the hills are alive
List activity
132 views
• 0 this weekCreate a new list
List your movie, TV & celebrity picks.
86 people
- Composer
- Music Department
- Soundtrack
Lubos Fiser was born on 30 September 1935 in Prague, Czechoslovakia. He was a composer, known for Král Ubu (1996), The Golet in the Valley (1995) and Valerie and Her Week of Wonders (1970). He died on 22 June 1999 in Prague, Czech Republic.- Music Department
- Composer
- Actor
German-born composer Hans Zimmer is recognized as one of Hollywood's most innovative musical talents. He featured in the music video for The Buggles' single "Video Killed the Radio Star", which became a worldwide hit and helped usher in a new era of global entertainment as the first music video to be aired on MTV (August 1, 1981).
Hans Florian Zimmer was born in Frankfurt am Main, then in West Germany, the son of Brigitte (Weil) and Hans Joachim Zimmer. He entered the world of film music in London during a long collaboration with famed composer and mentor Stanley Myers, which included the film My Beautiful Laundrette (1985). He soon began work on several successful solo projects, including the critically acclaimed A World Apart, and during these years Zimmer pioneered the use of combining old and new musical technologies. Today, this work has earned him the reputation of being the father of integrating the electronic musical world with traditional orchestral arrangements.
A turning point in Zimmer's career came in 1988 when he was asked to score Rain Man for director Barry Levinson. The film went on to win the Oscar for Best Picture of the Year and earned Zimmer his first Academy Award Nomination for Best Original Score. The next year, Zimmer composed the score for another Best Picture Oscar recipient, Driving Miss Daisy (1989), starring Jessica Tandy, and Morgan Freeman.
Having already scored two Best Picture winners, in the early 1990s, Zimmer cemented his position as a preeminent talent with the award-winning score for The Lion King (1994). The soundtrack has sold over 15 million copies to date and earned him an Academy Award for Best Original Score, a Golden Globe, an American Music Award, a Tony, and two Grammy Awards. In total, Zimmer's work has been nominated for 7 Golden Globes, 7 Grammys and seven Oscars for Rain Man (1988), Gladiator (2000), The Lion King (1994), As Good as It Gets (1997), The The Preacher's Wife (1996), The Thin Red Line (1998), The Prince of Egypt (1998), and The Last Samurai (2003).
With his career in full swing, Zimmer was anxious to replicate the mentoring experience he had benefited from under Stanley Myers' guidance. With state-of-the-art technology and a supportive creative environment, Zimmer was able to offer film-scoring opportunities to young composers at his Santa Monica-based musical "think tank." This approach helped launch the careers of such notable composers as Mark Mancina, John Powell, Harry Gregson-Williams, Nick Glennie-Smith, and Klaus Badelt.
In 2000, Zimmer scored the music for Gladiator (2000), for which he received an Oscar nomination, in addition to Golden Globe and Broadcast Film Critics Awards for his epic score. It sold more than three million copies worldwide and spawned a second album Gladiator: More Music From The Motion Picture, released on the Universal Classics/Decca label. Zimmer's other scores that year included Mission: Impossible II (2000), The Road to El Dorado (2000), and An Everlasting Piece (2000), directed by Barry Levinson.
Some of his other impressive scores include Pearl Harbor (2001), The Ring (2002), four films directed by Ridley Scott; Matchstick Men (2003), Hannibal (2001), Black Hawk Down (2001), and Thelma & Louise (1991), Penny Marshall's Riding in Cars with Boys (2001), and A League of Their Own (1992), Tony Scott's True Romance (1993), Tears of the Sun (2003), Ron Howard's Backdraft (1991), Days of Thunder (1990), Smilla's Sense of Snow (1997), and the animated Spirit: Stallion of the Cimarron (2002) for which he also co-wrote four of the songs with Bryan Adams, including the Golden Globe nominated Here I Am.
At the 27th annual Flanders International Film Festival, Zimmer performed live for the first time in concert with a 100-piece orchestra and a 100-voice choir. Choosing selections from his impressive body of work, Zimmer performed newly orchestrated concert versions of Gladiator, Mission: Impossible II (2000), Rain Man (1988), The Lion King (1994), and The Thin Red Line (1998). The concert was recorded by Decca and released as a concert album entitled "The Wings Of A Film: The Music Of Hans Zimmer."
In 2003, Zimmer completed his 100th film score for the film The Last Samurai, starring Tom Cruise, for which he received both a Golden Globe and a Broadcast Film Critics nomination. Zimmer then scored Nancy Meyers' comedy Something's Gotta Give (2003), the animated Dreamworks film, Shark Tale (2004) (featuring voices of Will Smith, Renée Zellweger, Robert De Niro, Jack Black, and Martin Scorsese), and Jim Brooks' Spanglish (2004) starring Adam Sandler and Téa Leoni (for which he also received a Golden Globe nomination). His 2005 projects include Paramount's The Weather Man (2005) starring Nicolas Cage, Dreamworks' Madagascar (2005), and the Warner Bros. summer release, Batman Begins (2005).
Zimmer's additional honors and awards include the prestigious Lifetime Achievement Award in Film Composition from the National Board of Review, and the Frederick Loewe Award in 2003 at the Palm Springs International Film Festival. He has also received ASCAP's Henry Mancini Award for Lifetime Achievement. Hans and his wife live in Los Angeles and he is the father of four children.- Composer
- Music Department
- Actor
Clinton Darryl Mansell is an English singer, musician and film composer known for his collaborations with Darren Aronofsky. He composed Pi, Requiem for a Dream, The Fountain, Black Swan, The Wrestler, Noah, Ghost in the Shell, Peacemaker, Doom Patrol, Loving Vincent, Mass Effect 3, Titans, World Traveler, Smokin' Aces, Doom, The Hole, and Definitely, Maybe.- Composer
- Music Department
- Actor
Angelo Badalamenti was born on 22 March 1937 in Brooklyn, New York City, New York, USA. He was a composer and actor, known for Mulholland Drive (2001), Twin Peaks: Fire Walk with Me (1992) and Lost Highway (1997). He was married to Lonny Irgens. He died on 11 December 2022 in Lincoln Park, New Jersey, USA.- Writer
- Director
- Producer
Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Composer
- Music Department
- Sound Department
Tôru Takemitsu was born on 8 October 1930 in Tokyo, Japan. He was a composer, known for Harakiri (1962), Ran (1985) and Rising Sun (1993). He died on 20 February 1996 in Tokyo, Japan.- Music Department
- Composer
- Special Effects
Bruno Nicolai was born on 26 May 1926 in Rome, Lazio, Italy. He was a composer, known for Romeo and Juliet (1968), Django (1966) and Once Upon a Time... in Hollywood (2019). He died on 16 August 1991 in Rome, Lazio, Italy.- Composer
- Music Department
- Actor
Cliff Martinez was born on 5 February 1954 in The Bronx, New York, USA. He is a composer and actor, known for Only God Forgives (2013), The Neon Demon (2016) and Drive (2011).- Composer
- Actor
- Producer
Writer-director Shane Carruth, a former software engineer, burst onto the independent movie scene with his extremely low-budget science-fiction film Primer (2004) in 2004. Carruth also played one of the two leads in the film and composed its music. "Primer" won the Grand Jury Prize and the Alfred P. Sloan Award at the Sundance Film Festival.
Born in Myrtle Beach, South Carolina in 1972, Carruth studied mathematics in college and became a flight simulation software developer before making his first movie. Carruth then spent the next eight years developing "A Topiary", another science-fiction film. The movie was never made and Carruth said that "I basically wasted my whole life on" the project.
Carruth finally made a second film, Upstream Color (2013), which was released in 2013 after debuting at the Sundance Film Festival. He is working on his third film, "The Modern Ocean".- Composer
- Music Department
- Actor
Jonny Greenwood was born on 5 November 1971 in Oxford, Oxfordshire, England, UK. He is a composer and actor, known for The Master (2012), There Will Be Blood (2007) and Phantom Thread (2017). He has been married to Sharona Katan since 1995. They have three children.- Composer
- Actor
- Music Department
Chu Ishikawa was born in 1966. He was a composer and actor, known for Gemini (1999), Killing (2018) and Tetsuo: The Iron Man (1989). He died on 21 December 2017 in Japan.- Composer
- Music Department
- Writer
Luis Bacalov was born on 30 August 1933 in San Martín, Buenos Aires, Argentina. He was a composer and writer, known for The Postman (1994), Django Unchained (2012) and Kill Bill: Vol. 1 (2003). He died on 15 November 2017 in Rome, Italy.- Composer
- Music Department
- Sound Department
Kenji Kawai was born on 23 April 1957 in Shinagawa, Tokyo, Japan. He is a composer, known for Ip Man (2008), Ghost in the Shell 2: Innocence (2004) and Ip Man 4: The Finale (2019).- Composer
- Music Department
- Actor
Carter Burwell was born on 18 November 1954 in New York City, New York, USA. He is a composer and actor, known for Carol (2015), Three Billboards Outside Ebbing, Missouri (2017) and The Banshees of Inisherin (2022). He has been married to Christine Sciulli since 1999.- Composer
- Music Department
- Soundtrack
Throughout his legendary career, composer John Debney has seen himself in equal demand for holiday classics such as Hocus Pocus and Elf, tentpoles like Iron Man 2, The Jungle Book, and The Greatest Showman, and the powerful epic The Passion of the Christ, for which he received an Academy Award nomination for Best Original Score. Debney's key to success is his immense versatility, composing for comedies (Bruce Almighty, Liar, Liar), action (Predators, The Scorpion King), horror (End of Days, Dream House), romance (Marry Me, Valentine's Day), and family films (Clifford the Big Red Dog, Dora and the Lost City of Gold) with the same confidence and panache. Debney is also known for his work in such films as Princess Diaries 1 & 2, Sin City, Spy Kids, The SpongeBob Movie: Sponge Out of Water, No Strings Attached, The Emperor's New Groove, Chicken Little, I Know What You Did Last Summer, Ice Age: Collision Course, Isn't It Romantic, Come Away, Jingle Jangle: A Christmas Journey, Home Sweet Home Alone, and The Beach Bum.
