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Majid Majidi was born on April 17, 1959 in Tehran, Iran to a middle class family. He started acting in amateur theater groups at the age of fourteen. After receiving his high school diploma, he started studying art at the Institute of Dramatic Art in Tehran. After the Islamic Revolution of 1979, his interest in cinema brought him to act in various films, notably Mohsen Makhmalbaf's Boycott (1986) where he played a frustrated communist and Ali Asghar Shadravan's The Execution (1986) where he played the role of real life character, Andarzgoo. Later, he started writing and directing short films. His feature film screenwriting and directing debut is marked by Baduk (1992), which was presented at the Quinzaine of Cannes and won awards at Tehran's Fajr Film Festival. Since then, he has written and directed many noteworthy films that won worldwide recognition, notably Children of Heaven (1997), winner of the Best Picture award at the Montreal International Film Festival and nominated for the Best Foreign Film at the Academy Awards, The Color of Paradise (1999), which also won the Best Picture award from Montreal International Film Festival and set a new record of box office for an Asian film, and Baran (2001), which won several major awards worldwide, notably the Best Picture award at the 25th Montreal World Film Festival and received nomination for the European Film Academy Award. In 2001, during the Afghanistan anti-Taliban war, he produced Barefoot to Herat (2003), an emotional documentary about Afghanistan's refugee camps that won the Fipresci Award at Thessaloniki International Film Festival. Majjid Majid has also received the Douglas Sirk Award in 2001 and the Amici Vittorio de Sica Award in 2003. In 2005, he directed The Willow Tree (2005) about a blind man who falls in love with someone other than his wife when he gets the chance to see again, which won four awards at the 2005 Fajr Film Festival in Tehran. He is one of Iran's most influential directors and his films have a simple and poetic feel to them.- Writer
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Imtiaz Ali is an Indian film director, actor and writer. In 2005, he made his directorial debut with the film Socha Na Tha. However, it was his second film Jab We Met (2007) that brought him success and fame. His 2009 film Love Aaj Kal gained much critical success, and was declared a super hit at the box office. His movie Rockstar (2011) was also a commercial and critical success. Imtiaz Ali had his origins in Jamshedpur, Jharkhand.He was brought up in Patna and Jamshedpur. He had his early education in Patna- D.B.M.S. English school, Jamshedpur,and later attended University of Delhi in Delhi, where he took part in college theater. He started Ibtida the dramatic society of Hindu College. Thereafter he moved to Mumbai and did a diploma course from Xavier Institute of Communication.- Director
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Neeraj is among India's leading contemporary filmmakers and is a National Award-winning director of the critically acclaimed Indo-French drama Masaan. The film received widespread acclaim from critics, mainstream media, and audiences alike, currently ranks among the top 250 films of all time from India. It won the FIPRESCI prize and the Promising Future prize (Prix avenir prometteur) in the Un Certain Regard section at the 68th Cannes Film Festival. Aside from feature films, Neeraj co-directed the second season of Netflix's acclaimed flagship crime drama series Sacred Games. In addition to his film and television work, Neeraj is a highly sought-after commercial director. He directed the widely popular Fuelled By Love commercial for British Airways and the Touch of Care commercial for Vicks, which starred real-life transgender activist Gauri Sawant. The commercial won the Bronze Lion at Cannes in 2017. He directed Geeli Pucchi, the most critically-acclaimed segment of the Netflix anthology film Ajeeb Daastaans from Dharmatic. Neeraj's films have earned four Filmfare awards so far. He has wrapped shooting Season 2 of Amazon's critically-acclaimed drama Made in Heaven, and is currently developing his next feature film with a leading Indian production company, scheduled to go into production next year.- Writer
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Rajkumar Hirani is an Indian film director and editor. Hirani has directed five Hindi films, including Munna Bhai M.B.B.S., Lage Raho Munnabhai, 3 Idiots, PK and Sanju, and all of which have been commercial and critical successes. Most of which have won several awards, including the national awards. Among his awards, include 11 Filmfare Awards. He is the founder and owns the production house Rajkumar Hirani Films.- Director
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Nagesh Kukunoor was born on 30 March 1967 in Hyderabad, Telangana, India. He is a director and writer, known for Rainbow (2015), Iqbal (2005) and 3 Deewarein (2003).- Producer
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Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.
His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.
Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.- Director
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Ashwiny Iyer Tiwari is an Indian filmmaker, writer, author, artist, an upcoming producer and learner for life. She is a warm, amiable and an intellectual personality. An avid bibliophile by nature, Ashwiny has a huge collection of books. She holds a keen interest in the overall art of movie making which reflects in her diverse body of work. Empowering and promoting Girl education, Revival and documentation of Indian craft & sustainable textiles are social causes close to Ashwiny's heart. She is also an environment lover and is passionate about organic farming. Hoping that one day she will settle in a huge farm, she believes in the idea of a simple, mindful living and is a meditation practitioner. Ashwiny started her career as a creative consultant for films like Children's Party (2011) and Bhoothnath Returns (2014). After winning prestigious awards like the 'Dada Saheb Phalke Award for Best Short Film' (2013) and 'Special Jury Award for Best Director & Screenplay' (2013) for her short film titled 'What's for Breakfast', she made her foray into Bollywood as a director. Her first feature film, Nil Battey Sannata (2015), later remade in Tamil as Amma Kanakku (2016) were highly acclaimed. 'Nil Battey Sannata' (2016) was loved by audience and critics alike and helped spread the message of education for all. It won several awards, nationally and internationally including awards such as 'Best Debut Director' at Filmfare Awards (2017) as well as 'Best Story' at Star Screen Awards (2017) for the same. The film was also screened at renowned international film festivals such as, London Film festival, Rome Film Festival, Toronto Film Festival, Berlin Film Festival, Cleveland Film Festival, alongside others. Her next film, Seeking True Love (2017), starring Ayushmann Khurrana, Kriti Sanon and Rajkummar Rao was a slice of life romantic comedy that won several popular and critically acclaimed awards including the 'Best Director' award at Filmfare Awards (2018) and Zee Cine Awards (2018) respectively. Her latest film, Panga (2020) starring Kangana Ranaut and Jassie Gill in the lead, was critically acclaimed. Panga (2020) and one of the last movies released in theatres before the Covid Pandemic hit. Panga was an important conversation starter around sports and motherhood. Ashwiny was chosen in BBC worldwide as an Indian Changemakers in cinema for telling stories about woman in not-so-famous sports. With Her short film Ghar ki Murgi (Taken for Granted) Ashwiny represented India at the BRICS film festival, it also found a place at the Shangai International festival. Ashwiny holds the recognition of being one of the five female directors from BRICS countries to be selected to showcase their respective work during the fest and spread the message of equality. Ashwiny is constant learner of new things. She loves photography, Classical music, she is a solo traveler and researcher, A sports lover, has a keen interest in yoga philosophy, plays badminton and loves cycling. She has a keen interest in learning new languages and is well versed with Hindi, English, Marathi, Tamil, Gujrati, Malayalam and Bengali Ashwiny has excelled at her academics and is a gold medallist in 'Commercial Arts' from Sophia Polytechnic, Mumbai. Post her graduation, she worked in the advertising field for over a decade and weaved stories for the biggest brands across India and Southeast Asia. She has won several awards in advertising across the world for her layered ideas and in-depth understanding of human psychology at a grassroot level.
In the year 2020, Ashwiny was selected by Forbes Magazine as 'A self-made woman of India'. After having told such incredibly well-knit stories with such great social messages, she has channeled her love for storytelling with her latest brainchild, 'Earthsky Pictures. A production company co-founded by her to write, direct & produce fiction, documentary series, movies with leading studio partners and nurture young talent. The critically acclaimed and award-winning director will also be soon making her debut as an author of a novel titled 'Mapping Love' published by Rupa publications. Her upcoming untitled Feature film is based on the life story of India's most loved power couple, Father of Indian IT, Mr. Narayan Murthy and Author Mrs. Sudha Murthy. She has forayed into the web space with her debut series 'Faadu' with Sony LIV and has many more in the pipeline. Ashwiny feels that any form of art changes the way a human sees the world, whether it's' music, dance, or painting - storytelling has all encapsulated. She believes that she can dabble in every art form and research, which also encompasses a major part of her filmmaking process. It is this joy to create, uplift young minds and inspire humanity through her stories is what keeps her going.- Director
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Meghna Gulzar was born on 13 December 1973 in Bombay, Maharashtra, India. She is a director and writer, known for Raazi (2018), Talvar (2015) and Chhapaak (2020).- Director
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Born to an Indian Army General in Madhya Pradesh, she graduated with Economics honours from Lady Shri Ram College for Women, Delhi. She did Mass Communications from Sophia College, Mumbai. She is married to Aseem Bajaj, an Indian Cinematographer well known for his poetic imagery on films like Hazaron Khwahishen Aisi, Shabd, Teen Patti, U Me Aur Hum and Chameli to name a few. She met Aseem while directing her first TV show This Week That Year.- Actor
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His passion for cinema immediately draws your attention, making you realize that Ashutosh Gowariker would not have been anywhere except behind the camera, however tempting the choice. An actor who took to film direction after almost a decade in front of the camera, Ashutosh has acted in Hindi films, Marathi films, television serials and commercials and although the transition from acting to direction was difficult, it was destined.
His diverse exposure as an actor whetted his appetite to helm a project, taking on the directorial reign for the first time with Pehla Nasha (First Love), a murder mystery in 1993. Though the film did not do very well at the box office, it helped Ashutosh find firm ground as a director. He followed this up with Baazi (The Game), a thriller, in 1995, which enjoyed average success, but led Ashutosh on a journey in search of a better script.
With Lagaan, which released in 2001, Ashutosh veered away from most norms in the making of a mainstream commercial Hindi film - a period drama, set in rural India; it's language a dialect; most of its characters were dressed in loincloths; it included a British cast; it was a musical, and a sports film put together! It was produced by Aamir Khan who also starred in it. Lagaan was nominated at the Academy Awards in the Best Film in a Foreign Language category for 2001 and earned plaudits worldwide for its meticulous execution and evocative performances.
