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Rob Tapert was born on 14 May 1955 in Royal Oak, Michigan, USA. He is a producer and writer, known for Timecop (1994), Darkman (1990) and The Quick and the Dead (1995). He has been married to Lucy Lawless since 28 March 1998. They have two children.- Producer
- Writer
- Music Department
Jeffrey Jacob Abrams was born in New York City and raised in Los Angeles, the son of TV producer parents. At 15, he wrote the music for Don Dohler's Nightbeast (1982). In his senior year of college, he and Jill Mazursky teamed up to write a feature film, which became Taking Care of Business (1990). He went on to write and produce Regarding Henry (1991) and Forever Young (1992). He also co-wrote Gone Fishin' (1997) with Mazursky. Along with other Sarah Lawrence alumni, he experimented with computer animation and was contracted to develop pre-production animation for Shrek (2001).
Abrams worked on the screenplay for Armageddon (1998) and co-created (as well as composing the opening theme of) Felicity (1998), which ran for four seasons. He founded the production company Bad Robot in 2001 with Bryan Burk. He created and executive-produced Alias (2001) and Lost (2004), composing the theme music for both, and co-writing episodes of "Lost". He also co-wrote and produced thriller Joy Ride (2001). He made his feature directing debut with Mission: Impossible III (2006), reinvigorating the series. He produced the hit mystery film Cloverfield (2008) and co-created Fringe (2008).
He directed the Star Trek (2009) reboot, proving successful with fans and newcomers to the franchise. He next directed Super 8 (2011), co-produced by Steven Spielberg and produced Mission: Impossible - Ghost Protocol (2011). He returned to direct the follow-up to his reboot, Star Trek Into Darkness (2013). Disney and Lucasfilm announced J.J. as their choice for director of the first episode in the new 'Star Wars' trilogy, Star Wars: Episode VII - The Force Awakens (2015). He initially resisted, as he didn't want to travel away from his family to London, but Kathleen Kennedy convinced him that his voice would be the best to reinvigorate this franchise, as he had done with two others before. He also produced Mission: Impossible - Rogue Nation (2015) and Star Trek Beyond (2016), and executive-produced Star Wars: Episode VIII - The Last Jedi (2017). When it was announced that Colin Trevorrow would no longer direct Star Wars: Episode IX - The Rise of Skywalker (2019), it was announced that J.J. would return to complete the trilogy he started.- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Producer
- Script and Continuity Department
- Additional Crew
Kara Vallow was born on 1 November 1967 in Philadelphia, Pennsylvania, USA. She is a producer, known for Family Guy (1999), Eight Crazy Nights (2002) and The Horror and Mystery of the Succubus (1986).- Producer
- Writer
- Script and Continuity Department
Dick Wolf was born on 20 December 1946 in New York City, New York, USA. He is a producer and writer, known for Law & Order (1990), Law & Order: Special Victims Unit (1999) and Law & Order: Criminal Intent (2001). He has been married to Noelle Lippman since 17 June 2006. They have two children. He was previously married to Christine Marburg and Susan Scranton.- Producer
- Writer
- Additional Crew
Rick Berman was born on 25 December 1945 in New York City, New York, USA. He is a producer and writer, known for Star Trek: First Contact (1996), Star Trek: Generations (1994) and Star Trek: Insurrection (1998). He has been married to Elizabeth Berman since March 1980.- Producer
- Actor
- Executive
Sample some of the best American films over the past forty years and there's a good chance Mike Medavoy played a role in the success of many of them. From agent to studio chief to producer, he has been involved with over 300 feature films, of which 17 have been nominated and 7 have won Best Picture Oscars®, as well as numerous international film festival awards.
Medavoy began his career at Universal Studios in 1964. He rose from the mail room to become a casting director. In 1965, he became an agent at General Artist Corporation and then vice-president at Creative Management Agency. Joining International Famous Agency as vice-president in charge of the motion picture department in 1971, he worked with such prestigious clients as Steven Spielberg, Francis Ford Coppola, Terrence Malick, Jane Fonda, Donald Sutherland, Gene Wilder, Jeanne Moreau, and Jean-Louis Trintignant.
United Artists brought him in as senior vice-president of production, in 1974, where he was part of the team responsible for One Flew Over the Cuckoo's Nest (1975), Rocky (1976), and Annie Hall (1977), which won Best Picture Oscars® in 1975, 1976, and 1977, respectively. Other notable films included Apocalypse Now (1979), Raging Bull (1980), Network (1976) and Coming Home (1978). In 1978, Medavoy co-founded Orion Pictures where, during his tenure, Platoon (1986), Amadeus (1984), RoboCop (1987), Hannah and Her Sisters (1986), The Terminator (1984), Dances with Wolves (1990) and The Silence of the Lambs (1991) were released. In 1990, after twelve successful years at Orion, Medavoy became chairman of TriStar Pictures, where he oversaw such critically-acclaimed box office hits as Philadelphia (1993), Terminator 2: Judgment Day (1991), Sleepless in Seattle (1993), Cliffhanger (1993), The Fisher King (1991), Legends of the Fall (1994) and Steven Spielberg's Hook (1991).
