Best Directors
Best directors, living and deceased, who consistently create great films
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.- Director
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Alfred Joseph Hitchcock was born in Leytonstone, Essex, England. He was the son of Emma Jane (Whelan; 1863 - 1942) and East End greengrocer William Hitchcock (1862 - 1914). His parents were both of half English and half Irish ancestry. He had two older siblings, William Hitchcock (born 1890) and Eileen Hitchcock (born 1892). Raised as a strict Catholic and attending Saint Ignatius College, a school run by Jesuits, Hitch had very much of a regular upbringing. His first job outside of the family business was in 1915 as an estimator for the Henley Telegraph and Cable Company. His interest in movies began at around this time, frequently visiting the cinema and reading US trade journals.
Hitchcock entering the film industry in 1919 as a title card designer. It was there that he met Alma Reville, though they never really spoke to each other. It was only after the director for Always Tell Your Wife (1923) fell ill and Hitchcock was named director to complete the film that he and Reville began to collaborate. Hitchcock had his first real crack at directing a film, start to finish, in 1923 when he was hired to direct the film Number 13 (1922), though the production wasn't completed due to the studio's closure (he later remade it as a sound film). Hitchcock didn't give up then. He directed The Pleasure Garden (1925), a British/German production, which was very popular. Hitchcock made his first trademark film in 1927, The Lodger: A Story of the London Fog (1927) . In the same year, on the 2nd of December, Hitchcock married Alma Reville. They had one child, Patricia Hitchcock who was born on July 7th, 1928. His success followed when he made a number of films in Britain such as The Lady Vanishes (1938) and Jamaica Inn (1939), some of which also gained him fame in the USA.
In 1940, the Hitchcock family moved to Hollywood, where the producer David O. Selznick had hired him to direct an adaptation of 'Daphne du Maurier''s Rebecca (1940). After Saboteur (1942), as his fame as a director grew, film companies began to refer to his films as 'Alfred Hitchcock's', for example Alfred Hitcock's Psycho (1960), Alfred Hitchcock's Family Plot (1976), Alfred Hitchcock's Frenzy (1972).
Hitchcock was a master of pure cinema who almost never failed to reconcile aesthetics with the demands of the box-office.
During the making of Frenzy (1972), Hitchcock's wife Alma suffered a paralyzing stroke which made her unable to walk very well. On March 7, 1979, Hitchcock was awarded the AFI Life Achievement Award, where he said: "I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat, and the fourth is as fine a cook as ever performed miracles in a domestic kitchen and their names are Alma Reville." By this time, he was ill with angina and his kidneys had already started to fail. He had started to write a screenplay with Ernest Lehman called The Short Night but he fired Lehman and hired young writer David Freeman to rewrite the script. Due to Hitchcock's failing health the film was never made, but Freeman published the script after Hitchcock's death. In late 1979, Hitchcock was knighted, making him Sir Alfred Hitchcock. On the 29th April 1980, 9:17AM, he died peacefully in his sleep due to renal failure. His funeral was held in the Church of Good Shepherd in Beverly Hills. Father Thomas Sullivan led the service with over 600 people attended the service, among them were Mel Brooks (director of High Anxiety (1977), a comedy tribute to Hitchcock and his films), Louis Jourdan, Karl Malden, Tippi Hedren, Janet Leigh and François Truffaut.- Actor
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Clinton Eastwood Jr. was born May 31, 1930 in San Francisco, to Clinton Eastwood Sr., a bond salesman and later manufacturing executive for Georgia-Pacific Corporation, and Ruth Wood (née Margret Ruth Runner), a housewife turned IBM clerk. He grew up in nearby Piedmont. At school Clint took interest in music and mechanics, but was an otherwise bored student; this resulted in being held back a grade. In 1949, the year he is said to have graduated from high school, his parents and younger sister Jeanne moved to Seattle. Clint spent a couple years in the Pacific Northwest himself, operating log broncs in Springfield, Oregon, with summer gigs life-guarding in Renton, Washington. Returning to California in 1951, he did a two-year stint at Fort Ord Military Reservation and later enrolled at L.A. City College, but dropped out to pursue acting.
During the mid-1950s he landed uncredited bit parts in such B-films as Revenge of the Creature (1955) and Tarantula (1955) while digging swimming pools and driving a garbage truck to supplement his income. In 1958, he landed his first consequential acting role in the long-running TV show Rawhide (1959) with Eric Fleming. Although only a secondary player the first seven seasons, he was promoted to series star when Fleming departed--both literally and figuratively--in its final year, along the way becoming a recognizable face to television viewers around the country.
Eastwood's big-screen breakthrough came as The Man with No Name in Sergio Leone's trilogy of excellent spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). The movies were shown exclusively in Italy during their respective copyright years with Enrico Maria Salerno providing the voice of Eastwood's character, finally getting American distribution in 1967-68. As the last film racked up respectable grosses, Eastwood, 37, rose from a barely registering actor to sought-after commodity in just a matter of months. Again a success was the late-blooming star's first U.S.-made western, Hang 'Em High (1968). He followed that up with the lead role in Coogan's Bluff (1968) (the loose inspiration for the TV series McCloud (1970)), before playing second fiddle to Richard Burton in the World War II epic Where Eagles Dare (1968) and Lee Marvin in the bizarre musical Paint Your Wagon (1969). In Two Mules for Sister Sara (1970) and Kelly's Heroes (1970), Eastwood leaned in an experimental direction by combining tough-guy action with offbeat humor.
1971 proved to be his busiest year in film. He starred as a sleazy Union soldier in The Beguiled (1971) to critical acclaim, and made his directorial debut with the classic erotic thriller Play Misty for Me (1971). His role as the hard edge police inspector in Dirty Harry (1971), meanwhile, boosted him to cultural icon status and helped popularize the loose-cannon cop genre. Eastwood put out a steady stream of entertaining movies thereafter: the westerns Joe Kidd (1972), High Plains Drifter (1973) and The Outlaw Josey Wales (1976) (his first of six onscreen collaborations with then live-in love Sondra Locke), the Dirty Harry sequels Magnum Force (1973) and The Enforcer (1976), the action-packed road adventures Thunderbolt and Lightfoot (1974) and The Gauntlet (1977), and the prison film Escape from Alcatraz (1979). He branched out into the comedy genre in 1978 with Every Which Way But Loose (1978), which became the biggest hit of his career up to that time; taking inflation into account, it still is. In short, The Eiger Sanction (1975) notwithstanding, the 1970s were nonstop success for Eastwood.
Eastwood kicked off the 1980s with Any Which Way You Can (1980), the blockbuster sequel to Every Which Way but Loose. The fourth Dirty Harry film, Sudden Impact (1983), was the highest-grossing film of the franchise and spawned his trademark catchphrase: "Make my day." He also starred in Bronco Billy (1980), Firefox (1982), Tightrope (1984), City Heat (1984), Pale Rider (1985) and Heartbreak Ridge (1986), all of which were solid hits, with Honkytonk Man (1982) being his only commercial failure of the period. In 1988, he did his fifth and final Dirty Harry movie, The Dead Pool (1988). Although it was a success overall, it did not have the box office punch the previous films had. About this time, with outright bombs like Pink Cadillac (1989) and The Rookie (1990), it seemed Eastwood's star was declining as it never had before. He then started taking on low-key projects, directing Bird (1988), a biopic of Charlie Parker that earned him a Golden Globe, and starring in and directing White Hunter Black Heart (1990), an uneven, loose biopic of John Huston (both films had a limited release).
Eastwood bounced back big time with his dark western Unforgiven (1992), which garnered the then 62-year-old his first ever Academy Award nomination (Best Actor), and an Oscar win for Best Director. Churning out a quick follow-up hit, he took on the secret service in In the Line of Fire (1993), then accepted second billing for the first time since 1970 in the interesting but poorly received A Perfect World (1993) with Kevin Costner. Next was a love story, The Bridges of Madison County (1995), where Eastwood surprised audiences with a sensitive performance alongside none other than Meryl Streep. But it soon became apparent he was going backwards after his brief revival. Subsequent films were credible, but nothing really stuck out. Absolute Power (1997) and Space Cowboys (2000) did well enough, while True Crime (1999) and Blood Work (2002) were received badly, as was Midnight in the Garden of Good and Evil (1997), which he directed but didn't appear in.
Eastwood surprised again in the mid-2000s, returning to the top of the A-list with Million Dollar Baby (2004). Also starring Hilary Swank and Morgan Freeman, the hugely successful drama won four Academy Awards, including Best Picture and Best Director for Eastwood. He scored his second Best Actor nomination, too. His next starring vehicle, Gran Torino (2008), earned almost $30 million in its opening weekend and was his highest grosser unadjusted for inflation. 2012 saw him in a rare lighthearted movie, Trouble with the Curve (2012), as well as a reality show, Mrs. Eastwood & Company (2012).
Between acting jobs, he chalked up an impressive list of credits behind the camera. He directed Mystic River (2003) (in which Sean Penn and Tim Robbins gave Oscar-winning performances), Flags of Our Fathers (2006), Letters from Iwo Jima (2006) (nominated for the Best Picture Oscar), Changeling (2008) (a vehicle for Angelina Jolie), Invictus (2009) (again with Freeman), Hereafter (2010), J. Edgar (2011), Jersey Boys (2014), American Sniper (2014) (2014's top box office champ), Sully (2016) (starring Tom Hanks as hero pilot Chesley Sullenberger) and The 15:17 to Paris (2018). Back on screens after a considerable absence, he played an unlikely drug courier in The Mule (2018), which reached the top of the box office with a nine-figure gross, then directed Richard Jewell (2019). At age 91, Eastwood made history as the oldest actor to star above the title in a movie with the release of Cry Macho (2021).
Away from the limelight, Eastwood has led an aberrant existence and is described by biographer Patrick McGilligan as a cunning manipulator of the media. His convoluted slew of partners and children are now somewhat factually acknowledged, but for the first three decades of his celebrity, his personal life was kept top secret, and several of his families were left out of the official narrative. The actor refuses to disclose his exact number of offspring even to this day. He had a longtime relationship with similarly abstruse co-star Locke (who died aged 74 in 2018, though for her entire public life she masqueraded about being younger), and has fathered at least eight children by at least six different women in an unending string of liaisons, many of which overlapped. He has been married only twice, however, with a mere three of his progeny coming from those unions.
His known children are: Laurie Murray (b. 1954), whose mother is unidentified; Kimber Eastwood (b. 1964) with stuntwoman Roxanne Tunis; Kyle Eastwood (b. 1968) and Alison Eastwood (b. 1972) with his first ex-wife, Margaret Neville Johnson; Scott Eastwood (b. 1986) and Kathryn Eastwood (b. 1988) with stewardess Jacelyn Reeves; Francesca Eastwood (b. 1993) with actress Frances Fisher; and Morgan Eastwood (b. 1996) with his second ex-wife, Dina Eastwood. The entire time that he lived with Locke she was legally married to sculptor Gordon Anderson.
Eastwood has real estate holdings in Bel-Air, La Quinta, Carmel-by-the-Sea, Cassel (in remote northern California), Idaho's Sun Valley and Kihei, Hawaii.- Director
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Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Hard Eight (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards.
The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters.
Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).- Writer
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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.- Writer
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Jeff Nichols was born on 7 December 1978 in Little Rock, Arkansas, USA. He is a writer and director, known for Take Shelter (2011), Mud (2012) and Midnight Special (2016).- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).- Producer
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Quentin Jerome Tarantino was born in Knoxville, Tennessee. His father, Tony Tarantino, is an Italian-American actor and musician from New York, and his mother, Connie (McHugh), is a nurse from Tennessee. Quentin moved with his mother to Torrance, California, when he was four years old.
In January of 1992, first-time writer-director Tarantino's Reservoir Dogs (1992) appeared at the Sundance Film Festival. The film garnered critical acclaim and the director became a legend immediately. Two years later, he followed up Dogs success with Pulp Fiction (1994) which premiered at the Cannes film festival, winning the coveted Palme D'Or Award. At the 1995 Academy Awards, it was nominated for the best picture, best director and best original screenplay. Tarantino and writing partner Roger Avary came away with the award only for best original screenplay. In 1995, Tarantino directed one fourth of the anthology Four Rooms (1995) with friends and fellow auteurs Alexandre Rockwell, Robert Rodriguez and Allison Anders. The film opened December 25 in the United States to very weak reviews. Tarantino's next film was From Dusk Till Dawn (1996), a vampire/crime story which he wrote and co-starred with George Clooney. The film did fairly well theatrically.
Since then, Tarantino has helmed several critically and financially successful films, including Jackie Brown (1997), Kill Bill: Vol. 1 (2003), Kill Bill: Vol. 2 (2004), Inglourious Basterds (2009), Django Unchained (2012) and The Hateful Eight (2015).- Producer
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Benjamin Géza "Ben" Affleck-Boldt was born on August 15, 1972 in Berkeley, California and raised in Cambridge, Massachusetts, to mother Chris Anne (Boldt), a school teacher, and father Timothy Byers "Tim" Affleck, a social worker. Ben has a younger brother, actor Casey Affleck, who was born in 1975. He is of mostly English, Irish, German, and Scottish ancestry. His middle name, Géza, is after a Hungarian family friend who was a Holocaust survivor.
Affleck wanted to be an actor ever since he could remember, and his first acting experience was for a Burger King commercial, when he was on the PBS mini-series, The Voyage of the Mimi (1984). It was also at that age when Ben met his lifelong friend and fellow actor, Matt Damon. They played little league together and took drama classes together. Ben's teen years consisted of mainly TV movies and small television appearances including Hands of a Stranger (1987) and The Second Voyage of the Mimi (1988). He made his big introduction into feature films in 1993 when he was cast in Dazed and Confused (1993). After that, he did mostly independent films like Kevin Smith's Mallrats (1995) and Chasing Amy (1997) which were great for Ben's career, receiving renowned appreciation for his works at the Sundance film festival. But the success he was having in independent films didn't last much longer and things got a little shaky for Ben. He was living in an apartment with his brother Casey and friend Matt, getting tired of being turned down for the big roles in films and being given the forgettable supporting ones. Since Matt was having the same trouble, they decided to write their own script, where they could call all the shots. So, after finishing the script for Good Will Hunting (1997), they gave it to their agent, Patrick Whitesell, who showed it to a few Hollywood studios, finally being accepted by Castle Rock. It was great news for the two, but Castle Rock wasn't willing to give Ben and Matt the control over the project they were hoping for. It was friend Kevin Smith who took it to the head of Miramax who bought the script giving Ben and Matt the control they wanted and, in December 5, 1997, Good Will Hunting (1997) was released, making the two unknown actors famous. The film was nominated for 9 Academy Awards and won two, including Best Original Screenplay for Ben and Matt. The film marked Ben's breakthrough role, in which he was given for the first time the chance to choose roles instead of having to go through grueling auditions constantly.
Affleck chose such roles in the blockbusters Armageddon (1998), Shakespeare in Love (1998), and Pearl Harbor (2001). In the early years of the 2000s, he also starred in the box office hits Changing Lanes (2002), The Sum of All Fears (2002), and Daredevil (2003), as well as the disappointing comedies Gigli (2003) and Surviving Christmas (2004). While the mid 2000s were considered a career downturn for Affleck, he received a Golden Globe nomination for his performance in Hollywoodland (2006). In the several years following, he played supporting roles, including in the films Smokin' Aces (2006), He's Just Not That Into You (2009), State of Play (2009), and Extract (2009). He ventured into directing in 2007, with the thriller Gone Baby Gone (2007), which starred his brother, Casey Affleck, and was well received. He then directed, co-wrote, and starred in The Town (2010), which was named to the National Board of Review Top Ten Films of the year. For the political thriller Argo (2012), which he directed and starred in, Affleck won the Golden Globe Award and BAFTA Award for Best Director, and the Academy Award, Golden Globe Award, and BAFTA Award for Best Picture (Affleck's second Oscar win).
In 2014, Affleck headlined the book adaptation thriller Gone Girl (2014). He starred as Bruce Wayne/Batman in the superhero film Batman v Superman: Dawn of Justice (2016), Suicide Squad (2016), and Justice League (2017). He reprised the role in Zack Snyder's Justice League (2021) and he will next appear as Batman in Aquaman and the Lost Kingdom (2023) and The Flash (2023).
Recently he has given praise-worthy performances in The Way Back (2020) as a recovering alcoholic, The Last Duel (2021) (notably he also co-wrote the script), and a scene-stealing golden globe nominated performance in The Tender Bar (2021).- Producer
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Terrence Malick was born in Ottawa, Illinois. His family subsequently lived in Oklahoma and he went to school in Austin, Texas. He did his undergraduate work at Harvard, graduating summa cum laude with a degree in philosophy in 1965.
A member of the Phi Beta Kappa honor society, he attended Magdalen College, Oxford on a Rhodes scholarship, but did not finish his thesis on Martin Heidegger, allegedly because of a disagreement with his advisor. Returning to the States, he taught philosophy at M.I.T. and published a translation of Heidegger's "Vom Wesen des Grundes" as "The Essence of Reasons". Malick did not get his PhD in philosophy: Instead, he attended the American Film Institute Conservatory in its inaugural year (1969), taking a Masters of Fine Arts degree in film-making. His masters thesis was the seventeen-minute comedy short Lanton Mills (1969), which starred Warren Oates and Harry Dean Stanton. Malick himself acted in the short.
At A.F.I., Malick made a lasting association with Jack Fisk, who would establish himself as an Oscar-nominated art director and production designer and serve as art director on all of Malick's films. He also picked up Mike Medavoy as an agent, who got Malick work doctoring scripts and marketed his original ones. He wrote the screenplay for the 1972 Alan Arkin trucker movie Deadhead Miles (1972), which was many miles from Harvard let along Oxford, and for the 1972 Paul Newman-Lee Marvin contemporary oater Pocket Money (1972), another departure from fields of academia. "Deadhead Miles" was dumped by Paramount as unreleasable and "Pocket Money", despite being headlined by two Top Ten Box Office stars, flopped. It was an inauspicious start to a legendary career, but it influenced Malick to begin directing his own scripts.
His first two films were the now critically acclaimed Badlands (1973) and Days of Heaven (1978). He then took a self-imposed retirement of nearly two decades from film-making before lensing his 1998 adaptation of James Jones's The Thin Red Line (1998), which was nominated for 7 Academy Awards, including nods for Malick for directing and adapted screenplay.