His more recent projects include Robert Rodriguez's Spy Kids: Armageddon for Netflix, Paramount Pictures' Tom Brady-produced 80 for Brady, Apple+ and Skydance Animation's Luck, Universal's Jennifer Lopez starrer Marry Me, and Disney+'s Hocus Pocus 2.
Upcoming projects include Kevin Costner's 2-part western epic Horizon: An American Saga for New Line Cinemas, Columbia Pictures' animation Garfield starring Chris Pratt, Paramount Pictures' Under the Boardwalk, Netflix's In Your Dreams, and Amazon Prime's Space Cadet.
Born in Glendale, California, Debney studied music composition at the California Institute of the Arts, and afterward began his career orchestrating and composing scores for Walt Disney Studios and various television series. He won his first Emmy Award in 1990 for the main theme for western series The Young Riders, and has since won three additional Emmy Awards and received nominations for a total of seven, with his latest being Disney+'s smash hit Hocus Pocus 2 in 2023. Debney has also worked with industry titan Seth MacFarlane on numerous episodes of his sci-fi space series The Orville, utilizing nearly 100-piece orchestras to record his bombastic adventure scores. His first foray into video game scoring, Sony's 2007 medieval adventure Lair, resulted in a BAFTA nomination and a Best Videogame Score award from The International Film Music Critics Association.
Debney has collaborated with acclaimed directors as diverse as Jon Favreau, Kevin Costner, Robert Rodriguez, David E. Talbert, Harmony Korine, Kat Coiro, Brenda Chapman, Mel Gibson, Peggy Holmes, the late Garry Marshall, Adam Shankman, Kenny Ortega, and the late Ivan Reitman. In 2005, he was the youngest recipient of ASCAP's Henry Mancini Career Achievement Award.- Music Department
- Composer
- Actor
Howard Shore is a Canadian composer, born in Toronto. He was born in a Jewish family. He started studying music when 8-years-old, and played as a member of bands by the time he was 13-years-old. He was interested in a professional career in music as a teenager. He studied music at the Berklee College of Music, a college of contemporary music located in Boston.
For a few years in the late 1960s and early 1970s, Shore was a member of Lighthouse, a jazz fusion band. In the 1970s, Shore mainly composed music for theatrical performances and a few television shows. His most notable work was composing the music for the one-man-act show of stage magician Doug Henning. He also served as a musical director in then-new television show "Saturday Night Live" (1975-). He was hired by the show's producer Lorne Michaels, who was a close friend of Shore since their teen years.
In 1978, Shore started his career as a film score composer, with scoring the B-movie " I Miss You, Hugs and Kisses" (1978). His next film score was composed for the horror film "The Brood" (1979). Shore had a good working relationship with the film's director David Cronenberg. Cronenberg would continue to use Shore as the composer of most of his films, with the exception of "The Dead Zone" (1983).
In the 1980s, Shore also composed the film scores of works by other directors, such as "After Hours" (1985) by Martin Scorsese, and "Big" (1988) by Penny Marshall. He received more acclaim for composing the film score for "The Silence of the Lambs" (1991), a major hit of its era. Shore was nominated for a BAFTA award for this film score.
By the 1990s, Shore was an established composer of high repute and worked in an ever increasing number of films. Among his better known works were the film scores for comedy film "Mrs. Doubtfire" (1993) and crime thriller "Seven" (1995). Shore received even more critical acclaim in the 2000s, when he composed the film score for fantasy film "The Lord of the Rings: The Fellowship of the Ring" (2001). He won an Academy Award and a Grammy for the film score, and received nominations for a BAFTA award and a Golden Globe.
Shore continued his career with the film scores of acclaimed films "Gangs of New York" (2002), "The Lord of the Rings: The Two Towers" (2002), and "The Lord of the Rings: The Return of the King" (2003). He received his second Academy Award for the film score of "The Return of the King", and his third Academy Award as the composer of hit song "Into the West". He won several other major awards for these film scores. His film scores for "The Lord of the Rings" trilogy are considered the most famous and successful works of his career.
For the rest of the 2000s, Shore closely collaborated with director Martin Scorsese. Shore won a Golden Globe for the film score of Scorsese's "The Aviator" (2004). In the 2010s, Shore continues to work regularly, mostly known for composing film scores for works by directors David Cronenberg, Martin Scorsese, and Peter Jackson. He was the main composer for "The Hobbit" trilogy by Peter Jackson, and the fantasy film "The Twilight Saga: Eclipse" (2010) by David Slade.- Sound Department
- Composer
- Music Department
Born March 13, 1951, Birmingham, Michigan. Parents: Robert and Mary. Professional music debut, 1963. First record, 1965, "So Good", The Ascots. Second record, 1967, "Maple Street Park", The Tribe. "Electric Blues Band", 1969. Session guitarist and synthesist, Detroit, 1971-73. Owned studio in Maui with Walter Becker (Steely Dan), engineer, Donald Fagen's "Kamakiriad", Walter Becker's "Eleven Tracks of Whack". Bass, Engineer, Buffy Sainte-Marie, "Coincidences and Likely Stories". Engineer, Pahinui Brothers "The Pahinui Brothers". Engineer, Willie Nelson, "Jimmy's Road". Engineer, arranger, performer, Jocelyn Montgomery, "Lux Vivens".
Currently, studio manager and music partner with David Lynch, Asymmetrical Studios, Hollywood, CA. Current CD: "Blue Bob" with David Lynch.- Composer
- Music Department
- Soundtrack
- Composer
- Music Department
- Editor
André Hossein was born on 2 February 1905 in Echghabad, Iran. He was a composer and editor, known for Train d'enfer (1965), Scorching Sands (1963) and Les yeux cernés (1964). He died on 9 August 1983 in Paris, France.- Composer
- Music Department
- Actress
Mica Levi is a musician and composer born in Guildford, UK and living in South East London.
She has previously written music for films including Under The Skin (2014, dir. Jonathan Glazer), Jackie (2016, dir. Pablo Larraín), Monos (2018, dir. Alejandro Landes), Zola (2020, dir. Janicza Bravo) and Mangrove (2020, dir. Steve McQueen).- Composer
- Music Department
- Soundtrack
The youngest of six brothers, all of them music lovers, Masaru Sato decided early in life that he wanted to be a composer. His models were two other composers born, as he was, on the northernmost Japanese island of Hokkaido: Akira Ifukube and Fumio Hayasaka. "To me", Sato said, "they were like gods". After hearing Hayasaka's score for Rashomon (1950), Sato decided Hayasaka was the only one he wanted for his teacher. He absorbed much of Hayasaka's modernist leanings, and grew to know Hayasaka's best friend Akira Kurosawa during this period. The year 1955 was a vast turning point for Sato: after scoring numerous insignificant pictures for various studios in Tokyo, Sato won the assignment for Gojira no Gyakushu (1955). Then his teacher Fumio Hayasaka died tragically young, while finishing the score for Kurosawa's Ikimono no Kiroku (1955). Sato stepped in to complete the score, uncredited. Kurosawa was sufficiently pleased with Sato to use him for all his pictures for the following ten years. Though the two had a falling-out after Akahige (1965), Sato remained one of Japan's most in-demand film composers, returning to the Gojira series several times and remaining a favorite of many other directors such as Kihachi Okamoto and June Fukuda. After scoring Dun-Huang in 1987, Sato had to call a brief halt to his career in order to tend to family interests in real estate in his native Hokkaido; but within a few years, the problems were wrapped up, and Sato was able to go back to film composing full time, at last reaching and surpassing his 300th movie score. Sato is almost unique among Japan's prolific film composers in that he has written extensively for his chosen field, but has never written for the concert stage.- Composer
- Music Department
- Actor
A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Composer
- Music Department
- Producer
For 25 years, Goblin has been scoring soundtracks for Italian films, mainly Giallo-style films directed by Dario Argento. The group consisted of keyboardist Claudio Simonetti, percussionist Walter Martino, bassist Fabio Pignatelli, guitarist Massimo Morante, percussionist Agostino Marangolo, and saxophone player, Antonio Marangolo. Simonetti and Morante were the two original founders of Goblin, which originally wanted to go under the name, "Oliver". Pignatelli had previously worked on other projects before joining Goblin. In 1975, he became a member of Cherry Five and released an album with them. Their film scoring debut was in 1975 with Argento's _Profondo Rosso (1975)_, under the direction of 'Giorgio Gaslini' . Immediately, the soundtrack had become a success with their '70s Rock style music, which had been preferred more than Gaslini's scores. Two years after the success of the Profondo Rosso Soundtrack, Goblin scored music for Argento's next film, Suspiria (1977). It was the first time that they had used sequencers. Then, in 1978, they scored the soundtrack to the Italian cut of 'George A. Romero''s Dawn of the Dead (1978). After that, the group made an album called "Il Fantastico Viaggio Del 'Bagarozzo' Mark", which spoke against heroin use. Then, the group had many problems and were unable to work together. Some members continued scoring films under the name of Goblin. Simonetti scored films like _Squadra Antigangsters (1979)_, _Amo Non Amo (1979)_, _Demons (1985)_, and Opera (1987). Pignatelli, and the Marangolos scored films like _Patrick (1979)_, _Contamination (1980)_, and _Notturno (1983)_. In 1982, Goblin had reunited to score Dario Argento's next film, Tenebrae (1982). They were credited as Simonetti-Pignatelli-Morante for Tenebre, but were credited as Goblin for Argento's film, _Phenomena (1984)_. The last film that Goblin scored, was Michele Soavi's film, _La Chiesa(1989)_.- Composer
- Actor
- Music Department
Lim Giong also known as Lin Chiang, born 7 June 1964 in Changhua, Taiwan) is a musician, artist, DJ, composer, songwriter, music producer, music director and also an actor. He is a leading figure in the Taiwanese experimental electronic music scene.
His musical career began with the release of his 1st album, "Marching Forward" in 1990. In his early days, he gave rousing performances of folk-pop music (mainly sung in Taiwanese Minnan) in Taiwan such as "A Soundless Place" from the Dust of Angels soundtrack. He was associated with the genre known as New Taiwanese Song. Then, from his 3rd album "Entertainment World" recorded in England in 1993, his compositions become increasingly infused with electronic music, evolving even from drum and bass, break beat, ambient and electronica, to more experimental and freestyle work.
