Gay Actors Who Have Passed
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- Producer
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Dreamy Tab Hunter stood out in film history as one of the hottest teen idols of the 1950s era. With blond, tanned, surfer-boy good looks, he was artificially groomed and nicknamed "The Sigh Guy" by the Hollywood studio system, yet managed to continue his career long after his "golden boy" prime.
Hunter was born Arthur Kelm on July 11, 1931 in New York City, to Gertrude (Gelien) and Charles Kelm. His father was Jewish and his mother was a German Catholic immigrant. Following his parents' divorce, Hunter grew up in California with his mother, older brother Walter, and maternal grandparents, Ida (Sonnenfleth) and John Henry Gelien. His mother changed her sons' surnames to her maiden name, Gelien. Leaving school and joining the Coast Guard at age fifteen (he lied about his age), he was eventually discharged when the age deception was revealed. Returning home, his life-long passion for horseback riding led to a job with a riding academy.
Hunter's fetching handsomeness and trim, athletic physique eventually steered the Californian toward the idea of acting. An introduction to famed agent Henry Willson had Tab signing on the dotted line and what emerged, along with a major career, was the stage moniker of "Tab Hunter." Willson was also responsible with pointing hopeful Roy Fitzgerald towards stardom under the pseudonym Rock Hudson. With no previous experience Tab made his first, albeit minor, film debut in the racially trenchant drama The Lawless (1950) starring Gail Russell and Macdonald Carey. His only line in the movie was eventually cut upon release. It didn't seem to make a difference for he co-starred in his very next film, the British-made Island of Desire (1952) opposite a somewhat older (by ten years) Linda Darnell, which was set during WWII on a deserted, tropical South Seas isle. His shirt remained off for a good portion of the film, which certainly did not go unnoticed by his ever-growing legion of female (and male) fans.
Signed by Warner Bros., stardom was clinched a few years later with another WWII epic Battle Cry (1955), based on the Leon Uris novel, in which he again played a boyish soldier sharing torrid scenes with an older woman (this time Dorothy Malone, playing a love-starved Navy wife). Thoroughly primed as one of Hollywood's top beefcake commodities, the tabloid magazines had a field day initiating an aggressive campaign to "out" Hunter as gay, which would have ruined him. To combat the destructive tactics, Tab was seen escorting a number of Hollywood's lovelies at premieres and parties. In the meantime, he was seldom out of his military fatigues on film, keeping his fans satisfied in such popular dramas as The Sea Chase (1955), The Burning Hills (1956) and The Girl He Left Behind (1956)--the last two opposite the equally popular Natalie Wood. At around this time, Hunter managed to parlay his boy-next-door film celebrity into a singing career. He topped the charts for over a month with the single "Young Love" in 1957 and produced other "top 40" singles as well.
Like other fortunate celebrity-based singers such as Shelley Fabares and Paul Petersen, his musical reign was brief. Out of it, however, came the most notable success of his film career top-billing as baseball fan Joe Hardy in the classic Faustian musical Damn Yankees (1958) opposite Gwen Verdon and Ray Walston, who recreated their devil-making Broadway roles. Musically, Tab may have been overshadowed but he brought with him major star power and the film became a crowd pleaser. He continued on with the William A. Wellman-directed Lafayette Escadrille (1958) as, yet again, a wholesome soldier, this time in World War I. More spicy love scenes came with That Kind of Woman (1959), an adult comedy-drama which focused on soldier Hunter and va-va-voom mistress Sophia Loren demonstrating some sexual chemistry on a train.
Seldom a favorite with the film critics, the 1960s brought about a career change for Tab. He begged out of his restrictive contract with Warners and ultimately paid the price. With no studio to protect him, he was at the mercy of several trumped-up lawsuits. Worse yet, handsome Troy Donahue had replaced him as the new beefcake on the block. With no film offers coming his way, he starred in his own series The Tab Hunter Show (1960), a rather featherweight sitcom that centered around his swinging bachelor pad. The series last only one season. On the positive side he clocked in with over 200 TV programs over the long stretch and was nominated for an Emmy award for his outstanding performance opposite Geraldine Page in a Playhouse 90 episode. Following the sparkling film comedy The Pleasure of His Company (1961) opposite Debbie Reynolds, the quality of his films fell off drastically as he found himself top-lining such innocuous fare as Operation Bikini (1963), Ride the Wild Surf (1964) (1965), City in the Sea (1965) [aka War-Gods of the Deep], and Birds Do It (1966) both here and overseas.
As for stage, a brief chance to star on Broadway happened in 1964 alongside the highly volatile Tallulah Bankhead in Tennessee Williams's "The Milk Train Doesn't Stop Here Anymore." It lasted five performances. He then started to travel the dinner theater circuit. Enduring a severe lull, Tab bounced back in the 1980s and 1990s -- more mature, less wholesome, but ever the looker. He gamely spoofed his old clean-cut image by appearing in delightfully tasteless John Waters' films as a romantic dangling carrot to heavyset transvestite "actress" Divine. Polyester (1981) was the first mainstream hit for Waters and Tab went on to team up with Allan Glaser to co-produce and co-star a Waters-like western spoof Lust in the Dust (1984).
Co-starring with "Exorcist" star Linda Blair in the bizarre horror film Grotesque (1988), Tab's last on-camera appearance would be in a small role in the film Dark Horse (1992), which he produced. He preferred spending most of his time secluded on his ranch and breeding horses. In 2005, he returned to the limelight when he "came out" with a tell-all memoir on his Hollywood years. His long-time partner was film producer Allan Glaser.
Tab died on July 8, 2018, in Santa Barbara, California, three days shy of his 87th birthday.--Damn Yankees--
--Lust In The Dust--
--Polyester--
--The Burning Hills--- Actor
- Writer
- Producer
For such a diminutive (4' 11") frame, character actor Leslie (Allen) Jordan had a tall talent for scene-stealing. Hailing from the South, as his dead-giveaway drawl quickly exposed, he was born in Memphis, Tennessee, on April 29, 1955, and raised in a highly conservative, deeply religious atmosphere in Chattanooga, Tennessee. His father, a Lieutenant Colonel with the Army, was killed in a plane crash when he was only 11.
Uncertain about his direction in life, an inescapable propensity for comedy and high camp, not to mention an impish mug and pocket-sized structure, led him straight to Los Angeles in an attempt to break into commercials and on-camera work. Following training with acting coach Carolyne Barry, who ran the Professional Artist's Group during the 80s, Leslie soon found himself highly marketable in commercial spots (Doritos, Fosters Beer, etc.). TV would invariably be the next step, finding him progressively better parts on such programs as "The Fall Guy," "The Wizard," "Night Court," "Newhart" and "Midnight Caller." He then earned a regular role on the short-lived comedy-fantasy series The People Next Door (1989) starring Alan Parker. Inspired by "The Far Side" comic strip, the show starred Jeffrey Jones as a cartoonist who could materialize his wild imagination.
Leslie began in films in the late 1980s with a bit part in the Richard Pryor comedy Moving (1988) and followed it with the role of Iggy, a hunch-backed Igor counterpart, in the whacked horror spoof Frankenstein General Hospital (1988) starring comic actor Mark Blankfield as the mad doctor. In primarily low-budget film projects at the onset, Leslie was part of such off-the-wall material as Ski Patrol (1990), Missing Pieces (1991), Hero (1992), Jason Goes to Hell (1993), Barcelona (1994), Eat Your Heart Out (1997) and Black Velvet Pantsuit (1995), to name a few.
Into the 1990s, Leslie involved himself more and more into writing. Avid L.A. theatergoers would recognize him for such prone-to-misfit characters as Brother Boy, an institutionalized drag queen, in "Sordid Lives," and Peanut, a habitual barfly, in "Southern Baptist Sissies." His own one-man testimonials, such as the off-Broadway "Hysterical Blindness" and "Like a Dog on Linoleum," display his adeptness at baring his soul and exposing his childhood agonies on stage amid laughter and tears. These highly introspective shows, however, came at a price. A self-proclaimed substance abuser and sexaholic, Jordan finally faced his inner demons and reached full recovery in 1996.