Adopting a Kubrickian pace of movie-making, he directed The New World (2005) and the autobiographical The Tree of Life (2011) with gaps of only seven and six years, respectively, between release. However, he reportedly was working on ideas for "The Tree of Life" since the late 70s, including exposing footage that found its way into his finished film.
In an unprecedented burst of productivity, he shot his next four films, To the Wonder (2012), Knight of Cups (2015), an as-yet unnamed drama and the cosmic documentary Voyage of Time: Life's Journey (2016) back-to-back during and immediately after completing the long editing process of "Tree of Life". Like Stanley Kubrick, Malick usually takes well over a year to edit his films. All three are highly anticipated by cineastes the world over.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.- Writer
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Derek Cianfrance began making movies at age 13. He later attended The University of Colorado where he studied under avant-garde film legends Stan Brakhage and Phil Solomon. His first three films, 'Five O'clock Shadow', 'Raw Footage', and Brother Tied (1998), won consecutive Goldfarb Awards for best film. Raw Footage went on to be awarded a Special Deans Grant for Achievement in the Arts, as well as The Independent Film Channel's Award for Excellence in Student Filmmaking. He directed, wrote, shot, and edited his first feature, Brother Tied, at the age of 23. The film made its American premiere at The Sundance film festival where it was lauded as "one of the most striking American independent debuts in some time," by The Guardian's Jonathan Romney, and hailed a work of "visual genius," by New York Newsday's John Anderson. The film traveled to over 30 festivals and won international awards at 6, including The Orson Welles First Feature Film Award at Huntington, the Ecumenical Jury Award at Mannheim/Heidelberg, and Jury Prize for Bold, Original Expression at Florida. Cianfrance then ventured into documentary filmmaking where he explored a wide array of subjects and characters for both theatrical exhibition and TV. He has made portraits of musicians, Cassandra Wilson - Traveling Miles: Cassandra Wilson (2000), Mos Def - Work And Progress, Run-D.M.C. and Jam Master Jay: The Last Interview (2002), Annie Lennox - Live In Toronto, gained access to Vietnam veteran biker clubs in Rolling Thunder - Ride For Freedom, exposed the mysterious world of crime photography for Shots in the Dark (2001), and revealed teen racing and Hispanic subculture in Quattro Noza (2003) for which he won best cinematographer at Sundance 2003. Cianfrance is currently in pre-production on his second narrative feature, Blue Valentine.- Producer
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Samuel Alexander Mendes was born on August 1, 1965 in Reading, England, UK to parents James Peter Mendes, a retired university lecturer, and Valerie Helene Mendes, an author who writes children's books. Their marriage didn't last long, James divorced Sam's mother in 1970 when Sam was just 5-years-old. Sam was educated at Cambridge University and joined the Chichester Festival Theatre following his graduation in 1987. Afterwards, he directed Judi Dench in "The Cherry Orchard", for which he won a Critics Circle Award for Best Newcomer. He then joined the Royal Shakespeare Company, where he directed such productions as "Troilus and Cressida" with Ralph Fiennes and "Richard III". In 1992, he became artistic director of the reopened Donmar Warehouse in London, where he directed such productions as "The Glass Menagerie" and the revival of the musical "Cabaret", which earned four Tony Awards including one for Best Revival of a Musical. He also directed "The Blue Room" starring Nicole Kidman. In 1999, he got the chance to direct his first feature film, American Beauty (1999). The movie earned 5 Academy Awards including Best Picture and Best Director for Mendes, which is a rare feat for a first-time film director.- Writer
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James Francis Cameron was born on August 16, 1954 in Kapuskasing, Ontario, Canada. He moved to the United States in 1971. The son of an engineer, he majored in physics at California State University before switching to English, and eventually dropping out. He then drove a truck to support his screenwriting ambition. He landed his first professional film job as art director, miniature-set builder, and process-projection supervisor on Roger Corman's Battle Beyond the Stars (1980) and had his first experience as a director with a two week stint on Piranha II: The Spawning (1982) before being fired.
He then wrote and directed The Terminator (1984), a futuristic action-thriller starring Arnold Schwarzenegger, Michael Biehn and Linda Hamilton. It was a low budget independent film, but Cameron's superb, dynamic direction made it a surprise mainstream success and it is now regarded as one of the most iconic pictures of the 1980s. After this came a string of successful, bigger budget science-fiction action films such as Aliens (1986), The Abyss (1989) and Terminator 2: Judgment Day (1991). In 1990, Cameron formed his own production company, Lightstorm Entertainment. In 1997, he wrote and directed Titanic (1997), a romance epic about two young lovers from different social classes who meet on board the famous ship. The movie went on to break all box office records and earned eleven Academy Awards. It became the highest grossing movie of all time until 12 years later, Avatar (2009), which invented and pioneered 3D film technology, and it went on to beat "Titanic", and became the first film to cost two billion dollars until 2019 when Marvel took the record.
James Cameron is now one of the most sought-after directors in Hollywood. He was formerly married to producer Gale Anne Hurd, who produced several of his films. In 2000, he married actress Suzy Amis, who appeared in Titanic, and they have three children.- Producer
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Described by film producer Michael Deeley as "the very best eye in the business", director Ridley Scott was born on November 30, 1937 in South Shields, Tyne and Wear. His father was an officer in the Royal Engineers and the family followed him as his career posted him throughout the United Kingdom and Europe before they eventually returned to Teesside. Scott wanted to join the British Army (his elder brother Frank had already joined the Merchant Navy) but his father encouraged him to develop his artistic talents instead and so he went to West Hartlepool College of Art and then London's Royal College of Art where he helped found the film department.
In 1962, he joined the BBC as a trainee set designer working on several high profile series. He attended a trainee director's course while he was there and his first directing job was on an episode of the popular BBC police series Z Cars (1962), Error of Judgement (1965). More TV work followed until, frustrated by the poor financial rewards at the BBC, he went into advertising. With his younger brother, Tony Scott, he formed the advertising production company RSA (Ridley Scott Associates) in 1967 and spent the next 10 years making some of the best known and best loved TV adverts ever shown on British television, including a series of ads for Hovis bread set to the music of Dvorak's New World Symphony which are still talked about today ("'e were a great baker were our dad.")
He began working with producer David Puttnam in the 1970s developing ideas for feature films. Their first joint endeavor, The Duellists (1977) won the Jury Prize for Best First Work at Cannes in 1977 and was nominated for the Palm d'Or, more than successfully launching Scott's feature film career. The success of Star Wars: Episode IV - A New Hope (1977) inspired Scott's interest in making science fiction and he accepted the offer to direct Dan O'Bannon's low budget science fiction horror movie Alien (1979), a critical and commercial success that firmly established his worldwide reputation as a movie director.
Blade Runner (1982) followed in 1982 to, at best, a lukewarm reception from public and critics but in the years that followed, its reputation grew - and Scott's with it - as one of the most important sci-fi movies ever made. Scott's next major project was back in the advertising world where he created another of the most talked-about advertising spots in broadcast history when his "1984"-inspired ad for the new Apple Macintosh computer was aired during the Super Bowl on January 22, 1984. Scott's movie career has seen a few flops (notably Legend (1985) and 1492: Conquest of Paradise (1992)), but with successes like Thelma & Louise (1991), Gladiator (2000) and Black Hawk Down (2001) to offset them, his reputation remains solidly intact.
Ridley Scott was awarded Knight Bachelor of the Order of the British Empire at the 2003 Queen's New Year Honours for his "substantial contribution to the British film industry". On July 3, 2015, he was awarded an honorary doctorate by the Royal College of Art in a ceremony at the Royal Albert Hall in London. He was awarded the BAFTA Fellowship in 2018. BAFTA described him as "a visionary director, one of the great British film-makers whose work has made an indelible mark on the history of cinema. Forty years since his directorial debut, his films continue to cross the boundaries of style and genre, engaging audiences and inspiring the next generation of film talent."- Director
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Steve McQueen was born on 9 October 1969 in London, England, UK. He is a director and producer, known for 12 Years a Slave (2013), Shame (2011) and Hunger (2008). He is married to Bianca Stigter. They have two children.- Producer
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Kevin Patrick Smith was born in Red Bank but grew up in Highlands, New Jersey, the son of Grace (Schultz) and Donald E. Smith, a postal worker. He is very proud of his native state; this fact can be seen in all of his movies. Kevin is of mostly German, with some Irish and English, ancestry.
His first movie, Clerks (1994), was filmed in the convenience store in which Smith worked. He was only allowed to shoot at night after the store closed. This movie won the highest award at the Sundance film festival and was brought to theaters by Miramax. The movie went over so well that Smith was able to make another movie, Mallrats (1995). This movie, as Kevin has said, was meant to be a "smart Porkys". Although it didn't do well at all in the box office, it has done more than well on video store shelves and is usually the favorite among many Smith fans.
During filming for the movie, Smith met his new close friends and stars of his next movie, Ben Affleck, Jason Lee, and his new girlfriend, Joey Lauren Adams. Smith has said that his relationship with Adams has been much of an inspiration for his next movie, Chasing Amy (1997), Smith's comedy drama which won two independent Spirit awards: Best Screenplay and Best Supporting Role (for Jason Lee). Around the time that Chasing Amy (1997) was wrapping, Smith broke up with Adams and, then when the Spirit awards were approaching, he met his soon-to-be wife, Jennifer Schwalbach Smith. After Chasing Amy (1997), Smith started on Dogma (1999), a controversial film about Christianity. Around this time, Smith's wife gave birth to their first baby girl, Harley Quinn Smith. Harley Quinn and Jennifer both have roles in Smith's next film,Jay and Silent Bob Strike Back (2001). In this road trip comedy, the cult heroes, Jay and Silent Bob, go on an adventure to stop the production of a movie being made about them, find true love, and save an orangutan.
In 2004, he wrote and directed Jersey Girl (2004), starring Ben Affleck and Liv Tyler. Although there were some disappointing reviews and the movie was a disappointment at the box office, Smith says it did alright going up against the "Bennifer Massacre" known as Gigli (2003).
In 2005, Smith wrote the screenplay for Clerks II (2006), which he planned to start shooting in January of 2005. But then he got a call from Susannah Grant, who wanted Smith to audition for her new film. Smith went into the audition and, five minutes after finishing, he got a call saying he got the part. Filming began in January 2005 so Smith had to delay the filming of Clerks II (2006). After Catch and Release (2006) finished filming, Smith shot "Clerks II" in September 2005. After cutting "Clerks II", they submitted it to the Cannes film festival. It got accepted and, at Cannes, it got an 8 minute standing ovation.
In 2006, Smith also got offered a part in the fourth "Die Hard" film, Live Free or Die Hard (2007). Smith got to film a scene with one of his idols, Bruce Willis, the scene was supposed to take one day of filming, it ended up taking a week. In 2007, Smith was also hired to direct the pilot for the show Reaper (2007), which garnered favorable reviews.
In 2007 and 2008, Smith wrote two scripts: a comedy, Zack and Miri Make a Porno (2008), and a horror film called Red State (2011). Harvey Weinstein green-lighted "Zack and Miri", based just off the title, although they passed on "Red State", Smith plans to get "Red State" independently funded. Smith filmed "Zack and Miri" with comedy starSeth Rogen. The film did not meet expectations at the box office but got good reviews. It is Smith's highest grossing movie, although he says he was crushed by the disappointing box office of the film.
Smith was offered the chance to direct a film which was written by Robb Cullen and Mark Cullen called Cop Out (2010). Smith accepted, it would be two firsts; the first feature Smith has directed but not written and the first feature of Smith's that Scott Mosier has not produced (Mosier is trying to find a film to direct). Smith hired Bruce Willis for the film.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.- Director
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Terry Gilliam was born near Medicine Lake, Minnesota. When he was 12 his family moved to Los Angeles where he became a fan of MAD magazine. In his early twenties he was often stopped by the police who suspected him of being a drug addict and Gilliam had to explain that he worked in advertising. In the political turmoil in the 60's, Gilliam feared he would become a terrorist and decided to leave the USA. He moved to England and landed a job on the children's television show Do Not Adjust Your Set (1967) as an animator. There he met meet his future collaborators in Monty Python: Terry Jones, Eric Idle and Michael Palin. In 2006 he renounced his American citizenship.- Director
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Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers. Roman Polanski was born in Paris in 1933.
His parents returned to Poland from France in 1936, three years before World War II began. On Germany's invasion in 1939, as a family of mostly Jewish heritage, they were all sent to the Krakow ghetto. His parents were then captured and sent to two different concentration camps: His father to Mauthausen-Gusen in Austria, where he survived the war, and his mother to Auschwitz where she was murdered. Roman witnessed his father's capture and then, at only 7, managed to escape the ghetto and survive the war, at first wandering through the Polish countryside and pretending to be a Roman-Catholic kid visiting his relatives. Although this saved his life, he was severely mistreated suffering nearly fatal beating which left him with a fractured skull.
Local people usually ignored the cinemas where German films were shown, but Polanski seemed little concerned by the propaganda and often went to the movies. As the war progressed, Poland became increasingly war-torn and he lived his life as a tramp, hiding in barns and forests, eating whatever he could steal or find. Still under 12 years old, he encountered some Nazi soldiers who forced him to hold targets while they shot at them. At the war's end in 1945, he reunited with his father who sent him to a technical school, but young Polanski seemed to have already chosen another career. In the 1950s, he took up acting, appearing in Andrzej Wajda's A Generation (1955) before studying at the Lodz Film School. His early shorts such as Two Men and a Wardrobe (1958), Le gros et le maigre (1961) and Mammals (1962), showed his taste for black humor and interest in bizarre human relationships. His feature debut, Knife in the Water (1962), was one of the first Polish post-war films not associated with the war theme. It was also the first movie from Poland to get an Oscar nomination for best foreign film. Though already a major Polish filmmaker, Polanski chose to leave the country and headed to France. While down-and-out in Paris, he befriended young scriptwriter, Gérard Brach, who eventually became his long-time collaborator. The next two films, Repulsion (1965) and Cul-de-sac (1966), made in England and co-written by Brach, won respectively Silver and then Golden Bear awards at the Berlin International Film Festival. In 1968, Polanski went to Hollywood, where he made the psychological thriller, Rosemary's Baby (1968). However, after the brutal murder of his wife, Sharon Tate, by the Manson Family in 1969, the director decided to return to Europe. In 1974, he again made a US release - it was Chinatown (1974).
It seemed the beginning of a promising Hollywood career, but after his conviction for the sodomy of a 13-year old girl, Polanski fled from he USA to avoid prison. After Tess (1979), which was awarded several Oscars and Cesars, his works in 1980s and 1990s became intermittent and rarely approached the caliber of his earlier films. It wasn't until The Pianist (2002) that Polanski came back to full form. For that movie, he won nearly all the most important film awards, including the Oscar for Best Director, Cannes Film Festival's Palme d'Or, the BAFTA and Cesar Award.
He still likes to act in the films of other directors, sometimes with interesting results, as in A Pure Formality (1994).- Director
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Daniel Francis Boyle is a British filmmaker, producer and writer from Radcliffe, Greater Manchester. He is known for directing 28 Days Later, 127 Hours, Trainspotting, T2 Trainspotting, Slumdog Millionaire, Millions, Shallow Grave, The Beach, Yesterday, and Steve Jobs. He won many awards for Slumdog Millionaire. He was in a relationship with Gail Stevens and had three children.- Producer
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Joel Daniel Coen is an American filmmaker who regularly collaborates with his younger brother Ethan. They made Raising Arizona, Barton Fink, Fargo, The Big Lebowski, True Grit, O Brother Where Art Thou?, Burn After Reading, A Serious Man, Inside Llewyn Davis, Hail Caesar and other projects. Joel married actress Frances McDormand in 1984 and had an adopted son.- Producer
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The younger brother of Joel, Ethan Coen is an Academy Award and Golden Globe winning writer, producer and director coming from small independent films to big profile Hollywood films. He was born on September 21, 1957 in Minneapolis, Minnesota. In some films of the brothers- Ethan & Joel wrote, Joel directed and Ethan produced - with both editing under the name of Roderick Jaynes; but in 2004 they started to share the three main duties plus editing. Each film bring its own quality, creativity, art and with one project more daring the other.
His film debut was in 1984 dark humored thriller Blood Simple (1984) starring Frances McDormand (Joel's wife) and M. Emmet Walsh in a deep story revolving a couple of romantic lovers followed by an insisting private eye. The film received critical acclaim, some award nominations to Ethan (best writing at the Film Independent Spirit Awards) and became a cult following over the years. Their second work was the comedy Raising Arizona (1987) starring Nicolas Cage and Holly Hunter as a unusual couple trying to create their family by kidnapping babies from a rich family.
Miller's Crossing (1990) was the third film of the brothers, a mob drama with heavy influences from several criminal dramas and with a stellar cast that included Gabriel Byrne, Marcia Gay Harden, Albert Finney, Steve Buscemi, John Turturro and Jon Polito (the latter three would become regular actors in the Coen's films).
Their views on the Hollywood era of the 1930's was the central theme is the great Barton Fink (1991), created from a writers block both brothers suffered during the making of their previous film. John Turturro stars as a writer who suffers from a breakdown when he's commissioned to a big budget Hollywood project. The film was a breakthrough for the Coens marking their first win at the Cannes Film Festival (Joel got the Palme d'Or) and the first time a film of their received Oscar nominations. The underrated comedy The Hudsucker Proxy (1994) was what followed; but no one could predict their next big and boldest move that would definitely put Ethan and Joel on the spotlight once and for all.
The comedy of errors Fargo (1996) was a huge critical and commercial success. With its crazed story of a man who hires two loonies to kidnap his own wife and a pregnant policewoman tracking the leads to the crime, Ethan and Joel came at their greatest moment that couldn't be missed. The film received several awards during award season and the Coen's got their first Oscar in the Best Original Screenplay category. What came next was the underrated yet hilariously good The Big Lebowski (1998) starring Jeff Bridges, John Goodman, John Turturro and Steve Buscemi. Those masterpieces made their career in the late 1990's cementing the duo as one of the greatest writers and directors of their generation, if not, from all time.
The Odyssey retold for the 1930's in O Brother, Where Art Thou? (2000); the intelligent noir The Man Who Wasn't There (2001); the comedy Intolerable Cruelty (2003) and a remake The Ladykillers (2004) marked their way into the early 2000's. Certaintly of period of minor hits and some downer moments.
The big return was with the highly acclaimed No Country for Old Men (2007), where the brothers swooped at the Oscars with three wins: Best Picture, Screenplay and Writing, an adaptation from the Cormac McCarthy's novel.