As chairman and co-founder of Phoenix Pictures, Medavoy has brought to the screen The People vs. Larry Flynt (1996), The Mirror Has Two Faces (1996), U Turn (1997), Apt Pupil (1998), The Thin Red Line (1998), The 6th Day (2000), Basic (2003), Holes (2003), All the King's Men (2006), Zodiac (2007), Pathfinder (2007) and Miss Potter (2006), among others. These films have received numerous nominations, won two Golden Bears at the Berlin Film Festival, five Golden Satellite Awards, a cinematography award for John Toll from the ASC and nominations from the DGA and WGA for Terrence Malick. "The Thin Red Line" and "The People vs. Larry Flint" each received Oscar® nominations.
Recently, Phoenix Pictures has released Shutter Island (2010), directed by Martin Scorsese and starring Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley and Max von Sydow; Shanghai (2010), starring John Cusack and Gong Li; and Darren Aronofsky's Black Swan (2010), starring Natalie Portman, Vincent Cassel and Mila Kunis in 2010. "Black Swan" won numerous awards, including the Oscar® and Golden Globe for Best Actress (Natalie Portman) as well as the Independent Film Spirit Awards for Best Feature, Best Director (Darren Arnofosky), Best Female Lead (Natalie Portman) and Best Cinematography (Matthew Libatique). Medavoy also recently worked as executive producer on the documentary, The Wildest Dream (2010).
Medavoy and Phoenix Pictures recently released What to Expect When You're Expecting (2012), starring Cameron Diaz, Jennifer Lopez, Elizabeth Banks, Anna Kendrick, and Chris Rock.
In 2011, Medavoy announced his newest project surrounding the Chilean mining accident that left 33 men trapped underground for 69 days. Medavoy will collaborate with Chilean officials and Academy Award-nominated screenwriter Jose Rivera to create and authentic retelling of this story.
Also in 2011, Medavoy also announced his collaboration with The Shanghai Film Group to create both a feature film and six-hour miniseries. The feature, an adaptation of the novel "The Cursed Piano", is a love story set in Japanese-occupied China concerning prosecuted Jews seeking refuge from an occupied Europe. The mini-series, Tears of a Sparrow (2011), will focus in greater detail on the experience of these Jews in Shanghai.
Medavoy has received numerous awards, including the 1992 Motion Picture Pioneer of the Year Award, the 1997 Career Achievement Award from UCLA, and the Lifetime Achievement Award (1998) at the Cannes Film Festival. He was awarded the 1999 UCLA Neil H. Jacoby Award, which honors individuals who have made exceptional contributions to humanity. Medavoy also received the inaugural Fred Zinnemann Award (2001), presented by the Anti-Defamation League, the Israel Film Festival's Lifetime Achievement Award (2002), as well as a Career Achievement Award from the University of Central Florida (2002). In 2004, he received the Louis B. Mayer Motion Picture Business Leader of the Year Award from Florida Atlantic University and in 2005, he was the recipient of UCLA School of Theater, Film and Television and Producers Guild of America Vision Award. Also in 2005, Medavoy was inducted into the Hollywood Walk of Fame and received a star on Hollywood Boulevard. In 2007, he received the Stella Adler Actors Studio Marlon Brando Award and in 2008, a Lifetime Achievement Award from the Jerusalem Film Foundation. In 2009, he was given the Honorary Doctorate at the Academy of Art in San Francisco and was named Chevalier of the French Government's Legion of Honor. Mike also received the Bernardo O'Higgins award from the Chilean government on February 16th, 2010. In 2011, Medavoy received the Raimondo Rezzonico Prize at the Locarno Film Festival. In 2012, at the 2012 Shanghai International Film Festival, Medavoy was bestowed with the Outstanding Achievement Award.
Medavoy has also served as chairman of the jury of the Tokyo Film Festival, advisor to the Shanghai Film Festival and advisor to the St. Petersburg Festival. He was a member of the board of the Academy of Motion Picture Arts & Sciences from 1977 to 1981. Medavoy is also one of the original founding members of the board of governors of the Sundance Institute (1978) and is chairman emeritus of the American Cinematheque and the Stella Adler Actors Studio in New York.