TV was an exceptionally inviting medium over the years with a number of offbeat roles coming his way. Noted for his catchy guest work on such shows as Murphy Brown (1988), Lois & Clark: The New Adventures of Superman (1993), Caroline in the City (1995), Star Trek: Voyager (1995), and Weird Science (1994), among many others, he was also a supporting regular on various series including the comedy Top of the Heap (1991) starring Joseph Bologna and pre-Friends (1994), Matt LeBlanc; the legal series Reasonable Doubts (1991) in a season (1992-1993) as an assistant public defender; the crime drama Bodies of Evidence (1992) starring Jennifer Hortin and George Clooney; and the John Ritter/Markie Post romantic comedy Hearts Afire (1992).
Into the millennium, he got to experienced the joy of seeing one of his own writing projects come to full fruition with the semi-autobiographical film Lost in the Pershing Point Hotel (2000). He was also given the chance to recreate his "Big Brother" role in Sordid Lives (2000) to the big screen. The work continued to flow in such film supports as I'll Wave Back (2000), The Gristle (2001), Moving Alan (2003), the short film Farm Sluts (2003), Madhouse (2004), another short film Sissy Frenchfry (2005), Undead or Alive: A Zombedy (2007), Eating Out: All You Can Eat (2009), Mangus! (2011), the critically-acclaimed [link=tt1454029, his stage role as "Peanut" in the gay-themed Southern Baptist Sissies (2013) written and directed by Del Shores, another co-star role as an HOA "dictator" in Whoa! (2013), Lucky Dog (2015), Fear, Inc. (2016), the "Sordid Lives" sequel A Very Sordid Wedding (2017) and the romantic film Until We Meet Again (2022).
TV was even better to him with both delightful and sadly touching work on such series as Ally McBeal (1997), Boston Public (2000), Judging Amy (1999), Monk (2002), Reba (2001), Boston Legal (2004), Ugly Betty (2006), Desperate Housewives (2004), Raising Hope (2010), and American Horror Story (2011). The topper, however, was Leslie's dryly cynical, part-time role as mincing elitist Beverley Leslie, the tiny thorn in Megan Mullally's backside on the resoundingly popular sitcom Will & Grace (1998). Leslie went on to earn an Emmy trading wicked barbs with Mullally's Karen character, playing the hilarity up for all its worth. He also appeared in the cult TV movie The Last Sharknado: It's About Time (2018).—Sordid Lives—
—The Help—
—Will And Grace—
—American Horror Story—- Actor
- Producer
- Director
Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.--How Green Was My Valley--
--Cleopatra--
--Lord Love A Duck--
--Planet Of The Apes--- Actor
- Soundtrack
Born in New York City of humble means, character player James Coco was the son of Feliche, an Italian shoemaker, and Ida (Detestes) Coco. Shining shoes as a youngster with his father, his interest in acting occurred early on as a child. At age 17 he toured with a children's theatre troupe for three years portraying Old King Cole and Hans Brinker. Intensive study with acting guru Uta Hagen led to his Broadway debut at age 29 in "Hotel Paradiso" in 1957, but he earned his first acting award, an Obie, for his performance in the 1961 off-Broadway production of "The Moon in Yellow River". He went on to win a second and third Obie for his performances in the plays "Fragments" (1967) and "The Transfiguration of Benno Blimppie" (1977). Dark, hefty and prematurely balding, he proved to be a natural on the comedy stage and in scores of commercials (notably as Willy the plumber in the Drano ads) throughout the 1960s. Other comedy theater highlights included roles in "Auntie Mame," "Everybody Loves Opal," "A Shot in the Dark," "Bell, Book and Candle" and "You Can't Take It With You".
In the late 60s he formed a strong collaboration with playwright Terrence McNally and appeared in an off-Broadway double-bill of his one-act plays (his one-act was entitled "Witness") in 1968, followed by "Here's Where I Belong" a failed 1968 Broadway musical variation of the Steinbeck play "East of Eden" that closed on opening night. Their most notable alliance occurred the following year with the play "Next," which ran more than 700 performances and earned Coco a Drama Desk award. Sixteen years later, and shortly before Coco's death, the two reunited for the 1985 Manhattan Theatre Club production of "It's Only a Play".
Coco also earned kudos for his work in Neil Simon comedies, and "The Last of the Red Hot Lovers" (1969), which was specifically written for him, earned him a Tony Award nomination as Best Actor. The two later joined forces for a Broadway revival of the musical "Little Me" and the hilarious film comedy spoofs Murder by Death (1976) and The Cheap Detective (1978), in addition to his moving support role as Marsha Mason's depressed gay actor/friend in Only When I Laugh (1981), which garnered his sole Oscar nomination.
Achieving stardom first on stage, Coco's other films were a mixed bag with more misses (Ensign Pulver (1964), Man of La Mancha (1972) (as Sancho Panza), The Wild Party (1975), Scavenger Hunt (1979)) than hits (A New Leaf (1971)). On the TV screen, Coco fronted two short-lived 1970s comedy series, Calucci's Department (1973) and The Dumplings (1976), and also appeared in daytime soaps (The Edge of Night (1956) and "The Guiding Light"). Throughout his career he played an amusing number of characters on such sitcoms as Maude (1972) and Alice (1976) and also played bathos and pathos to great effect, not only winning an Emmy for his dramatic performance on a St. Elsewhere (1982) episode but appearing opposite Doris Roberts as the brittle Van Daan couple in the TV version of The Diary of Anne Frank (1980). One of his last TV assignments was a recurring role on the sitcom "Who's The Boss?" in 1986-1987.
In his last years, Coco received attention for his culinary talents and best-selling cookbooks. The James Coco Diet, an educational book which included chapters on menu planning and behavior modification as well as choice recipes), was just one that he promoted on the talk show circuit. It is probably not a coincidence that he often played characters with extreme food issues. Suffering from obesity (5'10", 250 lbs.) for most his adult life, the talented actor died unexpectedly of a heart attack in New York City in 1987 at the age of 56, and was buried in St. Gertrude's Roman Catholic Cemetery in Colonia, New Jersey.--Man Of La Mancha--
--The Wild Party---
--Murder By Death--
--Only When I Laugh--- Actor
- Soundtrack
Murray Melvin was born on 10 August 1932 in St. Pancras, London, England, UK. He was an actor, known for The Phantom of the Opera (2004), A Taste of Honey (1961) and Barry Lyndon (1975). He died on 14 April 2023 in Westminster, London, England, UK.—A Taste Of Honey—
—The Boy Friend—
—The Devils—
—Barry Lyndon—- Actor
- Music Department
- Additional Crew
Salvatore (Sal) Mineo Jr. was born to Josephine and Sal Sr. (a casket maker), who emigrated to the U.S. from Sicily. His siblings were Michael, Victor and Sarina. Sal was thrown out of parochial school and, by age eight, was a member of a street gang in a tough Bronx neighborhood. His mother enrolled him in dancing school and, after being arrested for robbery at age ten, he was given a choice of juvenile confinement or professional acting school.
He soon appeared in the theatrical production "The Rose Tattoo" with Maureen Stapleton and Eli Wallach and as the young prince in "The King and I" with Gertrude Lawrence and Yul Brynner. At age 16 he played a much younger boy in Six Bridges to Cross (1955) with Tony Curtis and later that same year played Plato in James Dean's Rebel Without a Cause (1955). He was nominated for Best Supporting Actor for his performance in this film and again for his role as Dov Landau in Exodus (1960).