A Serious Man (2009), Burn After Reading (2008), True Grit (2010), Inside Llewyn Davis (2013), Hail, Caesar! (2016) and The Ballad of Buster Scruggs (2018) were the subsequent films, all well received by audiences or got awards recognition, mostly nominations.
A shift from tone and career move was writing with other writers and for another directors: for Angelina Jolie's Unbroken (2014), for Spielberg in Bridge of Spies (2015) and George Clooney in Suburbicon (2017).
As for personal life, Ethan has been married to Tricia Cooke since 1990. Tricia works as an assistant editor in several of the Coen brothers films.- Producer
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Director, producer and screenwriter Alexander Payne was born in Omaha, Nebraska. His parents, Peggy (Constantine) and George Payne, ran a Greek restaurant. His father is of Greek and German ancestry, and his mother is of Greek descent; the family name was originally Papadopoulos. He is the youngest of three brothers.
Alexander attended Stanford University, where he majored in Spanish and History. He then went on to study film at UCLA Film School. His university thesis film was screened at the Sundance film festival, which led to him being backed by Miramax to write and direct Citizen Ruth (1996). Payne prefers to have control over his movies, from scripts to cast.- Actor
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George Timothy Clooney was born on May 6, 1961, in Lexington, Kentucky, to Nina Bruce (née Warren), a former beauty pageant queen, and Nick Clooney, a former anchorman and television host (who was also the brother of singer Rosemary Clooney). He has Irish, English, and German ancestry. Clooney spent most of his youth in Ohio and Kentucky, and graduated from Augusta High School. He was very active in sports such as basketball and baseball, and tried out for the Cincinnati Reds, but was not offered a contract.
After his cousin, Miguel Ferrer, got him a small role in a feature film, Clooney began to pursue acting. His first major role was on the sitcom E/R (1984) as Ace. More roles soon followed, including George Burnett, the handsome handyman on The Facts of Life (1979); Booker Brooks, a supervisor on Roseanne (1988); and Detective James Falconer on Sisters (1991). Clooney had his breakthrough when he was cast as Dr. Doug Ross on the award-winning drama series ER (1994), opposite Anthony Edwards, Noah Wyle and Julianna Margulies.
While filming "ER" (1994), Clooney starred in a number of high profile film roles, such as Robert Rodriguez's From Dusk Till Dawn (1996), and One Fine Day (1996), opposite Michelle Pfeiffer. In 1997, Clooney took on the role of Batman in Joel Schumacher's Batman & Robin (1997). The film was a moderate success in the box office, but was slammed by critics, notably for the nipple-laden Batsuit. Clooney went on to star in Steven Soderbergh's Out of Sight (1998), Terrence Malick's The Thin Red Line (1998), and David O. Russell's Three Kings (1999).
In 1999, Clooney left "ER" (1994) (though he would return for the season finale) and appeared in a number of films, including O Brother, Where Art Thou? (2000), The Perfect Storm (2000) and Ocean's Eleven (2001). Collaborating once again with Steven Soderbergh, Ocean's Eleven (2001) received critical acclaim, earned more than $450 million at the box office, and spawned two sequels: Ocean's Twelve (2004) and Ocean's Thirteen (2007).
In 2002, Clooney made his directorial debut with Confessions of a Dangerous Mind (2002), an adaptation of TV producer Chuck Barris' autobiography. This was the first film under the banner of Section Eight Productions, a production company he founded with Steven Soderbergh. The company also produced many acclaimed films, including Far from Heaven (2002), Syriana (2005), A Scanner Darkly (2006) and Good Night, and Good Luck. (2005). Clooney won his first Oscar for Best Supporting Actor in Syriana (2005), and was nominated for Best Director and Best Original Screenplay for Good Night, and Good Luck. (2005).
In 2006, Section Eight Productions was shut down so that Soderbergh could concentrate on directing, and Clooney founded a new production company, Smokehouse Productions, with his friend and longtime business partner, Grant Heslov.
Clooney went on to produce and star in Michael Clayton (2007) (which earned him an Oscar nomination for Best Actor), directed and starred in Leatherheads (2008), and took leading roles in Burn After Reading (2008), The Men Who Stare at Goats (2009), Fantastic Mr. Fox (2009), and Jason Reitman's Up in the Air (2009). Clooney received critical acclaim for his performance in Up in the Air (2009) and was nominated for several awards, including a Golden Globe Award and Academy Award. He didn't win that year, but took home both Best Actor awards (as well as countless nominations) for his role as a father who finds out his wife was unfaithful as she lays in a coma in Alexander Payne's The Descendants (2011). Through his career, Clooney has been heralded for his political activism and humanitarian work. He has served as one of the United Nations Messengers of Peace since 2008, has been an advocate for the Darfur conflict, and organized the Hope for Haiti telethon, to raise money for the victims of the 2010 earthquake. In March 2012, Clooney was arrested for civil disobedience while protesting at the Sudanese embassy in Washington, D.C.
Clooney was married to actress Talia Balsam, from 1989 until 1993. After their divorce, he swore he would never marry again. Michelle Pfeiffer and Nicole Kidman bet him $10,000 that he would have children by the age of 40, and sent him a check shortly after his birthday. Clooney returned the funds and bet double or nothing he wouldn't have children by the age of 50. Although he has remained a consummate bachelor, Clooney has had many highly publicized relationships, including with former WWE wrestler Stacy Keibler. In 2014, he married lawyer and activist Amal Clooney, with whom he has two children, twins.- Producer
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Steven Andrew Soderbergh was born on January 14, 1963 in Atlanta, Georgia, USA, the second of six children of Mary Ann (Bernard) and Peter Soderbergh. His father was of Swedish and Irish descent, and his mother was of Italian ancestry. While he was still at a very young age, his family moved to Baton Rouge, Louisiana, where his father was a professor and the dean of the College of Education at Louisiana State University. While still in high school, around the age of 15, Soderbergh enrolled in the university's film animation class and began making short 16-millimeter films with second-hand equipment, one of which was the short film "Janitor". After graduating high school, he went to Hollywood, where he worked as a freelance editor. His time there was brief and, shortly after, he returned home and continued making short films and writing scripts.
His first major break was in 1986 when the rock group Yes assigned him to shoot a full-length concert film for the band, which eventually earned him a Grammy nomination for the video, Yes: 9012 Live (1985). Following this achievement, Soderbergh filmed Winston (1987), the short-subject film that he would later expand into Sex, Lies, and Videotape (1989), a film that earned him the Cannes Film Festival's Palme d'Or Award, the Independent Spirit Award for Best Director, and an Oscar nomination for Best Original Screenplay. Over the next six years, he was married to actress Betsy Brantley and had a daughter named Sarah Soderbergh, who was born in 1990.
Also during this time, he made such films as Kafka (1991), King of the Hill (1993), The Underneath (1995) and Gray's Anatomy (1996), which many believed to be disappointments. In 1998, Soderbergh made Out of Sight (1998), his most critically and commercially successful film since Sex, Lies, and Videotape (1989). Then, in 2000, Soderbergh directed two major motion pictures that are now his most successful films to date: Erin Brockovich (2000) and Traffic (2000). These films were both nominated for Best Picture Oscars at the 2001 Academy Awards and gave him the first twin director Oscar nomination in almost 60 years and the first ever win. He won the Oscar for Best Director for Traffic (2000) at the 2001 Oscars.- Producer
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James Wan (born 26 February 1977) is an Australian film producer, screenwriter and film director of Malaysian Chinese descent. He is widely known for directing the horror film Saw (2004) and creating Billy the puppet. Wan has also directed Dead Silence (2007), Death Sentence (2007), Insidious (2010), The Conjuring (2013) and Furious 7 (2015).
Before his success in the mainstream film industry, he made his first feature-length film, Stygian, with Shannon Young, which won "Best Guerrilla Film" at the Melbourne Underground Film Festival (MUFF) in 2000.
Prior to 2003, Wan and Leigh Whannell had begun writing a script based for a horror film, citing inspiration from their dreams and fears. Upon completing the script, Leigh and James had wanted to select an excerpt from their script, later to be known as Saw (2004), and film it to pitch their film to studios. With the help of Charlie Clouser, who had composed the score for the film, and a few stand-in actors, Leigh and James shot the film with relatively no budget. Leigh had decided to star in the film as well.
After the release of the full-length Saw (2004), the film was met with overwhelming success in the box office both domestically and internationally. The film ended up grossing 55 million dollars in America, and 48 million dollars in other countries, totaling over $103 million worldwide. This was over 100 million dollars profit, over 80 times the production budget. This green-lit the sequel Saw II (2005), and later the rest of the Saw franchise based on the yearly success of the previous installment. Since its inception, Saw (2004) has become the highest grossing horror franchise of all time worldwide in unadjusted dollars. In the United States only, Saw (2004) is the second highest grossing horror franchise, behind only the Friday the 13th (1980) films by a margin of $10 million.- Writer
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Guillermo del Toro was born October 9, 1964 in Guadalajara, Jalisco, Mexico. Raised by his Catholic grandmother, del Toro developed an interest in filmmaking in his early teens. Later, he learned about makeup and effects from the legendary Dick Smith (The Exorcist (1973)) and worked on making his own short films. At the age of 21, del Toro executive produced his first feature, Dona Herlinda and Her Son (1985). Del Toro spent almost 10 years as a makeup supervisor, and formed his own company, Necropia in the early 1980s. He also produced and directed Mexican television programs at this time, and taught film.
Del Toro got his first big break when Cronos (1992) won nine Ariel Awards (the Mexican equivalent of the Oscars), then went on to win the International Critics Week Prize at Cannes. Following this success, del Toro made his first Hollywood film, Mimic (1997), starring Mira Sorvino.
Del Toro had some unfortunate experiences working with a demanding Hollywood studio on Mimic (1997), and returned to Mexico to form his own production company, The Tequila Gang.
Next for del Toro, was The Devil's Backbone (2001), a Spanish Civil War ghost story. The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try. In 2002, he directed the Wesley Snipes vampire sequel, Blade II (2002).
On a roll, Del Toro followed up Blade II (2002) with another successful comic-book inspired film, Hellboy (2004), starring one of Del Toro's favorite actors, Ron Perlman.
Del Toro is divorced, has a daughter and a son and lives in Los Angeles and Toronto.- Producer
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Sir Peter Jackson made history with The Lord of the Rings trilogy, becoming the first person to direct three major feature films simultaneously. The Fellowship of the Ring, The Two Towers and The Return of the King were nominated for and collected a slew of awards from around the globe, with The Return of the King receiving his most impressive collection of awards. This included three Academy Awards® (Best Adapted Screenplay, Best Director and Best Picture), two Golden Globes (Best Director and Best Motion Picture-Drama), three BAFTAs (Best Adapted Screenplay, Best Film and Viewers' Choice), a Directors Guild Award, a Producers Guild Award and a New York Film Critics Circle Award.
As a follow up to The Lord of the Rings trilogy, in 2005, Jackson directed, wrote, and produced King Kong, for Universal Pictures. The film grossed over $500 million and won three Oscars®.
Jackson previously received widespread acclaim for his 1994 feature Heavenly Creatures, which received an Academy Award® nomination for Best Screenplay. Other film credits include The Frighteners, starring Michael J. Fox; the adult puppet feature Meet the Feebles; and Braindead, which won 16 international science fiction awards, including the Saturn. Jackson also co-directed the television documentary Forgotten Silver, which also hit the film festival circuit.
Jackson directed the Academy Award®-nominated The Lovely Bones, an adaptation of the acclaimed best-selling novel by Alice Sebold and produced the worldwide sci-fi hit District 9. He was a producer on Steven Spielberg's The Adventures of Tintin: The Secret of the Unicorn in 2011, with two more films set to come out in the future.
His most recent films include producer of 2018's action film Mortal Engines, based on a post-apocalyptic world where cities ride on wheels and consume each other to survive. Following Mortal Engines, he produced They Shall Not Grow Old, a documentary on World War I with never-before-seen footage. BAFTA nominated the film for Best Documentary, and it won the award for Outstanding Achievement in Sound Editing from the Motion Picture Sound Editors.
Jackson's next project is the music documentary The Beatles: Get Back, which he directed and produced, due to be released August, 2021.
Jackson works closely with partner Dame Fran Walsh, with whom he shares his writing and producing credits, as well as a family. Jackson has a special interest in WWI memorabilia and is the proud owner of several aircraft from that era.- Director
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Bennett Miller is an American film director, best known for Capote (2005), Moneyball (2011), and Foxcatcher (2014). He began his film career directing the 1998 documentary The Cruise.
In 2006 Miller directed the Bob Dylan music video "When the Deal Goes Down" starring Scarlett Johansson.
Miller has directed 6 actors to Oscar nominations: Philip Seymour Hoffman and Catherine Keener for Capote, Brad Pitt and Jonah Hill for Moneyball, and Steve Carell and Mark Ruffalo for Foxcatcher. Hoffman won the Oscar for his work in Capote.- Producer
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Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, "Supermarket Sweep", starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn't make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren's script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000), The Wrestler (2008) and Black Swan (2010). Most recently, he completed the films Noah (2014) and Mother! (2017).- Producer
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Spike Jonze made up one-third (along with Andy Jenkins and Mark Lewman) of the triumvirate of genius minds behind Dirt Magazine, the brother publication of the much lamented ground-breaking Sassy Magazine. These three uncommon characters were all editors for Grand Royal Magazine as well, under the direction of Mike D and Adam Horovitz and Adam Yauch before the sad demise of Grand Royal Records. Jonze was also responsible for directing the famous Beastie Boys: Sabotage (1994) short film as well as numerous other music videos for various artists.- Writer
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Writer, director, and producer Nicolas Winding Refn was born in Copenhagen, Denmark, in 1970, to Anders Refn, a film director and editor, and Vibeke Winding (née Tuxen), a cinematographer. Just before he turned 11, in 1981, he moved to New York with his parents, where he lived out his teen years. New York quickly became his city and soon began to shape Nicolas' future.
At seventeen, Nicolas moved back to his native Copenhagen to complete his high-school Education. After graduation, he swiftly flew back to New York, where he attended the American Academy of Dramatic Arts. However, this education was cut short when Nicolas threw a desk at a classroom wall and was expelled from the Academy. Consequently, he applied to the Danish Film School and was readily accepted. This education too was to be short-lived, though, as one month prior to the start of the semester, Nicolas dropped out.
A short film Nicolas had written, directed, and starred in was aired on an obscure cable TV channel and lead to the offer of a life-time. Nicolas was spotted and offered 3.2 million kroners to turn the short into a feature. At only twenty-four, Nicolas had written and directed the extremely violent and uncompromising Pusher (1996), which became a cult phenomenon and won Nicolas instant international critical acclaim. The success of his debut spurred him to push the boundaries of his creative filmmaking further, which resulted in the close-to-the-edge and intricately gritty Bleeder (1999). Highly stylized and focused on introverted reactions to outward situations, this film was a marking point for the shaping of Nicolas's future career. The movie was selected for the 1999 Venice International Film Festival as well as winning the prestigious FIPRESCI Prize in Sarajevo.
Nicolas's fourth feature, the much-anticipated Fear X (2003) was also his first foray into English-language movies. Starring the award-winning actor John Turturro, "Fear X" made its world premiere at the Sundance Film festival. However, Fear X divided critics and it flopped, which made Nicolas Winding Refn broke and in debt.
Having to provide for his family and paying his debt, he returned to Denmark to revisit "Pusher." Refn was reluctant to revisit his past success but decided that he could both make commercially viable and artistically pleasing films. In just two years he managed to write, direct and produce the two sequels. Pusher II (2004) and Pusher III (2005) sealed the box and success of the internationally renowned "Pusher" trilogy. In 2005, the Toronto Film Festival held a "Pusher" retrospective showing all three features cementing its worldwide phenomenon.
In 2006 Nicolas embarked on a second English-language (and first digital) feature called Valhalla Rising (2009), which was inspired by a story his mother read to him at the age of five about a father and son who embark on a trip to the moon. Not recalling the ending of this story has been a long time fascination of Nicolas's with the unknown. During the pre-production on "Valhalla Rising," his long time collaborator and friend, Rupert Preston, urged him into accepting an offer to write and direct Bronson (2008), an ultra-violent, surreal, and escapist film following the real-life landmarks and self-entrapment of Charles Bronson, Britain's most notorious criminal. Before its cinematic release, "Bronson" was making waves inside and outside the film industry. The 2009 Sundance Film Festival selected the blistering film for its World Cinema Dramatic Competition and it soon became the talk of the festival. With such a prestigious premiere, "Bronson" went on to be selected for other major international film festivals and reap strong box-office rewards. But, even with such a buzz surrounding the film, no one could predict how the British press would bite at "Bronson's" bit. The content was close to the knuckle, the subject matter controversial, but Nicolas's take on this was even more inspired leading him to be labeled by the British media as the next great European auteur.
With such critical acclaim, Nicolas's reputation as a producer, writer and director was solidly reaffirmed. Nicolas and his wife Liv Corfixen were the subjects of an acclaimed documentary, Gambler (2006), which premiered at the Rotterdam International Film Festival in 2005. In addition, Nicolas already received two lifetime-achievement awards (one from the Taipei International Film festival in 2006 and the second from the Valencia International Film Festival in 2007), and it was the winner of the Emerging Master Award from the Philadelphia International Film Festival 2005.- Producer
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Rian Johnson was born in Maryland and at a young age his family moved to San Clemente, California, where he was raised. After graduating from high school, he went on to attend the University of Southern California School of Cinematic Arts. His first feature film, Brick (2005), was released in 2005 and was the metaphorical building block that launched his career. He is a director, writer, and musician, among other areas of expertise.
His second feature, The Brothers Bloom (2008), proved his ability to tell an exciting story with A-list actors, and the visionary Looper (2012) cemented him as a modern science-fiction icon. Among his highest-rated work are three episodes of the critically acclaimed Breaking Bad (2008). His filmography made him a strong candidate to write and direct Star Wars: Episode VIII - The Last Jedi (2017), the penultimate episode of the 'Star Wars' series. Lucasfilm was pleased with his work and announced that we would write and direct a 'Star Wars' trilogy separate from the main Skywalker story.- Director
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Edgar Howard Wright (born 18 April 1974) is an English director, screenwriter, producer, and actor. He is best known for his comedic Three Flavours Cornetto film trilogy consisting of Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), made with recurrent collaborators Simon Pegg, Nira Park and Nick Frost. He also collaborated with them as the director of the television series Spaced.- Producer
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Jason Reitman is a Canadian filmmaker and producer who notably directed Ghostbusters: Afterlife, Juno, Thank You for Smoking, Up in the Air, Young Adult and Tully. He produced Chloe and Jennifer's Body, two films that advanced Amanda Seyfried's career for adult oriented roles. He is the son of Ivan Reitman, who directed the first two Ghostbusters films and Twins.- Writer
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Woody Allen was born on November 30, 1935, as Allen Konigsberg, in The Bronx, NY, the son of Martin Konigsberg and Nettie Konigsberg. He has one younger sister, Letty Aronson. As a young boy, he became intrigued with magic tricks and playing the clarinet, two hobbies that he continues today.