His fourth feature film, Swades, was written, produced and directed by him, starring Shah Rukh Khan. The film released worldwide in 2004 to critical acclaim and attained huge success at the international box office.
February 2008 saw the release of his most ambitious magnum opus Jodhaa Akbar, an epic romance. This brought together two of the most respected actors, Hrithik Roshan and Aishwarya Rai Bachchan. The film won the Best Foreign Film in the International Film Festival of Sao Paulo in Brazil, South America and the Grand Prix Best Film and Best Actor in the International Film Festival Golden Minbar in Kazan, Russia, as well as sweeping all of the Indian Film Awards.
His next film saw him take on a new genre with What's Your Raashee?, being Ashutosh's first romantic comedy, based on the Gujarati novel Kimball Ravenswood by Madhu Rye. The film featured Harman Baweja and Priyanka Chopra.
Khelein Hum Jee Jaan Sey is a period thriller starring Abhishek Bachchan and Deepika Padukone, based on the book 'DO and DIE: The Chittagong Uprising 1930-34' by Manini Chatterjee.
His last release, Mohenjo Daro, set in the Indus Valley Civilization stars Hrithik Roshan and debutant Pooja Hegde along with a stellar supporting cast including Kabir Bedi and Arunoday Singh.
Ashutosh has now engaged in the filming of his newest magnum opus Panipat, which is slated to release on December 6th, 2019. Based on the legendary third battle of Panipat, which took place on 14th January 1761 between the Marathas and King of Afghanistan, Panipat promises to be his grandest outing yet.- Writer
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Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Director
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Ritesh Batra created a world sensation in 2013 with his wonderful The Lunchbox (2013), a bittersweet romantic comedy as well as a sensitive portrait of the city of Mumbai, torn between tradition and progress. Loved by all and everywhere on the planet, "Dabba" is strikingly the young director's first feature film. A great start for Batra, which augurs well for his career to come. Born in Mumbai in 1979 and raised there, Mr. Batra moved to New York where he studied cinema. Before his now famous "Dabba", he tried his hand at making shorts which were shown in many an international film festival. His latest to date, Café Regular, Cairo (2012) earned him the International Film Critics Association Award (FIPRESCI) and received special mentions from the jury at the Chicago and Tribeca Film Festivals. In 2009 his project then titled "Story of Ram" was selected by the Sundance Screenwriters and Directors Lab later to bloom into "Dabba" (The Lunchbox). After shooting the film, Batra chose to stay in Mumbai with his wife Claudia. In 2013, he was working on a series of shorts and on "The Photograph", his next feature.- Director
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Ayan Mukerji was born on 15 August 1983 in Calcutta, West Bengal, India. He is a director and writer, known for Brahmastra Part One: Shiva (2022), Yeh Jawaani Hai Deewani (2013) and Wake Up Sid (2009).- Writer
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Nagraj Popatrao Manjule (born 24 August 1978) is an Indian film director, actor, producer, scriptwriter, poet, screenwriter, filmmaker and he works in the Marathi Cinema. Manjule grew up in Jeur village in the Solapur district of Maharashtra. He belongs to the traditionally-nomadic Waddar community, a Dravidian tribe.
He earned his M.A. in Marathi literature from University of Pune, followed by a master's in communication studies from New Arts, Science and Commerce College, Ahmednagar. His first National Award-winning short film Pistulya is a reflection of his 'felt experience'.
His debut feature film, Fandry, was released in February 2014.
Manjule's second film, Sairat, premiered at the 66th Berlin International Film Festival. Like Fandry and Pistulya, it deals with caste discrimination and honour killing, a practice still widespread in parts of India. Sairat is currently the highest grossing Marathi film of all time.
Manjule is making his directorial debut in hindi films with Jhund starring Amitabh Bachchan. he known for his Marathi film Sairat, short-film Pistulya for which he received National Film Award in Non-Feature Film category.
At the 61st National Film Awards, Fandry won the Indira Gandhi Award for Best Debut Film of a Director. In 2018, Manjule published a book of poetry in Marathi titled Unhachya Katavirudhha which won the Bhairuratan Damani Sahitya Puraskar.- Writer
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The man who revolutionized Tamil-language cinema, Mani Ratnam is the biggest director in south India and one of the most respected directors in all of India. Each of his films contain its own unique style, with beautifully photographed songs and unique back-lighting. However, his films contain substance as well as style--Ratnam has dealt with a wide variety of topics, from the classic Indian love story to political thrillers.