He introduces Taiwanese notes into pop-rock culture, and weaves complex musical fabrics. In his works, the tradition meets the modernity, which creates the world of his own. He arranges the traditional music with the electronic flavour quite successfully in his 4th album "China Fun" in 2002, and 5th album "Folk Paradise" in 2003.
Since he began studying acting and appeared in some movies he was stimulated by the world of cinema. Consequently he became the composer of choice for Hou Hsiao-Hsien, for whom he wrote the music of Goodbye South, Goodbye and Millennium Mambo.
From the experience in the world of cinema, he has his original perspective in the interaction of the sound and the image. He tried to exceed the genre of music in his work, which is developed in the form "Stereo Picture, sometimes translated as "Three Dimensional Sound Picture")" that aims at uniting the sound and the image.
His album "Insects Awaken" was released in 2005 in Europe on the French label, MK2., and a few months later, also released in Taiwan on a Taiwanese label, EWise Digital Multimedia Corp. This album won the best crossover album of the 17th Golden Melody Awards in 2006.
In 2005, Cannes Film Festival invited him to perform at an outdoor event. There he performed music from "Insects Awaken", with the images which include the elements of the National Palace Museum's collection.
He also produces the music for the special 90 seconds commercial film of National Palace Museum that celebrates its 80th anniversary in October, 2005. The concept of this film, "Old is New" coincides with his detached stance. And this special commercial film won the gold of the American Association of Museums' 2006 Muse award.
He is now participating in the activity of the Creative Commons in Taiwan, and undertakes the responsibility of the CC Party.- Composer
- Music Department
- Writer
Born in Baltimore, Maryland, Glass worked in his father's radio store and discovered music listening to the offbeat Western classical records customers didn't seem to want. He studied the violin and flute, and obtained early admission to the University of Chicago. After graduating in mathematics and philosophy, he went to New York's Juilliard school, drove a cab, and studied composition with Darius Milhaud and others.
At 23, he moved to Paris to study under the legendary Nadia Boulanger, who taught almost all of the major Western classical composers of the 20th century. While there, he discovered Indian classical music while transcribing the works of Ravi Shankar into Western musical notation for a French filmmaker. A creative turning point, Glass researched non-Western music in India and parts of Africa, and applied the techniques to his own composition.
Back in the United States, Glass spent the late 1960s and early 1970s driving a taxi cab in New York and creating a major collection of new music. In 1976, his landmark opera "Einstein on the Beach" was staged by Robert Wilson to a baffling variety of reviews. His compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, dance, and song.
His work in film, beginning with Koyaanisqatsi (1982), gave filmmakers such as Godfrey Reggio and Errol Morris a new venue of expression through the documentary form. His many recordings have also widened his audience. He was commissioned by the Metropolitan Opera to compose "The Voyage" for the Columbus quinquacentennial in 1992. In 1996, he composed original music for the Atlanta Olympic Games, which, perhaps, made Glass almost mainstream. Glass remains one of the most important American composers. His music is distinctive, haunting, and evocative. Either performed by itself or in collaboration with other media, his compositions move the listener to unexplored places. More recently, a major reexamination of Glass's oeuvre has led him to be labeled the Last Romantic by the musical press.- Composer
- Actor
- Music Department
Trent Reznor is an American songwriter/musician/producer and sole member of multi-platinum act Nine Inch Nails, and now an Academy Award, Emmy and Grammy Award winning film composer. He began creating music as a child in Western Pennsylvania, first on piano and then taking up other instruments. He eventually moved to Cleveland, OH where he took a job at a local recording studio as an assistant engineer/janitor, recording his own material during unused studio time.
Those recordings became the first Nine Inch Nails album, 1989's Pretty Hate Machine. NIN soon developed a reputation as one of the best live acts in rock and joined the inaugural Lollapalooza tour in 1991. The Broken EP followed in 1992, garnering NIN's first Grammy Award (NIN has received twelve Grammy nominations and won two awards). In 1994, the breakthrough album The Downward Spiral was released and featured the radio hits "Closer" and "Hurt." The controversial music video for "Closer" was directed by Mark Romanek and is considered among the best music videos of all time having won various awards (it is one of the few music videos included in the permanent collection of the Museum of Modern Art in New York City). NIN's mud-covered appearance that Summer at Woodstock 1994 is now legendary. Also released that year was the Reznor produced soundtrack to Oliver Stone's Natural Born Killers (1994). He returned to film 3 years later, producing the soundtrack for David Lynch's Lost Highway (1997). In 1997, Reznor appeared on Time magazine's most influential people list, and Spin magazine named him "the most vital artist in music."
Five years later NIN's next album, The Fragile, was released - the double album debuted at number one. In 2002, "Hurt" was covered by Johnny Cash to critical acclaim; it was one of Cash's final hit releases before his death. NIN's next album, With Teeth, also reached number one in 2005 as did the single "The Hand That Feeds." Reznor broke new ground by posting the single's source tracks as a free download for fans to edit/remix/sample as they pleased and creating an online community for fans to share their creations. David Fincher directed the video for "Only," With Teeth's second single.
The concept album Year Zero was released in 2007 alongside an accompanying ARG (alternate reality game). Conceived by Trent Reznor and assisted in execution by 42 Entertainment, the ARG progressed through the album release and beyond, featuring no less than 29 websites, hidden messages within NIN merchandise, recordings and bar codes, hot lines, flier and poster campaigns, and even resistance cell "meetings" organized via calls made to pre-paid cell phones distributed to participants. Within two months, the ARG amassed 2.5 million cumulative site visits, 7.5 million cumulative page views and 2 million phone calls. Reznor has developed Year Zero into an HBO/BBC mini-series.
In 2008, free of contractual obligations, NIN released Ghosts I-IV, a 36-track instrumental album, NIN's first independent release. Soon after, a new studio album, The Slip, was released as a free digital download alongside a simple message: "Thank you for your continued and loyal support over the years - this one's on me" - TR (In less than a year, it exceeded 1.8M downloads). Ghosts I-IV and The Slip were both released under Creative Commons licenses allowing extensive use of the material within independent film projects. Following these two releases, NIN embarked on the acclaimed Lights In The Sky Tour featuring groundbreaking production effects, layering and programming that allowed the performers to interact and control aspects of the show's visuals. The tour was recognized by the industry as one of the top-ten most creative tours of all time.
Over the course of his career, Reznor has also collected countless production and remix credits including collaborations with David Bowie, producing Saul Williams and the discovery and production of Marilyn Manson.
In 2010, Reznor composed his first film score; for David Fincher's masterwork The Social Network (2010). The score won the Academy Award for best score and the Golden Globe Award for Best Original Score. Additionally, he received a Critics' Choice Movie Award and a Los Angeles Film Critics Association Award for best score. He also scored Fincher's next film, the highly anticipated The Girl with the Dragon Tattoo (2011).
In addition to his continued work in Nine Inch Nails, Reznor is recording new music as a member of the group How to Destroy Angels.- Music Department
- Composer
- Actor
As Danny Elfman was growing up in the Los Angeles area, he was largely unaware of his talent for composing. It wasn't until the early 1970s that Danny and his older brother Richard Elfman started a musical troupe while in Paris; the group "Mystic Knights of Oingo-Boingo" was created for Richard's directorial debut, Forbidden Zone (1980) (now considered a cult classic by Elfman fans). The group's name went through many incarnations over the years, beginning with "The Mystic Knights of the Oingo Boingo" and eventually just Oingo Boingo. While continuing to compose eclectic, intelligent rock music for his L.A.-based band (some of which had been used in various film soundtracks, e.g. Weird Science (1985)), Danny formed a friendship with young director Tim Burton, who was then a fan of Oingo Boingo. Danny went on to score the soundtrack of Pee-wee's Big Adventure (1985), Danny's first orchestral film score. The Elfman-Burton partnership continued (most notably through the hugely-successful "Batman" flicks) and opened doors of opportunity for Danny, who has been referred to as "Hollywood's hottest film composer".- Composer
- Music Department
- Actor
Atticus Ross was born on 16 January 1968 in England, UK. He is a composer and actor, known for The Social Network (2010), The Girl with the Dragon Tattoo (2011) and Mank (2020). He has been married to Claudia Sarne since 2001. They have three children.- Music Department
- Composer
- Additional Crew
Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS. There, he was given his first embryonic assignments as a composer for radio shows such as "Romance" and "CBS Radio Workshop". He wrote one score a week for these shows, which were performed live on transmission. He stayed with CBS until 1960, having already scored The Twilight Zone (1959). He was hired by Revue Studios to score their series Thriller (1960). It was here that he met the influential film composer Alfred Newman who hired Goldsmith to score the film Lonely Are the Brave (1962), his first major feature film score. An experimentalist, Goldsmith constantly pushed forward the bounds of film music: Planet of the Apes (1968) included horns blown without mouthpieces and a bass clarinetist fingering the notes but not blowing. He was unafraid to use the wide variety of electronic sounds and instruments which had become available, although he did not use them for their own sake.
He rose rapidly to the top of his profession in the early to mid-1960s, with scores such as Freud (1962), A Patch of Blue (1965) and The Sand Pebbles (1966). In fact, he received Oscar nominations for all three and another in the 1960s for Planet of the Apes (1968). From then onwards, his career and reputation was secure and he scored an astonishing variety of films during the next 30 years or so, from Patton (1970) to Star Trek: The Motion Picture (1979) and from Chinatown (1974) to The Boys from Brazil (1978). He received 17 Oscar nominations but won only once, for The Omen (1976) in 1977 (Goldsmith himself dismissed the thought of even getting a nomination for work on a "horror show"). He enjoyed giving concerts of his music and performed all over the world, notably in London, where he built up a strong relationship with London Symphony Orchestra.