Allen broke into show business at 15 years when he started writing jokes for a local paper, receiving $200 a week. He later moved on to write jokes for talk shows but felt that his jokes were being wasted. His agents, Charles Joffe and Jack Rollins, convinced him to start doing stand-up and telling his own jokes. Reluctantly he agreed and, although he initially performed with such fear of the audience that he would cover his ears when they applauded his jokes, he eventually became very successful at stand-up. After performing on stage for a few years, he was approached to write a script for Warren Beatty to star in: What's New Pussycat (1965) and would also have a moderate role as a character in the film. During production, Woody gave himself more and better lines and left Beatty with less compelling dialogue. Beatty inevitably quit the project and was replaced by Peter Sellers, who demanded all the best lines and more screen-time.
It was from this experience that Woody realized that he could not work on a film without complete control over its production. Woody's theoretical directorial debut was in What's Up, Tiger Lily? (1966); a Japanese spy flick that he dubbed over with his own comedic dialogue about spies searching for the secret recipe for egg salad. His real directorial debut came the next year in the mockumentary Take the Money and Run (1969). He has written, directed and, more often than not, starred in about a film a year ever since, while simultaneously writing more than a dozen plays and several books of comedy.
While best known for his romantic comedies Annie Hall (1977) and Manhattan (1979), Woody has made many transitions in his films throughout the years, transitioning from his "early, funny ones" of Bananas (1971), Love and Death (1975) and Everything You Always Wanted to Know About Sex * But Were Afraid to Ask (1972); to his more storied and romantic comedies of Annie Hall (1977), Manhattan (1979) and Hannah and Her Sisters (1986); to the Bergmanesque films of Stardust Memories (1980) and Interiors (1978); and then on to the more recent, but varied works of Crimes and Misdemeanors (1989), Husbands and Wives (1992), Mighty Aphrodite (1995), Celebrity (1998) and Deconstructing Harry (1997); and finally to his films of the last decade, which vary from the light comedy of Scoop (2006), to the self-destructive darkness of Match Point (2005) and, most recently, to the cinematically beautiful tale of Vicky Cristina Barcelona (2008). Although his stories and style have changed over the years, he is regarded as one of the best filmmakers of our time because of his views on art and his mastery of filmmaking.- Producer
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Born on August 18, 1936, in Santa Monica, California, to Charles Robert Redford, an accountant for Standard Oil, and Martha Redford, Charles Robert Redford, Jr. was a scrappy kid who stole hubcaps in high school and lost his college baseball scholarship at the University of Colorado because of drunkenness. However, as a high school student, he had displayed a certain aptitude as a caricaturist and this contributed to his decision to seriously study art. Redford then enjoyed a year-long sojourn travelling around Europe, hitchhiking, living in youth hostels and generally living the painter's life. Eventually, he came to realise that his work was unoriginal and not very good. He therefore returned to New York to pursue studies in theatrical design at the Pratt Institute of Art. He subsequently enrolled in acting classes at the American Academy of Dramatic Arts.
By the end of 1960, he was on Broadway in a series of plays including Barefoot in the Park, which launched him to fame. TV and stage experience coupled with all-American good looks led to movies and a breakthrough role in Butch Cassidy and the Sundance Kid (1969), when the actor was 33. The Way We Were (1973) and The Sting (1973), both in 1973, made Redford No. 1 at the box office for the next three years. Redford used his clout to advance environmental causes and his riches to acquire Utah property, which he transformed into a ranch and the Sundance ski resort. In 1980, he established the Sundance Institute for aspiring filmmakers. Its annual film festival has become one of the world's most influential. Redford's directorial debut, Ordinary People (1980), won him the Academy Award for Best Director in 1981. He waited eight years before getting behind the camera again, this time for the screen version of John Nichols' acclaimed novel of the Southwest, The Milagro Beanfield War (1988). He scored with critics and fans in 1992 with the Brad Pitt film A River Runs Through It (1992), and again, in 1994, with Quiz Show (1994), which earned him yet another Best Director nomination.
Redford married Lola Van Wagenen on August 9, 1958; they divorced in 1985 after having four children, one of which died of sudden infant death syndrome. Daughter Shauna Redford, born November 15, 1960, is a painter who married Eric Schlosser on October 5, 1985, in Provo, Utah; her first child, born in January 1991, made Redford a grandfather. Son James Redford, a screenwriter, was born May 5, 1962. Daughter Amy Redford, an actress, was born October 22, 1970. Redford has a half-brother named William, who worked in medical research.- Producer
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Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.- Producer
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Gavin O'Connor was born on 24 December 1963 in Huntington, Long Island, New York, USA. He is a producer and director, known for The Accountant (2016), Pride and Glory (2008) and Warrior (2011). He has been married to Brooke Burns since 22 June 2013. They have one child. He was previously married to Angela Shelton.- Director
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John Hillcoat was born on 14 August 1961 in Queensland, Australia. He is a director and producer, known for The Proposition (2005), The Road (2009) and Lawless (2012).- Writer
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Wes Craven has become synonymous with genre bending and innovative horror, challenging audiences with his bold vision.
Wesley Earl Craven was born in Cleveland, Ohio, to Caroline (Miller) and Paul Eugene Craven. He had a midwestern suburban upbringing. His first feature film was The Last House on the Left (1972), which he wrote, directed, and edited. Craven reinvented the youth horror genre again in 1984 with the classic A Nightmare on Elm Street (1984), a film he wrote and directed. And though he did not direct any of its five sequels, he deconstructed the genre a decade later, writing and directing the audacious New Nightmare (1994), which was nominated as Best Feature at the 1995 Independent Spirit Awards, and introduced the concept of self-reflexive genre films to the world.
In 1996 Craven reached a new level of success with the release of Scream (1996). The film, which sparked the phenomenal trilogy, was the winner of MTV's 1996 Best Movie Award and grossed more than $100 million domestically, as did Scream 2 (1997). Between Scream 2 and Scream 3 (2000), Craven, offered the opportunity to direct a non-genre film for Miramax, helmed Music of the Heart (1999), a film that earned Meryl Streep an Academy Award nomination for Best Actress. That same year, in the midst of directing, Craven completed his first novel, "The Fountain Society," published by Simon & Shuster. Recent works include the 2005 psychological thriller Red Eye (2005), and a short rom-com segment for the ensemble product, Paris, I Love You (2006).
In later years, Craven also produced remakes of two of his earlier films for his genre fans, The Hills Have Eyes (2006) and The Last House on the Left (2009). Craven has always had an eye for discovering fresh talent, something that contributes to the success of his films. While casting A Nightmare on Elm Street, Craven discovered the then unknown Johnny Depp. Craven later cast Sharon Stone in her first starring role for his film Deadly Blessing. He even gave Bruce Willis his first featured role in an episode of TV's mid-80's edition of The Twilight Zone. In My Soul to Take (2010), Craven once again brought together a cast of up-and-coming young teens, including Max Thieriot, in whom he saw the spark of stardom. The film marked Craven's first collaboration with wife and producer Iya Labunka, who also produced with him the highly anticipated production of Scream 4.
Craven's Scream 4 (2011) reunited the director with Dimension Films and Kevin Williamson, as well as with stars Neve Campbell, Courteney Cox and David Arquette, to re-boot the beloved franchise. Craven again exhibited his knack for spotting important talent, with a cast of young actors bringing us a totally new breed of Woodsboro high schoolers, including Emma Robert and Hayden Pannetierre.- Music Department
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John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).- Writer
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Probably the most ambitious and visually distinctive filmmaker to emerge from Denmark since Carl Theodor Dreyer over 60 years earlier, Lars von Trier studied film at the Danish Film School and attracted international attention with his very first feature, The Element of Crime (1984). A highly distinctive blend of film noir and German Expressionism with stylistic nods to Dreyer, Andrei Tarkovsky and Orson Welles, its combination of yellow-tinted monochrome cinematography (pierced by shafts of blue light) and doom-haunted atmosphere made it an unforgettable visual experience. His subsequent features Epidemic (1987) and Europa (1991) have been equally ambitious both thematically and visually, though his international fame is most likely to be based on The Kingdom (1994), a TV soap opera blending hospital drama, ghost story and Twin Peaks (1990)-style surrealism that was so successful in Denmark that it was released internationally as a 280-minute theatrical feature.- Director
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Gus Green Van Sant Jr. is an American filmmaker, painter, screenwriter, photographer and musician from Louisville, Kentucky who is known for directing films such as Good Will Hunting, the 1998 remake of Psycho, Gerry, Elephant, My Own Private Idaho, To Die For, Milk, Last Days, Finding Forrester, Promised Land, Drugstore Cowboy and Mala Noche.- Director
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Joel Schumacher was an American film director, film producer, screenwriter and fashion designer from New York City. He rose to fame in the 1980s for directing the coming-of-age drama "St. Elmo's Fire" (1985), and the vampire-themed horror film "The Lost Boys" (1987). In the 1990s, he worked on two controversial superhero films "Batman Forever" (1995) and "Batman & Robin" (1997). His final high-profile film was "The Phantom of the Opera" (2004). It was an adaptation of Andrew Lloyd Webber's 1986 musical, rather than the original novel. Towards the end of his career, Schumacher primarily worked on low-profile films with small budgets.- Producer
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Timothy Walter Burton was born in Burbank, California, to Jean Rae (Erickson), who owned a cat-themed gift shop, and William Reed Burton, who worked for the Burbank Park and Recreation Department. He spent most of his childhood as a recluse, drawing cartoons, and watching old movies (he was especially fond of films with Vincent Price). When he was in the ninth grade, his artistic talent was recognized by a local garbage company, when he won a prize for an anti-litter poster he designed. The company placed this poster on all of their garbage trucks for a year. After graduating from high school, he attended California Institute of the Arts. Like so many others who graduated from that school, Burton's first job was as an animator for Disney.
His early film career was fueled by almost unbelievable good luck, but it's his talent and originality that have kept him at the top of the Hollywood tree. He worked on such films as The Fox and the Hound (1981) and The Black Cauldron (1985), but had some creative differences with his colleagues. Nevertheless, Disney recognized his talent, and gave him the green light to make Vincent (1982), an animated short about a boy who wanted to be just like Vincent Price. Narrated by Price himself, the short was a critical success and won several awards. Burton made a few other short films, including his first live-action film, Frankenweenie (1984). A half-hour long twist on the tale of Frankenstein, it was deemed inappropriate for children and wasn't released. But actor Paul Reubens (aka Pee-Wee Herman) saw Frankenweenie (1984), and believed that Burton would be the right man to direct him in his first full-length feature film, Pee-wee's Big Adventure (1985). The film was a surprise success, and Burton instantly became popular. However, many of the scripts that were offered to him after this were essentially just spin-offs of the film, and Burton wanted to do something new.
For three years, he made no more films, until he was presented with the script for Beetlejuice (1988). The script was wild and wasn't really about anything, but was filled with such artistic and quirky opportunities, Burton couldn't say no. Beetlejuice (1988) was another big hit, and Burton's name in Hollywood was solidified. It was also his first film with actor Michael Keaton. Warner Bros. then entrusted him with Batman (1989), a film based on the immensely popular comic book series of the same name. Starring Michael Keaton and Jack Nicholson, the film was the most financially successful film of the year and Burton's biggest box-office hit to date. Due to the fantastic success of his first three films, he was given the green light to make his next film, any kind of film he wanted. That film was Edward Scissorhands (1990), one of his most emotional, esteemed and artistic films to date. Edward Scissorhands (1990) was also Burton's first film with actor Johnny Depp. Burton's next film was Batman Returns (1992), and was darker and quirkier than the first one, and, while by no means a financial flop, many people felt somewhat disappointed by it. While working on Batman Returns (1992), he also produced the popular The Nightmare Before Christmas (1993), directed by former fellow Disney Animator Henry Selick. Burton reunited with Johnny Depp on the film Ed Wood (1994), a film showered with critical acclaim, Martin Landau won an academy award for his performance in it, and it is very popular now, but flopped during its initial release. Burton's subsequent film, Mars Attacks! (1996), had much more vibrant colors than his other films. Despite being directed by Burton and featuring all-star actors including Jack Nicholson, Glenn Close, Pierce Brosnan and Michael J. Fox, it received mediocre reviews and wasn't immensely popular at the box office, either.
Burton returned to his darker and more artistic form with the film Sleepy Hollow (1999), starring Johnny Depp, Christina Ricci and Casper Van Dien. The film was praised for its art direction and was financially successful, redeeming Burton of the disappointment many had felt by Mars Attacks! (1996). His next film was Planet of the Apes (2001), a remake of the classic of the same name. The film was panned by many critics but was still financially successful. While on the set of Planet of the Apes (2001), Burton met Helena Bonham Carter, with whom he has two children. Burton directed the film Big Fish (2003) - a much more conventional film than most of his others, it received a good deal of critical praise, although it disappointed some of his long-time fans who preferred the quirkiness of his other, earlier films. Despite the fluctuations in his career, Burton proved himself to be one of the most popular directors of the late 20th century. He directed Johnny Depp once again in Charlie and the Chocolate Factory (2005), a film as quirky anything he's ever done.- Additional Crew
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Phillip Bradley "Brad" Bird is an American director, screenwriter, animator, producer and occasional voice actor, known for both animated and live-action films. Bird was born in Kalispell, Montana, the youngest of four children of Marjorie A. (née Cross) and Philip Cullen Bird. His father worked in the propane business, and his grandfather, Francis Wesley "Frank" Bird, who was born in County Sligo, Ireland, was a president and chief executive of the Montana Power Company. On a tour of the Walt Disney Studios at age 11, he announced that someday he would become part of its animation team, and soon afterward began work on his own 15-minute animated short. Within two years, Bird had completed his animation, which impressed the cartoon company. By age 14, barely in high school, Bird was mentored by the animator Milt Kahl, one of Disney's legendary Nine Old Men. Bird recalls Kahl's criticisms as ideal: Kahl would point out shortcomings by gently delivering thoughts on where Bird could improve. After graduating from Corvallis High School in Corvallis, Oregon in 1975, Bird took a three-year break. He was then awarded a scholarship by Disney to attend California Institute of the Arts, where he met and befriended another future animator, Pixar co-founder and director John Lasseter.- Writer
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George Walton Lucas, Jr. was raised on a walnut ranch in Modesto, California. His father was a stationery store owner and he had three siblings. During his late teen years, he went to Thomas Downey High School and was very much interested in drag racing. He planned to become a professional racecar driver. However, a terrible car accident just after his high school graduation ended that dream permanently. The accident changed his views on life.
He decided to attend Modesto Junior College before enrolling in the University of Southern California film school. As a film student, he made several short films including Electronic Labyrinth THX 1138 4EB (1967) which won first prize at the 1967-68 National Student Film Festival. In 1967, he was awarded a scholarship by Warner Brothers to observe the making of Finian's Rainbow (1968) which was being directed by Francis Ford Coppola. Lucas and Coppola became good friends and formed American Zoetrope in 1969. The company's first project was Lucas' full-length version of THX 1138 (1971). In 1971, Coppola went into production for The Godfather (1972), and Lucas formed his own company, Lucasfilm Ltd.
In 1973, he wrote and directed the semiautobiographical American Graffiti (1973) which won the Golden Globe and garnered five Academy Award nominations. This gave him the clout he needed for his next daring venture. From 1973 to 1974, he began writing the screenplay which became Star Wars: Episode IV - A New Hope (1977). He was inspired to make this movie from Flash Gordon and the Planet of the Apes films. In 1975, he established ILM. (Industrial Light & Magic) to produce the visual effects needed for the movie. Another company called Sprocket Systems was established to edit and mix Star Wars and later becomes known as Skywalker Sound. His movie was turned down by several studios until 20th Century Fox gave him a chance. Lucas agreed to forego his directing salary in exchange for 40% of the film's box-office take and all merchandising rights. The movie went on to break all box office records and earned seven Academy Awards. It redefined the term "blockbuster" and the rest is history.
Lucas made the other Star Wars films and along with Steven Spielberg created the Indiana Jones series which made box office records of their own. From 1980 to 1985, Lucas was busy with the construction of Skywalker Ranch, built to accommodate the creative, technical, and administrative needs of Lucasfilm. Lucas also revolutionized movie theaters with the THX system which was created to maintain the highest quality standards in motion picture viewing.
He went on to produce several more movies that have introduced major innovations in filmmaking technology. He is chairman of the board of the George Lucas Educational Foundation. In 1992, George Lucas was honored with the Irving G. Thalberg Award by the Board of Governors of the Academy of Motion Picture Arts and Sciences for his lifetime achievement.
He reentered the directing chair with the production of the highly-anticipated Star Wars prequel trilogy beginning with Star Wars: Episode I - The Phantom Menace (1999) . The films have been polarizing for fans and critics alike, but were commercially successful and have become a part of culture. The animated spin-off series Star Wars: The Clone Wars (2008) was supervised by Lucas. He sold Lucasfilm to Disney in 2012, making co-chair Kathleen Kennedy president. He has attended the premieres of new Star Wars films and been generally supportive of them.- Director
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Zachary Edward "Zack" Snyder (born March 1, 1966) is an American film director, film producer, and screenwriter, best known for action and science fiction films. Snyder made his feature film debut with the 2004 remake Dawn of the Dead and has gone on to be known for his comic book movies and superhero films, including 300 (2007), Watchmen (2009), Man of Steel (2013) and its upcoming sequel, Batman v Superman: Dawn of Justice (2016). Snyder is the co-founder of Cruel and Unusual Films, a production company he established in 2004, alongside his wife Deborah Snyder and producing partner Wesley Coller.- Producer
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Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Producer
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As a director, screenwriter, and producer, four-time Academy Award nominee Michael Mann has established himself as one of the most innovative and influential filmmakers in American cinema. After writing and directing the Primetime Emmy Award-winning television movie The Jericho Mile (1979), Mann made his feature-film directorial debut with Thief (1981), followed by executive producing the television series Miami Vice (1984). He went on to direct Manhunter (1986), The Last of the Mohicans (1992), Heat (1995), and The Insider (1999), Ali (2001), Collateral (2004), a film adaptation of Miami Vice (2006), Public Enemies (2009), and Blackhat (2015).