He was born in Madras in 1956. Filmmaking was in his blood; he was the son of film producer 'Venus Gopalratnam' and his brother was G. Venkateswaran, a film distributor turned producer. Ironically, however, he studied at Madras University and received a management degree at the Jamnalal Bajaj Institute of Management Studies in Mumbai, and had initially started out as a management consultant. His first film, Pallavi Anu Pallavi (1983), starring Anil Kapoor, didn't make many waves, although it won the State Award from Karnataka that year, but even though he made two films in Tamil and one in Malayalam, nothing worked for him until he broke through with Mouna Ragam (1986). Starring Revathi, the film told the tale of a woman who, although forced into an arranged marriage, chooses to maintain a platonic relationship with her husband. The film was noted for its sophisticated approach and execution of an extremely sensitive topic.
His next film, Nayakan (1987), was also arguably his greatest. A take-off on Francis Ford Coppola' legendary The Godfather (1972), it established Ratnam as the leading director of Tamil-language Cinema and won its leading actor Kamal Haasan the National Award for Best Actor. The film draws on 30 years of Tamil Nadu's celebrity images and directly played to the anti-Hindi feelings of Tamil Nadu when the protagonist, beaten up, tells the Hindi policeman in Bombay, "If I ever hit you, you will die!"
Then came the best of his early work - Agni Natchathiram (1988), Geethanjali (1989), and Anjali (1990). The first was a tale of conflict between two step-brothers. Shot with glossy camera work, the film resembled a cross between an advertisement and a music video, and set a trend for a whole new visual style in Tamil-language Cinema. The next, Geethanjali (1989), shot in Ooty to create a soft and poetic mood, was a touching love story between two terminally ill people with less than six months left. The third, Anjali (1990), about a disabled child brought back to her family with two normal children had been chosen by India to be sent to the Oscars for Best Foreign-language Film, but it did not receive a nomination. The next year saw his first, and only collaboration so far, with the Tamil superstar Rajni Kant in the film Thalapathi (1991). It also starred Mamooty, along side a host of other actor. This star studded film was a gritty tale of an orphan who grows up to become a notorious gang member in Chennai. The story was inspired by the great epic of Mahabharata.
It was Roja (1992) that made Ratnam a household name all over India. A patriotic love story set against the backdrop of Kashmiri terrorism, the film was dubbed in Hindi and became a huge national success. It enforced Ratnam as a director of style and substance, as well as proving a highly auspicious debut for the now-acclaimed music director A.R. Rahman, whom Ratnam had discovered. It helped that India's at-the-time election commissioner T. N. Seshan took the rare step of officially endorsing the film. Thiruda Thiruda (1993), a remake of Butch Cassidy and the Sundance Kid (1969) was a misfire, but Ratnam bounced back with Bombay (1995), a politically charged romance between a Hindu man and a Muslim woman during the 1993 riots in Mumbai. The film underwent some controversy due to its slightly anti-Muslim viewpoint, but it contributed widely to the success of the film.
Continuing his political obsession, Ratnam made Iruvar (1997), based on the MGR-Karunanidhi affair, and Dil Se.. (1998), which starred superstars Manisha Koirala and Shah Rukh Khan. The latter was Ratnam's first Hindi-language film. Based on the northeast Indian problem, it told the story of a radio executive and a revolutionary. It had an excellent cast, beautifully crafted scenes, and most of all one of A.R. Rahman's greatest tunes--but did not go down too well with the audience, who hailed it as a strange and confusing film that headed nowhere. However, today it is held as ahead of its time, being that it was shot pre-9/11, and is now hailed as a contemporary classic.
He returned to familiar ground with Alai Payuthey (2000), which tackled the story of a couple in love that goes through the trials and tribulations of marriage. His subsequent film, Kannathil Muthamittal (2002), which told the tale of an adopted girl meeting her terrorist mother, saw Ratnam back in form as one of the greatest storytellers in Indian Cinema. His next film, Yuva (2004), saw Ratnam return to Hindi-language cinema after six years, but in spite of some fine flourishes, the film largely failed to work. However, don't take him too lightly: he is sure to return with something new next time....- Writer
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Saket Chaudhary was born in New Delhi, Delhi, India. He is known for Hindi Medium (2017), Pyaar Ke Side Effects (2006) and Asoka (2001).- Director
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Prakash Jha is an Indian film director, producer, and screenwriter who is primarily known for his socially and politically relevant films like Apaharan (2005), Aarakshan (2011), and Raajneeti (2010), among others.
Jha went to Sainik School Tilaya in his hometown of Bettiah in Bihar, India. After finishing his schooling, he attended Ramjas College, Delhi University. During his college days, he went on to work as an assistant manager in a restaurant.
Jha was inspired to enter the film industry after he met an art director during the shooting of the film Dharma (1973). Later, he went on to enrol at the Film and Television Institute of India in Pune, Maharashtra, to study filmmaking.
He worked on a biographical film called Sonal (1973) in the 1980s, which explored the life of the dancer Sonal Singh. He made another documentary called Faces After the Storm (1981), which was based on the communal riots of Bihar, India, focusing on the incident where Hindu extremists massacred numerous Muslims. However, the award-winning documentary was banned soon after its release.
In 1984, Jha made his directorial debut with the film Hip Hip Hurray (1984), which revolves around the lives of a group of high school students. The film was critically acclaimed and was featured in a book 40 Retakes: Bollywood Classics You May Have Missed.
