The 50 Greatest Actresses Of German Expressionism
First the boys and now the girls. This fifty women shines bright and made the german expressionist movement one of the most beautiful ever.
And like the list before,I'll add one great film of their filmography.
And like the list before,I'll add one great film of their filmography.
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- Actress
Born in Germany to American parents, dark-haired Betty Amann (born Philippine Amann) grew up in the US. She began her screen career as Bee Amann in the mid-'20s, but returned to Germany after appearing in a 'Tom Tyler' Western for low-budget FBO Pictures. Arriving in the wake of Louise Brooks, she was awarded a screen test by producer Erich Pommer and went on to star or co-star in such German productions as Joe May's silent Asphalt (1929) and the talkies Der weiße Teufel (1930)-- opposite Lil Dagover and Ivan Mozzhukhin--and Die kleine Schwindlerin (1933), opposite Dolly Haas. She later did Daughters of Today (1933) in England, but was back in Hollywood by the mid-'30s, where she mainly appeared in "Poverty Row" productions. Her final appearance came in Edgar G. Ulmer's bizarre Isle of Forgotten Sins (1943) for rock-bottom PRC Pictures as one of Gale Sondergaard's "hostesses."Asphalt- Actress
- Writer
- Producer
Fern Andre's show-business career started as an aerialist with a troupe that toured the U.S. and Europe. In Vienna she became a student of famed director/teacher Max Reinhardt and appeared in several of his plays and films. She soon settled in Berlin, where she starred in several productions for UFA Studios, some of which she also produced and directed. She also appeared in British and French films. In the sound era she returned to the United States, but after making only two films, she retired.Genuine- Lissy Arna was born on 20 December 1900 in Berlin, Germany. She was an actress, known for Der Zinker (1931), Ein Unsichtbarer geht durch die Stadt (1933) and Unter der Laterne (1928). She was married to Hanns Schwarz. She died on 22 January 1964 in Berlin, Germany.Der Katzensteg
- Anita Berber was born on 10 June 1899 in Dresden, Germany. She was an actress, known for Around the World in 80 Days (1919), The Story of Dida Ibsen (1918) and Eerie Tales (1919). She was married to Henri Châtin Hofmann, Sebastian Droste and Eberhard von Nathusius. She died on 10 November 1928 in Berlin, Germany.Anders Als Die Andern
- Grete Berger was born on 11 February 1883 in Jägerndorf, Moravia, Austria-Hungary [now Krnov, Czech Republic]. She was an actress, known for Dr. Mabuse, the Gambler (1922), The Student of Prague (1913) and Ein Sommernachtstraum in unserer Zeit (1914). She was married to Hanns Heinz Ewers. She died on 23 May 1944 in KZ Auschwitz, Germany.Phantom
- Actress
- Producer
Elisabeth Bergner was the daughter of the merchant Emil Ettel and his wife Anna Rosa Wagner. She grew up in Vienna, and she made her theatre debut in Innsbruck in 1915. In 1916 she obtained a contract in Zürich, where she played Ophelia next to the famous Alexander Moissi, who fell in love with her. The next stage in her career was Vienna, where she posed as a model for the talented but deeply unhappy sculptor Wilhelm Lehmbruck. He fell in love with her, but she rejected him; his suicide soon afterwards shocked her. After performing in Vienna and Munich she came to Berlin in 1921. There she played in productions by Max Reinhardt and became a very popular actress.
During her early years as an actress, she was often helped by the poet and critic Albert Ehrenstein, whom she called Xaverl. Ehrenstein was also in love with her. At one time she promised him a child but changed her mind. Ehrenstein wrote numerous poems for her, but often she kept him at a distance. However, their friendship lasted and they continued to exchange letters.
She made her film debut in Der Evangelimann (1924). In 1924, director Paul Czinner gave her a part in Husbands or Lovers (1924). This was the beginning of their successful professional collaboration as well as their personal relationship. Her most successful silent movie was Fräulein Else (1929).