Jerry Goldsmith died at age 75 on July 21, 2004 after a long battle with cancer.- Composer
- Music Department
- Sound Department
By the age of 15 (1973), Joseph LoDuca was opening for rock legends Bob Seger and Ted Nugent in smoky Detroit clubs and sneaking into Jeff Beck concerts. He was hooked. He went on to train formally in classical music at the University of Michigan and in New York City. He plugged into the jazz scene and submerged himself in cultures from around the world. Prior to his career as a movie composer, he performed through the United States and Europe as a jazz artist. Among his recordings is the Grammy-nominated "Nat Cole Songbook" with vocalist Mark Murphy in 1987. Joseph's credits include 2 Primetime Emmy Awards, 11 Primetime Emmy Nominations, and "Most Performed Underscore" recognitions from ASCAP for 4 consecutive years. He garnered a César Nomination; "Meilleure Musique Écrite Pour Un Film" (Best Music) for the French international movie Brotherhood of the Wolf (2001), as well as being lauded as "Horror Film Composer of the Year" for his score to Army of Darkness (1992). LoDuca created the soundtracks for the highest-rated syndicated TV Series Xena: Warrior Princess (1995), Hercules: The Legendary Journeys (1995), and the critically acclaimed American Gothic (1995), as well as over 20 movie scores, and TV Series Leverage (2008) for TNT and Spartacus (2010) for Starz!. His more recent work includes music for the British movie Patagonia (2010), which includes song collaborations with Duffy, Bryn Terfel and Angelo Badalamenti, and TV Series The Librarians (2014).- Composer
- Music Department
- Actor
Riz Ortolani was born on 25 March 1926 in Pesaro, Marche, Italy. He was a composer and actor, known for Day of Anger (1967), Kill Bill: Vol. 1 (2003) and Festa di laurea (1985). He was married to Katina Ranieri. He died on 23 January 2014 in Rome, Lazio, Italy.- Composer
- Music Department
- Actor
Ravi Shankar was a world-renowned musician, composer, performer, and scholar of classical Indian music. He was one of the leading cultural figures of the twentieth century whose accomplishments placed him as the leading figure of an important musical tradition. His long and distinguished musical career included numerous recordings, performances at all the world's leading venues, and a series of unprecedented collaborations with other leading musicians. Although he is well known because of his interaction with the popular music world, it is important to underscore that Shankar is considered the leading international figure in a very elevated art form, Hindustani music. Shankar was born on April 7, 1920, in Varanasi, India. He moved to Paris in 1930, and received most of his education there. From the age of 12, he performed as a musician and dancer on tour in Europe and America with his brother Uday Shankar, and in 1939 had his first concert as soloist at a music conference in Allahabad. By 1945 Shankar's reputation as the leading performer of traditional Hindustani music on the sitar had coalesced. He began to branch out as a composer, writing music for ballet and for important films such as such as Dharti Ke Lal and Neecha Nagar. He also composed the song Sare Jahan Se Accha, which is one of the most widely known piece of music in India. In 1949, Shankar became Music Director of All-India Radio at Delhi, and founded the Vadya Vrinda Chamber Orchestra. During the years 1950-55 Shankar composed some of his most famous music, most notably in the internationally-acclaimed film studios of Calcutta, where he scored The Ray Triology. For his outstanding contribution to Indian music and culture, he received his first of five Presidential Awards in 1962, India's highest honor in the arts. In the mid-1960s, his preeminence as one of the world's leading serious musicians was augmented with wide popular success. George Harrison of The Beatles developed a deep, abiding interest in Hindustani music, and began to study with Shankar. One influence of this study can be heard in his song Within You, Without You. Shankar died in San Diego, California in 2012 at the age of 92.- Composer
- Music Department
- Actor
Vangelis was a composer and performer who worked almost exclusively with electronic instruments. With Jean-Michel Jarre and Mike Oldfield in the 1970s, Vangelis was a pioneer in the instrumental music and a main influence in the creation of the musical genre "new age," a style related to spiritual, meditation, relaxing ambient sounds as well as sounds from outer space. He was probably most well known for his Chariots of Fire (1981), Blade Runner (1982), The Bounty (1984) and 1492: Conquest of Paradise (1992) soundtracks or for the tracks used in the documentary TV series Cosmos (1980) created, produced and hosted by scientist Carl Sagan. Vangelis was involved in many musical collaborations, most famously with British progressive rock band Yes's founding member Jon Anderson.- Music Department
- Composer
- Actor
The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20. After writing scores for Orson Welles's radio shows in the 1930s (including the notorious 1938 "The War of the Worlds" broadcast), he was the obvious choice to score Welles's film debut, Citizen Kane (1941), and, subsequently, The Magnificent Ambersons (1942), although he removed his name from the latter after additional music was added without his (or Welles's) consent when the film was mutilated by a panic-stricken studio. Herrmann was a prolific film composer, producing some of his most memorable work for Alfred Hitchcock, for whom he wrote nine scores. A notorious perfectionist and demanding (he once said that most directors didn't have a clue about music, and he blithely ignored their instructions--like Hitchcock's suggestion that Psycho (1960) have a jazz score and no music in the shower scene). He ended his partnership with Hitchcock after the latter rejected his score for Torn Curtain (1966) on studio advice. He was also an early experimenter in the sounds used in film scores, most famously The Day the Earth Stood Still (1951), scored for two theremins, pianos, and a horn section; and was a consultant on the electronic sounds created by Oskar Sala on the mixtrautonium for The Birds (1963). His last score was for Martin Scorsese's Taxi Driver (1976) and died just hours after recording it. He also wrote an opera, "Wuthering Heights", and a cantata, "Moby Dick".- Composer
- Music Department
- Actor
Regarded as one of the best producers and musicians in rock history, Eno started his career in 1971 with Roxy Music. The band released two albums, "Roxy Music" and "For Your Pleasure", with the two Brians in the lineup (the other one was, of course, lead singer Bryan Ferry); a conflict between the two Brians forced Eno to leave Roxy Music in 1973. Since then, he has released well-acclaimed ambient-music albums, both solo and with collaborators such as John Cale, Robert Fripp and Daniel Lanois. As a producer, Eno has worked with David Bowie, U2, Talking Heads, Devo and James Lumb.- Music Artist
- Composer
- Actor
The Chemical Brothers are a British electronic music duo composed of Tom Rowlands and Ed Simons, which originated in Manchester in 1989. They were pioneers at bringing the big beat genre to the forefront of pop culture. In film industry they have composed the soundtrack for the 2011 movie Hannah. The Chemical Brothers' live shows comprise large screens displaying psychedelic images, strobe lights, and lasers that project over the crowd.- Music Artist
- Writer
- Actor
Robert Bartleh Cummings, more famously known as Rob Zombie, was born in Haverhill, Massachusetts on January 12, 1965. He is the oldest son of Louise and Robert Cummings, and has a younger brother, Michael David (aka Spider One; b. 1968), who is the lead singer of Powerman 5000. Growing up, Zombie loved horror movies, which have greatly influenced his music and filmmaking career; in 1983, he graduated from Haverhill High School. After graduating, he moved to New York City to attend Parsons School of Design, also briefly working as a production assistant on Pee-wee's Playhouse (1986).
Zombie and his then-girlfriend, Sean Yseult, co-founded the band White Zombie, named after the Bela Lugosi classic horror film of the same name (White Zombie (1932)). The band released their debut studio album, 'Soul-Crusher', in 1987; their second, 'Make Them Die Slowly', followed in 1989, but generated little buzz.
Following the release of their fourth extended play, however, White Zombie caught the attention of Geffen Records, who in 1992 went on to release their third studio album, 'La Sexorcisto: Devil Music Volume One'. This album sold over two million copies in the U.S., becoming the band's breakout hit. White Zombie's fourth and final album, 'Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head', was released in 1995 to critical and commercial success, ultimately becoming their most successful album. The band released a remix album in 1996 and disbanded the same year, officially breaking up in 1998.
Rob Zombie began working on a debut album in 1997; 'Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International' came out in 1998, selling over three million copies. Zombie formed his own record label, Zombie-A-Go-Go Records, in 1998.
Zombie composed the original score for the video game Twisted Metal III (1998) and designed a haunted attraction for Universal Studios in 1999. In 2000, he began working on his directional debut, House of 1000 Corpses (2003). Inspired mainly by classics such as The Texas Chain Saw Massacre (1974), the film was delayed until 2003 due to distributional issues. Though criticized for its explicit depictions of violence and gore, it went on to gross over $16 million and has garnered a cult following.
Zombie's second studio album, 'The Sinister Urge', was released in 2001 and sold over a million copies. In 2002, he married his longtime girlfriend Sheri Moon Zombie, who has appeared in all of his movies to date and often accompanies him on tour to choreograph dance routines and create costumes. Zombie released a sequel to 'House of 1000 Corpses' in 2005, entitled The Devil's Rejects (2005). Although it received much more positive reviews than its predecessor, it was still criticized for its violent content. He released his third studio album, 'Educated Horses', the following year.
In 2007, Zombie decided to focus on his work as a filmmaker for a while; the same year, he would release his most polarizing movie to date: Halloween (2007), a remake of the 1978 classic of the same name (Halloween (1978)). It received a mixed reception, but was a box office hit, and still currently resides as the top Labor Day weekend grosser. Zombie directed a fictitious trailer entitled 'Werewolf Women of the SS' (inspired by the exploitation flick Ilsa: She Wolf of the SS (1975)) for Grindhouse (2007). In 2009, Zombie directed Halloween II (2009), which was critically panned, and The Haunted World of El Superbeasto (2009), which was based upon one of his comic book series.
Also in 2009, Zombie began working on a new album; 'Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool' came out the following year. In 2011, he directed a horror-themed commercial for Woolite, and began work on a new film, The Lords of Salem (2012). Unlike Zombie's previous efforts, 'The Lords of Salem' focused more on building suspense and a nightmarish, surreal atmosphere and less on brutal violence and excessive profanity. It ultimately received mixed reviews; just after its release, Zombie came out with his fifth studio album, 'Venomous Rat Regeneration Vendor', his lowest-selling to date.
Zombie lent his voice to the superhero movie Guardians of the Galaxy (2014). He also began work on 31 (2016), which tells the story of five carnival workers who are trapped and forced to fight for survival against a gang of murderous clowns. It premiered at the 2016 Sundance Film Festival in January, and will be released in September. In April, Zombie's sixth studio album, 'The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser', was released. Additionally, he has signed on to direct a film on the life of zany comic Groucho Marx, though a release date is uncertain.