As a producer, Mann's work includes Martin Scorsese's The Aviator (2004), Hancock (2008), Texas Killing Fields (2011), and the HBO series Luck (2011) and Witness (2012). He has been a member of the Directors Guild of America since 1977 and has served on the DGA's National Board.- Actor
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David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus following his father's path) and for music (playing classical guitar until he was 12), Cronenberg graduated from the University of Toronto with a degree in Literature after switching from the science department. He reached the cult status of horror-meister with the gore-filled, modern-vampire variations of Shivers (1975) and Rabid (1977), following an experimental apprenticeship in independent film-making and in Canadian television programs.
Cronenberg gained popularity with the head-exploding, telepathy-based Scanners (1981) after the release of the much underrated, controversial, and autobiographical The Brood (1979). Cronenberg become a sort of a mass media guru with Videodrome (1983), a shocking investigation of the hazards of reality-morphing television and a prophetic critique of contemporary aesthetics. The issues of tech-induced mutation of the human body and topics of the prominent dichotomy between body and mind were back again in The Dead Zone (1983) and The Fly (1986), both bright examples of a personal film-making identity, even if both films are based on mass-entertainment materials: the first being a rendition of a Stephen King best-seller, the latter a remake of a famous American horror movie.
With Dead Ringers (1988) and Naked Lunch (1991), the Canadian director, no more a mere genre movie-maker but a fully realized auteur, got the acclaim of international critics. Such profound statements on modern humanity and ever-changing society are prominent in the provocative Crash (1996) and in the virtual reality essay of eXistenZ (1999), both of which well fared at the Cannes and Berlin Film Festivals. In the last two film projects Spider (2002) and A History of Violence (2005), Cronenberg avoids expressing his teratologic and oneiric expressionism in favor of a more psychological exploration of human contradictions and idiosyncrasies.- Writer
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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Director
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Oliver Stone has become known as a master of controversial subjects and a legendary film maker. His films are filled with a variety of film angles and styles, he pushes his actors to give Oscar-worthy performances, and despite his failures, has always returned to success.
William Oliver Stone was born in New York City, to Jacqueline (Goddet) and Louis Stone, a stockbroker. His American father was from a Jewish family (from Germany and Eastern Europe), and his mother, a war bride, was French (and Catholic). After dropping out of Yale University, he became a soldier in the Vietnam War. Serving in two different regiments (including 1rst Cavalry), he was introduced to The Doors, drugs, Jefferson Airplane, and other things that defined the sixties. For his actions in the war, he was awarded a Bronze Star for Gallantry and a Purple Heart. Returning from the war, Stone did not return to graduate from Yale. His first film was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and The Hand (1981), starring Michael Caine. He also wrote many screenplays for films such as Midnight Express (1978), Conan the Barbarian (1982), and Scarface (1983). Stone won his first Oscar for Midnight Express (1978), but his fame was just beginning to show.
1986 was the year that brought him much fame to the U.S.A. and the world. He directed the political film Salvador (1986) starring Oscar-nominated James Woods. However, his big hit was the Vietnam war film Platoon (1986) starring Charlie Sheen,Willem Dafoe, Tom Berenger, and Francesco Quinn. Berenger and Dafoe received Oscar nominations for their roles as the polar opposite sergeants who each influence the tour of duty of Chris Taylor (Sheen). Stone won his first Oscar for directing this film, which won Best Picture and was a hit at the box office. After Platoon (1986), Stone followed up with the critically acclaimed Wall Street (1987). The movie, starring Charlie Sheen and Michael Douglas, focuses on the business world of tycoons and stock brokers. The film was well received and won an Oscar for Douglas' portrayal of the villainous Gordon Gekko. Stone returned immediately the following year with Talk Radio (1988), which talked of a foul-mouthed radio host (played by Eric Bogosian) who never fails to talk about the serious issues. Although it was not as successful as his last three films, Stone did not slow down at all. He directed Tom Cruise into an Oscar-nominated role in Born on the Fourth of July (1989).
The movie talked about the return of an embittered, crippled Vietnam soldier from the war. Although it failed to win Best Picture or Best Actor, Oliver Stone won an Academy Award for Directing, his third win to date. After Born on the Fourth of July (1989), Stone took a hand in producing several movies, including the Academy Award-winning film Reversal of Fortune (1990). He returned to the director's chair in 1991, once again with two films. Val Kilmer starred as the legendary and controversial Jim Morrison in Stone's psychedelic film The Doors (1991).
Despised by former Doors member Ray Manzarek, the film is nevertheless a wonderful achievement, with Kilmer pulling off an almost flawless impersonation of Morrison. Regardless of opinion, The Doors (1991) was overshadowed by Stone's colossal film JFK (1991), which Stone himself considers the best of his films. In Stone's movie, Jim Garrison tackles the conspiracy behind the murder of America's president John F. Kennedy. The large cast featured such well-known names as Kevin Costner, Tommy Lee Jones, John Candy, Joe Pesci, Donald Sutherland, and Walter Matthau. This film represented a change in Stone's works, because it was with this film that he really began to explore the different camera styles and combining them together to create a multi-dimensional way of showing a movie. JFK (1991), as with Platoon (1986) and Born on the Fourth of July (1989), earned eight Oscar nominations and was one of Stone's most successful films. However, he failed to win a third Oscar for Best Director.
After this film, Stone directed his third Vietnam film to date. Heaven & Earth (1993) was a film about the war from the viewpoint of a Vietnamese girl, and also co-starred Tommy Lee Jones (who had received an Oscar nomination for JFK (1991)). Despite its new woman's perspective and several positive reviews, it was a box office failure. Stone was unfazed; his next film is perhaps his most notorious film to date. Adapting a screenplay by Quentin Tarantino, Stone made Natural Born Killers (1994) starring Woody Harrelson, Juliette Lewis, Tom Sizemore and Rodney Dangerfield in his only dramatic performance. The film was received well at the box office, while review were very mixed. Because of the violence that people claimed was inspired by the film, it was compared to Stanley Kubrick's A Clockwork Orange (1971). As usual, Stone was at the center of controversial subjects; his next film Nixon (1995) was no exception. The film focused on the life of President Richard Nixon, played by Anthony Hopkins, while featuring another well-known cast, including Joan Allen in the role of Nixon's wife. Both went on to receive Oscar nominations, while Stone received his sixth Oscar nomination for Screenwriting. The film got mixed reviews, and failed to recoup its budget.
Aside from directing, Stone has worked as a producer on several different films. There was, of course, the successful film Reversal of Fortune (1990), which won Jeremy Irons an Oscar and also nominated the director for an Oscar. There was also the highly praised and successful emotional drama The Joy Luck Club (1993) which centered around four Chinese immigrant women whose relationships with their daughters is affected by their own lives. Another highly praised Oscar nominated film was Milos Forman's classic film The People vs. Larry Flynt (1996) starring Woody Harrelson, Edward Norton, and Courtney Love. Whether the crime/action film The Corruptor (1999) or the brilliant war epic Savior (1998), Stone has worked in a variety of film genres.
Stone had directed ten films in nine years; now however, he began to slow down. He directed the film U Turn (1997) starring Sean Penn and Jennifer Lopez. As with Natural Born Killers (1994), it was a dark and twisted satire on violence, but did not have the same success as the former. Stone was set to direct several projects in the late 90's but they fell through and were not made. However, success came back to Stone in the Al Pacino film Any Given Sunday (1999). This sports movie centered on the life behind the game of football, and it starred an impressive cast that included frequent Stone collaborators James Woods and John C. McGinley. This film was one of his most successful box office films, and put him back on track.
The following years brought Stone no new theatrical films, though he did make three fascinating TV documentaries. Two of them, 'Looking for Fidel' and Comandante (2003) were interviews of Cuban dictator Fidel Castro, while 'Persona Non Grata' was an interview of several Palestinian leaders. Stone was also set to direct American Psycho (2000) with Leonardo DiCaprio and Beyond Borders (2003), starring Angelina Jolie and at the time, Ralph Fiennes. However, Stone dropped out of both projects, as did a number of the actors mentioned. Finally, five years after Any Given Sunday (1999), Stone directed a film he'd long wanted to make; the colossal epic Alexander (2004). Starring Colin Farrell as the Macedonian leader, Stone attempted to capture the essence of Alexander the Great through his conquests of the known world. The film focused on Alexander's relationships with his parents (a brilliant performance by Val Kilmer and a less impressive one by Angelina Jolie) and his relationships with his wife and childhood friend/ gay lover (played by Rosario Dawson and Jared Leto respectively).
Alexander (2004) was a critical failure, and failed to win back its budget domestically. Despite being one of 2004's highest grossing films internationally, and recouping its budget through DVD sales, Stone's pet project was heavily criticized. Despite a far superior version (Alexander Revisited) being released on DVD, the film's reputation remains low by the majority. Stone was personally stung at these attacks, but managed to rebound, if mildly, with his hopeful film World Trade Center (2006). The film centers on two firefighters trapped in the rubble of the twin towers. It received good reviews, and allowed Oliver to step forward from his failure towards the possibility of more films.
In late 2007, besides a number of projects Stone was set to direct "Pinkville", which would have been his fourth Vietnam film to date. It was set to star a large number of well known actors such as Bruce Willis, Toby Jones, Channing Tatum, Michael Pitt, Woody Harrelson, and Michael Peña. However, a week before shooting was to begin, the Writer's Strike was started, and the finance for the film was cut, using the strike as an excuse. After Willis backed out of the project, it was eventually scuttled, much like Stone's early productions of Platoon (1986) and Born on the Fourth of July (1989). Stone turned to another project he had worked on with former Wall Street (1987) collaborator Stanley Weiser. The project was W. (2008), a biography on president George W. Bush. Stone initially cast Christian Bale in the role of Bush but the actor dropped out at the last minute. Josh Brolin was cast, and this followed with a large cast of well known Oscar nominated character actors such as Richard Dreyfuss, James Cromwell, and Ellen Burstyn. The film was made in a record four months, starting in June and released in October. The film opened to mixed reviews, and though film's budget was recouped, it was not a financial hit.
Stone then made the documentary South of the Border (2009), a documentary which focused on bringing to light the positive aspects of the left-wing governments in South America, particularly Hugo Chavez in Venezuela. Stone was much less critical than usual, instead making the documentary as a response to the harsh reputation that Chavez has in the States. The documentary was poorly received in the States. Stone also began work on Wall Street: Money Never Sleeps (2010). Starring Michael Douglas, Shia LaBeouf, Josh Brolin, Carey Mulligan, and Eli Wallach, the film focuses on the 2008 economic crisis, and the return of Gordon Gekko from prison. The film was screened at Cannes to positive reception, and hailed as Stone's triumphant return. After this, Stone made a film adaptation of "Savages", a novel by Don Winslow . The movie follows two highly successful marijuana growers (Taylor Kitsch and Aaron Taylor-Johnson ), whose shared girlfriend (Blake Lively) is kidnapped by a Mexican cartel and held for ransom. The movie also starred Salma Hayek, Benicio Del Toro, John Travolta, and Emile Hirsch. The film was a return to the tense action and violence of Stone's earlier films, though it polarized many audience members due to the colorful narrations of Lively's vapid and naive character, as well as the film's ending.
After completing the ambitious and well-received television project The Untold History of the United States (2012), as well as a documentary on Hugo Chavez, Stone finally returned to feature films with Snowden (2016). Based on the life of American whistle blower Edward Snowden, Stone's film depicted his awakening to the truth behind the massive surveillances conducted by the NSA, and his attempt to warn the general public of what they did not know. The film was done independently, financed by Europeans on a low budget. It was also a return to form for Stone in a way that had not been seen since "Alexander". Joseph Gordon-Levitt, delivered a very strong performance as Snowden, with the supporting cast including Shailene Woodley, Rhys Ifans, Melissa Leo, Timothy Olyphant, and Nicolas Cage. Sadly, the film received a mixed response from critics, and was a box office disappointment.
Since then, Stone has returned to television for his next two projects. One is a series of interviews with Russian leader Vladimir Putin, and the other is directing a new fictional series based on the abusive Guantanamo prison. It will be his first venture into fictional television.
Oliver Stone is a three-time Oscar winner, and although he has mostly been stung by critics of his films, he remains a well-known name today in the film industry. The films he directed have been nominated for 31 Academy Awards, including eight for acting, six for screen writing, and three for directing. There is no denying that Stone has cemented himself a position among the legends of Hollywood.- Actor
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Robert Reiner was born in New York City, to Estelle Reiner (née Lebost) and Emmy-winning actor, comedian, writer, and producer Carl Reiner.
As a child, his father was his role model, as Carl Reiner created and starred in The Dick Van Dyke Show. Estelle was also an inspiration for him to become a director; her experience as a singer helped him understand how music was used in a scene. Rob often felt pressured about measuring up to his father's successful streak, with twelve Emmys and other prestigious awards.
When Rob graduated high school, his parents advised him to participate in Summer Theatre. Reiner got a job as an apprentice in the Bucks County Playhouse in Pennsylvania. He went on to UCLA Film School to further his education. Reiner felt he still wasn't successful even having a recurring role on one of the biggest shows in the country, All in the Family. He began his directing career with the Oscar-nominated films This Is Spinal Tap, Stand By Me, and The Princess Bride.
In 1987, with these successful box-office movies under his belt, Reiner founded his own production company, Castle Rock Entertainment; along with Martin Shafer, Andrew Scheinman, Glenn Padnick, and Alan Horn. Under Castle Rock Entertainment, he went to direct Oscar-nominated films When Harry Met Sally, Misery, and A Few Good Men. Reiner has credited former co-star Carroll O'Connor in helping him get into the directing business, showing Reiner the ropes.
Reiner is known as a political activist, co-founding the American Foundation For Equal Rights, a group that was an advisory for same-sex-marriage. He has spoken at several rallies on several topics, an advocate for social change regarding such issues as domestic violence and tobacco use.
Reiner made cameo appearances on television shows 30 Rock, The Simpsons, and Hannah Montana, and in films The First Wives Club, Bullets Over Broadway, Primary Colors, and Throw Momma From The Train, among many others.- Director
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Paul Greengrass started his filmmaking career with a super 8 camera he found in his art room in secondary school. Those short movies were animation horror films he made using old dolls, artist dummies, and the general art room clutter.
After studying in Cambridge University he got into Granada Television School and spent the first ten years of his career roving global hot spots for the hard-hitting documentary series, World in Action. By this time he became very interested in the Northern Ireland conflict.
In 1989, he directed his first fiction movie, "Resurrected", that won an award in Berlin. He continued his career as a fiction filmmaker with a series of TV movies dealing with social and political issues: Open Fire (a police scandal about a policeman accused of murder), The One that got away (about a military operation during the first Gulf War).
His documentary style became more dynamic and intense with each movie. In 2002, Bloody Sunday achieved international acclamation and won the first prize in the Berlin Festival. After that he has continued his career in the United States with "The Bourne Supremacy" starring Matt Damon.- Producer
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A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.- Producer
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Academy Award-winning filmmaker Ron Howard is one of this generation's most popular directors. From the critically acclaimed dramas A Beautiful Mind (2001) and Apollo 13 (1995) to the hit comedies Parenthood (1989) and Splash (1983), he has created some of Hollywood's most memorable films.
Howard made his directorial debut in 1978 with the comedy Grand Theft Auto (1977). He began his career in film as an actor. He first appeared in The Journey (1959) and The Music Man (1962), then as Opie on the long-running television series The Andy Griffith Show (1960). Howard later starred in the popular series Happy Days (1974) and drew favorable reviews for his performances in American Graffiti (1973) and The Shootist (1976).
Howard and long-time producing partner Brian Grazer first collaborated on the hit comedies "Night Shift" and "Splash." The pair co-founded Imagine Entertainment in 1986 to create independently produced feature films.
Howard's portfolio includes some of the most popular films of the past 20 years. In 1991, Howard created the acclaimed drama "Backdraft", starring Robert De Niro, Kurt Russell and William Baldwin. He followed it with the historical epic Far and Away (1992), starring Tom Cruise and Nicole Kidman. Howard directed Mel Gibson, Rene Russo, Gary Sinise and Delroy Lindo in the 1996 suspense thriller Ransom (1996). Howard worked with Tom Hanks, Kevin Bacon, Ed Harris, Bill Paxton, Gary Sinise and Kathleen Quinlan on "Apollo 13," which was re-released recently in the IMAX format.
Howard's skill as a director has long been recognized. In 1995, he received his first Best Director of the Year award from the DGA for "Apollo 13." The true-life drama also garnered nine Academy Award nominations, winning Oscars for Best Film Editing and Best Sound. It also received Best Ensemble Cast and Best Supporting Actor awards from the Screen Actor's Guild. Many of Howard's past films have received nods from the Academy, including the popular hits Backdraft (1991), "Parenthood" and Cocoon (1985), the last of which took home two Oscars.
Howard directed and produced Cinderella Man (2005) starring Oscar winner Russell Crowe, with whom he previously collaborated on "A Beautiful Mind," for which Howard earned an Oscar for Best Director and which also won awards for Best Picture, Best Screenplay and Best Supporting Actress. The film garnered four Golden Globes as well, including the award for Best Motion Picture Drama. Additionally, Howard won Best Director of the Year from the Directors Guild of America. Howard and producer Brian Grazer received the first annual Awareness Award from the National Mental Health Awareness Campaign for their work on the film.
Howard was honored by the Museum of Moving Images in December 2005, and by the American Cinema Editors in February 2006. Howard and his creative partner Brian Grazer, were honored by the Producers Guild of America with the Milestone Award in January 2009, NYU's Tisch School of Cinematic Arts with the Big Apple Award in November 2009 and by the Simon Wiesenthal Center with their Humanitarian Award in May 2010. In June 2010, Howard was honored by the Chicago Film Festival with their Gold Hugo - Career Achievement Award. In March 2013, Howard was inducted into the Television Hall of Fame. In December 2015, Howard was honored with a star in the Motion Pictures category, making him one of the very few to have been recognized with two stars on the Hollywood Walk of Fame.
Howard also produced and directed the film adaptation of Peter Morgan's critically acclaimed play Frost/Nixon (2008). The film was nominated for five Academy Awards including Best Picture, and was also nominated for The Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures by the PGA.