Bergner and Czinner were both Jews, and after the Nazis came to power, they emigrated to Vienna and then London, where they were married. She learned English and was able to continue her career. In London, she became friendly with G.B. Shaw and J.M. Barrie, who after a long hiatus from writing drafted a play for her; the result, The Boy David (1936), unfortunately was not successful. She also appeared as Gemma Jones in the movie version of Escape Me Never (1935) by Margaret Kennedy, which earned her an Oscar nomination for Best Actress. Her movie The Rise of Catherine the Great (1934) was forbidden in Germany.
During her London years, she sent much of her money to relatives and friends in need, among them Ehrenstein. Bergner's only Hollywood movie, Paris Calling (1941), failed to attract attention. On Broadway, she fared better and was very successful in The Two Mrs. Carrolls. While appearing in it, she encountered a young aspiring actress who stood in the alley outside the theater every night and claimed to have seen every performance; Bergner befriended and later hired her but broke with her after the young actress -- who called herself Martina Lawrence, the name of one of Bergner's twin characters in Stolen Life (1939) -- became over-interested in all aspects of Bergner's life. Bergner later recounted this story to her friend Mary Orr, a writer, who turned it into the short story "The Wisdom of Eve" -- which was the basis for the movie All About Eve (1950).
After the war, Bergner worked in New York for a few years; in 1950, she returned to England. She gave acclaimed Bible readings in Israel in English, German and Hebrew. In Germany, she resumed her stage career, and in 1959 she stunned audiences and critics in Berlin with her performance in Geliebter Lügner, a German version of Jerome Kilty's Dear Liar, a play based on the letters exchanged between G.B. Shaw and actress Stella Campbell. In 1961, she returned to the movies, and in 1970 she made her directorial debut. Her last stage appearance took place in 1973 (Her husband had died in 1972).
In 1978, a volume of her memoirs was published, in which she shared some of her secrets with the public, such as Lehmbruck's obsession with her. In 1979 she received the Ernst Lubitsch Prize and in 1982 the Eleonora Duse Prize. She discussed a possible return to Vienna with Bruno Kreisky, but she died from cancer at her home in London in 1986. In Seglitz (Berlin), a city park was named after her.Nju - Eine Unverstandene Frau- Renate Brausewetter was born on 1 October 1905 in Málaga, Málaga, Andalucía, Spain. She was an actress, known for Adventures of a Ten Mark Note (1926), Menschen untereinander (1926) and Schwere Jungs - leichte Mädchen (1927). She was married to Hubert Wagner. She died on 19 August 2006 in Linz am Rhein, Rhineland-Palatinate, Germany.Geheimnisse Einer Seele
- Actress
- Soundtrack
Mady Christians was born in Vienna, Austria. Destined to be in films in both Germany and the US, she started out as a stage actress but soon found new challenges in the world of cinema. Her first film was at the age of 24 when she appeared in Audrey (1916). She remained in German films for the next 17years before coming to the US and starring in The Only Girl (1933). Mady left the film industry in 1948 after finishing All My Sons (1948).
She died on October 28, 1951, in Norwalk, CT, from a cerebral hemorrhage.Die Finanzen Des Grossherzogs- María Corda was born on 4 May 1898 in Deva, Hungary. She was an actress, known for The Private Life of Helen of Troy (1927), Samson und Delila (1922) and Tragödie im Hause Habsburg (1924). She was married to Alexander Korda. She died on 2 February 1976 in Thonex, Switzerland.Tragödie Im Hause Habsburg
- Actress
- Soundtrack
A prominent German film actress born on 30 September 1887 at Madiven, Java, the daughter of a forest ranger in the service of the Dutch authorities. Sent at the age of ten to Baden-Baden to study, she later entered the cinema thanks to her marriage in 1917 to the actor Fritz Dagover who was 25 years her senior. They divorced in 1919 but not before he had introduced her to director Robert Wiene and other notables of German cinema. She made her screen debut in Fritz Lang's Harakiri (1919). Immediately after she appeared in Wiene's classic expressionist film, "The Cabinet of Dr. Caligari" (aka The Cabinet of Dr. Caligari (1920)). Apart from three trips -- one to Sweden in 1927, another to France in 1928-9 and one to Hollywood in 1931 -- most of Lil Dagover's career and fate was linked to that of the German cinema, where her role was usually that of the frail, menaced heroine. She continued to star in a great number of films during the Nazi era. Among her best performances were her roles in Congress Dances (1931), in Gerhard Lamprecht's The Higher Command (1935) and in Veit Harlan's The Kreutzer Sonata (1937). She also acted in the Deutsches Theatre Berlin, the Salzburg Festival, at forces shows and at war theaters. At one time, she was reported to have been a close friend of Adolf Hitler. In 1944, she received the War Merits Cross. Dagover continued her career in post-war Germany, playing many supporting parts until the late 1970s.Das Cabinet Des Dr. Caligari- Dutch actress Lien Deyers was discovered by the great German director Fritz Lang, who gave her a part in his film Spies (1928). After that she became a big star in Germany and appeared in many successful films in the 1930s. She married director Alfred Zeisler. When the Nazis came to power, she and her Jewish husband left Germany for England. There she couldn't find work in the film business, so she and her husband went to the US to try their luck.