Zombie is most recognized for his heavy metal style of music, influenced by his love of classic horror, and his exploitation/splatter-type movies. Overall, he has sold an estimated fifteen million albums worldwide, and his films have grossed over $150 million in total.- Composer
- Music Department
- Soundtrack
Mario Migliardi was born on 31 May 1919 in Alessandria, Piedmont, Italy. He was a composer, known for The Price of Death (1971), Tharus figlio di Attila (1962) and It's Your Move (1968). He died in 2000 in Rome, Lazio, Italy.- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.- Music Department
- Writer
- Composer
John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).- Composer
- Music Department
- Composer
- Actor
- Music Department
Thomas Bangalter was born on 3 January 1975 in Paris, France. He is a composer and actor, known for Tron: Legacy (2010), Electroma (2006) and The Saint (1997). He is married to Élodie Bouchez. They have two children.- Music Department
- Composer
- Additional Crew
Brian Gascoigne was born on 16 June 1943 in Much Wenlock, Shropshire, England, UK. He is a composer, known for The Emerald Forest (1985), The Dark Crystal (1982) and Harry Potter and the Goblet of Fire (2005). He has been married to Laura Warner since 1977. They have two children.- Composer
- Music Department
- Actor
Antonio Pinto was born in Rio de Janeiro, RJ, Brazil. He is known for Collateral (2004), City of God (2002) and Central Station (1998).- Composer
- Music Department
- Producer
- Music Artist
- Composer
- Actor
- Music Department
- Writer
- Producer
Trey was born in Conifer, Colorado, on October 19, 1969 to Randy Parker, a geologist, and Sharon Parker, an insurance broker. He has an older sister, Shelley Parker. He met Matt Stone (co-creator of South Park (1997)) while attending the University of Colorado in Boulder, where he had a double major of music and Japanese. While at UCB he wrote, directed and starred in Cannibal! The Musical (1993) (aka "Cannibal: The Musical!") based on a true episode in Colorado's history. After graduation from UCB (rumors that he didn't due to skipping classes to work on the movie are false), he and Stone were asked by then-FoxLab executive Brian Graden to create an animated Christmas card for his friends and family. The now infamous short, titled The Spirit of Christmas (1995), led to South Park (1997).- Composer
- Music Department
- Actor
Armando Trovajoli was born on 2 September 1917 in Rome, Lazio, Italy. He was a composer and actor, known for Kill Bill: Vol. 1 (2003), A Special Day (1977) and Get Smart (2008). He was married to Maria Paola Trovajoli and Pier Angeli. He died on 1 March 2013 in Rome, Lazio, Italy.- Composer
- Music Department
- Soundtrack
Born in Rome, he studied composition at the Neapolitan Conservatory "S. Pietro a Majella" under the direction of M° Achille Longo then proceeded to study orchestra direction at the Chigiana Academy in Siena with Paul Van Kempen and Franco Ferrara. He also graduated in horn, after having studied with Domenico Ceccarossi. He then took part in the "A. Scarlatti" Orchestra of Naples and in the Rome Symphonic Orchestra of RAI TV. In 1968 he won the "Review" award of young conductors sponsored by RAI, and since then he has been very active in conducting concerts and operas in Italy and abroad. In 1974 he held the chair of orchestra rehearsals at the Conservatory "S. Pietro a Majella" in Naples where, since 1983, he has been teaching orchestra direction. He has been teaching at the "S. Cecilia" Conservatory of Rome since 1989.
He has recorded many discs with music by Boccherini, Mozart, Ciaikovsky, Honegger, Chausson, Beethoven, C. Nielsen, V. Caracciolo. He is the director of the "Roma Symphonia" orchestra. In the field of film soundtracks he began his activity in the 1950s composing music for a few documentaries and feature films. In 1955 he attended a course in film music taught by Angelo Francesco Lavagnino at the Chigiana Academy in Siena, and later became his assistant, collaborating with him on several major films. In 1957 he started his collaboration with Folco Quilici, first on some documentaries, then on the following films: "Dagli Appennini alle Ande" followed by "Ti-koyo e il suo Pescecane" and on several TV series such as "Firenze 1000 Giorni", "L'Uomo Europeo", "Festa Barocca", "Grandepoque", "Archivi del Tempo", "Le Avventure del Capitano Cook", etc. He has composed scores to hundreds of cinematographic and TV documentaries and to more than 200 films, especially historical films and westerns, in Italy, Spain, Germany and the U.S..- Composer
- Music Department
- Actor
Piero Piccioni was born in Turin (Italy) on the 6th December 1921. Son of a pure Turinese mother (her maiden name was Marengo), and from here the pseudonym Piero Morgan, which he adopted until 1957. He had played on the radio with his historic Big Band "013" in 1938, to then return, after the liberation of Italy in 1944. His was the first Italian jazz band to be aired in Italy. Piero Piccioni had listened to jazz since he was a child and had learned to play the piano without having been to the Conservatory. As a self-taught musician, his father used to accompany him to visit the E.I.A.R. in Florence, to listen to orchestral recitals. As he began to write some songs of his own he was able to get some published by Carisch. Having written nearly 300 soundtracks and pieces for radio, television, ballets and orchestra he was deeply influenced by 20th century classical composers and by American cinematography. Amongst his favourites were Frank Capra, Alfred Hitchcock, Billy Wilder, John Ford and Alex North, who had greatly influenced him in his use of jazz.
Piero Piccioni had come in contact with the world of movies during the fifties when he was practicing as a lawyer in Rome and sealing movie rights for Italian Italian distributors as Titanus and De Laurentiis. During that time, Michelangelo Antonioni had called him to create music for a documentary for one of his apprentices, Luigi Polidoro. His first feature film was Gianni Franciolini's, "Il Mondo le Condanna"(1952). Piccioni had found a close working relationship with directors Francesco Rosi (More Than A Miracle, Le Mani Sulla Citta', Salvatore Giuliano, Chronicle of a Death Foretold) and Alberto Sordi, and had also cemented strong personal and professional bonds with them. Many directors had wanted Piero Piccioni for the music for their films: Francesco Rosi, Mario Monicelli, Alberto Lattuada, Luigi Comencini, Luchino Visconti, Antonio Pietrangeli, Bernardo Bertolucci, Roberto Rossellini, Vittorio De Sica, Tinto Brass, Dino Risi, and more. "Swept Away"(David Donatello prize) and "Tutto A Posto Niente in Ordine" by Lina Wertmuller, "Il bell'Antonio" by Mauro Bolognini , the "Tenth Victim" by Elio Petri, with Marcello Mastroianni Ursula Andress also bear his name. His very distinctive style of Jazz, Bossanova, Orchestral and Contemporary Classical will not be easily forgotten.- Music Department
- Composer
- Soundtrack
James Newton Howard attended the University of Southern California's music school, but dropped out to tour with Elton John, and eventually compose music for film and television. He started with Head Office (1985) in 1985. He has been nominated for eight Academy Awards. He currently is a songwriter, record producer, conductor, keyboardist, and film composer.- Composer
- Music Department
- Producer
Grove Dictionary of Music and Musicians states that 'Howard Blake has achieved fame as pianist, conductor and composer.' He grew up in Brighton, at 18 winning a scholarship to The Royal Academy of Music where he studied piano and composition.
Over the course of an immensely busy musical career as composer, pianist and conductor he has created over 700 works in many genres and categories. His most famous score is undoubtedly that composed for the animated film 'The Snowman' with its iconic song 'Walking in the Air'. The orchestral concert version of 'The Snowman' is now performed world-wide whilst the stage show, in effect a full-length ballet choreographed by Robert North, has run for twenty years in the West End, courtesy of Sadlers Wells.
Concert works include the Piano Concerto commissioned by The Philharmonia for Princess Diana's thirtieth birthday, the Violin Concerto commissioned by the City of Leeds and The English Northern Philharmonia, the Clarinet Concerto for Thea King and the English Chamber Orchestra and large-scale choral/orchestral works such as 'The Passion of Mary' and 'Benedictus',which was championed and recorded by Sir David Willcocks and Robert Tear with The Royal Philharmonic. His catalog of CDs more recently added Sir Neville Marriner conducting his woodwind concertos with The Academy of St. Martin in the Fields and an album of his piano music recorded for Decca by Vladimir Ashkenazy.
Amongst scores for feature films are 'A Month in the Country' which won him the BFI Anthony Asquith Award for musical excellence, Sir Ridley Scott's 'The Duellists' which won him the critics award at the Cannes Film Festival and his orchestral score for 'Flash Gordon' for which he was jointly nominated for a BAFTA award with the group Queen.
In 2010 a performance of Howard's 'Diversions' in Bratislava by the young cellist Benedict Kloeckner won him The European Broadcasting Union Award, which led to further collaborations, more compositions and a complete album of music for cello and piano, with Howard playing the piano himself. It was called 'Diversions'.
Howard is a Fellow of the Royal Academy of Music and received the Order of the British Empire from the Queen for services to music.- Composer
- Music Department
- Additional Crew
Donald Davis is an American film composer and conductor who is known for composing the music of The Matrix trilogy, Enter the Matrix, The Animatrix, SeaQuest 2032, the Beauty and the Beast television series and Jurassic Park III. He did orchestration for films composed by James Horner, Randy Newman and Alan Silvestri.- Composer
- Music Department
- Additional Crew
Jeff Grace is known for Sweet Tooth (2021), In the Shadow of the Moon (2019) and In a Valley of Violence (2016).- Composer
- Music Department
- Additional Crew
Wendy Carlos, one of the great innovators in synthesized and electronic music, was born as Walter Carlos in Rhode Island on November 14, 1939. She underwent a sex-change operation in 1972, details of which she revealed during a surprise Playboy interview in 1979. Walter's last credited release is "Sonic Seasonings" (1972). Wendy's first credited release is the "Tron" soundtrack (1982), which was released on CD in 2002.- Composer
- Actor
- Soundtrack
Popol Vuh is known for Aguirre, the Wrath of God (1972), Sightseers (2012) and A Bigger Splash (2015).- Composer
- Music Department
- Writer
Krzysztof Penderecki was a Polish composer and conductor, whose music was often used in film. He seldom composed original film scores. Among the most notable films to use Penderecki's music are "The Exorcist" (1973), "The Shining" (1980), "Wild at Heart" (1990), "Fearless" (1993), "Inland Empire" (2006), "Children of Men" (2006), and "Shutter Island" (2010),
Penderecki was born in the town of Debica, in the historic province of Lesser Poland. His parents were the lawyer Tadeusz Penderecki and his wife Zofia. Tadeusz was an amateur violinist and pianist. Penderecki was a grandson of bank director Robert Berger, who had a side-career as a painter. Robert's father was Johann Berger, a German Protestant from Breslau (modern Wroclaw), who converted to Catholicism in order to marry a Catholic girl. Penderecki's grandmother Stefania was an Armenian from the town of Stanislau in Austria-Hungary (modern Ivano-Frankivsk in Western Ukraine).