He founded a cultural society called Anubhooti in 1991 to work on social issues like health care, disaster management, upliftment of the poor, and much more.
His 2001 film Gangaajal (2003) marked a turning point in his career- renowned actors like Ajay Devgn and Gracy Singh were cast in this film.
Jha has received several awards and accolades for his work in the film industry, like the National Film Award for Best Feature Film in Hindi for Damul (1985), the Filmfare Award for Best Screenplay for Apaharan (2005), the apsara award for best dialogue for Aarakshan (2011), etc. He has also achieved great international acclaim for his films like Lipstick Under My Burkha (2016), Parampara (1986), Parinati Parinati (2020) (2020), etc. Lipstick Under My Burkha Lipstick Under My Burkha (2016) (2016) premiered at the Stockholm International Film Festival. Aparahan was the opening film at the Indian Film Festival in Israel.
Jha has also been involved in Indian politics. He started his political career by joining the Janta Dal in the early 1990s. He contested the Lok Sabha elections in 2009 as a Janta Dal candidate from his hometown, Bettiah, in Bihar.- Director
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Rima Das (born May 13, 1981) is Indian filmmaker from the North Eastern state of Assam. Her films Village Rockstars and Bulbul Can Sing premiered at Toronto International Film Festival, and were screened at over 120 prestigious film festivals around the world winning over 70 Awards including the National Film Awards in India, Village Rockstars was also India's Official Entry to the Academy Awards 2019. She has donned multiple hats of writer, director, producer, cinematographer, editor for her projects.
Be it an elderly man who discovers a new world (Man with the Binoculars), the little girl from an impoverished background who dream of having a guitar (Village Rockstars) or three teenagers exploring their identities and sexuality in the face of patriarchy (Bulbul Can Sing) or a family man struggling to keep his business and personal life together amidst the Covid-19 pandemic - Rima Das is known for making indigenous and realistic stories that explore complicated relationships, finding purpose, coming of age and life amidst nature.
"As a little girl, I would stroll through the village on my way back from school, playing in the rivers, climbing trees, plucking fruits from bushes, and return home with my dress soiled and buttons broken. The fear of the scolding at home didn't stop the curiosity of that innocent mind. Growing up in a small town, I always thought films were to be watched, not made. Becoming a film-maker was never remotely on my radar", Rima Das says.
While struggling in Mumbai for several years to become an actor, she discovered world cinema and fell in love with it. She believed she could also make her own films, even with her limited means. On returning to her home town in Assam, she realized what she was missing living in a city. Unfazed by the fears and struggles, she picked her DSLR and make Village Rockstars single-handedly, which went on to establish Rima Das' credentials as an avante-garde filmmaker.
GQ India named Rima Das as one of the Most Influential Young Indians of 2018. She is also one of the Brand Ambassadors of Toronto International Film Festivals 'Share Her Journey' campaign that champions the cause of gender equality in cinema. She has been on the jury of Berlin International Film Festival Generation 14plus, Mumbai International Film Festival, Tallinn Black Nights Film Festival and Zlin Film Festival for Children & Youth.- Actress
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Konkona Sen Sharma is an awarding winning actress and the daughter of the celebrated actress and director Aparna Sen. Konkona is regarded as one of the most respected actresses in Bollywood with her memorable performances right from Mr. and Mrs. Iyer (2002) to Page 3 (2005), from Omkara (2006) to Life in a Metro (2007). Her singularly exquisite portrayal of a struggling actress in the undisputed hit Luck by Chance (2009) opposite Farhan Akhtar has also established her commercial success. Praising her performance in the film, noted film Critic Nikhat Kazmi of Times of India wrote, "The highpoint of the film are its performances, Konkona is a complete natural before the camera".- Actor
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Vishwanath Patekar (born on January 1, 1951 in Murud-Janjira, Maharashtra, India) is an actor, writer and filmmaker. He is known for his work on Ab Tak Chhappan (2004), Raajneeti (2010) and Parinda (1989). He made his acting debut in the early 70's and since then has been nominated for multiple awards. He won a National Film Award and a Filmfare award for his supporting role in Parinda (1989). He then won the Best Villain award for his role on Angaar (1992). He is a very controversial actor, know for his different acting style, dialogues and dialogue delivery. He is sometimes regarded as the Morgan Freeman of Bollywood. In 1995, he won the National Film Award as well as the Filmfare and the Screen awards for Best Actor for his role in Krantiveer (1994). He is also the only actor ever to win Filmfare Awards in the Best Actor, Best Supporting Actor and Best Villain categories. He was bestowed the highest privilege in acting in 2013 when he was awarded the Padma Shri award for his dedication in the field of Films and Arts.