In the US things went from bad to worse. Unable to find work in Hollywood, she was forced to take jobs outside the business. Her marriage to Zeisler eventually failed, and she took to the bottle to solve her problems. She soon became an alcoholic and had numerous run-ins with the law. She married and divorced a few times, but soon completely vanished from the public view. The last time she was heard from was in 1964, when she was in a Las Vegas (NV) jail. It is thought that she died shortly after that.Spione - Actress
- Music Department
- Soundtrack
Her father was a police lieutenant and imbued in her a military attitude to life. Marlene was known in school for her "bedroom eyes" and her first affairs were at this stage in her life - a professor at the school was terminated. She entered the cabaret scene in 1920s Germany, first as a spectator then as a cabaret singer. In 1923, she married and, although she and Rudolf Sieber lived together only 5 years, they remained married until his death. She was in over a dozen silent films in increasingly important roles. In 1929, she was seen in a Berlin cabaret by Josef von Sternberg and, after a screen test, captured the role of the cabaret singer in The Blue Angel (1930) (and became von Sternberg's lover). With the success of this film, von Sternberg immediately took her to Hollywood, introducing her to the world in Morocco (1930), and signing an agreement to produce all her films. A series of successes followed, and Marlene became the highest paid actress of her time, but her later films in the mid-part of the decade were critical and popular failures. She returned to Europe at the end of the decade, with a series of affairs with former leading men (she had a reputation of romancing her co-stars), as well as other prominent artistic figures. In 1939, an offer came to star with James Stewart in a western and, after initial hesitation, she accepted. The film was Destry Rides Again (1939) - the siren of film could also be a comedienne and a remarkable comeback was reality. She toured extensively for the allied effort in WW II (she had become a United States citizen) and, after the war, limited her cinematic life. But a new career as a singer and performer appeared, with reviews and shows in Las Vegas, touring theatricals, and even Broadway. New success was accompanied by a too close acquaintance with alcohol, until falls in her performance eventually resulted in a compound fracture of the leg. Although the last 13 years of her life were spent in seclusion in her apartment in Paris, with the last 12 years in bed, she had withdrawn only from public life and maintained active telephone and correspondence contact with friends and associates.So Sind Die Männer- Ágnes Eszterházy was born on 21 January 1902 in Kolozsvár, Austria-Hungary [now Cluj-Napoca, Romania]. She was an actress, known for The Student of Prague (1926), Marquis d'Eon, der Spion der Pompadour (1928) and The Beggar Student (1927). She was married to Fritz Schulz. She died on 4 April 1956 in Munich, West Germany.Liebe
- Actress
- Soundtrack