Howard has also served as an executive producer on a number of award-winning films and television shows, such as the HBO miniseries From the Earth to the Moon (1998), Fox's Emmy Award winner for Best Comedy, Arrested Development (2003), a series which he also narrated, Netflix's release of new episodes of "Arrested Development," and NBC's "Parenthood."
Howard's recent films include the critically acclaimed drama Rush (2013), staring Chris Hemsworth and Daniel Brühl, written by Peter Morgan; and Made in America (2013), a music documentary he directed staring Jay-Z for Showtime.
Howard's other films include In the Heart of the Sea (2015), based on the true story that inspired Moby Dick; his adaptation of Dan Brown's best-selling novels Angels & Demons (2009), and The Da Vinci Code (2006) staring Oscar winner Tom Hanks; the blockbuster holiday favorite "Dr. Seuss' How the Grinch Stole Christmas (2000)" starring Jim Carrey; "Parenthood" starring Steve Martin; the fantasy epic Willow (1988); Night Shift (1982) starring Henry Winkler, Michael Keaton and Shelley Long; and the suspenseful western, The Missing (2003), staring Oscar winners Cate Blanchett and Tommy Lee Jones.
Recently, Howard directed Inferno (2016), the third installment of Dan Brown 's Robert Langdon franchise and The Beatles: Eight Days a Week - The Touring Years (2016), a documentary about the rock legends The Beatles. He also produced the second season of Breakthrough (2015), Mars (2016), and directed the first episode of Genius (2017), based on the life of Albert Einstein, all for NatGeo.- Director
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Born in 1954 in Pingtung, Taiwan, Ang Lee has become one of today's greatest contemporary filmmakers. Ang graduated from the National Taiwan College of Arts in 1975 and then came to the U.S. to receive a B.F.A. Degree in Theatre/Theater Direction at the University of Illinois at Urbana-Champaign, and a Masters Degree in Film Production at New York University. At NYU, he served as Assistant Director on Spike Lee's student film, Joe's Bed-Stuy Barbershop: We Cut Heads (1983). After Lee wrote a couple of screenplays, he eventually appeared on the film scene with Pushing Hands (1991), a dramatic-comedy reflecting on generational conflicts and cultural adaptation, centering on the metaphor of the grandfather's Tai-Chi technique of "Pushing Hands". The Wedding Banquet (1993) (aka The Wedding Banquet) was Lee's next film, an exploration of cultural and generational conflicts through a homosexual Taiwanese man who feigns a marriage in order to satisfy the traditional demands of his Taiwanese parents. It garnered Golden Globe and Oscar nominations, and won a Golden Bear at the Berlin Film Festival. The third movie in his trilogy of Taiwanese-Culture/Generation films, all of them featuring his patriarch figure Sihung Lung, was Eat Drink Man Woman (1994) (aka Eat Drink Man Woman), which received a Best Foreign Film Oscar nomination. Lee followed this with Sense and Sensibility (1995), his first Hollywood-mainstream movie. It acquired a Best Picture Oscar nomination, and won Best Adapted Screenplay, for the film's screenwriter and lead actress, Emma Thompson. Lee was also voted the year's Best Director by the National Board of Review and the New York Film Critics Circle. Lee and frequent collaborator James Schamus next filmed The Ice Storm (1997), an adaptation of Rick Moody's novel involving 1970s New England suburbia. The movie acquired the 1997 Best Screenplay at Cannes for screenwriter James Schamus, among other accolades. The Civil War drama Ride with the Devil (1999) soon followed and received critical praise, but it was Lee's Crouching Tiger, Hidden Dragon (2000) (aka Crouching Tiger, Hidden Dragon) that is considered one of his greatest works, a sprawling period film and martial-arts epic that dealt with love, loyalty and loss. It swept the Oscar nominations, eventually winning Best Foreign Language Film, as well as Best Director at the Golden Globes, and became the highest grossing foreign-language film ever released in America. Lee then filmed the comic-book adaptation, Hulk (2003) - an elegantly and skillfully made film with nice action scenes. Lee has also shot a short film - Chosen (2001) (aka Hire, The Chosen) - and most recently won the 2005 Best Director Academy Award for Brokeback Mountain (2005), a film based on a short story by Annie Proulx. In 2012 Lee directed Life of Pi which earned 11 Academy Award nominations and went on to win the Academy Award for Best Director. In 2013 Ang Lee was selected as a member of the main competition jury at the 2013 Cannes Film Festival.- Actor
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Mel Columcille Gerard Gibson was born January 3, 1956 in Peekskill, New York, USA, as the sixth of eleven children of Hutton Gibson, a railroad brakeman, and Anne Patricia (Reilly) Gibson (who died in December of 1990). His mother was Irish, from County Longford, while his American-born father is of mostly Irish descent.
Mel and his family moved to Australia in the late 1960s, settling in New South Wales, where Mel's paternal grandmother, contralto opera singer Eva Mylott, was born. After high school, Mel studied at the University of New South Wales in Sydney, performing at the National Institute of Dramatic Arts alongside future film thespians Judy Davis and Geoffrey Rush.
After college, Mel had a few stints on stage and starred in a few TV shows. Eventually, he was chosen to star in the films Mad Max (1979) and Tim (1979), co-starring Piper Laurie. The small budgeted Mad Max made him known worldwide, while Tim garnered him an award for Best Actor from the Australian Film Institute (equivalent to the Oscar).
Later, he went on to star in Gallipoli (1981), which earned him a second award for Best Actor from the AFI. In 1980, he married Robyn Moore and had seven children. In 1984, Mel made his American debut in The Bounty (1984), which co-starred Anthony Hopkins.
Then in 1987, Mel starred in what would become his signature series, Lethal Weapon (1987), in which he played "Martin Riggs". In 1990, he took on the interesting starring role in Hamlet (1990), which garnered him some critical praise. He also made the more endearing Forever Young (1992) and the somewhat disturbing The Man Without a Face (1993). 1995 brought his most famous role as "Sir William Wallace" in Braveheart (1995), for which he won two Oscars for Best Picture and Best Director.
From there, he made such box office hits as The Patriot (2000), Ransom (1996), and Payback (1999). Today, Mel remains an international superstar mogul, continuously topping the Hollywood power lists as well as the Most Beautiful and Sexiest lists.- Writer
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Certainly idiosyncratic as a writer, Cameron Crowe has created a series of scripts that, while liked by the critics, were considered offbeat and difficult to market.
Cameron Bruce Crowe was born in Palm Springs, California, to Alice Marie Crowe (née George), a teacher and activist, and James A. Crowe, a real estate/telephone business owner. Cameron began his writing career as a 15-year-old high-school student, with articles on music submitted to Rolling Stone magazine, and only a few years later had his first script, for Fast Times at Ridgemont High (1982). This movie was important for more than his career - his future wife Nancy Wilson had a small role in the film. Music remained important to him, with the rock band Pearl Jam playing a bit role in Singles (1992) well before they were "discovered". His next movie, Jerry Maguire (1996), took over five years to develop - a chance photograph of a football player and his agent was the initial inspiration. It took some 20 drafts and near terminal discouragement that he would ever get it right before the film finally made it to the screen. And this time his wife composed the music.- Producer
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David Owen Russell is an American film writer, director, and producer, known for a cinema of intense, tragi-comedic characters whose love of life can surpass dark circumstances faced in very specific worlds. His films address such themes as mental illness as stigma or hope; invention of self and survival; the family home as nexus of love, hate, transgression, and strength; women of power and inspiration; beauty and comedy found in twisted humble circumstances; the meaning of violence, war, and greed; and the redemptive power of music above all.
Russell has been nominated for five Academy Awards® and four Golden Globes®. He has won four Independent Spirit Awards and two BAFTA Awards. He has been nominated for three WGA awards and two DGA awards. He has collaborated with actors Bradley Cooper, Robert De Niro, Jennifer Lawrence, and Mark Wahlberg, on three films each, and with Christian Bale and Amy Adams, on two films each. Jennifer Lawrence won the Academy Award for Best Actress in Silver Linings Playbook (2012) and Christian Bale and Melissa Leo won for best supporting actor and actress in The Fighter (2010). Russell is the only director to have two consecutively-released films (Silver Linings Playbook (2012) and _American Hustle (2013)_ qv) garner Academy Award® nominations in all four acting categories. Jennifer Lawrence earned an Academy Award® nomination and Golden Globe® win for Best Actress for her work in Russell's most recent film Joy (2015). To date Russell's films have garnered a total of 26 Academy Award nominations and 19 Golden Globe nominations. In 2016, the Art Directors Guild honored Russell with the Contribution to Cinematic Imagery Award.
Russell is a board member and longtime supporter of the Ghetto Film School, which helps develop and support emerging filmmakers in the South Bronx and runs the nation's first film public high school. He also has been an ardent supporter of the Glenholme School, a therapeutic boarding school for children and young adults with special educational needs. He was instrumental in raising funds to build a new arts center at Glenholme that opened in 2011. Glenholme honored Russell in 2011 with the Bowen Award for Outstanding Support and in 2015 with the Doucette Award for Longstanding Commitment.
Russell was recently honored by the renowned McLean Hospital for his efforts to advance public awareness of mental health issues through advocacy and his 2012 film Silver Linings Playbook. The director has been open about his own family's experiences with mental illness. His advocacy efforts brought him to Washington where he and actor Bradley Cooper supported legislation in Congress and met with Vice President Joe Biden to also discuss parity for mental health in all health care.
Born in New York City, Russell attended public schools in Mamaroneck, NY. He continued his education at Amherst College, where he majored in literature and political science, and was given an honorary degree in 2002. He started as a writer before making his first documentary short about the Hispanic immigrant community in Boston. He earned critical acclaim early in his career in 1994 when he wrote and directed his first feature film, Spanking the Monkey, which won the Audience Award at Sundance and two Independent Spirit Awards for Best First Feature and Best First Screenplay. Russell's early films include Three Kings (1999) and Flirting with Disaster (1996).- Producer
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Bryan Singer is an American film director and producer who got his start writing and co-directing the short film Lions Den with his classmates while he attended USC. He was hired by 20th Century Fox to direct X-Men, which helped kick-start the superhero renaissance. He later directed three sequels. He went to direct Superman Returns, a revival of the Superman film series starring Brandon Routh. He also directed Valkyrie, Bohemian Rhapsody and Jack the Giant Slayer.- Writer
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Three-time Oscar nominee Frank Darabont was born in a refugee camp in 1959 in Montbeliard, France, the son of Hungarian parents who had fled Budapest during the failed 1956 Hungarian revolution. Brought to America as an infant, he settled with his family in Los Angeles and attended Hollywood High School. His first job in movies was as a production assistant on the 1981 low-budget film, Hell Night (1981), starring Linda Blair. He spent the next six years working in the art department as a set dresser and in set construction while struggling to establish himself as a writer. His first produced writing credit (shared) was on the 1987 film, A Nightmare on Elm Street 3: Dream Warriors (1987), directed by Chuck Russell. Darabont is one of only six filmmakers in history with the unique distinction of having his first two feature films receive nominations for the Best Picture Academy Award: 1994's The Shawshank Redemption (1994) (with a total of seven nominations) and 1999's The Green Mile (1999) (four nominations). Darabont himself collected Oscar nominations for Best Adapted Screenplay for each film (both based on works by Stephen King), as well as nominations for both films from the Director's Guild of America, and a nomination from the Writers Guild of America for The Shawshank Redemption (1994). He won the Humanitas Prize, the PEN Center USA West Award, and the Scriptor Award for his screenplay of "The Shawshank Redemption". For "The Green Mile", he won the Broadcast Film Critics prize for his screenplay adaptation, and two People's Choice Awards in the Best Dramatic Film and Best Picture categories. The Majestic (2001), starring Jim Carrey, was released in December 2001. He executive-produced the thriller, Collateral (2004), for DreamWorks, with Michael Mann directing and Tom Cruise starring. Future produced-by projects include "Way of the Rat" at DreamWorks with Chuck Russell adapting and directing the CrossGen comic book series and "Back Roads", a Tawni O'Dell novel, also at DreamWorks, with Todd Field attached to direct. Darabont and his production company, "Darkwoods Productions", have an overall deal with Paramount Pictures.- Director
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Gore Verbinski, one of American cinema's most inventive directors who was a punk-rock guitarist as a teenager and had to sell his guitar to buy his first camera, is now the director of Pirates of the Caribbean: Dead Man's Chest (2006) which made the industry record for highest opening weekend of all time ($135,600,000) and grossed over $1 billion dollars worldwide.
He was born Gregor Verbinski on March 16, 1964 in Oak Ridge, Tennessee, to Laurette Ann (McGovern) and Victor Vincent Verbinski, a nuclear physicist who worked at the Oak Ridge Lab. His paternal grandparents were Polish. In 1967, the family moved to California, and young Gregor grew up near San Diego. His biggest influences as a kid were Franz Kafka's Metamorphosis and Black Sabbath's Master of Reality. He started his professional career as a guitarist for punk-rock bands, such as The Daredevils and The Little Kings, and also made his first films together with friends. After having developed a passion for filmmaking, he sold his guitar to buy a Super-8mm camera. Then Verbinski attended the prestigious UCLA Film School, from which he graduated in 1987 with his BFA in Film. His first professional directing jobs were music videos for alternative bands, such as L7, Bad Religion, and Monster Magnet. Then he moved to advertising and directed commercials for Nike, Canon, Skittles, United airlines and Coca-Cola. In 1993 he created the renowned Budweiser advertising campaign featuring croaking frogs, for which he was awarded the advertising Silver Lion at Cannes and also received four Clio Awards.
Verbinski made his feature directorial debut with Mousehunt (1997), a remarkably visual cartoonish family comedy. His next effort, The Mexican (2001), came to a modest result. However, Verbinski bounced back with a hit thriller The Ring (2002), grossing over $230 million dollars worldwide. His biggest directorial success came with the Disney theme park ride based Pirates of the Caribbean: The Curse of the Black Pearl (2003), with a brilliant acting ensemble, grossing over $650 million dollars, and bringing five Oscar nominations and many other awards and nominations. Disney ordered two more films which Verbinski shot one after another on location in the Caribbean islands, for which he had to endure both tetanus and typhoid immunization shots. After having survived several hurricanes, dealing with sick and injured actors, and troubleshooting after numerous technical difficulties of the epic-scale project, Verbinski delivered. He employed the same stellar cast in the sequel Pirates of the Caribbean: Dead Man's Chest (2006) and the third installment of the 'Pirates' franchise Pirates of the Caribbean: At World's End (2007).
Gore Verbinski does not like publicity. He has been enjoying a happy family life with his wife and his two sons. He resides with his family in Los Angeles, California.- Actor
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Kenneth Charles Branagh was born on December 10, 1960, in Belfast, Northern Ireland, to parents William Branagh, a plumber and carpenter, and Frances (Harper), both born in 1930. He has two siblings, William Branagh, Jr. (born 1955) and Joyce Branagh (born 1970). When he was nine, his family escaped The Troubles by moving to Reading, Berkshire, England. At 23, Branagh joined the Royal Shakespeare Company, where he took on starring roles in "Henry V" and "Romeo and Juliet". He soon found the RSC too large and impersonal and formed his own, the Renaissance Theatre Company, which now counts Prince Charles as one of its royal patrons. At 29, he directed Henry V (1989), where he also co-starred with his then-wife, Emma Thompson. The film brought him Best Actor and Best Director Oscar nominations. In 1993, he brought Shakespeare to mainstream audiences again with his hit adaptation of Much Ado About Nothing (1993), which featured an all-star cast that included, among others, Denzel Washington, Michael Keaton and Keanu Reeves. At 30, he published his autobiography and, at 34, he directed and starred as "Victor Frankenstein" in the big-budget adaptation of Mary Shelley's novel, Frankenstein (1994), with Robert De Niro as the monster himself. In 1996, Branagh wrote, directed and starred in a lavish adaptation of Hamlet (1996). His superb film acting work also includes a wide range of roles such as in Celebrity (1998), Wild Wild West (1999), The Road to El Dorado (2000), Valkyrie (2008) and his stunning portrayal of Laurence Olivier in My Week with Marilyn (2011), where once again he offered a great performance that was also nominated for an Academy Award.- Producer
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Alfonso Cuarón Orozco was born on November 28th 1961 in Mexico City, Mexico. From an early age, he yearned to be either a film director or an astronaut. However, he did not want to enter the army, so he settled for directing. He didn't receive his first camera until his twelfth birthday, and then immediately started to film everything he saw, showing it afterwards to everyone. In his teen years, films were his hobby. Sometimes he said to his mother he would go to a friend's home, when in fact he would go to the cinema. His ambition was to know every theatre in the city. Near his house there were two studios, Studios Churubusco and Studios 212. After finishing school, Cuarón decided to study cinema right away. He tried to study at C.C.C. (Centro de Capacitación Cinematográfica) but wasn't accepted because at that time they weren't accepting students under twenty-four years old. His mother didn't support that idea of cinema, so he studied philosophy in the morning and in the afternoon he went to the C.U.E.C. (Centro Universitario de Estudios Cinematográficos). During that time he met many people who would later become his collaborators and friends. One of them was Luis Estrada. Cuaron also became good friends with Carlos Marcovich and Emmanuel Lubezki. Luis Estrada directed a short called "Vengance is Mine", on which Alfonso and Emmanuel collaborated. The film was in English, a fact which bothered many teachers of the C.U.E.C. such as Marcela Fernández Violante. The disagreement caused such arguments that in 1985, Alfonso was expelled from the university.
During his time studying at C.U.E.C. he met Mariana Elizondo, and with her he had his first son, Jonás Cuarón. After Alfonso was expelled, he thought he could never be a director and so went on to work in a Museum so he could sustain his family. One day, José Luis García Agraz and Fernando CáMara went to the museum and made an offer to Cuarón. They asked him to work as cable person in "La víspera (1982)", a job which was to prove to be his salvation. After that he was assistant director in Garcia Agraz's "Nocaut (1984)", as well as numerous other films.