Expanding his repertoire, Mineo returned to the theatre to direct and star in the play "Fortune and Men's Eyes" with successful runs in both New York and Los Angeles. In the late 1960s and 1970s he continued to work steadily in supporting roles on TV and in film, including Dr. Milo in Escape from the Planet of the Apes (1971) and Harry O (1973). In 1975 he returned to the stage in the San Francisco hit production of "P.S. Your Cat Is Dead". Preparing to open the play in Los Angeles in 1976 with Keir Dullea, he returned home from rehearsal the evening of February 12th when he was attacked and stabbed to death by a stranger. A drifter named Lionel Ray Williams was arrested for the crime and, after trial in 1979, convicted and sentenced to life in prison for the murder, but was paroled in 1990. Although taken away far too soon, the memory of Sal Mineo continues to live on through the large body of TV and film work that he left behind.--Rebel Without A Cause--
--Giant--
--Exodus--
--The Gene Krupa Story--- Actor
- Soundtrack
Hayden Rorke was best known as the ever suspicious "Dr. Alfred E. Bellows" on the 1960s TV series, I Dream of Jeannie (1965). Born in Brooklyn, New York, Rorke was educated at the American Academy of Dramatic Arts, and he began his stage career in the 1930s with the Hampden Theatrical Company. A veteran of numerous Broadway shows, he made his film debut in the musical, This Is the Army (1943), while in the service during World War II. His films included: An American in Paris (1951), Pillow Talk (1959) and When Worlds Collide (1951). A familiar face on TV during the 1950s, Rorke appeared on numerous shows including: The Twilight Zone (1959), Perry Mason (1957), Broken Arrow (1956) and Cheyenne (1955). His final appearance was reprising the role of "Dr. Bellows" in the TV movie: I Dream of Jeannie... Fifteen Years Later (1985).--I Dream Of Jeannie--
--The Unsinkable Molly Brown--
--Pillow Talk--
--Midnight Lace--- Actor
- Director
- Additional Crew
David Ogden Stiers was born in Peoria, Illinois, to Margaret Elizabeth (Ogden) and Kenneth Truman Stiers. He moved with his family to Eugene, Oregon, where he graduated from North Eugene High School in 1960. At the age of twenty, he was offered $200 to join the company of the Santa Clara Shakespeare Festival for three months. He ended up staying for seven years, in due course playing both King Lear and Richard III. In 1969, he moved to New York to study drama at Juilliard where he also trained his voice as a dramatic baritone. He joined the Houseman City Center Acting Company at its outset, working on such productions as The Beggar's Opera, Measure for Measure, The Hostage and the hit Broadway musical The Magic Show for which he created the character 'Feldman the Magnificent'. He lent his voice to animated films, with Lilo & Stitch (2002) being his 25th theatrically-released Disney animated film. He was also an avid fan of classical music and conducted a number of orchestras, including the Yaquina Chamber Orchestra in Newport, Oregon, where was the principal guest conductor.
His other theatrical work included performances with the Committee Revue and Theatre, the San Francisco Actor's Workshop, The Old Globe Theatre Festival in San Diego and at the Pasadena Playhouse in Love Letters with Meredith Baxter. As a drama instructor, he worked at Santa Clara University and also taught improvisation at Harvard. In addition to his long-running role in M*A*S*H (1972), Stiers' work on television also included the excellent mini-series North & South: Book 1, North & South (1985), North & South: Book 2, Love & War (1986), The First Olympics: Athens 1896 (1984) and roles in such productions as Anatomy of an Illness (1984), The Bad Seed (1985), J. Edgar Hoover (1987), The Final Days (1989), Father Damien: The Leper Priest (1980) and Mrs. Delafield Wants to Marry (1986). Among his screen credits were The Accidental Tourist (1988), The Man with One Red Shoe (1985), Creator (1985), Harry's War (1981), Magic (1978) and Oh, God! (1977).
Above all, the prodigious talent that was David Ogden Stiers will be most fondly remembered as the pompous, ever-so articulate Major Charles Emerson Winchester III in M*A*S*H. He had found that taking on the role was -- from the beginning -- an easy choice. Stiers saw and loved the movie version. Moreover, he had a fond regard of fellow actor Harry Morgan (who played the character of Colonel Potter) as a kind of fatherly role model. In retrospect, Stiers viewed his experiences with the show as a career highlight, saying "No matter how much you read about the M*A*S*H company, the evolution of it, the quite beautiful human stance it takes, you will not know how much it means ". In his spare time on the set he often annoyed the security guards by skateboarding at 25 miles an hour and "cheerfully thumbing his nose at them".
David died of bladder cancer on March 3, 2018, in Newport, Oregon. He was 75.- Actor
- Casting Director
- Additional Crew
Michael Greer was an actor and comedian. His most famous role was as Queenie, the prison drag queen in Sal Mineo's stage and the Harvey Hart film versions of "Fortune and Men's Eyes" (Fortune and Men's Eyes (1971)), which dealt with sex in prison. Mr. Greer appeared as Don Johnson's friend in the 1960s cult film The Magic Garden of Stanley Sweetheart (1970). That movie was also Don Johnson's big screen debut. Other credits include the B-Movie sex comedy Summer School Teachers (1975) and The Gay Deceivers (1969) about two guys avoiding combat in Vietnam by pretending to be gay. He also had bit parts in the Steve Martin comedy The Lonely Guy (1984) and the Bette Midler vehicle The Rose (1979)
Michael was also famous for his live performances as a comedian. Of particular note was a monologue, as the Mona Lisa, holding a giant gilded frame around himself.
He wrote supplemental material for Debbie Reynolds Vegas act, and was once called in to dub Bette Davis' voice when she refused to loop over scenes.
Greer was somewhat a victim of early "gaysploitation" films. A talented actor, it never occurred to him that once he had turned in solid performances as designated that he would not be allowed to work as much else, partially because no one had done it before.
He is not acknowledged much in gay cinema because of a climate of political correctness. He is probably more accurately remembered by friends, colleagues, and punters that saw his live work, than by Hollywood.--Fortune In Men's Eyes--
--The Gay Deceivers--
--The Magic Garden Of Stanley Sweetheart--
--Messiah Of Evil--
--The Rose--- Actor
- Producer
Jack Edward Larson was born in Los Angeles, California, to Anita (Calicoff) and George E. Larson. He was raised in Pasadena, and attended Pasadena Junior College (by coincidence, exactly as did his Adventures of Superman (1952) co-star George Reeves). He was a contract player at Warner Bros. Typecast as Jimmy Olsen, Larson found it virtually impossible to get other acting roles after the series went off the air and retired from acting a few years later, concentrating on writing. His plays have been highly acclaimed and he has had works performed in theaters and opera houses around the world. He was the longtime companion of late director James Bridges, with whom he co-produced a number of popular films of the 1970s and 1980s. Larson was an erudite and charming man who seems to have been close friends with many of the more prominent figures of the arts in the latter half of the 20th century, including Virgil Thomson, John Houseman, Leslie Caron, Libby Holman, Montgomery Clift, Salka Viertel, Christopher Isherwood and James Dean. Larson died of natural causes while relaxing on the deck of his Frank Lloyd Wright-designed home in the Brentwood section of Los Angeles, at the age of 87.--The Adventures of Superman--
--Kid Monk Baroni--
--Man Crazy--
--Bob's New Suite--- Actor
- Additional Crew
- Soundtrack
Signifying intelligence, eloquence, versatility and quiet intensity, one of the more important, critically acclaimed black actors to gain a Hollywood foothold in the 1970s was Paul Winfield. He was born in 1939 in Dallas, Texas, where he lived in his early years before moving with his family to Los Angeles' Watts district. He showed early promise as a student at Manual Arts High School, earning distinction with several performance awards. As a senior, he earned his first professional acting job and extended his theatrical education with a two-year scholarship to the University of Portland in Oregon. Subsequent scholarships led to his studies at Stanford and Los Angeles City College, among other colleges. He left U.C.L.A. just six credits short of his Bachelor's degree.
