Movie Stars Who Bombed on TV
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James Maitland Stewart was born on May 20, 1908, in Indiana, Pennsylvania, to Elizabeth Ruth (Johnson) and Alexander Maitland Stewart, who owned a hardware store. He was of Scottish, Ulster-Scots, and some English descent. Stewart was educated at a local prep school, Mercersburg Academy, where he was a keen athlete (football and track), musician (singing and accordion playing), and sometime actor.
In 1929, he won a place at Princeton University, where he studied architecture with some success and became further involved with the performing arts as a musician and actor with the University Players. After graduation, engagements with the University Players took him around the northeastern United States, including a run on Broadway in 1932. But work dried up as the Great Depression deepened, and it was not until 1934, when he followed his friend Henry Fonda to Hollywood, that things began to pick up.
After his first screen appearance in Art Trouble (1934), Stewart worked for a time for MGM as a contract player and slowly began making a name for himself in increasingly high-profile roles throughout the rest of the 1930s. His famous collaborations with Frank Capra, in You Can't Take It with You (1938), Mr. Smith Goes to Washington (1939), and, after World War II, It's a Wonderful Life (1946) helped to launch his career as a star and to establish his screen persona as the likable everyman.
Having learned to fly in 1935, he was drafted into the United States Army in 1940 as a private (after twice failing the medical for being underweight). During the course of World War II, he rose to the rank of colonel, first as an instructor at home in the United States, and later on combat missions in Europe. He remained involved with the United States Air Force Reserve after the war and officially retired in 1968. In 1959, he was promoted to brigadier general, becoming the highest-ranking actor in U.S. military history.
Stewart's acting career took off properly after the war. During the course of his long professional life, he had roles in some of Hollywood's best-remembered films, starring in a string of Westerns, bringing his everyman qualities to movies like The Man Who Shot Liberty Valance (1962)), biopics (The Stratton Story (1949), The Glenn Miller Story (1954), and The Spirit of St. Louis (1957), for instance, thrillers (most notably his frequent collaborations with Alfred Hitchcock), and even some screwball comedies.
On June 25, 1997, a thrombosis formed in his right leg, leading to a pulmonary embolism, and a week later on July 2, 1997, surrounded by his children, James Stewart died at age 89 at his home in Beverly Hills, California. His last words to his family were, "I'm going to be with Gloria now".The Jimmy Stewart Show (1971-1972) and Hawkins (1973-1974)- Actress
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This marvelous screen comedienne's best asset was only muffled during her seven years' stint in silent films. That asset? It was, of course, her squeaky, frog-like voice, which silent-era cinema audiences had simply no way of perceiving, much less appreciating. Jean Arthur, born Gladys Georgianna Greene in upstate New York, 20 miles south of the Canadian border, has had her year of birth cited variously as 1900, 1905 and 1908. Her place of birth has often been cited as New York City! (Herein we shall rely for those particulars on Miss Arthur's obituary as given in the authoritative and reliable New York Times. The date and place indicated above shall be deemed correct.) Following her screen debut in a bit part in John Ford's Cameo Kirby (1923), she spent several years playing unremarkable roles as ingénue or leading lady in comedy shorts and cheapie westerns. With the arrival of sound she was able to appear in films whose quality was but slightly improved over that of her past silents. She had to contend, for example, with the consummately evil likes of Dr. Fu Manchu (played by future "Charlie Chan" Warner Oland). Her career bloomed with her appearance in Ford's The Whole Town's Talking (1935), in which she played opposite Edward G. Robinson, the latter in a dual role as a notorious gangster and his lookalike, a befuddled, well-meaning clerk. Here is where her wholesomeness and flair for farcical comedy began making themselves plain. The turning point in her career came when she was chosen by Frank Capra to star with Gary Cooper in the classic social comedy Mr. Deeds Goes to Town (1936). Here she rescues the hero - thus herself becoming heroine! - from rapacious human vultures who are scheming to separate him from his wealth. In Capra's masterpiece Mr. Smith Goes to Washington (1939), she again rescues a besieged hero (James Stewart), protecting him from a band of manipulative and cynical politicians and their cronies and again she ends up as a heroine of sorts. For her performance in George Stevens' The More the Merrier (1943), in which she starred with Joel McCrea and Charles Coburn, she received a Best Actress Academy Award nomination, but the award went to Jennifer Jones in The Song of Bernadette (1943) (Coburn, incidentally, won for Best Supporting Actor). Her career began waning toward the end of the 1940s. She starred with Marlene Dietrich and John Lund in Billy Wilder's fluff about post-World War II Berlin, A Foreign Affair (1948). Thereafter, the actress would return to the screen but once, again for George Stevens but not in comedy. She starred with Alan Ladd and Van Heflin in Stevens' western Shane (1953), playing the wife of a besieged settler (Heflin) who accepts help from a nomadic gunman (Ladd) in the settler's effort to protect his farm. It was her silver-screen swansong. She would provide one more opportunity for a mass audience to appreciate her craft. In 1966 she starred as a witty and sophisticated lawyer, Patricia Marshall, a widow, in the TV series The Jean Arthur Show (1966). Her time was apparently past, however; the show ran for only 11 weeks.The Jean Arthur Show (1966)- Actor
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Dustin Lee Hoffman was born in Los Angeles, California, to Lillian (Gold) and Harry Hoffman, who was a furniture salesman and prop supervisor for Columbia Pictures. He was raised in a Jewish family (from Ukraine, Russia-Poland, and Romania). Hoffman graduated from Los Angeles High School in 1955, and went to Santa Monica City College, where he dropped out after a year due to bad grades. But before he did, he took an acting course because he was told that "nobody flunks acting." Also received some training at Los Angeles Conservatory of Music. Decided to go into acting because he did not want to work or go into the service. Trained at The Pasadena Playhouse for two years.Luck (2011-2012)- Actress
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American actress and political activist Ashley Judd was born Ashley Tyler Ciminella on April 19, 1968, in Granada Hills, California. She grew up in a family of successful performing artists as the daughter of country music singer Naomi Judd and the sister of Wynonna Judd. While she is best known for an ongoing acting career spanning more than two decades, she has increasingly become involved in global humanitarian efforts and political activism.Missing (2012)- Actress
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Shirley MacLaine was born Shirley MacLean Beaty in Richmond, Virginia. Her mother, Kathlyn Corinne (MacLean), was a drama teacher from Nova Scotia, Canada, and her father, Ira Owens Beaty, a professor of psychology and real estate agent, was from Virginia. Her brother, Warren Beatty, was born on March 30, 1937. Her ancestry includes English and Scottish.
Shirley was the tallest in her ballet classes at the Washington School of Ballet. Just after she graduated from Washington-Lee High School, she packed her bags and headed for New York. While auditioning for Richard Rodgers and Oscar Hammerstein II's "Me and Juliet", the producer kept mispronouncing her name. She then changed her name from Shirley MacLean Beaty to Shirley MacLaine. She later had a role in "The Pajama Game", as a member of the chorus and understudy to Carol Haney. A few months into the run, Shirley was going to leave the show for the lead role in "Can-Can" but ended up filling in for Haney, who had broken her ankle and could not perform. She would fill in for Carol, again, three months later, following another injury, the very night that movie producer Hal B. Wallis was in the audience. Wallis signed MacLaine to a five-year contract to Paramount Pictures. Three months later, she was off to shoot The Trouble with Harry (1955). She then took roles in Hot Spell (1958) and Around the World in 80 Days (1956), completed not too long before her daughter, Sachi Parker (born Stephanie), was born. With Shirley's career on track, she played one of her most challenging roles: "Ginny Moorhead" in Some Came Running (1958), for which she received her first Academy Award nomination for Best Actress. She went on to do The Sheepman (1958) and The Matchmaker (1958). In 1960, she got her second Academy Award nomination for The Apartment (1960). Three years later, she received a third nomination for Irma la Douce (1963). In 1969, she brought her friend Bob Fosse from Broadway to direct her in Sweet Charity (1969), from which she got her "signature" song, "If My Friends Could See Me Now". After a five-year hiatus, Shirley made a documentary on China called The Other Half of the Sky: A China Memoir (1975), for which she received an Oscar nomination for best documentary.
In 1977, she got her fourth Best Actress Oscar nomination for The Turning Point (1977). In 1979, she worked with Peter Sellers in Being There (1979), made shortly before his death. After 20 years in the film industry, she finally took home the Best Actress Oscar for Terms of Endearment (1983). After a five-year hiatus, Shirley made Madame Sousatzka (1988), a critical and financial hit that took top prize at the Venice Film Festival. In 1989, she starred with Dolly Parton, Sally Field and Julia Roberts in Steel Magnolias (1989). She received rave reviews playing Meryl Streep's mother in Postcards from the Edge (1990) and for Guarding Tess (1994). In 1996, she reprised her role from "Terms of Endearment" as "Aurora Greenway" in The Evening Star (1996), which didn't repeat its predecessor's success at the box office. In mid-1998, she directed Bruno (2000), which starred Alex D. Linz. In February 2001, Shirley worked with close friends once again in These Old Broads (2001), and co-starred with Julia Stiles in Carolina (2003) and with Kirstie Alley in Salem Witch Trials (2002).
MacLaine as her own website which includes her own radio show and interviews, the Encounter Board, and Independent Expression, a members-only section of the site. In the past few years, Shirley starred in a CBS miniseries based on the life of cosmetics queen Mary Kay Ash--Hell on Heels: The Battle of Mary Kay (2002), and wrote two more books, "The Camino" in 2001, and "Out On A Leash" in 2003. After taking a slight hiatus from motion pictures, Shirley returned with roles in the movies that were small, but wonderfully scene-stealing: Bewitched (2005) with Nicole Kidman and Will Ferrell, In Her Shoes (2005) with Cameron Diaz and Toni Collette, in which Shirley was nominated for a Golden Globe in the best supporting actress category, and Rumor Has It... (2005) with Jennifer Aniston and Kevin Costner. Shirley completed filming of Closing the Ring (2007), directed by Sir Richard Attenborough, in 2007. Her latest book is entitled "Sage-ing While Ag-ing"; Shirley's latest film is Valentine's Day (2010), which debuted in theaters on February 12, 2010.Shirley's World (1971-1972)- Actress
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Debbie Reynolds was born Mary Frances Reynolds in El Paso, Texas, the second child of Maxine N. (Harmon) and Raymond Francis Reynolds, a carpenter for the Southern Pacific Railroad. Her film career began at MGM after she won a beauty contest at age 16 impersonating Betty Hutton. Reynolds wasn't a dancer until she was selected to be Gene Kelly's partner in Singin' in the Rain (1952). Not yet twenty, she was a quick study. Twelve years later, it seemed like she had been around forever. Most of her early film work was in MGM musicals, as perky, wholesome young women. She continued to use her dancing skills with stage work.
She was 31 when she gave an Academy Award-nominated performance in The Unsinkable Molly Brown (1964). She survived losing first husband Eddie Fisher to Elizabeth Taylor following the tragic death of Mike Todd. Her second husband, shoe magnate Harry Karl, gambled away his fortune as well as hers. With her children as well as Karl's, she had to keep working and turned to the stage. She had her own casino in Las Vegas with a home for her collection of Hollywood memorabilia until its closure in 1997. She took the time to personally write a long letter that is on display in the Judy Garland museum in Grand Rapids, Minnesota and to provide that museum with replicas of Garland's costumes. The originals are in her newly-opened museum in Hollywood.
Nearly all the money she makes is spent toward her goal of creating a Hollywood museum. Her collection numbers more than 3000 costumes and 46,000 square-feet worth of props and equipment.