Liane Haid was a prima ballerina, dancer, singer, stage and film actress. As a child, she studied voice and dancing and played at the Viennese Open Ballet. She worked in Budapest and Vienna as a dancer. On stage, she was in Berlin and Vienna. She also made close to a hundred movies - silents and talkies. She was the first female star of Austria. She was married three times. The last one was Swiss Dr. Carl Spycher, with which she had one son, the jazz musician, Pierre Spycher. She lived with her family near Bern, Switzerland, where she died at the age of 105 years young.Lady Hamilton- Else Heller was born on 4 February 1884 in Vienna, Austria. She was an actress, known for Westfront 1918 (1930), Asphalt (1929) and Tropennächte (1931). She died on 12 February 1951 in Munich, Germany.Der Märtyrer Seines Herzens
- Born in Berlin, Germany. After her role in Metropolis (1927) she made a string of movies in which she almost always had the starring role, easily making the transition to sound films. Her last film was An Ideal Spouse (1935) which was released in 1935. She died on June 11th 1996 of heart failure in Ascona, Switzerland.Metropolis
- Lucie Höflich was born on 20 February 1883 in Hannover, Germany. She was an actress, known for Anastasia: The Czar's Last Daughter (1956), Tartuffe (1925) and Sky Without Stars (1955). She was married to Georg Anton Mayer and Emil Jannings. She died on 9 October 1956 in Berlin, Germany.Katharina Die Grosse
- Evelyn Holt was born on 3 October 1908 in Berlin, Germany. She was an actress, known for Die Waise von Lowood (1926), Marriage in Name Only (1930) and Eine Stunde Glück (1931). She was married to Felix Guggenheim. She died on 22 February 2001 in Los Angeles, California, USA.Die Elf Teufel
- Actress
- Stunts
- Soundtrack
The daughter of a railroad official, Camilla Horn was educated in Germany and Switzerland. She initially trained as a dressmaker and received her first job experience in a fashion salon in Erfurt. This was merely a stepping stone for a performing career which began with dance lessons in Berlin and subsequent acting studies under Lucie Höflich. The lithe, blond and strikingly beautiful Camilla soon appeared in cabaret revues staged by Rudolf Nelson. By 1926, she was employed as an extra at Ufa, where she was spotted by the director F.W. Murnau, who found in her the ideal representation of Gretchen for his seminal production of Faust (1926) . The role catapulted Camilla to instant stardom. Within a year, she was signed by United Artists in Hollywood, befriending Charles Chaplin and, more importantly, studio chairman Joseph M. Schenck. The friendship with Schenck may, or may not, have led to an affair -- depending on which story one is to believe -- but it did result in two high profile starring roles opposite John Barrymore in the torrid melodramas Tempest (1928) and Eternal Love (1929), both produced by Schenck. Neither film was a commercial success.
With the coming of sound, Camilla returned to Europe, briefly appearing on stage in London and Paris, before resuming her screen career in Germany. As the 1930's went on, she rarely turned down a role, playing anything from baronesses and fashion models, to vamps and 'fallen women'. The quality of her films was variable, but there were several noteworthy standouts, such as Hans in allen Gassen (1930) (opposite Hans Albers), The Last Waltz (1934) and Fahrendes Volk (1938) (as a circus artiste, again with Albers).