Patekar is an alumnus of the Sir J.J. Institute of Applied Art, Mumbai and in September 2015, He established an organization, Naam Foundation with fellow Marathi actor Makarand Anaspure, which works to provide aid to farmers to overcome by drought conditions in Maharashtra, India. When he was awarded the Raj Kapoor award which carries a cash prize of Rs 10,00,000, he donated the entire amount towards drought relief activities in Maharashtra. Patekar was married to Neelkantee Patekar and they have a son Malhar Patekar but their marriage life did not go well and it resulted in a divorce.- Director
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Rahi Anil Barve was born on 4 June 1979. He is a director and writer, known for Tumbbad (2018), Mayasabha and Gulkanda Tales.- Producer
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Anurag Singh Kashyap (born 10 September 1972) is an Indian film director, producer and screenwriter. Kashyap made his directorial debut with as yet unreleased Paanch, with Kay Kay Menon as the lead. As a filmmaker, he is known for Black Friday (2004), a controversial and award-winning Hindi film about the 1993 Mumbai bombings, followed by No Smoking (2007), Dev D (2009), Gulaal (2009), That Girl in Yellow Boots (2011) and Gangs of Wasseypur (2012). As a screenwriter, he wrote the scripts for the Filmfare Award-winning Satya (1998) and the Academy Award-nominated Canadian film Water (2005). He founded his film production company, Anurag Kashyap Films Pvt. Ltd. in 2009.- Writer
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Neeraj Pandey (born 17 December 1973) is an acclaimed Indian film director, producer and screenwriter. In his first movie A Wednesday, his work was largely praised by audiences as well as the critics. A Wednesday also won many awards in different categories. His second film Special 26 (2013) was equally appreciated by the public and the critics. Not just a filmmaker but a writer too, Neeraj has written a novel named 'Ghalib Danger' in 2013. He also directed the movie Baby (2015) starring Akshay Kumar which received critical acclaim from the audience and was a huge success.The movie Rustom which was produced by Neeraj, was released on 12 August 2016 and received mixed reviews by critics but was a runaway commercial success. His last movie was a biopic on cricketer M.S.Dhoni titled M.S. Dhoni: The Untold Story which was loved by the audience.. He aims at making more commercial content in the sports genre. Neeraj has carved a niche for himself in the film industry with his adept handling of different topics and is one of the most sought after Directors of his generation.
In 2016, his Production House Friday Filmworks and Reliance Entertainment entered into a joint venture and formed Plan C Studios.
He has also directed a Web Short 'Ouch' with Manoj Bajpayee and Pooja Chopra which is nominated for Filmfare Short Film Award 2017. As the co-producer, his recent blockbuster Toilet- Ek Prem Katha is getting critical appreciation from the film industry and the audience. His upcoming movie is Aiyaary which is set to release on 2018 starring Sidharth Malhotra and Manoj Bajpayee- Writer
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Vijay Anand was a celebrated filmmaker, writer, editor, and actor in Hindi cinema. Known as "Goldie," the younger brother of filmmaker Chetan Anand and matinée idol Dev Anand, Vijay Anand was born in Gurdaspur, Punjab, India on January 22, 1934 to a father, who was a lawyer. He lost his mother when he was only six, and he along with his other siblings went to live with his eldest brother Chetan and his wife Uma who raised him like their own child. In fact, Uma urged him to write and had a great influence on him. A very literate man, he graduated from St. Xavier's College in Mumbai, where he had wrote several college plays. While still a teenager, he co-wrote the script with his sister-in-law Uma for his filmmaker brother Chetan Anand. The film was "Taxi Driver" (1954) where his other brother Dev Anand played the title role, and it was inspired by the crime thrillers of Hollywood. It was released through their home production company Navketan and became Goldie's first big hit. "Nau Do Gyarah" (1957) was Vijay Anand's directorial debut, which was based on his own script. The film starred his brother Dev Anand and Dev's wife Kalpana Kartik. It became another hit. Goldie showed an exceptional visual style, especially when it came to picturizing song sequences. His next film was the story of a black marketer and his redemption in "Kaala Bazaar" (1960). The film starred his brother Dev again, along with Waheeda Rehman, who became a regular heroine for most of Navketan films during that era. This was also the only film where all three brothers (Chetan, Dev, and Vijay Anand) acted together. "Tere Ghar ke Saamne" (1963) with Dev Anand and Nutan was a romantic comedy that became another hit. Goldie also wrote the screenplay for "Hum Dono" (1961) and supposedly ghost-directed the film as well. His masterpiece as a filmmaker came with "Guide" (1965). Based on RK. Narayan's novel The Guide, the film is unforgettable for its bold themes about how a man (Dev Anand) and woman (Waheeda Rehman) live together outside the sanctity of a marriage. Composer S.D. Burman's songs were given stunning visuals. The film became a huge hit and won several major awards, including two Filmfare Awards for Vijay himself for directing and for writing the dialogue for the film. With Guide, Vijay Anand became the Hindi film industry's big star filmmaker. He was a visionary, a genius who could make intellectually stimulating films that could also generate profits and win industry awards. His next film also brought him everlasting glory. He directed and edited "Teesri Manzil" (1966) for producer and writer Nasir Husain. The film starred Shammi Kapoor and Asha Parekh and gave composer R.D. Burman (S.D. Burman's son) his first major success. The film's suspenseful story, combined with the stars' romantic chemistry, and Burman's trendsetting songs, made it into another box office smash and a perpetual favorite among moviegoers. Vijay Anand was at the pinnacle of his fame, when he went back to Navketan to direct the hit film "Jewel Thief" (1967). But there was a wrinkle. He found his "Jewel Thief" leading