With musician/actor Eddie Fisher, she was the mother of filmmaker Todd Fisher and actress Carrie Fisher. Debbie died of a stroke on December 28, 2016, one day after the death of her daughter Carrie. She was survived by her son and granddaughter, up-and-coming actress Billie Lourd.The Debbie Reynolds Show (1969-1970) and Aloha Paradise (1981)- Actor
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This remarkable, soft-spoken American began in films as a diffident juvenile. With passing years, he matured into a star character actor who exemplified not only integrity and strength, but an ideal of the common man fighting against social injustice and oppression. He was born in Grand Island, Hall, Nebraska, the son of Herberta Elma (Jaynes) and William Brace Fonda, who was a commercial printer, and proprietor of the W. B. Fonda Printing Company in Omaha, Nebraska. His distant ancestors were Italians who had fled their country and moved to Holland, presumably because of political or religious persecution. In the mid-1600s, they crossed the Atlantic and settled in upstate New York where they founded a community with the Fonda name.
Growing up, Henry developed an early interest in journalism after having a story published in a local newspaper. At the age of twelve, he helped in his father's printing business for $2 a week. Following graduation from high school in 1923, he got a part-time job in Minneapolis with the Northwestern Bell Telephone Company which allowed him at first to pursue journalistic studies at the University of Minnesota. As it became difficult to juggle his working hours with his academic roster, he obtained another position as a physical education instructor at $30 a week, including room and board. By this time, he had grown to a height of six foot one and was a natural for basketball.
In 1925, having returned to Omaha, Henry reevaluated his options and came to the conclusion that journalism was not his forte, after all. For a while, he tried his hand at several temporary jobs, including as a mechanic and a window dresser. Then, despite opposition from his parents, Henry accepted an offer from Gregory Foley, director of the Omaha Playhouse, to play the title role in 'Merton of the Movies'. His father would not speak to him for a month. The play and its star received fairly good notices in the local press. It ran for a week, after which Henry observed "the idea of being Merton and not myself taught me that I could hide behind a mask". For the rest of the repertory season, Henry advanced to assistant director which enabled him to design and paint sets as well as act. A casual trip to New York, however, had already made him set his sights on Broadway.
In 1928, he headed east and briefly played in summer stock before joining the University Players, a group of talented Princeton and Harvard graduates among whose number were such future luminaries as James Stewart (who would remain his closest lifelong friend), Joshua Logan and Kent Smith. Before long, Henry played leads opposite Margaret Sullavan, soon to become the first of his five wives. Both marriage and the players broke up four years later. In 1932, Henry found himself sharing a two-room New York apartment with Jimmy Stewart and Joshua Logan. For the next two years, he alternated scenic design with acting at various repertory companies. In 1934, he got a break of sorts, when he was given the chance to present a comedy sketch with Imogene Coca in the Broadway revue New Faces. That year, he also hired Leland Hayward as his personal management agent and this was to pay off handsomely.
It was Hayward who persuaded the 29-year old to become a motion picture actor, despite initial misgivings and reluctance on Henry's part. Independent producer Walter Wanger, whose growing stock company was birthed at United Artists, needed a star for The Farmer Takes a Wife (1935). With both first choice actors Gary Cooper and Joel McCrea otherwise engaged, Henry was the next available option. After all, he had just completed a successful run on Broadway in the stage version. The cheesy publicity tag line for the picture was "you'll be fonder of Fonda", but the film was an undeniable hit. Wanger, realizing he had a good thing going, next cast Henry in a succession of A-grade pictures which capitalized on his image as the sincere, unaffected country boy. Pick of the bunch were the Technicolor outdoor western The Trail of the Lonesome Pine (1936), the gritty Depression-era drama You Only Live Once (1937) (with Henry as a back-to-the-wall good guy forced into becoming a fugitive from the law by circumstance), the screwball comedy The Moon's Our Home (1936) (with ex-wife Sullavan), the excellent pre-civil war-era romantic drama Jezebel (1938) and the equally superb Young Mr. Lincoln (1939), in which Henry gave his best screen performance to date as the 'jackleg lawyer from Springfield'. Henry made two more films with director John Ford: the pioneering drama Drums Along the Mohawk (1939) and The Grapes of Wrath (1940), with Henry as Tom Joad, often regarded his career-defining role as the archetypal grassroots American trying to stand up against oppression. It also set the tone for his subsequent career. Whether he played a lawman (Wyatt Earp in My Darling Clementine (1946)), a reluctant posse member (The Ox-Bow Incident (1942), a juror committed to the ideal of total justice in (12 Angry Men (1957)) or a nightclub musician wrongly accused of murder (The Wrong Man (1956)), his characters were alike in projecting integrity and quiet authority. In this vein, he also gave a totally convincing (though historically inaccurate) portrayal in the titular role of The Return of Frank James (1940), a rare example of a sequel improving upon the original.
Henry rarely featured in comedy, except for a couple of good turns opposite Barbara Stanwyck -- with whom he shared an excellent on-screen chemistry -- in The Mad Miss Manton (1938) and The Lady Eve (1941). He was also good value as a poker-playing grifter in the western comedy A Big Hand for the Little Lady (1966). Finally, just to confound those who would typecast him, he gave a chilling performance as one of the coldest, meanest stone killers ever to roam the West, in Sergio Leone's classic Once Upon a Time in the West (1968). Illness curtailed his work in the 1970s. His final screen role was as an octogenarian in On Golden Pond (1981), in which he was joined by his daughter Jane. It finally won him an Oscar on the heels of an earlier Honorary Academy Award. Too ill to attend the ceremony, he died soon after at the age of 77, having left a lasting legacy matched by few of his peers.The Deputy (1959-1961) and The Smith Family (1971-1972)- Actress
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Multi Grammy Award-winning singer/comedienne/author Bette Midler has also proven herself to be a very capable actress in a string of both dramatic and comedic roles. Midler was born in Honolulu, Hawaii, on December 1, 1945. She is the daughter of Ruth (Schindel), a seamstress, and Fred Midler, a painter. Her parents, originally from New Jersey, were both from Jewish families (from Russia, Poland, and the Austro-Hungarian Empire).
Midler studied drama at the University of Hawaii and got her musical career started by performing in gay bathhouses with piano accompaniment from Barry Manilow. Her first album was "The Divine Miss M" released in November 1972, followed by the self-titled "Bette Midler" released in November 1973, both of which took off up the music charts, and Bette's popularity swiftly escalated from there.
After minor roles in several film/TV productions, she surprised all with her knockout performance of a hard-living rock-and-roll singer (loosely based on the life of Janis Joplin) in The Rose (1979), for which she received an Academy Award nomination for Best Actress. In 1986, director Paul Mazursky cast Midler opposite Nick Nolte and Richard Dreyfuss in the hilarious Down and Out in Beverly Hills (1986), and so began a string of very funny comedic film roles. She played an obnoxious wife who was the victim of a kidnap plot by her scoundrel husband, played by Danny DeVito, in Ruthless People (1986), was pursued by CIA and KGB spies in Outrageous Fortune (1987), played mismatched twins with Lily Tomlin in Big Business (1988) and shone in the tear-jerker Beaches (1988).
Bette matched feisty James Caan in the WWII drama For the Boys (1991), made a dynamic trio with Goldie Hawn and Diane Keaton in The First Wives Club (1996), was back on screen with DeVito for the tepid comedy Drowning Mona (2000) and turned up in the glossy remake of The Stepford Wives (2004). Apart from her four Grammy awards, Bette Midler has also won four Golden Globes, one Tony Award, and three Emmy Awards, plus she has sold in excess of 15 million albums worldwide. Most recently, she toured with her sassy "Kiss My Brass" show, and is promoting her album "Bette Midler Sings the Rosemary Clooney Songbook".Bette (2000-2001)- Actor
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Highly influential, and always controversial, African-American actor/comedian who was equally well known for his colorful language during his live comedy shows, as for his fast paced life, multiple marriages and battles with drug addiction. He has been acknowledged by many modern comic artist's as a key influence on their careers, and Pryor's observational humor on African-American life in the USA during the 1970s was razor sharp brilliance.
He was born Richard Franklin Lennox Pryor III on December 1, 1940, in Peoria, Illinois, the son of Gertrude L. (Thomas) and LeRoy "Buck Carter" Pryor. His mother, a prostitute, abandoned him when he was ten years of age, after which he was raised in his grandmother's brothel. Unfortunately, Pryor was molested at the age of six by a teenage neighbor, and later by a neighborhood preacher. To escape this troubled life, the young Pryor was an avid movie fan and a regular visitor to local movie theaters in Peoria. After numerous jobs, including truck driver and meat packer, the young Pryor did a stint in the US Army between 1958 & 1960 in which he performed in amateur theater shows. After he left the services in 1960, Pryor started singing in small clubs, but inadvertently found that humor was his real forte.
Pryor spent time in both New York & Las Vegas, honing his comic craft. However, his unconventional approach to humor sometimes made bookings difficult to come by and this eventually saw Pryor heading to Los Angeles. He first broke into films with minor roles in The Busy Body (1967) and Wild in the Streets (1968). However, his performance as a drug addicted piano player in Lady Sings the Blues (1972), really got the attention of fans and film critics alike.
He made his first appearance with Gene Wilder in the very popular action/comedy Silver Streak (1976), played three different characters in Which Way Is Up? (1977) and portrayed real-life stock-car driver "Wendell Scott" in Greased Lightning (1977). Proving he was more than just a comedian, Pryor wowed audiences as a disenchanted auto worker who is seduced into betraying his friends and easy money in the Paul Schrader working class drama Blue Collar (1978), also starring Yaphet Kotto and Harvey Keitel. Always a strong advocate of African-American talent, Pryor next took a key role in The Wiz (1978), starring an all African-American cast, including Diana Ross and Michael Jackson, retelling the story of The Wizard of Oz (1939). His next four screen roles were primarily cameos in California Suite (1978); The Muppet Movie (1979); Wholly Moses! (1980) and In God We Trust (or Gimme That Prime Time Religion) (1980). However, Pryor teamed up with Gene Wilder once more for the prison comedy Stir Crazy (1980), which did strong box office business.
His next few films were a mixed bag of material, often inhibiting Pryor's talent, with equally mixed returns at the box office. Pryor then scored second billing to Christopher Reeve in the big budget Superman III (1983), and starred alongside fellow funny man John Candy in Brewster's Millions (1985) before revealing his inner self in the autobiographical Jo Jo Dancer, Your Life Is Calling (1986). Again, Pryor was somewhat hampered by poor material in his following film ventures. However, he did turn up again in See No Evil, Hear No Evil (1989) with Gene Wilder, but the final product was not as sharp as their previous pairings. Pryor then partnered on-screen with two other very popular African-American comic's. The legendary Redd Foxx and 1980s comic newcomer Eddie Murphy starred with Pryor in the gangster film Harlem Nights (1989) which was also directed by Eddie Murphy. Having contracted multiple sclerosis in 1986, Pryor's remaining film appearances were primarily cameos apart from his fourth and final outing with Gene Wilder in the lukewarm Another You (1991), and his final appearance in a film production was a small role in the David Lynch road flick Lost Highway (1997).
Fans of this outrageous comic genius are encouraged to see his live specials Richard Pryor: Live and Smokin' (1971); the dynamic Richard Pryor: Live in Concert (1979); Richard Pryor: Live on the Sunset Strip (1982) and Richard Pryor... Here and Now (1983). In addition, The Richard Pryor Show (1977) is a must-have for any Richard Pryor fans' DVD collection.
Unknown to many, Pryor was a long time advocate against animal cruelty, and he campaigned against fast food chains and circus shows to address issues of animal welfare. He was married a total of seven times, and fathered eight children.