Penderecki was 6-years-old when World War II begun. The Penderecki family had to move out of their apartment, as it was confiscated for use by the Ministry of Food. Penderecki's education was disrupted by the War. He started attending grammar school in 1946, at the age of 13. He graduated in 1951.
Penderecki started studying violin during his school years. His first teacher was military bandmaster Stanislaw Darlak, who also led a local orchestra in Debica. In 1951, Penderecki enrolled at the Jagiellonian University in Kraków, where he continued his music studies. Stanislaw Tawroszewicz trained him as a violinist, while Franciszek Skolyszewski taught him music theory.
In 1954, Penderecki enrolled at the Academy of Music in Kraków. Having mostly completed his violin lessons, his education was focused entirely on the composition of new music. His original mentor was composer Artur Malawski, who was primarily known for choral and orchestral works. Malawski died in 1957, before Penderecki completed his lessons. His new mentor was composer Stanislaw Wiechowicz (1893-1963), who often drew inspiration from Polish folk music.
Penderecki graduated from the Academy of Music in 1958, and was immediately offered a teaching position there. He took the offer. He started publishing his original compositions, which were mostly influenced by the works of Pierre Boulez, Igor Stravinsky, and Anton Webern. His works "Strophen", "Psalms of David", and "Emanations" premiered in 1959, and were critically well-received.
His first work to actually receive international recognition was "Threnody to the Victims of Hiroshima" (1960), written for 52 string instruments. His next notable work was the controversial "Fluorescences" (1962) written for the Donaueschingen Festival in Germany. He experimented with using percussion instruments which were unusual for classical music, such as "a Mexican güiro", typewriters, and gongs.
His experimental phase lasted through the 1960s, and he was seen as part of the avant-garde scene. By the early 1970s, Penderecki started incorporating more influences from the music of post-Romanticism, and his works were seen as more traditional. Meanwhile he had become one of Poland's most notable composers, He was awarded the Knight's Cross of the Order of Polonia Restituta in 1964, and the Commander's Cross of the Order in 1974.
In the mid-1970s Penderecki became a professor at the Yale School of Music. His music became more melodic. His "Symphony No. 2, Christmas" (1980) was "harmonically and melodically quite straightforward", and made frequent uses of the tune used in an older Christmas carol, "Silent Night" (1818) by Franz Xaver Gruber (1787-1863). He explained his renunciation of the avant-garde, as he viewed the novelty of the music as "more destructive than constructive".
In 1980, the Polish trade union "Solidarity" commissioned to compose music commemorating those killed in anti-government riots at the Gdansk shipyards. Penderecki initially composed "Lacrimosa" for the occasion. He was inspired enough to expand the work to one of his most famous compositions, "Polish Requiem". He revised it several times between 1980 and 2005.
By the 2000s, Penderecki won many international awards and his fame was well-established. He started working on a number of compositions which were never finished, in part due to poor health. His plans included an opera version of the French tragedy play "Phèdre" (1677) by Jean Racine (1639-1699), and a composition commemorating the Armenian Genocide's centennial.
In March 2020, Penderecki died in his home in Kraków, Poland, following a long illness. He was 86-years-old, and several of his compositions were regarded among the famous film music of the 20th century.- Music Department
- Composer
- Producer
John Ottman holds dual distinctions as a leading film composer and an award winning film editor. Ottman has often completed both monumental tasks on the same films. Such remarkable double duties have included The Usual Suspects, X-Men 2, Superman Returns, Valkyrie, and Jack the Giant Killer. He has also held producer roles on several of these films, as well as directing, editing and scoring Urban Legends 2.
From an early age in San Jose, California, Ottman began writing and recording radio plays on cassette tapes. He'd perform many characters with his voice (and some sound effects), and called upon his neighborhood friends as extra cast members.
By the fourth grade, Ottman was playing the clarinet and continued doing so throughout high school. But his real concentration turned from audio productions to making films. He turned his parents' garage into a movie studio, where multiple sets were interchangeable to accommodate productions - invariably some sort of science fiction film. By high school, his films evolved to hour-long productions complete with large sets and lavish scores edited together from his favorite soundtracks.
Having been a veteran of numerous short films, Ottman excelled at USC film school, receiving accolades for his direction of actors and for how masterfully he edited their performances. It was in this directing course that a graduate filmmaker asked Ottman to re-edit his thesis film. John modified the story from raw footage and also designed the film's extensive sound. The film ended up winning the student Academy Award. On that film, Ottman met a production assistant named Bryan Singer.
Singer, only aware of Ottman's editing (Ottman stayed awake into the wee hours learning midi gear and composing music), asked him to edit a short film starring Ethan Hawke - a childhood friend of Singer's. Ottman ended up co-directing the film (Lion's Den) as well as editing and doing the sound design.
Ottman edited Singer's first feature, Public Access. His effective sequences and editorial montages became the highlight of the picture. In the eleventh hour, the film lost its composer. Singer asked Ottman to write the score, after much prodding from the editor. Public Access received the Grand Jury Prize at the 1993 Sundance Film Festival, with the score and editing being lauded in reviews.
With The Usual Suspects and future Singer films, Ottman held to a promise that, despite his scoring dreams, he would commit to the months required to also serve as editor on Singer's films. The wary producers of The Usual Suspects gave the go-ahead for him to both edit the complicated picture and write the score, the demands of which no one had undergone. The film was edited in Ottman's living room on a Steinbeck flatbed and a splicer. The Usual Suspects and Ottman's work received widespread acclaim, earning Ottman the British Academy Awards for his editing, a Saturn Award for his score, and a nomination by the American Cinema Editors.
Since then, Ottman has scored numerous films with the intent of keeping thematic film scoring alive. Ottman also made a brief foray into television for which he received an Emmy nomination ("Fantasy Island.")- Composer
- Actor
- Soundtrack
Hikaru Hayashi was born on 22 October 1931 in Tokyo, Japan. He was a composer and actor, known for Ballad of the Cart (1959), Postcard (2010) and Ningen no kabe (1959). He died on 5 January 2012 in Tokyo, Japan.- Music Department
- Composer
- Actress
Nora Orlandi was born on 28 June 1933 in Voghera, Lombardy, Italy. She is a composer and actress, known for Kill Bill: Vol. 2 (2004), Double Face (1969) and The Sweet Body of Deborah (1968).- Composer
- Music Department
- Director
Michael Nyman studied piano, harpsichord and music history with Alan Bush at the Royal Academy of Music, and musicology with Thurston Dart at King's College, London. Between 1968 and 1978 he worked as a music critic and in 1977 he founded the Campiello Band, later renamed the Michael Nyman Band. Many of his filmscores were composed for the films of Peter Greenaway. He has also written several operas, ballet music and a large number of chamber and concert pieces.- Composer
- Music Department
- Actor
- Composer
- Music Department
- Soundtrack
- Composer
- Music Department
- Writer
Jóhann Jóhannsson was born on 19 September 1969 in Reykjavík, Iceland. He was a composer and writer, known for Last and First Men (2020), The Theory of Everything (2014) and Sicario (2015). He died on 9 February 2018 in Berlin, Germany.- Composer
- Soundtrack
Elvis Perkins was born on 9 February 1976 in New York City, New York, USA. He is a composer, known for The Blackcoat's Daughter (2015), I Am the Pretty Thing That Lives in the House (2016) and Infinitely Polar Bear (2014).- Sound Department
Christian Michelis is known for Materialfilme (1976), Raumsehen und Raumhören (1974) and Raumsehen und Raumhören - Originallänge/linearer Schnitt (1974).- Composer
- Music Department
- Producer
Cho Young-wuk was born on 1 January 1962 in South Korea. He is a composer and producer, known for Decision to Leave (2022), Oldboy (2003) and The Handmaiden (2016).- Composer
- Music Department
- Actor
He studied piano and harmony at Santa Cecilia Conservatory in Rome. In 1957 he started playing light music, being the pianist of important singers such as Rita Pavone. In USA he studied jazz with Dave Brubeck. In 1966 he was called by Cam to compose his first soundtrack: The Bounty Killer, a film directed by Tomas Milian. After the good success, he was asked to compose other soundtracks, among which was A Man, A Horse And A Gun in 1967, which was recorded in the same year by Henry Mancini. Worldwide fame, however, came in 1970, when he composed the score for Anonymous Venetian. This score was a hit all over the world, receiving all the major awards, and is still considered one of the most famous Italian soundtracks. Another very important soundtrack is Tentacles, an American film interpreted by John Huston, Shelley Winters and Henry Fonda. Stelvio Cipriani has composed over 200 film scores, still continuing his activity.- Composer
- Music Department
- Actor
François de Roubaix was born on 3 April 1939 in Neuilly-sur-Seine, Hauts-de-Seine, France. He was a composer and actor, known for The Samurai (1967), Commentçavaj'menfous ou Les malentendus (1976) and La haine (1995). He was married to Lorraine De Roubaix. He died on 21 November 1975 in Los Cristianos, Tenerife, Canary Islands, Spain.- Composer
- Music Department
- Soundtrack
Eric Demarsan (sometimes Eric De Marsan) was born on October 2nd, 1938 in Paris.
His father was a businessman and his grandmother a painter and musician.
At 12 he was impressed by a pianist's glissando during a family dinner in a restaurant. From then onwards he took piano lessons.
At about 18, he play piano until dawn in the nightclubs of the "Place du Tertre", in Montmartre, along with Bernard Dimey, Marian Kouzan and most of all Michel Magne.
