stranger (1963) and Baby the Rain Must Fall (1965). However, they failed to really grab audience attention, but his role as Eric Stoner in The Cincinnati Kid (1965), alongside screen legend Edward G. Robinson and Karl Malden, had movie fans filling theaters again to see the ice-cool McQueen they loved. He was back in another Western, Nevada Smith (1966), again with Malden, and then he gave what many consider to be his finest dramatic performance as loner US Navy sailor Jake Holman in the superb The Sand Pebbles (1966). McQueen was genuine hot property and next appeared with Faye Dunaway in the provocative crime drama The Thomas Crown Affair (1968), next in what many consider his signature role, that of a maverick, taciturn detective in the mega-hit Bullitt (1968), renowned for its famous chase sequence through San Francisco between McQueen's Ford Mustang GT and the killer's black Dodge Charger.
Interestingly, McQueen's next role was a total departure from the action genre, as he played Southerner Boon Hogganbeck in the family-oriented The Reivers (1969), based on the popular William Faulkner novel. Not surprisingly, the film didn't go over particularly well with audiences, even though it was an entertaining and well made production, and McQueen showed an interesting comedic side of his acting talents. He returned to more familiar territory, with the race film Le Mans (1971), a rather self-indulgent exercise, and its slow plot line contributed to its rather poor performance in theaters. It was not until many years later that it became something of a cult film, primarily because of the footage of Porsche 917s roaring around race tracks in France. McQueen then teamed up with maverick Hollywood director Sam Peckinpah to star in the modern Western Junior Bonner (1972), about a family of rodeo riders, and again with Peckinpah as bank robber Doc McCoy in the violent The Getaway (1972). Both did good business at the box office. McQueen's next role was a refreshing surprise and Papillon (1973), based on the Henri Charrière novel of the same name, was well received by fans and critics alike. He played a convict on a French penal colony in South America who persists in trying to escape from his captors and feels their wrath when his attempts fail.
The 1970s is a decade remembered for a slew of "disaster" movies and McQueen starred in arguably the biggest of the time, The Towering Inferno (1974). He shared equal top billing with Paul Newman and an impressive line-up of co-stars including Fred Astaire, Robert Vaughn and Faye Dunaway. McQueen does not appear until roughly halfway into the film as San Francisco fire chief Mike O'Halloran, battling to extinguish an inferno in a 138-story skyscraper. The film was a monster hit and set the benchmark for other disaster movies that followed. However, it was McQueen's last film role for several years. After a four-year hiatus he surprised fans, and was almost unrecognizable under long hair and a beard, as a rabble-rousing early environmentalist in An Enemy of the People (1978), based on the Henrik Ibsen play.
McQueen's last two film performances were in the unusual Western Tom Horn (1980), then he portrayed real-life bounty hunter Ralph "Papa' Thorson (Ralph Thorson) in The Hunter (1980). In 1978, McQueen developed a persistent cough that would not go away. He quit smoking cigarettes and underwent antibiotic treatments without improvement. Shortness of breath grew more pronounced and on December 22, 1979, after he completed work on 'The Hunter', a biopsy revealed pleural mesothelioma, a rare lung cancer associated with asbestos exposure for which there is no known cure. The asbestos was thought to have been in the protective suits worn in his race car driving days, but in fact the auto racing suits McQueen wore were made of Nomex, a DuPont fire-resistant aramid fiber that contains no asbestos. McQueen later gave a medical interview in which he believed that asbestos used in movie sound stage insulation and race-drivers' protective suits and helmets could have been involved, but he thought it more likely that his illness was a direct result of massive exposure while removing asbestos lagging from pipes aboard a troop ship while in the US Marines.