After long battles with ill health, Richard Pryor passed away on December 10th, 2005.The Richard Pryor Show (1977)- Actor
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Robert Mitchum was an underrated American leading man of enormous ability, who sublimated his talents beneath an air of disinterest. He was born in Bridgeport, Connecticut, to Ann Harriet (Gunderson), a Norwegian immigrant, and James Thomas Mitchum, a shipyard/railroad worker. His father died in a train accident when he was two, and Robert and his siblings (including brother John Mitchum, later also an actor) were raised by his mother and stepfather (a British army major) in Connecticut, New York, and Delaware. An early contempt for authority led to discipline problems, and Mitchum spent good portions of his teen years adventuring on the open road. He later claimed that on one of these trips, at the age of 14, he was charged with vagrancy and sentenced to a Georgia chain gang, from which he escaped. Working a wide variety of jobs (including ghostwriter for astrologist Carroll Righter), Mitchum discovered acting in a Long Beach, California, amateur theater company. He worked at Lockheed Aircraft, where job stress caused him to suffer temporary blindness. About this time he began to obtain small roles in films, appearing in dozens within a very brief time. In 1945, he was cast as Lt. Walker in Story of G.I. Joe (1945) and received an Oscar nomination as Best Supporting Actor. His star ascended rapidly, and he became an icon of 1940s film noir, though equally adept at westerns and romantic dramas. His apparently lazy style and seen-it-all demeanor proved highly attractive to men and women, and by the 1950s, he was a true superstar despite a brief prison term for marijuana usage in 1949, which seemed to enhance rather than diminish his "bad boy" appeal. Though seemingly dismissive of "art," he worked in tremendously artistically thoughtful projects such as Charles Laughton's The Night of the Hunter (1955) and even co-wrote and composed an oratorio produced at the Hollywood Bowl by Orson Welles. A master of accents and seemingly unconcerned about his star image, he played in both forgettable and unforgettable films with unswerving nonchalance, leading many to overlook the prodigious talent he can bring to a project that he finds compelling. He moved into television in the 1980s as his film opportunities diminished, winning new fans with The Winds of War (1983) and War and Remembrance (1988). His sons James Mitchum and Christopher Mitchum are actors, as is his grandson Bentley Mitchum. His last film was James Dean: Race with Destiny (1997) with Casper Van Dien as James Dean.A Family for Joe (1990)- Actress
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Whoopi Goldberg was born Caryn Elaine Johnson in the Chelsea section of Manhattan on November 13, 1955. Her mother, Emma (Harris), was a teacher and a nurse, and her father, Robert James Johnson, Jr., was a clergyman. Whoopi's recent ancestors were from Georgia, Florida, and Virginia. She worked in a funeral parlor and as a bricklayer while taking small parts on Broadway. She moved to California and worked with improv groups, including Spontaneous Combustion, and developed her skills as a stand-up comedienne. Goldberg came to prominence doing an HBO special and a one-woman show as Moms Mabley. She has been known in her prosperous career as a unique and socially conscious talent with articulately liberal views. Among her boyfriends were Ted Danson and Frank Langella. Goldberg was married three times and was once addicted to drugs.
Goldberg had her first big film starring role in The Color Purple (1985). She received much critical acclaim, and an Oscar nomination for her role and became a major star as a result. Subsequent efforts in the late 1980s were, at best, marginal hits. These movies mostly were off-beat to formulaic comedies like Burglar (1987), The Telephone (1988) and Jumpin' Jack Flash (1986). She made her mark as a household name and a mainstay in Hollywood for her Oscar-winning role in the box office smash Ghost (1990). Whoopi Goldberg was at her most famous in the early 1990s, making regular appearances on Star Trek: The Next Generation (1987). She admitted to being a huge fan of the original Star Trek (1966) series and jumped at the opportunity to star in "Star Trek: The Next Generation".
Goldberg received another smash hit role in Sister Act (1992). Her fish-out-of-water with some flash seemed to resonate with audiences and it was a box office smash. Whoopi starred in some highly publicized and moderately successful comedies of this time, including Made in America (1993) and Soapdish (1991). Goldberg followed up to her success with Sister Act 2: Back in the Habit (1993), which was well-received but did not seem to match up to the first.
As the late 1990s approached, Goldberg seemed to alternate between lead roles in straight comedies such as Eddie (1996) and The Associate (1996), and took supporting parts in more independent minded movies, such as The Deep End of the Ocean (1999) and How Stella Got Her Groove Back (1998). Goldberg never forgot where she came from, hosting many tributes to other legendary entertainment figures. Her most recent movies include Rat Race (2001) and the quietly received Kingdom Come (2001). Goldberg contributes her voice to many cartoons, including The Pagemaster (1994) and Captain Planet and the Planeteers (1990), as Gaia, the voice of the earth. Alternating between big-budget movies, independent movies, tributes, documentaries, and even television movies (including Theodore Rex (1995)).
Whoopi is accredited as a truly unique and visible talent in Hollywood. Perhaps she will always be remembered as well for Comic Relief, playing an integral part in almost every benefit concert they had. Whoopi is also the center square in Hollywood Squares (1998), sometimes hosts the Academy Awards, and is an author, with the book "Book."Bagdad Café (1990-1991) and Whoopi (2003-2004)- Actor
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Richard Dreyfuss is an American leading man, who has played his fair share of irritating pests and brash, ambitious hustlers.
He was born Richard Stephen Dreyfus in Brooklyn, New York, to Geraldine (Robbins), an activist, and Norman Dreyfus, a restaurateur and attorney. His paternal grandparents were Austro-Hungarian Jewish immigrants, and his mother's family was Russian Jewish.
Richard worked his way up through bit parts (The Graduate (1967), for one) and TV before gaining attention with his portrayal of Baby Face Nelson in John Milius' Dillinger (1973). He gained prominence as a college-bound young man in American Graffiti (1973) and as a nervy Jewish kid with high hopes in The Apprenticeship of Duddy Kravitz (1974). By the latter part of the 1970s Dreyfuss was established as a major star, playing leads (and alter-egos) for Steven Spielberg in two of the top-grossing films of the that decade: Jaws (1975) and Close Encounters of the Third Kind (1977). He won a Best Actor Oscar in his first romantic lead as an out-of-work actor in The Goodbye Girl (1977). Dreyfuss also produced and starred in the entertaining private eye movie The Big Fix (1978). After a brief lull in the early 1980s, a well-publicized drug problem and a string of box-office disappointments (The Competition (1980), Whose Life Is It Anyway? (1981), The Buddy System (1984)), a clean and sober Dreyfuss re-established himself in the mid-'80s as one of Hollywood's more engaging leads. He co-starred with Bette Midler and Nick Nolte in Paul Mazursky's popular Down and Out in Beverly Hills (1986). That same year he provided the narration and appeared in the opening and closing "bookends" of Rob Reiner's nostalgic Stand by Me (1986). He quickly followed that with Nuts (1987) opposite Barbra Streisand, Barry Levinson's Tin Men (1987) in a memorable teaming with Danny DeVito, and Stakeout (1987) with Emilio Estevez. Dreyfuss continued working steadily through the end of the 1980s and into the 1990s, most notably in Mazursky's farce Moon Over Parador (1988), Spielberg's Always (1989), Postcards from the Edge (1990) and Rosencrantz & Guildenstern Are Dead (1990). He appeared as a member of an ensemble that included Holly Hunter, Gena Rowlands and Danny Aiello in the romantic comedy Once Around (1991) and as a pop psychiatrist, the author of several successful self-help books, who is driven to the edge by nutcase Bill Murray in the popular comedy What About Bob? (1991). Dreyfuss has also remained active in the theater ("Death and Maiden", 1992) and on TV. In his next project he starred the thriller Silent Fall (1994) with John Lithgow and Linda Hamilton, being the film debut of Liv Tyler, Steven Tyler's daughter (Aerosmith's lead vocals). Just later Dreyfuss made Another Stakeout (1993), sequel of Stakeout (1987) where was team again with Emilio Estevez accompanied of Rosie O'Donnell, the adaptation of Neil Simon's play Lost in Yonkers (1993) and followed with a supporting turn as the querulous political opponent in The American President (1995). Dreyfuss received some of the best notices of his career as a determined, inspiring music teacher coping with a deaf son and the demands of his career in Mr. Holland's Opus (1995). Closing the 20th century he was in Sidney Lumet's Night Falls on Manhattan (1996) with Andy Garcia, the crime comedy Mad Dog Time (1996) as the mob boss Vic, the screwball comedy Krippendorf's Tribe (1998) about an anthropologist who creates a false lost New Guinea tribe for not losing his job in the university, TV movie Lansky (1999) about the infamous mob boss to end, the too TV movie Fail Safe (2000) playing The President, and The Crew (2000), about four older mobsters retired in Miami, partnering with Hollywood legends Burt Reynolds, Dan Hedaya and Seymour Cassel.
His start in the 21st century was with the adaption of Luis Sepúlveda's novel The Old Man Who Read Love Stories (2001), playing an old man to must to hunt a female jaguar turned crazy. It was followed by the supporting apparition in the comedy Who Is Cletis Tout? (2001) and another TV movie about 1981 Ronald Reagan's shooting The Day Reagan Was Shot (2001). After the short-lived TV series The Education of Max Bickford (2001) about a teacher in a women's college where his daughter is student, Dreyfuss returned to cinema in Silver City (2004) and the box-office bomb Poseidon (2006) with Kurt Russell, Emmy Rossum and Josh Lucas. Playing former vice-president Dick Cheney in the Oliver Stone's biopic W. (2008) and Irv, the cunning tourist in Greece turned in assistant of a troubled tour guide in My Life in Ruins (2009), Dreyfuss participated in low-budget productions as Leaves of Grass (2009) and The Lightkeepers (2009), for making a cameo in the wild and crazy Piranha 3D (2010) about prehistoric men-eater piranhas that make a bloodbath in a spring break. Returning to first line playing evil Alexander Dunning in the actioner RED (2010), his further productions included Paranoia (2013) as Liam Hemsworth's father partnering Harrison Ford and Gary Oldman, road movie Cas & Dylan (2013) opposites Tatiana Maslany and the biopic TV mini-series Madoff (2016) about the infamous multi-billion-dollar and hustler Bernie Madoff. Tireless and always implied in new projects, Dreyfuss played George, the funny online date of Candice Bergen in Book Club (2018), the comedy and road movie The Last Laugh (2019) with Chevy Chase, and the set in wilderness thriller Daughter of the Wolf (2019) with Gina Carano and Brendan Fehr. Making his 73rd birthday in 2020, Dreyfuss is an example of talent, diversity and love for his work, touching not only all the genres in cinema but leaving an unforgettable footprint at any of them.The Education of Max Bickford (2001-2002)- Actor
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Christian Michael Leonard Slater was born on August 18, 1969 in New York City, to Michael Hawkins, a well-known soap actor, and Mary Jo Slater (née Lawton), a casting agent. Christian started in show business early, appearing on the soap opera The Edge of Night (1956) in 1976 at the age of 7. He went on to star in many Broadway shows in the early-1980s. He rose to fame in Hollywood after landing the role of Binx Davey in The Legend of Billie Jean (1985). He moved to Los Angeles in 1987 to pursue a further acting career after dropping out of high school. After having a starring role in the cult classic Heathers (1988), he became somewhat known as the Hollywood bad-boy, having many run-ins with the law. He is also well-known for having dated stars such as Winona Ryder, Christina Applegate, Samantha Mathis and was at one time engaged to actress/model Nina Huang. In 2000, he married Ryan Haddon, the daughter of 1970s model Dayle Haddon. The couple have two children, Jaden Christopher (b. 1999) and Eliana Sophia (b. 2001). As of early 2005, they separated and later divorced, but remain dedicated to bring up their children.My Own Worst Enemy (2008), The Forgotten (2009-2010) and Breaking In (2011-2012)- Actor
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Jonah Hill was born and raised in Los Angeles, the son of Sharon Feldstein (née Chalkin), a fashion designer and costume stylist, and Richard Feldstein, a tour accountant for Guns N' Roses. He is the brother of music manager Jordan Feldstein and actress Beanie Feldstein. He graduated from Crossroads School in Santa Monica and went on to The New School in New York to study drama.
He began writing and performing in plays while at college in New York, and managed to get himself introduced to Dustin Hoffman, through whom he got an audition for his first film role in I Heart Huckabees (2004). A succession of increasingly high-profile film and TV parts followed until he eventually landed one of the starring roles in the teen hit, Superbad (2007). Continuing to write and act, more roles followed as well as popular appearances on US TV talk shows.Allen Gregory (2011)- Actress
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Julia Elizabeth Wells was born on October 1, 1935, in England. Her mother, Barbara Ward (Morris), and stepfather, both vaudeville performers, discovered her freakish but undeniably lovely four-octave singing voice and immediately got her a singing career. She performed in music halls throughout her childhood and teens, and at age 20, she launched her stage career in a London Palladium production of "Cinderella".