During this tumultuous decade, Camilla conducted a lengthy affair with the singer Louis Graveure, fifteen years her senior. This came to an end in 1938, when Graveure was suspected of espionage by the Gestapo and fled to England, via the Cote d'Azure. After her luxury villa in Berlin was ransacked in search for non-existent clues, Camilla's outspoken criticism of the Nazi regime reached a point where it got her into serious trouble. She saw out the first half of her career with a trio of long forgotten films made in Italy. Having failed in an attempt to flee to Switzerland, she kept a low profile and even tried her hand at farming. After the war, she had a stint as an interpreter for the occupying U.S. forces in Germany. Camilla made a successful return to the stage in a 1948 Frankfurt production of Jean Cocteau's "L'Aigle a Deux Tetes" (aka 'The Eagle Has Two Heads'). She spent the latter half of her acting career playing grand dames, matriarchs and worldly ladies with colourful backgrounds, in both films and on television. In 1974, she was awarded the 'Filmband in Gold' (also known as 'Lola') for lifetime achievement in the German film industry. In her 1985 autobiography, "Verliebt in die Liebe" ('In Love with Love'), she happily recounted her marriages and liaisons.Faust - Eine Deutsche Volkssage- Édith Jéhanne was born on 9 February 1899 in Châteauroux, Indre, France. She was an actress, known for The Love of Jeanne Ney (1927), Tarakanova (1930) and The Chess Player (1927). She died on 14 June 1949 in Saint-Briac-sur-Mer, Ille-et-Vilaine, France.Die Liebe Der Jeanne Ney
- Actress
- Writer
Lucie Mannheim was born on 30 April 1899 in Berlin, Germany. She was an actress and writer, known for The 39 Steps (1935), Der Ball (1931) and Bunny Lake Is Missing (1965). She was married to Marius Goring. She died on 18 July 1976 in Braunlage, Lower Saxony, Germany.Der Schatz- Rina Marsa was born on 18 January 1904 in Caucasus, Russia. She is known for Poor as a Church Mouse (1931), Nie wieder Liebe! (1931) and Auf Leben und Tod (1930). She was previously married to Emilio Genís Varela.Die Yacht Der Sieben Sünden
- Gertrud Pfiel was born in present day Croatia, the daughter of an engineer and inventor. A strikingly beautiful blonde with high cheekbones and expressive blue eyes, she grew up in Vienna where she was trained as a singer and dancer, embarking on a theatrical career by the age of fifteen. Until 1944, 'Gertraud' regularly performed at various theatres in Berlin, Hamburg and Vienna. During a performance, she came to the attention of the director Fritz Lang, who became instantly enamored with her. Without an audition, Lang gave her a starring role as a defecting Russian spy in Spies (1928), the success of which led to further back-to-back leads in Woman in the Moon (1929) and Hochverrat (1929).
Lang eventually left his wife and long-time collaborator, the screenwriter Thea von Harbou, while Gerda Maurus went onto marry another prolific director, Robert A. Stemmle, who directed her in Daphne und der Diplomat (1937). During the sound era, Gerda was intermittently given further opportunities to shine, including opposite Hans Albers (Dope (1932)) and Paul Hörbiger (Prinzessin Sissy (1939)), but she seemed somehow unable to repeat the success of her earlier (silent) films. Her association, however tenuous, with Nazi propaganda minister Joseph Goebbels tainted her career during the immediate post-war period. While her acting ban was eventually lifted, she rarely again graced the screen, but for several more years continued on as a stage actress in Munich and Düsseldorf.Frau Im Mond - Eva May was born Eva Maria Mandel on May 29, 1902 in Vienna, Austria. Her mother was actress Mia May and her father was producer and director Joe May. Eva made her film debut in her father's 1914 German film The Black Triangle. At the age of sixteen she married director Erik Lund. The couple worked together in numerous films including The Foolish Heart, Black Pearls, and The Bride Of The Incapacitated. She was directed by her father again in the 1920 drama The Legend Of Holly Simplicity,. The press called her "The German Mary Pickford". Unfortunately Eva developed a reputation for being difficult to work with. The young actress was also jealous of her mother's beauty and greater success. She divorced Erik in 1922 and married director Lothar Mendes. They split up a year later.
In 1923 she costarred with Lya De Putti in Die Fledermaus and with Conrad Veidt in Paganini. Her third marriage, to director Manfred Noa, only lasted a few months. Eva started dating producer Rudolf Sieber. When he left her for Marlene Dietrich she slashed her wrists. It was one of several suicide attempts she had made. Then she fell in love with director Fritz Mandl (who was also her second cousin). She was devastated when he refused to marry her. On September 10, 1924 the twenty-two year old committed suicide by shooting herself in the head. In her hand she clutched a photo of Fritz Mandl. Eva left a note that said "Fritz family object - always there is something to mar my happiness - Life is not worth living". Thousands of friends and fans attended her funeral in Vienna. She was cremated and her ashes were given to her parents.Die Fledermaus - Actress
- Writer
Mia May was a minor film actress in Germany who was born in 1884 with the birth name of Maria Pfleger. Her film career didn't start until she was 34 years old when she appeared in the production of HILDE WARREN UND DER TOD in 1917.Das Wandernde Bild