Paul's first big break came in 1964 when actor/director Burgess Meredith gave him a role in Le Roi Jones' controversial one-act play "The Dutchman and the Toilet". Director Meredith cast him again four years in "The Latent Heterosexual" with Zero Mostel. Although he won a contract at Columbia Pictures in 1966 and built up his on-camera career with a succession of television credits, he continued to focus on the legitimate stage. A member of the Stanford Repertory Theatre, he concentrated on both classic and contemporary plays. In 1969, Paul joined the Inner City Cultural Center Theatre in Los Angeles for two years, which offered a drama program for high school students.
In the late 1960s, Paul redirected himself back to performing on television and in films with guest work in more than 40 series on the small screen, including a boyfriend role on the first season of the landmark black sitcom Julia (1968) starring Diahann Carroll. In films, he was given a featured role in the Sidney Poitier film The Lost Man (1969), and earned comparable roles in R.P.M. (1970) and Brother John (1971) before major stardom occurred.
1972 proved to be a banner year for Paul after winning the male lead opposite Cicely Tyson in the touching classic film Sounder (1972). His towering performance as a sharecropper who is imprisoned and tortured for stealing a ham for his impoverished family earned him an Oscar nomination for "Best Actor" -- the third black actor (Sidney Poitier and James Earl Jones preceded him) to receive such an honor at the time.
From there a host of films and quality television roles began arriving on his doorstep. In mini-movies, Paul portrayed various historical/entertainment giants including Thurgood Marshall, Don King and baseball's Roy Campanella, and was Emmy-nominated for his portrayal of Martin Luther King, Jr. in King (1978) with Sounder co-star Cicely Tyson as wife Coretta. Throughout the 1970s and 1980s, he earned solid distinction in such prestige projects as Backstairs at the White House (1979), Roots: The Next Generations (1979) (another Emmy nomination), The Sophisticated Gents (1981), The Blue and the Gray (1982), Sister, Sister (1982), James Baldwin's Go Tell It on the Mountain (1985), Under Siege (1986) and The Women of Brewster Place (1989).
Although the big screen did not offer the same consistent quality following his breakthrough with Sounder, he nevertheless turned in strong roles in Conrack (1974), Huckleberry Finn (1974), A Hero Ain't Nothin' But a Sandwich (1977) (again with Ms. Tyson), Damnation Alley (1977), Star Trek II: The Wrath of Khan (1982) and White Dog (1982).
Surprisingly, Paul never achieved the promise of a Sidney Poitier-like stardom and his roles diminished in size. Relegated to character roles, he still appeared in such quality television as Breathing Lessons (1994), although he was not the major focus. After two nominations, he finally won the Emmy for a guest performance as a judge on Picket Fences (1992). Paul's showier work at this period of time included the film Catfish in Black Bean Sauce (1999) and a surprise cross-dressing cameo as Aunt Matilda in Relax... It's Just Sex (1998).
On stage, Paul graced such productions as "Richard III" (at New York's Lincoln Center Theatre), "Othello", "The Merry Wives of Windsor", "The Seagull", "A Few Good Men", "Happy Endings" and "Checkmates", which became his sole Broadway credit. Paul also served as Artist in Residence at the University of Hawaii and subsequently at the University of California at Santa Barbara.
In his final years, Winfield narrated the A&E crime series City Confidential (1998), appeared as a teacher in a television adaptation of his earlier success Sounder (2003), and enjoyed a recurring role as Sam for many years on the series Touched by an Angel (1994).
Suffering from obesity and diabetes in later life, Paul Winfield passed away from a heart attack at age 64 in 2004, and was survived by a sister, Patricia. His longtime companion of 30 years, set designer and architect Charles Gillan Jr. predeceased him by two years.--Sounder--
--Mike's Murder--
--The Terminator--
--Conrack--- Actor
- Additional Crew
- Soundtrack
The son of a surveyor, Charles Gray was born and raised in Queen's Park, Bournemouth. As a young actor, he received his vocal training from the Royal Shakespeare Company in Stratford-upon-Avon and at the Old Vic, having long abandoned his first job as clerk for a real estate agent. His voice was to become one of his most valuable tools. In fact, from January 1966, he subtly, almost imperceptibly, dubbed for Jack Hawkins after this actor became unable to speak his lines due to throat cancer. In later years, Gray's trademark voice was regularly heard on television commercials.
Gray's theatrical debut came in 1952 in the part of Charles the Wrestler (he measured 6 foot, 1 inches in height) in "As You Like It", appearing under his original name, 'Donald Gray'. From 1956, as 'Charles' Gray (since there already was a one-armed actor named Donald Gray), he took to leading dramatic roles, and won critical plaudits as Achilles in "Troilus and Cressida", Macduff in "Macbeth" and as the gluttonous Sir Epicure Mammon in Tyrone Guthrie's up-dated version of "The Alchemist", in 1962. He repeated his Old Vic performance as Henry Bolingbroke for his Broadway debut at the Winter Garden Theatre in 1956. A notable later performance, while touring the U.S. and Canada, was as the Prince of Wales in Peter Stone's tale of the famous 19th century actor Edmund Kean ("Kean", 1961). In 1964, Gray won the Clarence Derwent Award as Best Supporting Actor for his part in the controversial play "Poor Bitos", by Jean Anouilh, co-starring Donald Pleasence. He was offered his first role on the big screen, reprising a success on the West End stage in 1958, as Captain Cyril Mavors,in the satirical musical Expresso Bongo (1959).
For the next forty years, heavy-set, silver-haired, jut-jawed Charles Gray used his imposing frame and mellifluous voice to great effect in creating for the screen a memorable gallery of egocentric, imperious toffs, and suave, sardonic super-villains. While his performances at times verged on the camp, Gray cheerfully allowed himself to be cast within his range of basically unsympathetic characters, which he could play well and with ease. He tended to favour television as his preferred medium, though some of his most popular roles were for the big screen. Among his niche of staple characters were the coldly pompous military heavies (General Gabler in The Night of the Generals (1967), or the perpetually sneering, overbearing upper-class twits (true-to-form, as defecting spy Hillary Vance in the Thriller (1973) episode "Night is the Time for Killing"). At his evil best, he was commanding as the demonic acolyte Mocata, in The Devil Rides Out (1968) and as the feline-stroking, velvety-voiced nemesis of James Bond, Ernst Stavro Blofeld, in Diamonds Are Forever (1971). He was also suitably sinister as Bates the Butler, one of the red herrings of Agatha Christie's The Mirror Crack'd (1980).
Gray's recurring roles included Lord Seacroft (senior, as well as junior) in the short-lived satirical miniseries The Upper Crusts (1973) as a down-on-his-heels aristocrat, keeping up appearances after being forced to live in a high-rise housing estate; and as the sedentary brother of the famous sleuth at 221b Baker Street, Mycroft, in The Seven-Per-Cent Solution (1976). Later, he was utilised as temporary replacement, first for Edward Hardwicke,and, subsequently, for the hospitalised star Jeremy Brett, in Granada Television's various instalments of the Sherlock Holmes saga (1985-1994). Gray died of cancer in March 2000, aged 71.--Rocky Horror Picture Show--
--Shock Treatment--
--Diamonds Are Forever--
--The Mirror Crack'd--- Actor
- Writer
- Soundtrack
Anthony Holland was born on 3 March 1928 in Brooklyn, New York, USA. He was an actor and writer, known for All That Jazz (1979), Klute (1971) and The Lonely Lady (1983). He died on 9 July 1988 in New York City, New York, USA.--The Out Of Towners--
--All That Jazz--
--Klute--
--The Sentinel--- Actor
- Soundtrack
Van Johnson was the fresh-faced, well-mannered nice guy on screen you always wanted your daughter to marry! This fair, freckled and invariably friendly-looking MGM song-and-dance star of the 40s emerged a box office favorite (1944-1946) and second only to heartthrob Frank Sinatra during what gossip monger Hedda Hopper dubbed the "Bobby-soxer Blitz" era. Johnson's musical timing proved just as adroit as his legit career timing for he was able to court WWII stardom as a regimented MGM symbol of the war effort with an impressive parade of earnest soldiers. He may have been a second tier musical star behind the likes of Fred Astaire and Gene Kelly, but his easy smile, wholesome, boy-next-door appeal and strawberry-blond good looks made him a solid box-office attraction while MGM's "big boys" were off to war.