Andrews came to Broadway in 1954 with "The Boy Friend", and became a bona fide star two years later in 1956, in the role of Eliza Doolittle in the unprecedented hit "My Fair Lady". Her star status continued in 1957, when she starred in the TV-production of Cinderella (1957) and through 1960, when she played "Guenevere" in "Camelot".
In 1963, Walt Disney asked Andrews if she would like to star in his upcoming production, a lavish musical fantasy that combined live-action and animation. She agreed on the condition if she didn't get the role of Doolittle in the pending film production of My Fair Lady (1964). After Audrey Hepburn was cast in My Fair Lady, Andrews made an auspicious film debut in Walt Disney's Mary Poppins (1964), which earned her an Academy Award for Best Actress.
Andrews continued to work on Broadway, until the release of The Sound of Music (1965), the highest-grossing movie of its day and one of the highest-grossing of all time. She soon found that audiences identified her only with singing, sugary-sweet nannies and governesses, and were reluctant to accept her in dramatic roles in The Americanization of Emily (1964) and Alfred Hitchcock's thriller Torn Curtain (1966). In addition, the box-office showings of the musicals Julie subsequently made increasingly reflected the negative effects of the musical-film boom that she helped to create. Thoroughly Modern Millie (1967) was for a time the most successful film Universal had released, but it still couldn't compete with Mary Poppins or The Sound of Music for worldwide acclaim and recognition. Star! (1968) and Darling Lili (1970) also bombed at the box office.
Fortunately, Andrews did not let this keep her down. She worked in nightclubs and hosted a TV variety series in the 1970s. In 1979, Andrews returned to the big screen, appearing in films directed by her husband Blake Edwards, with roles that were entirely different from anything she had been seen in before. Andrews starred in 10 (1979), S.O.B. (1981) and Victor/Victoria (1982), which earned her an Oscar nomination for Best Actress in a Leading Role.
She continued acting throughout the 1980s and 1990s in movies and TV, hosting several specials and starring in a short-lived sitcom. In 2001, she starred in The Princess Diaries (2001), alongside then-newcomer Anne Hathaway. The family film was one of the most successful G-Rated films of that year, and Andrews reprised her role as Queen Clarisse Renaldi in The Princess Diaries 2: Royal Engagement (2004). In recent years, Andrews appeared in Tooth Fairy (2010), as well as a number of voice roles in Shrek 2 (2004), Shrek the Third (2007), Enchanted (2007), Shrek Forever After (2010), and Despicable Me (2010).The Julie Andrews Hour (1972-1973) and Julie (1992)- Actor
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Exotic leading man of American films, famed as much for his completely bald head as for his performances, Yul Brynner masked much of his life in mystery and outright lies designed to tease people he considered gullible. It was not until the publication of the books "Yul: The Man Who Would Be King" and "Empire and Odyssey" by his son, Yul "Rock" Brynner, that many of the details of Brynner's early life became clear.
Yul sometimes claimed to be a half-Swiss, half-Japanese named Taidje Khan, born on the island of Sakhalin; in reality, he was the son of Marousia Dimitrievna (Blagovidova), the Russian daughter of a doctor, and Boris Yuliyevich Bryner, an engineer and inventor of Swiss-German and Russian descent. He was born in their home town of Vladivostok on 11 July 1920 and named Yuli after his grandfather, Jules Bryner. When Yuli's father abandoned the family, his mother took him and his sister Vera to Harbin, Manchuria, where they attended a YMCA school. In 1934 Yuli's mother took her children to Paris. Her son was sent to the exclusive Lycée Moncelle, but his attendance was spotty. He dropped out and became a musician, playing guitar in the nightclubs among the Russian gypsies who gave him his first real sense of family. He met luminaries such as Jean Cocteau and became an apprentice at the Theatre des Mathurins. He worked as a trapeze artist with the famed Cirque d'Hiver company.
He traveled to the U.S. in 1941 to study with acting teacher Michael Chekhov and toured the country with Chekhov's theatrical troupe. That same year, he debuted in New York as Fabian in "Twelfth Night" (billed as Youl Bryner). After working in a very early TV series, Mr. Jones and His Neighbors (1944), he played on Broadway in "Lute Song" with Mary Martin, winning awards and mild acclaim. He and his wife, actress Virginia Gilmore, starred in the first TV talk show, Mr. and Mrs. (1948). Brynner then joined CBS as a television director. He made his film debut in Port of New York (1949). Two years later Mary Martin recommended him for the part he would forever be known for: the King in Richard Rodgers' and Oscar Hammerstein II's musical "The King and I". Brynner became an immediate sensation in the role, repeating it for film (The King and I (1956)) and winning the Oscar for Best Actor.
For the next two decades, he maintained a starring film career despite the exotic nature of his persona, performing in a wide range of roles from Egyptian pharaohs to Western gunfighters, almost all with the same shaved head and indefinable accent. In the 1970s he returned to the role that had made him a star, and spent most of the rest of his life touring the world in "The King and I". When he developed lung cancer in the mid 1980s, he left a powerful public service announcement denouncing smoking as the cause, for broadcast after his death. The cancer and its complications, after a long illness, ended his life. Brynner was cremated and his ashes buried in a remote part of France, on the grounds of the Abbey of Saint-Michel de Bois Aubry, a short distance outside the village of Luzé. He remains one of the most fascinating, unusual and beloved stars of his time.Anna and the King (1972)- Actress
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Heather Joan Graham was born in Milwaukee, Wisconsin, to Joan (Bransfield), a schoolteacher and children's book author, and James Graham, an FBI agent. She and her sister, actress Aimee Graham, were raised by their strictly Catholic parents. They relocated often, as a result of their father's occupation, and Heather became increasingly shy. Surprisingly, she had a passion for acting from an early age and despite being labeled a 'theater geek' by her peers, she was voted Most Talented by her high school senior class. Unfortunately, her love of acting created a tension between Heather and her family although her mother obligingly drove her to auditions in Hollywood throughout her adolescence.
After high school Heather moved to Los Angeles and received small roles in a variety of films including Drugstore Cowboy (1989). When her career did not take off as quickly as was hoped, Heather enrolled in the University of California at Los Angeles to get her degree in drama. It was at UCLA that she was noticed by actor James Woods and received a subsequent part in a film Woods starred in, Diggstown (1992). Heather dropped out of UCLA after two years to pursue her acting career on a full time basis. Aside from gaining a modeling contract with Emanuel Ungaro Liberte, Heather has risen to star in such films as Swingers (1996), a role she received after being taken out swing dancing by Jon Favreau, to blockbusters like Austin Powers: The Spy Who Shagged Me (1999), and Boogie Nights (1997).Emily's Reasons Why Not (2006)- Actress
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Precocious, outspoken child-teen starlet of the 1990s, Christina Ricci was born on February 12, 1980 in Santa Monica, California, the youngest of four children of Sarah (Murdoch), a realtor, and Ralph Ricci, a lawyer and therapist. She is of Italian (from her paternal grandfather), Irish, and Scots-Irish descent. She made her screen debut at the age of 9 in Mermaids (1990), in which she worked with Winona Ryder and Cher. Her breakthrough adult role was in The Ice Storm (1997), in which she plays a nymphet who skillfully seduces two brothers. She worked with Johnny Depp and Casper Van Dien in the Tim Burton film Sleepy Hollow (1999).Pan Am (2011-2012)- Actor
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When he was 11, he wanted to be a comedian like Sid Caesar. Then, when he was 15 and saw Lee J. Cobb in 'Death of a Salesman,' he decided he would be a comedy actor and found that Mel Brooks was a great influence on his screen writing. He combined both talents with directing in The World's Greatest Lover (1977), followed by The Adventure of Sherlock Holmes' Smarter Brother (1975).Something Wilder (1994-1995)- Actor
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Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.Going My Way (1962-1963) and The Funny Side (1971-1972)- Music Artist
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Bing Crosby was born Harry Lillis Crosby, Jr. in Tacoma, Washington, the fourth of seven children of Catherine (Harrigan) and Harry Lincoln Crosby, a brewery bookkeeper. He was of English and Irish descent. Crosby studied law at Gonzaga University in Spokane but was more interested in playing the drums and singing with a local band. Bing and the band's piano player, Al Rinker, left Spokane for Los Angeles in 1925. In the early 1930s Bing's brother Everett sent a record of Bing singing "I Surrender, Dear" to the president of CBS. His live performances from New York were carried over the national radio network for 20 consecutive weeks in 1932. His radio success led Paramount Pictures to include him in The Big Broadcast (1932), a film featuring radio favorites. His songs about not needing a bundle of money to make life happy was the right message for the decade of the Great Depression. His relaxed, low-key style carried over into the series of "Road" comedies he made with pal Bob Hope. He won the best actor Oscar for playing an easygoing priest in Going My Way (1944). He showed that he was indeed an actor as well as a performer when he played an alcoholic actor down on his luck opposite Grace Kelly in The Country Girl (1954). Playing golf was what he liked to do best. He died at age 74 playing golf at a course outside Madrid, Spain, after completing a tour of England that had included a sold-out engagement at the London Palladium.The Bing Crosby Show (1964-1965)- Actress
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Betty Hutton was born Elizabeth June Thornburg on February 26, 1921, in Battle Creek, Michigan. Two years later, Betty's father decided that the family way of life wasn't for him, so he left (he committed suicide 16 years later). Having to fend for themselves, Mrs. Thornburg moved the family to Detroit to find work in the numerous auto factories there, but times were hard and she decided to take advantage of Prohibition and opened a small tavern, at the time called a speakeasy. The police were always looking for those types of operation, both big and small, and when they detected one, they swooped in and closed it down. Mrs. Thornburg was no different from the other owners, they simply moved elsewhere. Poverty was a constant companion. In addition to that, Mrs. Thornburg was an alcoholic.
At nine years old, Betty began singing publicly for the first time in a school production. Realizing the voice Betty had, her mother took her around Detroit to have her sing to any group that would listen. This was a small way of getting some money for the poor family. When she was 13, Betty got a few singing jobs with local bands in the area. Thinking she was good enough to make the big time, she left for New York two years later to try a professional career. Unfortunately, it didn't work out and Betty headed back to Detroit.
In 1937, Betty was hired by Vincent Lopez who had a popular band that appeared on the local radio. Later, she would return to New York and it was here that her career took off. Betty found herself on Broadway in 1940, and it was only a matter of time before her career took off to bigger heights. The following year, she left New York for Hollywood, where she was to find new life in films. She was signed by Paramount Pictures and made her debut, at 21, in The Fleet's In (1942), along with Eddie Bracken, William Holden and Dorothy Lamour. Reviews were better than expected, with critics looking favorably upon her work. She had previously appeared in a few musical shorts, which no doubt helped her in her first feature film. She made one more musical in 1942 and two more in 1943.
In 1944, she tried to break away from musicals and try her hand in a screwball comedy, The Miracle of Morgan's Creek (1943). She proved - to herself, the public and the critics - that she was marketable outside musicals. In subsequent films, Betty was able to show her comedic side as well as her singing. In 1948, she appeared in her first big box-office bomb, Dream Girl (1948), which was ripped to shreds by critics, as was Betty's acting, and the movie flopped at the box office. It wasn't long before Betty became unhappy with her career. In truth, she had the acting talent, but the parts she got weren't the types to showcase that. Though she did appear in three well-received films later, Red, Hot and Blue (1949), Annie Get Your Gun (1950) and The Greatest Show on Earth (1952), her career was winding down.