By February 1980, there was evidence of widespread metastasis. While he tried to keep the condition a secret, the National Enquirer disclosed that he had "terminal cancer" on March 11, 1980. In July, McQueen traveled to Rosarito Beach, Mexico for an unconventional treatment after American doctors told him they could do nothing to prolong his life. Controversy arose over McQueen's Mexican trip, because McQueen sought a non-traditional cancer treatment called the Gerson Therapy that used coffee enemas, frequent washing with shampoos, daily injections of fluid containing live cells from cows and sheep, massage and laetrile, a supposedly "natural" anti-cancer drug available in Mexico, but not approved by the US Food and Drug Administration. McQueen paid for these unconventional medical treatments by himself in cash payments which was said to have cost an upwards of $40,000 per month during his three-month stay in Mexico. McQueen was treated by William Donald Kelley, whose only medical license had been (until revoked in 1976) for orthodontics.
McQueen returned to the United States in early October 1980. Despite metastasis of the cancer through McQueen's body, Kelley publicly announced that McQueen would be completely cured and return to normal life. McQueen's condition soon worsened and "huge" tumors developed in his abdomen. In late October, McQueen flew to Ciudad Juarez, Chihuahua, Mexico to have an abdominal tumor on his liver (weighing around five pounds) removed, despite warnings from his American doctors that the tumor was inoperable and his heart could not withstand the surgery. McQueen checked into a Juarez clinic under the alias "Sam Shepard" where the local Mexican doctors and staff at the small, low-income clinic were unaware of his actual identity.
Steve McQueen passed away on November 7, 1980, at age 50 after the cancer surgery which was said to be successful. He was cremated and his ashes were scattered at sea. He married three times and had a lifelong love of motor racing, once remarking, "Racing is life. Anything before or after is just waiting.".- Penny Morrell was born on 4 February 1938 in England, UK. She was an actress, known for The End of the Affair (1999), EastEnders (1985) and Armchair Theatre (1956). She was married to George Cole. She died on 3 January 2020 in Reading, Berkshire, England, UK.
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Max von Sydow was born Carl Adolf von Sydow on April 10, 1929 in Lund, Skåne, Sweden, to a middle-class family. He was the son of Baroness Maria Margareta (Rappe), a teacher, and Carl Wilhelm von Sydow, an ethnologist and folklore professor. His surname traces back to his partial German ancestry.
When he was in high school, he and a few fellow students, including Yvonne Lombard, started a theatre club which encouraged his interest in acting. After conscription, he began to study at the Royal Dramatic Theatre's acting school (1948-1951), together with Lars Ekborg, Margaretha Krook and Ingrid Thulin. His first role was as Nils the crofter in Alf Sjöberg's Only a Mother (1949). After graduation, he worked at the city theatres in Norrköping and Malmö.
His work in the movies by Ingmar Bergman (especially The Seventh Seal (1957), including the iconic scenes in which he plays chess with Death) made him well-known internationally, and he started to get offers from abroad. His career abroad began with him playing Jesus in The Greatest Story Ever Told (1965); Hawaii (1966) and The Quiller Memorandum (1966). Since then, his career includes very different kind of characters, like Karl Oskar Nilsson in The Emigrants (1971); Father Lankester Merrin in The Exorcist (1973); Joubert the assassin in Three Days of the Condor (1975), Emperor Ming in Flash Gordon (1980); the villain Ernst Stavro Blofeld in the Never Say Never Again (1983); Liet-Kynes in Dune (1984) the artist Frederick in Hannah and Her Sisters (1986); Lassefar in Pelle the Conqueror (1987), for which he received his first Academy Award nomination; Dr. Peter Ingham in Awakenings (1990); Lamar Burgess in Minority Report (2002) and The Renter in Extremely Loud & Incredibly Close (2011), which earned him his second Academy Award nomination.
He became one of Sweden's most admired and professional actors, and is the only male Swedish actor to receive an Oscar nomination. He was nominated twice: for Pelle the Conqueror (1987) in 1988 and for Extremely Loud & Incredibly Close (2011) in 2012. He received the Guldbagge Award for Best Director in his directing debut, the drama film Ved vejen (1988). In 2016, he joined the sixth season of the HBO series Game of Thrones (2011) as the Three-eyed Raven, which earned him his Primetime Emmy Award nomination.
Max von Sydow died on March 8, 2020, in Provence, France, and was survived by his wife Catherine Brelet and four children. He was 90.