He was also second unit director in "Gaby: A True Story (1987)", and co-wrote and directed some episodes in the series "A Hora Marcada (1967)". One New Year's Eve, he decided he would not continue to be an assistant director, and with his brother Carlos started writing what would be his first feature film: "Love in the Time of Hysteria (1991)" (Love in the time of Hysteria). After the screenplay was written, the problem became how to get financial backing for the movie. I.M.C.I.N.E. (Instituto Mexicano de Cinematografia), which supports movies financially, had already decided which projects it would support that year, much to Alfonso's initial chagrin. However, the director of one of those already-chosen projects was unable to direct it, so his project was canceled, and "Sólo con tu pareja" took its place. Despite this being chosen, there was a lot of tension between Alfonso and the I.M.C.I.N.E. executives. Nevertheless, after the movie was finished, it was a huge success. In Toronto festival the films won many awards, and Alfonso started to be noticed by Hollywood producers. Sydney Pollack was the first one to invite him to shoot in Hollywood. He proposed a feature film to be directed by Alfonso, but the project didn't work and was canceled. Alfonso moved to Los Angeles without anything concrete, and stayed with some friends, as he had no money. Soon after that, Pollack called him again to direct an episode called "Murder, Obliquely (1993)" of the series "Fallen Angels (1993)", that was the first job he had in U.S., and also the first time he worked with Alan Rickman.
After a while, and no real directing jobs, Alfonso wanted to direct something as he needed money. He finally signed a contract with Warner Brothers to direct the film Addicted to Love (1995). However, one night, he read the screenplay for another film, A Little Princess (1995) and fell in love with it. He talked to Warner Brothers and after some meetings he gave up directing "Addicted to Love" in order to do "A Little Princess". Even thought it wasn't a great box office success, the film received two nominations for the Oscars, and won many other awards. After "A Little Princess" Alfonso developed a project with Richard Gere starring. The project was canceled, but Cuarón got an offer from Twentieth Century Fox to direct the modern adaptation of the Charles Dickens' classic Great Expectations (1998). He initially didn't want to direct it but the studio insisted, and in the end he accepted it. The experience was very painful and difficult for him mainly because there was never a definitive screenplay.
He then reunited with producer Jorge Vergara and founded both Anhelo Productions and Moonson Productions. Anhelo's first picture was also Alfonso's next film, the erotic road movie "And Your Mother Too (2001)", which was a huge success. During the promotion of the film in Venice, Alfonso met the cinema critic Annalisa Bugliani. They started dating and married that same year. "Children of Men (2006)" was to be Alfonso's next film, a futuristic, dystopian story. During the pre-production of the film, Warner Brothers invited Alfonso to direct the third Harry Potter film, "Harry Potter and the Prisoner of Azkaban (2004)", an offer which he accepted after some consideration. The film would prove to be the greatest box office success of his career.
In 2003, he had a daughter named Bu Cuaron, and in February 2005 another son, called Olmo Teodoro Cuarón. Alfonso Cuarón signed a three-year first-look deal with Warner Brothers, which allowed his films to be distributed world-wide. He directed one five-minute segment of the anthology film Paris, I Love You (2006) with Nick Nolte and Ludivine Sagnier. His next project, the futuristic film Children of Men (2006) with Clive Owen, Julianne Moore and Michael Caine premiered at the Venice Film Festival in 2006 having been nominated for three Academy Awards. After his youngest son was diagnosed with autism and the divorce from Annalisa Bugliani he took a break from directing and settled in London where he plans to work on his next projects.
In 2013, Alfonso directed the space thriller Gravity (2013), which would go win 7 academy awards.
Alfonso is the only filmmaker to have ever won twice for a clean sweep for the awards, for "Gravity" and "Roma", for Best Director at the Oscars, Golden Globes, BAFTAs, and DGA Awards.- Producer
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Peter Berg is an American actor, director, writer, and producer. His first role was in the Adam Rifkin road movie Never on Tuesday (1988). He went on to star in the World War 2 film A Midnight Clear (1992). Roles in Fire in the Sky (1993) and Cop Land (1997) followed, and the Tom Cruise films Collateral (2004) and Lions for Lambs (2007).
Peter has since moved behind the camera, directing films such as as Very Bad Things (1998) and Hancock (2008). He has also turned pen-to-paper and scripted many projects including Friday Night Lights (2004) and The Losers (2010). He is best known on-screen for his role as Dr. Billy Kronk in Chicago Hope (1994).- Producer
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Greg Mottola was born on 11 July 1964 in Dix Hills, Long Island, New York, USA. He is a producer and director, known for Adventureland (2009), The Daytrippers (1996) and Superbad (2007). He is married to Sarah Allentuch. They have three children.- Writer
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Andrew Stanton has been a major creative force at Pixar Animation Studios since 1990, when he became the second animator and ninth employee to join the company's elite group of computer animation pioneers. As Vice President, Creative he currently oversees all shorts and feature projects at the studio. Stanton wrote and directed the Academy Award®-winning Disney and Pixar feature film "WALL.E," for which he also received a Best Original Screenplay Oscar®-nomination. In 2016 Stanton directed Disney and Pixar's "Finding Dory," which, upon release, became the highest-grossing domestic animated feature of all time and in 2019 Stanton served as screenwriter and executive producer of "Toy Story 4."
Stanton made his directorial debut with the record-shattering "Finding Nemo," an original story of his that he also co-wrote. The film garnered Stanton two Academy Award® nominations (Best Original Screenplay and Best Animated Film), and "Finding Nemo" was awarded an Oscar® for Best Animated Feature Film of 2003, the first such honor Pixar Animation Studios received for a full-length feature film.
One of the four screenwriters to receive an Oscar® nomination in 1996 for his contribution to "Toy Story," Stanton went on to receive credit as a screenwriter on every subsequent Pixar film - "A Bug's Life," "Toy Story 2," "Monsters, Inc." and "Finding Nemo." Additionally, he served as co-director on "A Bug's Life," and was the executive producer of "Monsters, Inc.," and "Monsters University," and Academy Award®-winning films "Ratatouille" and "Brave."
In addition to his multi-award winning animation work, Stanton made his live-action writing and directorial debut with Disney's "John Carter," released in March 2012.
A native of Rockport, Massachusetts, Stanton earned a Bachelor of Fine Arts in Character Animation from California Institute of the Arts (Cal Arts), where he completed two student films. In the 1980s, he launched his professional career in Los Angeles animating for Bill Kroyer's Kroyer Films studio, and writing for Ralph Bakshi's production of "Mighty Mouse, The New Adventures" (1987).- Producer
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Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Director
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Denis Villeneuve is a French Canadian film director and writer. He was born in 1967, in Trois-Rivières, Québec, Canada. He started his career as a filmmaker at the National Film Board of Canada. He is best known for his feature films Arrival (2016), Sicario (2015), Prisoners (2013), Enemy (2013), and Incendies (2010). He is married to Tanya Lapointe.- Producer
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Judd Apatow is an American film director, screenwriter, producer and comedian. He directed The 40-Year Old Virgin, Knocked Up, This is 40, Funny People, Trainwreck and The King of Staten Island. He also developed the television shows Freaks and Geeks, Undeclared, Girls, Love and Crashing. He is married to Leslie Mann and has two children.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Writer
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Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.- Writer
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Director, writer, and producer Lilly Wachowski was born in 1967 in Chicago, the daughter of Lynne, a nurse and painter, and Ron, a businessman. Lilly was educated at Kellogg Elementary School in Chicago, before moving on to Whitney M. Young High School. After graduating from high school, she attended Emerson College in Boston but dropped out.
Lilly teamed up with her older sibling, Lana Wachowski, and began working on films. Their first script was optioned and formed the basis for the film Assassins (1995). The Wachowskis went on to make their directorial debut with the self-written Bound (1996), which was well-received. They followed this with the smash hit The Matrix (1999) and went on to produce two successful sequels, The Matrix Reloaded (2003) and The Matrix Revolutions (2003).
Other projects include scripting and producing the cult hit V for Vendetta (2005), a live-action version of a Japanese anime series; Speed Racer (2008); Cloud Atlas (2012); and the ambitious epic Jupiter Ascending (2015).- Producer
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Adam McKay (born April 17, 1968) is an American screenwriter, director, comedian, and actor. McKay has a comedy partnership with Will Ferrell, with whom he co-wrote the films Anchorman, Talladega Nights, and The Other Guys. Ferrell and McKay also founded their comedy website Funny or Die through their production company Gary Sanchez Productions. He has been married to Shira Piven since 1999. They have two children.- Writer
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Guy Ritchie was born in Hatfield, Hertfordshire, UK on September 10, 1968. After watching Butch Cassidy and the Sundance Kid (1969) as a child, Guy realized that what he wanted to do was make films. He never attended film school, saying that the work of film school graduates was boring and unwatchable. At 15 years old, he dropped out of school and in 1995, got a job as a runner, ultimately starting his film career. He quickly progressed and was directing music promos for bands and commercials by 1995.
The profits that he made from directing these promos was invested into writing and making the film The Hard Case (1995), a 20-minute short film that is also the prequel to his debut feature Lock, Stock and Two Smoking Barrels (1998). Sting's wife, Trudie Styler, saw The Hard Case (1995) and invested in the feature film. Once completed, 10 British distributors turned the film down before it eventually was released in the UK in 1998 and in the US in 1999; the film put Ritchie on the map as one of the hottest rising filmmakers of the time, and launched the careers of actors Jason Statham, Jason Flemyng, and Vinnie Jones, among others.
Lock, Stock and Two Smoking Barrels (1998) was followed by Snatch (2000), this time with a bigger budget and a few more familiar faces such as Brad Pitt, Dennis Farina, Benicio Del Toro alongside returning actors Jason Statham, Vinnie Jones and Jason Flemyng. At the end of 2000, Ritchie married the pop superstar Madonna in Scotland, and proceeded to work with his famous wife on a variety of film and video projects, including the short Star (2001), made for BMW and co-starring Clive Owen, and the controversial video "What It Feels Like for a Girl," which was called out for its violence. In 2002, the couple embarked on a remake of the 1974 Lina Wertmüller film Swept Away (2002); the new film was a critical and commercial flop, winning five Razzie Awards. Ritchie followed up with the Vegas heist film Revolver (2005), which was panned, but won favor with the crime thriller RocknRolla (2008), which featured a game, energetic cast and brought American attention to rising stars Gerard Butler and Tom Hardy.
The next year saw the release of Sherlock Holmes (2009), starring Robert Downey Jr. in the title role and Jude Law as his cohort Dr. Watson. The film received mostly good reviews but, more important for Ritchie's career, was a solid blockbuster hit that grossed more than $520 million dollars worldwide and spawned a sequel, Sherlock Holmes: A Game of Shadows (2011). Ritchie is tentatively scheduled to direct an adaptation of Robert Louis Stevenson's Treasure Island.
Ritchie has two sons with Madonna: Rocco, born in 2000, and an adopted son, David, born in 2005. In late 2008, the couple confirmed reports that they were splitting up, and agreed to a divorce settlement that was finalized in December of that year. In September 2011, Ritchie's girlfriend, model Jacqui Ainsley, gave birth to a son, Rafael, and in July 2012 the couple announced they were expecting their second child.- Producer
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David Gordon Green was born on 9 April 1975 in Little Rock, Arkansas, USA. He is a producer and director, known for Halloween Kills (2021), Halloween (2018) and Prince Avalanche (2013).- Producer
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Benjamin Edward Meara Stiller was born on November 30, 1965, in New York City, New York, to legendary comedians Jerry Stiller and Anne Meara. His father was of Austrian Jewish and Polish Jewish descent, and his mother was of Irish Catholic descent (she converted to Judaism).
His parents made no real effort to keep their son away from the Hollywood lifestyle and he grew up among the stars, wondering just why his parents were so popular. At a young age, he and his sister Amy Stiller would perform plays at home, wearing Amy's tights to perform Shakespeare. Ben also picked up an interest in being on the other side of the camera and, at age 10, began shooting films on his Super 8 camera. The plots were always simple: someone would pick on the shy, awkward Stiller ... and then he would always get his revenge. This desire for revenge on the popular, good-looking people may have motivated his teen-angst opus Reality Bites (1994) later in his career. He both directed and performed in the film, which co-starred Winona Ryder and Ethan Hawke.
Before he got to Hollywood, he put in several consistently solid years in the theater. After dropping out of UCLA, he performed in the Tony Award winner, "The House of Blue Leaves". While working on the play, Stiller shot a short spoof of The Color of Money (1986) starring him (in the Tom Cruise role) and his The House of Blue Leaves (1987) costar John Mahoney (in the Paul Newman role). The short film was so funny that Lorne Michaels purchased it and aired it on Saturday Night Live (1975). This led to his spending a year on the show in 1989.
Stiller made his big screen debut in Steven Spielberg's Empire of the Sun (1987) in 1987. Demonstrating early on the multifaceted tone his career would take, he soon stepped behind the camera to direct Back to Brooklyn for MTV. The network was impressed and gave Stiller his own show, The Ben Stiller Show (1992). He recruited fellow offbeat comedians Janeane Garofalo and Andy Dick and created a bitingly satirical show. MTV ended up passing on it, but it was picked up by Fox. Unfortunately, the show was a ratings miss. Stiller was soon out of work, although he did have the satisfaction of picking up an Emmy for the show after its cancellation.
For a while, Stiller had to settle for guest appearance work. While doing this, he saved up his cash and in the end was able to scrape enough together to make Reality Bites (1994), now a cult classic which is looked upon favorably by the generation it depicted. Ben continued to work steadily for a time, particularly in independent productions where he was more at ease. However, he never quite managed to catch a big break. His first big budget directing job was Jim Carrey's The Cable Guy (1996). Although many critics were impressed, Jim Carrey's fans were not. In 1998, There's Something About Mary (1998) had propelled Stiller into the mainstream spotlight. He also starred in such hit movies as Keeping the Faith (2000) and Meet the Parents (2000).- Writer
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Martin McDonagh was born on 26 March 1970 in Camberwell, London, England, UK. He is a writer and director, known for In Bruges (2008), Seven Psychopaths (2012) and Three Billboards Outside Ebbing, Missouri (2017).- Producer
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Matthew Vaughn is an English film producer and director. He is known for producing such films as Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000) and for directing the crime thriller, Layer Cake (2004), the fantasy epic, Stardust (2007), the superhero comedy, Kick-Ass (2010), and the superhero film, X-Men: First Class (2011). Vaughn was educated at Stowe School in Buckingham, England. Taking a gap year between Stowe and university, he traveled the world on a Hard Rock Cafe tour and landed in Los Angeles, U.S. Here, he began working as an assistant to a director. He returned to London, attending University College London where he studied anthropology and ancient history. But the film bug had taken hold. He dropped out of university after a few weeks and returned to Los Angeles to start his career. He quickly realized, however, that everyone in town was trying to do the same thing, so he crossed back over the Atlantic to make a name for himself in England. At 25, he produced a little-seen thriller, The Innocent Sleep (1995), starring Annabella Sciorra and Michael Gambon. Vaughn continued as a producer on close friend Guy Ritchie's film, Lock, Stock and Two Smoking Barrels (1998). The film was a success in all aspects; earning Vaughn and Ritchie £9 million each. Vaughn would go on to produce Ritchie's equally acclaimed Snatch (2000) and the critically-mauled, Swept Away (2002). Vaughn made his directorial debut in 2004 with Layer Cake (2004). The film was well-received and its success led to Vaughn being tapped to direct X-Men: The Last Stand (2006) but he later dropped out only two weeks before filming began. Vaughn was, subsequently, very critical of Brett Ratner's direction of X-Men: The Last Stand (2006) (aka X-Men 3). Vaughn next directed Stardust (2007) and a movie adaption of Mark Millar's Kick-Ass. He was also in talks to direct an adaptation of "Thor", but left that project. In May 2010, 20th Century Fox confirmed that Vaughn will direct X-Men: First Class (2011) and announced the film will be released on June 3, 2011. Vaughn is best known for starting his career working as a producer for the Guy Ritchie films, Lock, Stock and Two Smoking Barrels (1998), Snatch (2000) and Swept Away (2002). Jane Goldman is one the screenwriters who Vaughn collaborated with for the films, Stardust (2007), Kick-Ass (2010) and the upcoming X-Men: First Class (2011). The actors that Vaughn usually works with in his films are Jason Statham, Vinnie Jones, Jason Flemyng, Adam Fogerty, Sienna Miller, Brad Pitt (as a producer on Kick-Ass (2010)), Mark Strong, Robbie Gee, Alan Ford, Tamer Hassan and Dexter Fletcher. Vaughn's wife is German supermodel Claudia Schiffer, whom he married in Shimpling, Suffolk, in 2002. The couple have three children: son Caspar Matthew (born 30 January 2003), daughter Clementine de Vere Drummond (born 11 November 2004) and a second daughter, Cosima Violet (born 14 May 2010). They have homes in Suffolk and Notting Hill. He has hired ex-Gurkha soldiers for security for him and his wife following reports of stalkers apparently intruding their house.- Director
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Duncan Jones was born on 30 May 1971 in Bromley, Kent, England, UK. He is a director and writer, known for Moon (2009), Source Code (2011) and Mute (2018). He has been married to Rodene Ronquillo since 6 November 2012. They have two children.- Director
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Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers. Born on September 11, 1940, De Palma was born in Newark, New Jersey in an Italian-American family. Originally entering university as a physics student, De Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as To Bridge This Gap (1969). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, De Palma made the comedic film Greetings (1968) starring Robert De Niro in his first ever credited film role. The two followed up immediately with the films The Wedding Party (1969) and Hi, Mom! (1970).
After making such small-budget thrillers such as Sisters (1972) and Obsession (1976), De Palma was offered the chance to direct a film based on Stephen King's classic novel "Carrie". The story deals with a tormented teenage girl who finds she has the power of telekinesis. The film starred Sissy Spacek, Piper Laurie and John Travolta, and was for De Palma, a chance to try out the split screen technique for which he would later become famous.
Carrie (1976) was a massive success, and earned the two lead females (Laurie and Spacek) Oscar nominations. The film was praised by most critics, and De Palma's reputation was now permanently secured. He followed up this success with the horror film The Fury (1978), the comedic film Home Movies (1979) (both these films featured Kirk Douglas), the crime thriller Dressed to Kill (1980) starring Michael Caine and Angie Dickinson, and another crime thriller entitled Blow Out (1981) starring John Travolta.
His next major success was the controversial, ultra-violent film Scarface (1983). Written by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the United States through the drug trade. While being a critical failure, the film was a major success commercially.
Moving on from Scarface (1983), De Palma made two more movies before landing another one of his now-classics: The Untouchables (1987), starring old friend Robert De Niro in the role of Chicago gangster Al Capone. Also starring in the film were Kevin Costner as the man who commits himself to bring Capone down, and Sean Connery, an old policeman who helps Costner's character to form a group known as the Untouchables. The film was one of De Palma's most successful films, earning Connery an Oscar, and gave Ennio Morricone a nomination for Best Score.