lady Vyjayantimala to be a distracted diva, especially after he enjoyed the professionalism and dedication of his previous leading ladies Nutan, Waheeda Rehman and Asha Parekh. Nevertheless, Vyjayantimala gave a heartfelt and polished performance in "Jewel Thief," and it seemed like Vijay Anand can do no wrong. But his next film proved otherwise. After three hit films in a row (Guide, Teesri Manzil, Jewel Thief), Vijay Anand experienced his first flop. Initially, "Kahin Aurchal" (1968) had the makings of a hit, as it starred Dev Anand and Asha Parekh, who were both top box office draws in 1968, along with music composers Shanker-Jaikishen. But the film's financier Tolaram Jalan wanted a flop film to adjust his income taxes, and so he took the film from Vijay Anand and released it in a single matinée show and then pulled it. This experience pained the filmmaker, especially since the film never resurfaced again. He bounced back with "Johnny Mera Naam" (1970), which grabbed the top stop at the box office in 1970. It starred Dev Anand and Hema Malini. Vijay Anand won two Filmfare Awards, one for editing and the other one for his screenplay, but his professional accomplishment was tempered by a personal loss, since his father had just passed away. He then directed "Tere Mere Sapne" (1971) based on the A.J. Cronin's novel "The Citadel." He also played a supporting role as an alcoholic doctor. While, the film became his personal favorite, it wasn't a major success at the box office and became a turning point in his career. His subsequent films like "Blackmail" (1973), "Chhupa Rustom" (1973), "Bullet" (1976) were major disappointments. Also, Dev Anand was establishing himself as his own director, so Goldie wasn't getting many directing opportunities at Navketan. Furthermore, he was going through personal problems, as he married his much younger relative in 1978 and turned to a spiritual leader Godman Rajneesh. He did return to directing films with multi-starrers like Ram Balram (1980) and Rajput (1982) but filming took a long time, because of the stars' busy schedules and Anand felt he made too many compromises. He still made occasional films, such as Hum Rahe Na Hum (1984) and Main Tere Liye (1988) but these films lacked the famous Vijay Anand style and weren't hits.
Vijay Anand also acted in films for other directors, such as Double Cross (1973) and Ghungroo ki Awaaz (1980). Waheeda Rehman and Rakhee proclaimed him to be an genius filmmaker but also told the press that his acting skills paled in comparison to his directing skills. He acted in two major hit films, Kora Kagaz(1974) and Main Tulsi Tere Aangan ki (1978), but in both instances his acting was overshadowed by his leading ladies, Jaya Bhaduri and Nutan, who both won Filmfare Awards in the Best Actress category. In the early 1990s, he was seen in the television serial Tehqiqaat playing Sam the Detective. In 1997, his older brother Chetan Anand's death devastated him. In 2001, he took over as the new censor board chief after Asha Parekh finished out her controversial three year term. Earlier, she hadn't given clearance to his nephew Shekar Kapur's film "Elizabeth" (1998) and several film industry insiders expected some tension between them, especially after Parekh admitted that she and Anand didn't see eye-to-eye on policing adult films. But she invited him to her sixtieth birthday celebration in 2002, and they both celebrated the occasion as old friends and colleagues. Anand was in the process of making another film with brother Dev Anand, when he died on February 23, 2004 due to a heart attack. He left behind his wife, Sushma and son Vaibhav, an aspiring filmmaker. His grief-stricken older brother Dev Anand wept openly at the funeral.- Director
- Cinematographer
- Producer
Bimal Roy (July 12, 1909 - January 8, 1966) was an Indian film director. He is particularly noted for his realistic and socialistic films such as Do Bigha Zamin (1953), Bandini (1963), Biraj Bahu (1954), Madhumati (1958) which he employed to portray realism. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.- Actor
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Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.
Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.
Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).
He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.
Dutt's next releases were Jaal (1952) and Baaz (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with Aar-Paar (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.
His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.
Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.
On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.
His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.- Writer
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Abhishek, a renowned Indian filmmaker who co-wrote and directed the critically acclaimed dacoit action film, Sonchiriya, an RSVP production. He began his career as an associate director and co-writer to Vishal Bhardwaj for his debut Makdee (2002) & went on to assist him in his subsequent films, and most notably co-wrote Vishal's trendsetting Omkara (2006) and Kaminey (2009). Abhishek's directorial debut, the dark comedy Ishqiya (2010) and its sequel Dedh Ishqiya (2014), both starring Naseeruddin Shah received rave reviews. His following film, Udta Punjab (2016), highlighted the heroin epidemic in Punjab and was released to critical acclaim. He made his debut as a producer with Konkona Sen Sharma's A Death in the Gunj (2016), which premiered at MAMI Mumbai Film Festival.- Writer
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Vivek Agnihotri (born 10th November) is an avant garde Indian film director, producer and screenwriter. Agnihotri is one of the few new age Hindi cinema film directors, known to experiment in different genres of film making. He has ventured into genres like erotica, thriller, sports, political dramas and love stories making him a multiple genre director. He is credited to direct India's first mainstream football film (Dhana Dhan Goal) at a time when not many producers were investing in sports films in Bollywood. Agnihotri also directed India's first Erotic thriller (Hate Story) that was produced by Vikram Bhatt and was a critical and commercial success.