Born Charles Van Dell Johnson in Newport, Rhode Island, on August 25, 1916, Van was the only child of Loretta (Snyder) and Charles E. Johnson. His paternal grandparents were Swedish, and his mother was of German, and a small amount of Irish, ancestry. Johnson endured a lonely and unhappy childhood as the sole offspring of an extremely aloof father (who was both a plumber and real estate agent by trade) and an absentee mother (she abandoned the family when he was three, the victim of alcoholism). A paternal grandmother helped in raising the young lad. Happier times were spent drifting into the fantasy world of movies, and he developed an ardent passion to entertain. Taking singing, dancing and violin lessons during his high school years, he disregarded his father's wish to become a lawyer and instead left home following graduation to try his luck in New York.
Early experiences included chorus lines in revues, at hotels and in various small shows around town. A couple of minor breaks occurred with his 40-week stint in the "New Faces of 1936" revue (making his Broadway debut) and in a vaudeville club act (based around star Mary Martin) called "Eight Young Men of Manhattan" that played the Rainbow Room. He served as understudy to the three male leads of Rodgers and Hart's popular musical "Too Many Girls" in October of 1939 and eventually replaced one of them (actor Richard Kollmar left the show to marry reporter Dorothy Kilgallen.) He also formed a lifelong and career-igniting friendship with one of the other leads, Desi Arnaz.
Johnson made an inauspicious film debut with Arnaz in Too Many Girls (1940) when the musical was eventually lensed in Hollywood, but he was cast in a scant chorus boy part. Following a stint on Broadway in "Pal Joey" in 1940, Warner Bros. signed Van to a six-month contract. He went on to co-star with Faye Emerson in Murder in the Big House (1942), but they dropped him quickly feeling that his acting chops were lacking. It was Arnaz's wife Lucille Ball, who had recently signed with MGM, who introduced Van to Billy Grady, MGM's casting head, and instigated a successful screen test.
With the studio's top male talent off to war, Van (along with Peter Lawford) served as an earnest substitute donning fatigues in such stalwart movies as Somewhere I'll Find You (1942) The War Against Mrs. Hadley (1942) and The Human Comedy (1943). In addition, he replaced actor/war pacifist Lew Ayres in the "Dr. Kildare/Dr. Gillespie" film series after Ayres was unceremoniously dumped by the studio for his unpopular beliefs.
Stardom came, and at quite a price, for Van when he was cast yet again as a wholesome serviceman in A Guy Named Joe (1943). During the early part of filming, he was severely injured in a near-fatal car crash (he had a metal plate inserted in his skull, which instantly gave him a 4-F disqualification status for war service). Endangered of being replaced on the film, the two stars of the picture, Spencer Tracy (who became another lifelong friend) and Irene Dunne, insisted that the studio work around his convalescence or they would quit the film. The unusually kind gesture made Van a star following the film's popular release and resulting publicity. Van's career soared during the war years, making him and Lawford the resident heartthrobs not only in musicals (Two Girls and a Sailor (1944), Easy to Wed (1946)), but in airy comedies (Week-End at the Waldorf (1945)) and, of course, more war stories (Thirty Seconds Over Tokyo (1944)).
When the big stars such as Clark Gable, James Stewart and Robert Taylor returned to reclaim post-war stardom, Van willingly relinquished his "golden boy" pedestal, but he remained a high profile musical star opposite the likes of June Allyson, Esther Williams and Judy Garland. He continued to demonstrate his dramatic mettle in such well-regarded films as Command Decision (1948), State of the Union (1948), Battleground (1949), Brigadoon (1954) and The Caine Mutiny (1954) and remained a popular star for three more decades. When MGM's "golden age" phased out by the mid-1950s, Van's movie career took a sharp decline and the studio released him after he co-starred with Elizabeth Taylor in The Last Time I Saw Paris (1954).
While Van continued working as a freelancer in such as the English-made The End of the Affair (1955) with Deborah Kerr; Miracle in the Rain (1956) opposite Jane Wyman, The Bottom of the Bottle (1956) with Joseph Cotten, 23 Paces to Baker Street (1956) co-starring Vera Miles, Kelly and Me (1956) partnered with a dog, and Web of Evidence (1959), he again capitalized on his musical talents by reinventing himself as a nightclub performer and musical stage star on the regional and dinner theater circuits, including "The Music Man," "Damn Yankees," "Guys and Dolls," "Bells Are Ringing," "On a Clear Day...," "Forty Carats," "Bye Bye Birdie," "There's a Girl in My Soup" and "I Do! I Do!"
Van delved heavily into TV from the late 1960's on and served as a guest on such shows as "Laugh-In," "The Name of the Game," "The Red Skelton Show," "Nanny and the Professor," "The Virginian," "The Doris Day Show," "Love, American Style," "Maude," "Quincy," "McMillan & Wife," "The Love Boat," "Fantasy Island" and "Murder, She Wrote." He earned an Emmy nomination for his participation in the mini-series Rich Man, Poor Man (1976), and co-starred or was featured in such TV movies as Call Her Mom (1972), Superdome (1978), Black Beauty (1978), Getting Married (1978) and Three Days to a Kill (1992).
In later years, he grew larger in girth but still continued to work. He earned respectable reviews after replacing Gene Barry as Georges in the smash gay musical "La Cage Aux Folles" in 1985. His last musical role was as Cap' Andy in "Show Boat" in 1991, and his last several movies were primarily filmed overseas in Italy and Australia. Occasional featured roles on film in later years included Concorde Affaire '79 (1979), The Kidnapping of the President (1980), The Purple Rose of Cairo (1985), Killer Crocodile (1989), Delta Force Commando II: Priority Red One (1990) and Clowning Around (1992).
Van was married only once but it was the constant source of tabloid news. Typically in the closet as a high-ranking actor of the 1940s, he was extremely close friends with fellow MGM actor Keenan Wynn and his wife. Shockingly, Van wound up marrying Wynn's ex-wife, one-time stage actress Evie Wynn Johnson, immediately after the Wynn's divorced in 1947. Van and Eve went on to have one child, daughter Schuyler, in 1948, and were a popular Hollywood couple before separating after fifteen years of marriage. The marriage ended acrimoniously in 1968 and decades later Eve published a statement (after her death in 2004) confirming suspicions that MGM had engineered their marriage to cover up Johnson's homosexuality. In declining health, Van, who was estranged from his only child, died at age 92 on December 12, 2008, at a senior living facility in Nyack, New York.--The Cane Mutiny--
--Brigadoon--
--The Last Time I Saw Paris--
--The End Of The Affair--- Actor
- Writer
- Producer
Taylor Negron was born Brad Stephen Negron in Glendale, California, to Lucy (Rosario) and Conrad Negron, who was mayor of Indian Wells, CA. His parents were both of Puerto Rican descent. Negron attended UCLA, studied acting with Lee Strasberg, and studied comedy at a private seminar taught by Lucille Ball. He went on to join the cast of an improvisational comedy group, whose ranks included talents like Robin Williams, Martin Short and Betty Thomas. In 1982 Negron made his motion-picture debut as a love-struck, pill-popping, dancing intern in Young Doctors in Love (1982) and as the obviously peeved Mr. Pizza Guy in Fast Times at Ridgemont High (1982). He also played Rodney Dangerfield's son-in-law in Easy Money (1983).
Negron was honored with the distinction of being asked to teach one of the first comedy courses offered at UCLA.