Medavoy has made a mark not only within his industry, but in his community as well. He was appointed to the Board of Directors of the Museum of Science and Industry in Los Angeles by Governor Jerry Brown and was appointed by Mayor Richard Riordan as Commissioner on the Los Angeles Board of Parks and Recreations. He is a member of the board of directors of the University of Tel Aviv. He also serves on the board of trustees of the UCLA Foundation and is a member of the Chancellor's Associates, the Dean's Advisory Board at the UCLA School of Theatre, Film and Television and the Alumni Association's Student Relations Committee. He is also the co-chairman of the Burkle Center for UCLA's Center for International Relations and served as a member of the board of advisers at the Kennedy School at Harvard University for five years. In 2002, Governor Gray Davis appointed Mike to the California Anti-Terrorism Information Center's Executive Advisory Board; he is also a member of both the Council on Foreign Relations and the Homeland Security Advisory Council. Medavoy is also on the Baryshnikov Arts Center Advisory Committee in New York, and serves on the advisory board of the University of Southern California's Center on Public Diplomacy.
Throughout his career, Mike Medavoy has also been active in politics. In 1984, he was Co-Finance Chair of the Gary Hart campaign. He also actively participated in President Clinton's campaigns in 1992 and 1996. In 2008, he supported the candidacy of Barack Obama, and his wife, Irena, was the Co-Finance Chair.
In 2002, Simon & Schuster published Mr. Medavoy's best-selling book, You're Only As Good As Your Next One: 100 Great Films, 100 Good Films and 100 For Which I Should Be Shot - which was subsequently released in paperback in 2003. Mike's new book, entitled American Idol After Iraq; Competing for Hearts and Minds in the Global Media Age and published in 2009, reflects on the impact of media on U.S. foreign policy with co-author Nathan Gardels, editor of the National Political Quarterly.
Mike was born in Shanghai, China in 1941 of Russian-Jewish parents, and lived in Chile from 1947 to 1957. He graduated from UCLA in 1963. He is married to Irena Ferris Medavoy, a founder of Team Safe-T and a charity executive and fund raiser for the Industry Task Force. Mike Medavoy has two sons, Brian Medavoy and Nicholas Medavoy, and resides in Beverly Hills, California.- Producer
- Writer
- Music Department
Born November 9, 1965 in Indianapolis, Indiana, US as Ryan Patrick Murphy, he is an American writer, director, and producer, responsible for creating such hits as Nip/Tuck (2003), Glee (2009) and American Horror Story (2011). His mother, J. Andy Murphy, was a writer and communications worker and his father was a circulation director in the newspaper industry. He has one brother. He attended a Catholic school till the eighth grade and graduated from Warren Central High School. He went on to study journalism at the Indiana University Bloomington, where he was also a member of a vocal ensemble, and went on to intern in the style section of the The Washington Post in 1986. In 1990 he got into screenwriting, but only in 1999 was his first story produced: it was Popular (1999), a teen comedy show, which he co-created with Gina Matthews and which run for two seasons. In 2003 he created Nip/Tuck (2003), which brought him his first Emmy nomination. He won the award six years later, when in 2009 he directed the pilot of his hit series Glee (2009) which he co-created with Ian Brennan and Brad Falchuk. In 2011 he and Falchuk co-crated another highly popular series, American Horror Story (2011). in 2015 he was awarded the Award for Inspiration from amfAR, The Foundation for AIDS Research. In 2018 Murphy signed a five-year $300 million development deal with Netflix. He is a pan equal opportunities activist, both through his movies and television projects which very often focus on the LGBTQ+ community, and as a creator of the Half Initiative, which aims at making Hollywood more inclusive for women and minorities. He's been married to photographer David Miller since 2012. They have three sons, Logan Phineas, Ford, and Griffin Sullivan.- Producer
- Actor
- Writer
Harvey Weinstein was born on March 19, 1952, in Flushing, Queens, New York City, New York, USA, the first of two boys born to Max and Miriam Weinstein. He is a film producer, known for Pulp Fiction (1994), Shakespeare in Love (1998), and Gangs of New York (2002). He has been married and divorced twice; most recently from Georgina Chapman and previously from Eve Chilton.- Producer
- Production Manager
- Additional Crew
- Producer
- Additional Crew
- Production Manager
Kevin Feige is an American film producer who has produced every Marvel Cinematic Universe film since Iron Man. He got his start as an associate and executive producer for the Sam Raimi Spider-Man films, Daredevil, The Punisher, Ang Lee's Hulk, the original X-Men trilogy, Blade: Trinity and Tim Story's Fantastic Four films. Avengers: Endgame, one of his produced films is one of the highest grossing superhero films.