Agnihotri made his directorial debut with Chocolate: Deep Dark Secrets (2005) which had multiple stars with Anil Kapoor, Emraan Hashmi, Sunil Shetty, Irfan Khan, Sushma Reddy and Tanushree Dutta in lead roles. Its still rated as one of the most stylized suspense drama. Chocolate has been listed as one of the best city (London) films.
Vivek Agnihotri's upcoming films include Buddha in a Traffic Jam that is set on the backdrop of the Maoist movement in India. Another of his upcoming film is named Freedom which is a hard hitting political drama. Agnihotri is also directing a psychological drama Zid that would be produced by Anubhav Sinha. In 2002, he created his production house named Vivek Agnihotri Creates Pvt Ltd.- Director
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Anurag Basu, a Bollywood director and writer explores relationships and adversity on reel. He had his share of tough times when he was diagnosed with leukemia.
Basu directed television serials among which is Tara (1993), which became one of the first soap operas on Indian television. He also directed Balaji Telefilms' Koshish Ek Aasha (1997) and Miit (2002), which was based on Rabindranath Tagore's Noukadubi.
He made his debut in movies with Kucch Toh Hai (2003). It starred Tusshar Kapoor and Esha Deol. The movie wasn't anywhere near a major success. He made movies under the Vishesh Films banner. Saaya (2003) belonged to the supernatural genre about a doctor who communicates with his dead wife through his patients. It starred John Abraham and Tara Sharma.
Murder (2004) was based on Hollywood's hit Unfaithful. It starred Emraan Hashmi and Mallika Sherawat. The movie along with it's soundtrack became a big success. During the filming of his next movie Tumsa Nahin Dekhan (2004), Basu was diagnosed with blood cancer. The movie was later completed by Mohit Suri and Mahesh Bhatt.
In 2006, Anurag Basu came back to make Gangster with Emraan Hashmi, Kangana Ranaut and Shiney Ahuja. It was supposed to be based on Abu Salem's real life affair with actress Monica Bedi. The movie did well.
It was followed by the critically acclaimed Life in a Metro.
He wrote the screenplays for Gangster, Life in a Metro and Kites and won the Filmfare Best Screenplay Award for Life in a Metro.- Director
- Editor
- Writer
By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.
He began his career in Bombay, 1951, as an editor and assistant director to Bimal Roy, another great director himself. His first directorial venture, Musafir (1957), centering on an old house where three unrelated stories dealing with birth, marriage and death occur in a series, was a disaster. But director Raj Kapoor was impressed and strongly recommended Hrishida as director for Anari (1959). Starring Kapoor himself and Nutan, the film was a critical and commercial success.
His next film, Anuradha (1960), about an idealistic doctor who neglects his wife to focus on his work, got him the President's Medal Award. But from then on throughout the 1960s decade, none of Hrishida films were particularly distinguishable, barring Asli-Naqli (1962), a Muslim melodrama; Anupama (1966), which was based on a true incident; Aashirwad (1968), a family drama; and Satyakam (1969), about an idealist seeing his dreams crumble after Indian independence.
Then Hrishida made what is considered his masterpiece - Anand (1971). This classic film gave a complex but compassionate look at the balance between hope, fear, life and death and saw Rajesh Khanna's greatest performance as a terminally ill man who wishes to live life to the full before he dies. It was an auspicious beginning to the 1970s, for that time proved to be an exceptionally good time for Hrishida as he gave the public excellent films like Guddi (1971), a semi-satiric look at the film industry and generally considered as Jaya Bhaduri's debut film; Abhimaan (1973), the Bachchans' greatest ever performance together; and Chupke Chupke (1975), a comedy about a newlywed professor's joke on his pompous brother-in-law. These films gave an extremely skilled and detailed look at the middle-class mentality.
Few people understood human nature as well as Hrishida - in all his films he examined their aspects, particularly their failings and foibles and the outworn values people always seem to hold on to. However in the 1980s, the advent of the superstar Amitabh Bachchan and of larger-than-life films saw Hrishida's brand of filmmaking die out. Recently he attempted a comeback with _Jhooth Bole Kauwa Kaate (1999)_, but sadly it was a futile effort as the film was a commercial and critical failure. However, the magic of his films still lingers after three decades, and he will be best remembered for his film Anand (1971), which told that people who die but remain in heart and mind do not die, but become immortal. No one justifies this truth more than Hrishida.