He became the assistant of the latter for two years and learned from him numerous techniques of orchestration and the "threads" of the music of film.
In the 60s, he composed for commercials and industrial documentaries.
He also worked as orchestrator for the TV series of Cécile Aubry "Belle et Sebastien", then as composer for "Sébastien Parmi les Hommes".
In 1967 he orchestrated for François de Roubaix the TV serie "Les Chevaliers du Ciel" of François Villiers as well as the films "Diaboliquement Votre" of Julien Duvivier and "Le Samourai" of Jean-Pierre Melville.
After this work he composed for Melville "L'Armée des Ombres" in 1969 then, next year, "Le Cercle Rouge", within a fortnight, after Michel Legrand's music was rejected.
He worked several times with film directors such as Jean-Pierre Mocky (six times), Costa-Gavras ("Section Spéciale") and Patrice Leconte ("Les Spécialistes").
He also composed for the TV, in particular "La Dernière Fête" of Pierre Granier-Deferre and "Clarissa" of Jacques Deray.
Today Eric Demarsan has become the usual composer of Guillaume Nicloux with "Une Affaire Privée" in 2001 and "Cette Femme Là" in 2003.- Composer
- Music Department
- Actor
Georges Delerue was born on 12 March 1925 in Roubaix, Nord, France. He was a composer and actor, known for Platoon (1986), Twins (1988) and The Day of the Dolphin (1973). He was married to Micheline Gautron. He died on 20 March 1992 in Los Angeles, California, USA.- Composer
- Sound Department
- Cinematographer
Andreas Köbner was born on 11 October 1951 in Mannheim, Germany. He is a composer and cinematographer, known for Lady Cop (1994), Drei Ansichten einer Stadt (1973) and Die Katze (1988).- Composer
- Music Department
- Sound Department
Kiyoshi Yoshida was born on 27 May 1964 in Tokyo, Japan. Kiyoshi is a composer, known for The Girl Who Leapt Through Time (2006), Big Fish & Begonia (2016) and Sonic Adventure 2 (2001).- Composer
- Music Department
- Soundtrack
Ying-Wah Wong is known for Shaolin Soccer (2001), Kung Fu Hustle (2004) and Journey to the West: Conquering the Demons (2013).- Music Department
- Composer
- Actor
Giorgio Moroder was born on 26 April 1940 in Urtijëi, Trentino-Alto Adige, Italy. He is a composer and actor, known for Top Gun (1986), Flashdance (1983) and Over the Top (1987).- Music Artist
- Composer
- Actor
Nick Cave is a man of many talents. Musician. Songwriter. Screenwriter. Novelist. Actor. The Australian was born in Warracknabeal, Victoria in 1957, and would go onto form the alternative rock band Nick Cave & The Bad Seeds, who have since successfully released a string of hit albums.
In film, Nick has starred in two films with Brad Pitt: Johnny Suede (1991) by Tom DiCillo and The Assassination of Jesse James by the Coward Robert Ford (2007). He scripted the dark western, The Proposition (2005) and has contributed to over 50 soundtracks including Gas Food Lodging (1992) with fellow rocker J. Mascis of Dinosaur Jr.. His first contribution was in the Marlon Brando film, The Freshman (1990): 'From Her To Eternity'.
Nick is also a lyricist and poet. His first offering was 'King Ink' (1988).- Composer
- Music Department
- Soundtrack
John Murphy is a British film composer from Liverpool. He began composing music scores for films in the early 1990s, working on several successful British movies, enjoying particular success with the soundtracks to Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000).
Since 2000, Murphy has been based in Los Angeles. From here, he has worked with some of the industry's most respected and luminary filmmakers, including Danny Boyle, Stephen Frears and Michael Mann, and produced several prominent and diverse successes, including 28 Days Later, Miami Vice, Sunshine and 28 Weeks Later.- Composer
- Music Department
- Actor
David Wingo got his start composing music for films in David Gordon Green's debut feature George Washington, collaborating on the score with Michael Linnen. The movie went on to win numerous awards and eventually released on DVD by the Criterion Collection. Wingo and Linnen collaborated again on Green's Sundance Award-winning follow-up All The Real Girls and since that Wingo has worked with Green on a majority of his films.
His core for the Jeff Nichols film Take Shelter, which won the Grand Prix prize at the Cannes Film Festival, landed him a Discovery Of The Year Award nomination at the World Soundtrack Awards. In 2013 Wingo scored Nichols' MUD, which was released to worldwide acclaim and went on to be the breakout indie hit of the year. Wingo has also worked on two Warner Bros films, Green's Our Brand Is Crisis, starring Sandra Bullock, and Nichols' studio debut Midnight Special. Wingo has been active with his band Ola Podrda since 2006, releasing three acclaimed full length albums and touring the US and Europe multiple times.- Composer
- Music Department
- Sound Department
Susumu Hirasawa was born on 2 April 1954 in Tokyo, Japan. He is a composer, known for Paprika (2006), Millennium Actress (2001) and Berserk: The Golden Age Arc II - The Battle for Doldrey (2012).- Composer
- Music Department
- Actor
Tom Holkenborg, aka Junkie XL, is a Grammy-nominated multi-platinum producer, musician, composer and educator whose versatility puts him on the cutting edge of contemporary music, and whose thirst for innovation is helping to reimagine the world of composition.
A full-contact composer, Holkenborg is hands-on at every stage of the composing process, a multi-instrumentalist who combines a mastery of studio engineering, classical musical training and an innate sense of curiosity. He's as adept working with a 50 piece philharmonic orchestra as he is with a wall of modular synths, playing a bass guitar or building his own physical and digital instruments. His drive to reimagine what's possible and share that knowledge with the next generation of composers is what makes Holkenborg a unique force, and one of the most in-demand film composers in the world.
Tom's film scoring credits have grossed over $2 billion at the box office and include Mad Max: Fury Road, Deadpool, Black Mass, Alita: Battle Angel, Divergent, Brimstone, Justice League: The Snyder Cut, Godzilla vs. Kong, The Dark Tower, Tomb Raider, Terminator: Dark Fate, the record setting Sonic the Hedgehog and forthcoming projects including The 355, Army of The Dead, 3000 Years of Longing and more. He has worked with directors and producers including Peter Jackson, Robert Rodriguez, James Cameron, George Miller, Christopher Nolan, Zack Snyder and Tim Miller among many others.
An educator as well as a creator, Tom is committed to breaking down the barriers of entry in the world of film composition, creating the free SCORE Academy program in Los Angeles, a music composition program at the ArtEZ conservatorium in his home country of the Netherlands, and on YouTube, where he hosts his educational series StudioTime, which has been watched millions of times.
Tom is able to draw on his extensive knowledge of classical forms and structures while keeping one finger planted firmly on the pulse of popular music. When his eclectic background is paired with his skill as a multi-instrumentalist (he plays keyboards, guitar, drums, violin, and bass) and a mastery of studio technology, a portrait emerges of an artist for whom anything is possible. Outside of his own artistry Tom's desire to marry technology and classical composition to initiate change and evolution led him to partner with Orchestral Tools in 2019 to create Junkie XL Brass, his first sample library, making world-class sounds available to composers everywhere.- Iris ter Schiphorst is known for Berlin Symphony (2002), The Seashell and the Clergyman (1928) and Happiness Machine (2019).
- Composer
- Music Department
- Actor
Armando Trovajoli was born on 2 September 1917 in Rome, Lazio, Italy. He was a composer and actor, known for Kill Bill: Vol. 1 (2003), A Special Day (1977) and Get Smart (2008). He was married to Maria Paola Trovajoli and Pier Angeli. He died on 1 March 2013 in Rome, Lazio, Italy.- Composer
- Actor
- Music Department
One of the most prolific and versatile score composers in the history of contemporary cinema, known for his essential contribution to the films of Chilean director Raúl Ruiz. Their French debut Dog's Dialogue (1977) won a Cesar for best short film, launching them as what has become the most productive and artistically creative duo in Latin American cinema history. Arriagada is a musical descendant of Arnold Schönberg. He studied composition and orchestral conduction at the National Music Conservatory in Santiago, Chile, subsequently obtaining a scholarship from the French Government to study expressionism with Schönberg's friend and student, Max Deutsch in Paris. Other relevant teachers were Olivier Messiaen in composition and Pierre Boulez in orchestra conduction. In 1972 he was awarded with a fellowship by the Guggenheim Foundation in New York, due to his contribution in the field of electronic music. Through more than 100 films, Jorge Arriagada has given proof of great virtuosity, exploring all possible genres and styles: classic, contemporary, folk music, jazz and tango, among others. Memorable scores include Silver Bear award winning films like Genealogies of a Crime (1997) and Shattered Image (1998). Recent full orchestral scores include the films Klimt (2006) and Marcel Proust's Time Regained (1999), the later based on Marcel Proust's famous literary work. Jorge Arriagada was the first composer to make a musical interpretation of Proust's imaginary "Sonate de Vinteuil", for this particular film. He has also contributed with scores for the films of directors Miguel Littin and Olivier Assayas, as well as for the productions of Nouvelle Vague pioneer, producer-director Barbet Schroeder.- Music Artist
- Actor
- Composer
David Bowie was one of the most influential and prolific writers and performers of popular music, but he was much more than that; he was also an accomplished actor, a mime and an intellectual, as well as an art lover whose appreciation and knowledge of it had led to him amassing one of the biggest collections of 20th century art.
Born David Jones, he changed his name to Bowie in the 1960s, to avoid confusion with the then well-known Davy Jones (lead singer of The Monkees). The 1960s were not a happy period for Bowie, who remained a struggling artist, awaiting his breakthrough. He dabbled in many different styles of music (without commercial success), and other art forms such as acting, mime, painting, and play-writing. He finally achieved his commercial breakthrough in 1969 with the song "Space Oddity", which was released at the time of the moon landing. Despite the fact that the literal meaning of the lyrics relates to an astronaut who is lost in space, this song was used by the BBC in their coverage of the moon landing, and this helped it become such a success. The album, which followed "Space Oddity", and the two, which followed (one of which included the song "The Man Who Sold The World", covered by Lulu and Nirvana) failed to produce another hit single, and Bowie's career appeared to be in decline.