Negron died of cancer on January 10, 2015.--Nothing But Trouble--
--Easy Money--
-- The Fluffer--
--The Last Boy Scout--- Before there was a George Lucas and Harrison Ford running around creating special-effects excitement, there was a virile, boyishly handsome actor named Kerwin Mathews who was entertaining audiences battling a variety of creatures courtesy of pioneer special effects guru Ray Harryhausen. Harryhausen's legendary monsters of the late 50s and early 60s earned cult film infamy and it was those wondrous storybook fantasies and the Harryhausen association that also put Kerwin on the Hollywood map.
Born an only child in Seattle, Washington, on January 8, 1926, Kerwin's parents split up while he was quite young and he and his mother relocated to Janesville, Wisconsin. He developed an early interest in acting while performing in high school plays. Following a couple of years in the Army Air Force during WWII, Kerwin studied at Beloit College in Wisconsin on both dramatic and musical scholarships. He later taught speech and drama at the college and also found acting jobs in regional theater. In the early 1950s, after teaching high school English in Lake Geneva, Wisconin, for a few years, he decided to make the big trek to Hollywood to seek out his fame and fortune.
While training at the Pasadena Playhouse, Kerwin met a casting agent for Columbia Pictures and was eventually signed to a seven-year contact after winning over the approval of studio boss Harry Cohn. Finding a number of roles on TV, he acquitted himself quite well with his film debut in 5 Against the House (1955) as one of four college pals (the others being Guy Madison, Brian Keith and Alvy Moore) who decide to carry out a faux casino robbery in Las Vegas, a plan that backfires badly. The offbeat ensemble picture drew good reviews and Kerwin was off and running.
Following decent showings in the crime yarn The Garment Jungle (1957) and war flick Tarawa Beachhead (1958), he found respect as a middleweight talent, but truly came into his own in the Saturday afternoon-styled adventure fantasies popular with the school crowd. An agile fencer with fine all-American looks, he won the opportunity to play the role of the dauntless hero in Columbia's classic The 7th Voyage of Sinbad (1958). Out to rescue fair damsel Kathryn Grant (who later became Mrs. Bing Crosby), he battled everything in his path -- from a colossal, one-eyed Cyclops to a fire-spewing dragon. The final climactic battle scene was his Errol Flynn / Basil Rathbone-like swordplay against a dexterous, sword-swinging skeleton, all courtesy of Harryhausen.
Kerwin worked with Harryhausen's stop-motion creations again in The 3 Worlds of Gulliver (1960) as a doctor whose foes this time around included a giant squirrel and alligator. He then played the countrified folk legend Jack the Giant Killer (1962) and again found himself saving a princess while pitted against evil wizards and other specially-designed effects (by Jim Danforth). Other less arduous films he made included the WWII war drama The Last Blitzkrieg (1959) with Van Johnson, the crime thriller Man on a String (1960) with Ernest Borgnine and his third-billed role behind Spencer Tracy and Frank Sinatra in The Devil at 4 O'Clock (1961) in which he and Tracy played priests.
By the early 1960s Kerwin was typecast in adventure tales and was now searching for work overseas to display his stoic heroics, though his efforts were mostly for naught in such empty spectacles as Italy's The Warrior Empress (1960) ["The Warrior Princess"] opposite Gilligan's Island (1964) star Tina Louise; England's The Pirates of Blood River (1962); and the Franco-Italian co-production Shadow of Evil (1964) ["Panic in Bangkok"]. He fared somewhat better in the British-made Maniac (1963) in a change-of-pace role and received some of his best notices on TV playing composer Johann Strauss Jr. in Disney's 1963 TV biopic The Waltz King: Part 1 (1963) (and "Part 2").
Kerwin's career ended in 1978 after making a small sprinkling of appearances in low-budget sci-fi and horror films, plus some TV guest appearances throughout the decade. By this time he had already moved to San Francisco and spent his later years selling antiques and furniture. He was also a stalwart patron of the arts and supporter of the city's various opera and ballet companies. Kerwin died overnight in his sleep at age 81 in his San Francisco home, survived by his partner of 46 years Tom Nicoll.--7th Voyage Of Sinbad--
--Jack The Giant Killer--
--3 Worlds Of Gulliver--
--The Devil At 4 O'Clock-- - Richard Warwick was born on 29 April 1945 in Longfield, Kent, England, UK. He was an actor, known for Romeo and Juliet (1968), Sebastiane (1976) and Nicholas and Alexandra (1971). He died on 16 December 1997 in St John's Wood, London, England, UK.--If...--
--Sebastiane--
--The Breaking Of Bumbo--
--The Lost Language Of Cranes-- - Actor
- Soundtrack
He was a master class in cerebral eloquence and audience command...and although his dominant playing card in the realm of acting was quite serious and stately, nobody cut a more delightfully dry edge in sitcoms than this gentleman, whose calm yet blistering put-downs often eluded his lesser victims.
Acting titan Roscoe Lee Browne was born to a Baptist minister and his wife on May 2, 1922, in Woodbury, New Jersey. He attended Lincoln University, an historically black university in Pennsylvania until 1942, when he enlisted in the U.S. Army during World War II, where he served in Italy with the Negro 92nd Infantry Division and organized the Division's track and field team. He graduated from Lincoln University in 1946, and studied French through Middlebury College's summer language program. He received his master's degree from Columbia University, then subsequently returned to Lincoln and taught French and comparative literature, seemingly destined to settle in completely until he heard a different calling.
Roscoe relished his first taste of adulation and admiration as a track star, competing internationally and winning the world championship in the 800-yard dash in 1951. He parlayed that attention into a job as a sales representative for a wine and liquor importer. In 1956, he abruptly decided to become an actor. And he did. With no training but a shrewd, innate sense of self, he boldly auditioned for, and won, the role of the Soothsayer in "Julius Caesar" the very next day at the newly-formed New York Shakespeare Festival. He never looked back and went on to perform with the company in productions of "The Taming of the Shrew", "Titus Andronicus", "Othello", "King Lear" (as the Fool), and "Troilus and Cressida".
Blessed with rich, mellifluous tones and an imposing, cultured air, Roscoe became a rare African-American fixture on the traditionally white classical stage. In 1961 he appeared notably with James Earl Jones in the original off-Broadway cast of Jean Genet's landmark play "The Blacks". Awards soon came his way -- the first in the form of an Obie only a few years later for his portrayal of a rebellious slave in "The Old Glory". Additionally, he received the Los Angeles Drama Critic's Circle Award for both "The Dream on Monkey Mountain" (1970) and "Joe Turner's Come and Gone" (1989). Roscoe found less successful ventures on 1960s Broadway, taking his first curtain call in "A Cool World" in 1960, which folded the next day. He graced a number of other short runs including "General Seegar" (1962), "Tiger, Tiger Burning Bright" (1962), "The Ballad of the Sade Cafe" (1964), "Danton's Death" (1965), and "A Hand Is on the Gate: An Evening of Negro Poetry and Folk Music" (1966), which he also wrote and directed. He did not return to Broadway until 1983 with the role of the singing Rev. J.D. Montgomery in Tommy Tune's smash musical "My One and Only" in which his number "Kicking the Clouds Away" proved to be one of many highlights. Roscoe returned only once more to Broadway, earning acclaim and a Tony nomination for his supporting performance in August Wilson's "Two Trains Running" (1992).