After The Untouchables (1987), De Palma made the Vietnam film Casualties of War (1989) starring Michael J. Fox and Sean Penn. The film focuses on a new soldier who is helpless to stop his dominating sergeant from kidnapping a Vietnamese girl with the help of the coerced members of the platoon. The film did reasonably well at the box office, but it was his next film that truly displayed the way he could make a hit and a disaster within a short time. The Bonfire of the Vanities (1990) starred a number of well-known actors such as Bruce Willis and Morgan Freeman, however it was still a commercial flop and earned him two Razzie nominations.
But the roller coaster success that De Palma had gotten so far did not let him down. He made the horror film Raising Cain (1992), and the criminal drama Carlito's Way (1993) starring Al Pacino and Sean Penn. The latter film is about a former criminal just released from prison that is trying to avoid his past and move on. It was in the year 1996 that brought one of his most well-known movies. This was the suspense-filled Mission: Impossible (1996) starring Tom Cruise and Jon Voight.
Following up this film was the interesting but unsuccessful film Snake Eyes (1998) starring Nicolas Cage as a detective who finds himself in the middle of a murder scene at a boxing ring. De Palma continued on with the visually astounding but equally unsuccessful film Mission to Mars (2000) which earned him another Razzie nomination. He met failure again with the crime thriller Femme Fatale (2002), the murder conspiracy The Black Dahlia (2006), and the controversial film Redacted (2007) which deals with individual stories from the war in Iraq.
Brian De Palma may be down for the moment, but if his box office history has taught us anything, it is that he always returns with a major success that is remembered for years and years afterwards.- Director
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Tom Hooper was educated at one of England's most prestigious schools, Westminster. His first film, Runaway Dog, was made when he was 13 years old and shot on a Clockwork 16mm Bolex camera, using 100 feet of film. At age 18, he wrote, directed and produced the short film Painted Faces (1992), which premiered at the London Film Festival; it was released theatrically and later shown on Channel 4. He studied English at England's top university, Oxford. At Oxford University, he directed theatre productions starring his contemporaries Kate Beckinsale and Emily Mortimer, and directed his first television commercials. His father was a non-executive director at United News and Media, which owned an ITV franchise.
Hooper's father introduced him to one of British television's top directors and producers, Matthew Robinson, who gave him breaks by employing him to direct episodes of Byker Grove (1989) and EastEnders (1985), both series produced by Robinson. Further success came when he was approved by Helen Mirren to direct her in Prime Suspect: The Last Witness (2003). He then worked with her again on Elizabeth I (2005). Hooper made the difficult transition from television to film with apparent ease, directing Michael Sheen in the Brian Clough biopic The Damned United (2009) and Colin Firth in The King's Speech (2010). Both films were critical and commercial successes, quickly establishing Hooper as one of the most in demand directors of his generation.
Hooper has garnered numerous awards in his career. He won an Academy Award for directing The King's Speech. The 2010 film was nominated for 12 Oscars, more than any other film of that year, and also won the Best Picture, Best Actor (Colin Firth), and Best Original Screenplay Oscars. The King's Speech received seven BAFTA Awards, including Best Film and Outstanding British Film. Hooper also won a Directors Guild of America Award for his direction. Among other accolades worldwide, The King's Speech additionally was honored with the People's Choice Award at the Toronto International Film Festival; the Best British Film prize at the British Independent Film Awards; the Spirit Award for Best Foreign Film; the Producers Guild of America Awards' top prize; and the European Film Award for Best Film. The King's Speech earned $414 million at the worldwide box office.
Hooper was recently again a Directors Guild of America Award nominee for directing Working Title Films' Les Misérables. The 2012 film was nominated for eight Academy Awards, including Best Picture, and won the Best Supporting Actress (Anne Hathaway), Best Sound, and Best Make-up and Hair Styling Academy Awards. Les Misérables received those same accolades at the BAFTA Awards, as well as the BAFTA for Best Production Design. Among other accolades worldwide, Les Misérables was named one of the year's 10 Best Films by the American Film Institute with an AFI Award; won three Golden Globe Awards including Best Picture [Musical/Comedy]; was voted the Best Acting by an Ensemble award by the National Board of Review; and was nominated for four Screen Actors Guild Awards. Les Misérables earned $442 million at the worldwide box office.
The Damned United received a South Bank Show Award nomination for Best British Film; and he gained acclaim for the BAFTA Award-nominated Red Dust, starring Hilary Swank and Chiwetel Ejiofor.
Hooper had an unprecedented run of success at the Golden Globe Awards with his works for HBO, which won the Golden Globe for Best Mini-Series or Motion Picture Made for Television three years in a row. The actors and actresses starring in these productions - respectively, Elizabeth I, Longford, and John Adams - also won Golden Globes for their performances three years running.
Hooper won an Emmy Award for directing Elizabeth I. The HBO Films/Channel 4 miniseries won three Golden Globes and nine Emmy Awards, including Outstanding Miniseries.
Longford, written by Peter Morgan, starred Jim Broadbent and Samantha Morton. The HBO Films/Channel 4 Telefilm won three Golden Globe Awards and was nominated for five Emmy Awards.
John Adams (2008), starring Paul Giamatti and Laura Linney, won four Golden Globes and 13 Emmy Awards - the most Emmys ever awarded to a program in one year. Hooper, receiving his first Directors Guild of America Award nomination, directed all nine hours of the HBO Films miniseries.
Hooper was nominated for an Emmy Award for helming ITV's miniseries Prime Suspect 6. His television work also includes Daniel Deronda (2002), which won the award for Best Miniseries at the 2003 Banff Television Festival; the miniseries Love in a Cold Climate (2001), for which star Alan Bates received a BAFTA Award nomination; episodes of the multi-award-winning ITV comedy/drama Cold Feet (1997); and EastEnders (1985) one-hour specials that garnered BAFTA Awards two years in a row.- Producer
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James Mangold is an American film and television director, screenwriter and producer. Films he has directed include Girl, Interrupted (1999), Walk the Line (2005), which he also co-wrote, the 2007 remake 3:10 to Yuma (2007), The Wolverine (2013), and Logan (2017).
Mangold also wrote and directed Cop Land (1997), starring Sylvester Stallone, Robert De Niro, Harvey Keitel, and Ray Liotta.- Director
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Joe Wright is an English film director. He is best known for Pride & Prejudice (2005), Atonement (2007), Anna Karenina (2012), and Darkest Hour (2017).
Wright always had an interest in the arts, especially painting. He would also make films on his Super 8 camera as well as spend time in the evenings acting in a drama club. He began his career working at his parents' puppet theatre. He also took classes at the Anna Scher Theatre School and acted professionally on stage and camera.- Producer
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Shawn Levy was born on July 23, 1968 in Montreal, Quebec, Canada. He is a producer and director, known for Stranger Things (2016), Real Steel (2011), and the Night at the Museum franchise. He is the founder and principal of 21 Laps Entertainment. He is married to Serena Levy and they have four daughters.- Actor
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Sylvester Stallone is an athletically built, dark-haired American actor/screenwriter/director/producer, the movie fans worldwide have been flocking to see Stallone's films for over 40 years, making "Sly" one of Hollywood's biggest-ever box office draws.
Sylvester Stallone was born on July 6, 1946, in New York's gritty Hell's Kitchen, to Jackie Stallone (née Labofish), an astrologer, and Frank Stallone, a beautician and hairdresser. His father was an Italian immigrant, and his mother's heritage is half French (from Brittany) and half German. The young Stallone attended the American College of Switzerland and The University of Miami, eventually obtaining a B.A. degree. Initially, he struggled in small parts in films such as the soft-core The Party at Kitty and Stud's (1970), the thriller Klute (1971) and the comedy Bananas (1971). He got a crucial career break alongside fellow young actor Henry Winkler, sharing lead billing in the effectively written teen gang film The Lords of Flatbush (1974). Further film and television roles followed, most of them in uninspiring productions except for the opportunity to play a megalomaniac, bloodthirsty race driver named "Machine Gun Joe Viterbo" in the Roger Corman-produced Death Race 2000 (1975). However, Stallone was also keen to be recognized as a screenwriter, not just an actor, and, inspired by the 1975 Muhammad Ali-Chuck Wepner fight in Cleveland, Stallone wrote a film script about a nobody fighter given the "million to one opportunity" to challenge for the heavyweight title. Rocky (1976) became the stuff of cinematic legends, scoring ten Academy Award nominations, winning the Best Picture Award of 1976 and triggering one of the most financially successful movie series in history! Whilst full credit is wholly deserved by Stallone, he was duly supported by tremendous acting from fellow cast members Talia Shire, Burgess Meredith and Burt Young, and director John G. Avildsen gave the film an emotive, earthy appeal from start to finish. Stallone had truly arrived on his terms, and offers poured in from various studios eager to secure Hollywood's hottest new star.
Stallone followed Rocky (1976) with F.I.S.T. (1978), loosely based on the life of Teamsters boss "Jimmy Hoffa", and Paradise Alley (1978) before pulling on the boxing gloves again to resurrect Rocky Balboa in the sequel Rocky II (1979). The second outing for the "Italian Stallion" wasn't as powerful or successful as the first "Rocky", however, it still produced strong box office. Subsequent films Nighthawks (1981) and Victory (1981) failed to ignite with audiences, so Stallone was once again lured back to familiar territory with Rocky III (1982) and a fearsome opponent in "Clubber Lang" played by muscular ex-bodyguard Mr. T. The third "Rocky" installment far outperformed the first sequel in box office takings, but Stallone retired his prizefighter for a couple of years as another series was about to commence for the busy actor.
The character of Green Beret "John Rambo" was the creation of Canadian-born writer David Morrell, and his novel was adapted to the screen with Stallone in the lead role in First Blood (1982), also starring Richard Crenna and Brian Dennehy. The movie was a surprise hit that polarized audiences because of its commentary about the Vietnam war, which was still relatively fresh in the American public's psyche. Political viewpoints aside, the film was a worldwide smash, and a sequel soon followed with Rambo: First Blood Part II (1985), which drew even stronger criticism from several quarters owing to the film's plot line about American MIAs allegedly being held in Vietnam. But they say there is no such thing as bad publicity, and "John Rambo's" second adventure was a major money spinner for Stallone and cemented him as one of the top male stars of the 1980s. Riding a wave of amazing popularity, Stallone called on old sparring partner Rocky Balboa to climb back into the ring to defend American pride against a Soviet threat in the form of a towering Russian boxer named "Ivan Drago" played by curt Dolph Lundgren in Rocky IV (1985). The fourth outing was somewhat controversial with "Rocky" fans, as violence levels seemed excessive compared to previous "Rocky" films, especially with the savage beating suffered by Apollo Creed, played by Carl Weathers, at the hands of the unstoppable "Siberian Express".
Stallone continued forward with a slew of macho character-themed films that met with a mixed reception from his fans. Cobra (1986) was a clumsy mess, Over the Top (1987) was equally mediocre, Rambo III (1988) saw Rambo take on the Russians in Afghanistan, and cop buddy film Tango & Cash (1989) just did not quite hit the mark, although it did feature a top-notch cast and there was chemistry between Stallone and co-star Kurt Russell.
Philadelphia's favorite mythical boxer moved out of the shadows for his fifth screen outing in Rocky V (1990) tackling Tommy "Machine" Gunn played by real-life heavyweight fighter Tommy Morrison, the great-nephew of screen legend John Wayne. Sly quickly followed with the lukewarm comedy Oscar (1991), the painfully unfunny Stop! Or My Mom Will Shoot (1992), the futuristic action film Demolition Man (1993), and the comic book-inspired Judge Dredd (1995). Interestingly, Stallone then took a departure from the gung-ho steely characters he had been portraying to stack on a few extra pounds and tackle a more dramatically challenging role in the intriguing Cop Land (1997), also starring Robert De Niro and Ray Liotta. It isn't a classic of the genre, but Cop Land (1997) certainly surprised many critics with Stallone's understated performance. Stallone then lent his vocal talents to the animated adventure story Antz (1998), reprised the role made famous by Michael Caine in a terrible remake of Get Carter (2000), climbed back into a race car for Driven (2001), and guest-starred as the "Toymaker" in the third chapter of the immensely popular "Spy Kids" film series, Spy Kids 3: Game Over (2003). Showing that age had not wearied his two most popular series, Stallone has most recently brought back never-say-die boxer Rocky Balboa to star in, well, what else but Rocky Balboa (2006), and Vietnam veteran Rambo (2008) will reappear after a 20-year hiatus to once again right wrongs in the jungles of Thailand.
Love him or loathe him, Sylvester Stallone has built an enviable and highly respected career in Hollywood, plus, he has considerably influenced modern popular culture through several of his iconic film characters.- Actor
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His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.
Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.
In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.- Director
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Neill Blomkamp is a South African-Canadian film director and screenwriter who is known for the science fiction films District 9, Elysium and Chappie. He also directed the supernatural horror film Demonic and the 2007 short film Halo: Landfall, based on the Microsoft science fiction video game franchise. He had a child from his wife Terri Tatchell.- Director
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Francis Lawrence is an American filmmaker. He started directing over sixty music videos before he directed the cult classic Keanu Reeves film Constantine, I Am Legend and Water for Elephants. He also directed The Hunger Games: Catching Fire, The Hunger Games: Mockingjay Parts 1 and 2, and Red Sparrow, which all starred Jennifer Lawrence.- Producer
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Jonathan Levine was born on 18 June 1976. He is a producer and director, known for 50/50 (2011), The Wackness (2008) and Warm Bodies (2013).- Producer
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Justin Lin is a Taiwanese-American film director whose films have grossed $2 billion worldwide. He is best known for his work on Better Luck Tomorrow, The Fast and the Furious 3-6 and Star Trek Beyond. He is also known for his work on television shows like Community and the second season of True Detective. Lin was born in Taipei, Taiwan, and grew up in a working-class neighborhood in Cypress, California, in Orange County. He attended Cypress High School and University of California, San Diego for two years before transferring to UCLA, where he earned a B.A. in Film & Television and a MFA in Film Directing & Production from the UCLA film school.- Director
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Joseph Kosinski is a director whose uncompromising style has quickly made a mark in the filmmaking zeitgeist. His four theatrical releases have grossed $2.2 billion worldwide and been nominated for 7 Academy Awards and 2 Grammys.
His film debut, "Tron: Legacy" for Walt Disney Studios, grossed $400 million and was nominated for an Academy Award for Sound Editing and a Grammy for the groundbreaking score by Daft Punk.
For his sophomore feature, Kosinski directed and produced the original science-fiction thriller "Oblivion" for Universal Pictures, starring Tom Cruise and Morgan Freeman. With a score by M83, it grossed $288 million.
Kosinski's third feature was the critically acclaimed drama "Only The Brave" for Black Label Media and Columbia Pictures. The film stars Josh Brolin, Miles Teller, Jennifer Connelly and Jeff Bridges.
Joseph reunited with Tom Cruise, Miles Teller, and Jennifer Connelly for "Top Gun: Maverick". The film grossed $1.5 billion worldwide, won the National Board of Review for Best Film, and was nominated for 6 Academy Awards including Best Picture. In addition, Joseph was nominated for Best Director by the Directors Guild of America.
Kosinski's "Spiderhead", a Netflix release, is based on the short story by acclaimed author George Saunders. The film starring Chris Hemsworth, Miles Teller, and Jurnee Smollet was #1 on the streaming service and crossed 100 million total view hours in its first 100 days.
Joseph is currently directing and producing a film set in the world of Formula 1 racing in conjunction with Apple Original Films, Bruckheimer Films, Plan B, and 7-time F1 World Champion Lewis Hamilton. The film stars Brad Pitt, Damson Idris, Kerry Condon and Javier Bardem.
Joseph received his undergraduate degree in Mechanical Engineering at Stanford University and a Masters in Architecture from Columbia University.- Actor
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Scott Cooper was born on 20 April 1970 in Abingdon, Virginia, USA. He is an actor and director, known for Crazy Heart (2009), Hostiles (2017) and Out of the Furnace (2013).- Producer
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J.C. Chandor is known for A Most Violent Year (2014), Margin Call (2011) and All Is Lost (2013). He has been married to Mary Cameron Goodyear since 2004. They have two children.- Writer
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Wayne Kramer was born in South Africa, where he graduated from the Johannesburg School for Art, Drama and Music. His feature film debut came in 2003 with "The Cooler," a romantic drama set in Las Vegas and starring William H. Macy as a professional casino jinx and Maria Bello as the cocktail waitress who changes his luck. "The Cooler" was selected for competition in the 2003 Sundance Film Festival and opened the 2003 Los Angeles Film Festival. Alec Baldwin received an Oscar® nomination for his portrayal of an old-school casino boss, and won the National Board of Review's Best Supporting Actor award. The Lionsgate release also received Golden Globe, Screen Actors Guild and Online Film Critics award nominations for both Baldwin and Bello. Kramer won the Special Jury Prize at the Cognac Festival du Film Policier. Kramer was nominated for a 2004 Golden Satellite Award and a 2004 Edgar Allan Poe (along with Frank Hannah) for his screenplay to The Cooler, which also received a 2003 Special Mention For Excellence in Filmmaking from the National Board of Review
Wayne followed up "The Cooler" with "Running Scared," a gritty action thriller for New Line Cinema. Paul Walker starred as a New Jersey mob foot soldier who spends a harrowing night chasing down a gun used to kill a dirty cop. The film also starred Vera Farmiga, Chazz Palminteri and Elizabeth Mitchell. "Running Scared" was released in 2006 and has since become a cult favorite among action fans.
Next, Wayne wrote, produced (along with Frank Marshall) and directed "Crossing Over," an ensemble drama about illegal immigration in Los Angeles. The film stars Harrison Ford, Ray Liotta, Jim Sturgess, Ashley Judd, Cliff Curtis, Alice Eve and Alice Braga. "Crossing Over" was released by The Weinstein Company in 2009.
Most recently, Wayne directed the black comedy ensemble "Pawn Shop Chronicles," which was released by Anchor Bay in 2013. The film stars Paul Walker, Matt Dillon, Brendan Fraser, Elijah Wood, Thomas Jane, Vincent D'Onofrio and Lukas Haas.
Wayne will next direct the dystopian sci-fi love story "Ecstasia," based on his upcoming novel, with Scott Eastwood attached to star.
Kramer's other credits include the original screenplay for "Mindhunters" (2004), directed by Renny Harlin and released by Dimension Films.