Later, after filming Somebody Loves Me (1952), Betty was all but finished. She had married Charles O'Curran that year and he wanted to direct her in an upcoming film. Paramount didn't like the idea and the temper tantrum-prone Betty walked out of her contract and movies. She did concentrate on the relatively new medium of television and the stage, but she never recovered her previous form. Her final film was a minor one, Spring Reunion (1956). Her TV series, The Betty Hutton Show (1959), didn't fare too well at all. Betty lived in quiet retirement in Palm Springs, California until her death on March 11, 2007. She was 86 years old.The Betty Hutton Show (1959-1960)- Actor
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Mickey Rooney was born Joe Yule Jr. on September 23, 1920 in Brooklyn, New York. He first took the stage as a toddler in his parents vaudeville act at 17 months old. He made his first film appearance in 1926. The following year, he played the lead character in the first Mickey McGuire short film. It was in this popular film series that he took the stage name Mickey Rooney. Rooney reached new heights in 1937 with A Family Affair, the film that introduced the country to Andy Hardy, the popular all-American teenager. This beloved character appeared in nearly 20 films and helped make Rooney the top star at the box office in 1939, 1940 and 1941. Rooney also proved himself an excellent dramatic actor as a delinquent in Boys Town (1938) starring Spencer Tracy. In 1938, he was awarded a Juvenile Academy Award.
Teaming up with Judy Garland, Rooney also appeared in a string of musicals, including Babes in Arms (1939) the first teenager to be nominated for an Oscar for Best Actor in a leading role, Strike Up the Band (1940), Babes on Broadway (1941), and Girl Crazy (1943). He and Garland immediately became best of friends. "We weren't just a team, we were magic," Rooney once said. During that time he also appeared with Elizabeth Taylor in the now classic National Velvet (1944). Rooney joined the service that same year, where he helped to entertain the troops and worked on the American Armed Forces Network. He returned to Hollywood after 21 months in Love Laughs at Andy Hardy (1946), did a remake of a Robert Taylor film, The Crowd Roars (1932) called Killer McCoy (1947) and portrayed composer Lorenz Hart in Words and Music (1948). He also appeared in Breakfast at Tiffany's (1961), starring Audrey Hepburn and George Peppard. Rooney played Hepburn's Japanese neighbor, Mr. Yunioshi. A sign of the times, Rooney played the part for comic relief which he later regretted feeling the role was offensive. He once again showed his incredible range in the dramatic role of a boxing trainer with Anthony Quinn and Jackie Gleason in Requiem for a Heavyweight (1962). In the late 1960s and 1970s Rooney showed audiences and critics alike why he was one of Hollywood's most enduring stars. He gave an impressive performance in Francis Ford Coppola's 1979 film The Black Stallion (1979), which brought him an Academy Award nomination as Best Actor in a Supporting Role. He also turned to the stage in 1979 in Sugar Babies with Ann Miller, and was nominated for a Tony Award. During that time he also portrayed the Wizard in The Wonderful Wizard of Oz with Eartha Kitt at New York's Madison Square Garden, which also had a successful run nationally.
Rooney appeared in four television series': The Mickey Rooney Show (1954) (1954-1955), a comedy sit-com in 1964 with Sammee Tong called Mickey, One of the Boys in 1982 with Dana Carvey and Nathan Lane, and The New Adventures of the Black Stallion (1990) from 1990-1993. In 1981, Rooney won an Emmy Award for his portrayal of a mentally challenged man in Bill (1981). The critical acclaim continued to flow for the veteran performer, with Rooney receiving an honorary Academy Award "in recognition of his 60 years of versatility in a variety of memorable film performances". More recently he has appeared in such films as Night at the Museum (2006) with Ben Stiller and The Muppets (2011) with Amy Adams and Jason Segel.
Rooney's personal life, including his frequent trips to the altar, has proved to be just as epic as his on-screen performances. His first wife was one of the most beautiful women in Hollywood, actress Ava Gardner. Mickey permanently separated from his eighth wife Jan in June of 2012. In 2011 Rooney filed elder abuse and fraud charges against stepson Christopher Aber and Aber's wife. At Rooney's request, the Superior Court issued a restraining order against the Aber's demanding they stay 100 yards from Rooney, as well as Mickey's other son Mark Rooney and Mark's wife Charlene. Just prior, Rooney mustered the strength to break his silence and appeared before the Senate in Washington D.C. telling of his own heartbreaking story of abuse in an effort to live a peaceful, full life and help others who may be similarly suffering in silence.
Rooney requested through the Superior Court to permanently reside with his son Mark Rooney, who is a musician and Marks wife Charlene, an artist, in the Hollywood Hills. He legally separated from his eighth wife in June of 2012. Ironically, after eight failed marriages he never looked or felt better and finally found happiness and peace in the single life. Mickey, Mark and Charlene focused on health, happiness and creative endeavors and it showed. Mickey Rooney had once again landed on his feet reminding us that he was a survivor. Rooney died on April 6th 2014. He was taking his afternoon nap and never woke. One week before his death Mark and Charlene surprised him by reunited him with a long lost love, the racetrack. He was ecstatic to be back after decades and ran into his old friends Mel Brooks and Dick Van Patten.Mickey (1964-1965) and One of the Boys (1982)- Actor
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Legendary actor Glenn Ford was born Gwyllyn Samuel Newton Ford in Sainte-Christine-d'Auvergne, Quebec, Canada, to Hannah Wood (Mitchell) and Newton Ford, a railroad executive. His family moved to Santa Monica, California when he was eight years old. His acting career began with plays at high school, followed by acting in West Coast, a traveling theater company.
Ford was discovered in 1939 by Tom Moore, a talent scout for 20th Century Fox. He subsequently signed a contract with Columbia Pictures the same year. Ford's contract with Columbia marked a significant departure in that studio's successful business model. Columbia's boss, Harry Cohn, had spent decades observing other studios'-most notably Warner Brothers-troubles with their contract stars and had built his poverty-row studio around their loan-outs. Basically, major studios would use Columbia as a penalty box for unruly behavior-usually salary demands or work refusals. The cunning Cohn usually assigned these stars (his little studio could not normally afford then) into pictures, and the studio's status rose immensely as the 1930s progressed. Understandably, Cohn had long resisted developing his own stable of contract stars (he'd first hired Peter Lorre in 1934 but didn't know what to do with him) but had relented in the late 1930s, first adding Rosalind Russell, then signing Ford and fellow newcomer William Holden. Cohn reasoned that the two prospects could be used interchangeably, should one become troublesome. Although often competing for the same parts, Ford and Holden became good friends. Their careers would roughly parallel each other through the 1940s, until Holden became a superstar through his remarkable association with director Billy Wilder in the 1950s.
Ford made his official debut in Fox's Heaven with a Barbed Wire Fence (1939), and continued working in various small roles throughout the 1940s until his movie career was interrupted to join the Marines in World War II. Ford continued his military career in the Naval Reserve well into the Vietnam War, achieving the rank of captain. In 1943 Ford married legendary tap dancer Eleanor Powell, and had one son, Peter Ford. Like many actors returning to Hollywood after the war (including James Stewart and Holden (who had already acquired a serious alcohol problem), he found it initially difficult to regain his career momentum. He was able to resume his movie career with the help of Bette Davis, who gave him his first postwar break in the 1946 movie A Stolen Life (1946). However, it was not until his acclaimed performance in a 1946 classic film noir, Gilda (1946), with Rita Hayworth, that he became a major star and one of the the most popular actors of his time. He scored big with the film noir classics The Big Heat (1953) and Blackboard Jungle (1955), and was usually been cast as a calm and collected everyday-hero, showing courage under pressure. Ford continued to make many notable films during his prestigious 50-year movie career, but he is best known for his fine westerns such as 3:10 to Yuma (1957) and The Rounders (1965). Ford pulled a hugely entertaining turn in The Sheepman (1958) and many more fine films. In the 1970s, Ford made his television debut in the controversial The Brotherhood of the Bell (1970) and appeared in two fondly remembered television series: Cade's County (1971) and The Family Holvak (1975). During the 1980s and 1990s, Ford limited his appearance to documentaries and occasional films, including a nice cameo in Superman (1978).
Glenn Ford is remembered fondly by his fans for his more than 100 excellent films and his charismatic silver screen presence.Cade's County (1971-1972) and The Family Holvak (1975)- Actress
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Ann Sheridan won the "Search for Beauty" contest which carried with it a Paramount screen test. Signed to a contract at 18, she was put into a number of small roles under her real name of Clara Lou Sheridan. As she got better, her name was changed to Ann. In 1936, after two dozen films, she went to Warner Brothers, which billed her as the "Oomph Girl," a name she despised -- although she certainly looked the part. She was allowed to mature into a leading star who could be the girl next door or the tough-as-nails dame. She was in a lot of comedies and a number of forgettable movies, but the public liked her, and her career flourished. She also gave great performances such as the singer in Torrid Zone (1940) and the waitress in They Drive by Night (1940). In 1948, she was dropped by Warner Bros., but came back in Howard Hawks' comedy I Was a Male War Bride (1949) with Cary Grant. She continued to make films into the 1950s but retired before the end of the decade. She starred in the soap opera Another World (1964) and the western series Pistols 'n' Petticoats (1966). Unfortunately, just as her career was reviving with this series, she died of cancer.Pistols and Petticoats (1966-1967)- Actor
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Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio. His paternal grandfather was Irish, and the rest of his family was Mexican.
After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.
As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national (he did not become an American citizen until 1947), he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.
Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican-American to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece The Road (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).
Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.
In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).
Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.The Man and the City (1971-1972)- Actress
- Soundtrack
Known as "The First lady of the American Theater", Helen Hayes had a legendary career on stage and in films and television that spanned over eighty years. Hayes was born in Washington, D.C., to Catherine Estelle "Essie" Hayes, an actress who worked in touring companies, and Francis van Arnum Brown, a clerk and salesman. Her maternal grandparents were Irish. A child actress in the first decade of the 20th century, by the time she turned twenty in 1920 she was well on her way to a landmark career on the American stage, becoming perhaps the greatest female star of the theatre during the 1930s and 1940s. She made a handful of scattered films during the silent era and in 1931 was signed to MGM with great fanfare to begin a career starring in films. Her first three films, Arrowsmith (1931), The Sin of Madelon Claudet (1931), and A Farewell to Arms (1932), were great hits and she would win the 1932 Oscar for Best Actress for her work in Madelon Claudet. Alas, her lack of screen glamour worked against her becoming a box office star during the golden era of Hollywood, and her subsequent films were often not well received by critics. Within four years she had abandoned the screen and returned to the stage for the greatest success of her career, "Victoria Regina", which ran for three years starting in 1935. Helen Hayes returned to motion pictures with a few featured roles in 1950s films and frequently appeared on television. In 1970, she made a screen comeback in Airport (1970), a role originally offered to Claudette Colbert, who declined it, earning Hayes her second Oscar, this time for Best Supporting Actress. Helen Hayes retired from the stage in 1971 but enjoyed enormous fame and popularity over the next fifteen years with many roles in motion pictures and television productions, retiring in 1985 after starring in the TV film Murder with Mirrors (1985).The Snoop Sisters (1972-1974)- Actor
- Producer
- Director
Roderick Andrew Anthony Jude McDowall was born in Herne Hill, London, to Winifriede Lucinda (Corcoran), an Irish-born aspiring actress, and Thomas Andrew McDowall, a merchant seaman of Scottish descent. Young Roddy was enrolled in elocution courses at age five. By age 10, he had appeared in his first film, Murder in the Family (1938), playing Peter Osborne, the younger brother of sisters played by Jessica Tandy and Glynis Johns.
His mother brought Roddy and his sister to the U.S. at the beginning of World War II, and he soon got the part of "Huw", the youngest child in a family of Welsh coal miners, in John Ford's How Green Was My Valley (1941), acting alongside Walter Pidgeon, Maureen O'Hara and Donald Crisp in the film that won that year's best film Oscar. He went on to many other child roles, in films like My Friend Flicka (1943) and Lassie Come Home (1943) until, at age eighteen, he moved to New York, where he played a long series of successful stage roles, both on Broadway and in such venues as Connecticut's Stratford Festival, where he did Shakespeare. He became a naturalized United States citizen in 1949.