Although he made an isolated debut with The Connection (1961), he wouldn't appear regularly in films until the end of the decade with prominent parts in the Elizabeth Taylor/Richard Burton film, The Comedians (1967), Jules Dassin's Uptight (1968), Hitchcock's Topaz (1969) and, his most notable, The Liberation of L.B. Jones (1970). Thereafter, he complimented a host of features, both comedic and dramatic, including Super Fly (1972) (and its sequel), Uptown Saturday Night (1974), Logan's Run (1976), Legal Eagles (1986), The Mambo Kings (1992) and Dear God (1996)
Elsewhere, Roscoe's disdainful demeanor courted applause on all the top 70s sitcoms including "All in the Family", "Maude," "Sanford and Son", "Good Times" and "Barney Miller" (Emmy-nominated), and he played the splendidly sardonic role of Saunders, the Tate household butler, after replacing Robert Guillaume's popular "Benson" character on Soap (1977). In 1986 he won an Emmy Award for his guest appearance on The Cosby Show (1984). His trademark baritone lent authority and distinction to a number of documentaries, live-action fare, and animated films, as well as the spoken-word arena, with such symphony orchestras as the Boston Pops and the Los Angeles Philharmonic to his credit. A preeminent recitalist, he was known for committing hundreds of poems to memory. For many years he and actor Anthony Zerbe toured the U.S. with their presentation of "Behind the Broken Words", an evening of poetry and dramatic readings.
At the time of his death of cancer on April 11, 2007, the never-married octogenarian was still omnipresent, more heard than seen perhaps. Among his last works was his narrations of a Garfield film feature and the most recent movie spoof Epic Movie (2007).--The Cowboys--
--Black Like Me--
--The Liberation of L.B. Jones--
--Topaz--- Actor
- Soundtrack
Franklin Pangborn - a name more befitting a fictionalized bank president rather than a great comedic actor - was a singular character actor but little is known of his early years. He spent some time in developing acting talent prior to appearing on Broadway by March of 1911, and would do six plays until mid-1913. He was noticeably absent afterward and corresponding with the early years of World War I. He was in the US Army after America entered the war in 1917. Pangborn did one more play on Broadway in 1924. Interestingly, for someone immediately identified with comedy, Pangborn's roles were for the most part dramatic and included Armand Duval in "Camille", a role in a play adaptation of "Ben Hur", and two parts in "Joseph and His Brethren". Two years later, Pangborn turned to silent films. And although he would play some villains and romantic leads, that droopy pudding-face of his was bound for comedy. In all these early roles from his debut in 1926, his first talkie (On Trial (1928)), and on through most of 1932 (when he made 24 appearances on film), Pangborn was playing comedic roles, many of which were for short films (many by Mack Sennett) where the players usually had no on-screen persona and no billing credit. His many appearances in shorts tapered off and ended through 1935.
These roles were quite varied and continued as such into the later 1930s. He played the compromised husband in two Bing Crosby vehicles (1933); no fewer than three photographers, reporters, radio announcers, bartenders, and much more, including a character meant to parody his own name: 'Mr. Pingboom' (Turnabout (1940)). But through the same period he was piling up a lot of clerk, floorwalker, and, perhaps most of all, hotel manager roles. These latter were the basis for Pangborn typed as the straight-laced, nervous minor official or service provider or manager of whatever whose smug self-assurance in his orderly world is sorely tested.
The term 'sissy' (so prominent a condemnation from childhood memories) was used in early film (and still used today by some film historians) as a catchall name for a spectrum of rather gentle and nebulous male personalities; a simpering voice of any kind would be an instant label that also implied the taboo of homosexuality. Pangborn is often first on the list of actors noted as typed in this general category with Edward Everett Horton with his dignified but slightly simpering New England drawl a close second. Animator Robert Clampett at Warner Bros. in the late 1940s patterned his Goofy Gophers, Mac and Tosh, with their polite and flowery speech after both men. Pangborn had a mellow, lyrical voice which he could ramp up to a staccato, rapid-fire rhythm when perturbed. Indeed, the face and the voice fit well with characters of convention and control, as well as the fastidious to the point of being another slang term of many faces: 'prissy'. And maybe that does not include effeminate - he was not quite that - though the term is indelibly tagged to the character type. His characters were the sort of proper and snobby figures who the easygoing American public would find suspicious - and thus all the funnier on screen when they get their comeuppance. Yet Pangborn never implied 'gay' in his portrayals despite all the gender revisionism of today that might reinterpret his work as such. In real life, people are more complex; on the mainstream screen - as opposed to the shadowy blue one - of the 1930s and 40s, characters were more generally defined within usual convention.
By the later 1930s, Pangborn had perfected a wonderful sense of timing of demeanor, manner, and voice to fit the control freak who is gradually dragged into his worst nightmare of relative chaos by hapless situation. By this time his characterizations were such a fixture of guaranteed laughs that the movie-going public expected to see him. Pangborn was in great demand to do what he did best. And having already worked from the silent era with great stars and directors, he continued to do so. W.C. Fields was a great fan of him and used him in several movies. He was a constant in smart comedy from Frank Capra and Gregory La Cava to the more extreme screwball comedies of Preston Sturges, though frequently upstaged with such a company of funny men as Sturges gathered around him. The Pangborn progression from very funny to uproarious is seen evolved, for example, from La Cava's My Man Godfrey (1936) to Sturges's Hail the Conquering Hero (1944). In the first he is the volunteer swell who coordinates store-keeping for the scavenger hunt of his fellow - if downright silly - affluent crust of New York society. As the flow of items brought to him for registering turns into a flood (including a live goat kid), his demeanor, mannerisms, and vocal speed display increasing irritation. Head spinning, he is in defensive mode as he fends off shouting, grabbing participants. The role perhaps was his defining moment as established celebrity comedian. In Sturges's movie, and Pangborn appeared in most of his best efforts, he is the committee chairman of the reception for false hero Eddie Bracken, trying to coordinate festivities and caught in a literal battle of bands at the beginning of the film. Converged upon by various hokey town bands who all want to play the featured pieces, Pangborn attempts order but is methodically carried away as people out of the blue arrive to suggest other songs, and the bands continue to assail him with arguments, and finally all play all the songs - and all at once - to prove the most deserving. It is musical chaos with Pangborn finally reduced to desperate blasts on a whistle and jumping up and down, yelling "Not yet! Not yet!" It is one of the actor's finest pieces.
Yet Pangborn's usual stock of characters could fit drama as well. Actually, in "Hero", his coordinator also has some straight scenes as well. In Now, Voyager (1942) as the cruise tourist director, his only problem is that Bette Davis has not arrived on deck to be partnered for the land touring of Rio. As an accomplished stage actor, he did miss the boards. Friend of Edward Horton, he was able to exchange his quirky screen characters for dramatic ones, participating in Horton's Los Angeles-based Majestic Theatre productions. But times changed for Pangborn's specialties. Movies were more diverse and updated as the 1950s ensued. But he was immediately adaptable to the small screen which would re-introduce him. He was right at home as a guest star on TV comedy shows, playing his beloved characters as cameo celebrations of his matter-of-fact stardom.