However, he made the first of many successful "comebacks" in 1972 with "Ziggy Stardust", a concept album about a space-age rock star. This album was followed by others in a similar vein, rock albums built around a central character and concerned with futuristic themes of Armageddon, gender dysfunction/confusion, as well as more contemporary themes such as the destructiveness of success and fame, and the dangers inherent in star worship. In the mid-1970s, Bowie was a heavy cocaine abuser and sometime heroin user.
In 1975, he changed tack. Musically, he released "Young Americans", a soul (or plastic soul as he later referred to it) album. This produced his first number one hit in the US, "Fame". He also appeared in his first major film, The Man Who Fell to Earth (1976). With a permanently-dilated pupil and skeletal frame, he certainly looked the part of an alien. The following year, he released "Station to Station," containing some of the material he had written for the soundtrack to this film (which was not used). As his drug problem heightened, his behavior became more erratic. Reports of his insanity started to appear, and he continued to waste away physically. He fled back to Europe, finally settling in Berlin, where he changed musical direction again and recorded three of the most influential albums of all time, an electronic trilogy with Brian Eno "Low, Heroes and Lodger". Towards the end of the 1970s, he finally kicked his drug habit, and recorded the album many of his fans consider his best, the Japanese-influenced "Scary Monsters". Around this time, he appeared in the title role of the Broadway drama The Elephant Man, and to considerable acclaim.
The next few years saw something of a drop-off in his musical output as his acting career flourished, culminating in his acclaimed performance in Merry Christmas Mr. Lawrence (1983). In 1983, he released "Let's Dance," an album which proved an unexpected massive commercial success, and produced his second #1 hit single in the United States. According to producer Nile Rodgers, the album was made in just 17 days and was "the easiest album" he'd ever made in his life. The tour which followed, "Serious Moonlight", was his most successful ever. Faced with this success on a massive scale, Bowie apparently attempted to "repeat the formula" in the next two albums, with less success (and to critical scorn). Finally, in the late 1980s, he turned his back on commercial success and his solo career, forming the hard rock band, Tin Machine, who had a deliberate limited appeal. By now, his acting career was in decline. After the comparative failure of Labyrinth (1986), the movie industry appears to have decided that Bowie was not a sufficient name to be a lead actor in a major movie, and since that date, most of his roles have been cameos or glorified cameos. Tin Machine toured extensively and released two albums, with little critical or commercial success.
In 1992, Bowie again changed direction and re-launched his solo career with "Black Tie White Noise", a wedding album inspired by his recent marriage to Iman. He released three albums to considerable critical acclaim and reasonable commercial success. In 1995, he renewed his working relationship with Brian Eno to record "Outside." After an initial hostile reaction from the critics, this album has now taken its place with his classic albums. In 2003, Bowie released an album entitled 'Reality.' The Reality Tour began in November 2003 and, after great commercial success, was extended into July 2004. In June 2004, Bowie suffered a heart attack and the tour did not finish its scheduled run.
After recovering, Bowie gave what turned out to be his final live performance in a three-song set with Alicia Keys at the Hammerstein Ballroom in New York in November 2006. He also returned to acting. He played Tesla in The Prestige (2006) and had a small cameo in the comedy David Bowie (2006) for fan Ricky Gervais. In 2007, he did a cartoon voice in SpongeBob SquarePants (1999) playing Lord Royal Highness. He had a brief cameo in the movie ''Bandslam'' released in 2009; after a ten year hiatus from recording, he released a new album called 'The Next Day', featuring a homage cover to his earlier work ''Heroes''. The music video of ''Stars are Out Tonight'' premiered on 25 February 2013. It consists of other songs like ''Where Are We Now?", "Valentine's Day", "Love is Lost", "The Next Day", etc.
In 2014, Bowie won British Male Solo Artist at the 2014 Brit Awards, 30 years since last winning it, and became the oldest ever Brit winner. Bowie wrote and recorded the opening title song to the television miniseries The Last Panthers (2015), which aired in November 2015. The theme used for The Last Panthers (2015) was also the title track for his January 2016 release, ''Blackstar" (released on 8 January 2016, Bowie's 69th birthday) was met with critical acclaim. Following Bowie's death two days later, on 10 January 2016, producer Tony Visconti revealed Bowie had planned the album to be his swan song, and a "parting gift" for his fans before his death. An EP, No Plan, was released on 8 January 2017, which would have been Bowie's 70th birthday. The day following his death, online viewing of Bowie's music skyrocketed, breaking the record for Vevo's most viewed artist in a single day.
On 15 January, "Blackstar" debuted at number one on the UK Albums Chart; nineteen of his albums were in the UK Top 100 Albums Chart, and thirteen singles were in the UK Top 100 Singles Chart. The song also debuted at #1 on album charts around the world, including Australia, France, Germany, Italy, New Zealand and the US Billboard 200. At the 59th Annual Grammy Awards, Bowie won all five nominated awards: Best Rock Performance; Best Alternative Music Album; Best Engineered Album, Non-Classical; Best Recording Package; and Best Rock Song. The wins marked Bowie's first ever in musical categories. David Bowie influenced the course of popular music several times and had an effect on several generations of musicians.- Composer
- Music Department
- Actor
Richard Melville Hall was born September 11, 1965, in the Manhattan, New York City, in the Harlem neighborhood to Elizabeth McBride (née Warner) and James Frederick Hall. His mother was a medical secretary and his father a professor of chemistry. The nickname Moby was assigned by his father, and was a reference to the book "Moby-Dick". Moby claims that Herman Melville, the author of "Moby-Dick" is his Great-Great-Great-Uncle. Moby's father died in a car accident when he was two years old after which his mother moved them first to San Francisco in 1969, and then between the Connecticut towns of Darien and Stratford.
At the age of nine, Moby began to play classical guitar and piano and then studied jazz, music theory, and percussion. In 1983, he joined the punk band the Vatican Commandos as a guitarist. Moby formed AWOL, known as a post punk group, and released a self-titled EP where he is credited as Moby Hall. Moby studied philosophy at the University of Connecticut and began to move from classical instruments toward electronic music, starting as a DJ for the college radio station WHUS. He transferred to State University of New York at Purchase, continuing to study philosophy and gaining interest in photography, but dropped out of college completely to pursue a DJ career.
In addition to music, Moby also started "Little Idiot Collective", a combination clothing store, comics store, and animation studio, a raw and vegan restaurant called "TeaNY" and his last venture, Little Pine, is a vegan restaurant in Los Angeles from which all profits are donated to animal welfare causes.
Today, Moby is known as an electronic music pioneer, vegan, and activist championing causes to bring awareness to animal welfare and climate change.- Actor
- Composer
- Producer
Vanilla Ice was born Robert Matthew Van Winkle on October 31, 1967 in South Dallas, Texas. He was raised by his mother, Camilla Beth (Dickerson). His father left when he was four years old and since then, he has had many stepfathers. He has German and English ancestry on his mother's side.
In his teenage years, Robert was a poor student who got dismal grades and skipped school often. He was 18 when he was in the 10th grade, and dropped out of school. During the late 80s Ice made a living by washing cars. He observed the culture and dancing of some of his peers, and later signed up at a local nightclub as a performer. He was a natural at rapping and dancing and needless to say, the audience loved him. He later got the nickname "Vanilla Ice", because he was white.
In the year of 1989, Ice signed up with SBK records and released his first LP, "Hooked", which contained the single "Play that Funky Music" that was sent to radio stations to play. The single wasn't a huge success, and "Hooked" received poor sales. Later, in 1990, a local DJ decided to turn the "Play that Funky Music" record and play what was on the other side. That single was "Ice Ice Baby", which sampled "Under Pressure" by Queen and David Bowie. Contrary to "Play that Funky Music", "Ice Ice Baby" was a huge success, and radio stations everywhere received requests to play that song. Ice re-released "Hooked" as "To The Extreme", which contained "Ice Ice Baby", and it sold over 15 million copies and holds the record for the highest selling rap record ever.
Vanilla Ice fever was everywhere. Soon there was hundreds of merchandise, such as a Vanilla Ice doll and a board game. Ice was featured on a tour of 'M.C Hammer', which influenced his dress style. Soon, he was wearing baggy jump pants and large, loud jackets with a quote on the back. "Ice Ice Baby" was on the number #1 spot for 16 weeks, and so was "To The Extreme". It was only after the success of "Ice Ice Baby" that Queen and David Bowie received credit for the sample of "Under Pressure". Vanilla Ice joked they were different, because he adding one note in his version. Ice then released "Extremely Live", which contained music from one of his concerts. It sold 500,000 copies and reached Gold status.
Later in 1991, Vanilla Ice decided to get involved in the movie business. He made an appearance in Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) and then later scored his first feature film, Cool as Ice (1991). The movie was flop, having spent only three weeks in the box office before dropping out.
Ice spent 2 years taking up motocross under his real name, and completely dropped out from the music world. In 1994, he released another album called "Mind-blowin'" which introduced Ice's new, dread-locked, dope-smoking image. "Mind-blowin'" didn't last long, since SBK records went bankrupt. Ice nearly died of an overdose of drugs, and was revived by one of his friends. He later married, and had two children.
In the next 4 years, Vanilla Ice focused on family life while still playing a couple of shows, mostly overseas or small venues. Then, in 1998, Ice made a comeback with his next album, "Hard To Swallow", his first nu-metal release, produced by Ross Robinson. The album was a far cry from his earlier works, and featured explicit language. There was even a rap-metal version of "Ice Ice Baby", called "Too Cold". Although the album only sold 100,000 copies, it was well-received by fans and made Ice almost respected again. It was followed by "Bi-Polar", "Platinum Underground" and "WTF", which combined nu-metal, rap-rock and hip-hop music with other genres, including country and reggae.
More recently, he has had his biggest mainstream resurgence, hosting the series The Vanilla Ice Project (2010), and recording a debut single with Jedward, "Under Pressure (Ice Ice Baby)", a mash-up of the two songs. He will also be returning to film in the Adam Sandler comedy That's My Boy (2012). At the 2011 Gathering of the Juggalos, it was announced that Vanilla Ice had signed to Psychopathic Records.