In addition to making many more movies (over 150), McDowall acted in television, developed an extensive collection of movies and Hollywood memorabilia, and published five acclaimed books of his own photography. He died at his Los Angeles home, aged 70, of cancer. He never married and had no children.Planet of the Apes (1974), The Fantastic Journey (1977), and Tales of the Gold Monkey (1982-1983)- Actor
- Director
- Second Unit Director or Assistant Director
Jack Palance quite often exemplified evil incarnate on film, portraying some of the most intensely feral villains witnessed in 1950s westerns and melodrama. Enhanced by his tall, powerful build, icy voice, and piercing eyes, he earned two "Best Supporting Actor" nominations early in his career. It would take a grizzled, eccentric comic performance 40 years later, however, for him to finally grab the coveted statuette.
Of Ukrainian descent, Palance was born Volodymyr Ivanovich Palahniuk (later taking Walter Jack Palance as his legal name) on February 18, 1919 (although some sources, including his death certificate, cite 1920) in Lattimer Mines, Pennsylvania (coal country), one of six children born to Anna (nee Gramiak) and Ivan Palahniuk. His father, an anthracite miner, died of black lung disease. Palance worked in the mines in his early years but averted the same fate as his father. Athletics was his ticket out of the mines when he won a football scholarship to the University of North Carolina. He subsequently dropped out to try his hand at professional boxing. Fighting under the name "Jack Brazzo", he won his first 15 fights, 12 by knockout, before losing a 4th round decision to future heavyweight contender Joe Baksi on December 17, 1940.
With the outbreak of World War II, his boxing career ended and his military career began, serving in the Army Air Force as a bomber pilot. Wounded in combat and suffering severe injuries and burns, he received the Purple Heart, Good Conduct Medal, and the World War II Victory Medal. He resumed college studies as a journalist at Stanford University and became a sportswriter for the San Francisco Chronicle. He also worked for a radio station until he was bit by the acting bug.
Palance made his stage debut in "The Big Two" in 1947 and immediately followed it understudying Marlon Brando as Stanley Kowalski in the groundbreaking Broadway classic "A Streetcar Named Desire", a role he eventually took over. Following stage parts in "Temporary Island" (1948), "The Vigil" (1948), and "The Silver Tassle" (1949), Palance won a choice role in "Darkness of Noon" and a Theatre World Award for "Promising New Personality." This recognition helped him secure a 20th Century-Fox contract. The facial burns and resulting reconstructive surgery following the crash and burn of his WWII bomber plane actually worked to his advantage. Out of contention as a glossy romantic leading man, Palance instead became the archetypal intimidating villain equipped with towering stance, imposing glare, and killer-shark smile.
He stood out among a powerhouse cast that included actors such as Richard Widmark, Zero Mostel and Paul Douglas in his movie debut in Elia Kazan's Panic in the Streets (1950), as a plague-carrying fugitive. He was soon on his way. Briefly billed as Walter Jack Palance before eliminating the first name, the actor made fine use of his former boxing skills and war experience for the film Halls of Montezuma (1951) as a boxing Marine in Richard Widmark's platoon. He followed this with the first of his back-to-back Oscar nods. In Sudden Fear (1952), only his third film, he played rich-and-famous playwright Joan Crawford's struggling actor/husband who plots to murder her and run off with gorgeous Gloria Grahame. Finding just the right degree of intensity and menace to pretty much steal the proceedings without chewing the scenery, he followed this with arguably his finest villain of the decade, that of sadistic gunslinger Jack Wilson who takes on Alan Ladd's titular hero, played by Shane (1953), in a classic showdown.
Throughout the 1950s, Palance doled out strong leads and supports such as those in Man in the Attic (1953) (his first lead), The Big Knife (1955) and the war classic Attack (1956). Mixed in were a few routine to highly mediocre parts in Flight to Tangier (1953), Sign of the Pagan (1954) (as Attila the Hun), and the biblical bomb The Silver Chalice (1954). In between filmmaking were a host of television roles, none better than his down-and-out boxer in Requiem for a Heavyweight (1956), a rare sympathetic role that earned him an Emmy Award.
Back and forth overseas in the 1960s and 1970s, Palance would dominate foreign pictures in a number of different genres -- sandal-and-spear spectacles, biblical epics, war stories and "spaghetti westerns." Such films included The Battle of Austerlitz (1960), The Mongols (1961), Barabbas (1961), Night Train to Milan (1962), Contempt (1963), The Mercenary (1968), Marquis de Sade's Justine (1969), The Desperados (1969), It Can Be Done Amigo (1972), Chato's Land (1972), Blood and Bullets (1976), Welcome to Blood City (1977). Back home, he played Fidel Castro in Che! (1969) while also appearing in Monte Walsh (1970), Oklahoma Crude (1973) and The Four Deuces (1975).
On the made-for-television front, Jack played a number of nefarious nasties to perfection, ranging from Mr. Hyde (The Strange Case of Dr. Jekyll and Mr. Hyde (1968)) to Dracula in Dracula (1974) to Ebenezer Scrooge in a "Wild West" version of the Dickens classic Ebenezer (1998). He also played one of the Hatfields in The Hatfields and the McCoys (1975). Jack switched gears to star as a "nice guy" lieutenant in the single-season TV cop drama Bronk (1975). In later years, the actor mellowed with age, as exemplified by roles in Bagdad Cafe (1987), but could still display his bad side as he did as an evil rancher, crime boss or drug lord in, respectively, Young Guns (1988), Batman (1989) and Tango & Cash (1989). Into his twilight years he showed a penchant for brash, quirky comedy capped by his Oscar-winning role in City Slickers (1991) and its sequel. He ended his film career playing Long John Silver in Treasure Island (1999).
His three children by his first wife, actress Virginia Baker -- Holly Palance, Brooke Palance, and Cody Palance -- all pursued acting careers and appeared with their father at one time or another. A man of few words off the set, he owned his own cattle ranch and displayed other creative sides as a exhibited painter and published poet.
His last years were marred by both failing health and the 1998 death of his son Cody from melanoma. He was later diagnosed with pancreatic cancer and died at the Santa Barbara County home of his daughter, Holly Palance, in 2006.The Greatest Show on Earth (1963-1964) and Bronk (1975-1976)- Actress
- Soundtrack
One of the brightest, most tragic movie stars of Hollywood's Golden Era, Judy Garland was a much-loved character whose warmth and spirit, along with her rich and exuberant voice, kept theatre-goers entertained with an array of delightful musicals.
She was born Frances Ethel Gumm on 10 June 1922 in Minnesota, the youngest daughter of vaudevillians Ethel Marian (Milne) and Francis Avent "Frank" Gumm. She was of English, along with some Scottish and Irish, descent. Her mother, an ambitious woman gifted in playing various musical instruments, saw the potential in her daughter at the tender age of just 2 years old when Baby Frances repeatedly sang "Jingle Bells" until she was dragged from the stage kicking and screaming during one of their Christmas shows and immediately drafted her into a dance act, entitled "The Gumm Sisters," along with her older sisters Mary Jane Gumm and Virginia Gumm. However, knowing that her youngest daughter would eventually become the biggest star, Ethel soon took Frances out of the act and together they traveled across America where she would perform in nightclubs, cabarets, hotels and theaters solo.
Her family life was not a happy one, largely because of her mother's drive for her to succeed as a performer and also her father's closeted homosexuality. The Gumm family would regularly be forced to leave town owing to her father's illicit affairs with other men, and from time to time they would be reduced to living out of their automobile. However, in September 1935 the Gumms', in particular Ethel's, prayers were answered when Frances was signed by Louis B. Mayer, mogul of leading film studio MGM, after hearing her sing. It was then that her name was changed from Frances Gumm to Judy Garland, after a popular '30s song "Judy" and film critic Robert Garland.
Tragedy soon followed, however, in the form of her father's death of meningitis in November 1935. Having been given no assignments with the exception of singing on radio, Judy faced the threat of losing her job following the arrival of Deanna Durbin. Knowing that they couldn't keep both of the teenage singers, MGM devised a short entitled Every Sunday (1936) which would be the girls' screen test. However, despite being the outright winner and being kept on by MGM, Judy's career did not officially kick off until she sang one of her most famous songs, "You Made Me Love You," at Clark Gable's birthday party in February 1937, during which Louis B. Mayer finally paid attention to the talented songstress.
Prior to this her film debut in Pigskin Parade (1936), in which she played a teenage hillbilly, had left her career hanging in the balance. However, following her rendition of "You Made Me Love You," MGM set to work preparing various musicals with which to keep Judy busy. All this had its toll on the young teenager, and she was given numerous pills by the studio doctors in order to combat her tiredness on set. Another problem was her weight fluctuation, but she was soon given amphetamines in order to give her the desired streamlined figure. This soon produced the downward spiral that resulted in her lifelong drug addiction.
In 1939, Judy shot immediately to stardom with The Wizard of Oz (1939), in which she portrayed Dorothy, an orphaned girl living on a farm in the dry plains of Kansas who gets whisked off into the magical world of Oz on the other end of the rainbow. Her poignant performance and sweet delivery of her signature song, 'Over The Rainbow,' earned Judy a special juvenile Oscar statuette on 29 February 1940 for Best Performance by a Juvenile Actor. Now growing up, Judy began to yearn for meatier adult roles instead of the virginal characters she had been playing since she was 14. She was now taking an interest in men, and after starring in her final juvenile performance in Ziegfeld Girl (1941) alongside glamorous beauties Lana Turner and Hedy Lamarr, Judy got engaged to bandleader David Rose in May 1941, just two months after his divorce from Martha Raye. Despite planning a big wedding, the couple eloped to Las Vegas and married during the early hours of the morning on July 28, 1941 with just her mother Ethel and her stepfather Will Gilmore present. However, their marriage went downhill as, after discovering that she was pregnant in November 1942, David and MGM persuaded her to abort the baby in order to keep her good-girl image up. She did so and, as a result, was haunted for the rest of her life by her 'inhumane actions.' The couple separated in January 1943.
By this time, Judy had starred in her first adult role as a vaudevillian during WWI in For Me and My Gal (1942). Within weeks of separation, Judy was soon having an affair with actor Tyrone Power, who was married to French actress Annabella. Their affair ended in May 1943, which was when her affair with producer Joseph L. Mankiewicz kicked off. He introduced her to psychoanalysis and she soon began to make decisions about her career on her own instead of being influenced by her domineering mother and MGM. Their affair ended in November 1943, and soon afterward Judy reluctantly began filming Meet Me in St. Louis (1944), which proved to be a big success. The director Vincente Minnelli highlighted Judy's beauty for the first time on screen, having made the period musical in color, her first color film since The Wizard of Oz (1939). He showed off her large brandy-brown eyes and her full, thick lips and after filming ended in April 1944, a love affair resulted between director and actress and they were soon living together.
Vincente began to mold Judy and her career, making her more beautiful and more popular with audiences worldwide. He directed her in The Clock (1945), and it was during the filming of this movie that the couple announced their engagement on set on January 9, 1945. Judy's divorce from David Rose had been finalized on June 8, 1944 after almost three years of marriage, and despite her brief fling with Orson Welles, who at the time was married to screen sex goddess Rita Hayworth, on June 15, 1945 Judy made Vincente her second husband, tying the knot with him that afternoon at her mother's home with her boss Louis B. Mayer giving her away and her best friend Betty Asher serving as bridesmaid. They spent three months on honeymoon in New York and afterwards Judy discovered that she was pregnant.
On March 12, 1946 in Los Angeles, California, Judy gave birth to their daughter, Liza Minnelli, via cesarean section. It was a joyous time for the couple, but Judy was out of commission for weeks due to the cesarean and her postnatal depression, so she spent much of her time recuperating in bed. She soon returned to work, but married life was never the same for Vincente and Judy after they filmed The Pirate (1948) together in 1947. Judy's mental health was fast deteriorating and she began hallucinating things and making false accusations toward people, especially her husband, making the filming a nightmare. She also began an affair with aspiring Russian actor Yul Brynner, but after the affair ended, Judy soon regained health and tried to salvage her failing marriage. She then teamed up with dancing legend Fred Astaire for the delightful musical Easter Parade (1948), which resulted in a successful comeback despite having Vincente fired from directing the musical. Afterwards, Judy's health deteriorated and she began the first of several suicide attempts. In May 1949, she was checked into a rehabilitation center, which caused her much distress.