There were a handful of film roles in his last decade with perhaps the overambitious and black-and-white dull but star-studded The Story of Mankind (1957) a bit of a showcase. Also in 1957 he had the singular distinction of being honored as guest announcer - a familiar enough role - and first guest star on the premiere of the "Tonight Show" with its first host Jack Paar. To pass away after surgery seems such a disordered way to go for one such as Franklin Pangborn whose on-screen characters struggled for order above all else. There is no order in the frailty of life by definition, but Pangborn's legacy, rich in comedic gems, has and surely will continue to endure.--Stage Door--
--Now Voyager--
--Sullivan's Travels--
--Hail The Conquering Hero--- Actor
- Soundtrack
Farley Earle Granger was born in 1925 in San Jose, California, to Eva (Hopkins) and Farley Earle Granger, who owned an automobile dealership. Right out of high school, he was brought to the attention of movie producer Samuel Goldwyn, who cast him in a small role in The North Star (1943). He followed it up with a much bigger part in The Purple Heart (1944) and then joined the army. After his release he had to wait until Nicholas Ray cast him in the low-budget RKO classic They Live by Night (1948) with Cathy O'Donnell, and then he was recalled by Goldwyn, who signed him to a five-year contract. He then made Rope (1948) for Alfred Hitchcock and followed up for Goldwyn with Enchantment (1948) with David Niven, Evelyn Keyes and Teresa Wright. Other roles followed, including Roseanna McCoy (1949) with Joan Evans, Our Very Own (1950) with Ann Blyth and Side Street (1949), again with Cathy O'Donnell. He returned to Hitchcock for the best role of his career, as the socialite tennis champ embroiled in a murder plot by psychotic Robert Walker in Strangers on a Train (1951). He then appeared in O. Henry's Full House (1952) with Jeanne Crain, Hans Christian Andersen (1952) with Danny Kaye, The Story of Three Loves (1953) with Leslie Caron and Small Town Girl (1953) with Jane Powell. He went to Italy to make Senso (1954) for Luchino Visconti with Alida Valli, one of his best films. He did a Broadway play in 1955, "The Carefree Tree", and then returned to films in The Naked Street (1955) with Anthony Quinn and Anne Bancroft and The Girl in the Red Velvet Swing (1955) with Joan Collins and Ray Milland. Over the next ten years Granger worked extensively on television and the stage, mainly in stock, and returned to films in Rogue's Gallery (1968) with Dennis Morgan. He then returned to Italy, where he made a series of films, including The Challengers (1970) with 'Anne Baxter (I)', The Man Called Noon (1973) with Richard Crenna and Arnold (1973) with Stella Stevens. More recent films include The Prowler (1981), Death Mask (1984), The Imagemaker (1986) and The Next Big Thing (2001). Since the 1950s he has continued to work frequently on American television and, in 1980, returned to Broadway and appeared in Ira Levin's successful play "Deathtrap". In 2007 he published his autobiography, "Include Me Out: My Life from Goldwyn to Broadway" with Robert Calhoun. A longtime resident of New York, Granger has recently appeared in several documentaries discussing Hollywood and, often, specifically Alfred Hitchcock.--Strangers On A Train--
--They Live By Night--
--Hans Christian Anderson--
--Rope--- Actor
- Writer
- Soundtrack
Paul Lynde was born in 1926 in Mount Vernon, Ohio (one of six children and the middle of four boys). His father was a local police officer and the sheriff of the Mount Vernon Jail for two years. Lynde got his inspiration to become an actor at the age of four or five after his mother took him to see the original silent film Ben-Hur: A Tale of the Christ (1925). After graduating from Northwestern University, Lynde relocated to New York City where his first break came from being a stand-up comedian at the Number One Fifth Avenue nightclub. Then came an appearance on a Broadway show, "New Faces of 1952".
Lynde also had a two-year run on TV with Perry Como's Kraft Music Hall (1948) and the Broadway and film versions of Bye Bye Birdie (1963). Throught his life, Lynde appeared in the Broadway plays "The Impossible Years", "Don't Drink the Water", and "Plaza Suite". His many film credits include New Faces (1954), Send Me No Flowers (1964), and Rabbit Test (1978). One of his most memorable roles was a recurring role on Bewitched (1964) playing the sneering, sarcastic Uncle Arthur. He appeared on TV's The Dean Martin Show (1965), The Kraft Music Hall (1967), Donny and Marie (1975), and both the prime-time and daytime versions of the game show The Hollywood Squares (Daytime) (1965) where he occupied the famous center square. He had two TV series of his own, The Paul Lynde Show (1972) and The New Temperatures Rising Show (1972). Paul Lynde's witty, wisecracking one-liners and his novel line delivery made him one of Hollywood's funniest and best loved entertainers. Paul Lynde died under mysterious circumstances when he was found dead in his bed after possibly suffering a heart attack in January 1982 at age 55. He had been in ill-health for over a year with cancer or some other illness that was never fully revealed to the public before or after his death.--Bewitched--
--Bye Bye Birdie--
--Under The Yum Yum Tree--
--The Glass Bottom Boat--- John Fraser was born on 18 March 1931 in Glasgow, Scotland, UK. He was an actor, known for Repulsion (1965), The Trials of Oscar Wilde (1960) and El Cid (1961). He died on 7 November 2020 in London, England, UK.—Repulsion—
—El CID—
—The Trials Of Oscar Wilde—
—Isadora— - Actor
- Soundtrack
Actor Leonard Joel "Lenny" Baker was born on January 17, 1945 in Boston, Massachusetts. The son of Bertha and William Baker, Lenny graduated from Brookline High School in Brookline, Massachusetts in 1962 and attended Boston University, where he received his Bachelor's Degree. Baker began his acting career in regional theater and spent several summers at the O'Neill Center's National Playwrights Conference in Waterford, Connecticut. After moving to New York City in 1969, Lenny acted in such Off-Broadway stage productions as "'Paradise Gardens East," "Conerico Was Here to Stay," "The Year Boston Won the Pennant," and "The Survival of St. Joan."
Baker made his Broadway stage debut in 1974 in "The Freedom of the City" and won a Tony award in 1977 for his performance in the musical "I Love My Wife." Moreover, in 1976 Lenny performed in repertory in Phoenix Theater productions of "Secret Service" and "Boy Meets Girl" as well as appeared in both "Henry V" and "Measure for Measure" with the New York Shakespeare Festival in the Delacorte Theater in Central Park. In addition, Baker also acted in a handful of films and television shows. Lenny had his sole lead role as aspiring actor Larry Lapinsky in Paul Mazursky's autobiographical Next Stop, Greenwich Village (1976), for which he was nominated for a Golden Globe award for Best Acting Debut in a Motion Picture - Male. Baker died at age 37 from AIDS-related cancer on April 12, 1982 in a hospital in Hallandale Beach, Florida. He was survived at the time of his death by both his parents and his brothers Alan and Malcolm.--Next Stop Greenwich Village--
--The Paper Chase--
--The Hospital--
--Malatesta's Carnival Of Blood--
--A.W.O.L.--- Actor
- Production Manager
- Director
Born Raymond William Stacy Burr on May 21, 1917 in New Westminster, British Columbia, he spent most of his early life traveling. As a youngster, his father moved his family to China, where the elder Burr worked as a trade agent. When the family returned to Canada, Raymond's parents separated. He and his mother moved to Vallejo, California, where she raised him with the aid of her parents. As he got older, Burr began to take jobs to support his mother, younger sister and younger brother. He took jobs as a ranch hand in Roswell, New Mexico; as a deputy sheriff; a photo salesman; and even as a nightclub singer.
During World War II, he served in the United States Navy. In Okinawa, he was shot in the stomach and sent home. In 1946, Burr made his film debut in San Quentin (1946). From there, he appeared in more than 90 films before landing the titular character on Perry Mason (1957), the role for which he was best-known. Decades later, he reprised the role opposite former co-star Barbara Hale in a series of NBC television movies. At age 65, he returned to teaching drama as a professor of theatre at Sonoma State University, Rohnert Park.
After a brave battle with cancer, Burr died at age 76 on September 12, 1993 at his ranch home in Geyserville, Sonoma County, California. Married once, the union ended in divorce. He had no children.--Perry Mason--
--Ironside--
--Rear Window--
--Godzilla, King Of The Monsters--- Actor
- Soundtrack
Denholm entered RADA at the age of 17, but dropped out after a year having hated every minute being there. He joined the RAF in 1940, trained as a gunner/radio operator, and was shot down over Germany in 1942. In the POW camp he and his fellow prisoners staged various productions in a theatre constructed out of old packing cases. After the war he joined a London repertory company and his career took off particularly when Laurence Olivier chose him for the starring role in Venus Observed, for which he won a Clarence Derwent award. When another Olivier production Ring Around the Moon transferred to New York Denholm replaced Paul Schofield in what became a Broadway hit. Returning to Britain he was signed to a film contract and appeared in such movies as The Cruel Sea, The Sound Barrier, Alfie, King Rat, and others in addition to appearing on television and making countrywide theatre tours. In 1983 he won a BAFTA Award for his role as the butler in Trading Places and followed it with a Best Supporting Actor Award for his role in A Private Function. Prior to that he won an Evening Standard Best Actor award for Bad Timing.--Raiders Of The Last Ark--
--Room With A View--
--Maurice--
--September--