She soon regained strength and was visited frequently by her lover Frank Sinatra, but never saw much of Vincente or Liza. On returning, Judy made In the Good Old Summertime (1949), which was also Liza's film debut, albeit via an uncredited cameo. She had already been suspended by MGM for her lack of cooperation on the set of The Barkleys of Broadway (1949), which also resulted in her getting replaced by Ginger Rogers. After being replaced by Betty Hutton on Annie Get Your Gun (1950), Judy was suspended yet again before making her final film for MGM, entitled Summer Stock (1950). At 28, Judy received her third suspension and was fired by MGM, and her second marriage was soon dissolved.
Having taken up with Sidney Luft, Judy traveled to London to star at the legendary Palladium. She was an instant success and after her divorce from Vincente Minnelli was finalized on March 29, 1951 after almost six years of marriage, Judy traveled with Sid to New York to make an appearance on Broadway. With her newfound fame on stage, Judy was stopped in her tracks in February 1952 when she became pregnant by her new lover, Sid. At the age of 30, she made him her third husband on June 8, 1952; the wedding was held at a friend's ranch in Pasadena. Her relationship with her mother had long since been dissolved by this point, and after the birth of her second daughter, Lorna Luft, on November 21, 1952, she refused to allow her mother to see her granddaughter. Ethel then died in January 1953 of a heart attack, leaving Judy devastated and feeling guilty about not reconciling with her mother before her untimely demise.
After the funeral, Judy signed a film contract with Warner Bros. to star in the musical remake of A Star Is Born (1937), which had starred Janet Gaynor, who had won the first-ever Academy Award for Best Actress in 1929. Filming soon began, resulting in an affair between Judy and her leading man, British star James Mason. She also picked up on her affair with Frank Sinatra, and after filming was complete Judy was yet again lauded as a great film star. She won a Golden Globe for her brilliant and truly outstanding performance as Esther Blodgett, nightclub singer turned movie star, but when it came to the Academy Awards, a distraught Judy lost out on the Best Actress Oscar to Grace Kelly for her portrayal of the wife of an alcoholic star in The Country Girl (1954). Many still argue that Judy should have won the Oscar over Grace Kelly. Continuing her work on stage, Judy gave birth to her beloved son, Joey Luft, on March 29, 1955. She soon began to lose her millions of dollars as a result of her husband's strong gambling addiction, and with hundreds of debts to pay, Judy and Sid began a volatile, on-off relationship resulting in numerous divorce filings.
In 1961, at the age of 39, Judy returned to her ailing film career, this time to star in Judgment at Nuremberg (1961), for which she received an Oscar nomination for Best Supporting Actress, but this time she lost out to Rita Moreno for her performance in West Side Story (1961). Her battles with alcoholism and drugs led to Judy's making numerous headlines in newspapers, but she soldiered on, forming a close friendship with President John F. Kennedy. In 1963, Judy and Sid finally separated permanently, and on May 19, 1965 their divorce was finalized after almost 13 years of marriage. By this time, Judy, now 41, had made her final performance on film alongside Dirk Bogarde in I Could Go on Singing (1963). She married her fourth husband, Mark Herron, on November 14, 1965 in Las Vegas, but they separated in April 1966 after five months of marriage owing to his homosexuality. It was also that year that she began an affair with young journalist Tom Green. She then settled down in London after their affair ended, and she began dating disk jockey Mickey Deans in December 1968. They became engaged once her divorce from Mark Herron was finalized on January 9, 1969 after three years of marriage. She married Mickey, her fifth and final husband, in a register office in Chelsea, London, England on March 15, 1969.
She continued working on stage, appearing several times with her daughter Liza. It was during a concert in Chelsea, London, England that Judy stumbled into her bathroom late one night and died of an overdose of barbiturates, the drug that had dominated her much of her life, on June 22, 1969 at the age of 47. Her daughter Liza Minnelli paid for her funeral, and her former lover James Mason delivered her touching eulogy. She is still an icon to this day with her famous performances in The Wizard of Oz (1939), Meet Me in St. Louis (1944), Easter Parade (1948), and A Star Is Born (1954).The Judy Garland Show (1963-1964)- Actor
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- Director
Richard Widmark established himself as an icon of American cinema with his debut in the 1947 film noir Kiss of Death (1947), in which he won a Best Supporting Actor Academy Award nomination as the killer Tommy Udo. Kiss of Death (1947) and other noir thrillers established Widmark as part of a new generation of American movie actors who became stars in the post-World War II era. With fellow post-War stars Kirk Douglas and Robert Mitchum, Widmark brought a new kind of character to the screen in his character leads and supporting parts: a hard-boiled type who does not actively court the sympathy of the audience. Widmark was not afraid to play deeply troubled, deeply conflicted, or just downright deeply corrupt characters.
After his debut, Widmark would work steadily until he retired at the age of 76 in 1990, primarily as a character lead. His stardom would peak around the time he played the U.S. prosecutor in Judgment at Nuremberg (1961) as the 1950s segued into the 1960s, but he would continue to act for another 30 years.
Richard Weedt Widmark was born in Sunrise Township, Minnesota, to Ethel Mae (Barr) and Carl Henry Widmark. His father was of Swedish descent and his mother of English and Scottish ancestry. He has said that he loved the movies from his boyhood, claiming, "I've been a movie bug since I was 4. My grandmother used to take me". The teenaged Widmark continued to go to the movies and was thrilled by Dracula (1931) and Frankenstein (1931). "I thought Boris Karloff was great", Widmark said. Although he loved the movies and excelled at public speaking while attending high school, Widmark attended Lake Forest College with the idea of becoming a lawyer. However, he won the lead role in a college production of, fittingly enough, the play "Counsellor-at-Law", and the acting bug bit deep. After taking his bachelor of arts degree in 1936, he stayed on at Lake Forest as the Assistant Director of Speech and Drama. However, he soon quit the job and moved to New York to become an actor, and by 1938 he was appearing on radio in "Aunt Jenny's Real Life Stories". He made his Broadway debut in 1943 in the play "Kiss and Tell" and continued to appear on stage in roles that were light-years away from the tough cookies he would play in his early movies.
After World War II, he was signed by 20th Century-Fox to a seven-year contract. After seeing his screen test for the role of Tommy Udo, 20th Century-Fox boss Darryl F. Zanuck insisted that the slight, blonde Widmark - no one's idea of a heavy, particularly after his stage work - be cast as the psychopath in Kiss of Death (1947), which had been prepared as a Victor Mature vehicle. Even though the role was small, Widmark stole the picture. The publicity department at 20th Century-Fox recommended that exhibitors market the film by concentrating on thumping the tub for their new antihero. "Sell Richard Widmark" advised the studio's publicity manual that an alert 20th Century-Fox sent to theater owners. The manual told local exhibitors to engage a job printer to have "wanted" posters featuring Widmark's face printed and pasted up. He won a Golden Globe and an Oscar nod for the part, which led to an early bout with typecasting at the studio. Widmark played psychotics in The Street with No Name (1948) and Road House (1948) and held his own against new Fox superstar Gregory Peck in the William A. Wellman western Yellow Sky (1948), playing the villain, of course. When his pressuring the studio to let him play other parts paid off, his appearance as a sailor in Down to the Sea in Ships (1949) made headlines: Life magazine's March 28, 1949, issue featured a three-page spread of the movie headlined "Widmark the Movie Villain Goes Straight". He was popular, having captured the public imagination, and before the decade was out, his hand- and footprints were immortalized in concrete in the court outside Grauman's Chinese Theatre in Hollywood.
The great director Elia Kazan cast Widmark in his thriller Panic in the Streets (1950), not as the heavy (that role went to Jack Palance) but as the physician who tracks down Palance, who has the plague, in tandem with detective Paul Douglas. Widmark was establishing himself as a real presence in the genre that later would be hailed as film noir. Having proved he could handle other roles, Widmark didn't shy away from playing heavies in quality pictures. The soon-to-be-blacklisted director Jules Dassin cast him in one of his greatest roles, as the penny-ante hustler Harry Fabian in Night and the City (1950). Set in London, Widmark's Fabian manages to survive in the jungle of the English demimonde, but is doomed. Widmark was masterful in conveying the desperation of the criminal seeking to control his own fate but who is damned, and this performance also became an icon of film noir. In that same year, he appeared in Oscar-winning writer-director Joseph L. Mankiewicz's No Way Out (1950) as a bigot who instigates a race riot.
As the 1950s progressed, Widmark played in westerns, military vehicles, and his old stand-by genre, the thriller. He appeared with Marilyn Monroe (this time cast as the psycho) in Don't Bother to Knock (1952) and made Pickup on South Street (1953) that same year for director Samuel Fuller. His seven-year contract at Fox was expiring, and Zanuck, who would not renew the deal, cast him in the western Broken Lance (1954) in a decidedly supporting role, billed beneath not only Spencer Tracy but even Robert Wagner and Jean Peters. The film was well respected, and it won an Oscar nomination for best screenplay for the front of Hollywood 10 blacklistee Albert Maltz. Widmark left Fox for the life of a freelance, forming his own company, Heath Productions. He appeared in more westerns, adventures and social dramas and pushed himself as an actor by taking the thankless role of the Dauphin in Otto Preminger's adaptation of George Bernard Shaw's Saint Joan (1957), a notorious flop that didn't bring anyone any honors, neither Preminger, his leading lady Jean Seberg, nor Widmark. In 1960, he was appearing in another notorious production, John Wayne's ode to suicidal patriotism, The Alamo (1960), with the personally liberal Widmark playing Jim Bowie in support of the very conservative Wayne's Davy Crockett. Along with character actor Chill Wills, Widmark arguably was the best thing in the movie.
In 1961, Widmark acquitted himself quite well as the prosecutor in producer-director Stanley Kramer's Judgment at Nuremberg (1961), appearing with the Oscar-nominated Spencer Tracy and the Oscar-winning Maximilian Schell, as well as with superstar Burt Lancaster and acting genius Montgomery Clift and the legendary Judy Garland (the latter two winning Oscar nods for their small roles). Despite being showcased with all this thespian firepower, Widmark's character proved to be the axis on which the drama turned. A little later, Widmark appeared in two westerns directed by the great John Ford, with co-star James Stewart in Two Rode Together (1961) and as the top star in Ford's apologia for Indian genocide, Cheyenne Autumn (1964). On Two Rode Together (1961), Ford feuded with Jimmy Stewart over his hat. Stewart insisted on wearing the same hat he had for a decade of highly successful westerns that had made him one of the top box office stars of the 1950s. Both he and Widmark were hard-of-hearing (as well as balding and in need of help from the makeup department's wigmakers), so Ford would sit far away from them while directing scenes and then give them directions in a barely audible voice. When neither one of the stars could hear their director, Ford theatrically announced to his crew that after over 40 years in the business, he was reduced to directing two deaf toupees. It was testimony to the stature of both Stewart and Widmark as stars that this was as far as Ford's baiting went, as the great director could be extraordinarily cruel.
Widmark continued to co-star in A-pictures through the 1960s. He capped off the decade with one of his finest performances, as the amoral police detective in Don Siegel's gritty cop melodrama Madigan (1968). With Madigan, one can see Widmark's characters as a progression in the evolution of what would become the late 1960s nihilistic antihero, such as those embodied by Clint Eastwood in Siegel's later Dirty Harry (1971). In the 1970s, he continued to make his mark in movies and, beginning in 1971, in television. In movies, he appeared primarily in supporting roles, albeit in highly billed fashion, in such films as Sidney Lumet's Murder on the Orient Express (1974), Robert Aldrich's Twilight's Last Gleaming (1977), and Stanley Kramer's The Domino Principle (1977). He even came back as a heavy, playing the villainous doctor in Coma (1978).
In 1971, in search of better roles, he turned to television, starring as the President of the U.S. in the TV miniseries Vanished (1971). His performance in the role brought Widmark an Emmy nomination. He resurrected the character of Madigan for NBC in six 90-minute episodes that appeared as part of the rotation of "NBC Wednesday Mystery Movie" for the fall 1972 season. Widmark was married for 55 years to playwright Jean Hazlewood, from 1942 until her death in 1997 (they had one child, Anne, who was born in 1945). He lived quietly and avoided the press, saying in 1971, "I think a performer should do his work and then shut up". Los Angeles Times critic Kevin Thomas thought that Widmark should have won an Oscar nomination for his turn in When the Legends Die (1972) playing a former rodeo star tutoring Frederic Forrest's character.
It is surprising to think that Kiss of Death (1947) represented his sole Oscar nomination, but with the rise of respect for film noir around the time his career began tapering off in the '70s, he began to be reevaluated as an actor. Unlike Bogart, who did not live to see his reputation flourish after his death, Widmark became a cult figure well before he retired.Madigan (1972-1973)- Actor
- Writer
- Director
Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.
Jerry died on August 20, 2017, in Las Vegas.The Jerry Lewis Show (1963 and 1967-1969)- Actress
- Producer
- Soundtrack
Lana Turner had an acting ability that belied the "Sweater Girl" image MGM thrust upon her, and even many of her directors admitted that they knew she was capable of greatness (check out The Postman Always Rings Twice (1946)). Unfortunately, her private life sometimes overshadowed her professional accomplishments.
Lana Turner was born Julia Jean Mildred Francis Turner in Wallace, Idaho. There is some discrepancy as to whether her birth date is February 8, 1920 or 1921. Lana herself said in her autobiography that she was one year younger (1921) than the records showed, but then this was a time where women, especially actresses, tended to "fib" a bit about their age. Most sources agree that 1920 is the correct year of birth. Her parents were Mildred Frances (Cowan) and John Virgil Turner, a miner, both still in their teens when she was born. In 1929, her father was murdered and it was shortly thereafter her mother moved her and the family to California where jobs were "plentiful". Once she matured into a beautiful young woman, she went after something that would last forever: stardom. She wasn't found at a drug store counter, like some would have you believe, but that legend persists. She pounded the pavement as other would-be actors and actresses have done, are doing and will continue to do in search of movie roles.
In 1937, Lana entered the movie world, at 17, with small parts in They Won't Forget (1937), The Great Garrick (1937) and A Star Is Born (1937). These films didn't bring her a lot of notoriety, but it was a start. In 1938 she had another small part in Love Finds Andy Hardy (1938) starring Mickey Rooney. It was this film that made young men's hearts all over America flutter at the sight of this alluring and provocative young woman--known as the "Sweater Girl"--and one look at that film could make you understand why: she was one of the most spectacularly beautiful newcomers to grace the screen in years. By the 1940s Lana was firmly entrenched in the film business. She had good roles in such films as Johnny Eager (1941), Somewhere I'll Find You (1942) and Week-End at the Waldorf (1945). If her career was progressing smoothly, however, her private life was turning into a train wreck, keeping her in the news in a way no one would have wanted.
Without a doubt her private life was a threat to her public career. She was married eight times, twice to Stephen Crane. She also married Ronald Dante, Robert Eaton, Fred May, Lex Barker, Henry Topping and bandleader Artie Shaw. She also battled alcoholism. In yet another scandal, her daughter by Crane, Cheryl Crane, fatally stabbed Lana's boyfriend, gangster Johnny Stompanato, in 1958. It was a case that would have rivaled the O.J. Simpson murder case. Cheryl was acquitted of the murder charge, with the jury finding that she had been protecting her mother from Stompanato, who was savagely beating her, and ruled it justifiable homicide. These and other incidents interfered with Lana's career, but she persevered. The release of Imitation of Life (1959), a remake of a 1934 film (Imitation of Life (1934)), was Lana's comeback vehicle. Her performance as Lora Meredith was flawless as an actress struggling to make it in show business with a young daughter, her housekeeper and the housekeeper's rebellious daughter. The film was a box-office success and proved beyond a doubt that Lana had not lost her edge.
By the 1960s, however, fewer roles were coming her way with the rise of new and younger stars. She still managed to turn in memorable performances in such films as Portrait in Black (1960) and Bachelor in Paradise (1961). By the next decade the roles were coming in at a trickle. Her last appearance in a big-screen production was in Witches' Brew (1980). Her final film work came in the acclaimed TV series Falcon Crest (1981) in which she played Jacqueline Perrault from 1982-1983. After all those years as a sex symbol, nothing had changed--Lana was still as beautiful as ever.
She died on June 25, 1995, in Culver City, California, after a long bout with cancer. She was 74 years old.The Survivors (1969-1970)- Actor
- Producer
- Soundtrack
Tony Curtis was born Bernard Schwartz, the eldest of three children of Helen (Klein) and Emanuel Schwartz, Jewish immigrants from Hungary. Curtis himself admits that while he had almost no formal education, he was a student of the "school of hard knocks" and learned from a young age that the only person who ever had his back was himself, so he learned how to take care of both himself and younger brother, Julius. Curtis grew up in poverty, as his father, Emanuel, who worked as a tailor, had the sole responsibility of providing for his entire family on his meager income. This led to constant bickering between Curtis's parents over money, and Curtis began to go to movies as a way of briefly escaping the constant worries of poverty and other family problems. The financial strain of raising two children on a meager income became so tough that in 1935, Curtis's parents decided that their children would have a better life under the care of the state and briefly had Tony and his brother admitted to an orphanage. During this lonely time, the only companion Curtis had was his brother, Julius, and the two became inseparable as they struggled to get used to this new way of life. Weeks later, Curtis's parents came back to reclaim custody of Tony and his brother, but by then Curtis had learned one of life's toughest lessons: the only person you can count on is yourself.
In 1938, shortly before Tony's Bar Mitzvah, tragedy struck when Tony lost the person most important to him when his brother, Julius, was hit by a truck and killed. After that tragedy, Curtis's parents became convinced that a formal education was the best way Tony could avoid the same never-knowing-where-your-next-meal-is-coming-from life that they had known. However, Tony rejected this because he felt that learning about literary classics and algebra wasn't going to advance him in life as much as some real hands-on life experience would. He was to find that real-life experience a few years later, when he enlisted in the navy in 1942. Tony spent over two years getting that life experience doing everything from working as a crewman on a submarine tender, the USS Proteus (AS-19), to honing his future craft as an actor performing as a sailor in a stage play at the Navy Signalman School in Illinois.
In 1945, Curtis was honorably discharged from the navy, and when he realized that the GI Bill would allow him to go to acting school without paying for it, he now saw that his lifelong pipe dream of being an actor might actually be achievable. Curtis auditioned for the New York Dramatic Workshop, and after being accepted on the strength of his audition piece (a scene from "Dr. Jekyll and Mr. Hyde" in pantomime), Curtis enrolled in early 1947. He then began to pay his dues by appearing in a slew of stage productions, including "Twelfth Night" and "Golden Boy". He then connected with a small theatrical agent named Joyce Selznick, who was the niece of film producer David O. Selznick. After seeing his potential, Selznick arranged an interview for Curtis to see David O. Selznick at Universal Studios, where Curtis was offered a seven-year contract. After changing his name to what he saw as an elegant, mysterious moniker--"Tony Curtis" (named after the novel Anthony Adverse (1936) by Hervey Allen and a cousin of his named Janush Kertiz)--Curtis began making a name for himself by appearing in small, offbeat roles in small-budget productions. His first notable performance was a two-minute role in Criss Cross (1949), with Burt Lancaster, in which he makes Lancaster jealous by dancing with Yvonne De Carlo. This offbeat role resulted in Curtis's being typecast as a heavy for the next few years, such as playing a gang member in City Across the River (1949).
Curtis continued to build up a show reel by accepting any paying job, acting in a number of bit-part roles for the next few years. It wasn't until late 1949 that he finally got the chance to demonstrate his acting flair, when he was cast in an important role in an action western, Sierra (1950). On the strength of his performance in that movie, Curtis was finally cast in a big-budget movie, Winchester '73 (1950). While he appears in that movie only very briefly, it was a chance for him to act alongside a Hollywood legend, James Stewart.
As his career developed, Curtis wanted to act in movies that had social relevance, ones that would challenge audiences, so he began to appear in such movies as Spartacus (1960) and The Defiant Ones (1958). He was advised against appearing as the subordinate sidekick in Spartacus (1960), playing second fiddle to the equally famous Kirk Douglas. However, Curtis saw no problem with this because the two had recently acted together in dual leading roles in The Vikings (1958).The Persuaders (1971-1972) and McCoy (1975-1976)- Actress
- Producer
- Costume Designer
Gloria Swanson was born Gloria May Josephine Svensson in Chicago, Illinois. She was destined to be perhaps one of the biggest stars of the silent movie era. Her personality and antics in private definitely made her a favorite with America's movie-going public. Gloria certainly didn't intend on going into show business. After her formal education in the Chicago school system and elsewhere, she began work in a department store as a salesclerk. In 1915, at the age of 18, she decided to go to a Chicago movie studio with an aunt to see how motion pictures were made. She was plucked out of the crowd, because of her beauty, to be included as a bit player in the film The Fable of Elvira and Farina and the Meal Ticket (1915). In her next film, she was an extra also, when she appeared in At the End of a Perfect Day (1915). After another uncredited role, Gloria got a more substantial role in Sweedie Goes to College (1915). In 1916, she first appeared with future husband Wallace Beery. Once married, the two pulled up stakes in Chicago and moved to Los Angeles to the film colony of Hollywood. Once out west, Gloria continued her torrid pace in films. She seemed to be in hit after hit in such films as The Pullman Bride (1917), Shifting Sands (1918), and Don't Change Your Husband (1919). By the time of the latter, Gloria had divorced Beery and was remarried, but it was not to be her last marriage, as she collected a total of six husbands. By the middle 1920s, she was the highest-paid actress in Hollywood. It has been said that Gloria made and spent over $8 million in the '20s alone. That, along with the six marriages she had, kept the fans spellbound with her escapades for over 60 years. They just couldn't get enough of her. Gloria was 30 when the sound revolution hit, and there was speculation as to whether she could adapt. She did. In 1928, she received an Oscar nomination for Best Actress for her role of Sadie Thompson in the film of the same name but lost to Janet Gaynor for 3 different films. The following year, she again was nominated for the same award in The Trespasser (1929). This time, she lost out to Norma Shearer in The Divorcee (1930). By the 1930s, Gloria pared back her work with only four films during that time. She had taken a hiatus from film work after 1934's Music in the Air (1934) and would not be seen again until Father Takes a Wife (1941). That was to be it until 1950, when she starred in Sunset Boulevard (1950) as Norma Desmond opposite William Holden. She played a movie actress who was all but washed up. The movie was a box office smash and earned her a third Academy Award nomination as Best Actress, but she lost to Judy Holliday in Born Yesterday (1950). The film is considered one of the best in the history of film and, on June 16, 1998, was named one of the top 100 films of all time by the American Film Institute, placing 12th. After a few more films in the 1950s, Gloria more or less retired. Throughout the 1960s, she appeared mostly on television. Her last fling with the silver screen was Airport 1975 (1974), wherein she played herself. Gloria died on April 4, 1983, in New York City at the age of 84. There was never anyone like her, before or since.Crown Theatre with Gloria Swanson (1954-1955)- Actor
- Producer
- Soundtrack
Nick Nolte was born in Omaha, Nebraska and began his career on stage at the Pasadena Playhouse and in regional theatre productions. His breakthrough role was in the TV miniseries Rich Man, Poor Man (1976), playing the role of "Tom/Tommy Jordache". Nick Nolte said that when he played a young man in the early scenes of the project, he weighed about 160 pounds. When he played a middle-aged man in the later scenes, he weighed over 180 pounds.Luck (2011-2012)